DOCSLIB.ORG

Write Magazine

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Write Magazine WRITE THE MAGAZINE OF THE WRITERS’ UNION OF VOLUME 48 NUMBER 4 CANADA WINTER 2021 On Being a Black Canadian Writer 11 Creating Through Community 18 The Power of Industry Transparency 20 Lit Comp-Donate promo 2020_Geist ad 2020 21-01-12 1:22 PM Page 1 EXILE’S FICTION AND POETRY COMPETITIONS $15,000 Carter V. Cooper Short Fiction Award $10,000 for Best Story by an Emerging Writer $5,000 for Best Story by a Writer at Any Career Point $3,000 Gwendolyn MacEwen Poetry Award $1,500 for Best Suite by an Emerging Writer $1,500 for Best Suite by a Writer at Any Career Point OVER $100,000 AWARDED TO CANADIAN WRITERS THROUGH COMPETITIONS THAT SUPPORT EMERGING TALENT AND WRITERS WITH AN ESTABLISHED PUBLISHING HISTORY DEADLINE: MARCH 20, 2021 (due to Covid-19, the submission dates for this round of competitions were changed, and have been extended) Details at: ExileQuarterly.com – under “Competitions” 13 WINNING AND SHORTLISTED AUTHORS HAVE GONE ON TO FULL BOOK (OR FIRST BOOK) PUBLICATION WITH EXILE EDITIONS: Silvia Moreno-Garcia*1 Christine Miscione*2 Matthew Loney* Veronica Gaylie Linda Rogers Leon Rooke Martha Bátiz*3 Hugh Graham*4 Rafi Aaron Austin Clarke 5 George McWhirter 5 Jeff Bien Coming summer 2021: most recent emerging winner Katie Zdybel’s* collection, Equipoise *Author’s first collection of stories. 1 Aurora Short Fiction Award, finalist. 2 ReLit Short Fiction Award, winner. 3 International Latino Book Award for Best Popular Fiction, winner. 4 Danuta Gleed First Book Award, finalist. 5 ReLit Short Fiction Award, finalist. all books available at www.ExileEditions.com / free shipping within Canada Lit Comp-Donate promo 2020_Geist ad 2020 21-01-12 1:22 PM Page 1 EXILE’S FICTION AND POETRY COMPETITIONS COMING SOON $15,000 Carter V. Cooper Short Fiction Award 3 debut $10,000 for Best Story by an Emerging Writer Black $5,000 for Best Story by a Writer at Any Career Point writers $3,000 Gwendolyn MacEwen Poetry Award you need $1,500 for Best Suite by an Emerging Writer to follow $1,500 for Best Suite by a Writer at Any Career Point in 2021 Pulsing with vitality and Sifton Tracey Anipare’s Using inventive forms, Persephone’s OVER $100,000 AWARDED TO CANADIAN WRITERS intense human drama, Cheluchi contemporary fantasy is rich with Children chronicles Rowan Onyemelukwe-Onuobia’s debut imaginative storytelling about a McCandless’s odyssey as a Black, THROUGH COMPETITIONS THAT SUPPORT EMERGING TALENT is set against four decades of demon-fi lled dreamworld and a biracial woman after escaping the vibrant Nigeria and celebrates the young woman teaching English stranglehold of domestic abuse. AND WRITERS WITH AN ESTABLISHED PUBLISHING HISTORY resilience of women. in Japan. Available Oct. 2021 Available May 2021 Available Sept. 2021 DEADLINE: MARCH 20, 2021 Read with us. (due to Covid-19, the submission dates for this round of competitions were changed, and have been extended) These are your stories. @dundurnpress Details at: ExileQuarterly.com – under “Competitions” 13 WINNING AND SHORTLISTED AUTHORS HAVE GONE ON TO FULL BOOK (OR FIRST BOOK) PUBLICATION WITH EXILE EDITIONS: Photo: Red Works Photography Silvia Moreno-Garcia*1 Christine Miscione*2 Matthew Loney* Veronica Gaylie Linda Rogers Leon Rooke Martha Bátiz*3 Hugh Graham*4 Rafi Aaron Austin Clarke 5 George McWhirter 5 Jeff Bien TWUC WEBINARS Coming summer 2021: most recent emerging winner Katie Zdybel’s* collection, Equipoise Professional development — for writers, by writers. *Author’s first collection of stories. 1 Aurora Short Fiction Award, finalist. 2 ReLit Short Fiction Award, winner. Learn more at writersunion.ca/webinars 3 International Latino Book Award for Best Popular Fiction, winner. 4 Danuta Gleed First Book Award, finalist. 5 ReLit Short Fiction Award, finalist. all books available at www.ExileEditions.com / free shipping within Canada national council twuc national office Chair Executive Director Anita Daher John Degen, ext. 221 First Vice-Chair [email protected] Rhea Tregebov Contents WINTER 2021 Associate Director Second Vice-Chair Siobhan O’Connor, ext. 222 Heather Wood [email protected] Treasurer Fund Development & Richard King Projects Manager Gaeby Abrahams, ext. 223 BC/Yukon Representative [email protected] Caitlin Hicks Office Administrator Alberta/NWT/Nunavut 5 Editor’s Note Valerie Laws, ext. 224 Representative [email protected] Janice MacDonald WRITER’S BLOT Membership, Equity & Manitoba/Saskatchewan Engagement Coordinator 6 Industry Q & A Representative Jessica Kirk, ext. 226 Bruce Rice [email protected] FEATURES Ontario Representative 8 Writing to Build Community Kim Fahner BY LAWRENCE HILL Quebec Representative Tommy Schnurmacher 11 On Being a Black Canadian Woman Writer Atlantic Representative BY CHERYL THOMPSON Stephen Kimber Advocates DISPATCHES Kevin Chong 14 The Poetry of Possibility Cobra Collins Alejandro Saravia BY ELIZABETH MUDENYO 15 Playing with Form BY ROWAN MCCANDLESS Guest Editor Chelene Knight 16 Going Up on the Rough Side of Black Canadian Guest Editorial Board Valérie Bah, Lawrence Hill, Rhonda Kronyk, Dwayne Morgan Kidlit Copyeditor Nancy MacLeod BY NADIA L. HOHN Write Magazine Advertising Gaeby Abrahams [email protected] 18 Fieldnotes from Africville: Creating Through Design soapboxdesign.com Community Layout Gaeby Abrahams BY SHAUNTAY GRANT Cover Illustration Chelsea Charles chelseacharlesillustration.com 19 Writing from Within BY DIANAH SMITH Views expressed in Write do not necessarily reflect those of The Writers’ Union of Canada. As a member magazine, Write provides FEATURES space for writers’ individual opinions. We welcome a diversity of views and respectful debate in these pages. All submissions are welcome. 20 Who is Your Audience: The Things I Learned Services advertised are not necessarily endorsed by the Union. from Both Sides of the Industry BY WANDA TAYLOR We acknowledge the support of the Canada Council for the Arts. 23 A Pedagogy of Sincerity, Inquiry, and Courage BY BRANDON WINT 26 Artistic Growth Through Authentic Mentorship We acknowledge funding support from the Ontario Arts Council, an agency of the Government of Ontario. BY ZALIKA REID-BENTA 29 NEWS MEMBER NEWS & AWARDS Write is produced four times yearly by The Writers’ Union of Canada, Announcements 460 Richmond Street West, Suite 600, Toronto, Ontario, M5v 1Y1 30 T 416.703.8982, F 416.504.9090, [email protected], www.writersunion.ca. 31 Awards © The Writers’ Union of Canada, 2021. 32 New Members The text paper used for this issue contains 100 percent post-consumer fibre, is accredited EcoLogo and Processed Chlorine Free, and is processed in a mill that uses biogas. If you would like to help us save on paper, please contact [email protected] or 416-703-8982 ext. 223 to request future online editions of the magazine. Thank you. 4 write Editor’s Note By Chelene Knight When I was asked to edit this issue of Write knowing I would be working exclusively with Black writers, I desired the opportunity to In this issue, we as a group ask: Is there truly equitable space respond to their pieces; to go back and forth and at the table for more Black writers, agents, acquisitions editors, entrepreneurs, teachers, and CEOs to talk about the known converse with these writers. I wanted to slow nuances of publishing books, supporting authors, and creating down and tell them how their pieces affected stories that change the way we see the world? Is there time for us to learn about one another? All of the pieces in this issue offer me and how I saw them fitting together, as a me hope. They tell me it is possible and necessary. But how do community. we get there? I am the only writer in my family. My parents didn’t read to I take to heart the relationship that can form when a Black editor me as a child, and I was often discouraged from having my face and Black writer are encouraged to sit down together, even for a buried in a book, but I refused to let go of the worlds I was falling short time. Why is this relationship such a rare occurrence? into and the ones I was creating. I recall building stories that When I initially read through all of the pieces in this issue, I felt started at the end, and spiralling characters into unmentionable a common thread poking out from beneath the pages. Although predicaments, but not having any idea if this was how writing these stories and opinions are offered to us on the page through started. As a young girl I would write letters to my father telling different perspectives and various experiences, I couldn’t ignore him all the stories I was creating and what was happening in the cohesiveness. To me, this issue of Write began to feel as if we my day. My younger cousin and I would write humorous, far-off were all deep in conversation. tales about movies we’d seen and plop them into mailboxes I’ve always known that through community and collaboration addressed to no one in particular. What if we are encouraged we could indeed visit and at the very least explore a reimagining to explore storytelling through uniquely constructed containers of the Canadian publishing industry. We envision the necessity and structures as Rowan McCandless does in her piece on craft, of transparency in Wanda Taylor’s piece and how open “Playing With Form”? What if our entry point into the world communication with authors and publishers can empower us to of writing starts with writing a letter like Lawrence Hill speaks create and sustain diverse spaces. And it is that sustainability that about in his piece? What if we could show the decision-makers has been the missing link for so long. Even if Black voices make that there is a demand and desire for work that unfolds in ways it onto the page, and into the decision-making rooms, how do we we’ve not seen before? What about Dianah Smith’s exploration of ensure this space is equitable? Equity and equality are two very language to tell our stories in a way that is authentic to us? What different things.
Load more

Recommended publications
  • An Interview with Dennis Bock
    Read with us. February 15 – March 1, 2018 About the author Author Biography About the book An Interview with Dennis Bock Read on An Excerpt from Olympia The Communist’s Daughter by Dennis Bock An Excerpt from The Ash Garden Recommended Reading Web Detective Join the discussion at togetherweread.com The Communist’s Daughter by Dennis Bock February 15 – March 1, 2018 Author Biography Raised in Oakville, Ontario, Dennis Bock is one of five children born to German parents. His mother and father are both craftspeople: she, a weaver; he, a carpenter. The family lived near Lake Ontario, and Bock remembers his father building a sailboat in their basement, an experience that later influenced his short story collection,Olympia . There were few English-language books in his childhood home, so becoming a writer wasn’t Bock’s original career choice. As a boy, he dreamed of being a marine biologist. During high school, however, he got caught up in the magic of Gulliver’s Travels. “It was the first book I read with the understanding that someone’s mind had put all those words together— that someone’s imagination had constructed something that didn’t exist before.” After studying English and philosophy for three years at the University of Western Ontario, Bock set off for Spain. Wanderlust, he says, took him there. “Spain was the setting of some of my favourite stories and novels. I had a preconceived, literary notion of what it would look like. Of course, it was totally different.” He also wanted to experience dislocation and immigration, “to break down my elements.” While living in Madrid, Bock taught English as a foreign language and wrote short fiction.
    [Show full text]
  • The Watermen Pdf, Epub, Ebook
    THE WATERMEN PDF, EPUB, EBOOK Patrick Easter | 416 pages | 21 Jun 2016 | Quercus Publishing | 9780857380562 | English | London, United Kingdom The Watermen PDF Book Read more Edit Did You Know? Pascoe, described as having blond hair worn in a ponytail, does have a certain Aubrey-ish aspect to him - and I like to think that some of the choices of phrasing in the novel may have been little references to O'Brian's canon by someone writing about the same era. Error rating book. Erich Maria Remarque. A clan of watermen capture a crew of sport fishermen who must then fight for their lives. The Red Daughter. William T. Captain J Ashley Myers This book is so engrossing that I've read it in the space of about four hours this evening. More filters. External Sites. Gripping stuff written by local boy Patrick Easter. Release Dates. Read it Forward Read it first. Dreamers of the Day. And I am suspicious of some of the obscenities. This thriller starts in medias res, as a girl is being hunter at night in the swamp by a couple of hulking goons in fishermen's attire. Lists with This Book. Essentially the plot trundles along as the characters figure out what's happening while you as the reader have been aware of everything for several chapters. An interesting look at London during the Napoleonic wars. Want to Read saving…. Brilliant book with a brilliant plot. Sign In. Luckily, the organiser of the Group, Diane, lent me her copy of his novel to re I was lucky enough to meet the Author, Patrick Easter at the Hailsham WI Book Club a month or so ago, and I have to say that the impression I had gained from him at the time was that he seemed to have certainly researched his subject well, and also had personal experience in policing albeit of the modern day variety.
    [Show full text]
  • M. Nourbese Philip's Bibliography
    Tables of Contents M. NOURBESE PHILIP’S BIBLIOGRAPHY PAGE POETRY Books 1 Anthologies 1 Magazines & Journals 3 PROSE: LONG FICTION Books 5 Anthologies (excerpts) 5 Magazines and Journals (excerpts) 5 PROSE: SHORT FICTION Anthologies 6 Magazines and Journals 6 PROSE: NON-FICTION Books Appearances 8 Anthologies 8 Magazines, Journals, Newspapers and 9 Catalogues DRAMA 12 INTERVIEWS 13 RADIO AND TELEVISION On-Air Appearances 14 On-Air Readings 15 Documentaries 15 CONFERENCES 16 READINGS AND TALKS 19 KEYNOTE LECTURES AND SPEECHES 26 RESIDENCIES 28 P o e t r y | 1 POETRY BOOKS Zong!, Wesleyan University Press, Middletown, CT, 2008. Zong!, (Spanish Bilingual edition) She Tries Her Tongue; Her Silence Softly Breaks, Poui Publications, Toronto, 2006. She Tries Her Tongue; Her Silence Softly Breaks, The Women's Press, London, 1993. She Tries Her Tongue, Her Silence Softly Breaks, Ragweed Press, Charlottetown, 1988. She Tries Her Tongue, Her Silence Softly Breaks, Casa de las Americas, Havana, 1988. Salmon Courage, Williams Wallace Inc., Stratford, 1983. Thorns, Williams Wallace Inc., Stratford, 1980. ANTHOLOGIES Best American Experimental Writing 2014, ed. Cole Swensen, Omnidawn Publishing, Richmond, 2014. Eleven More American Women Poets in the 21st Century, eds. Claudia Rankine, and Lisa Sewell, Wesleyan University Press, Middleton, 2012. “Questions! Questions!” Rotten English, ed. Dora Ahmad, WW Norton & Co., New York, 2007. “Salmon Courage,” “Meditations on the Declension of Beauty by the Girl with the Flying Cheekbones,” ‘The Catechist,” and “Cashew #4," Revival - An Anthology of Black Canadian Writing, ed. Donna Bailey Nurse, McClelland & Stewart, Toronto, 2006. “Discourse on the Logic of Language”, Introduction to Literature, Harcourt, Toronto, 2000.
    [Show full text]
  • How to Submit to Literary Magazines
    DON'T LET YOUR STORIES LANGUISH! HOW TO SUBMIT TO LITERARY MAGAZINES A LECTURE BY DORETTA LAU © DORETTA LAU, 2014 Congratulations on completing a short story! Now it's time to send it out for publication. © DORETTA LAU, 2014 AGENDA FOR TODAY'S TALK • Why you should submit to literary magazines • How to submit, broken down into simple steps © DORETTA LAU, 2014 MY EDITORIAL EXPERIENCE • As an undergraduate, I edited a literary magazine at The University of British Columbia called Uprooted. We published short fiction and poetry. • I was a first reader for PRISM International at UBC. • After graduate school I was an editorial assistant for a journal called NOON, which is edited by the American writer Diane Williams and showcases short fiction, essays, and art. • I worked as a production editor for the children's book publisher Scholastic Inc. • I currently work as a freelance copyeditor and proofreader. © DORETTA LAU, 2014 FROM A WRITER'S PERSPECTIVE MY STORY COLLECTION CONSISTS OF 12 STORIES, 8 OF WHICH WERE PREVIOUSLY PUBLISHED IN LITERARY JOURNALS IN CANADA AND THE US. © DORETTA LAU, 2014 THE EIGHT PREVIOUSLY PUBLISHED STORIES FROM MY COLLECTION • 2008: "Left and Leaving", Zen Monster • 2009: "O, Woe is Me", Grain Magazine • 2010: "Two-Part Invention", Grain Magazine • 2012: "How Does a Single Blade of Grass Thank the Sun?", Event • 2013: "Rerun", Grain Magazine • 2013: "Sad Ghosts", A Fictional Residency • 2013: "Days of Being Wild", Ricepaper • 2014: "Robot by the River", Day One © DORETTA LAU, 2014 WHY YOU SHOULD SUBMIT YOUR STORIES TO LITERARY MAGAZINES • Your story deserves an audience beyond your family, friends, and classmates.
    [Show full text]
  • Island Ecologies and Caribbean Literatures1
    ISLAND ECOLOGIES AND CARIBBEAN LITERATURES1 ELIZABETH DELOUGHREY Department of English, Cornell University, Ithaca, NY 14850, USA. E-mail: [email protected] Received: August 2003 ABSTRACT This paper examines the ways in which European colonialism positioned tropical island landscapes outside the trajectories of modernity and history by segregating nature from culture, and it explores how contemporary Caribbean authors have complicated this opposition. By tracing the ways in which island colonisation transplanted and hybridised both peoples and plants, I demonstrate how mainstream scholarship in disciplines as diverse as biogeography, anthropology, history, and literature have neglected to engage with the deep history of island landscapes. I draw upon the literary works of Caribbean writers such as Édouard Glissant, Wilson Harris, Jamaica Kincaid and Olive Senior to explore the relationship between landscape and power. Key words: Islands, literature, Caribbean, ecology, colonialism, environment THE LANGUAGE OF LANDSCAPE the relationship between colonisation and ecology is rendered most visible in island spaces. Perhaps there is no other region in the world This has much to do with the ways in which that has been more radically altered in terms European colonialism travelled from one island of flora and fauna than the Caribbean islands. group to the next. Tracing this movement across Although Alfred Russel Wallace and Charles the Atlantic from the Canaries and Azores to Darwin had been the first to suggest that islands the Caribbean, we see that these archipelagoes are particularly susceptible to biotic arrivants, became the first spaces of colonial experimen- and David Quammen’s more recent The Song tation in terms of sugar production, deforestation, of the Dodo has popularised island ecology, other the importation of indentured and enslaved scholars have made more significant connec- labour, and the establishment of the plantoc- tions between European colonisation and racy system.
    [Show full text]
  • Print Politics: Conflict and Community-Building at Toronto's Women's Press
    PRINT POLITICS: CONFLICT AND COMMUNITY-BUILDING AT TORONTO'S WOMEN'S PRESS A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by THABA NI EDZWIECKI In partial fulfilment of requirements for the degree of Master of Arts September, 1997 O Thaba Niedzwiecki, 1997 National Library Bibliothèque nationale I*m of Canada du Canada Acquisitions and Acquisitions et Bibliographie SeMces services bibliographiques 395 Wellington Street 395, rue Wellington OttawaON K1AON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT PRlNT POLITICS: CONFLICT AND COMMUNITY-BUILDING AT TORONTO'S WOMEN'S PRESS Thaba Niedzwiecki Advisor: University of Guelph, 1997 Professor Christine Bold This thesis is an investigation into the intersection of print and politics at Toronto's Women's Press, which was the first women-nin feminist publishing house in Canada when founded in 1972.
    [Show full text]
  • Gender, Ethnicity and Literary Represenation
    • 96 • Feminist Africa 7 Fashioning women for a brave new world: gender, ethnicity and literary representation Paula Morgan This essay adds to the ongoing dialogue on the literary representation of Caribbean women. It grapples with a range of issues: how has iconic literary representation of the Caribbean woman altered from the inception of Caribbean women’s writing to the present? Given that literary representation was a tool for inscribing otherness and a counter-discursive device for recuperating the self from the imprisoning gaze, how do the politics of identity, ethnicity and representation play out over time? How does representation shift when one considers the gender and ethnicity of the protagonist in relation to that of the writer? Can we assume that self-representation is necessarily the most “authentic”? And how has the configuration of the representative West Indian writer changed since the 1970s to the present? The problematics of literary representation have been with us since Plato and Aristotle wrestled with the purpose of fiction and the role of the artist in the ideal republic. Its problematics were foregrounded in feminist dialogues on the power of the male gaze to objectify and subordinate women. These problematics were also central to so-called third-world and post-colonial critics concerned with the correlation between imperialism and the projection/ internalisation of the gaze which represented the subaltern as sub-human. Representation has always been a pivotal issue in female-authored Caribbean literature, with its nagging preoccupation with identity formation, which must be read through myriad shifting filters of gender and ethnicity. Under any circumstance, representation remains a vexing theoretical issue.
    [Show full text]
  • Autumn 2003 JSSE Twentieth Anniversary
    Journal of the Short Story in English Les Cahiers de la nouvelle 41 | Autumn 2003 JSSE twentieth anniversary Olive Senior - b. 1941 Dominique Dubois and Jeanne Devoize Electronic version URL: http://journals.openedition.org/jsse/337 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 September 2003 Number of pages: 287-298 ISSN: 0294-04442 Electronic reference Dominique Dubois and Jeanne Devoize, « Olive Senior - b. 1941 », Journal of the Short Story in English [Online], 41 | Autumn 2003, Online since 31 July 2008, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/337 This text was automatically generated on 3 December 2020. © All rights reserved Olive Senior - b. 1941 1 Olive Senior - b. 1941 Dominique Dubois and Jeanne Devoize EDITOR'S NOTE Interviewed by Dominique Dubois, and Jeanne Devoize., Caribbean Short Story Conference, January 19, 1996.First published in JSSE n°26, 1996. Dominique DUBOIS: Would you regard yourself as a feminist writer? Olive SENIOR: When I started to write, I wasn't conscious about feminism and those issues. I think basically my writing reflects my society and how it functions. Obviously, one of my concerns is gender. I tend to avoid labels. Jeanne DEVOIZE: How can you explain that there are so many women writers in Jamaica, particularly as far as the short story is concerned. O.S.: I think there are a number of reasons. One is that it reflects what happened historically in terms of education: that a lot more women were, at a particular point in time, being educated through high school, through university and so on.
    [Show full text]
  • Minimal Canon: Canadian Literature
    Minimal Canon: Canadian Literature Narrative Frances Brooke, The History of Emily Montague (1769) John Richardson, Wacousta (1832) Susanna Moodie, Roughing It in the Bush (1852) L. M. Montgomery, Anne of Green Gables (1908) Frederick Philip Grove, Settlers of the Marsh (1925) Sinclair Ross, As for Me and My House (1941) Hugh MacLennan, Barometer Rising (1941) Hugh MacLennan, Two Solitudes (1945) Mordecai Richler, The Apprenticeship of Duddy Kravitz (1959) Sheila Watson, The Double Hook (1959) Margaret Laurence, The Stone Angel (1964) Leonard Cohen, Beautiful Losers (1966) Alice Munro, Dance of the Happy Shades (1968) Robert Kroetsch, The Studhorse Man (1969) Robertson Davies, Fifth Business (1970) Timothy Findley, The Wars (1977) Jack Hodgins, The Invention of the World (1977) Aritha van Herk, Judith (1978) Joy Kogawa, Obasan (1981) Timothy Findley, Famous Last Words (1981) Beatrice Culleton Mosonier, In Search of April Raintree (1983) Margaret Atwood, The Handmaid’s Tale (1985) Michael Ondaatje, In the Skin of a Lion (1987) Rohinton Mistry, Tales from Firozsha Baag (1987) Carol Shields, Swann (1987) Anne Michaels, Fugitive Pieces (1996) Guy Vanderhaeghe, The Englishman’s Boy (1996) Alistair MacLeod, No Great Mischief (1999) Jane Urquhart, The Stone Carvers (2001) Larissa Lai, Salt Fish Girl (2002) Dionne Brand, What We All Long For (2005) Lawrence Hill, The Book of Negroes (2007) Rawi Hage, Cockroach (2008) Richard Wagamese, Indian Horse (2012) Thomas King, The Back of the Turtle (2014) Margaret Atwood, Hag-Seed (2016) Esi Edugyan, Washington Black (2018) Poetry Oliver Goldsmith, The Rising Village (1825) Robert Service, Songs of a Sourdough (1907) E. Pauline Johnson, Flint and Feather (1912) John McCrae, “In Flanders Fields” (1915) E.
    [Show full text]
  • Longlisted & Shortlisted Books 1994-2018
    Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G.
    [Show full text]
  • Winnipeg Yiddish Women's Reading Circle
    UNESCO REGISTER OF GOOD PRACTICES IN LANGUAGE PRESERVATION Winnipeg Yiddish Women’s Reading Circle (Canada) Received: spring 2006; last updated: summer 2008 Brief description: This report describes the activities of the Winnipeg Yiddish Women’s Reading Circle, a reading group in Manitoba, Canada that uses texts in Yiddish to provide participants with opportunities to speak and read the language, to regain confidence in their linguistic competence and to tutor each other . Yiddish is a Germanic Jewish language. In the 2006 census of Canada, 16,295 people indicated Yiddish as their mother tongue. For the Winnipeg (Manitoba) community, where the project is located, the number of Yiddish speakers is approximately six hundred. The Reading Circle was started in the wake of the rediscovery of Yiddish women's literature at a local library event in Winnipeg. In the circle, female members of the local Yiddish community meet regularly once a month to read and discuss texts by female Yiddish authors. Since the start of this library event, the Reading Circle activities have resulted in the revitalization of Yiddish language competence in its members. Reading the texts aloud and group discussion on the texts as well as language issues more generally, has allowed for an invigorating exchange between more and less fluent Yiddish speakers. As a further result, an anthology of English translations of stories by the female Yiddish authors, edited by an academic expert, was published. The Reading Circle assisted with the translation and compilation of texts for this anthology, further contributing to the rediscovery and revitalization of Yiddish among participants. UNESCO REGISTER OF GOOD PRACTICES IN LANGUAGE PRESERVATION Reader’s guide: This project is an example of a community-driven, low-cost effort for language revitalization via the social activity of regularly holding a reading circle, using texts in the endangered language of Yiddish.
    [Show full text]
  • University of Saskatchewan Department of English Ph.D
    University of Saskatchewan Department of English Ph.D. Field Examination Ph.D. candidates take this examination to establish that they have sufficient understanding to do advanced research and teaching in a specific field. Field examinations are conducted twice yearly: in October and May. At least four months before examination, students must inform the Graduate Chair in writing of their intention to sit the examination. Ph.D. students are to take this examination in May of the second year of the program or October of the third. The examination will be set and marked by three faculty specialists in the area that has been chosen by the candidate. The following lists comprise the areas in which the Department of English has set readings for Ph.D. candidates: American, Commonwealth/Postcolonial, English- Canadian, Literary Theory, Literature by Women, Medieval, Modern British, Nineteenth- Century British, Renaissance, and Restoration/Eighteenth Century. Each candidate is either to select one of the areas listed here or to propose an examination in an area for which a list is not already set. The set lists themselves are not exhaustive; each is to be taken as two-thirds of the reading to be undertaken for the examination, the final third to be drafted by the candidate in consultation with the supervisor. At least three months before examination, this list will be submitted to the candidate’s Examining Committee for approval. A candidate may choose to be examined in an area for which there is no list. Should this option be chosen, the candidate (in consultation with the supervisor) will propose an area to the Graduate Committee at least six months before the examination is to be taken.
    [Show full text]