Fact File: African Famous Artists (Part One)
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The Economics of Intellectual Property in South Africa
1013E-Cover:1013E-Cover 12/06/2009 10:35 Page 1 For more information contact the: THE ECONOMICS OF World Intellectual Property Organization (WIPO) at INTELLECTUAL PROPERTY Address: 34, chemin des Colombettes P.O. Box 18 IN SOUTH AFRICA CH-1211 Geneva 20 Switzerland Telephone: +41 22 338 8247 Fax: +41 22 740 3700 e-mail: [email protected] or its New York Coordination Office at: Address: 2, United Nations Plaza Suite 2525 New York, N.Y. 10017 United States of America Telephone: +1 212 963 6813 Fax: +1 212 963 4801 e-mail: [email protected] Visit the WIPO website at: http://www.wipo.int and order from the WIPO Electronic Bookshop at: WORLD www.wipo.int/ebookshop INTELLECTUAL PROPERTY ORGANIZATION WIPO Publication No. 1013(E) ISBN: 978-92-805-1794-1 THE ECONOMICS OF INTELLECTUAL PROPERTY IN SOUTH AFRICA THE ECONOMICS OF INTELLECTUAL PROPERTY THE ECONOMICS OF INTELLECTUAL PROPERTY IN SOUTH AFRICA THE ECONOMICS OF INTELLECTUAL PROPERTY IN SOUTH AFRICA WORLD INTELLECTUAL PROPERTY ORGANIZATION June 2009 The present publication is the result of a WIPO project on “The Economics of Intellectual Property in South Africa” coordinated by Prof. David Kaplan, under the auspices of the Policy Research in International Services and Manufacturing (PRISM) at the University of Cape Town. Professor Ka- plan was responsible for securing authors for the chapters, providing guidance, writing the first chapter that provides an overall framework for this book and organizing the workshop on the Economics of Intellectual Property that gave rise to this book. The project was coordinated within WIPO by Esteban Burrone and Pushpendra Rai, who supervised the publication, commented on individual papers and wrote the Introduction. -
Designfreebies Indesign Brochure Template
Page1 www.karibumusic.org Page3 Bagamoyo Until the middle of the 18th century, Bagamoyo was a small, rather insignificant trading center. Trade items were fish, salt and gum among other things. Most of the population consisted of fishermen and farmers. 19th century: The arrival of the Arabs. Bagamoyo became a central point for the East African slave trade In 1868 Muslims presented the “Fathers of the Holy Ghost” with land to build a mission north of Bagamoyo - the first mission in East Africa. 19th century: A starting point for the expeditions of Livingstone and others. 1874: The body of Livingstone is laid-in-state in Bagamoyo. 1880: Bagamoyo is a multi-cultural town with about 1,000 inhabitants. 1888: Bagamoyo becomes the capital of German-East Africa. Welcome Note KARIBU MUSIC FESTIVAL 2014 Content Festival Overview ............................... Page 7 Karibu Cultural Promotions................ Page 8 Technical partner ............................... Page 9 Partners............................................... Page 10 Festival Artists .................................... Page 11 - 31 Music Workshops & Seminars ........... Page 32 Performance Schedule.......................... Page 36 Festival Map..........................................Page 37 7 Festival Overview aribu Music Festival is an annual, Three-days International Music Festival created by Karibu KCultural Promotions, a nonprofit making organization and the Legendary Music Entertainment & Promotion of Dar es Salaam Tanzania. This is the second edition of the Karibu Music Festival to be held at Bagamoyo, the College of Arts and Culture (TASUBA) and on Mwanakalenge grounds. Karibu Festival is composed of various genres of art such as music, dance and cultural exposure; where by artists from different parts of the world are invited to share the stage with the local artists of Tanzania. -
Copie De DP 2011.Indd
Conception graphique : www.autonne.com /Photo : N’Krumah Lawson Daku festivalafricolorafricolor migrances 25 co du nc 1 er 3 ts n o v e 1 m 7 b d r é e c a e u m b r e 2 0 1 édition 1 23 ème www.africolor.com du 13 novembre au 17 décembre 2011 23ème édition FESTIVAL AFRICOLOR - ASSOCIATION ACCENT AIGU 5 rue Arthur Groussier 75010 Paris Tel 01 47 97 69 99 – Fax 01 47 97 65 44 www.africolor.com Direction Philippe Conrath SERVICE DE PRESSE, ELIANE PETIT 01 47 97 69 99 / 06 64 15 51 80 – [email protected] Le crédit des photos du dossier de presse : N’Krumah LAWSON DAKU. AVANT PREMIERE MARDI 8 NOVEMBRE Paris, Atelier du Plateau - 18h30 Présentation de la 23ème édition d’africolor Depuis plusieurs années, nous avons pris la bonne habitude de présenter le festival à l’Atelier du Plateau, premier Centre Dramatique National de Quartier dédié à l’improvisation, aux croisements artistiques, et aux arts extravagants. En présence d’artistes de la programmation qui joueront en solo ou en duo et en acoustique, cette 23ème édition d’africolor ne manquera pas ce délicieux rendez- vous. ► ATELIER DU PLATEAU 5, rue du Plateau (au fond de l’impasse), 75019 Paris- Entrée sur invitation M° Jourdain (L11) ou Buttes Chaumont (L7 bis) SAMEDI 12 NOVEMBRE Paris, Musée du Quai Branly - 18h La veille du premier concert du festival à Stains, le Musée du Quai Branly invite Adama Coulibaly et Théo Girard Quartet en avant première parisienne d’africolor. -
Nonhlanhla F. Buthelezi Studio Engineer I Recording Engineer I Audio Visual I Lighting Technician I Live Sound Technician
Nonhlanhla F. Buthelezi Studio engineer I Recording Engineer I Audio Visual I Lighting Technician I Live Sound Technician Recording Duties Mixing Mastering Scoring Adversing Nonhlanhla Buthelezi Eding Sound Engineer/ Recording Engineer Staging Corporate Light Cd Duplicang Identity Live Sound Presentaons Audio Visual Studio Manger Eding Radio Jingles Services Album Reviews Film Scoring Arranging Promo3ons Demos Exhibions Naonal Cer3ficate in Live Event QUALIFICATIONS Producon Naonal Cer3ficate in Music and Sound Technology Naonal Diploma in Music and Sound Technology About Nonhlanhla Nonhlanhla Fanele Buthelezi is a sound engineer at Music House KZN, born in a small town called Denny Dalton (Ulundi). She developed the love for sound after her matric, when she started as a trainee for sound engineering at GearHouseSA. After she earned a role at KZN Music House, where she was trained by Richard Michel, which gave her a huge experience on how things work in the industry. Nonhlanhla has worked with so many big names on the SA music scene, including Lebo M ”Lion King”, Mbongeni Ngema and many more. On the Television side, Nonhlanhla was involved in the Metro FM Music Award in 2014 and 2015 where she was an assistant in production, under James, the MD. At the Metro FM Awards, she got the chance to assist in all areas on the live broadcast production. She has also worked as a location sound recordist assistant for DMP productions for Mnet Mzansi Magic movies. Nonhlanhla was involved in the X- Factor production, recording all the sound tracks for the show, and the Top 3 singles which was broadcast live on SABC1. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Downloaded for Personal Non‐Commercial Research Or Study, Without Prior Permission Or Charge
Mhishi, Lennon Chido (2017) Songs of migration : experiences of music, place making and identity negotiation amongst Zimbabweans in London. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/26684 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Songs of Migration: Experiences of Music, Place Making and Identity Negotiation Amongst Zimbabweans in London Lennon Chido Mhishi Thesis submitted for the degree of PhD Anthropology and Sociology 2017 Department of Anthropology and Sociology SOAS, University of London 1 I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
An Investigation of Environmental Knowledge Among Two Rural Black Communities in Natal
AN INVESTIGATION OF ENVIRONMENTAL KNOWLEDGE AMONG TWO RURAL BLACK COMMUNITIES IN NATAL Submitted in partial fulfIlment of the requirements for the Degree of MASTER OF EDUCATION of Rhodes University by CYNTHIA SIBONGISENI MTSHALI February 1994 . , I i ABSTRACT This study elicits and documents knowledge of the natural environment amongst two rural Black communities in Natal namely, the districts of Maphumulo and Ingwavuma.Twenty members of these communities who are older than 60 years of age were interviewed, as older people are considered by the researcher to be important repositories of environmental knowledge. This study records a variety of animals hunted in these communities and discusses various activities associated with this activity. It examines the gathering and the use of wild edible plants like fruits and spinach, and of wild plants alleged to have medicinal value. It reviews indigenous knowledge related to 1 custom beliefs and prohibitions as well as traditional laws associated .with animals an9 trees. It also considers how this knowledge can contribute towards the development of Environmental Education in South Africa. The data was deduced from the responses elicited from semi-structured interviews. The data was analyzed qualitatively. ii TABLE OF CONTENTS Abstract Table of Contents ii List of Figures and Tables vi Acknowledgements vii ,-- - CHAPTER 1 1.1 Introduction 1 1.2 The Purpose and Background to the Study 1 1.3 The Statement of the Problem 3 1.4 Clarification of Concepts 4 1.4.1 Indigenous knowledge 4 1.4.2 Sustainable -
The Use of Traditional Medicine by Caregivers For
THE USE OF TRADITIONAL MEDICINE BY CAREGIVERS FOR CHILDREN UNDER THE AGE OF FIVE YEARS AS HEALTH SEEKING BEHAVIOUR BY: SHANITHA PILLAY STUDENT NUMBER: 21449552 SUBMITTED TO THE FACULTY OF HEALTH SCIENCES IN FULFILMENT OF THE REQUIREMENTS FOR M TECH: NURSING. INSTITUTION: DURBAN UNIVERSITY OF TECHNOLOGY i ii ABSTRACT Child health has always been a global priority for decades; however, despite efforts to reduce the child mortality statistics, 5.9 million children under the age of five years have deceased in 2015. IMCI guidelines are used to assess, classify and treat sick children under the age of five years, however, despite the prevalent use of traditional medicine for this age group of children, the guidelines excludes the use of traditional medicine, hence the tendency exists to ignore such questions being asked. It is this gap in the history taking pertaining to sick children seeking health care at clinics that the researcher has identified, therefore, this study is intended to highlight the use of traditional medicine in children under the age of five years. The researcher’s methodology is a quantitative descriptive study by means of a self- developed structured questionnaire which was handed out to 183 caregivers attending a Gateway Clinic and 324 caregivers at Paediatric Out – Patient Department. The total sample size was 507 caregivers of children under the age of five years. Data was analysed using SPSS version 17. The data derived from this study indicated that although most caregivers would take their sick children to the clinic for first line treatment, there are a significant number who would rather use home remedies or seek care from traditional healers. -
An Analysis of the Lyrics of the Top 10 African Language Pop Songs Aired
1 AN ANALYSIS OF THE LYRICS OF THE TOP 10 AFRICAN LANGUAGE POP SONGS ON UMHLOBO WENENE IN 2016 BY ANELE GOBODWANA (ANLGOB001) Faculty of Humanities University of Cape Town 2018 Town Cape of A dissertation submitted in fulfillment of the requirements for the award of the Degree ofUniversity Master of Arts in African Languages and Literatures Supervisors Dr. Tessa Dowling Ms Somikazi Deyi The copyright of this thesis vests in the author. No quotation from it or information derivedTown from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes Capeonly. of Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University 2 Contents COMPULSORY DECLARATION ................................................................................................ 6 ACKNOWLEDGMENTS ............................................................................................................... 7 ABSTRACT ..................................................................................................................................... 8 CHAPTER ONE - INTRODUCTION ............................................................................................ 9 1.1 Introduction ....................................................................................................................... 9 1.2 Problem statement ....................................................................................................... -
High Fashion, Lower Class of La Sape in Congo
Africa: History and Culture, 2019, 4(1) Copyright © 2019 by Academic Publishing House Researcher s.r.o. Published in the Slovak Republic Africa: History and Culture Has been issued since 2016. E-ISSN: 2500-3771 2019, 4(1): 4-11 DOI: 10.13187/ahc.2019.1.4 www.ejournal48.com Articles and Statements “Hey! Who is that Dandy?”: High Fashion, Lower Class of La Sape in Congo Shuan Lin a , * a National Changhua University of Education, Taiwan Abstract Vestments transmit a sense of identity, status, and occasion. The vested body thus provides an ideal medium for investigating changing identities at the intersection of consumption and social status. This paper examines the vested body in the la Sape movement in Congo, Central Africa, by applying the model of ‘conspicuous consumption’ put forward by Thorstein Veblen. In so doing, the model of ‘conspicuous consumption’ illuminates how la Sape is more than an appropriation of western fashion, but rather a medium by which fashion is invested as a site for identity transformation in order to distinguish itself from the rest of the society. The analysis focuses particularly the development of this appropriation of western clothes from the pre-colonial era to the 1970s with the intention of illustrating the proliferation of la Sape with the expanding popularity of Congolese music at its fullest magnitude, and the complex consumption on clothing. Keywords: Congo, Conspicuous Consumption, la Sape, Papa Wemba, Vested Body, Vestments. 1. Introduction “I saved up to buy these shoes. It took me almost two years. If I hadn’t bought this pair, I’d have bought a plot of land,” he said proudly, adding that it’s the designer logo that adds to his “dignity” and “self-esteem.” “I had to buy them,” he said. -
The Changing Context of African Music Performance in Zimbabwe
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. Zambezia (1996), XXIH (ii). THE CHANGING CONTEXT OF AFRICAN MUSIC PERFORMANCE IN ZIMBABWE CALEB DUBE Department of Anthropology, Northwestern University, USA Abstract This article is concerned with the historical transformations of Zimbabwean music performance, particularly popular music. It covers mainly the colonial period and to a limited extent the first ten years of independence. The article analyses music-making and performance as cultural production. The musicians involved in the process of cultural production are characterised as 'cultural workers', that is, professional and non-professional, commercial and non- commercial, rural and traditional, urban and modern individuals, whose occupation or part of their occupation involves culture. The article investigates the processes that have led to the evolution of what we may refer to as 'commercial cultural workers', that is, popular music performers who make part of or their living from the music. Among the processes behind the evolution are colonisation, urbanisation and transformations within the political economy of African societies. These processes occurred within the context of colonial institutions such as churches, the army, private companies, -
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McGuinness, Sara E. (2011) Grupo Lokito: a practice-based investigation into contemporary links between Congolese and Cuban popular music. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/14703 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. GRUPO LOKITO A practice-based investigation into contemporary links between Congolese and Cuban popular music Sara E. McGuinness Thesis submitted for the degree of Doctor of Philosophy 2011 School of Oriental and African Studies University of London Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination.