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MAYR-Chôôm C (Motet [Mo-TETT] by Hans Leo Hassler [HAHNSS LAY-O HAHSS-Lur])

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MAYR-Chôôm C (Motet [Mo-TETT] by Hans Leo Hassler [HAHNSS LAY-O HAHSS-Lur]) O admirabile commerciumC O admirabile commercium C O ahd-mee-RAH-bih-lay kohm- MAYR-chôôm C (motet [mo-TETT] by Hans Leo Hassler [HAHNSS LAY-o HAHSS-lur]) O atti vocali C O — atti vocali C O — AHT-tee vo-KAH-lee C (this portion of La passion selon Sade [lah pahss-seeaw6 seh-law6 sahd] is a synthesis of the vocal part of the Mystère de chambre [meess-tehr duh shah6-br’] by Sylvano Bussotti [seel-VAH-no booss-SOHT-tee]) O beatum et sacrosanctum diem C O beh-AH-tôôm ett sah-kraw-SAHNK-tôôm DIH-aym C (motet [mo-TETT] by Peter Phillips [PEE-tur FILL-luppss]) O beau pays de la touraine C O beau pays de la Touraine! C o bo payee duh lah tôô-renn! C (Oh Lovely Land of Touraine!) C (aria featuring Marguerite [mar-gö-reet] from the opera Les Huguenots [{(The) h’YOO-guh-nahtss} leh-zü-guh-no]; music by Giacomo Meyerbeer [JAH- ko-mo M¦-ur-bayr]; libretto by Eugène Scribe [ö-zhenn skreeb] and Émile Deschamps [ay- meel day-shah6]) O bone jesu fili mariae C O bone Jesu, fili Mariae C O BAW-neh YAY-zoo, FEE-lih MUH- rihay C (sacred concerto by Heinrich Schütz [H¦N-rihh SHÜTSS]) O cara armonia C O cara armonía C o KAH-rah ar-mo-NEE-ah C (variations by Fernando Sor [fehr-NAHN-doh SAWR] on a theme from the opera Die Zauberflöte [dee TSAHÔÔ-bur flö-tuh] — The Magic Flute; music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah- DAY-ôôss MO-tsart] and libretto by Emanuel Schikaneder [ay-MAHAH-nooayl SHEE-kah-nay- dur]) O carlo ascolta C O Carlo, ascolta C o KAR-lo, ah-SKOHL-tah C (O Charles [CHAH- rullz], listen) C (aria from the opera Don Carlos [dohn KAR-lohss]; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by François Méry [frah6-swah may-ree] and Camille Du Locle [{kah-meel dü law-kl’} kah-meey’ dü law-kl’] after Friedrich von Schiller [FREET-rihh fawn SHILL-lur]) O cessate di piagarmi C O chayss-SAH-tay dee peeah-GAR-mee C (Cease Wounding Me) C (song by Alessandro Scarlatti [ah-layss-SAHN-dro skar-LAHT-tee]) O ciome erranti C O CHO-may ayr-RAHN-tee C (madrigal [MADD-rih-gull] by Johann Grabbe [YO-hahn GRAHB-buh]) O clemens C O KLAY-maynss C (excerpt from Salve Regina [SAHL-vay ray-JEE-nuh] by Giovanni Baptista Pergolesi [jo-VAHN-nee bahp-TEE-stah payr-go-LAY-zee]) O come chiare e belle C O! come chiare e belle C O! KO-may kee-AH-ray ay bayl-lay C Oh! How Bright and Beautiful C (Cantata [kunn-TAH-tuh] No. 19 by George Frideric Handel [JAW-urj FRIH-duh-rick HANN-d’l]) O crux C O crux C O KROOKSS C (Hail, O Cross) C (motet [mo-TETT] by Marc Antoine Charpentier [mark ah6-twahn shar-pah6-teeay] C (title also used by other composers) O curas hominum C O KOO-russ HAW-mih-nôôm C (O careworn mankind) C (excerpt from the 13th-century manuscript Carmina Burana [kar-MEE-nah boo-RAH-nah]) O da minovali stradanya C O da, minovali stradanya C AW dah, mih-nah-VAH-lyee strah- DAHN-yuh C (duet by sung Lisa [LEE-suh] and Herman [GHEHR-mahn] in the opera Pique dame [peek dahm] — The Queen of Spades; music by Peter Ilyich Tchaikovsky [p’YAW-t’r ill- YEECH {chahih-KAWF-skee} chay-KAWF-skee]; libretto by Modest Tchaikovsky [mah- DYESST {chahih-KAWF-skee} chay-KAWF-skee] after Alexander Sergeyevich Pushkin [uh- lyick-SAHN-d’r sehr-GAY-yeh-vihch POOSH-kinn]) O de verd anni miei C O! de’ verd’ anni miei C O! day VAYRD AHN-nee meeAYEE C (excerpt from the opera Ernani [ayr-NAH-nee]; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee] and libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH- vay]) O del mio amato ben C O dayl MEE-o ah-MAH-toh bayn C (song by Stefano Donaudy [stay-FAH-no daw-nahôô-dee]) O des infortunes deesse tutelaire C O des infortunés déesse tutélaire C O day -zeh6-fawr-tü- nay day-ess tü-tay-lehr C (excerpt from the opera La Vestale [lah vay-STAH-lay] — The Vestal Virgin; music by Gaspare Spontini [gah-SPAH-ray spohn-TEE-nee] and libretto by Étienne de Jouy [ay-teeenn duh zhôôee]) O deus ego amo te C O Deus, ego amo te C O DEH-ôôss, EH-gaw UH-mo TAY C (motet [mo-TETT] by Ned Rorem [NEDD RAW-rumn]) O di capellio generosi amici C O dee kah-PAYL-leeo jay-nay-RO-zee ah-MEE-chee C (excerpt from the opera I Capuleti e i Montecchi [ee kah-poo-LAY-tee ay ee mohn-TAYK- kee] — The Capulets [KA-p’yuh-luttss] and the Montagues [MAHN-tuh-gh’yooz]; music by Vincenzo Bellini [veen-CHAYN-tso bayl-LEE-nee] and libretto by Felice Romani [fay-LEE- chay ro-MAH-nee]) O dieu que de bijoux ah je ris de me voir C O Dieu! que de bijoux! ... Ah! je ris de me voir C o deeö! kuh duh bee-zhôô! ... ah! zhuh ree duh muh vwar C (Oh, heavens! So many jewels ... Ah! It makes me laugh to see myself) C (aria featuring Marguerite [mar-gö-reet] in the opera Faust [FAHÔÔST] (French version); music by Charles Gounod [sharl gôô-no]; libretto by Jules Barbier [zhül bar-beeay] and Michel Carré [mee-shell kar-ray] after Johann Wolfgang von Goethe [YO-hahn VAWLF-gahng fawn GÖ-tuh]) O dolce mani C O DOHL-chay MAH-nee C (aria from the opera Tosca [TOH-skah]; music by Giacomo Puccini [JAH-ko-mo poo-CHEE-nee]; libretto by Luigi Illica [looEE-jee eel-LEE- kah] and Giuseppe Giacosa [joo-ZAYP-pay jah-KO-zah] after Henri Murger [ah6-ree mür- zhay]) O dolce vita mia C O DOHL-chay VEE-tah MEE-ah C (song by Adrian Willaert [ah- drihAHN WILL-lart]) O dolci mani C O DOHL-chee MAH-nee C (aria from the opera Tosca [TOH-skah]; music by Giacomo Puccini [JAH-ko-mo poo-CHEE-nee]; libretto by Luigi Illica [looEE-jee eel-LEE-kah] and Giuseppe Giacosa [joo-ZAYP-pay jah-KO-zah] after Henri Murger [ah6-ree mür-zhay]) O domina nostra C O Domina Nostra C O DAW-mih-nuh NOHSS-trah C (composition by Henryk Górecki [HENN-rick gôô-RETTSS-kee] in celebration of the 600th anniversary of the Black Virgin of Jasna Gora [YAHSS-nah GÔÔ-rah], a sacred symbol of Polish independence — Jasna Gora is also spelled Jasnogora [yahss-naw-GÔÔ-rah]) O domine jesu christe C O Domine Jesu Christe C o DAW-mih-neh YAY-zoo KREE-stay C (sacred music, title used by various composers) O donna troppo cruda e troppo bella C o DOHN-nah TROHP-po KROO-dah ay TROHP-po BAYL-lah C (madrigal [MADD-rih-gull] by Johann Grabbe [YO-hahn GRAHB-buh]) O du armer judas C O du armer Judas C oh doo AR-mur YOO-dahss C (composition from the songbook of Adam Puschmann [AHAH-dahm PÔÔSH-mahn]) O du liabs angeli C O du liabs ängeli C o doo LEE-ahpss EHNG-uh-lee C (folk song arranged by Gund [GÔÔNT]) O du mein holder abendstern C O, du mein holder Abendstern C O, DOO m§n HAWL-tur AH-bennt-shtehrn C (aria featuring Wolfram [VAWL-frahm] in the opera Tannhäuser [TAHN-hoy-zur], music and libretto by Richard Wagner [RIH-hart VAHG-nur]) O duinn C Proinnsías Ó Duinn C PRUNN-shee-uss o DINN O dulces prendas C O DOOL-thayss PRAYN-dahss C (excerpt from Sonetos Sagrados [so- NAY-tawss sah-GRAH-thawss] by Héctor Campos Parsi [ECK-tawr KAHM-pawss PAR- see]) O duse draha C O duše drahá C O DÔÔ-sheh DRAH-hahah C (Thou Only Dear One) C (song by Antonín DvoÍák [AHN-taw-nyeeeen d’VAW-rshahahk]) O ewigkeit du donnerwort C O Ewigkeit, du Donnerwort C O AY-vihh-k§t, doo DAWN-nur- vawrt C (composition by Johann Sebastian Bach [YO-hahn {suh-BASS-tihunn BAHK} zay- BAH-stihahn BAHK]) O fatidica foresta C O fah-TEE-dee-kah fo-RAY-stah C (aria from the opera Giovanna d'Arco [jo-VAHN-nah DAR-ko]; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Temistocle Solera [tay-MEE-stoh-klay so-LAY-rah] after Friedrich von Schiller [FREET-rihh fawn SHILL-lur]) O figli ah la paterna mano C O figli ... Ah, la paterna mano C O FEE-l’yee ... AH, lah pah- TAYR-nah MAH-no C (aria from the opera Macbeth [muck-BEHTH]; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah- REE-ah peeAH-vay] after William Shakespeare [WILL-lihumm SHAYK-spihuhr]) O filli se veder potessi il core C O filli, se veder potessi il core C o FEEL-lee, say VAY-dayr po-TAYSS-see eel KO-ray C (madrigal [MADD-rih-gull] by Johann Grabbe [YO-hahn GRAHB-buh]) O fortuna C O fohr-TOO-nuh C (O Fortune) C excerpt from Fortuna imperatrix mundi [fohr- TOO-nuh, eem-peh-RAH-treekss MOON-dih] — Fortune, Empress of the World — a group of poems from the 13th-century manuscript Carmina Burana [kar-MEE-nah boo-RAH-nah] set to music by Carl Orff [KARL AWRF]) O gallchobhair C Éamonn Ó Gallchobhair C AY-munn o GAH-nuh-hawr O geh nicht fort C o gay nihht fawrt C (aria featuring Belfoiore [bayl-fo-EEO-ray] aria from the opera La finta giardiniera [lah FEEN-tah jar-dee-neeAY-rah] — The Pretended Garden Girl; music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart]; libretto by Ranieri Calzabigi(?) [rah-neeAY-ree kahl-tsah-BEE-jee], revised by Marco Coltellini [MAR-ko kohl-tayl-LEE-nee]) O gloriosa domina C O glo-rihO-sah DAW-mih-nah C (anonymous 17th-century Hungarian dance) O greefe even on the bud C O Greefe Even on the Bud C (O) GREEF (Even on the Bud) C (madrigal [MADD-rih-gull] by Thomas Morley [TAH-muss MAWR-lih]) O guarani C O Guaraní C o gooah-ruh-NEE C (The Guaraní) C (an opera, with music by Antônio Carlos Gomes [ah6-TOH-nihôô KAH-lôôss GO-meess]; libretto by Antonio Scalvini [ahn-TAW-neeo skahl-VEE-nee] and Carlo D’Ormeville [kar-lo dawrm-veel] after José de Alencar [zho-ZAY jah-lenn-KAR]) C (the opera is known also as Il Guarany [eel gooah-rah- NEE]) O had i jubals lyre C O Had I Jubal's Lyre C (O Had I) JOO-b'lz L¦R C (excerpt from the oratorio Joshua; music by George Frideric Handel [JAW-urj FRIH-duh-rick HANN-d’l] and libretto by Thomas Morell(?) [TAH-muss maw-RELL]) O haodain C Cormac Ó hAodáin C KAWR-mack o HAY-dunn O haupt voll blut und wunden C O Haupt voll Blut und Wunden C O HAHÔÔPT fawl BLOOT ôônt VÔÔN-tunn C (O Sacred Head Sore Wounded) C (choral excerpt from the St.
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