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Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
1920 Patricia Ann Mather AB, University
THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change. -
Figure . Shirley Temple and Jack Haley in a Publicity Still for Rebecca of Sunnybrook Farm (Dir
Figure . Shirley Temple and Jack Haley in a publicity still for Rebecca of Sunnybrook Farm (dir. Allan Dwan, US, ) Discipline and Pleasure: Shirley Temple and the Spectacle of Child Loving Kristen Hatch Contemporary viewers are likely to nd the image of Shirley Tem- ple riding Jack Haley perverse (g. ). Haley is on his hands and knees, straddled by the child, who swishes a riding crop against his backside and loosely holds a leather strap around his neck.1 Temple’s famous dimples and curls frame a face that seems too knowing for such a young girl. Her half- closed eyes look down slyly at the man, while her lips turn up into a disconcerting grin. How could we not see in this a pedophilic fantasy of domination and submission? And yet it is impossible to believe that Twentieth Century-Fox would deliberately stage its highest- grossing star in such a disturbing photograph. In The Structure of Scientic Revolutions, Thomas S. Kuhn draws upon Ludwig Wittgenstein’s discussion of the gestalt shift produced by a duck- rabbit — an image that appears as a duck or a rabbit depending on where one’s focus falls (g. ) — to describe the effects of a paradigm shift in scientic thinking. Practicing in different worlds, [the proponents of competing paradigms] see different things when they look from the same point in the same direction. Again, that is not to say that they can see anything Camera Obscura , Volume , Number ./- © by Camera Obscura Published by Duke University Press • Camera Obscura they please. Both are looking at the world, and what they look at has not changed. -
The Shape of Water (Guillermo Del Toro 2017)
The Shape of Water (Guillermo del Toro 2017) Today, Mediático proudly celebrates its fourth birthday! As our readership tops 50,000, we, its editors, would like to say a big THANK YOU to our amazing co-authors, our editorial board and readers for four wonderful years of posts and feedback. We raise a glass to you and toast the next four (or more) glorious years of news and research and views on Latin American, Latinx and Iberian media. We present today a special birthday post from one of our co-editors, Dolores Tierney on Guillermo del Toro’s The Shape of Water. Tierney is Senior Lecturer in Film at Sussex University and has just finished a book on Latin America’s transnational auteurs (including del Toro). She is currently on leave in Washington DC. Del Toro’s acceptance speech at the 75th Golden Globes The Shape of Water By Dolores Tierney “Hello déjà vu! It’s you again!” After last week’s thirteen Oscar nominations for The Shape of Water, for the fourth time in five years, a Mexican director looks a likely shoe-in for the Oscar for Best Director. If del Toro wins Best Director he will be the third Mexican (and Latin American) to have done so ever; Alfonso Cuarón won it in 2014 for Gravity, Alejandro González Iñárritu won it in 2015 and 2016 for Birdman and The Revenant. As in the previous few years with Iñárritu, I’ve been pondering what so many Oscar nominations –and success in other awards (Golden Globes, Venice, Critics Choice) means for the auteurist summation I have made of del Toro’s work previously (in an anthology co-edited with Deborah Shaw and Ann Davies) and in my forthcoming book New Transnationalisms in Contemporary Latin American Cinemas. -
Tyrone Power
Tyrone Power 66638_Kelly.indd638_Kelly.indd i 227/11/207/11/20 11:15:15 PPMM International Film Stars Series Editor: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema by Gillian Kelly www.euppublishing.com/series/ifs 66638_Kelly.indd638_Kelly.indd iiii 227/11/207/11/20 11:15:15 PPMM Tyrone Power Gender, Genre and Image in Classical Hollywood Cinema Gillian Kelly 66638_Kelly.indd638_Kelly.indd iiiiii 227/11/207/11/20 11:15:15 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Midwestern Gilbert and Sullivan Society
NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY September 1990 -- Issue 27 But the night has been long, Ditto, Ditto my song, And thank goodness they're both of 'em over! It isn't so much that the night was long, but that the Summer was (or wasn't, as the case may be). This was not one of S/A Cole's better seasons: in June, her family moved to Central Illinois; in July, the computer had a head crash that took until August to fix, and in that month, she was tired and sick from all the summer excitement. But, tush, I am puling. Now that Autumn is nearly here, things are getting back to normal (such as that is). Since there was no summer Nonsense, there is all kinds of stuff in this issue, including the answers to the Big Quiz, an extended "Where Can it Be?/The G&S Shopper", reports on the Sullivan Festival and MGS Annual Outing, and an analysis of Thomas Stone's The Savoyards' Patience. Let's see what's new. First of all, we owe the Savoy-Aires an apology. Oh, Members, How Say You, S/A Cole had sincerely believed that an issue of the What is it You've Done? Nonsense would be out in time to promote their summer production of Yeomen. As we know now, Member David Michaels appeared as the "First no Nonsense came out, and the May one didn't even Yeomen" in the Savoy-Aires' recent production of mention their address. Well, we're going to start to The Yeomen of the Guard. -
Pringle Papers - Theatre Programs - Grand Opera House Not Dated Recital by Marie Hall 1421
Pringle Papers - Theatre Programs - Grand Opera House not dated Recital by Marie Hall 1421 Prospectus. Franz Molnar's 1422- 1431 “The devil" The following programs are not all Grand Opera house programs, but as they are fastened together probably by Mrs. Pringle herself, and contain the bill for the opening night of the house they, have been included in this unit. 1880 Sept.30 XIIIth battalion band 1432 The incomparable Lotta. incomplete 1433 Mendelssohn quartette club of Boston with Marie Nellini 1434 - 1440 A.Farini English opera co 1441 Fisk university jubilee singers with notes 1442 - 1445 Nov.9 Opening night of the Grand opera house. Salsbury's troubadours 1446 -- Corinne merrymakers. incomplete 1447 -- Boston ideal opera company in -- "Fatinitza: and "The Bells of Corneville" 1448 - 1449 -- Rive-King concerts 1450 1880 Dec.22 concert at "Merksworth" 1451 Dec.27 Christ's church cathedral concert 1452 Dec.31 "Opera mad" 1453 - 1457 -- Emma Abbott in "Paul and Virginia1458 1881 Jan.22 Hi Henry's minstrels 1459 - 1462 Feb.9 Garrick club presenting W.S. Gilbert's comedy "Sweethearts" 1463 - 1466 J. Moodie and sons illus 1466 End of papers fastened together. 1880 Mar.2 MUSIN grand concert company 1467 - 1468 1882 Mar.14 The Al. G. Field ministrels 1469 - 1472-a 1885 May 28 Hamilton musical union. Concert for volunteer in the Northwest 1472-b - 1472-e Sept.7 Lotta and her comedy company 1472-f 1888 Nov.8 Boston ideal opera co. in "Daughter of the regiment" 1473 - 1476 Nov.23 "Billee taylor" with local cast 1477 - 1479 Dec.7 J.C.Duff comic opera co. -
Lillian Russell
T OUR i l l i a n u s s e l l L R Historic Allegheny Cemetery the “Beautiful English Ballad Singer” To Visit Famous Gravesites and Star of Stage and Screen Stephen C. Foster “Rosey” Rowswell Josh Gibson Harry Kendall Thaw Charles Avery General John Neville General James O’Hara Commodore Joshua Barney and More of Pittsburgh’s History A Legend From Pittsburgh Allegheny Cemetery Historical Association 4734 Butler Street Private Mausoleum Pittsburgh PA 15201-2999 Section 40 Lot 5 412/682-1624 FAX 412/622-0655 www. Alleghenycemetery.com ALLEGHENY CEMETERY PITTSBURGH, PENNSYLVANIA illian Russell was born Helen Louise Leonard in Clinton, illian Russell was an American light-opera soprano, known for her L Iowa on December 4, 1861. She died June 6, 1922 (60 years L beauty and flamboyant life-style as well as for her singing ability. old) from cardiac exhaustion at 6744 Penn Avenue, Pittsburgh, She studied in Chicago and first appeared on stage in 1879 in New York City in the chorus of “H.M.S. Pinafore” by the British playwright- Pennsylvania and was interred June 8, 1922 in this Private Mauso- composer team of Gilbert and Sullivan. She sang in various opera leum in Allegheny Cemetery. companies in England and the United States including one that she headed (Lillian Russell Opera Company) and from 1899 to 1904 with the noted We assume that her husband, who was the publisher of the Pitts- Weber and Fields company of New York. Her most famous roles burgh Leader newspaper, Alexander Penn Moore, requested that included leading parts in the operettas of Gilbert and Sullivan and those of the quote below be inscribed on the Mausoleum since Lillian pre- Jacques Offenbach. -
TORRANCE HERALD, Torranoe, Cajiiornia D Ram a V Art March of Tractor Slays 6000 Cinema * Music
THURSDAY, AUGUST 27, 1936 TORRANCE HERALD, Torranoe, CaJiiornia D ram a V Art March of Tractor Slays 6000 Cinema * Music MALAYS MAKE IS HE, OR HE IS NOT, NONCHALANT? * DEMANDS Hellcat Club It took the Malay native SHIRLEY TEMPLE IN HI-DE-HO ROLE IN "EARTHWORM TRACTORS" Wins Member to tell the directors at Para . Alice Faye to hl-de-ho with! Jack Haley to tap-a-toe Ross Alexander took the mo$t mount studios and get awa with! Gloria Stuart to laugh and cry to! Michael Whalen thrilling ride In his life during with It. to make love to! the filming of the Warner Bros, Fresh from the jungles, th 'Add to these Sara Haden, Jano Darwell, Claude Gll- picture, "Boulder Dam," which comes to the Torrance Theatre Malay n'atives being used a lingwater and Henry Armetta and you have the reason why Shlrloy Temple is literally "sur-f on Sunday, Monday and Tues extras in the scenes of "Th rounded by stars" In "The Poor I i day. Jungle Princess," Paramoun Little Rich Girl," her brilliant1 Perched on a small platform new thriller, demanded "rice' on the end of a 70-foot boom, the actor was swung from the fish and coconuts or no wor STAR DUST ground 65 feet up the side of a for white man." vertical rock wall. There he took They got their change o MR. PELICAN LOSES his place on a ledge with a, HIS SHIRT group of daredevil workmen, diet. formerly employed at Boulder The Pelican, pompous bird dam, to make the scene. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Untitled, It Is Impossible to Know
VICTOR HERBERT ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE i ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE ii VICTOR HERBERT A Theatrical Life C:>A<DJA9 C:>A<DJA9 ;DG9=6BJC>K:GH>INEG:HH New York ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iii Copyright ᭧ 2008 Neil Gould All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Gould, Neil, 1943– Victor Herbert : a theatrical life / Neil Gould.—1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8232-2871-3 (cloth) 1. Herbert, Victor, 1859–1924. 2. Composers—United States—Biography. I. Title. ML410.H52G68 2008 780.92—dc22 [B] 2008003059 Printed in the United States of America First edition Quotation from H. L. Mencken reprinted by permission of the Enoch Pratt Free Library, Baltimore, Maryland, in accordance with the terms of Mr. Mencken’s bequest. Quotations from ‘‘Yesterthoughts,’’ the reminiscences of Frederick Stahlberg, by kind permission of the Trustees of Yale University. Quotations from Victor Herbert—Lee and J.J. Shubert correspondence, courtesy of Shubert Archive, N.Y. ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iv ‘‘Crazy’’ John Baldwin, Teacher, Mentor, Friend Herbert P. Jacoby, Esq., Almus pater ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE v ................