Ecole De Paris 1905-1939

Home , Alfred Aberdam, Arbit Blatas, Berthe Weill, Chana Orloff, Georges Rouault, Isidor Kaufmann

Ecole de Paris 1905-1939 The Jewish Artists New Bond Street, London | 3 March, 2021 Ecole de Paris 1905-1939 The Jewish Artists New Bond Street, London | Wednesday 3 March 2021 at 2pm

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West Acton Horn Lane Station Ecole De Paris Artists; Krémègne, Kikoïne and Pailes Introduction By Nadine Nieszawer

He called them the Yid.

They were the Jewish Artists of the School of Paris. They were called Aberdam, Indenbaum, Kikoïne, Krémègne, Marevna, Volovick…. Throughout his rich and short life, my father, Jacques Nieszawer, collected their works .These paintings, intimately linked to his history, were familiar to him. When he was coming back home with one of them, he was searching in the ‘Aronson’ and the ‘Fenster’,1 two books written in Yiddish, to identify the artists. When he died, his Yid paintings disappeared. Naturally, I continued to be interested in these painting and I undertook the project to write the dictionary of the Jewish Artists of the School of Paris. From 1988, Paul Fogel, passionate about Yiddish, was an essential guide in the understanding of these books. Also, I had to conduct my own investigation. I met the artists’ families (the daughters, the sons, the last wife ...) always asking for a phone or an address and to see their paintings. In 2000, when the first edition of the dictionary2 was published, I was appointed the expert of these artists by the Union Française des Experts en art (U.F.E.).

The transmission of knowledge

Thanks to Deborah, Boris and Arthur Princ, my stepdaughter and my sons, I realized what my father would have dreamed of. They have embarked on the adventure of “The School of Paris” and with their assistance we published the second3 dictionary in 2015 and in 2020, the third edition4.

After the fall of the Berlin wall, Eastern Europe was waking up and so was the art market.

With the help of artists’ families who placed their trust in us, we have built numerous collections and contributed to the enrichment of museums and foundations that emerged in Bulgaria, Poland, Ukraine, Lithuania, Belarus etc.

Who were these artists?

If we had to find a common ground between all of them, it would be their belief in this old German proverb: “Live like God in France”, conveyed through the Yiddish oral tradition in “Happy as a Jew in Paris”“Azoy gliklich wi a yid in Paris”. At the time, Paris was the center of the world. Coming from Eastern Europe between 1905 and 1939, seeking a home in Paris, these artists settled in Montparnasse, and were mixing with the avant-garde, recreating a shtetl that met in neighbourhood cafes. Many of them were sitting alongside Jewish writers and poets who were publishing in Yiddish journals and newspapers. They formed what is called “the Jewish Artists of the School of Paris”.

Today, we put these works up for auction.

It is with the support and wise advice of Patrick Masson, who has always believed in the importance of this story, that the first auction “Ecole de Paris 1905-1939, The Jewish Artists” will take place in the prestigious BONHAMS auction house.

We warmly thank them.

1. Chil ARONSON, Scènes et visages de Montparnasse, (Paris, 1963) ; Hersch FENSTER, Nos artistes martyrs, (Paris, 1951). 2. Nadine NIESZAWER, Peintres Juifs de l’École de Paris 1905-1939, Ed. Denoël, (Paris, 2000). 3. NIESZAWER & PRINC Jewish Artists of the School of Paris 1905-1939, Ed. Somogy, (Paris, 2015). 4. NIESZAWER & PRINC, Stories of Jewish Artists of the School of Paris 1905-1939, Ed. Les Étoiles, (Paris, 2020). 1

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1 2 MAXA NORDAU (FRENCH, 1897-1991) MAXA NORDAU (FRENCH, 1897-1991) Vue de Paris Nu de dos signed ‘Maxa Nordau’ (lower left) signed ‘Maxa Nordau’ (upper left) oil on canvas oil on canvas 65 x 46cm (25 9/16 x 18 1/8in). 65 x 50cm (25 9/16 x 19 11/16in). Painted c. 1930 £1,000 - 1,500 €1,100 - 1,700 £1,200 - 1,500 €1,400 - 1,700 Maxa Nordau was the daughter of the famous co-founder of the World Zionist Organization, Max Nordau. She studied oil and watercolour Exhibited painting under Jules Adler and perfected her technique along the Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial artists of the School of Paris. During the First World War, Nordau Brussels - Artcurial Paris, 2015. stayed in Spain. From 1921, she exhibited in various Art Salons Granville, Musée d’Art Moderne Richard Anacréon, 2016. such as Salon d’Automne and Salon des Independants, she joined the female group Société des femmes artistes modernes and in Literature 1937, contributed to the decoration of the Palestine Pavilion in the Peintres Juifs de l’École de Paris 1905-1939, Éditions Denoël, Paris, International Exhibition in Paris. 2000, p. 271 (illustrated). Jewish Artists of the school of Paris 1905-1939, Somogy éditions During World War II, as other Jewish artists like Zadkine and Chagall, d’Art, Paris 2015, p. 269. Maxa Nordau took refuge in the USA, where she exhibited her work Brigitte Richart, catalogue Belles de Nuit,Éditions Musée d’Art and taught painting at the City College of New York. In 1946, she Moderne Richard Anacréon, Granville, 2016, p. 78. returned to Paris where she continued to paint and illustrated various works such as Max Nordau, Les contes pour Maxa, Pierre Créange and The Wind in the hair.

£2,500 - 3,000 €2,800 - 3,400

Provenance Acquired directly from the artist’s studio.

Literature Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 221. Pascale Samuel, catalogue de l’exposition Chagall, Modigliani, Soutine... Paris pour école, 1905-1940, Paris, Musée d’art et d’histoire du Judaïsme, 2020, p. 178.

This work will be exhibited in the following exhibition: “Paris pour Ecole 1905- 1940” MAHJ Paris, April 2020 - August 2020.

Jacob Macznik grew up in an Orthodox family and left for Warsaw in 1922 to study at the School of Fine Arts. In 1928, he got married and settled in Paris with his wife Stella. In 1930, he met Hersch Fenster with whom became collaborators on the publication of a book dedicated to the synagogues of Poland. On a mission, they started their resistance art journey to Tarnow, Kourov and Barnevto where they organised lectures in the cities they visited. Bearing financial struggles, Macznik had to return to Paris with only a dozen paintings.

In 1944 during World War II, Macznik and his wife were killed at the Mauthausen concentration camp. The majority of his paintings were destroyed.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 7 8 | BONHAMS 4 BAGEL (MOSHE BAHELFER, DIT) (LITHUANIAN, 1908-1995) Diptych each signed ‘M Bagel 62’ (lower left) oil on canvas size of each: 145 x 75cm (57 1/16 x 29 1/2in). (2)

£5,000 - 7,000 €5,700 - 8,000

Provenance Acquired directly from the artist’s studio.

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.

Literature Jewish Artists of the School of Paris 1905-1939, Somogy Editions d’Art, Paris, 2015, p. 55.

Bagel, born Moses Bagelferyches, developed an interest in painting at an early age. He started taking evening classes at the Vilnius Academy of Arts and joined the YungVilno, a group formed by young Jewish artists, writers and poets of the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus school in Dessau. From 1928 to 1932, he studied under Paul Klee, Wassily Kandinsky, and Lyonel Feininger.

In 1933, Bagel moved in Paris where following the outbreak of World War II in 1939, he enlisted in the French army. He was later discharged from service and worked for an architect in Toulouse. After the end of the war, Bagel returned to Paris working in set design for the Yiddish art theatre company YIKUM and as an illustrator for numerous Yiddish journals, such as Presse Nouvelle (New Press), Droit et Liberté (Law and Freedom), La Semaine Juive (The Jewish Week), A Nouveau (Once Again).He also illustrated several books including Montre by Sholem Aleichem.

In 1959, UNESCO commissioned Bahelfer to produce a series of fifteen large paintings commemorating Sholem Aleichem. After the exhibition of the works at UNESCO in Paris, they were donated to the Sholem Aleichem foundation in Tel Aviv.

Following the UNESCO commission Bagel painted Diptych in celebration of the 100th anniversary since the birth of Sholem Aleichem.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 9 5 ALEXANDRE FASINI (UKRAINIAN, 1892-1942) Alexandre Fasini, born Saul Finesilber, grew up in a family of grain Couple merchants. Fasini spent his childhood in Odessa and attended the signed ‘A. Fasini’ (lower right) School of Fine Arts where he took classes taught by the Greek oil on canvas Impressionist Kiriak Kostandi. He became friends with artist Philippe 41 x 33cm (16 1/8 x 13in). Hosiasson and writer Isaac Babel, and drew illustrations for Odessa Painted c. 1929 newspapers including Bomba and Iablstchko.

£4,500 - 5,500 In 1922, he travelled to France on a Soviet ship, and established his €5,100 - 6,300 residence at rue Daru in Montparnasse, Paris. Practising between the genres of abstraction and surrealism, Fasini sought for an original Provenance artistic expression that would distinguish his position within the Arthur Prince, Paris. School of Paris. Max Berger, owner of the Galerie Vavin, exhibited Fasini’s work for two years alongside Jean Lurçat, Pablo Picasso, and Exhibited Georges Papazoff. Paris, Les Russes à Montparnasse, Musée du Montparnasse, 1999. Paris, Montparnasse déporté, Musée du Montparnasse, 2005. During the Vel d’Hiv roundup in 1942, he was arrested by the French Jerusalem, Montparnasse déporté, Yad Vashem Museum, 2006. police and his work was destroyed in his studio. Fasini was interned in Pontoise, Tavet - Delacour, 2008. Drancy and died tragically in Auschwitz.

Literature Artistes d’europe, Montparnasse déporté , Éditions Musée du Montparnasse, Paris, 2005, p. 152. Éliane Strosberg, Humanisme et expressionnisme, la représentation de la figure humaine et l’expérience juive , Musée Tavet - Delacour, Somogy Éditions d’Art, Pontoise, 2008, p. 125.

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 6 ALEXANDRE FASINI (UKRAINIAN, 1892-1942) Geomatrie signed ‘A. Fasini/ 929’ (lower right); inscribed with signature and address (on stretcher) oil on canvas 92 x 60cm (36 1/4 x 23 5/8in). Painted in 1929

£3,500 - 4,500 €4,000 - 5,100

Exhibited Paris, Galerie Vavin-Raspail, 1929. Paris, Musée du Montparnasse, 2005. Jerusalem, Yan Vashem Museum, 2006.

Literature Peintres Juifs de l’École de Paris 1905-1939, Édition Denoël, Paris 2000, p. 117. Artistes d’Europe, Montparnasse déporté, Éditions Musée du Montparnasse, Paris, 2005, p. 149. Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 115.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 11 12 | BONHAMS 7 SAMUEL GRANOWSKY (UKRAINIAN, 1889-1942) Self-portrait signed ‘S. Granowsky’ (lower right) oil on canvas 61 x 46cm (24 x 18 1/8in). Painted c. 1920

£2,500 - 3,000 €2,800 - 3,400

Exhibited Paris, Montparnasse déporté, Musée du Montparnasse, 2005. Jerusalem, Montparnasse déporté, Yad Vashem Museum, 2006. Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.

Literature Artistes d’Europe, Montparnasse déporté, Éditions Musée du Montparnasse, Paris, 2005, p. 135. Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris 2015, p. 141. Vanity Fair, April 2017, p. 138. Stories of the Jewish artists of the School of Paris 1905-1939, Éditions Les Etoiles, Paris, 2020.

Samuel Granowsky attended the Academy of Fine Arts in Odessa and pursued his studies in Munich and in Paris. In 1908 he settled in the Montparnasse district where he started posing as a model at the Académie de la Grande Chaumiere and worked as a cleaner at the café La Rotonde.

Together with his female companion Aicha, the famous mixed-race model of Montparnasse, Granowsky became an emblematic figure of the time, nicknamed “the cowboy of Montparnasse.” This was because he was known for his eccentric behaviour and for strolling the streets wearing a bright-coloured shirt and a Texan hat, which was part of his attire as an extra on a movie set.

His artworks were focused on scenes of Parisian life as well as traditional Russian figures, fairs, and musicians. He also painted portraits, nudes, and wildlife paintings. He was renowned for the eclectic character of his art: mural frescos, paintings on furniture, screens, and sculptures. During the war, Sam Granowsky stayed in Paris but was arrested by the French police during the Vel d’Hiv roundup. He was interned in Drancy and killed in Auschwitz.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 13 14 | BONHAMS 8 SAMUEL GRANOWSKY (UKRAINIAN, 1889-1942) Russian Musicians signed ‘S. Granowsky/ 1921’ (lower right on right panel) oil on canvas laid on folding screen 147 x 46.5 cm. (each canvas panel); 177 x 140.5 cm. (size of folding screen) Painted in 1921.

£12,000 - 15,000 €14,000 - 17,000

Exhibited Paris, Les Russes à Paris, Musée du Montparnasse, 1999. Budapest, The Friends of Modigliani, Soutine in Montparnasse, Hungarian Jewish Museum, 2003. Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.

Literature Peintres Juifs de l’École de Paris 1905-1939, Éditions Denoël, Paris 2000, p. 144. The Friends of Modigliani, Soutine in Montparnasse, Hungarian Jewish Museum, Vince Editions, Budapest, 2003, p. 32. Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 142.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 15 9

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9 10 RAJMUND KANELBA (POLISH, 1897-1960) RAJMUND KANELBA (POLISH, 1897-1960) Personnage au masque Portrait de jeune fille signed ‘Kanelba’ (lower right); dated ‘1932’ (on verso) signed ‘Kanelba’ (upper right); dated ‘1931’ (on verso) oil on canvas oil on canvas 81 x 65cm (31 7/8 x 25 9/16in). 27 x 35cm (10 5/8 x 13 3/4in). Painted in 1932 £1,200 - 1,500 £5,000 - 6,000 €1,400 - 1,700 €5,700 - 6,800 Rajmund Kanelba studied at the School of Fine Arts in Warsaw and Exhibited in Vienna until 1923. When he arrived in Paris in 1925, he started to Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial exhibit his work at the Salon d’Automne, Salon des Indépendants, Brussels - Artcurial Paris, 2015. Salon des Tuileries, and Salon de l’Escalier. He often visited Pont-Aven where he painted alongside other Polish artists. After Kanelba’s work Literature was exhibited in Bordeaux, he met the collector and art critic Marcel Peintres Juifs de l’École de Paris 1905-1939, Éditions Denoël, Paris, Bernheim at the Galerie Bernheim-Jeune. He was also introduced to 2000, p. 171. Léopold Zborovski. Both dealers helped promote his work with his Jewish Artists of the school of Paris 1905-1939, Somogy Éditions first important exhibition taking place at the Zborovski gallery in 1928. d’Art, Paris, 2015, p. 169. His works were then exhibited in Berlin, Warsaw, and Paris. During his career, he was commissioned to produce works for the French, Polish, and British governments. In 1955, he painted the portrait of the Queen Elizabeth II.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 17 18 | BONHAMS 11AR LÉON INDENBAUM (RUSSIAN, 1890-1981) La cavaliere signed ‘L.I’(upper left) wood 146 x 26cm (51 3/8 x 10 1/4in).146 x 26 x 5.5 cm. Painted c. 1917

£30,000 - 35,000 €34,000 - 40,000

This work is authenticated by Jean-Louis Goiran, the grandson of the artist.

Léon Indenbaum studied at the School of Fine Arts in Odessa and continued to pursue his studies at the Antonolski Art School in Vilnius. He arrived in Paris in 1911, where he settled at Mietschaninoff’s studio at La Ruche. He first lived on the second floor, near Chagall’s studio, and then moved to Volovick’s. From 1911 to 1919, Indenbaum studied sculpture under the guidance of Antoine Bourdelle at the Académie de la Grande Chaumière. In 1912, three of his sculptures were exhibited at the Salon des Indépendants.

Indenbaum’s first patron was the fashion designer and collector Jacques Doucet, for whom he produced several panels. He also created sculptures for the decorator Coard, the couturier Paul Poiret and the bankers and collectors Georges and Marcel Bernard. In 1925, he exhibited two sculptures at the Salon des Indépendants. During World War II, Indenbaum successfully hid from the Nazis but most of his works disappeared or were destroyed.

Executed in 1917, this rare oak panel is the fifth of the five steps that formed a staircase in a French castle. It was a commission from the renown couturier Paul Poiret.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 19 20 | BONHAMS 12 RUDOLF LEVY (POMERANIA, 1875-1943) Nu debout dans l’atelier signed ‘R. Levy’/ ‘10’ (upper right) oil on canvas 73 x 54cm (28 3/4 x 21 1/4in). Painted in 1910

£12,000 - 15,000 €14,000 - 17,000

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015. Granville, Musée d’Art moderne Richard Anacréon, 2016.

Literature Jewish Artists of the School of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 211. Brigitte Richart, catalogue Belles de Nuit, Éditions Musée d’Art moderne Richard Anacréon, Granville, 2016, p. 78. Pascale Samuel, catalogue de l’exposition Chagall, Modigliani, Soutine... Paris pour École, 1905-1940, Paris, Musée d’art et d’histoire du Judaïsme, 2020, p. 24.

This work will be included in the following exhibition: “Paris pour Ecole 1905 - 1940 “, MAHJ Paris , June 2021 - October 2021.

Rudolf Lévy studied at the Danskt and Karlsruhe high schools in Germany before enrolling at carpentry school. Pursuing his dream to become an artist he moved to Munich to attend the School of Fine Arts.

In 1903, Lévy arrived in Paris with Austrian artist Walter Bondy and studied in Henri Matisse’s studio. He often went back to Germany where he befriended the gallery owner Alfred Fleichtheim who organised many exhibitions in Berlin and Düsseldorf dedicated to the “Dômiers,” Le Dôme café’s regulars such as Lévy.

When World War I broke out, Lévy was in Germany and was enlisted in the army. After the war, he returned to Paris and became head of the studio at the Académie Matisse. He travelled frequently to North Africa and the United States, where he met Pascin, Max Ernst, and Oskar Kokoschka. When the Nazis came to power, he took refuge in Majorca, Spain, and later in the United States. In 1943, Lévy was in Florence planning his escape to the United States before being arrested by SS soldiers. In April 1944, he was killed in Auschwitz and his paintings and writings were destroyed.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 21 13

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13AR 14AR MICHEL KIKOÏNE (BELARUSIAN, 1892-1968) MICHEL KIKOÏNE (BELORUSSIA, 1892-1968) Nature morte Dans le jardin indistinctly signed ‘Kikoine’ (lower right) signed ‘Kikoine’ (lower left) oil on canvas oil on canvas 73 x 60cm (28 3/4 x 23 5/8in). 46 x 55cm (18 1/8 x 21 5/8in). Painted c. 1915 Painted c. 1940 unframed unframed

£5,000 - 7,000 £2,200 - 2,600 €5,700 - 8,000 €2,500 - 3,000

Literature Literature Jean Cassou, Edouard Roditi, Mendel Mann, Jacques Yankel, Kikoïne: Jewish Artists of the school of Paris 1905-1939, Somogy Éditions Catalogue raisonné, Paris, 1973, p. 243, n°74. d’Art, Paris, 2015, p. 72. Jewish Artists of the School of Paris 1905-1939, Somogy éditions d’Art, Paris, 2015, p. 175.

Michel Kikoïne was studying business in Minsk, Belarus when he first met Soutine who was then working as an apprentice tailor. In 1908, Soutine and Kikoïne attended the Kruger’s Art Academy and later the School of Fine Arts in Vilnius, where they met Krémegne. In 1912, Kikoïne moved to Paris and enrolled in the École des Beaux-Arts in Cormon’s studio. From 1914, he settled at La Ruche, where Chagall and Krémegne were already living. When World War I broke out, he volunteered to join the army. Between 1922 and 1923, he travelled with Soutine to Céret and Cagnes-sur-Mer where he painted many of his expressionist landscapes. In 1939, Kikoïne was mobilized to serve in the military reserve near Soissons where he painted gouaches of his army experience. In 1941, he and his family found refuge in the Toulouse area. Following the Liberation, he returned to Paris and was later awarded the first prize at the Salon des Peintres Témoins de leur Temps.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 23 24 | BONHAMS 15 GEORGE KARS (CZECH, 1882-1945) Nude signed ‘Kars’ (lower left) oil on canvas 50 x 65cm (19 11/16 x 25 9/16in). Painted c. 1927

£10,000 - 15,000 €11,000 - 17,000

Provenance Collection Paquereau, Paris, 1927.

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015. Granville, Museum of Modern Art Richard Anacréon, 2016.

Literature Georges Kars. 1880-1945, catalogue Galerie Jean Tiroche, Jaffa, 29th April - 15th May 1967, p. 3. Jewish Artists of the School of Paris 1905-1939, Somogy Éditions d’Art, Paris 2015, p. 172. Brigitte Richart, catalogue Belles de Nuit, Museum of Modern Art Richard Anacréon Edition, Granville, 2016, p. 68.

This work will be included in the artist’s catalogue raisonné.

Georges Kars was born to a German Jewish family in the Prague region. In 1899, he studied in Munich with Franz von Stuck and became friends with Pascin and Paul Klee. From 1905, he travelled to Madrid where he met Juan Gris and immersed himself in the paintings of Veslasquez and Goya. In 1908, he moved to Paris and met Chagall, Apollinaire, Max Jacob, Maurice Raynal and Demetrius Galanis. During World War I, he stayed in Belgium with Pascin. Under the influence of the Cubism movement in Paris, his shapes became simpler; however, he remained deeply attached to realism. According to him, “art does not lie in an elaborate technique but within the soul”. He produced figurative paintings and used several techniques and materials including Indian ink, watercolor, and pastels.

During World War II, he took refuge in Lyon and went later into exile in Switzerland. In 1945, as he could not stand the horrifying tragedy that hit the Jewish community, he committed suicide by jumping out of the fifth floor of his hotel. His studio was sold at auction on June 17, 1966 at the Palais Galliera. In 1983, a retrospective of 120 paintings was held at the modern art museum in Troyes.

In Nude, the atmosphere and treatment of the subject is reminiscent of the work of Edgar Degas, Henri de Toulouse-Lautrec and Suzanne Valadon. Transcription of the preface by Valadon published in the catalogue of Kars exhibition at the Galerie B. Weill, Comoedia, February 6, 1931, (p. 3) : « Mon cher Kars, J’ai présent à la mémoire ce que je viens de voir dans votre atelier et que vous allez exposer chez Berthe Weill. Écrire n’est pas mon fait ; j’exprime mal l’émotion admirative que j’ai eue devant vos œuvres ». (“My dear Kars, the work that I witnessed in your studio and that you will exhibit at Berthe Weill is still fresh in my memory. Writing is not my thing; I cannot express enough my admiration for your works”).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 25 26 | BONHAMS 16 MOÏSE KISLING (POLISH, 1891-1953) Nature morte au pichet blanc signed ‘Kisling 1917’ (lower left); signed, inscribed and dated ‘M. Kisling Paris Novembre 1917’ (on the reverse) oil on canvas 73.2 x 54.5cm (28 13/16 x 21 7/16in). Painted in November 1917

£30,000 - 35,000 €34,000 - 40,000

Provenance Galerie Motte, Geneva. Galerie Wally Findlay, Paris. Private collection (acquired from the above in January 1974); their sale, Sotheby’s, London, 6 February 2007, lot 528.

Literature J. Kisling, Kisling, Vol. II, Turin, 1982, no. 8 (illustrated p. 331).

Moise Kisling, son of a tailor, attended the School of Fine Arts in Krakow before moving to Paris in 1910. Once settled in the district of Montparnasse, he quickly associated himself with with Picasso, Juan Gris, Max Jacob, and Manolo.

In 1912, he met in Céret his first dealer, Adolphe Basler, who bought all of his paintings in exchange for a monthly payment of 300 francs. When he got back in Paris, he moved into a studio at 3 rue Joseph- Bara where Modigliani, Soutine, Derain, and Juan Gris used to meet. Pascin and the Kroghs, father and son, lived in the same building. He attended Baronness Hélene d’Oettingen’s famous parties, which were the literary and artistic centre of Montparnasse until 1914.

Kisling was caught out by the outbreak of World War I, as he was visiting Belgium with Basler. He returned to France in order to enlist in the French Foreign Legion. He was wounded in 1915 and was discharged from service. On his return to Montparnasse he was surprised to discover that a young American soldier who died during the war had bequeathed 25,000 francs to him. He visited Spain, returned to Paris and met art dealer Zborowski. In 1919, the Druet Gallery organized his first exhibition. His paintings were a success, and his models were the stars of the time: Falconetti, Valentine Tessier, Arletty, Cocteau, Colette, Marie Laurencin, and Kiki de Montparnasse. When World War II broke out, Kisling went to live in his house in Sanary-sur-Mer. In 1940, he left for New York. He returned to France in August 1946 and went to Sanary, where he lived until his death.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 27 28 | BONHAMS 17 ROMAIN KRAMSZTYK (POLISH, 1885-1942) La Montagne Sainte-Victoire signed ‘Kramsztyk.’ (lower left) oil on canvas 93 x 73cm (36 5/8 x 28 3/4in).

£18,000 - 22,000 €20,000 - 25,000

Provenance Ursula Wenzel, Galerie Tannhauser, Berlin.

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.

Literature Jewish Artists of the School of Paris 1905-1939, Somogy éditions d’Art, Paris 2015, p. 197.

Roman Kramsztyk studied painting at the Academy of Fine Arts in Warsaw, attended the private art studio of Adolf Edouard Herstein and later enrolled at the School of Fine Arts in Munich. He exhibited for the first time his work at the Salon d’Automne in Paris in 1911. Exhibitions that followed in Berlin, Barcelona and, in 1913, in Krakow were a resounding success.

After four years in Paris, the events of World War I forced his return to Poland where he joined the avant-garde group Rytm (Rhythm), making him the only portrait painter amongst his peers. He went through a period where he doubted his art and questioned his painting that finally led him to his decision to leave the group in 1932. During the interwar years, he gained reputation and produced commissioned works for industrialists and politicians. With the outbreak of the second World War II, he moved to Warsaw but found himself trapped in the ghetto. Dedicated to his art, he executed numerous portraits and was devoted in the depiction of the war’s atrocities that took place in the Jewish ghetto of Warsaw. A sketchbook, which presented tragically realistic drawings is now preserved in Israel as a document of the Holocaust horror.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 29 30 | BONHAMS 18AR PINCHUS KRÉMÈGNE (RUSSIAN, 1890-1981) Les Toits de Paris,vue depuis la Ruche signed ‘Kremegne’ (lower left) oil on canvas 73 x 100cm (28 3/4 x 39 3/8in). Painted c. 1915

£5,000 - 7,000 €5,700 - 8,000

Literature Waldemar George, Krémègne, Éditions Le Triangle, Paris, 1920, p. 15.

Pinchus Krémègne attended the School of Fine Arts in Vilnius to study sculpture. In 1912, he left for Paris and settled in La Ruche. Soutine followed his advice and met him there a year later. In 1914, Krémegne sculpted and exhibited three artworks at the Salon des Indépendants. In 1915, he gave up sculpture and concentrated solely in the art of painting. From 1916, he spent his time in Montparnasse where he met Kikoine, André Derain, Maurice de Vlaminck, and Max Jacob. The art dealers Chéron, Zborowski and Paul Guillaume were his first collectors. During World War II, he took refuge in Turenne and returned to Paris following the Liberation. Finally, Krémegne decided to settle in Cérét and remained there until his death in 1981.

Les Toits de Paris, vue depuis la Ruche view overlooks the slaughterhouse at Vaugirard, which Marc Chagall mentions in his autobiography My Life: “Over there, further away, the cattle were being slaughtered, the cows were bellowing, and I painted them. I can still hear their screams in the night as their heads were being chopped off and I remembered an image from Russia; that of my grandfather’s butcher’s shop”.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 31 19 MAX BAND (LITHUANIAN, 1900-1974) Max Band grew up in an Orthodox family in Lithuania. In 1917, he was The Young Butcher working as a drawing teacher until the school’s director recognized his signed ‘Max Band’ (lower left) talent and endorsed his studies in Berlin. He arrived in Paris in 1923 oil on canvas and three years later visited New York on the occasion of an exhibition 100 x 63.5cm (39 3/8 x 25in). at the J.B. Newman gallery. The artist revisited New York in 1934 for an Painted c. 1930 exhibition at the French American Jacques Seligmann gallery. He went back to France and often travelled to Berlin. From 1940, he lived between £2,500 - 3,000 France and the Unites Sates to finally settle in New York in 1954. €2,800 - 3,400

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.

Literature Jewish Artists of the School of Paris 1905-1939, Somogy Editions d’ Art, Paris, 2015, p. 59.

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 20 MAX BAND (LITHUANIAN , 1900-1974) Self-portrait with palette signed ‘Max Band’ (lower right) oil on canvas 94 x 43.5cm (37 x 17 1/8in). Painted c. 1950 unframed

£1,000 - 1,500 €1,100 - 1,700

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 33 21

21 22AR SIGMUND MENKÈS (GALICIAN, 1896-1986) SIGMUND MENKÈS (GALICIAN, 1896-1986) Odalisque au tambourin Bethsabée signed ‘Menkes’ (lower right) signed ‘Menkes’ (lower right) oil on canvas oil on canvas 54 x 65cm (21 1/4 x 25 9/16in). 61 x 38cm (24 x 14 15/16in). Painted c. 1930 Painted in 1925 unframed £6,000 - 8,000 £6,000 - 8,000 €6,800 - 9,100 €6,800 - 9,100 Literature In 1912, Menkès started his studies at the Institute of Decorative Peintres Juifs de l’École de Paris 1905-1939, Éditions Denoël, Paris, Arts in Lwow (Lemberg) where he met artist Alfred Aberdam. To 2000, p. 241. financially support himself, he worked as a construction painter while Jewish Artists of the school of Paris 1905-1939, Somogy éditions at the same time he studied the fresco technique and worked on d’Art, Paris, 2015, p. 239. the restoration of Orthodox churches. In 1919, Menkès enrolled in the School of Fine Arts in Krakow and joined, in 1922, Alexander Menkès received a series of important distinctions for his work, Archipenko’s studio in Berlin. After his studies, he moved to Paris in including the Carol H. Beck Medal of the Pennsylvania Academy of the district of Montparnasse, where he shared a room with Weingart. Fine Arts (Philadelphia, 1943), the Gold Medal of the Corcoran Gallery He further pursued his studies at Douanier Rousseau’s former studio. (Washington, D.C., 1947), the Andrew Carnegie Award of the National In the second half of the 1920s, Menkès married Stanislawa Théodora Academy of Design (New York, 1955), and the Alfred Jurzykowski Weiss, known as Stasia. She posed for him as well for other artists like Award (New York, 1967). Léopold Gottlieb and Raymond Kanelba. From 1930, he exhibited his work in Paris, Lwow, Toronto, and New York where he settled in 1935.

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 22

ECOLE DE PARIS | 35 36 | BONHAMS 23AR MAREVNA (MARIA VOROBIEFF) (RUSSIAN, 1892-1984) Bouquets de fleurs et artichauts signed ‘Marevna’ (lower right) oil on canvas 92 x 73cm (36 1/4 x 28 3/4in). Painted c. 1940

£4,000 - 6,000 €4,600 - 6,800

Literature Jewish Artists of the School of Paris 1905-1939, Somogy Éditions d’Art, Paris 2015, p. 233.

Marevna was the daughter of Jewish actress Rosanovitch and Alexandre Vorobieff. When she was two years old, she was adopted by the Polish Catholic aristocrat Bronislav Stebelski. In 1907, she took classes at the Tiflis junior high school in Georgia. In 1910, she left for Moscow where she attended the School of Decorative Arts. From 1910, she traveled in Europe and met the writer Maxim Gorky, who encouraged her to paint. She arrived in Paris in 1912 and attended the Zuloaga Academy, the Colarossi Academy in 1913 and the Russian Academy where Chana Orloff, Jacques Lipchitz, and Ossip Zadkine were already studying.

In 1919, she met Mexican painter Diego Rivera, with whom she had a daughter. Between 1923 and 1926, she designed woven textiles inspired by Georgian themes for Paul Poiret. Following several solo exhibitions, art dealer Léonce Rosenberg bought some of her paintings. During World War II, Marevna took refuge in Saint-Paul-de- Vence, Beaucaire, and Cagnes in the south of France. In 1949, she settled in London with her daughter and returned to Paris in 1960.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 37 38 | BONHAMS 24 JULES PASCIN (BULGARIAN, 1885-1930) La Figurante du Palace signed ‘Pascin’ (upper right) oil on board mounted on canvas 65 x 54cm (25 9/16 x 21 1/4in). Painted in Paris in 1927

£18,000 - 22,000 €20,000 - 25,000

Provenance Prof. Philippe Dahan Collection.

Literature Y. Hemin, G. Krohg, K. Perls & A. Rambert, Pascin, catalogue raisonné, peintures, aquarelles, pastels, dessins, Vol. I, Paris, 1984, no. 587 (illustrated p. 300).

Jules Pascin, born Jules Pinkas, was only a teenager when he decided to leave his parents to study painting and travel the world. The owner of a brothel in Bucharest triggered his taste for painting. She encouraged him to draw, introduced him to the art of Toulouse- Lautrec and Degas, and advised him to leave for Paris. However, Pascin, went to Vienna to attend a painting academy where he met George Grosz. A year after, he moved to Munich to work as a cartoonist and decided to change his name to “Pascin”.

When Pascin arrived in Paris in 1905, he was welcomed by the “Dômiers” (regular customers of Le Dôme café): Rudolf Lévy, Walter Bondy and art dealer Henri Bing. The latter one, introduced him to Hermine David, who later became his wife. In 1908 he enrolled in the Matisse Academy where he met Lucy Krohg, who was then a model at the academy and with whom he started an affair. During his time in Montparnasse, Pascin was known for his generous parties, but nevertheless remained fully dedicated to his artistic ambitions.

During World War I, Jules and Hermine went to the United States where he produced a series of watercolours and maintained an epistolary relationship with Lucy. Back in Paris in 1920, he continued his painting with specific interest in the female form and women like Kiki, Aicha, Jacqueline Godar, Zniah Pichard, the Perlmutter sisters, Julie Luce, Hermine and Lucy.

Between 1920 and 1930, Pascin travelled in North Africa, Europe and the United States. In 1927, German art dealer Flechtheim organized an exhibition in Düsseldorf and asked Pascin for his portrait by commission. In the meantime, the artist signed a contract with the Bernheim-Jeune gallery that endorsed and motivated him to realise his famous “pearly” nudes.

Suffering from depression and alcoolism, he commited suicide at the aged of 45. In June 1930, art galleries in Paris closed as a sign of mourning while over a thousand people followed the cortege to the Montparnasse cemetery. Following his death, Hermine and Lucy supported each other in their grief and remained closely tied.

La Figurante du Palace, executed in 1927, is a great example of Pascin’s “nacré or pearly period”, after the pearly sheen that characterised his painting during this time.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 39 40 | BONHAMS 25 VERA ROCKLINE (FRENCH/RUSSIAN, 1896-1934) Young woman with a red fan signed ‘Vera Rockline’ (lower right) oil on canvas 116.5 x 80.5cm (45 7/8 x 31 11/16in). Painted c. 1925

£18,000 - 22,000 €20,000 - 25,000

Exhibited Galerie Battais, Rétrospective Vera Rockline, Paris, 1975.

Literature Galerie Battais, Rétrospective Vera Rockline, May - June 1975, n°18 (illustrated in b&w).

The work will be included in the upcoming catalogue raisonné of the artist by Arthur Cavanna, Galerie Drouart.

Vera Rockline, born Vera Schlesinger, studied in the artistic school of Ilya Mashkov in Moscow. She pursued her studies in Kiev and joined the studio of Alexandra Exter in 1918. Between 1918 and 1919, Vera exhibited at the Union of Russian Painters and participated at the 24th exhibition of the Association of Jewish Painters and Sculptors. At the same time, she got married and settled in Georgia until 1920. Vera Rockline left her husband and moved to Paris in 1921, where she was closely associated with the Russian artistic community. She exhibited at the Salon d’Automne, in the section of Russian artists, from 1922 to 1924, but also at the Salon des Tuileries and the Salon des Indépendants. Achieving considerable success, both with the public and art critics, she exhibited in famous Parisian Galleries such as Bernheim-Jeune. In 1933, she became member of the Union de l’Art Russe in France. In 2002, during the exhibition “Elles de Montparnasse” her work was presented alongside those of Tamara de Lempicka, Marie Laurencin, Chana Orloff, Sonia Delaunay and Natalia Gontcharova.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 41 26

42 | BONHAMS 27

26 27 ADOLPHE FEDER (AIZIK FEDER, DIT) (RUSSIAN, 1885-1943) ADOLPHE FEDER (AIZIK FEDER, DIT) (RUSSIAN, 1885-1943) Bouquet of mimosas and pear slices Portrait de Lucien Chalit signed ‘Feder’ (lower left) signed ‘Feder’ (lower right) oil on canvas oil on canvas 92 x 65.5cm (36 1/4 x 25 13/16in). 72 x 62cm (28 3/8 x 24 7/16in). Painted in c. 1920 Painted c. 1920

£6,000 - 8,000 £1,800 - 2,200 €6,800 - 9,100 €2,000 - 2,500

Born to Jewish-Ukrainian merchant parents, Féder grew up in Odessa, Literature Ukraine. At the age of 19, his involvement in the revolutionary Bund Jewish Artists of the School of Paris 1905-1939, Somogy Éditions Labor Movement forced him to seek refuge in Berlin. Following his time d’Art, Paris, 2015, p. 117. in Germany, he moved to Geneva where he attended the Academy of Fine Arts. He arrived in Paris in 1908 and studied at the Académie Under the Vichy regime, Feder and his wife were arrested in June Julian and in Henri Matisse’s studio. Feder spent a lot of time at La 1942. After being interned for four months in the Cherche-Midi military Rotonde Café where he acquainted Othon Friesz, Modigliani and prison, Feder was transferred to Drancy and deported to Auschwitz in Jacques Lipchitz. February 1943 where he was killed.

During the early 1920s, he worked for newspapers such as Le Monde and La Presse and illustrated several books including works by Joseph Kessel and Arthur Rimbaud. In 1923, he organized a reception in honour of the Russian poet Vladimir Mayakovsky, which left a mark on Parisian bohemian society. Together with Mikhail Larionov and Ossip Zadkine, he was one of the most active members of the Russian Artists Association living in La Ruche.

£15,000 - 18,000 €17,000 - 20,000

Provenance Anon. sale, Sotheby’s, London, 1972, lot 62. Anon. sale, Sotheby’s, New York, 1974, lot 67. Acquired at the above sale by the previous owner; their sale, Cornette de Saint Cyr, Paris, 28 June 2016, lot 27. Acquired at the above sale by the present owner.

Literature Y. Hemin, G. Krohg, K. Perls & A. Rambert, Pascin, catalogue raisonné, peintures, aquarelles, pastels, dessins, Vol. II, Paris, 1984, no. 263 (illustrated p. 78).

Les Provinciales dates from the beginning of his lifelong love affair with Lucy in his early Parisian years. Pascin, who was a man of deep passions, divided his time between Lucy and his wife Hermine, and this painting shows the sensuality and power of his nature and his art.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 45 46 | BONHAMS 29 HENRYK BERLEWI (POLISH, 1894-1967) Grand Nu signed ‘H. Berlewi’ (lower left) charcoal and watercolour on paper 83 x 46cm (32 11/16 x 18 1/8in). Painted c. 1920

£4,500 - 5,500 €5,100 - 6,300

This work will be included in the artist’s catalogue raisonné authored by Isabel Schröer.

Painter, graphic designer, typographer and critic, Henryk Berlewi was a major figure of constructivist art in Poland during the 1920s. He studied at the Academies of Fine Arts in Warsaw (1904-1909), Antwerp (1909- 1910) and Paris (1911-1912). In 1913, Berlewi went back to Warsaw to pursue his studies at the School of Design. During World War I, he discovered Futurism and Dadaism. In 1921, he met El Lissitzky and followed him to Berlin where he abandoned figurative art for pure constructivist abstraction. In 1924, Berlewi published his manifest Mechano-Faktura (Mechano-Faktur: rhythm of geometric shapes and pure colors, which give the illusion of vibration and movement) in the Der Sturm journal. The same year, his first solo exhibition was held at the Austro-Daimler automobile showroom in Warsaw.

In 1926, Berlewi put an end to his research on Mechano-Faktura to return to figurative art and theatre sets. In 1927, he settled in Paris and between 1928 and 1938, he travelled to Belgium and painted portraits of political and literary figures. At that time, he found out that he was critically ill and stopped all artistic activity. In 1942, he left Paris, took refuge in Nice and joined the Resistance (1943-1944). He only rediscovered a taste for art in 1947. He wished to “reintroduce the subject” and produced still life composition inspired by the French masters of the 17th century.

In 1957, the exhibition on the precursors of abstract art in Poland at the Galerie Denise René in Paris prompted him to resume his research on Mechano-Faktura which is today viewed as one of the key sources of Op art.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 47 For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 30AR JACOB MARKIEL (POLISH, 1911-2008) Nu allonge signed ‘Markiel’ (lower left) oil on canvas 73 x 100cm (28 3/4 x 39 3/8in). unframed

£2,500 - 2,800 €2,800 - 3,200

Provenance Acquired directly from the artist’s studio.

Literature Peintres Juifs de l’École de Paris 1905-1939, Éditions Denoël, Paris, 2000, p. 237. Jewish Artists of the school of Paris 1905-1939, Somogy éditions d’Art, Paris. 2015, p. 235.

Jacob Markiel started his artistic studies with Isaac Brauner’s drawing courses and later enrolled in the School of Fine Arts in Krakow. In 1933, he was awarded a scholarship that allowed him to go in Paris. The sculptor N. Aronson introduced him to the Baron de Rothschild. Few years later, he won the third prize from the École des Beaux-Arts in Paris and studied at the studio of Jean Souverbie where he met again his friend and artist Sam Ringer. After World War II, he returned to France where he was welcomed by Isaac Dobrinsky to devote himself to painting.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 49 50 | BONHAMS 31 HENRI EPSTEIN (POLISH, 1891-1944) Maternité signed ‘H. Epstein’ (lower left) oil on canvas 54 x 65cm (21 1/4 x 25 9/16in). Painted in 1915

£6,000 - 8,000 €6,800 - 9,100

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.

Literature Jewish Artists of the School of Paris 1905-1939, Somogy Éditions d’Art, p. 111.

Henri Epstein enrolled in Jakub Kacenbogen’s drawing school in Lodz, before studying at the School of Fine Arts in Munich. He visited Paris for the first time in 1912 prior to his service in the Polish army. He then returned to Paris and settled at La Ruche from 1913 to 1938 and studied at the Académie de la Grande Chaumiere. Although Epstein’s early work was influenced by Fauvism, he then adopted an expressionist technique. In 1921, he illustrated Gustave Coquiot’s Vagabondages and in 1925 Pierre Bonardi’s Les Rois du Maquis . He also probably contributed to the ephemeral Jewish artistic journal Machmadim published at La Ruche and to Renaissance magazine for which he wrote articles in Yiddish. In 1938 Epstein bought a house in Épernon which became his refuge during the Occupation.

In 1944, Epstein was arrested by the Gestapo to be interned in Drancy camp and murdered in Auschwitz.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 51 52 | BONHAMS 32 HENRI EPSTEIN (POLISH, 1891-1944) Maison au bord d’une rivière signed ‘H. Epstein/ 1934’ (lower left) oil on canvas 65 x 54cm (25 9/16 x 21 1/4in). unframed

£3,000 - 4,000 €3,400 - 4,600

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 53 54 | BONHAMS 33AR TP SIMON MONDZAIN (SZAMAJ MONDSZAJN) (POLISH, CIRCA 1887/1888-1979) Accueil a l’Inconnu signed ‘Mondzain’(lower left); titled, signed and inscribed with address and dated ‘1932’ ( on the reverse) oil on canvas 250 x 170cm (98 7/16 x 66 15/16in). Painted in 1932

£10,000 - 15,000 €11,000 - 17,000

Provenance Acquired directly from the artist’s studio.

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.

Literature Elzbieta Grabska, Mondzain exhibition catalogue, Polish Institute, Paris, 1999. Marek Roefler, Artur Winiarski, exhibition catalogue, Les Maîtres de l’École de Paris, Éditions Villa la Fleur, Konstancin-Jeziorna, Poland, 2012, p. 52. Jewish Artists of the school of Paris 1905-1939, Somogy éditions d’Art, Paris, 2015, p. 261.

Simon Mondzain was born near Lublin in Chelm, Poland. He studied at the School of Arts and Crafts and the School of Fine arts in Warsaw and, in 1908, at the Imperial Academy of Fine Arts in Krakow. In 1912, Mondzain moved to Paris where he met among others Kisling, Merkel, Zawadowski, Adolphe Basler, Max Jacob, André Derain and Otton Friesz. During the World War I, he volunteered in the Polish section of the French Foreign Legion, where he was inspired by the life in service. In 1920, he was invited by the Fine Arts Club of Chicago to exhibit his work. Three years later, he acquired the French nationality and became a member of the Salon des Tuileries. During the German Occupation, Mondzain, with his wife and friends such as Albert Marquet and André Gide, settled in Algiers where he welcomed many Polish refugees. In 1944, following the death of Max Jacob in Drancy internment camp, he wrote his memoires: Max Jacob and Montparnasse, which were published in the journal L’Arche. Until the independence of Algeria, Mondzain lived between Paris and Algier.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 55 56 | BONHAMS 34AR TP SIMON MONDZAIN (SZAMAJ MONDSZAJN) (POLISH, CIRCA 1887/1888-1979) L’offrande signed ‘Mondzain/ Paris 1925/ 6’ (lower left) oil on canvas 170 x 160cm (66 15/16 x 63in). unframed

£9,000 - 11,000 €10,000 - 13,000

Provenance Acquired directly from the artist’s studio.

Literature Charles Kunstler, Mondzain, Éditions Montbrun, Paris, 1948, p 10. Elzbieta Grabska, exhibition catalogue, Autour de Bourdelle, Paris et les artistes Polonais, 1900-1918 , Paris, 1997, Éditions Paris Musées, p. 67. Marek Roefler, Artur Winiarski, exhibition catalogue, Les Maîtres de l’École de Paris, Éditions Villa la Fleur, Konstancin-Jeziorna, Poland, 2012, p. 51.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 57 58 | BONHAMS 35AR GEORGES MERKEL (GALICIAN, 1881-1976) Allegorical Self-portrait signed ‘Merkel’ (lower right) oil on canvas 81 x 100cm (31 7/8 x 39 3/8in). Painted c. 1930

£1,800 - 2,700 €2,000 - 3,100

Literature Jewish Artists of the school of Paris 1905-1939, Somogy éditions d’Art, Paris, 2015, p. 241.

Georges Merkel was born in a modest family in Lemberg, nowadays the city Lwiw in the Western Ukraine. He earned his living by decorating apartments and began his training at the School of Decorative Arts in Lodz.

In 1903, thanks to a friend’s financial support, he enrolled at the School of Fine Arts in Krakow and was awarded the silver medal two years later. Between 1905 - 1908 and 1909 - 1914, he lived in Paris and devoted himself to the French Classicism and the art of Paul Cezanne. During the First World War, Merkel was enlisted in the Austrian army and was seriously wounded. In 1917 he underwent a brain surgery to avoid the risk of blindness. During the interwar period, Merkel recited in Vienna and was a member of the artist’s association Hagenbund. In 1938, his art was defamed as “degenerated” by the Nazi Regime forcing his emigration to France where he took refuge in Montauban. After the Liberation, he went back to Paris and settled in Le Plessis - Robinson. Since 1945, Merkel was a member of the Viennese Secession and in 1961 he was honoured with the City of Vienna Prize. In 1972, he returned to Vienna where he spent the last years of his life.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 59 60 | BONHAMS 36 ARTHUR KOLNIK (POLISH, 1890-1971) Kaparah signed ‘Kolnik’ (lower right) oil on hardboard 80 x 40cm (31 1/2 x 15 3/4in). Painted c. 1930 unframed

£4,000 - 6,000 €4,600 - 6,800

Literature Maximilien Gauthier, Kolnik, Éditions Quatre feuilles, 1967, p. 13. Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 188.

Arthur Kolnik was born in Stanislavov, a small town in Galicia. His father, who was originally from Lithuania, worked as an accountant and his mother, who was originally from Vienna, ran a shop. In 1905, he discovered Yiddish literature during the first conference on Yiddish language in Czernowitz organized by several writers including I. L. Peretz, Cholem Aleichem, Shalom Asch and Nomberg.

In 1909, Kolnik joined the School of Fine Arts in Krakow and was mobilized in the Austrian army in 1914. Invalided home in 1916, he met in Vienna the painter Isidor Kaufmann. In 1919, Kolnik settled in Czernowitz where he met writer and poet Itzik Manger and storyteller Eliezer Steinberg for whom he produced several illustrations. In 1920, Kolnik saw an advertisement in a Yiddish newspaper about an exhibition of Jewish Polish painters in New York and decided to leave with fifty paintings for the United States. He found out that it was too late for his paintings to be exhibited at the event. Fortunately, however, he met photographer Alfred Stieglitz who found him a gallery and organized an exhibition of his work.

In 1931, Kolnik arrived in Paris with his family and gave up for several years painting. His wife was teaching piano while he was illustrating fashion journals. In 1934, he produced an album of twenty-four engravings, Sous le chapeau haut de forme (Underneath the Top Hat), which was prefaced by Henri Barbusse. A little later, he produced twelve plates for Grosbart’s Les Personnages (The Characters) and, in 1948, illustrated I.L. Peretz’ Métamorphoses d’une mélodie (Metamorphosis of a Melody).

Following the war, Arthur Kolnik stayed in London, New York, Krakow, Vienna, Riga, and Buenos Aires, where he exhibited his work. He contributed to the journal “Nos Artistes” (Our Artists). In 1962, his first solo exhibition took place in Paris at the Galerie Creuze. That same year, he travelled to Israel for the first time.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 61 62 | BONHAMS 37 EMMANUEL MANÉ-KATZ (UKRAINIAN, 1894-1962) Jewish boy signed ‘Mané-Katz’ (lower right); further signed ‘Mané-Katz’ (on the reverse) oil on canvas 60.5 x 50cm (23 13/16 x 19 11/16in). Painted in 1928

£5,000 - 7,000 €5,700 - 8,000

Provenance Guinness Collection. Private collection, Paris. Anon. sale; Artcurial, Paris, 5 April 2018, lot 174. Acquired at the above sale by the present owner.

Literature R.S. Aries & J. O’Hana, Mané-Katz, 1894-1962, The Complete Works, Vol. II, London, 1972, no. 12 (illustrated p. 5).

Brought up by a Shamasch father, Mané-Katz spent his childhood in a religious atmosphere that strongly influenced his work. Following his studies at the School of Fine Arts in Kiev and in Vilnius, he arrived in Paris in 1913. He studied painting in the studio of Cormon at the Ecole des Beaux-Arts alongside Soutine, Krémegne and Kikoïne. Due to his short stature Mané-Katz was not able to enlist in the Foreign Legion in 1914 and was forced to go back to Russia.

In 1917, following a trip to London, Mané-Katz was appointed professor at the School of Fine Arts in Kharjov. In 1921, he travelled to Baku, Tiflis in Georgia, Moscow, Minsk, and Warsaw before returning to Paris where he acquired the French nationality. During the Occupation, Mané-Katz was arrested by German soldiers in Royan but managed to escape to New York until the end of the war.

After the war, he settled in Paris and continued to travel during the last ten years of his life. He visited Israel, South Africa, Japan and India before going to New York and Paris in 1960. Most of his works are kept at the Mané-Katz Museum in Haifa, Israel.

Contrary to what the title and subject suggest, Mané-Katz used his wife as a sitter for the Jewish boy portrait.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 63 38AR 39AR JACQUES CHAPIRO (RUSSIAN, 1887-1972) JACQUES CHAPIRO (RUSSIAN, 1887-1972) The composer’s little girl Portrait of a young girl signed ‘937’/ Jacques Chapiro’ (lower right) signed ‘Jacques Chapiro’ (lower right) oil on canvas oil on canvas 81 x 54cm (31 7/8 x 21 1/4in). 85.5 x 56.5cm (33 11/16 x 22 1/4in). unframed Painted in 1920

£1,800 - 2,200 £1,800 - 2,000 €2,000 - 2,500 €2,000 - 2,300

Literature Provenance Alexander Scriabin, Jacques Chapiro, La Ruche, éd. Flammarion, Acquired directly from the artist’s studio. Paris, 1960, p. 62. Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015. Musée d’Art moderne Richard Anacréon, Granville, 2016.

Literature Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris 2015, p. 91. Brigitte Richart, catalogue Belles de Nuit, Éditions Musée d’Art moderne Richard Anacréon, Granville, 2016, p. 18.

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 40AR JACQUES CHAPIRO (RUSSIAN, 1887-1972) Jacques Chapiro, son of a wood sculptor, began his artistic education Self-portrait with scarf at the early age of ten. In 1915, he moved to Poland and attended the signed ‘Jacques Chapiro’ (lower right) School of Fine Arts in Kharkov and moved to Ukraine in 1918 to study oil on canvas in the Academy of Fine arts of Kiev. During the Russian Civil War, he 89.5 x 57cm (35 1/4 x 22 7/16in). contributed to the revolutions efforts by designing posters. Painted c. 1930 unframed In 1921, he studied at the Petrograd School of Fine Arts while working as a set designer assistant for constructivist theatre director £1,200 - 1,500 Meyerhold. He later worked for renown theatre directors Stanislavsky €1,400 - 1,700 and Wachtangov. In 1925, Chapiro left Russia for Paris and lived at La Ruche for the following five years. During the Occupation, he found Provenance refuge in Carpentras, in Provence and Serres in the Hautes Alpes. After Acquired directly from the artist’s studio. the war, he returned to Paris and authored a book of anecdotal stories about the daily life of the artists living in La Ruche.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 65 66 | BONHAMS 41AR ARBIT BLATAS (LITHUANIAN, 1908-1999) The Artist’s Daughter signed ‘A. Blatas’ (lower left) oil on canvas 81.5 x 66cm (32 1/16 x 26in).

£2,200 - 2,600 €2,500 - 3,000

Literature Jewish Artists of the School of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 69.

Artis Blatas, born Nicolai Arbitblatas, was raised in Lithuania in a family of piano merchants. He studied drawing in Pottava, at the palace of Lithuania’s governor which was transformed into an educational centre for children. In 1924, he left for Berlin and took drawing classes at the School of Fine Arts. He arrived in Paris in 1925 and at the age of 21 became the youngest member of the School of Paris. He settled in Montparnasse on rue de la Gaîté and met Sylvia Satenstein who he married in 1933. Following an exhibition at the Mouradian-Vallotton gallery in 1934, art dealer Pierre Matisse launched Blatas’ international career by offering to exhibit his paintings in New York. In 1935, thanks to Krémegne, the artist acquainted Céret, Collioure, and Banyuls in the south of France. During World War II, Blatas fled the Nazi-occupied Europe for the United States and became an American citizen. In 1947, he was elected a life member of the Salon d’Automne. In 1967, the Musée de l’Orangerie followed André Malraux’s advice and purchased his life - size bronze sculpture produced by his peer and friend Soutine (currently in a garden in the 14th arrondissement). Blatas remarried with the opera singer and stage director Regina Resnik and between 1975 and 1984, he designed opera sets and costumes.

In 1978, Arbit Blatas was named Chevalier de la Légion d’Honneur by the French Government for his contribution to French art as an outstanding member of the School of Paris and was promoted, in 1994, to the rank of Officier de la Légion d’Honneur.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 67 68 | BONHAMS 42AR ROBERT PIKELNY (POLISH, 1904-1986) La loge signed ‘Pikelny’ (lower centre); signed, titled and inscribed with address (on verso) oil on canvas 117 x 89cm (46 1/16 x 35 1/16in). Painted in 1930

£2,000 - 3,000 €2,300 - 3,400

Provenance Acquired directly form the artist’s studio.

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015. Granville, Musée d’Art Moderne Richard Anacréon, 2016.

Literature Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art., Paris 2015, p. 91. Brigitte Richart, catalogue Belles de Nuit, Éditions Musée d’Art Moderne Richard Anacréon, Granville, 2016. p. 283.

Robert Pikelny started his artistic education in Moscow in 1908. After his travels to Vienna and Berlin in 1923, he settled in Paris in a studio next door to Pougny’s. He was then introduced to the Russian Artists Society and became friends with Lazare Volovick, Vladimir Naiditch, and Ossip Lubitch, as well as art lover André Fize, who supported and believed in his talent. Pikelny illustrated and wrote in various artistic journals and magazines. During World War II, he took refuge in south of France and returned to Paris right after the Liberation.

Le Clown Bleu signed ‘Lubitch’ (lower left) oil on paper 101 x 78cm (39 3/4 x 30 11/16in).

Le Clown Rose signed ‘Lubitch’ (lower right) oil on paper 101 x 78cm (39 3/4 x 30 11/16in).

(a double composition)

£1,200 - 1,500 €1,400 - 1,700

Exhibited Paris, Les Russes à Montparnasse, Musée du Montparnasse, 1999.

Literature Aberdam, Adlen, Borvine Frenkel, Kolnik, Nos artistes, n° 2, April 1958. Peintres Juifs de l’École de Paris 1905-1939, Éditions Denoël, Paris 2000, p. 220-221 (illustrated). Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris 2015, p. 218 -219.

Ossip Lubitch studied at the Academy of Fine Arts in Odessa. In 1919, he moved to Berlin with a group of Russian artists including Pavel Tchelitchev, Jean Pougny, and Lazare Meerson with whom he produced theatre and film sets. In 1923, an agreement to decorate a cabaret in the area of Montmartre encouraged his decision to settle permanently in Paris. In 1925, the sculptor Antoine Bourdelle introduced him to the Salon des Tuileries. In 1934, he published Cirque, an album of ten aquatint etchings, with a preface by the painter Georges Rouault.

During the war, Lubitch continued painting in his studio in rue d’Odessa in Montparnasse. In 1940, he failed to register as a Jew with the police. However, in 1944, after informers gave him away, he was arrested and sent to the Drancy internment camp. He escaped on August 18, 1944, one day after the last convoy left for Auschwitz. He bequeathed his drawings from Drancy to the Yad Vashem Holocaust Memorial in Jerusalem and to Beit Lohamei Haguetaot near Haifa. His last drawings are kept in the Holocaust Memorial Museum in Washington DC. After the Liberation, Lubitch returned to Paris and lived in rue Campagne-Premiere.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 71 72 | BONHAMS 44 JOACHIM WEINGART (WEINGARTEN) (POLISH, 1895-1942) Nu de dos signed ‘Weingart’ (upper right) oil on canvas 78 x 62cm (30 11/16 x 24 7/16in).

£2,500 - 3,000 €2,800 - 3,400

Literature Peintres Juifs de l ‘École de Paris 1905-1939, Éditions Denoël, Paris, 2000, p. 337. Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 335.

Joachim Weingart left Galicia in 1912 to take drawing classes in Weimar. In 1914, he studied in Vienna at the School of Fine Arts and visited Berlin. After World War I, he exhibited his work at Lodz. Back to Berlin in 1922, he met Menkes and Alfred Aberdam at the studio of Alexander Archipenko. A year later, Weingart joined Menkes in Paris. The art dealer René Gimpel showed interest in his paintings and signed a contract with him in 1930.

In Weingart’s Nu de dos, the naked woman appears surprised by the spectator’s intrusion in the intimate moment of her bath, which is reminiscent of the biblical episode of “Suzanne at the Bath”. René Gimpel, in « Journal d’un collectionneur, Marchand de tableaux » (Ed. Hermann, 2011) wrote Monday 24th November 1931 : « - Weingart. Je crois que cet homme va devenir un vrai peintre. Il est difficile de lui faire terminer une œuvre. » / ( « - Weingart. I believe that this man will become a real painter. It’s difficult for him to finish an art work.”)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 73 74 | BONHAMS 45 ANTOINE IRISSE KICHINEV (MOLDAVIAN, 1903-1957) Atelier du tailleur signed ‘Iris. A’ (lower left); further titled (on verso) oil on canvas 64.5 x 80cm (25 3/8 x 31 1/2in). unframed Painted in 1924

£1,200 - 1,500 €1,400 - 1,700

Provenance Acquired directly from the artist’s studio.

Exhibited Kichinev, Irisse, National Museum of Moldovan Art, 2016.

Literature Irisse, Éditions Kreitner, Paris, 2011, p. 14.

Antoine Irisse, born Avram Iris, studied at the School of Fine Arts in Kishinev. Irisse migrated to Belgium where he studied at the Royal Academy of Fine Arts of Brussels. In 1925, he settled permanently in Paris and attended the Académie de la Grande Chaumière. In 1931, he exhibited at the Katia Granoff Gallery, where he started being noticed by art critics and most notably by Waldemar Georg, editor-in- chief of magazine Prisme des Arts.

In 1932, he exhibited in a group exhibition with Raoul Dufy, Friesz, Mané-Kats, Picasso, Pougny, Utrillo and Maurice de Vlaminck. During World War II, Irisse was denounced by one of his suppliers in Paris and had to remain hidden to escape the Gestapo. During this time and until his death in 1957, he participated in the Salon de Mai, Salon des Indépendants, Salon des Tuileries and Salon d’Automne. Alongside his painting, Irisse had to become a ceramicist in order to financially support his family.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 75 76 | BONHAMS 46AR HENRYK BERLEWI (POLISH, 1894-1967) Self-Portrait signed ‘HenrykBerlewi’ and titled ‘SelfAutoportrait’ (centre), inscribed and dated ‘1911’ (lower right) pencil on paper 29 x 22cm (11 7/16 x 8 11/16in). Painted in 1911

£2,000 - 3,000 €2,300 - 3,400

This work will be included in the artist’s catalogue raisonné authored by Isabel Schröer.

Literature Peintres Juifs de l’École de Paris 1905-1939, Éditions Denoël, Paris 2000, p. 64. Jewish Artists of the School of Paris 1905-1939, Somogy Editions d’Art, Paris 2015, p. 62. Stories of Jewish Artists of the School of Paris 1905-1939, Les Étoiles Éditions, 2020, p. 71.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 77 78 | BONHAMS 47AR LÉON ZACK (LEV VASILEVICH ZAK) (RUSSIAN/FRENCH, 1892-1980) Maternity signed ‘Leon Zack’ (lower left) oil on canvas 92 x 73cm (36 1/4 x 28 3/4in). Painted c. 1930

£3,000 - 4,000 €3,400 - 4,600

Literature Jewish Artists of the school of Paris, 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 341.

Léon Zack studied painting in private academies and literature at the University of Moscow. He then spent time at in several studios where he met avant-garde artists like Ivan Rerberg and Ilya Machkov, the founding members of the group Jack of Diamonds which referred to Cézanne’s Fauvism and presages of Cubism. In 1913, he published a collection of poems signed under the pseudonym “Chrysanthe” and married, in 1917, Nadia Braudo with whom he had two children: Irene, who became a sculptor, and Florent.

In 1920, Zack and his family left Russia for France via Rome, Florence, and Berlin, where he produced set designs and costumes for the Russian romantic ballets directed by Boris Romanov. Ten years later, Zack joined the neo-humanists movement inspired by the art critic Waldemar George. During this time, Léon Zack also worked for the Monte-Carlo Ballet and illustrated works by Arthur Rimbaud, Verlaine, Mallarmé, and Baudelaire. In 1940, he left Paris and took refuge in Arcachon, Villefranche-sur-Mer, and Grenoble. He returned to Paris in 1945 where he exhibited his first abstract works at Katia Granoff’s and at the Garets gallery.

From 1955 onwards, Zack dedicated his career to religious art and specialised in the production of stained-glass windows for Notre- Dame-des-Pauvres at Issy-Les-Moulineaux and for numerous churches in Paris and French provinces.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 79 48 48AR 49AR LAZARE VOLOVICK (UKRAINIAN, 1902-1977) LAZARE VOLOVICK (UKRAINIAN, 1902-1977) Landscape Madame Volovick a la Ruche signed ‘Volovick.’ (lower right) signed ‘Volovick.’ (lower left) oil on canvas oil on canvas, laid down 65 x 81.5cm (25 9/16 x 32 1/16in). 80.5 x 65cm (31 11/16 x 25 9/16in). Painted c. 1920 £1,200 - 1,500 €1,400 - 1,700 £1,800 - 2,000 €2,000 - 2,300 Lazare Volovick, born in 1902, was the youngest in a family of seven children. In 1917, he attended the School of Fine Arts in Kharkov Exhibited and a year later in Kiev. In 1921 Volvick arrived in Paris baring severe Paris, La Ruche, centenaire d’une cite d’artistes, Le Musée du financial struggles. He started posing as a model for sculptors of Paris’ Montparnasse, 2002. Académie de la Grande Chaumière but continued to paint either at Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial the academy or at his friends’ homes. In 1923, he finally settled in La Brussels - Artcurial Paris, 2015. Ruche, the artist’s residence in the Montparnasse where he stayed until the war. Literature Peintres Juifs de l’École de Paris 1905-1939, Éditions Denoël, Paris In 1944, he returned to Montparnasse and settled at 11 rue Jules 2000, p. 331. Chaplain. His studio at La Ruche had been occupied and all of his Jewish Artists of the school of Paris 1905-1939, Somogy Éditions works had been destroyed or plundered by the Nazis. In 1946, d’Art, Paris, 2015, p. 329. Volovick worked at the studio of his friend Vladimir Naiditch, , where he painted a series of nudes and portraits.

In 1958, he exhibited at Galerie André Maurice with The Hive (Volovick, Chagall, Krémègne, Léger, Modigliani, Soutine, Indenbaum, Zadkine) and two years later at Galerie Montmorency. In 1961, he participated in exhibitions of Russian artists at the École de Paris, at the Maison de la Pensée Française and at Galerie Agora in 1962 with Lanskoy, Pougny, Larionov, Gontcharova, Blond, Térèchkovitch and Krémègne. For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 49

ECOLE DE PARIS | 81 50AR ISAAC DOBRINSKY (UKRAINIAN, 1891-1973) Dobrinsky arrived in Paris in 1912 and was warmly welcomed by the La Lecture sculptor Marek Szwarc. He settled at La Ruche and shared his studio signed ‘Dobrinsky’ (lower right) with Chaïm Soutine. A year after his arrival in France, Dobrinksy fell ill oil on board and abandoned sculpture for painting. In 1914 he joined the French 60 x 46cm (23 5/8 x 18 1/8in). Foreign Legion but was quickly exempted due to medical reasons. He Painted in 1929 returned to Paris and studied at the Académie Colarossi where he met Vera Kremer and got married in 1926. Vera, daughter of Arkadi Kremer, £2,000 - 3,000 the founder of the Bund and of Patti Kremer, a Russian revolutionary €2,300 - 3,400 socialist, was a recurring subject in his work.

Provenance After living at La Ruche for 27 years, Dobrinsky moved to Rue d’ Acquired directly from the artist’s studio. Odessa in 1934. In the first two years of the German occupation, Dobrinsky and his family stayed in Paris, but in 1942 they fled to Literature Bergerac. In 1944, after the liberation, Dobrinsky returned to Paris and Jewish Artists of the school of Paris 1905-1939, Somogy Éditions found his artworks left behind destroyed. d’Art, Paris, 2015, p. 100.

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 51AR ISAAC DOBRINSKY (UKRAINIAN, 1891-1973) Portrait of Vera signed ‘Dobrinsky’ (lower left); inscribed with authentication by Vera Dobrinsky ‘Paris, 1944’ (on the verso) oil on canvas 92 x 73cm (36 1/4 x 28 3/4in). Painted in c. 1950 unframed

£900 - 1,200 €1,000 - 1,400

Provenance Acquired directly from the artist’s studio.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 83 84 | BONHAMS 52 ISAAC PAILES (FRENCH, 1895-1978) Still life signed ‘Pailes’ (upper left) oil on canvas 73 x 50cm (28 3/4 x 19 11/16in). Painted c. 1913

£1,200 - 1,500 €1,400 - 1,700

Isaac Pailes grew up in a family of goldsmiths. His maternal grandfather was a wood engraver. At the age of thirteen, following in the footsteps of his grandfather, Isaac took an interest in engraving and in sculpture. His first sculptures are exhibited in museums in Kiev. In 1910, he enrolled in the School of Fine Arts in Kiev, where he met Issachar Ryback and Max Kaganovitch, who became his dealers forty years later. With his father’s help, Isaac Pailes arrived in Paris in 1913. He shared a room with Mané- Katz and studied sculpture for a year at the Ecole des Beaux-Arts in Paris. One year later, he decided to return to Kiev and stole money from in the Russian embassy to go to Russia via London, Norway, Sweden, and Finland. When the Revolution broke out in Russia, he was sent to the Crimean front. As he refused to fight, he escaped and managed to embark on a ship without any papers or ticket. In exchange for a gold ring, the captain dropped him off in Constantinople. Pailes’ dream was to return to Paris where he arrived in 1919 and went straight to the café La Rotonde to meet his friends Michel Kikoine and Isaac Dobrinsky. Initially, he worked as a model in order to earn his living. In 1920, he gave up sculpture for painting and started to collect tribal art. He then got in touch with the art lovers of the time: police chief Zamaron and dealers Paquereau and Georges Bernheim. Attached to his Slav origins, Pailes participated in the activities of the Russian Artists Society, which was set up by Russian artists in Montparnasse and presided by Wildhopff. When World War II broke out, Pailes settled in the Pyrénées - Orientales and later in the Auvergne region. He then joined a group of Resistance fighters in Rochefort. Following the Liberation, he returned to his studio in Montparnasse and continued to paint. In 1948, Isaac Pailes produced his first abstract works.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 85 53 NATHAN GRUNSWEIGH (POLISH, 1880-1943) Until very recently, little was known about Nathan Grunsweigh. He was L’hotel du Sans-Souci born in Krakow in 1880, and between 1901 and 1915 he migrated to signed ‘Grunsweigh’ (lower right) Antwerp, Belgium. A few years later, he settled in the western suburb oil on canvas of Le Vésinet, France, with his wife Fanny and their three children. 60 x 73cm (23 5/8 x 28 3/4in). His work revolved around the landscapes of his neighbourhood and Painted c. 1930 Le Vésinet: the villas by the park, the lake, the Croissy bridge, or Le Select, cinema near the train station. £1,800 - 2,200 €2,000 - 2,500 In 1926, he had an exhibition at the Gallery Pierre, where he exhibited around twenty paintings of landscapes of the suburbs and still life. Exhibited Gustave Kahn wrote of him in the Mercure de France on June 15, Paris, Musée du Montparnasse, 2005. 1926 “Grunsweigh ‘paints the suburbs of Paris with love.’” Jerusalem, Yad Vashem Museum, 2006.

Literature Artistes d’Europe, Montparnasse déporté, Éditions Musée du Montparnasse, Paris, 2005, p. 124. Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 146.

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 54 NATHAN GRUNSWEIGH (POLISH, 1880-1943) Select cinema signed ‘Grunsweigh’ (lower left) oil on canvas 64.5 x 49.5cm (25 3/8 x 19 1/2in). Painted c. 1920

£900 - 1,200 €1,000 - 1,400

Exhibited Paris, Musée du Montparnasse, 2005. Jerusalem, Yad Vashem Museum, January - June 2006.

Literature Artistes d’Europe, Montparnasse déporté, Éditions Musée du Montparnasse, Paris, 2005, p. 24.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 87 88 | BONHAMS 55 SAVELY SCHLEIFER (UKRAINIAN, 1888-1943) Children signed ‘S. Schleifer’ (lower left) oil on canvas 98 x 130.5cm (38 9/16 x 51 3/8in). Painted c. 1930

£1,800 - 2,000 €2,000 - 2,300

Savely Schleiffer studied at the School of Fine Arts in Odessa. He then attended the School of Fine Arts in Saint Petersburg under the guidance of Ilya Repin. In 1905, he arrived in Paris and exhibited his work at the Salon des Indépendants and the Salon des Tuileries. When World War I broke out, he was enlisted in the Russian army and joined the special camouflage brigade. During the Revolution in 1917, he returned to Saint Petersburg and founded an art school where he taught drawing and painting. In 1922, he became a professor at the School of Decorative Arts in Leningrad. Later, he taught in a film school and specialized in make-up and costumes. In 1927, Schleifer returned to Paris where he was arrested on June 22, 1941 and was interned at the camp in Compiegne. On September 5, 1943, he was transferred to Drancy. In May 1944, he was deported and murdered by the Nazis.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 89 90 | BONHAMS 56AR JOSEPH CONSTANT (CONSTANTINOVITCH) (PALESTINIAN , 1892-1969) Les hérons signed with incised signature ‘Constant’ (on the left leg) wood 115 x 47cm (45 1/4 x 18 1/2in). Executed c. 1930

£2,000 - 3,000 €2,300 - 3,400

Literature Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris 2015, p. 35.

Joseph Constant was born in Palestine in 1892 and grew up in Odessa. In 1912, Constant enrolled in the School of Fine Arts in Odessa, where he studied painting. In 1919, with many other artists, Constant and his wife fled Russia for Palestine aboard the Ruslan. In Tel Aviv, he made friends with the painter Alexandre Frenel. In 1923, after his travel to Egypt, Turkey, and Romania, Constant arrived in Paris, where he studied art. In the beginning of his career, Constant painted animal paintings. He used pencil, charcoal, and ink and also produced watercolors and oils on canvas.

During the 1930s, he mainly produced animal sculptures. He worked in stone, bronze, and, especially, in wood. He visited the Jardin des Plantes every day, where he found inspiration. He was a member of a group of Israeli artists called the “Animalists.” In Paris, Constant also developed a writing career. He wrote several books under the name Michel Matveev. His most famous work Les Traqués (The Hunted) was published in 1933 and relates the tragic story of Jews traveling across Europe in search of a safe haven. In 1936, he was awarded the Deux Magots Prize for his book “Etrange Famille” (Strange Family). In “La Cité des Peintres” (The Painters’ City), published in 1947, he wrote about the life of the Russian Jewish artists in Montparnasse. Joseph Constant and his friend the painter Alexandre Frenel are known as the artists of the School of Paris who introduced French Impressionism and realism in Israel.

This sculpture is a typical bas-relief of his production in the 1930s, when Constant represented the animal world; a biblical metaphor charged with Jewish symbolism.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 91 92 | BONHAMS 57AR MAURICE BLOND (POLISH, 1899-1974) La Rue signed ‘Blond’ (lower left) oil on canvas 42.5 x 60cm (16 3/4 x 23 5/8in). Painted c. 1925 unframed

£1,200 - 1,600 €1,400 - 1,800

Originally from Russia, Maurice Blond’s father was a merchant and an art lover. In 1911, following a school examination, one of his watercolors attracted notice and was subsequently exhibited at the Kiev Museum. For a brief period in 1922, he gave up his creative ambitions and joined the natural sciences department of Warsaw University, after which he reconsidered his decision and took classes at the Warsaw School of Fine Arts for a few months. He supported himself by teaching mathematics until 1923. That year, he left for Berlin where he met Isaac Mintchine and Kostia Terechkovitch, who came from Kiev and Moscow, respectively. In 1924, Blond arrived in Paris and settled at the artist’s colony La Cité Falguiere, where he formed friendships with a group of Russian artists including Mikhail Larionov, Natalia Goncharova, Jean Pougny, Pinchus Krémegne, and Kostia Terechkovitch, with whom he shared a room in Montparnasse. In 1930, he became the organizer and artistic adviser of the Russian magazine Tchisla, through which he organized exhibitions. He volunteered for the French army in 1939, but was soon discharged from active service and sent to the Avignon area, where he found refuge, working for two years for a local peasant. After the war, Blond settled in Grenoble and dedicated his time exclusively to painting. He exhibited his work in Paris from 1923 with success and signed his paintings with the name Blond, which he had adopted during the Occupation.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 93 94 | BONHAMS 58AR GRÉGOIRE MICHONZE (RUSSIAN/ FRENCH, 1902-1982) Village scene signed and dated ‘Michonze/ 48’ (lower right) oil on panel 16 x 23cm (6 5/16 x 9 1/16in). Painted in 1948

£1,200 - 1,500 €1,400 - 1,700

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.

Literature Jewish Artists of the school of Paris 1905-1939, Somogy éditions d’Art, Paris, 2015, p. 245. Grégoire Michonze 1902-1982, Éditions Collection Terre des Peintres, Paris, 1997, p. 69.

Grégoire Michonze studied painting at the Kishinev School of Fine Arts when he was first introduced to the technique of egg painting, of which he became a master. He later pursued his studies at the Academy of Painting in Bucharest where he produced theatre sets and became friend with Victor Brauner. In 1922, he arrived in Paris and enrolled at the École des Beaux-Arts. He met Max Ernst who introduced him to the Surrealists. In 1928, Michonze met Henry Miller on the terrace of the Dôme, a moment that marked the start of their lifelong friendship. Miller wrote much later: “Your work fully justifies your existence. It is far superior to what I could have imagined. It is wonderfully crazy, drunk, demented, lustful, cartoonish but so magnificent, so moving. How right you were to never adhere to surrealism...” (Letter to Michonze, June 30, 1978)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 95 59AR PHILIPPE HOSIASSON (UKRAINIAN, 1898-1978) Philippe Hosiasson grew up in Odessa and was related to the Russian Mère et fille / La Liseuse (2) writer Boris Pasternak. Between 1910 and 1912, he travelled in Berlin where he got familiar with the Western avant-garde. He briefly Mère et fille attended the School of Fine Arts in Odessa, and studied law and art oil on canvas history at Odessa University in 1912. 92 x 73cm (36 1/4 x 28 3/4in). Painted in 1920 During his studies, Hosiasson designed sets for Romanov’s Ballets Russes in Berlin. He finally moved to Paris in 1914. A notable moment La Liseuse (on verso) of his career was his participation in the World Fair of Paris in 1937, oil on canvas, laid down for which he decorated the Pavillon de la Martinique. In 1939, he 70 x 88.5cm (27 9/16 x 34 13/16in). was mobilized to join the army and was seriously wounded near Painted in 1920 Dunkerque. During the Occupation, he stayed in Toulouse, Marseille, and the Nice area. He came back to Paris in 1948 following a long £2,500 - 3,000 recovery from his war wound. €2,800 - 3,400 During 1947-1948, he started producing his first “informal” paintings, Provenance which Michel Tapié and Michel Seuphor associated with Abstract Acquired directly from the artist’s studio. Expressionism. Supported by Clément Greenberg, he exhibited his work with Barnett Newman, Mark Rothko, and Kenneth Noland at Literature the Kootz Gallery in New York. According to the artist, abstraction Jewish Artists of the School of Paris 1905-1939, Somogy Éditions constituted a “way to express his conception of the world and his d’Art, Paris, 2015, p. 163. Jewish religion.”

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 97 60AR PHILIPPE HOSIASSON (UKRAINIAN, 1898-1978) During his studies, Hosiasson designed sets for Romanov’s Ballets Portrait composition Russes in Berlin. He finally moved to Paris in 1914. A notable moment signed ‘Hossiasson/ 48’ (lower right); further signed and dated of his career was his participation in the World Fair of Paris in 1937, (on verso) for which he decorated the Pavillon de la Martinique. In 1939, he oil on canvas was mobilized to join the army and was seriously wounded near 61 x 46cm (24 x 18 1/8in). Dunkerque. During the Occupation, he stayed in Toulouse, Marseille, unframed and the Nice area. He came back to Paris in 1948 following a long recovery from his war wound. £1,200 - 1,600 €1,400 - 1,800 During 1947-1948, he started producing his first “informal” paintings, which Michel Tapié and Michel Seuphor associated with Abstract Exhibited Expressionism. Supported by Clément Greenberg, he exhibited his Paris, Galerie Regards ‘HO 225’ (stamp on stretcher) (possibly). work with Barnett Newman, Mark Rothko, and Kenneth Noland at the Kootz Gallery in New York. According to the artist, abstraction Philippe Hosiasson grew up in Odessa and was related to the Russian constituted a “way to express his conception of the world and his writer Boris Pasternak. Between 1910 and 1912, he travelled in Jewish religion.” Berlin where he got familiar with the Western avant-garde. He briefly attended the School of Fine Arts in Odessa, and studied law and art history at Odessa University in 1912.

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 61AR LÉON INDENBAUM (RUSSIAN, 1890-1981) Indenbaum’s first patron was the fashion designer and collector Venus Jacques Doucet, for whom he produced several panels. In addition, marble he created sculptures for the decorator Coard and the couturier Paul 32 x 22 x 13cm (12 5/8 x 8 11/16 x 5in) Poiret. He also worked for the brothers Georges and Marcel Bernard, bankers and collectors. In 1925, he exhibited two sculptures at the £700 - 900 Salon des Indépendants. During World War II, Indenbaum successfully €800 - 1,000 hid from the Nazis but most his works were disappeared or destroyed. Following the Liberation, Indenbaum continued to work but remained Léon Indenbaum studied at the School of Fine Arts in Odessa and discreet. He died at his daughter’s house in Opio, in the Alpes - pursued his studies at the Antonolski Art School in Vilnius. He arrived Maritimes. in Paris in 1911 where he settled at Mietschaninoff’s studio at La Ruche. He lived at the second floor, near Chagall’s studio, and then Venus is a recurring subject in Indenbaum’s oeuvre. In praise of the moved to Volovick’s. From 1911 to 1919, Indenbaum studied sculpture feminine beauty and innovative in his approaches, he produced many under the guidance of Antoine Bourdelle at the Académie de la Grande such sculptures of different mediums, such as the Rustic Venus, 1925. Chaumière. In 1912, three of his sculpture were exhibited at the Salon des Indépendants.

£1,000 - 2,000 €1,100 - 2,300

Literature Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 383.

Perelman studied at the Royal Academy of Art in Brussels. In 1927 he was awarded the first prize for sculpture, following a scholarship. That same year, he finished his studies and moved to Paris where he regularly exhibited at the Salon des Artistes Français, Salon d’Automne and Salon des Indépendants. In 1946, Perelman founded the French Association of the Jewish Artists and remained its president until his death.

During World War II, his entire family in Horodzieje died in the Holocaust. His studio was plundered and his sculptures were destroyed by the Nazis. His prewar works are very rare. His works with Biblical themes gained international recognition while France’s Ministry of Culture had acquired one of his sculptures. Today, most of his works are located between Paris, Warsaw and Israel.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 101 63

63AR ALFRED ABERDAM (POLISH, 1894-1963) A year later, in Moscow, he met the poet Vladimir Maïakowski. After Nature Morte living in Leningrad and Vienna, Aberdam returned to his hometown, signed ‘Aberdam 35’ (lower right) Lwow. Between 1920 and 1922, he obtained his first art prize while oil on canvas laid on canvas studying at the Fine Arts Academy in Krakow under Josef Pankiewicz’s 89 x 116cm (35 1/16 x 45 11/16in). supervision.

£1,800 - 2,200 His career took off in Warsaw in April 1922 when he participated in €2,000 - 2,500 the 4th Exposition of Painting and Sculpture hosted by the Jewish Community Center, followed in October in Lwow by the collective Literature exposition of the Circle of Jewish Art Lovers. From that date on, he Jewish Artists of the School of Paris 1905-1939, Somogy éditions contributed articles and reports to artistic reviews in Lwow, notably d’art, Paris, 2015, p. 37. to Chwila and Nasz Przeglad. In 1923, he was staying in Berlin and met Menkès and Weingart in the studio of the sculptor Alexander Alfred Aberdam was brought up in a wealthy family of Lwow Archipenko. (Lemberg), Ukraine. In 1913 he left for Munich where he attended the Royal Academy of Fine Arts. When World War I broke out, his studies In 1924, he settled in Paris in the Montparnasse district. Until 1937, found premature end as he was mobilized to serve in the Austrian thanks to his friend Marcel Slodki, Aberdam enjoyed commissions from army on the Eastern Front. Wounded in the beginning of the war, Swiss collectors. Under the German occupation, he found refuge in Aberdam was captured by the Russian Army and was deported in Paris at pianist Anna Radlinska’s home. After the war, Alfred Aberdam Irkutsk, Siberia. In 1917, he was appointed as People’s Commissar of returned to his home in Paris, visited the south of France, Switzerland, the Department of Fine Arts and was tasked to reform its educational and later Israel, where several exhibitions were devoted to his art. program.

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 64

64AR ALFRED ABERDAM (POLISH, 1894-1963) L’atelier signed ‘Aberdam’ (lower left) oil on canvas 64.7 x 54cm (25 1/2 x 21 1/4in).

£1,800 - 2,000 €2,000 - 2,300

Literature École de Paris 1905-1939, Éditions Ritter, Paris 2000, p. 109.

ECOLE DE PARIS | 103 104 | BONHAMS 65AR FAÏBICH-SCHRAGA ZARFIN (RUSSIAN, 1900-1975) L’arbre rouge signed ‘Zarfin’ (lower right) oil on canvas 81 x 60cm (31 7/8 x 23 5/8in). Painted c. 1930

£1,200 - 1,500 €1,400 - 1,700

Provenance Acquired directly from the artist’s studio.

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015.

Literature Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 347.

Born to a family of intellectuals, Zarfin grew up in Smilovichi, near Minsk. In 1913, he enrolled in the School of Fine Arts of Vilnius and wrote poems. In 1914, influenced by the Zionist wave, he left his country and family, who he never saw again, and emigrated to Palestine. There, he was a pioneer and dried out swamps, farmed the land, and studied at the Bezalel School of Fine Arts. In 1918, Zarfin fought for the liberation of Palestine alongside the British army. He was discharged from service on December 17, 1920 and participated in an exhibition organized by the governor of Jerusalem.

In 1923, he left for Berlin and exhibited his work at the Sécession. He earned his living thanks to his illustrations. In 1924, he settled in Paris and met Soutine, who was also from Smilovichi. He visited museums and destroyed his earlier work. In 1925, he worked as a shoemaker and painted on fabric.

In 1939, Zarfin was mobilized to join the army and an album of sketches produced during his service was acquired by the state. In 1941, the family took refuge in the Zone Libre (free zone), in Lyon and in Grenoble, where his room became a meeting point for the Résistance. After the Liberation, he returned to Grenoble where a solo exhibition was dedicated to his work. The paintings that were left in his Paris studio were plundered.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 105 106 | BONHAMS 66AR ESTHER CARP (POLISH, 1897-1970) The Pianist signed ‘E. Carp’ (lower left); signed and titled and inscribed with address (on stretcher) oil on canvas 65 x 91cm (25 9/16 x 35 13/16in). Painted c. 1930

£1,800 - 2,200 €2,000 - 2,500

Exhibited Groupe Mobile, Villa Vassilieff, Paris, 2015.

Literature Chil Aronson, Scènes et Visages de Montparnasse en yiddish, Paris, 1963, p. 634. Peintres Juifs de l’École de Paris 1905-1939, Édition Denoël, Paris 2000, p. 84. Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris 2015, p. 83. Jewish Artist of the School of Paris 1905-1939, Ed. Smmogy, Paris, 2015, p. 83.

Born near Warsaw, Esther Carp was raised into a family of musicians. She studied painting in Vienna and moved to Paris in 1925. There, she discovered Nissim Camondo’s Collection and found inspiration in the works of Alfred Sisley and Paul Cézanne. In 1931, the merchant and patron of Amadéo Modigliani, Léopold Zborowski organized her first solo exhibition in his gallery at 26 rue de Seine in Paris. She was 33 at the time. She also exhibited at the Salon des Artistes Indépendants, Salon des Tuileries and Salon d’Automne, as well at the Union des Femmes Françaises and the Salon de Mai in 1949.

In 1961, the famous art critic Waldemar George wrote about her work: “Esther Carp’s work cannot easily be placed in any existing category of the School of Paris. Born in Poland, she lived in France and assimilated certain techniques of Italian Futurism as well as elements of composition derived from French Cubism in her almost abstract works, she achieves a completely different goal by breaking down colors into spots analogous to those of pointillism, thus suggesting movement or even stereoscopy.”1. She described herself as “musicaliste”.

1 Waldemar George, The School of Paris in “Jewish art: an illustrated history”, McGraw-Hill, New York, 1961, p. 692.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 107 67AR JÉSÉKIEL DAVID KIRSZENBAUM (POLISH, 1900-1954) Born in a religious family from Poland, Kirszenbaum left for Germany in The fisherman/ The violinist 1920 and studied at Bauhaus School under the guidance of Paul Klee and Wassily Kandinsky. In Berlin, he worked as an illustrator for a few The fisherman newspapers until he moved to Paris, in 1933, to devote solely in his signed ‘J.D. Kirszenbaum/ 39’ (lower right) art. Kirszenbaum’s paintings were deeply inspired by Biblical scenes oil on canvas and the Jewish community. One of his prominent collectors was 115 x 88.5cm (45 1/4 x 34 13/16in). Baronne Alix de Rothschild.

The violinist (verso) The fisherman/The violinist, dated in 1939, is one of the few paintings oil on canvas that were saved following the destruction of his works during the 115 x 88.5cm (45 1/4 x 34 13/16in). Occupation.

(2)

Painted in 1939

£1,200 - 1,600 €1,400 - 1,800

Literature Peintres Juifs de l’École de Paris 1905-1939, Éditions Denoël, Paris, 2000, p. 179. J. D. Kirszenbaum (1900- 1954). La génération perdue, Somogy Éditions d’Art, Paris, 2013, p. 149. Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris 2015, p. 177.

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 68 JÉSÉKIEL DAVID KIRSZENBAUM (POLISH, 1900-1954) Hassid Simchat Torah oil on canvas 162 x 130cm (63 3/4 x 51 3/16in). Painted in 1947

£200 - 500 €230 - 570

Provenance Baroness Alix de Rothschild, Paris, no. 676. Art Moderne, Paris, Millon & Associes, 27 March 2013, lot 77. Acquired from the above sale by the present owner.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 109 110 | BONHAMS 69 MARIE VASSILIEFF (RUSSIAN, 1884-1957) Madonna signed ‘MARIE VassILIEff’ (lower right), inscribed with ‘PARIS 1936’ (lower left) rhodoid, mixed media collage 30 x 22cm (11 13/16 x 8 11/16in). Painted in 1936

£900 - 1,200 €1,000 - 1,400

Marie Vassilieff began her studies at the Imperial Academy of Fine Arts in Saint Petersburg and later moved to Paris where she took courses at the Académie de la Palette and the Académie Henri Matisse. In 1911, she founded the Russian Academy of Painting and Sculpture and a year later established the Académie Vassilieff which became a meeting place for the Parisian avant-garde.When World War I broke out she transformed her studio into a canteen, which enjoyed growing popularity among intellectuals including Georges Braque, Pablo Picasso, Amadeo Modigliani, and Chaim Soutine. The venue put on shows, held conferences, literary and musical evenings, and threw legendary parties.

Vassilieff’s oeuvre was deeply influenced by the Cubist movement that was shaping in Paris at the time. She was most known for her portraits of dancers and her friends, like Picasso and Matisse, as well as her decorative furniture pieces and doll-portraits. She designed for patron Paul Poiret and directed the costume-making workshops for the theatrical season of Rolf de Maré ‘s Ballets Suédois at the Théâtre des Champs-Élysées. In 1925, she created “Puppet Furniture” for the International Exhibition of Modern Decorative and Industrial Arts and two years later decorated two pillars of the renown La Coupole brewery. In 1937, she participated at the International Exhibition of Arts and Techniques in Modern Life. From 1936 to 1946, Marie Vassilieff lived and worked in Cagnes-sur-Mer.

Le Bretons charcoal on paper inscribed and signed ‘Eug. Zak/ 07’ (lower left) 65 x 31cm (25 9/16 x 12 3/16in).

Les Bretons charcoal on paper signed ‘Eug. Zak/ 07’ (lower left) 65 x 31cm (25 9/16 x 12 3/16in).

Femme Bretonne charcoal on paper inscribed and signed ‘Eug. Zak/ 9. 1. 1907’ (lower right) 65 x 31cm (25 9/16 x 12 3/16in).

(3)

£900 - 1,200 €1,000 - 1,400

Léon Zack was studying literature at the University of Moscow when he started taking painting and drawing classes at private academies. Following his studies, in 1913, he published a collection of poems which he signed under the pseudonym “Chrysanthe”.

In 1920, Zack and his family left Russia for France via Rome, Florence, and Berlin, where he produced set designs and costumes for the Russian romantic ballets directed by Boris Romanov.In 1930, Zack joined the group of the neo-humanists, which was a movement inspired by the art critic Waldemar George. During this time, Léon Zack also worked for the Monte-Carlo Ballet and illustrated works by Arthur Rimbaud, Verlaine, Mallarmé, and Baudelaire. In 1940, he left Paris and took refuge in Arcachon, Villefranche-sur-Mer, and Grenoble. He returned to Paris in 1945 where he exhibited his first abstract works at Katia Granoff’s and at the Garets gallery.

From 1955 onwards, Zack dedicated his career in his religious art. He specialised in the production of stained-glass windows for Notre-Dame-des- Pauvres at Issy-Les-Moulineaux and for numerous churches of Paris and the French provinces.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 113 114 | BONHAMS 71 MAX JACOB (FRENCH, 1876-1944) La Pavlova signed ‘Max Jacob’ (centre left) mixed media on paper 26 x 35cm (10 1/4 x 13 3/4in).

£700 - 900 €800 - 1,000

Literature Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 167.

Max Jacob was raised in a family of tailors and antique dealers. He was a poet, novelist, playwright, art critic and painter.

In 1897 he settled in Paris and started authoring art columns for the journals Moniteur des Arts and La Gazette des Beaux-Arts, under the pseudonym “Léon David”. In 1901 he met Picasso and settled with him on boulevard Voltaire. He associated with painters and poets at the Beateau-Lavoir. The first book that he published was Histoire du Roi Kaboul Ier et du marmiton Gauwain which was followed by several others including Le Cornet à dés,Le Phanérogame, and Les Alliés sont en Arménie

In 1914, he converted to Christianity. In his career as a painter he produced few oil paintings but mostly gouaches depicting views of Brittany and circus scenes. In 1933 he was named a Knight of the National Order of the Legion of Honour.

Pavlova is a portrayal of the classical ballet dancer Anna Pavlova. She was a star of the Imperial Russian Ballet and of Serge Diaghilev’s Russian Ballets. Her most famous role was the Death of the Swan and she was the first ballerina to travel the world with her own ballet company.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 115 72 VLADIMIR NAIDITCH (RUSSIAN, 1903-1980) Vladimir Naïditch studied drawing at the School of Applied Arts in Still life au gibier et au poisson Moscow and exhibited for the first time at the age of fourteen. He signed ‘V. Naiditch’ (lower right) moved to Paris around 1920 and pursued his scientific studies at the oil on canvas Lycée Janson-de-Sailly and the Sorbonne University. He devoted his 81 x 100cm (31 7/8 x 39 3/8in). spare time to visit museums and galleries. Naïditch and his brother were partners in an alcohol distilling company, which enabled him to £300 - 500 paint while enjoying financial stability. From 1927 to 1929, he studied €340 - 570 at the Grande Chaumière and Colarossi academies. He studied with André Lhote and befriended the Russian artists of Montparnasse, Jean Pougny, Mikhail Larionov, Kostia Terechkovitch, Ossip Lubitch, and Lazare Volovick. From 1930 to 1938, Naiditch’s work was being recognised with Baron Edmond de Rothschild showing interest in his paintings. In 1940, he travelled to the United States via Cuba and settled in America. His exhibitions in New York and in Rhode Island found great success. When he returned to Paris in 1946, Naiditch returned to his old studio, which had been ransacked and destroyed by the Nazis.

For details of the charges payable in addition to the final Hammer Price of each Lot 116 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 73 VLADIMIR NAIDITCH (RUSSIAN, 1903-1980) Nu aux bas noirs signed ‘V. Naiditch’ (lower left) oil on canvas 60 x 73cm (23 5/8 x 28 3/4in).

£700 - 900 €800 - 1,000

Exhibited Jewish Artists of the School of Paris, Artcurial Vienna - Artcurial Brussels - Artcurial Paris, 2015. Granville, Musée d’Art Moderne Richard Anacreon, 2016.

Literature Jewish Artists of the school of Paris 1905-1939, Somogy éditions d’Art, Paris, 2015, p. 267. Brigitte Richart, Catalogue Belles de Nuit, Éditions Musée d’Art Moderne Richard Anacréon, Granville, 2016, p. 78.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 117 118 | BONHAMS 74 ISTVÁN FARKAS (HUNGARIAN, 1887-1947) Rèverie signed (on verso) gouache largest: 22 x 35.4cm (8 11/16 x 13 15/16in). (3 works mounted as one) Painted in 1925

£700 - 900 €800 - 1,000

Literature Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 113.

Istvan Farkas was the son of Josef Wolfner, the co- owner of Singer and Wolfner publishing company. After his studies at the Kern Academy in Munich he moved to Paris and attended the Académie de la Palette until the breakout of World War I.

From 1915 to 1919, after being forced to return to Hungary, Farkas served on the Russian, Italian, and Serbian fronts.

In 1924 he decided to return to Paris and befriended the pioneers of modern architecture Le Corbusier and Auguste Perret, and also spent time with Picasso’s circle of friends: Jean Cocteau, Max Jacob, and Apollinaire. André Salmon asked him to illustrate his collection of poetry Correspondances, which was published in 1930. When Farkas’s father died in 1932, he decided to return to Budapest and take over his company. Despite his new career he did not abandon his art and participated in several exhibitions in Paris, Budapest and Venice. In the mid-1980s Farkas’s work was gradually rediscovered by the art community outside Hungary. Since then, he has been the subject of many exhibitions including solo exhibitions in Rome, New York and Amsterdam.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 119 120 | BONHAMS 75 GEORGES GOLDKORN (POLISH, 1905-1961) Still life signed ‘Goldkorn’ (lower left); further signed and dated (on verso) oil on canvas 81.2 x 65cm (31 15/16 x 25 9/16in). Painted in 1949

£700 - 900 €800 - 1,000

Provenance Acquired directly from the artist’s studio.

Literature Alain Bosquet, Goldkorn, Éditions Le Musée de Poche, Paris, 1975, p. 7.

Georges Goldkorn grew up in a Hassidic family and followed religious studies in a Yeshiva prior attending high school at the age of 15. After graduating, he followed the advice of the expressionist painter Henryk Gottlieb and joined the Academy of Fine Arts in Krakow. In 1927 he enrolled at the Royal Academy of Brussels. A year later, he took classes taught by Isidore Opsomer and Rik Wooters at the Higher Institute for Fine Arts in Antwerp. In 1940, the invasion of Belgium forced him to move to France. During the Second World War, he enlisted in the Polish army and was detained in the Gurs internment camp. Goldkorn managed to escape and joined the Resistance in Lyon. After the war, he settled in Paris and grew a reputation as a figurative painter. Expanding his oeuvre, in 1956, Golkorn produced eighteen etchings and nine wood engravings for Images de Sefarad, a book on the history of Spanish Judaism, prefaced by Jean Cassou and Cecil Roth, published by Caracteres. Goldkorn also illustrated Philon d’Alexandrie (Philo of Alexandria), published by Marcel Bruker in 1962.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 121 76 DAVID GARFINKIEL (POLISH, 1902-1970) David Garfinkiel was born in Radom, Poland, in a family of artists and Les Mariés was the youngest of his nine siblings. Interested in painting from signed ‘D. Garfinkiel’ (lower left) an early age, he enrolled in the School of Fine Arts in Warsaw and oil on canvas later in Krakow. In 1932, he arrived in Paris and acquired his French 73 x 54cm (28 3/4 x 21 1/4in). nationality. He attended the Académie de la Grande Chaumiere and Painted c. 1950 the Académie Julian. Although his first paintings were reminiscent unframed of Cubism, his later work showed a preoccupation with realistic figuration. The art critic Waldemar George described him as “quiet £700 - 900 visionary.” Garfinkiel was also a photographer; in 1934 he worked for €800 - 1,000 Studio Harcourt photographic studio.

Provenance Acquired directly from the artist’s studio.

Literature David Garfinkiel, École de Paris, Éditions Eska, Paris, 2006, p. 93.

For details of the charges payable in addition to the final Hammer Price of each Lot 122 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 77 DAVID GARFINKIEL (POLISH, 1902-1970) The wedding oil on paper laid on canvas 49 x 64cm (19 5/16 x 25 3/16in). Painted c. 1930 unframed

£900 - 1,200 €1,000 - 1,400

Provenance Acquired directly from the artist’s studio.

Literature Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d’Art, Paris, 2015, p. 129.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ECOLE DE PARIS | 123 NOTICE TO BIDDERS details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities This notice is addressed by Bonhams to any person who may be Prices below and above the Estimates, so Estimates should not be solving any disputes which may arise in relation to bids made at the You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ interested in a Lot, and to all persons participating in the auction relied on as an indication of the actual selling price or value of a Lot. Sale. At some Sales, for example, jewellery Sales, we may use screens concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. process including auction attendees, Bidders and potential Bidders Estimates are in the currency of the Sale. on which images of the Lots will be projected. This service is provided warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE (including any eventual Buyer of the Lot). For ease of reference we refer Condition Reports to assist viewing at the Sale. The image on the screen should be contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full to such persons as “Bidders” or “you”. Our List of Definitions and In respect of most Lots, you may ask Bonhams for a Condition Report treated as an indication only of the current Lot. It should be noted that Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 on the Lot’s general physical condition. If you do so, this will be all bids tendered will relate to the actual Lot number announced by Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased at the back of the Catalogue. Where words and phrases are used in provided by Bonhams on behalf of the Seller free of charge. As this is the Auctioneer. We do not accept any responsibility for any errors as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our this notice which are in the List of Definitions, they are printed in italics. offered additionally and without charge, Bonhams is not entering into a which may occur in the use of the screen. fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to IMPORTANT: Additional information applicable to the Sale may be set contract with you in respect of the Condition Report and accordingly 5. BIDDING to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor out in the Catalogue for the Sale, in an insert in the Catalogue and/or in does not assume responsibility to you in respect of it. The Condition You must complete and deliver to us one of our Bidding Forms, either * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. a notice displayed at the Sale venue and you should read them as well. Report represents Bonhams’ reasonable opinion as to the Lot’s general our Bidder Registration Form, Absentee Bidding Form or Telephone bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING Announcements affecting the Sale may also be given out orally before condition in the terms stated in the particular report, and Bonhams Bidding Form in order to bid at our Sales. pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping and during the Sale without prior written notice. You should be alert to does not represent or guarantee that a Condition Report includes all If you are a new client at Bonhams or have not recently updated your completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact the possibility of changes and ask in advance of bidding if there have aspects of the internal or external condition of the Lot. Neither does the registration details with us, you must pre-register to bid at least two before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 been any. Seller owe or agree to owe you as a Bidder or Buyer any obligation or working days before the Sale at which you wish to bid. You will be the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] 1. OUR ROLE duty in respect of this free report about a Lot, which is available for your required to provide government-issued proof of identity and residence, at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS In its role as Auctioneer of Lots, Bonhams acts solely for and in the own inspection or for inspection by an expert instructed by you. and if you are a company, your certificate of incorporation or equivalent and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import interests of the Seller. Bonhams’ job is to sell the Lot at the highest documentation with your name and registered address, government The Seller’s responsibility to you identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant price obtainable at the Sale to a Bidder. Bonhams does not act for The Seller does not make or agree to make any representation of fact issued proof of your current address, documentary proof of your invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts Buyers or Bidders in this role and does not give advice to Buyers or or contractual promise, Guarantee or warranty and undertakes no beneficial owners and directors, and proof of authority to transact. agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its Bidders. When it or its staff make statements about a Lot or, if obligation or duty, whether in contract or in tort (other than to the We may also request a financial reference and /or deposit from you the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing Bonhams provides a Condition Report on a Lot it is doing that on eventual Buyer as set out above), in respect of the accuracy or before allowing you to bid. contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. behalf of the Seller of the Lot. Bidders and Buyers who are themselves completeness of any statement or representation made by him or on We reserve the rights at our discretion to request further information in Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ not expert in the Lots are strongly advised to seek and obtain his behalf, which is in any way descriptive of any Lot or as to the order to complete our client identification and to decline to register any Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 independent advice on the Lots and their value before bidding for anticipated or likely selling price of any Lot. Other than as set out person as a Bidder, and to decline to accept their bids if they have Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country them. The Seller has authorised Bonhams to sell the Lot as its agent on above, no statement or representation in any way descriptive of a Lot been so registered. We also reserve the rights to postpone completion Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements its behalf and, save where we expressly make it clear to the contrary, or any Estimate is incorporated into any Contract for Sale between a of the Sale of any Lot at our discretion while we complete our Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or Bonhams acts only as agent for the Seller. Any statement or Seller and a Buyer. registration and identification enquiries, and to cancel the Sale of any required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission representation we make in respect of a Lot is made on the Seller’s Bonhams’ responsibility to you Lot if you are in breach of your warranties as Buyer, or if we consider 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. behalf and, unless Bonhams sells a Lot as principal, not on our behalf You have the opportunity of examining the Lot if you want to and the that such Sale would be unlawful or otherwise cause liabilities for the BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if and any Contract for Sale is between the Buyer and the Seller and not Contract for Sale for a Lot is with the Seller and not with Bonhams; Seller or Bonhams or be detrimental to Bonhams’ reputation. On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. with us. If Bonhams sells a Lot as principal this will either be stated in Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot Bidding in person the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS the Catalogue or an announcement to that effect will be made by the as principal). So long as you have pre-registered to bid or have updated your terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to Auctioneer, or it will be stated in a notice at the Sale or an insert in the Bonhams undertakes no obligation to you to examine, investigate or existing registration recently, you should come to our Bidder registration Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These Catalogue. carry out any tests, either in sufficient depth or at all, on each Lot to desk at the Sale venue and fill out a Registration and Bidding Form on Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at Bonhams does not owe or undertake or agree to any duty or establish the accuracy or otherwise of any Descriptions or opinions (or, if possible, before) the day of the Sale. The bidding number system contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be responsibility to you in contract or tort (whether direct, collateral, given by Bonhams, or by any person on Bonhams’ behalf, whether in is sometimes referred to as “paddle bidding”. You will be issued with a This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: express, implied or otherwise). If you successfully bid for a Lot and buy the Catalogue or elsewhere. large card (a “paddle”) with a printed number on it. This will be Appendix 2 at the back of the Catalogue. Please read the terms of the it, at that stage Bonhams does enter into an agreement with you as the You should not suppose that such examinations, investigations or tests attributed to you for the purposes of the Sale. Should you be a Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc Buyer. The terms of that contract are set out in our Buyer’s Agreement, have occurred. successful Bidder you will need to ensure that your number can be Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY which you will find at Appendix 2 at the back of the Catalogue, and this Bonhams does not make or agree to make any representation of fact, clearly seen by the Auctioneer and that it is your number which is Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street will govern Bonhams’ relationship with the Buyer. and undertakes no obligation or duty (whether in contract or tort) in identified as the Buyer’s. You should not let anyone else use your 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY 2. LOTS respect of the accuracy or completeness of any statement or paddle as all Lots will be invoiced to the name and address given on BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited Subject to the Contractual Description printed in bold letters in the representation made by Bonhams or on Bonhams’ behalf which is in your Bidder Registration Form. Once an invoice is issued it will not be Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are any way descriptive of any Lot or as to the anticipated or likely selling changed. If there is any doubt as to the Hammer Price of, or whether The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 sold to the Buyer on an “as is” basis, with all faults and imperfections. price of any Lot. No statement or representation by Bonhams or on its you are the successful Bidder of, a particular Lot, you must draw this to such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 Illustrations and photographs contained in the Catalogue (other than behalf in any way descriptive of any Lot or any Estimate is incorporated the attention of the Auctioneer before the next Lot is offered for Sale. At cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. photographs forming part of the Contractual Description) or elsewhere into our Buyer’s Agreement. the end of the Sale, or when you have finished bidding please return for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the of any Lots are for identification purposes only. A photograph or Alterations your paddle to the Bidder registration desk. 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of illustration may not reflect an accurate reproduction of the colour(s) or Descriptions and Estimates may be amended at Bonhams’ discretion Other than any liability of the Seller to the Buyer of a Lot under the Bidding by telephone Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount true condition of the Lot. Lots are available for inspection prior to the from time to time by notice given orally or in If you wish to bid at the Sale by telephone, and have pre-registered to Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. Sale and it is for you to satisfy yourself as to each and every aspect of writing before or during a Sale. bid or have updated your existing registration details recently, please negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the a Lot, including its authorship, attribution, condition, provenance, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM complete a Registration and Bidding Form, which is available from our in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: history, background, authenticity, style, period, age, suitability, quality, YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY offices or in the Catalogue. Please then return it to the office contained in the Catalogue or otherwise, whether given orally or in roadworthiness (if relevant), origin, value and estimated selling price ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR responsible for the Sale at least 24 hours in advance of the Sale. It is writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or (including the Hammer Price). It is your responsibility to examine any BEHALF BEFORE THE SALE. your responsibility to check with our Bids Office that your bid has been Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect Lot in which you are interested. It should be remembered that the received. Telephone calls will be recorded. The telephone bidding or for loss of reputation, or for disruption to Business or wasted time on 4. CONDUCT OF THE SALE your purchases and should be made payable to Bonhams 1793 actual condition of a Lot may not be as good as that indicated by its Our Sales are public auctions which persons may attend and you facility is a discretionary service offered at no additional charge and the part of management or staff, or for indirect losses or consequential 27.5% of the Hammer Price on the first £10,000; plus Limited. outward appearance. In particular, parts may have been replaced or should take the opportunity to do so. We reserve the right at our sole may not be available in relation to all Lots. We will not be responsible damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price from £10,001 and up to £450,000; plus renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price from £450,001 and up to £4,500,000; plus Cash: you may pay for Lots purchased by you at this Sale inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please of whether the said loss or damage is caused by or claimed in respect 14.5% of the Hammer Price above £4,500,000 with notes or coins in the currency in which the Sale is conducted damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details. of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is duty, restitutionary claim or otherwise. In any circumstances where Bidding by post or fax Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all to payment of a sum which will not exceed by way of maximum the qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale. amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that 3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Hammer Price calculated in accordance with the table below, and shall that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed. Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist not exceed €12,500 (converted into the currency of the Sale using There is a £5,000 limit on payment value if payment is made in colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet only). Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same the European Central Bank Reference rate prevailing on the date of the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph the Sale). printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet. were substituted with references to the Seller. It may be advisable to notify your debit or credit card provider of your the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other 15. BOOKS Hammer Price Percentage amount Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all From €0 to €50,000 4% seek authority when you come to pay. Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any faults, imperfections and errors of Description save as set out below. From €50,000.01 to €200,000 3% In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device. However, you will be entitled to reject a Book in the circumstances set From €200,000.01 to €350,000 1% only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots From €350,000.01 to €500,000 0.5% the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are Exceeding €500,000 0.25% to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. We reserve the rights to investigate and identify the source of any funds VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another 16. CLOCKS AND WATCHES Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 NOTICE TO BIDDERS details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities This notice is addressed by Bonhams to any person who may be Prices below and above the Estimates, so Estimates should not be solving any disputes which may arise in relation to bids made at the You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ interested in a Lot, and to all persons participating in the auction relied on as an indication of the actual selling price or value of a Lot. Sale. At some Sales, for example, jewellery Sales, we may use screens concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. process including auction attendees, Bidders and potential Bidders Estimates are in the currency of the Sale. on which images of the Lots will be projected. This service is provided warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE (including any eventual Buyer of the Lot). For ease of reference we refer Condition Reports to assist viewing at the Sale. The image on the screen should be contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full to such persons as “Bidders” or “you”. Our List of Definitions and In respect of most Lots, you may ask Bonhams for a Condition Report treated as an indication only of the current Lot. It should be noted that Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 on the Lot’s general physical condition. If you do so, this will be all bids tendered will relate to the actual Lot number announced by Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased at the back of the Catalogue. Where words and phrases are used in provided by Bonhams on behalf of the Seller free of charge. As this is the Auctioneer. We do not accept any responsibility for any errors as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our this notice which are in the List of Definitions, they are printed in italics. offered additionally and without charge, Bonhams is not entering into a which may occur in the use of the screen. fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to IMPORTANT: Additional information applicable to the Sale may be set contract with you in respect of the Condition Report and accordingly 5. BIDDING to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor out in the Catalogue for the Sale, in an insert in the Catalogue and/or in does not assume responsibility to you in respect of it. The Condition You must complete and deliver to us one of our Bidding Forms, either * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. a notice displayed at the Sale venue and you should read them as well. Report represents Bonhams’ reasonable opinion as to the Lot’s general our Bidder Registration Form, Absentee Bidding Form or Telephone bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING Announcements affecting the Sale may also be given out orally before condition in the terms stated in the particular report, and Bonhams Bidding Form in order to bid at our Sales. pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping and during the Sale without prior written notice. You should be alert to does not represent or guarantee that a Condition Report includes all If you are a new client at Bonhams or have not recently updated your completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact the possibility of changes and ask in advance of bidding if there have aspects of the internal or external condition of the Lot. Neither does the registration details with us, you must pre-register to bid at least two before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 been any. Seller owe or agree to owe you as a Bidder or Buyer any obligation or working days before the Sale at which you wish to bid. You will be the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] 1. OUR ROLE duty in respect of this free report about a Lot, which is available for your required to provide government-issued proof of identity and residence, at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS In its role as Auctioneer of Lots, Bonhams acts solely for and in the own inspection or for inspection by an expert instructed by you. and if you are a company, your certificate of incorporation or equivalent and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import interests of the Seller. Bonhams’ job is to sell the Lot at the highest documentation with your name and registered address, government The Seller’s responsibility to you identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant price obtainable at the Sale to a Bidder. Bonhams does not act for The Seller does not make or agree to make any representation of fact issued proof of your current address, documentary proof of your invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts Buyers or Bidders in this role and does not give advice to Buyers or or contractual promise, Guarantee or warranty and undertakes no beneficial owners and directors, and proof of authority to transact. agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its Bidders. When it or its staff make statements about a Lot or, if obligation or duty, whether in contract or in tort (other than to the We may also request a financial reference and /or deposit from you the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing Bonhams provides a Condition Report on a Lot it is doing that on eventual Buyer as set out above), in respect of the accuracy or before allowing you to bid. contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. behalf of the Seller of the Lot. Bidders and Buyers who are themselves completeness of any statement or representation made by him or on We reserve the rights at our discretion to request further information in Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ not expert in the Lots are strongly advised to seek and obtain his behalf, which is in any way descriptive of any Lot or as to the order to complete our client identification and to decline to register any Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 independent advice on the Lots and their value before bidding for anticipated or likely selling price of any Lot. Other than as set out person as a Bidder, and to decline to accept their bids if they have Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country them. The Seller has authorised Bonhams to sell the Lot as its agent on above, no statement or representation in any way descriptive of a Lot been so registered. We also reserve the rights to postpone completion Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements its behalf and, save where we expressly make it clear to the contrary, or any Estimate is incorporated into any Contract for Sale between a of the Sale of any Lot at our discretion while we complete our Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or Bonhams acts only as agent for the Seller. Any statement or Seller and a Buyer. registration and identification enquiries, and to cancel the Sale of any required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission representation we make in respect of a Lot is made on the Seller’s Bonhams’ responsibility to you Lot if you are in breach of your warranties as Buyer, or if we consider 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. behalf and, unless Bonhams sells a Lot as principal, not on our behalf You have the opportunity of examining the Lot if you want to and the that such Sale would be unlawful or otherwise cause liabilities for the BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if and any Contract for Sale is between the Buyer and the Seller and not Contract for Sale for a Lot is with the Seller and not with Bonhams; Seller or Bonhams or be detrimental to Bonhams’ reputation. On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. with us. If Bonhams sells a Lot as principal this will either be stated in Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot Bidding in person the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS the Catalogue or an announcement to that effect will be made by the as principal). So long as you have pre-registered to bid or have updated your terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to Auctioneer, or it will be stated in a notice at the Sale or an insert in the Bonhams undertakes no obligation to you to examine, investigate or existing registration recently, you should come to our Bidder registration Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These Catalogue. carry out any tests, either in sufficient depth or at all, on each Lot to desk at the Sale venue and fill out a Registration and Bidding Form on Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at Bonhams does not owe or undertake or agree to any duty or establish the accuracy or otherwise of any Descriptions or opinions (or, if possible, before) the day of the Sale. The bidding number system contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be responsibility to you in contract or tort (whether direct, collateral, given by Bonhams, or by any person on Bonhams’ behalf, whether in is sometimes referred to as “paddle bidding”. You will be issued with a This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: express, implied or otherwise). If you successfully bid for a Lot and buy the Catalogue or elsewhere. large card (a “paddle”) with a printed number on it. This will be Appendix 2 at the back of the Catalogue. Please read the terms of the it, at that stage Bonhams does enter into an agreement with you as the You should not suppose that such examinations, investigations or tests attributed to you for the purposes of the Sale. Should you be a Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc Buyer. The terms of that contract are set out in our Buyer’s Agreement, have occurred. successful Bidder you will need to ensure that your number can be Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY which you will find at Appendix 2 at the back of the Catalogue, and this Bonhams does not make or agree to make any representation of fact, clearly seen by the Auctioneer and that it is your number which is Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street will govern Bonhams’ relationship with the Buyer. and undertakes no obligation or duty (whether in contract or tort) in identified as the Buyer’s. You should not let anyone else use your 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY 2. LOTS respect of the accuracy or completeness of any statement or paddle as all Lots will be invoiced to the name and address given on BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited Subject to the Contractual Description printed in bold letters in the representation made by Bonhams or on Bonhams’ behalf which is in your Bidder Registration Form. Once an invoice is issued it will not be Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are any way descriptive of any Lot or as to the anticipated or likely selling changed. If there is any doubt as to the Hammer Price of, or whether The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 sold to the Buyer on an “as is” basis, with all faults and imperfections. price of any Lot. No statement or representation by Bonhams or on its you are the successful Bidder of, a particular Lot, you must draw this to such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 Illustrations and photographs contained in the Catalogue (other than behalf in any way descriptive of any Lot or any Estimate is incorporated the attention of the Auctioneer before the next Lot is offered for Sale. At cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. photographs forming part of the Contractual Description) or elsewhere into our Buyer’s Agreement. the end of the Sale, or when you have finished bidding please return for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the of any Lots are for identification purposes only. A photograph or Alterations your paddle to the Bidder registration desk. 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of illustration may not reflect an accurate reproduction of the colour(s) or Descriptions and Estimates may be amended at Bonhams’ discretion Other than any liability of the Seller to the Buyer of a Lot under the Bidding by telephone Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount true condition of the Lot. Lots are available for inspection prior to the from time to time by notice given orally or in If you wish to bid at the Sale by telephone, and have pre-registered to Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. Sale and it is for you to satisfy yourself as to each and every aspect of writing before or during a Sale. bid or have updated your existing registration details recently, please negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the a Lot, including its authorship, attribution, condition, provenance, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM complete a Registration and Bidding Form, which is available from our in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: history, background, authenticity, style, period, age, suitability, quality, YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY offices or in the Catalogue. Please then return it to the office contained in the Catalogue or otherwise, whether given orally or in roadworthiness (if relevant), origin, value and estimated selling price ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR responsible for the Sale at least 24 hours in advance of the Sale. It is writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or (including the Hammer Price). It is your responsibility to examine any BEHALF BEFORE THE SALE. your responsibility to check with our Bids Office that your bid has been Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect Lot in which you are interested. It should be remembered that the received. Telephone calls will be recorded. The telephone bidding or for loss of reputation, or for disruption to Business or wasted time on 4. CONDUCT OF THE SALE your purchases and should be made payable to Bonhams 1793 actual condition of a Lot may not be as good as that indicated by its Our Sales are public auctions which persons may attend and you facility is a discretionary service offered at no additional charge and the part of management or staff, or for indirect losses or consequential 27.5% of the Hammer Price on the first £10,000; plus Limited. outward appearance. In particular, parts may have been replaced or should take the opportunity to do so. We reserve the right at our sole may not be available in relation to all Lots. We will not be responsible damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price from £10,001 and up to £450,000; plus renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price from £450,001 and up to £4,500,000; plus Cash: you may pay for Lots purchased by you at this Sale inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please of whether the said loss or damage is caused by or claimed in respect 14.5% of the Hammer Price above £4,500,000 with notes or coins in the currency in which the Sale is conducted damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details. of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is duty, restitutionary claim or otherwise. In any circumstances where Bidding by post or fax Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all to payment of a sum which will not exceed by way of maximum the qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale. amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that 3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Hammer Price calculated in accordance with the table below, and shall that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed. Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist not exceed €12,500 (converted into the currency of the Sale using There is a £5,000 limit on payment value if payment is made in colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet only). Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same the European Central Bank Reference rate prevailing on the date of the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph the Sale). printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet. were substituted with references to the Seller. It may be advisable to notify your debit or credit card provider of your the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other 15. BOOKS Hammer Price Percentage amount Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all From €0 to €50,000 4% seek authority when you come to pay. Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any faults, imperfections and errors of Description save as set out below. From €50,000.01 to €200,000 3% In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device. However, you will be entitled to reject a Book in the circumstances set From €200,000.01 to €350,000 1% only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots From €350,000.01 to €500,000 0.5% the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are Exceeding €500,000 0.25% to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. We reserve the rights to investigate and identify the source of any funds VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another 16. CLOCKS AND WATCHES Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 condition and without defects, repairs or restorations. Most clocks to retain their appearance. Bidders should be aware that Estimates Please see the Contract for Sale printed in this Catalogue. Because a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on and watches have been repaired in the course of their normal lifetime assume that gemstones may have been subjected to such treatments. of the difficulty in determining whether an item of glass has been ▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell; and may now incorporate parts not original to them. Furthermore, A number of laboratories issue certificates that give more detailed repolished, in our Catalogues reference is only made to visible chips have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot; Bonhams makes no representation or warranty that any clock or watch Descriptions of gemstones. However there may not be consensus and cracks. No mention is made of repolishing, severe or otherwise. Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense; is in working order. As clocks and watches often contain fine and between different laboratories on the degrees, or types of treatment for 23. VEHICLES Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the complex mechanisms, Bidders should be aware that a general service, any particular gemstone. In the event that Bonhams has been given or The Veteran Car Club of Great Britain the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract; change of battery or further repair work, for which the Buyer is solely has obtained certificates for any Lot in the Sale these certificates will be Dating Plates and Certificates •, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before responsible, may be necessary. disclosed in the Catalogue. Although, as a matter of policy, Bonhams When mention is made of a Veteran Car Club Dating Plate or Dating DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above 17. FIREARMS – PROOF, CONDITION AND CERTIFICATION endeavours to provide certificates from recognised laboratories for Certificate in this Catalogue, it should be borne in mind that the Veteran Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to Proof of Firearms certain gemstones, it is not feasible to obtain certificates for each Lot. Car Club of Great Britain using the services of Veteran Car Company use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which The term “proof exemption” indicates that a firearm has been examined In the event that no certificate is published in the Catalogue, Bidders Ltd, does from time to time, review cars already dated and, in some any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment; at a Proof House, but not proved, as either (a) it was deemed of should assume that the gemstones may have been treated. Neither instances, where fresh evidence becomes available, the review can result your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become interest and not intended for use, or (b) ammunition was not available. Bonhams nor the Seller accepts any liability for contradictions or in an alteration of date. Whilst the Club and Veteran Car Company Ltd found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the In either case, the firearm must be regarded as unsafe to fire unless differing certificates obtained by Buyers on any Lots subsequent to make every effort to ensure accuracy, the date shown on the Dating Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a subsequently proved. Firearms proved for Black Powder should not be the Sale. Plate or Dating Certificate cannot be guaranteed as correct and intending 1SR or by email from [email protected] warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller used with smokeless ammunition. Estimated Weights purchasers should make their own enquiries as to the date of the car. quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or The term “Certificate of Unprovability” indicates that a firearm has been If a stone(s) weight appears within the body of the Description in capital 24. WINE APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal examined at a Proof House and is deemed both unsuitable for proof letters, the stone(s) has been unmounted and weighed by Bonhams. Lots which are lying under Bond and those liable to VAT may not be whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof; and use. Reproof is required before any such firearm is to be used. If the weight of the stone(s) is stated to be approximate and does not available for immediate collection. BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the Guns Sold as Parts appear in capital letters, the stone(s) has been assessed by us within Examining the wines purpose. Seller at the Sale or any other auction or by private treaty until Barrels of guns sold as parts will only be made available for sleeving its/their settings, and the stated weight is a statement of our opinion It is occasionally possible to provide a pre-Sale tasting for larger IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in and measurements once rendered unserviceable according to the Gun only. This information is given as a guide and Bidders should satisfy parcels (as defined below). This is generally limited to more recent and Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds; Barrel Proof Act of 1968 to 1978 and the Rules of Proof. themselves with regard to this information as to its accuracy. everyday drinking wines. Please contact the department for details. in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice Condition of Firearms Signatures It is not our policy to inspect every unopened case. In the case of wines the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the Comment in this Catalogue is restricted, in general, to exceptional 1. A diamond brooch, by Kutchinsky older than 20 years the boxes will usually have been opened and levels Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the condition and to those defects that might affect the immediate safety of When the maker’s name appears in the title, in Bonhams’ opinion the and appearance noted in the Catalogue where necessary. You should during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods a firearm in normal use. An intending Bidder unable to make technical piece is by that maker. make proper allowance for variations in ullage levels and conditions of possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of examinations and assessments is recommended to seek advice from a 2. A diamond brooch, signed Kutchinsky corks, capsules and labels. have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts gunmaker or from a modern firearms specialist. All prospective Bidders Has a signature that, in Bonhams’ opinion, is authentic but may contain Corks and Ullages Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and are advised to consult the ˚ of bore and wall-thickness measurements gemstones that are not original, or the piece may have been altered. Ullage refers to the space between the base of the cork and the wine. of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller posted in the saleroom and available from the department. Bidders 3. A diamond brooch, mounted by Kutchinsky Ullage levels for Bordeaux shaped bottles are only normally noted any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of should note that guns are stripped only where there is a strong Has been created by the jeweller, in Bonhams’ opinion, but using when below the neck and for Burgundy, Alsace, German and Cognac the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any indication of a mechanical malfunction. Stripping is not, otherwise, stones or designs supplied by the client. shaped bottles when greater than 4 centimetres (cm). Acceptable of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received undertaken. Guns intended for use should be stripped and cleaned 20. PHOTOGRAPHS ullage levels increase with age; generally acceptable levels are as 1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of beforehand. Hammer guns should have their rebound mechanisms Explanation of Catalogue Terms follows: 1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you. checked before use. The safety mechanisms of all guns must be tested • “Bill Brandt”: in our opinion a work by the artist. Under 15 years old – into neck or less than 4cm the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other before use. All measurements are approximate. • “Attributed to Bill Brandt”: in our opinion probably a work by the 15 to 30 years old – top shoulder (ts) or up to 5cm the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs Original Gun Specifications Derived from Gunmakers artist, but less certainty to authorship is expressed than in the Over 30 years old – high shoulder (hs) or up to 6cm 1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain The Sporting Gun Department endeavours to confirm a gun’s original preceding category. It should be noted that ullages may change between publication Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not specification and date of manufacture with makers who hold their • “Signed and/or titled and/or dated and/or inscribed”: in our opinion of the Catalogue and the Sale and that corks may fail as a result of separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams original records. the signature and/or title and/or date and/or inscription are in the transporting the wine. We will only accept responsibility for Descriptions Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis Licensing Requirements artist’s hand. of condition at the time of publication of the Catalogue and cannot Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement Firearms Act 1968 as amended • “Signed and/or titled and/or dated and/or inscribed in another accept responsibility for any loss resulting from failure of corks either 1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date Bonhams is constantly reviewing its procedures and would remind hand”: in our opinion the signature and/or title and/or date and/or before or after this point. such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until you that, in the case of firearms or shotguns subject to certification, inscription have been added by Options to buy parcels Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you. to conform with current legislation, Bonhams is required to see, as another hand. A parcel is a number of Lots of identical size of the same wine, bottle and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will appropriate, your original registered firearms dealer’s certificate / shot • The date given is that of the image (negative). Where no further size and Description. The Buyer of any of these Lots has the option states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any gun certificate / firearm certificate / museum firearms licence / Section date is given, this indicates that the photographic print is vintage to accept some or all of the remaining Lots in the parcel at the same statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot, 5 authority or import licence (or details of any exemption from which (the term “vintage” may also be included in the Lot Description). A price, although such options will be at the Auctioneer’s sole discretion. or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams, you may benefit, for instance Crown servant status) for the firearm(s) vintage photograph is one which was made within approximately Absentee Bidders are, therefore, advised to bid on the first Lot in a Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf. you have purchased prior to taking full payment of the amount 5-10 years of the negative. Where a second, later date appears, parcel. 1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY shown on your invoice. Should you not already be in possession of this refers to the date of printing. Where the exact printing date is Wines in Bond respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused such an authority or exemption, you are required to initially pay a not known, but understood to be later, “printed later” will appear in Wines lying in Bond are marked Δ. All Lots sold under Bond, and 2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of deposit of 95% of the total invoice with the balance of 5% payable on the Lot Description. which the Buyer wishes to remain under Bond, will be invoiced without 2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot. presentation of your valid certificate or licence showing your authority • Unless otherwise specified, dimensions given are those of the piece VAT or Duty on the Hammer Price. If the Buyer wishes to take the Lot 2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the to hold the firearm(s) concerned. of paper on which the image is printed, including any margins. as Duty paid, UK Excise Duty and VAT will be added to the Hammer Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller Please be advised that if a successful Bidder is then unable to produce Some photographs may appear in the Catalogue without margins Price on the invoice. 2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will the correct paperwork, the Lot(s) will be reoffered by Bonhams in the illustrated. Buyers must notify Bonhams at the time of the sale whether they wish Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of next appropriate Sale, on standard terms for Sellers, and you will be • All photographs are sold unframed unless stated in the Lot to take their wines under Bond or Duty paid. If a Lot is taken under is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or responsible for any loss incurred by Bonhams on the original Sale to Description. Bond, the Buyer will be responsible for all VAT, Duty, clearance and whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise. you. 21. PICTURES other charges that may be payable thereon. 2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and In the case of RFD certificates and Section 5 authorities, we wish Explanation of Catalogue Terms Buyers outside the UK must be aware that any forwarding agent receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer, to keep an up-to-date copy on file. Please supply us with a Fax or The following terms used in the Catalogue have the following meanings appointed to export their purchases must have a movement certificate sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort, photocopy. It would be helpful if you could send us an updated copy but are subject to the general provisions relating to Descriptions for Lots to be released under Bond. possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the whenever your certificate or authority is renewed or changed. contained in the Contract for Sale: Bottling Details and Case Terms respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of Lots marked ‘S1´ and bearing red labels are Section 1 firearms and • “Jacopo Bassano”: in our opinion a work by the artist. When the The following terms used in the Catalogue have the following Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission require a valid British Firearms certificate, RFD Licence or import artist’s forename(s) is not known, a series of asterisks, followed by meanings: 2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation licence. the surname of the artist, whether preceded by an initial or not, CB – Château bottled relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and indicates that in our opinion the work is by the artist named; DB – Domaine bottled taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally, require a valid British Shotgun certificate, RFD licence or import licence. • “Attributed to Jacopo Bassano”: in our opinion probably a work by EstB – Estate bottled stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after Lots marked ‘S5´ and bearing specially marked red labels are Section the artist but less certainty as to authorship is expressed than in the BB – Bordeaux bottled Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale; 5 prohibited firearms and require a valid Section 5 Authority or import preceding category; BE – Belgian bottled parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business licence. • “Studio/Workshop of Jacopo Bassano”: in our opinion a work by FB – French bottled 2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for Lots marked with a ‘S58´ and bearing yellow labels are for obsolete an unknown hand in a studio of the artist which may or may not GB – German bottled derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer calibres and no licence is required unless ammunition is held. have been executed under the artist’s direction; OB – Oporto bottled evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses Unmarked Lots require no licence. • “Circle of Jacopo Bassano”: in our opinion a work by a hand closely UK – United Kingdom bottled applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case Please do not hesitate to contact the Modern Sporting Gun associated with a named artist but not necessarily his pupil; owc – original wooden case 2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to Department should you have any queries. • “Follower of Jacopo Bassano”: in our opinion a work by a painter iwc – individual wooden case announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage Taxidermy and Related Items working in the artist’s style, contemporary or nearly contemporary, oc – original carton Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other On behalf of the Seller of these articles, Bonhams undertakes to but not necessarily his pupil; SYMBOLS website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or comply fully with Cites and DEFRA regulations. Buyers are advised • “Manner of Jacopo Bassano”: in our opinion a work in the style of THE FOLLOWING SYMBOLS ARE USED TO DENOTE of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise; to inform themselves of all such regulations and should expect the the artist and of a later date; Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect Y Subject to CITES regulations when exporting these items outside exportation of items to take some time to arrange. • “After Jacopo Bassano”: in our opinion, a copy of a known work of any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation the EU, see clause 13. 18. FURNITURE the artist; 3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and TP Objects displayed with a TP will be located at the Cadogan Upholstered Furniture • “Signed and/or dated and/or inscribed”: in our opinion the signature 3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for Tate warehouse and will only be available for collection from this Whilst we take every care in cataloguing furniture which has been and/or date and/or inscription are from the hand of the artist; of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s location. upholstered we offer no Guarantee as to the originality • “Bears a signature and/or date and/or inscription”: in our opinion with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed W Objects displayed with a w will be located in the Bonhams of the wood covered by fabric or upholstery. the signature and/or date and/or inscription have been added by in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the Warehouse and will only be available for collection from this 19. JEWELLERY another hand. (on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source location. Gemstones 22. PORCELAIN AND GLASS which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed Δ Wines lying in Bond. Historically many gemstones have been subjected to a variety of Damage and Restoration the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from AR An Additional Premium will be payable to us by the Buyer to treatments to enhance their appearance. Sapphires and rubies are For your guidance, in our Catalogues we attempt to detail, as far part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty, cover our Expenses relating to payment of royalties under the routinely heat treated to improve their colour and clarity, similarly as practicable, all significant defects, cracks and restoration. Such any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise. Artists Resale Right Regulations 2006. See clause 7 for details. emeralds are frequently treated with oils or resin for the same purpose. practicable Descriptions of damage cannot be definitive, and in including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be ○ The Seller has been guaranteed a minimum price for the Lot, Other treatments such as staining, irradiation or coating may have providing Condition Reports, we cannot Guarantee that there are no writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or either by Bonhams or a third party. This may take the form of an been used on other gemstones. These treatments may be permanent, other defects present which have not been mentioned. Bidders should conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any irrevocable bid by a third party, who may make a financial gain on whilst others may need special care or re-treatment over the years satisfy themselves by inspection, as to the condition of each Lot.

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 person’s rights or remedies in respect of (i) fraud, or (ii) death are used in this agreement, they are printed in italics. Reference under investigation for neither have been charged nor convicted you have not paid for the Lot in accordance with paragraph 3, 8.1.1 retain the Lot to investigate any question raised or reasonably where we are liable to you in respect of a Lot, or any act, or personal injury caused by the Seller’s negligence (or any is made in this agreement to information printed in the Notice to in connection with any criminal activity. and the Lot is moved to any third party’s premises, the Lot will expected by us to be raised in relation to the Lot; and/or omission, statement, representation in respect of it, or this person under the Seller’s control or for whom the Seller is legally Bidders, printed in the Catalogue for the Sale, and where such 3.10 Where you are acting as agent for another party (“your be held by such third party strictly to Bonhams’ order and we 8.1.2 deliver the Lot to a person other than you; and/or agreement or its performance, and whether in damages, for an responsible), or (iii) acts or omissions for which the Seller is liable information is referred to it is incorporated into this agreement. Principal”), you undertake and warrant that: will retain our lien over the Lot until we have been paid in full in 8.1.3 commence interpleader proceedings or seek any other order of indemnity or contribution or for a restitutionary remedy or in any under the Occupiers Liability Act 1957, or (iv) any other liability 1.3 Except as specified in paragraph 4 of the Notice to Bidders the 3.10.1 you have conducted suitable customer due diligence into accordance with paragraph 3. any court, mediator, arbitrator or government body; and/or way whatsoever, our liability will be limited to payment of a sum to the extent the same may not be excluded or restricted as a Contract for Sale of the Lot between you and the Seller is made your Principal under applicable Sanctions and Anti-Money 6 RESPONSIBILITY FOR THE LOT 8.1.4 require an indemnity and/or security from you in return for which will not exceed by way of maximum the amount of the matter of law. on the fall of the Auctioneer’s hammer in respect of the Lot, Laundering laws and regulations; 6.1 Title (ownership) in the Lot passes to you (i) on payment of pursuing a course of action agreed to by you. Purchase Price of the Lot plus Buyer’s Premium (less any sum 10 MISCELLANEOUS when it is knocked down to you. At that moment a separate 3.10.2 your Principal is not a Sanctioned Party and not owned, partially the Purchase Price to us in full in cleared funds and (ii) when 8.2 The discretion referred to in paragraph 8.1: you may be entitled to recover from the Seller) irrespective in 10.1 You may not assign either the benefit or burden of the Contract contract is also made between you and Bonhams on the terms owned or controlled by a Sanctioned Party, and you have no investigations have been completed to our satisfaction under 8.2.1 may be exercised at any time during which we have actual or any case of the nature, volume or source of any loss or damage for Sale. in this Buyer’s Agreement. reason to suspect that your Principal has been charged or paragraph 3.11. constructive possession of the Lot, or at any time after such alleged to be suffered or sum claimed as due, and irrespective 10.2 The Seller’s failure or delay in enforcing or exercising any power 1.4 We act as agents for the Seller and are not answerable or convicted with, money laundering, terrorism or other crimes; 6.2 Please note however, that under the Contract for Sale, the risk in possession, where the cessation of such possession has of whether the liability arises from negligence, other tort, breach or right under the Contract for Sale will not operate or be personally responsible to you for any breach of contract or other 3.10.3 funds used for your or your Principal’s purchase are not the Lot passes to you after 7 days from the day upon which occurred by reason of any decision, order or ruling of any court, of contract, statutory duty, bailee’s duty, a restitutionary claim deemed to operate as a waiver of his rights under it except to default by the Seller, unless Bonhams sells the Lot as principal. connected with or derived from any criminal activity, including it is knocked down to you or upon collection of the Lot if mediator, arbitrator or government body; and or otherwise. the extent of any express waiver given to you in writing. Any 1.5 Our personal obligations to you are governed by this agreement without limitation tax evasion, money laundering or terrorist earlier, and you are advised to obtain insurance in respect of the 8.2.2 will not be exercised unless we believe that there exists a You may wish to protect yourself against loss by obtaining insurance. such waiver will not affect the Seller’s ability subsequently to and we agree, subject to the terms below, to the following financing; Lot as soon as possible after the Sale. serious prospect of a good arguable case in favour of the claim. 10.4 Nothing set out above will be construed as excluding or enforce any right arising under the Contract for Sale. obligations: 3.10.4 items purchased by you and your Principal through Bonhams 7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART 9 FORGERIES restricting (whether directly or indirectly) any person’s liability 10.3 If either party to the Contract for Sale is prevented from 1.5.1 we will, until the date and time specified in the Notice to Bidders are not being purchased or to be used in any way connected PAYMENTS 9.1 We undertake a personal responsibility for any Forgery in or excluding or restricting any person’s rights or remedies in performing that party’s respective obligations under the Contract or otherwise notified to you, store the Lot in accordance with with or to facilitate breaches of applicable Tax, Anti-Money 7.1 If all sums payable to us are not so paid in full at the time they accordance with the terms of this paragraph 9. respect of (i) fraud, or (ii) death or personal injury caused by our for Sale by circumstances beyond its reasonable control or paragraph 5; Laundering or Anti-Terrorism laws and regulations; and are due and/or the Lot is not removed in accordance with 9.2 Paragraph 9 applies only if: negligence (or any person under our control or for whom we are if performance of its obligations would by reason of such 1.5.2 subject to any power of the Seller or us to refuse to release 3.10.5 that you consent to Bonhams relying upon your customer due this agreement, we will (without further notice to you unless 9.2.1 your name appears as the named person to whom the original legally responsible), or (iii) acts or omissions for which we are circumstances give rise to a significantly increased financial the Lot to you, we will release the Lot to you in accordance diligence, undertaking to retain records of your due diligence otherwise provided below), be entitled to exercise one or more invoice was made out by us in respect of the Lot and that liable under the Occupiers Liability Act 1957, or (iv) any other cost to it, that party will not, for so long as such circumstances with paragraph 4 once you have paid to us, in cleared funds, for at least 5 years and to make such due diligence records of the following rights (without prejudice to any rights we may invoice has been paid; and liability to the extent the same may not be excluded or restricted prevail, be required to perform such obligations. This paragraph everything due to us and the Seller and following completion of available for inspection by an independent auditor in the event exercise on behalf of the Seller): 9.2.2 you notify us in writing as soon as reasonably practicable after as a matter of law, or (v) under our undertaking in paragraph 9 does not apply to the obligations imposed on you by paragraph our enquiries pursuant to paragraph 3.11; we request you to do so. 7.1.1 to terminate this agreement immediately for your breach of you have become aware that the Lot is or may be a Forgery, of these conditions. 6. 1.5.3 we will provide guarantees in the terms set out in paragraphs 9 3.11 We reserve the rights to make enquiries about any person contract; and in any event within one year after the Sale, that the Lot is a 11 BOOKS MISSING TEXT OR ILLUSTRATIONS 10.4 Any notice or other communication to be given under the and 10. transacting with us and to identify the source of any funds 7.1.2 to retain possession of the Lot; Forgery; and Where the Lot is made up wholly of a Book or Books and Contract for Sale must be in writing and may be delivered by 1.6 We do not make or give and do not agree to make or give received from you. In the event we have not completed our 7.1.3 to remove, and/or store the Lot at your expense; 9.2.3 within one month after such notification has been given, you any Book does not contain text or illustrations (in either case hand or sent by first class post or air mail or fax transmission, if to any contractual promise, undertaking, obligation, Guarantee, investigations in respect of anti-terrorism financing, anti-money 7.1.4 to take legal proceedings against you for payment of any sums return the Lot to us in the same condition as it was at the time referred to as a “non-conforming Lot”), we undertake a personal the Seller, addressed c/o Bonhams at its address or fax number warranty, representation of fact in relation to any Description laundering or other financial and identity checks concerning payable to us by you (including the Purchase Price) and/or of the Sale, accompanied by written evidence that the Lot is responsibility for such a non-conforming Lot in accordance with in the Catalogue (marked for the attention of the Company of the Lot or any Estimate in relation to it, nor of the accuracy either you or the Seller, to our satisfaction at our discretion, damages for breach of contract; a Forgery and details of the Sale and Lot number sufficient to the terms of this paragraph, if: Secretary), and if to you to the address or fax number of the or completeness of any Description or Estimate which may we shall be entitled to retain Lots and/or proceeds of Sale, 7.1.5 to be paid interest on any monies due to us (after as well as identify the Lot. the original invoice was made out by us to you in respect of the Buyer given in the Bidding Form (unless notice of any change of have been made by us or on our behalf or by or on behalf postpone or cancel any sale and to take any other actions before judgement or order) at the annual rate of 5% per annum 9.3 Paragraph 9 will not apply in respect of a Forgery if: Lot and that invoice has been paid; and address is given in writing). It is the responsibility of the sender of the Seller (whether made orally or in writing, including in required or permitted under applicable law, without liability to above the base lending rate of National Westminster Bank Plc 9.3.1 the Entry in relation to the Lot contained in the Catalogue you notify us in writing as soon as reasonably practicable after of the notice or communication to ensure that it is received in a the Catalogue or on Bonhams’ Website, or by conduct, or you. from time to time to be calculated on a daily basis from the reflected the then accepted general opinion of scholars and you have become aware that the Lot is or may be a non- legible form within any applicable time period. otherwise), and whether made before or after this agreement or 4 COLLECTION OF THE LOT date upon which such monies become payable until the date of experts or fairly indicated that there was a conflict of such conforming Lot, and in any event within 20 days after the Sale 10.5 If any term or any part of any term of the Contract for Sale prior to or during the Sale. No such Description or Estimate is 4.1 Subject to any power of the Seller or us to refuse to release actual payment; opinion or reflected the then current opinion of an expert (or such longer period as we may agree in writing) that the Lot is is held to be unenforceable or invalid, such unenforceability incorporated into this agreement between you and us. Any such the Lot to you, once you have paid to us, in cleared funds, 7.1.6 to repossess the Lot (or any part thereof) which has not become acknowledged to be a leading expert in the relevant field; or a non-conforming Lot; and or invalidity will not affect the enforceability and validity of the Description or Estimate, if made by us or on our behalf, was everything due to the Seller and to us, and once we have your property, and for this purpose (unless you buy the Lot as 9.3.2 it can be established that the Lot is a Forgery only by means of within 20 days of the date of the relevant Sale (or such longer remaining terms or the remainder of the relevant term. (unless Bonhams itself sells the Lot as principal) made as agent completed our investigations under paragraph 3.11, we will a Consumer) you hereby grant an irrevocable licence to us, by a process not generally accepted for use until after the date on period as we may agree in writing) you return the Lot to us in the 10.6 References in the Contract for Sale to Bonhams will, where on behalf of the Seller. release the Lot to you or as you may direct us in writing. The ourselves, our servants or agents, to enter upon all or any of which the Catalogue was published or by means of a process same condition as it was at the time of the Sale, accompanied by appropriate, include reference to Bonhams’ officers, employees 2 PERFORMANCE OF THE CONTRACT FOR SALE Lot will only be released on production of a buyer collection your premises (with or without vehicles) during normal business which it was unreasonable in all the circumstances for us to written evidence that the Lot is a non-conforming Lot and details and agents and to any subsidiary of Bonhams Holdings Limited You undertake to us personally that you will observe and comply document, obtained from our cashier’s office. hours to take possession of any Lot or part thereof; have employed. of the Sale and Lot number sufficient to identify the Lot.but not if: and to its officers, employees and agents. with all your obligations and undertakings to the Seller under the 4.2 You must collect and remove the Lot at your own expense by 7.1.7 to sell the Lot Without Reserve by auction, private treaty or any 9.4 You authorise us to carry out such processes and tests on the Entry in the Catalogue in respect of the Lot indicates that the 10.7 The headings used in the Contract for Sale are for convenience Contract for Sale in respect of the Lot. the date and time specified in the Notice to Bidders, or if no other means on giving you three months’ written notice of our the Lot as we in our absolute discretion consider necessary to rights given by this paragraph do not apply to it; or only and will not affect its interpretation. 3 PAYMENT AND BUYER WARRANTIES date is specified, by 4.30pm on the seventh day after the Sale. intention to do so; satisfy ourselves that the Lot is or is not a Forgery. the Entry in the Catalogue in respect of the Lot reflected the 10.8 In the Contract for Sale “including” means “including, without 3.1 Unless agreed in writing between you and us or as otherwise 4.3 For the period referred to in paragraph 4.2, the Lot can be 7.1.8 to retain possession of any of your other property in our 9.5 If we are satisfied that a Lot is a Forgery we will (as principal) then accepted general opinion of scholars and experts or fairly limitation”. set out in the Notice to Bidders, you must pay to us by not later collected from the address referred to in the Notice to Bidders possession for any purpose (including, without limitation, other purchase the Lot from you and you will transfer the title to the indicated that there was a conflict of such opinion; or 10.9 References to the singular will include reference to the plural than 4.30pm on the second working day following the Sale: for collection on the days and times specified in the Notice to goods sold to you or with us for Sale) until all sums due to us Lot in question to us, with full title guarantee, free from any liens, it can be established that the Lot is a non-conforming Lot only (and vice versa) and reference to any one gender will include 3.1.1 the Purchase Price for the Lot; Bidders. Thereafter, the Lot may be removed elsewhere for have been paid in full; charges, encumbrances and adverse claims, in accordance with by means of a process not generally accepted for use until after reference to the other genders. 3.1.2 a Buyer’s Premium in accordance with the rates set out in the storage and you must enquire from us as to when and where 7.1.9 to apply any monies received from you for any purpose whether the provisions of Sections 12(1) and 12(2) of the Sale of Goods the date on which the Catalogue was published or by means of 10.10 Reference to a numbered paragraph is to a paragraph of the Notice to Bidders on each lot, and you can collect it, although this information will usually be set at the time of your default or at any time thereafter in payment Act 1979 and we will pay to you an amount equal to the sum of a process which it was unreasonable in all the circumstances for Contract for Sale. 3.1.3 if the Lot is marked [AR], an Additional Premium which is out in the Notice to Bidders. or part payment of any sums due to us by you under this the Purchase Price, Buyer’s Premium, VAT and Expenses paid us to have employed; or 10.11 Save as expressly provided in paragraph 10.12 nothing in the calculated and payable in accordance with the Notice to 4.4 If you have not collected the Lot by the date specified in the agreement; by you in respect of the Lot. the Lot comprises atlases, maps, autographs, manuscripts, Contract for Sale confers (or purports to confer) on any person Bidders together with VAT on that sum if applicable so that all Notice to Bidders, you authorise us, acting in this instance as 7.1.10 on three months’ written notice to sell, Without Reserve, any of 9.6 The benefit of paragraph 9 is personal to, and incapable of extra illustrated books, music or periodical publications; or who is not a party to the Contract for Sale any benefit conferred sums due to us are cleared funds by the seventh working day your agent and on your behalf, to enter into a contract (the your other property in our possession or under our control for assignment by, you. the Lot was listed in the Catalogue under “collections” or by, or the right to enforce any term of, the Contract for Sale. after the Sale. “Storage Contract”) with the Storage Contractor for the storage any purpose (including other goods sold to you or with us for 9.7 If you sell or otherwise dispose of your interest in the Lot, all “collections and various” or the Lot was stated in the Catalogue 10.12 Where the Contract for Sale confers an immunity from, and/or 3.2 You must also pay us on demand any Expenses payable of the Lot on the then current standard terms and conditions Sale) and to apply any monies due to you as a result of such rights and benefits under this paragraph 9 will cease. to comprise or contain a collection, issue or Books which are an exclusion or restriction of, the responsibility and/or liability pursuant to this agreement. agreed between Bonhams and the Storage Contractor (copies Sale in payment or part payment of any amounts owed to us; 9.8 Paragraph 9 does not apply to a Lot made up of or including a undescribed or the missing text or illustrations are referred to of the Seller, it will also operate in favour and for the benefit of 3.3 All payments to us must be made in the currency in which the of which are available on request). If the Lot is stored at our 7.1.11 refuse to allow you to register for a future Sale or to reject a bid Chinese painting or Chinese paintings, a motor vehicle or motor or the relevant parts of the Book contain blanks, half titles or Bonhams, Bonhams’ holding company and the subsidiaries Sale was conducted, using, unless otherwise agreed by us in premises storage fees at our current daily rates (currently a from you at any future Sale or to require you to pay a deposit vehicles, a Stamp or Stamps or a Book or Books. advertisements. of such holding company and the successors and assigns of writing, one of the methods of payment set out in the Notice to minimum of £3 plus VAT per Lot per day) will be payable from before any bid is accepted by us at any future Sale in which 10 OUR LIABILITY If we are reasonably satisfied that a Lot is a non- conforming Bonhams and of such companies and of any officer, employee Bidders. Our invoices will only be addressed to the registered the expiry of the period referred to in paragraph 4.2. These case we will be entitled to apply such deposit in payment or part 10.1 We will not be liable whether in negligence, other tort, breach Lot, we will (as principal) purchase the Lot from you and you and agent of Bonhams and such companies, each of whom Bidder unless the Bidder is acting as an agent for a named storage fees form part of our Expenses. payment, as the case may be, of the Purchase Price of any Lot of contract or statutory duty or in restitution or under the will transfer the title to the Lot in question to us, with full title will be entitled to rely on the relevant immunity and/or exclusion principal and we have approved that arrangement, in which 4.5 Until you have paid the Purchase Price and any Expenses in of which you are the Buyer. Misrepresentation Act 1967 or in any other way for lack of guarantee, free from any liens, charges, encumbrances and and/or restriction within and for the purposes of Contracts case we will address the invoice to the principal. full the Lot will either be held by us as agent on behalf of the 7.1.12 having made reasonable efforts to inform you, to release your conformity with or any inaccuracy, error, misdescription or adverse claims and we will pay to you an amount equal to the (Rights of Third Parties) Act 1999, which enables the benefit of 3.4 Unless otherwise stated in this agreement all sums payable to Seller or held by the Storage Contractor as agent on behalf of name and address to the Seller, so they might take appropriate omission in any Description of the Lot or any Entry or Estimate sum of the Purchase Price and Buyer’s Premium paid by you in a contract to be extended to a person who is not a party to the us will be subject to VAT at the appropriate rate and VAT will be the Seller and ourselves on the terms contained in the Storage steps to recover the amounts due and legal costs associated in respect of it, made by us or on our behalf or by or on respect of the Lot. contract, and generally at law. payable by you on all such sums. Contract. with such steps. behalf of the Seller (whether made in writing, including in the The benefit of paragraph 10 is personal to, and incapable of 11 GOVERNING LAW 3.5 We may deduct and retain for our own benefit from the monies 4.6 You undertake to comply with the terms of any Storage 7.2 You agree to indemnify us against all legal and other costs, all Catalogue, or on the Bonhams’ Website, or orally, or by conduct assignment by, you and if you sell or otherwise dispose of your All transactions to which the Contract for Sale applies and paid by you to us the Buyer’s Premium, the Commission Contract and in particular to pay the charges (and all costs of losses and all other Expenses (whether or not court proceedings or otherwise) and whether made before or after this agreement interest in the Lot, all rights and benefits under this paragraph all connected matters will be governed by and construed in payable by the Seller in respect of the Lot, any Expenses and moving the Lot into storage) due under any Storage Contract. will have been issued) incurred by us as a result of our taking or prior to or during the Sale. will cease. accordance with the laws of that part of the United Kingdom VAT and any interest earned and/or incurred until payment to You acknowledge and agree that you will not be able to collect steps under this paragraph 7 on a full indemnity basis together 10.2 Our duty to you while the Lot is at your risk and/or your property 12 MISCELLANEOUS where the Sale takes place and the Seller and you each submit the Seller. the Lot from the Storage Contractor’s premises until you have with interest thereon (after as well as before judgement or order) and in our custody and/or control is to exercise reasonable care 12.1 You may not assign either the benefit or burden of this agreement. to the exclusive jurisdiction of the courts of that part of the 3.6 Time will be of the essence in relation to any payment payable paid the Purchase Price, any Expenses and all charges due at the rate specified in paragraph 7.1.5 from the date upon in relation to it, but we will not be responsible for damage to the 12.2 Our failure or delay in enforcing or exercising any power or right United Kingdom, save that the Seller may bring proceedings to us. If you do not pay the Purchase Price, or any other sum under the Storage Contract. which we become liable to pay the same until payment by you. Lot or to other persons or things caused by: under this agreement will not operate or be deemed to operate against you in any other court of competent jurisdiction to due to us in accordance with this paragraph 3, we will have the 4.7 You will be wholly responsible for packing, handling and 7.3 If you pay us only part of the sums due to us such payment 10.2.1 handling the Lot if it was affected at the time ofSale to you by as a waiver of our rights under it except to the extent of any the extent permitted by the laws of the relevant jurisdiction. rights set out in paragraph 7 below. transport of the Lot on collection and for complying with all shall be applied firstly to the Purchase Price of the Lot (or woodworm and any damage is caused as a result of it being express waiver given to you in writing. Any such waiver will not Bonhams has a complaints procedure in place. 3.7 Where a number of Lots have been knocked down to you, any import or export regulations in connection with the Lot. where you have purchased more than one Lot pro-rata towards affected by woodworm; or affect our ability subsequently to enforce any right arising under monies we receive from you will be applied firstly pro-rata to pay 4.8 You will be wholly responsible for any removal, storage, or other the Purchase Price of each Lot) and secondly to the Buyer’s 10.2.2 changes in atmospheric pressure; nor will we be liable for: this agreement. APPENDIX 2 the Purchase Price of each Lot and secondly pro-rata to pay all charges for any Lot not removed in accordance with paragraph Premium (or where you have purchased more than one Lot 10.2.3 damage to tension stringed musical instruments; or 12.3 If either party to this agreement is prevented from performing amounts due to Bonhams. 4.2, payable at our current rates, and any Expenses we incur pro-rata to the Buyer’s Premium on each Lot) and thirdly to any 10.2.4 damage to gilded picture frames, plaster picture frames or that party’s respective obligations under this agreement BUYER’S AGREEMENT WITH BONHAMS 3.8 You warrant that neither you nor - if you are a company, (including any charges due under the Storage Contract), all of other sums due to us. picture frame glass; and if the Lot is or becomes dangerous, by circumstances beyond its reasonable control (including IMPORTANT: These terms may be changed in advance of the Sale your directors, officers or your owner or their directors or which must be paid by you on demand and in any event before 7.4 We will account to you in respect of any balance we hold we may dispose of it without notice to you in advance in any without limitation governmental intervention, industrial action, of the Lot to you, by the setting out of different terms in the shareholders - are an individual or an entity that is, or is owned any collection of the Lot by you or on your behalf. remaining from any monies received by us in respect of any manner we think fit and we will be under no liability to you for insurrection, warfare (declared or undeclared), terrorism, power Catalogue for the Sale and/or by placing an insert in the or controlled by individuals or entities that are: 5 STORING THE LOT Sale of the Lot under our rights under this paragraph 7 after the doing so. failure, epidemic or natural disaster) or if performance of its Catalogue and/or by notices at the Sale venue and/or by oral 3.8.1 the subject of any sanctions administered or enforced by the We agree to store the Lot until the earlier of your removal of the payment of all sums due to us and/or the Seller within 28 days 10.3.1 We will not be liable to you for any loss of Business, Business obligations would by reason of such circumstances give rise announcements before and during the Sale at the Sale venue. U.S. Department of the Treasury’s Office of Foreign Assets Lot or until the time and date set out in the Notice to Bidders, of receipt by us of all such sums paid to us. profits, revenue or income or for loss of Business reputation to a significantly increased financial cost to it, that party will You should be alert to this possibility of changes and ask in Control, the U.S. Departure of State, the United Nations Security on the Sale Information Page or at the back of the catalogue (or 8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT or for disruption to Business or wasted time on the part of the not, for so long as such circumstances prevail, be required to advance of bidding if there have been any. Council, the European Union, Her Majesty’s Treasury, or other if no date is specified, by 4.30pm on the seventh day after the 8.1 Whenever it becomes apparent to us that the Lot is the subject Buyer’s management or staff or, if you are buying the Lot in the perform such obligations. This paragraph does not apply to the 1 THE CONTRACT relevant sanctions authority (“Sanctions” and a “Sanctioned Sale) and, subject to paragraphs 3, 6 and 10, to be responsible of a claim by someone other than you and other than the course of a Business, for any indirect losses or consequential obligations imposed on you by paragraph 3. 1.1 These terms govern the contract between Bonhams personally Party”); or as bailee to you for damage to or the loss or destruction of the Seller (or that such a claim can reasonably be expected to be damages of any kind, irrespective in any case of the nature, 12.4 Any notice or other communication to be given under this and the Buyer, being the person to whom a Lot has been 3.8.2 located, organised or resident in a country or territory that is, Lot (notwithstanding that it is not your property before payment made), we may, at our absolute discretion, deal with the Lot in volume or source of the loss or damage alleged to be suffered, agreement must be in writing and may be delivered by hand knocked down by the Auctioneer. or whose government is, the subject of Sanctions, including of the Purchase Price). If you do not collect the Lot before the any manner which appears to us to recognise the legitimate and irrespective of whether the said loss or damage is caused or sent by first class post or air mail or fax transmission (if to 1.2 The Definitions and Glossary contained in Appendix 3 to the without limitation, Iran, North Korea, Sudan and Syria. time and date set out in the Notice to Bidders (or if no date interests of ourselves and the other parties involved and lawfully by or claimed in respect of any negligence, other tort, breach Bonhams marked for the attention of the Company Secretary), Catalogue for the Sale are incorporated into this agreement and 3.9 You warrant that the funds being used for your purchase have is specified, by 4.30pm on the seventh day after the Sale) we to protect our position and our legitimate interests. Without of contract, statutory duty, bailee’s duty, a restitutionary claim to the address or fax number of the relevant party given in the a separate copy can also be provided by us on request. Where no link with criminal activity including without limitation money may remove the Lot to another location, the details of which prejudice to the generality of the discretion and by way of or otherwise. Contract Form (unless notice of any change of address is given words and phrases which are defined in the List of Definitions laundering, tax evasion or terrorist financing, and that you not will usually be set out in the relevant section of the Catalogue. If example, we may: 10.3.2 Unless you buy the Lot as a Consumer, in any circumstances in writing). It is the responsibility of the sender of the notice or

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 person’s rights or remedies in respect of (i) fraud, or (ii) death are used in this agreement, they are printed in italics. Reference under investigation for neither have been charged nor convicted you have not paid for the Lot in accordance with paragraph 3, 8.1.1 retain the Lot to investigate any question raised or reasonably where we are liable to you in respect of a Lot, or any act, or personal injury caused by the Seller’s negligence (or any is made in this agreement to information printed in the Notice to in connection with any criminal activity. and the Lot is moved to any third party’s premises, the Lot will expected by us to be raised in relation to the Lot; and/or omission, statement, representation in respect of it, or this person under the Seller’s control or for whom the Seller is legally Bidders, printed in the Catalogue for the Sale, and where such 3.10 Where you are acting as agent for another party (“your be held by such third party strictly to Bonhams’ order and we 8.1.2 deliver the Lot to a person other than you; and/or agreement or its performance, and whether in damages, for an responsible), or (iii) acts or omissions for which the Seller is liable information is referred to it is incorporated into this agreement. Principal”), you undertake and warrant that: will retain our lien over the Lot until we have been paid in full in 8.1.3 commence interpleader proceedings or seek any other order of indemnity or contribution or for a restitutionary remedy or in any under the Occupiers Liability Act 1957, or (iv) any other liability 1.3 Except as specified in paragraph 4 of the Notice to Bidders the 3.10.1 you have conducted suitable customer due diligence into accordance with paragraph 3. any court, mediator, arbitrator or government body; and/or way whatsoever, our liability will be limited to payment of a sum to the extent the same may not be excluded or restricted as a Contract for Sale of the Lot between you and the Seller is made your Principal under applicable Sanctions and Anti-Money 6 RESPONSIBILITY FOR THE LOT 8.1.4 require an indemnity and/or security from you in return for which will not exceed by way of maximum the amount of the matter of law. on the fall of the Auctioneer’s hammer in respect of the Lot, Laundering laws and regulations; 6.1 Title (ownership) in the Lot passes to you (i) on payment of pursuing a course of action agreed to by you. Purchase Price of the Lot plus Buyer’s Premium (less any sum 10 MISCELLANEOUS when it is knocked down to you. At that moment a separate 3.10.2 your Principal is not a Sanctioned Party and not owned, partially the Purchase Price to us in full in cleared funds and (ii) when 8.2 The discretion referred to in paragraph 8.1: you may be entitled to recover from the Seller) irrespective in 10.1 You may not assign either the benefit or burden of the Contract contract is also made between you and Bonhams on the terms owned or controlled by a Sanctioned Party, and you have no investigations have been completed to our satisfaction under 8.2.1 may be exercised at any time during which we have actual or any case of the nature, volume or source of any loss or damage for Sale. in this Buyer’s Agreement. reason to suspect that your Principal has been charged or paragraph 3.11. constructive possession of the Lot, or at any time after such alleged to be suffered or sum claimed as due, and irrespective 10.2 The Seller’s failure or delay in enforcing or exercising any power 1.4 We act as agents for the Seller and are not answerable or convicted with, money laundering, terrorism or other crimes; 6.2 Please note however, that under the Contract for Sale, the risk in possession, where the cessation of such possession has of whether the liability arises from negligence, other tort, breach or right under the Contract for Sale will not operate or be personally responsible to you for any breach of contract or other 3.10.3 funds used for your or your Principal’s purchase are not the Lot passes to you after 7 days from the day upon which occurred by reason of any decision, order or ruling of any court, of contract, statutory duty, bailee’s duty, a restitutionary claim deemed to operate as a waiver of his rights under it except to default by the Seller, unless Bonhams sells the Lot as principal. connected with or derived from any criminal activity, including it is knocked down to you or upon collection of the Lot if mediator, arbitrator or government body; and or otherwise. the extent of any express waiver given to you in writing. Any 1.5 Our personal obligations to you are governed by this agreement without limitation tax evasion, money laundering or terrorist earlier, and you are advised to obtain insurance in respect of the 8.2.2 will not be exercised unless we believe that there exists a You may wish to protect yourself against loss by obtaining insurance. such waiver will not affect the Seller’s ability subsequently to and we agree, subject to the terms below, to the following financing; Lot as soon as possible after the Sale. serious prospect of a good arguable case in favour of the claim. 10.4 Nothing set out above will be construed as excluding or enforce any right arising under the Contract for Sale. obligations: 3.10.4 items purchased by you and your Principal through Bonhams 7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART 9 FORGERIES restricting (whether directly or indirectly) any person’s liability 10.3 If either party to the Contract for Sale is prevented from 1.5.1 we will, until the date and time specified in the Notice to Bidders are not being purchased or to be used in any way connected PAYMENTS 9.1 We undertake a personal responsibility for any Forgery in or excluding or restricting any person’s rights or remedies in performing that party’s respective obligations under the Contract or otherwise notified to you, store the Lot in accordance with with or to facilitate breaches of applicable Tax, Anti-Money 7.1 If all sums payable to us are not so paid in full at the time they accordance with the terms of this paragraph 9. respect of (i) fraud, or (ii) death or personal injury caused by our for Sale by circumstances beyond its reasonable control or paragraph 5; Laundering or Anti-Terrorism laws and regulations; and are due and/or the Lot is not removed in accordance with 9.2 Paragraph 9 applies only if: negligence (or any person under our control or for whom we are if performance of its obligations would by reason of such 1.5.2 subject to any power of the Seller or us to refuse to release 3.10.5 that you consent to Bonhams relying upon your customer due this agreement, we will (without further notice to you unless 9.2.1 your name appears as the named person to whom the original legally responsible), or (iii) acts or omissions for which we are circumstances give rise to a significantly increased financial the Lot to you, we will release the Lot to you in accordance diligence, undertaking to retain records of your due diligence otherwise provided below), be entitled to exercise one or more invoice was made out by us in respect of the Lot and that liable under the Occupiers Liability Act 1957, or (iv) any other cost to it, that party will not, for so long as such circumstances with paragraph 4 once you have paid to us, in cleared funds, for at least 5 years and to make such due diligence records of the following rights (without prejudice to any rights we may invoice has been paid; and liability to the extent the same may not be excluded or restricted prevail, be required to perform such obligations. This paragraph everything due to us and the Seller and following completion of available for inspection by an independent auditor in the event exercise on behalf of the Seller): 9.2.2 you notify us in writing as soon as reasonably practicable after as a matter of law, or (v) under our undertaking in paragraph 9 does not apply to the obligations imposed on you by paragraph our enquiries pursuant to paragraph 3.11; we request you to do so. 7.1.1 to terminate this agreement immediately for your breach of you have become aware that the Lot is or may be a Forgery, of these conditions. 6. 1.5.3 we will provide guarantees in the terms set out in paragraphs 9 3.11 We reserve the rights to make enquiries about any person contract; and in any event within one year after the Sale, that the Lot is a 11 BOOKS MISSING TEXT OR ILLUSTRATIONS 10.4 Any notice or other communication to be given under the and 10. transacting with us and to identify the source of any funds 7.1.2 to retain possession of the Lot; Forgery; and Where the Lot is made up wholly of a Book or Books and Contract for Sale must be in writing and may be delivered by 1.6 We do not make or give and do not agree to make or give received from you. In the event we have not completed our 7.1.3 to remove, and/or store the Lot at your expense; 9.2.3 within one month after such notification has been given, you any Book does not contain text or illustrations (in either case hand or sent by first class post or air mail or fax transmission, if to any contractual promise, undertaking, obligation, Guarantee, investigations in respect of anti-terrorism financing, anti-money 7.1.4 to take legal proceedings against you for payment of any sums return the Lot to us in the same condition as it was at the time referred to as a “non-conforming Lot”), we undertake a personal the Seller, addressed c/o Bonhams at its address or fax number warranty, representation of fact in relation to any Description laundering or other financial and identity checks concerning payable to us by you (including the Purchase Price) and/or of the Sale, accompanied by written evidence that the Lot is responsibility for such a non-conforming Lot in accordance with in the Catalogue (marked for the attention of the Company of the Lot or any Estimate in relation to it, nor of the accuracy either you or the Seller, to our satisfaction at our discretion, damages for breach of contract; a Forgery and details of the Sale and Lot number sufficient to the terms of this paragraph, if: Secretary), and if to you to the address or fax number of the or completeness of any Description or Estimate which may we shall be entitled to retain Lots and/or proceeds of Sale, 7.1.5 to be paid interest on any monies due to us (after as well as identify the Lot. the original invoice was made out by us to you in respect of the Buyer given in the Bidding Form (unless notice of any change of have been made by us or on our behalf or by or on behalf postpone or cancel any sale and to take any other actions before judgement or order) at the annual rate of 5% per annum 9.3 Paragraph 9 will not apply in respect of a Forgery if: Lot and that invoice has been paid; and address is given in writing). It is the responsibility of the sender of the Seller (whether made orally or in writing, including in required or permitted under applicable law, without liability to above the base lending rate of National Westminster Bank Plc 9.3.1 the Entry in relation to the Lot contained in the Catalogue you notify us in writing as soon as reasonably practicable after of the notice or communication to ensure that it is received in a the Catalogue or on Bonhams’ Website, or by conduct, or you. from time to time to be calculated on a daily basis from the reflected the then accepted general opinion of scholars and you have become aware that the Lot is or may be a non- legible form within any applicable time period. otherwise), and whether made before or after this agreement or 4 COLLECTION OF THE LOT date upon which such monies become payable until the date of experts or fairly indicated that there was a conflict of such conforming Lot, and in any event within 20 days after the Sale 10.5 If any term or any part of any term of the Contract for Sale prior to or during the Sale. No such Description or Estimate is 4.1 Subject to any power of the Seller or us to refuse to release actual payment; opinion or reflected the then current opinion of an expert (or such longer period as we may agree in writing) that the Lot is is held to be unenforceable or invalid, such unenforceability incorporated into this agreement between you and us. Any such the Lot to you, once you have paid to us, in cleared funds, 7.1.6 to repossess the Lot (or any part thereof) which has not become acknowledged to be a leading expert in the relevant field; or a non-conforming Lot; and or invalidity will not affect the enforceability and validity of the Description or Estimate, if made by us or on our behalf, was everything due to the Seller and to us, and once we have your property, and for this purpose (unless you buy the Lot as 9.3.2 it can be established that the Lot is a Forgery only by means of within 20 days of the date of the relevant Sale (or such longer remaining terms or the remainder of the relevant term. (unless Bonhams itself sells the Lot as principal) made as agent completed our investigations under paragraph 3.11, we will a Consumer) you hereby grant an irrevocable licence to us, by a process not generally accepted for use until after the date on period as we may agree in writing) you return the Lot to us in the 10.6 References in the Contract for Sale to Bonhams will, where on behalf of the Seller. release the Lot to you or as you may direct us in writing. The ourselves, our servants or agents, to enter upon all or any of which the Catalogue was published or by means of a process same condition as it was at the time of the Sale, accompanied by appropriate, include reference to Bonhams’ officers, employees 2 PERFORMANCE OF THE CONTRACT FOR SALE Lot will only be released on production of a buyer collection your premises (with or without vehicles) during normal business which it was unreasonable in all the circumstances for us to written evidence that the Lot is a non-conforming Lot and details and agents and to any subsidiary of Bonhams Holdings Limited You undertake to us personally that you will observe and comply document, obtained from our cashier’s office. hours to take possession of any Lot or part thereof; have employed. of the Sale and Lot number sufficient to identify the Lot.but not if: and to its officers, employees and agents. with all your obligations and undertakings to the Seller under the 4.2 You must collect and remove the Lot at your own expense by 7.1.7 to sell the Lot Without Reserve by auction, private treaty or any 9.4 You authorise us to carry out such processes and tests on the Entry in the Catalogue in respect of the Lot indicates that the 10.7 The headings used in the Contract for Sale are for convenience Contract for Sale in respect of the Lot. the date and time specified in the Notice to Bidders, or if no other means on giving you three months’ written notice of our the Lot as we in our absolute discretion consider necessary to rights given by this paragraph do not apply to it; or only and will not affect its interpretation. 3 PAYMENT AND BUYER WARRANTIES date is specified, by 4.30pm on the seventh day after the Sale. intention to do so; satisfy ourselves that the Lot is or is not a Forgery. the Entry in the Catalogue in respect of the Lot reflected the 10.8 In the Contract for Sale “including” means “including, without 3.1 Unless agreed in writing between you and us or as otherwise 4.3 For the period referred to in paragraph 4.2, the Lot can be 7.1.8 to retain possession of any of your other property in our 9.5 If we are satisfied that a Lot is a Forgery we will (as principal) then accepted general opinion of scholars and experts or fairly limitation”. set out in the Notice to Bidders, you must pay to us by not later collected from the address referred to in the Notice to Bidders possession for any purpose (including, without limitation, other purchase the Lot from you and you will transfer the title to the indicated that there was a conflict of such opinion; or 10.9 References to the singular will include reference to the plural than 4.30pm on the second working day following the Sale: for collection on the days and times specified in the Notice to goods sold to you or with us for Sale) until all sums due to us Lot in question to us, with full title guarantee, free from any liens, it can be established that the Lot is a non-conforming Lot only (and vice versa) and reference to any one gender will include 3.1.1 the Purchase Price for the Lot; Bidders. Thereafter, the Lot may be removed elsewhere for have been paid in full; charges, encumbrances and adverse claims, in accordance with by means of a process not generally accepted for use until after reference to the other genders. 3.1.2 a Buyer’s Premium in accordance with the rates set out in the storage and you must enquire from us as to when and where 7.1.9 to apply any monies received from you for any purpose whether the provisions of Sections 12(1) and 12(2) of the Sale of Goods the date on which the Catalogue was published or by means of 10.10 Reference to a numbered paragraph is to a paragraph of the Notice to Bidders on each lot, and you can collect it, although this information will usually be set at the time of your default or at any time thereafter in payment Act 1979 and we will pay to you an amount equal to the sum of a process which it was unreasonable in all the circumstances for Contract for Sale. 3.1.3 if the Lot is marked [AR], an Additional Premium which is out in the Notice to Bidders. or part payment of any sums due to us by you under this the Purchase Price, Buyer’s Premium, VAT and Expenses paid us to have employed; or 10.11 Save as expressly provided in paragraph 10.12 nothing in the calculated and payable in accordance with the Notice to 4.4 If you have not collected the Lot by the date specified in the agreement; by you in respect of the Lot. the Lot comprises atlases, maps, autographs, manuscripts, Contract for Sale confers (or purports to confer) on any person Bidders together with VAT on that sum if applicable so that all Notice to Bidders, you authorise us, acting in this instance as 7.1.10 on three months’ written notice to sell, Without Reserve, any of 9.6 The benefit of paragraph 9 is personal to, and incapable of extra illustrated books, music or periodical publications; or who is not a party to the Contract for Sale any benefit conferred sums due to us are cleared funds by the seventh working day your agent and on your behalf, to enter into a contract (the your other property in our possession or under our control for assignment by, you. the Lot was listed in the Catalogue under “collections” or by, or the right to enforce any term of, the Contract for Sale. after the Sale. “Storage Contract”) with the Storage Contractor for the storage any purpose (including other goods sold to you or with us for 9.7 If you sell or otherwise dispose of your interest in the Lot, all “collections and various” or the Lot was stated in the Catalogue 10.12 Where the Contract for Sale confers an immunity from, and/or 3.2 You must also pay us on demand any Expenses payable of the Lot on the then current standard terms and conditions Sale) and to apply any monies due to you as a result of such rights and benefits under this paragraph 9 will cease. to comprise or contain a collection, issue or Books which are an exclusion or restriction of, the responsibility and/or liability pursuant to this agreement. agreed between Bonhams and the Storage Contractor (copies Sale in payment or part payment of any amounts owed to us; 9.8 Paragraph 9 does not apply to a Lot made up of or including a undescribed or the missing text or illustrations are referred to of the Seller, it will also operate in favour and for the benefit of 3.3 All payments to us must be made in the currency in which the of which are available on request). If the Lot is stored at our 7.1.11 refuse to allow you to register for a future Sale or to reject a bid Chinese painting or Chinese paintings, a motor vehicle or motor or the relevant parts of the Book contain blanks, half titles or Bonhams, Bonhams’ holding company and the subsidiaries Sale was conducted, using, unless otherwise agreed by us in premises storage fees at our current daily rates (currently a from you at any future Sale or to require you to pay a deposit vehicles, a Stamp or Stamps or a Book or Books. advertisements. of such holding company and the successors and assigns of writing, one of the methods of payment set out in the Notice to minimum of £3 plus VAT per Lot per day) will be payable from before any bid is accepted by us at any future Sale in which 10 OUR LIABILITY If we are reasonably satisfied that a Lot is a non- conforming Bonhams and of such companies and of any officer, employee Bidders. Our invoices will only be addressed to the registered the expiry of the period referred to in paragraph 4.2. These case we will be entitled to apply such deposit in payment or part 10.1 We will not be liable whether in negligence, other tort, breach Lot, we will (as principal) purchase the Lot from you and you and agent of Bonhams and such companies, each of whom Bidder unless the Bidder is acting as an agent for a named storage fees form part of our Expenses. payment, as the case may be, of the Purchase Price of any Lot of contract or statutory duty or in restitution or under the will transfer the title to the Lot in question to us, with full title will be entitled to rely on the relevant immunity and/or exclusion principal and we have approved that arrangement, in which 4.5 Until you have paid the Purchase Price and any Expenses in of which you are the Buyer. Misrepresentation Act 1967 or in any other way for lack of guarantee, free from any liens, charges, encumbrances and and/or restriction within and for the purposes of Contracts case we will address the invoice to the principal. full the Lot will either be held by us as agent on behalf of the 7.1.12 having made reasonable efforts to inform you, to release your conformity with or any inaccuracy, error, misdescription or adverse claims and we will pay to you an amount equal to the (Rights of Third Parties) Act 1999, which enables the benefit of 3.4 Unless otherwise stated in this agreement all sums payable to Seller or held by the Storage Contractor as agent on behalf of name and address to the Seller, so they might take appropriate omission in any Description of the Lot or any Entry or Estimate sum of the Purchase Price and Buyer’s Premium paid by you in a contract to be extended to a person who is not a party to the us will be subject to VAT at the appropriate rate and VAT will be the Seller and ourselves on the terms contained in the Storage steps to recover the amounts due and legal costs associated in respect of it, made by us or on our behalf or by or on respect of the Lot. contract, and generally at law. payable by you on all such sums. Contract. with such steps. behalf of the Seller (whether made in writing, including in the The benefit of paragraph 10 is personal to, and incapable of 11 GOVERNING LAW 3.5 We may deduct and retain for our own benefit from the monies 4.6 You undertake to comply with the terms of any Storage 7.2 You agree to indemnify us against all legal and other costs, all Catalogue, or on the Bonhams’ Website, or orally, or by conduct assignment by, you and if you sell or otherwise dispose of your All transactions to which the Contract for Sale applies and paid by you to us the Buyer’s Premium, the Commission Contract and in particular to pay the charges (and all costs of losses and all other Expenses (whether or not court proceedings or otherwise) and whether made before or after this agreement interest in the Lot, all rights and benefits under this paragraph all connected matters will be governed by and construed in payable by the Seller in respect of the Lot, any Expenses and moving the Lot into storage) due under any Storage Contract. will have been issued) incurred by us as a result of our taking or prior to or during the Sale. will cease. accordance with the laws of that part of the United Kingdom VAT and any interest earned and/or incurred until payment to You acknowledge and agree that you will not be able to collect steps under this paragraph 7 on a full indemnity basis together 10.2 Our duty to you while the Lot is at your risk and/or your property 12 MISCELLANEOUS where the Sale takes place and the Seller and you each submit the Seller. the Lot from the Storage Contractor’s premises until you have with interest thereon (after as well as before judgement or order) and in our custody and/or control is to exercise reasonable care 12.1 You may not assign either the benefit or burden of this agreement. to the exclusive jurisdiction of the courts of that part of the 3.6 Time will be of the essence in relation to any payment payable paid the Purchase Price, any Expenses and all charges due at the rate specified in paragraph 7.1.5 from the date upon in relation to it, but we will not be responsible for damage to the 12.2 Our failure or delay in enforcing or exercising any power or right United Kingdom, save that the Seller may bring proceedings to us. If you do not pay the Purchase Price, or any other sum under the Storage Contract. which we become liable to pay the same until payment by you. Lot or to other persons or things caused by: under this agreement will not operate or be deemed to operate against you in any other court of competent jurisdiction to due to us in accordance with this paragraph 3, we will have the 4.7 You will be wholly responsible for packing, handling and 7.3 If you pay us only part of the sums due to us such payment 10.2.1 handling the Lot if it was affected at the time of Sale to you by as a waiver of our rights under it except to the extent of any the extent permitted by the laws of the relevant jurisdiction. rights set out in paragraph 7 below. transport of the Lot on collection and for complying with all shall be applied firstly to the Purchase Price of the Lot (or woodworm and any damage is caused as a result of it being express waiver given to you in writing. Any such waiver will not Bonhams has a complaints procedure in place. 3.7 Where a number of Lots have been knocked down to you, any import or export regulations in connection with the Lot. where you have purchased more than one Lot pro-rata towards affected by woodworm; or affect our ability subsequently to enforce any right arising under monies we receive from you will be applied firstly pro-rata to pay 4.8 You will be wholly responsible for any removal, storage, or other the Purchase Price of each Lot) and secondly to the Buyer’s 10.2.2 changes in atmospheric pressure; nor will we be liable for: this agreement. APPENDIX 2 the Purchase Price of each Lot and secondly pro-rata to pay all charges for any Lot not removed in accordance with paragraph Premium (or where you have purchased more than one Lot 10.2.3 damage to tension stringed musical instruments; or 12.3 If either party to this agreement is prevented from performing amounts due to Bonhams. 4.2, payable at our current rates, and any Expenses we incur pro-rata to the Buyer’s Premium on each Lot) and thirdly to any 10.2.4 damage to gilded picture frames, plaster picture frames or that party’s respective obligations under this agreement BUYER’S AGREEMENT WITH BONHAMS 3.8 You warrant that neither you nor - if you are a company, (including any charges due under the Storage Contract), all of other sums due to us. picture frame glass; and if the Lot is or becomes dangerous, by circumstances beyond its reasonable control (including IMPORTANT: These terms may be changed in advance of the Sale your directors, officers or your owner or their directors or which must be paid by you on demand and in any event before 7.4 We will account to you in respect of any balance we hold we may dispose of it without notice to you in advance in any without limitation governmental intervention, industrial action, of the Lot to you, by the setting out of different terms in the shareholders - are an individual or an entity that is, or is owned any collection of the Lot by you or on your behalf. remaining from any monies received by us in respect of any manner we think fit and we will be under no liability to you for insurrection, warfare (declared or undeclared), terrorism, power Catalogue for the Sale and/or by placing an insert in the or controlled by individuals or entities that are: 5 STORING THE LOT Sale of the Lot under our rights under this paragraph 7 after the doing so. failure, epidemic or natural disaster) or if performance of its Catalogue and/or by notices at the Sale venue and/or by oral 3.8.1 the subject of any sanctions administered or enforced by the We agree to store the Lot until the earlier of your removal of the payment of all sums due to us and/or the Seller within 28 days 10.3.1 We will not be liable to you for any loss of Business, Business obligations would by reason of such circumstances give rise announcements before and during the Sale at the Sale venue. U.S. Department of the Treasury’s Office of Foreign Assets Lot or until the time and date set out in the Notice to Bidders, of receipt by us of all such sums paid to us. profits, revenue or income or for loss of Business reputation to a significantly increased financial cost to it, that party will You should be alert to this possibility of changes and ask in Control, the U.S. Departure of State, the United Nations Security on the Sale Information Page or at the back of the catalogue (or 8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT or for disruption to Business or wasted time on the part of the not, for so long as such circumstances prevail, be required to advance of bidding if there have been any. Council, the European Union, Her Majesty’s Treasury, or other if no date is specified, by 4.30pm on the seventh day after the 8.1 Whenever it becomes apparent to us that the Lot is the subject Buyer’s management or staff or, if you are buying the Lot in the perform such obligations. This paragraph does not apply to the 1 THE CONTRACT relevant sanctions authority (“Sanctions” and a “Sanctioned Sale) and, subject to paragraphs 3, 6 and 10, to be responsible of a claim by someone other than you and other than the course of a Business, for any indirect losses or consequential obligations imposed on you by paragraph 3. 1.1 These terms govern the contract between Bonhams personally Party”); or as bailee to you for damage to or the loss or destruction of the Seller (or that such a claim can reasonably be expected to be damages of any kind, irrespective in any case of the nature, 12.4 Any notice or other communication to be given under this and the Buyer, being the person to whom a Lot has been 3.8.2 located, organised or resident in a country or territory that is, Lot (notwithstanding that it is not your property before payment made), we may, at our absolute discretion, deal with the Lot in volume or source of the loss or damage alleged to be suffered, agreement must be in writing and may be delivered by hand knocked down by the Auctioneer. or whose government is, the subject of Sanctions, including of the Purchase Price). If you do not collect the Lot before the any manner which appears to us to recognise the legitimate and irrespective of whether the said loss or damage is caused or sent by first class post or air mail or fax transmission (if to 1.2 The Definitions and Glossary contained in Appendix 3 to the without limitation, Iran, North Korea, Sudan and Syria. time and date set out in the Notice to Bidders (or if no date interests of ourselves and the other parties involved and lawfully by or claimed in respect of any negligence, other tort, breach Bonhams marked for the attention of the Company Secretary), Catalogue for the Sale are incorporated into this agreement and 3.9 You warrant that the funds being used for your purchase have is specified, by 4.30pm on the seventh day after the Sale) we to protect our position and our legitimate interests. Without of contract, statutory duty, bailee’s duty, a restitutionary claim to the address or fax number of the relevant party given in the a separate copy can also be provided by us on request. Where no link with criminal activity including without limitation money may remove the Lot to another location, the details of which prejudice to the generality of the discretion and by way of or otherwise. Contract Form (unless notice of any change of address is given words and phrases which are defined in the List of Definitions laundering, tax evasion or terrorist financing, and that you not will usually be set out in the relevant section of the Catalogue. If example, we may: 10.3.2 Unless you buy the Lot as a Consumer, in any circumstances in writing). It is the responsibility of the sender of the notice or

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 communication to ensure that it is received in a legible form “Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s “Specialist Examination” a visual examination of a Lot by a specialist Registration and Bidding Form within any applicable time period. Agreement and Definitions and Glossary. on the Lot. (Attendee / Absentee / Online / Telephone Bidding) 12.5 If any term or any part of any term of this agreement is held to “Consignment Fee” a fee payable to Bonhams by the Seller “Stamp” means a postage Stamp offered for Sale at a Specialist Paddle number (for office use only) be unenforceable or invalid, such unenforceability or invalidity calculated at rates set out in the Conditions of Business. Stamp Sale. Please circle your bidding method above. will not affect the enforceability and validity of the remaining “Consumer” a natural person who is acting for the relevant purpose “Standard Examination” a visual examination of a Lot by a non- terms or the remainder of the relevant term. outside his trade, Business or profession. specialist member of Bonhams’ staff. This sale will be conducted in accordance with 12.6 References in this agreement to Bonhams will, where “Contract Form” the Contract Form, or vehicle Entry form, as “Storage Contract” means the contract described in paragraph Sale title: Sale date: appropriate, include reference to Bonhams’ officers, employees applicable, signed by or on behalf of the Seller listing the Lots to be 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Bonhams’ Conditions of Sale and bidding and buying and agents. offered for Sale by Bonhams. Agreement (as appropriate). at the Sale will be regulated by these Conditions. You 12.7 The headings used in this agreement are for convenience only “Contract for Sale” the Sale contract entered into by the Seller with “Storage Contractor” means the company identified as such in the should read the Conditions in conjunction with the Sale no. Sale venue: and will not affect its interpretation. the Buyer (see Appendix 1 in the Catalogue). Catalogue. Sale Information relating to this Sale which sets out the 12.8 In this agreement “including” means “including, without “Contractual Description” the only Description of the Lot (being “Terrorism” means any act or threatened act of terrorism, whether charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours limitation”. that part of the Entry about the Lot in the Catalogue which is in bold any person is acting alone or on behalf of or in connection with any and other terms relating to bidding and buying at the 12.9 References to the singular will include reference to the plural letters, any photograph (except for the colour) and the contents of any organisation(s) and/or government(s), committed for political, religious prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the (and vice versa) and reference to any one gender will include Condition Report) to which the Seller undertakes in the Contract of or ideological or similar purposes including, but not limited to, the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will reference to the other genders. Sale the Lot corresponds. intention to influence any government and/or put the public or any Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. 12.10 Reference to a numbered paragraph is to a paragraph of this “Description” also contain certain undertakings by bidders and buyers any statement or representation in any way descriptive section of the public into fear. General Bid Increments: agreement. of the Lot, including any statement or representation relating to its “VAT” value added tax at the prevailing rate at the date of the Sale in and limit Bonhams’ liability to bidders and buyers. 12.11 Save as expressly provided in paragraph 12.12 nothing in this authorship, attribution, condition, provenance, authenticity, style, the United Kingdom. £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s agreement confers (or purports to confer) on any person who period, age, suitability, quality, origin, value, estimated selling price “Website” Bonhams Website at www.bonhams.com Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s is not a party to this agreement any benefit conferred by, or the (including the Hammer Price). “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s right to enforce any term of, this agreement. “Entry” a written statement in the Catalogue identifying the Lot and its Bonhams’ instructions to sell a Lot. shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s 12.12 Where this agreement confers an immunity from, and/or an Lot number which may contain a Description and illustration(s) relating “Without Reserve” where there is no minimum price at which a Lot Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion exclusion or restriction of, the responsibility and/or liability to the Lot. may be sold (whether at auction or by private treaty). have given at the time your information was disclosed). A of Bonhams, it will also operate in favour and for the benefit “Estimate” a statement of our opinion of the range within which the £5,000 - 10,000 ...... by 500s GLOSSARY copy of our Privacy Policy can be found on our website of Bonhams’ holding company and the subsidiaries of such hammer is likely to fall. The following expressions have specific legal meanings with which you The auctioneer has discretion to split any bid at any time. holding company and the successors and assigns of Bonhams “Expenses” charges and Expenses paid or payable by Bonhams may not be familiar. The following glossary is intended to give you an (www.bonhams.com) or requested by post from Customer and of such companies and of any officer, employee and in respect of the Lot including legal Expenses, banking charges and understanding of those expressions but is not intended to limit their Services Department, 101 New Bond Street, London W1S agent of Bonhams and such companies, each of whom will be Expenses incurred as a result of an electronic transfer of money, legal meanings: 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title entitled to rely on the relevant immunity and/or exclusion and/ charges and Expenses for loss and damage cover, insurance, “artist’s resale right”: the right of the creator of a work of art to receive We may disclose your personal information to any member of or restriction within and for the purposes of Contracts (Rights of Catalogue and other reproductions and illustrations, any customs a payment on Sales of that work subsequent to the original Sale of our group which means our subsidiaries, our ultimate holding First Name Last Name Third Parties) Act 1999, which enables the benefit of a contract duties, advertising, packing or shipping costs, reproductions rights’ that work by the creator of it as set out in the Artists Resale Right company and its subsidiaries (whether registered in the UK or to be extended to a person who is not a party to the contract, fees, taxes, levies, costs of testing, searches or enquiries, preparation Regulations 2006. elsewhere). We will not disclose your data to anyone outside Company name (if applicable) and generally at law. of the Lot for Sale, storage charges, removal charges, removal charges “bailee”: a person to whom goods are entrusted. our group but we may from time to time provide you with 13 GOVERNING LAW or costs of collection from the Seller as the Seller’s agents or from a “indemnity”: an obligation to put the person who has the benefit Company Registration number (if applicable) All transactions to which this agreement applies and all defaulting Buyer, plus VAT if applicable. of the indemnity in the same position in which he would have been, information about goods and services which we feel maybe of interest to you including those provided by third parties. connected matters will be governed by and construed in “Forgery” an imitation intended by the maker or any other person to had the circumstances giving rise to the indemnity not arisen and the Address accordance with the laws of that part of the United Kingdom deceive as to authorship, attribution, origin, authenticity, style, date, expression “indemnify” is construed accordingly. If you do not want to receive such information (except for where the Sale takes (or is to take) place and we and you each age, period, provenance, culture, source or composition, which at the “interpleader proceedings”: proceedings in the Courts to determine information you specifically requested) please tick this box City submit to the exclusive jurisdiction of the courts of that part date of the Sale had a value materially less than it would have had if the ownership or rights over a Lot. Would you like to receive e-mailed information from us? if so of the United Kingdom, save that we may bring proceedings Lot had not been such an imitation, and which is not stated to be such “knocked down”: when a Lot is sold to a Bidder, indicated by the fall please tick this box against you in any other court of competent jurisdiction to an imitation in any description of the Lot. A Lot will not be a Forgery by of the hammer at the Sale. Post / Zip code County / State the extent permitted by the laws of the relevant jurisdiction. reason of any damage to, and/or restoration and/ or modification work “lien”: a right for the person who has possession of the Lot to retain Bonhams has a complaints procedure in place. (including repainting or over painting) having been carried out on the possession of it. Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country DATA PROTECTION – USE OF YOUR INFORMATION Lot, where that damage, “risk”: the possibility that a Lot may be lost, damaged, destroyed, government or state issued photographic proof of ID and date Where we obtain any personal information about you, we shall only restoration or modification work (as the case may be) does not stolen, or deteriorate in condition or value. Telephone (landline) use it in accordance with the terms of our Privacy Policy (subject to substantially affect the identity of the Lot as one conforming to the “title”: the legal and equitable right to the ownership of a Lot. of birth e.g. - passport, driving licence - and if not included in any additional specific consent(s) you may have given at the time Description of the Lot. “tort”: a legal wrong done to someone to whom the wrong doer has ID document, proof of address e.g - utility bill, bank or credit your information was disclosed). A copy of our Privacy Policy can be “Guarantee” the obligation undertaken personally by Bonhams to the a duty of care. card statement etc. Corporate clients should also provide a E-mail (in capitals) found on our Website www.bonhams.com or requested by post from Buyer in respect of any Forgery and, in the case of specialist Stamp “warranty”: a legal assurance or promise, upon which the person to copy of their articles of association / company registration Please answer all questions below Customer Services Department, 101 New Bond Street, London W1S Sales and/or specialist Book Sales, a Lot made up of a Stamp or whom the warranty was given has the right to rely. documents, and the entities name and registered address, 1SR, United Kingdom or by email from [email protected]. Stamps or a Book or Books as set out in the Buyer’s Agreement. SALE OF GOODS ACT 1979 documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. “Hammer Price” the price in the currency in which the Sale is The following is an extract from the Sale of Goods Act 1979: together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. APPENDIX 3 conducted at which a Lot is knocked down by the Auctioneer. “Section 12 Implied terms about title, etc “Loss and Damage Warranty” company’s behalf. Failure to provide this may result in your means the warranty described in (1) In a contract of sale, other than one to which subsection (3) below 2. Are you representing the Bidder? If yes, please complete question 3. DEFINITIONS AND GLOSSARY paragraph 8.2 of the Conditions of Business. applies, there is an implied term on the part of the seller that in the bids not being processed or completed. For higher value lots you may also be asked to provide a bank reference. Where these Definitions and Glossary are incorporated, the following “Loss and Damage Warranty Fee” means the fee described in case of a sale he has a right to sell the goods, and in the case of 3. Bidder's name, address and contact details (phone and email): words and phrases used have (unless the context otherwise requires) paragraph 8.2.3 of the Conditions of Business. an agreement to sell he will have such a right at the time when the the meanings given to them below. The Glossary is to assist you to “Lot” any item consigned to Bonhams with a view to its Sale at auction property is to pass. If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement understand words and phrases which have a specific legal meaning or by private treaty (and reference to any Lot will include, unless the (2) In a contract of sale, other than one to which subsection (3) below I will collect the purchases myself with which you may not be familiar. context otherwise requires, reference to individual items comprised in a applies, there is also an implied term that- Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: LIST OF DEFINITIONS group of two or more items offered for Sale as one Lot). (a) the goods are free, and will remain free until the time Please arrange shippers to contact me with Yes No / - - “Account” the bank account of Bonhams into which all sums received “Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in when the property is to pass, from any charge or a quote and I agree that you may pass them in respect of the Purchase Price of any Lot will be paid. consideration of the additional work undertaken by Bonhams in respect encumbrance not disclosed or known to the buyer my contact details. “Additional Premium” a premium, calculated in accordance with of the cataloguing of motor vehicles and in respect of the promotion of before the contract is made, and Please note that all telephone calls are recorded. the Notice to Bidders, to cover Bonhams’ Expenses relating to the Sales of motor vehicles. (b) the buyer will enjoy quiet possession of the goods MAX bid in GBP Telephone or payment of royalties under the Artists Resale Right Regulations 2006 “New Bond Street” means Bonhams’ saleroom at 101 New Bond except in so far as it may be disturbed by the owner or Lot no. Brief description (excluding premium Covering bid which is payable by the Buyer to Bonhams on any Lot marked [AR] Street, London W1S 1SR. other person entitled to the benefit of any charge or Absentee (T / A) which sells for a Hammer Price which together with the Buyer’s “Notional Charges” the amount of Commission and VAT which would encumbrance so disclosed or known. & VAT) * Premium (but excluding any VAT) equals or exceeds 1000 euros have been payable if the Lot had been sold at the Notional Price. (3) This subsection applies to a contract of sale in the case of which (converted into the currency of the Sale using the European Central “Notional Fee” the sum on which the Consignment Fee payable to there appears from the contract or is to be inferred from its Bank Reference rate prevailing on the date of the Sale). Bonhams by the Seller is based and which is calculated according to circumstances an intention that the seller should transfer only such “Auctioneer” the representative of Bonhams conducting the formula set out in the Conditions of Business. title as he or a third person may have. the Sale. “Notional Price” the latest in time of the average of the high and low “Bidder” Any person considering, attempting or making a Bid, Estimates given by us to you or stated in the Catalogue or, if no such (4) In a contract to which subsection (3) above applies there is an including those who have completed a Bidding Form. Estimates have been given or stated, the Reserve applicable to the Lot. implied term that all charges or encumbrances known to the seller “Bidding Form” our Bidding Registration Form, our Absentee Bidding “Notice to Bidders” the notice printed at the back or front of our and not known to the buyer have been disclosed to the buyer Form or our Telephone Bidding Form. Catalogues. before the contract is made. “Bonhams” Bonhams 1793 Limited or its successors or assigns. “Purchase Price” the aggregate of the Hammer Price and VAT on the (5) In a contract to which subsection (3) above applies there is also an Bonhams is also referred to in the Buyer’s Agreement, the Conditions Hammer Price (where applicable), the Buyer’s Premium and VAT on the implied term that none of the following will disturb the buyer’s quiet of Business and the Notice to Bidders by the words “we”, “us” and Buyer’s Premium and any Expenses. possession of the goods, namely: “our”. “Reserve” the minimum price at which a Lot may be sold (whether at (a) the seller; “Book” a printed Book offered for Sale at a specialist Book Sale. auction or by private treaty). (b) in a case where the parties to the contract intend “Business” includes any trade, Business and profession. “Sale” the auction Sale at which a Lot is to be offered for Sale by that the seller should transfer only such title as a third “Buyer” the person to whom a Lot is knocked down by the Bonhams. person may have, that person; FOR WINE SALES ONLY Auctioneer. The Buyer is also referred to in the Contract for Sale and “Sale Proceeds” the net amount due to the Seller from the Sale of a (c) anyone claiming through or under the seller or that third the Buyer’s Agreement by the words “you” and “your”. Lot, being the Hammer Price less the Commission, any VAT chargeable person otherwise than under a charge or encumbrance Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT) “Buyer’s Agreement” the contract entered into by Bonhams with the thereon, Expenses and any other amount due to us in whatever disclosed or known to the buyer before the contract is Buyer (see Appendix 2 in the Catalogue). capacity and howsoever arising. made. “Buyer’s Premium” the sum calculated on the Hammer Price at the “Seller” the person who offers the Lot for Sale named on the Contract (5A) As regards England and Wales and Northern Ireland, the term BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH rates stated in the Notice to Bidders. Form. Where the person so named identifies on the form another implied by subsection (1) above is a condition and the terms TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS. “Catalogue” the Catalogue relating to the relevant Sale, including any person as acting as his agent, or where the person named on the implied by subsections (2), (4) and (5) above are warranties.” representation of the Catalogue published on our Website. Contract Form acts as an agent for a principal (whether such agency is “Commission” the Commission payable by the Seller to Bonhams disclosed to Bonhams or not), “Seller” includes both the agent and the Bidder/Agent’s (please delete one) signature: Date: calculated at the rates stated in the Contract Form. principal who shall be jointly and severally liable as such. The Seller “Condition Report” a report on the physical condition of a Lot provided is also referred to in the Conditions of Business by the words “you” Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. to a Bidder or potential Bidder by Bonhams on behalf of the Seller. and “your”. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: NTB/MAIN/V1/11.2020 Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 communication to ensure that it is received in a legible form “Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s “Specialist Examination” a visual examination of a Lot by a specialist Registration and Bidding Form within any applicable time period. Agreement and Definitions and Glossary. on the Lot. (Attendee / Absentee / Online / Telephone Bidding) 12.5 If any term or any part of any term of this agreement is held to “Consignment Fee” a fee payable to Bonhams by the Seller “Stamp” means a postage Stamp offered for Sale at a Specialist Paddle number (for office use only) be unenforceable or invalid, such unenforceability or invalidity calculated at rates set out in the Conditions of Business. Stamp Sale. Please circle your bidding method above. will not affect the enforceability and validity of the remaining “Consumer” a natural person who is acting for the relevant purpose “Standard Examination” a visual examination of a Lot by a non- terms or the remainder of the relevant term. outside his trade, Business or profession. specialist member of Bonhams’ staff. This sale will be conducted in accordance with 12.6 References in this agreement to Bonhams will, where “Contract Form” the Contract Form, or vehicle Entry form, as “Storage Contract” means the contract described in paragraph Sale title: Ecole de Paris Sale date: 3 March 2021 appropriate, include reference to Bonhams’ officers, employees applicable, signed by or on behalf of the Seller listing the Lots to be 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Bonhams’ Conditions of Sale and bidding and buying and agents. offered for Sale by Bonhams. Agreement (as appropriate). at the Sale will be regulated by these Conditions. You 12.7 The headings used in this agreement are for convenience only “Contract for Sale” “Storage Contractor” the Sale contract entered into by the Seller with means the company identified as such in the should read the Conditions in conjunction with the Sale no. 26977 Sale venue: New Bond Street and will not affect its interpretation. the Buyer (see Appendix 1 in the Catalogue). Catalogue. Sale Information relating to this Sale which sets out the 12.8 In this agreement “including” means “including, without “Contractual Description” the only Description of the Lot (being “Terrorism” means any act or threatened act of terrorism, whether charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours limitation”. that part of the Entry about the Lot in the Catalogue which is in bold any person is acting alone or on behalf of or in connection with any and other terms relating to bidding and buying at the 12.9 References to the singular will include reference to the plural letters, any photograph (except for the colour) and the contents of any organisation(s) and/or government(s), committed for political, religious prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the (and vice versa) and reference to any one gender will include Condition Report) to which the Seller undertakes in the Contract of or ideological or similar purposes including, but not limited to, the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will reference to the other genders. Sale the Lot corresponds. intention to influence any government and/or put the public or any Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. 12.10 Reference to a numbered paragraph is to a paragraph of this “Description” also contain certain undertakings by bidders and buyers any statement or representation in any way descriptive section of the public into fear. General Bid Increments: agreement. of the Lot, including any statement or representation relating to its “VAT” value added tax at the prevailing rate at the date of the Sale in and limit Bonhams’ liability to bidders and buyers. 12.11 Save as expressly provided in paragraph 12.12 nothing in this authorship, attribution, condition, provenance, authenticity, style, the United Kingdom. £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s agreement confers (or purports to confer) on any person who period, age, suitability, quality, origin, value, estimated selling price “Website” Bonhams Website at www.bonhams.com Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s is not a party to this agreement any benefit conferred by, or the (including the Hammer Price). “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s right to enforce any term of, this agreement. “Entry” a written statement in the Catalogue identifying the Lot and its Bonhams’ instructions to sell a Lot. shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s 12.12 Where this agreement confers an immunity from, and/or an Lot number which may contain a Description and illustration(s) relating “Without Reserve” where there is no minimum price at which a Lot Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion exclusion or restriction of, the responsibility and/or liability to the Lot. may be sold (whether at auction or by private treaty). have given at the time your information was disclosed). A of Bonhams, it will also operate in favour and for the benefit “Estimate” a statement of our opinion of the range within which the £5,000 - 10,000 ...... by 500s GLOSSARY copy of our Privacy Policy can be found on our website of Bonhams’ holding company and the subsidiaries of such hammer is likely to fall. The following expressions have specific legal meanings with which you The auctioneer has discretion to split any bid at any time. holding company and the successors and assigns of Bonhams “Expenses” charges and Expenses paid or payable by Bonhams may not be familiar. The following glossary is intended to give you an (www.bonhams.com) or requested by post from Customer and of such companies and of any officer, employee and in respect of the Lot including legal Expenses, banking charges and understanding of those expressions but is not intended to limit their Services Department, 101 New Bond Street, London W1S agent of Bonhams and such companies, each of whom will be Expenses incurred as a result of an electronic transfer of money, legal meanings: 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title entitled to rely on the relevant immunity and/or exclusion and/ charges and Expenses for loss and damage cover, insurance, “artist’s resale right”: the right of the creator of a work of art to receive We may disclose your personal information to any member of or restriction within and for the purposes of Contracts (Rights of Catalogue and other reproductions and illustrations, any customs a payment on Sales of that work subsequent to the original Sale of our group which means our subsidiaries, our ultimate holding First Name Last Name Third Parties) Act 1999, which enables the benefit of a contract duties, advertising, packing or shipping costs, reproductions rights’ that work by the creator of it as set out in the Artists Resale Right company and its subsidiaries (whether registered in the UK or to be extended to a person who is not a party to the contract, fees, taxes, levies, costs of testing, searches or enquiries, preparation Regulations 2006. elsewhere). We will not disclose your data to anyone outside Company name (if applicable) and generally at law. of the Lot for Sale, storage charges, removal charges, removal charges “bailee”: a person to whom goods are entrusted. our group but we may from time to time provide you with 13 GOVERNING LAW or costs of collection from the Seller as the Seller’s agents or from a “indemnity”: an obligation to put the person who has the benefit Company Registration number (if applicable) All transactions to which this agreement applies and all defaulting Buyer, plus VAT if applicable. of the indemnity in the same position in which he would have been, information about goods and services which we feel maybe of interest to you including those provided by third parties. connected matters will be governed by and construed in “Forgery” an imitation intended by the maker or any other person to had the circumstances giving rise to the indemnity not arisen and the Address accordance with the laws of that part of the United Kingdom deceive as to authorship, attribution, origin, authenticity, style, date, expression “indemnify” is construed accordingly. If you do not want to receive such information (except for where the Sale takes (or is to take) place and we and you each age, period, provenance, culture, source or composition, which at the “interpleader proceedings”: proceedings in the Courts to determine information you specifically requested) please tick this box City submit to the exclusive jurisdiction of the courts of that part date of the Sale had a value materially less than it would have had if the ownership or rights over a Lot. Would you like to receive e-mailed information from us? if so of the United Kingdom, save that we may bring proceedings Lot had not been such an imitation, and which is not stated to be such “knocked down”: when a Lot is sold to a Bidder, indicated by the fall please tick this box against you in any other court of competent jurisdiction to an imitation in any description of the Lot. A Lot will not be a Forgery by of the hammer at the Sale. Post / Zip code County / State the extent permitted by the laws of the relevant jurisdiction. reason of any damage to, and/or restoration and/ or modification work “lien”: a right for the person who has possession of the Lot to retain Bonhams has a complaints procedure in place. (including repainting or over painting) having been carried out on the possession of it. Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country DATA PROTECTION – USE OF YOUR INFORMATION Lot, where that damage, “risk”: the possibility that a Lot may be lost, damaged, destroyed, government or state issued photographic proof of ID and date Where we obtain any personal information about you, we shall only restoration or modification work (as the case may be) does not stolen, or deteriorate in condition or value. Telephone (landline) use it in accordance with the terms of our Privacy Policy (subject to substantially affect the identity of the Lot as one conforming to the “title”: the legal and equitable right to the ownership of a Lot. of birth e.g. - passport, driving licence - and if not included in any additional specific consent(s) you may have given at the time Description of the Lot. “tort”: a legal wrong done to someone to whom the wrong doer has ID document, proof of address e.g - utility bill, bank or credit your information was disclosed). A copy of our Privacy Policy can be “Guarantee” the obligation undertaken personally by Bonhams to the a duty of care. card statement etc. Corporate clients should also provide a E-mail (in capitals) found on our Website www.bonhams.com or requested by post from Buyer in respect of any Forgery and, in the case of specialist Stamp “warranty”: a legal assurance or promise, upon which the person to copy of their articles of association / company registration Please answer all questions below Customer Services Department, 101 New Bond Street, London W1S Sales and/or specialist Book Sales, a Lot made up of a Stamp or whom the warranty was given has the right to rely. documents, and the entities name and registered address, 1SR, United Kingdom or by email from [email protected]. Stamps or a Book or Books as set out in the Buyer’s Agreement. SALE OF GOODS ACT 1979 documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. “Hammer Price” the price in the currency in which the Sale is The following is an extract from the Sale of Goods Act 1979: together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. APPENDIX 3 conducted at which a Lot is knocked down by the Auctioneer. “Section 12 Implied terms about title, etc “Loss and Damage Warranty” company’s behalf. Failure to provide this may result in your means the warranty described in (1) In a contract of sale, other than one to which subsection (3) below 2. Are you representing the Bidder? If yes, please complete question 3. DEFINITIONS AND GLOSSARY paragraph 8.2 of the Conditions of Business. applies, there is an implied term on the part of the seller that in the bids not being processed or completed. For higher value lots you may also be asked to provide a bank reference. Where these Definitions and Glossary are incorporated, the following “Loss and Damage Warranty Fee” means the fee described in case of a sale he has a right to sell the goods, and in the case of 3. Bidder's name, address and contact details (phone and email): words and phrases used have (unless the context otherwise requires) paragraph 8.2.3 of the Conditions of Business. an agreement to sell he will have such a right at the time when the the meanings given to them below. The Glossary is to assist you to “Lot” any item consigned to Bonhams with a view to its Sale at auction property is to pass. If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement understand words and phrases which have a specific legal meaning or by private treaty (and reference to any Lot will include, unless the (2) In a contract of sale, other than one to which subsection (3) below I will collect the purchases myself with which you may not be familiar. context otherwise requires, reference to individual items comprised in a applies, there is also an implied term that- Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: LIST OF DEFINITIONS group of two or more items offered for Sale as one Lot). (a) the goods are free, and will remain free until the time Please arrange shippers to contact me with Yes No / - - “Account” the bank account of Bonhams into which all sums received “Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in when the property is to pass, from any charge or a quote and I agree that you may pass them in respect of the Purchase Price of any Lot will be paid. consideration of the additional work undertaken by Bonhams in respect encumbrance not disclosed or known to the buyer my contact details. “Additional Premium” a premium, calculated in accordance with of the cataloguing of motor vehicles and in respect of the promotion of before the contract is made, and Please note that all telephone calls are recorded. the Notice to Bidders, to cover Bonhams’ Expenses relating to the Sales of motor vehicles. (b) the buyer will enjoy quiet possession of the goods MAX bid in GBP Telephone or payment of royalties under the Artists Resale Right Regulations 2006 “New Bond Street” means Bonhams’ saleroom at 101 New Bond except in so far as it may be disturbed by the owner or Lot no. Brief description (excluding premium Covering bid which is payable by the Buyer to Bonhams on any Lot marked [AR] Street, London W1S 1SR. other person entitled to the benefit of any charge or Absentee (T / A) which sells for a Hammer Price which together with the Buyer’s “Notional Charges” the amount of Commission and VAT which would encumbrance so disclosed or known. & VAT) * Premium (but excluding any VAT) equals or exceeds 1000 euros have been payable if the Lot had been sold at the Notional Price. (3) This subsection applies to a contract of sale in the case of which (converted into the currency of the Sale using the European Central “Notional Fee” the sum on which the Consignment Fee payable to there appears from the contract or is to be inferred from its Bank Reference rate prevailing on the date of the Sale). Bonhams by the Seller is based and which is calculated according to circumstances an intention that the seller should transfer only such “Auctioneer” the representative of Bonhams conducting the formula set out in the Conditions of Business. title as he or a third person may have. the Sale. “Notional Price” the latest in time of the average of the high and low “Bidder” Any person considering, attempting or making a Bid, Estimates given by us to you or stated in the Catalogue or, if no such (4) In a contract to which subsection (3) above applies there is an including those who have completed a Bidding Form. Estimates have been given or stated, the Reserve applicable to the Lot. implied term that all charges or encumbrances known to the seller “Bidding Form” our Bidding Registration Form, our Absentee Bidding “Notice to Bidders” the notice printed at the back or front of our and not known to the buyer have been disclosed to the buyer Form or our Telephone Bidding Form. Catalogues. before the contract is made. “Bonhams” Bonhams 1793 Limited or its successors or assigns. “Purchase Price” the aggregate of the Hammer Price and VAT on the (5) In a contract to which subsection (3) above applies there is also an Bonhams is also referred to in the Buyer’s Agreement, the Conditions Hammer Price (where applicable), the Buyer’s Premium and VAT on the implied term that none of the following will disturb the buyer’s quiet of Business and the Notice to Bidders by the words “we”, “us” and Buyer’s Premium and any Expenses. possession of the goods, namely: “our”. “Reserve” the minimum price at which a Lot may be sold (whether at (a) the seller; “Book” a printed Book offered for Sale at a specialist Book Sale. auction or by private treaty). (b) in a case where the parties to the contract intend “Business” includes any trade, Business and profession. “Sale” the auction Sale at which a Lot is to be offered forSale by that the seller should transfer only such title as a third “Buyer” the person to whom a Lot is knocked down by the Bonhams. person may have, that person; FOR WINE SALES ONLY Auctioneer. The Buyer is also referred to in the Contract for Sale and “Sale Proceeds” the net amount due to the Seller from the Sale of a (c) anyone claiming through or under the seller or that third the Buyer’s Agreement by the words “you” and “your”. Lot, being the Hammer Price less the Commission, any VAT chargeable person otherwise than under a charge or encumbrance Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT) “Buyer’s Agreement” the contract entered into by Bonhams with the thereon, Expenses and any other amount due to us in whatever disclosed or known to the buyer before the contract is Buyer (see Appendix 2 in the Catalogue). capacity and howsoever arising. made. “Buyer’s Premium” the sum calculated on the Hammer Price at the “Seller” the person who offers the Lot for Sale named on the Contract (5A) As regards England and Wales and Northern Ireland, the term BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH rates stated in the Notice to Bidders. Form. Where the person so named identifies on the form another implied by subsection (1) above is a condition and the terms TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS. “Catalogue” the Catalogue relating to the relevant Sale, including any person as acting as his agent, or where the person named on the implied by subsections (2), (4) and (5) above are warranties.” representation of the Catalogue published on our Website. Contract Form acts as an agent for a principal (whether such agency is “Commission” the Commission payable by the Seller to Bonhams disclosed to Bonhams or not), “Seller” includes both the agent and the Bidder/Agent’s (please delete one) signature: Date: calculated at the rates stated in the Contract Form. principal who shall be jointly and severally liable as such. The Seller “Condition Report” a report on the physical condition of a Lot provided is also referred to in the Conditions of Business by the words “you” Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. to a Bidder or potential Bidder by Bonhams on behalf of the Seller. and “your”. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: NTB/MAIN/V1/11.2020 Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Bonhams 101 New Bond Street London, W1S 1SR

+44 (0) 20 7447 7447 bonhams.com

AUCTIONEERS SINCE 1793