DOCSLIB.ORG

Quels Synthétiseurs Sont Utilisés Dans Les Musiques Et Chansons Gérard

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Quels Synthétiseurs Sont Utilisés Dans Les Musiques Et Chansons Gérard Quels synthétiseurs sont utilisés dans les musiques et chansons Gérard Sookahet (avril 2021) Même si de nos jours de nombreux instruments de musiques sont totalement digitalisés, on peut se demander quels étaient les synthétiseurs utilisés dans les musiques ou les chansons plus ou moins connues dont certains riffs restent à jamais gravés dans nos mémoires. 808 State - Narcossa (1988) Roland SH-101 ABBA - Gimme Gimme Gimme (1979) ARP Odyssey ABC - The Look of Love (1981) PPG Wave A Guy Called Gerald - Voodoo Ray (1988) Roland TB-303 A-ha - Take On Me (1984) Yamaha DX7 Air - La Femme d’argent (1998) Korg MS-20 - Sexy boy (1998) Korg MS-20 - Talisman (1998) Korg MS-20, Fender Rhodes, Wurlitzer 200A - Kelly, Watch the Stars! (1998) Korg MS-20, Roland VP-330 - Remember (1998) Korg MS-20, Roland VP-330 - Mile Milles (2004) Korg MS-20, Arturia Prophet V - Another day (2004) Korg MS-20, Yamaha CS-80 Alain Chamfort – Manureva (1980) Sequential Circuits Prophet 5, Arp Quadra - Géant (1980) Sequential Circuits Prophet 5, Arp Quadra Alphaville - Sounds Like a Melody (1984) PPG Wave Altern-8 – E-Vapor-8 (1992) Roland Alpha Juno Aretha Franklin - I Never Loved a Man (1967) Wurlitzer Berlin - Take my breath away (1986) Yamaha DX7 Boards of Canada - Roygbiv (1998) Roland SH-101 Bon Iver - Beth/Rest (2011) Korg M1 Brian Eno - Julie With … (1977) Yamaha CS-80 - An Ending (Ascent) (1983) Yamaha DX7 Bronski Beat - Smalltown boy (1984) Yamaha DX7 Busta Rhymes - Touch It (2006) Korg Triton Charanjit Singh - Raga Bhupali (1982) Roland Jupiter-8, Roland TR-808, Roland TB-303 Charlelie Couture - Aime Moi Encore Au Moins (1988) Roland D-50 Chicago - I Don't Wanna Live Without Your Love (1988) Roland D-50 Clipse - Grindin (2002) Korg Triton Confetti's - C in China (1989) Roland D-50 Cybotron - Alleys of Your Mind (1981) ARP Odyssey Daft Punk - Da Funk (1995) Korg MS-20 - Short Circuit (1997) Roland Juno 106 et TB-303, SE-01 David Lee Roth – Skyscraper (1988) Roland D-50 Devo - Mongoloid (1977) Moog Minimoog DJPC - Inssomniak (1991) Roland Alpha Juno Donna Summer - I Feel Love (1977) Moog Modular 3P Doris Norton – Personal Computer (1984) Roland System 700, Roland System 100M, Moog Minimoog Edgar Froese - Upland (1974) EMS VCS3 Emerson, Lake & Palmer - Aquatarkus (1971) Moog Minimoog Enya - The Celts (1987) Yamaha DX7 - Watermark (1988) Roland D-50 - Orinoco Flow (1988) Roland D-50 - The Memory of Tree (1995) Roland D-50 Europe - The Final Countdown (1986) Yamaha TX-816, Roland JX-3P Faithless – Insomnia (1995) Roland JD-990 Felix Kubin - Japan Japan (2003) Korg MS-20 Foreigner – Say You Will (1987) Roland D-50 Gary Numan – Are Friends Electric (1979) Moog Minimoog - Cars (1979) Moog Minimoog et Polymoog - America (1999) Roland D-50 George Michael - Faith (1987) Roland D-50 - Father Figure (1987) Roland D-50 Haddaway - What is love (1993) Yamaha TX81Z Hall & Oates – I Can’t Go for That (1981) Roland CompuRhythm CR-78, Sequential Circuits Prophet-5 Harold Faltermeyer - Axel F (1984) Yamaha DX7 Hawkwind - Silver Machine (1972) EMS VCS3 Herbie Hancock - Chameleon (1973) ARP Odyssey - Rockit (1983) Fairlight CMI Human Resource - Dominator (1991) Roland Alpha Juno Jan Hammer - Miami Vice Theme (1984) Fairlight CMI Jay Z - Money, Cash, Hoes (1998) Korg M1 Jean-Michel Jarre - Zoolook (1984) Fairlight CMI John Foxx - Underpass (1980) ARP Odyssey Joker & Ginz - Re-Up (2009) Roland SH-101 Kate Bush - Running Up That Hill (1985) Fairlight CMI Kenny Loggins - Danger Zone (1986) Yamaha DX7 Kim Carnes - Bette Davis Eyes (1981) Sequential Circuits Prophet-5 Klaus Schulze - Silent Running (1981) Yamaha CS-80 Kool & The Gang- She’s Fresh (1984) Yamaha DX7 Kraftwerk - Autobahn (1974) Moog Minimoog Laura Branigan - Self control (1984) Yamaha DX7 Led Zeppelin - No Quarter (1973) EMS VCS3 Madonna - Lucky Star (1983) Sequential Circuits Prophet-5 - Like A Virgin (1983) Sequential Circuits Prophet-5 - Vogue (1990) Korg M1 Marvin Gaye - I Heard It Through the Grapevine (1967) Wurlitzer Michael Jackson – Beat it (1982) Fairlight CMI - Thriller (1983) Sequential Circuits Prophet-5, Moog Minimoog - Man in The Mirror (1987) Roland D-50 Michel Jonasz – Mr Swing (1988) Roland D-50, Yamaha DX7 Miles Davis - Rubber Band (1985) PPG Wave Mr Oizo - Flat Beat (1999) Korg MS-20 New Order - Vanishing Point (1989) Roland D-50 Nine Inch Nails - The Hand That Feeds (2005) ARP Odyssey OMD - Bunker Soldiers (1980) Korg MS-20 Orange Juice - Rip It Up (1983) Roland TB-303 Orbital - Chime (1990) Yamaha TX81Z Pacifique - Quand Tu Sers Mon Corps (1990) Roland D-50 Parliament - Flashlight (1977) Moog Minimoog Paul McCartney - Wonderful Christmas Time (1979) Yamaha CS-80 Paula Abdul – Straight Up (1988) Roland D-50 - Forever Your Girl (1988) Roland D-50 Pet Shop Boys – West End Girl (1984) Roland Jupiter-6, Yamaha DX7, Oberheim DMX Peter Gabriel - Shock the Monkey (1982) Fairlight CMI Peter Howell - Doctor Who Theme (1980) ARP Odyssey Phil Collins - In the Air Tonight (1981) Roland CompuRhythm CR-78, Sequential Circuits Prophet-5 - I don’t care anymore (1982) Sequential Circuits Prophet-5 - Another Day in Paradise (1989) Roland D-50 Phuture - Acid Tracks (1987) Roland TB-303 Pink Floyd – On The Run (1973) EMS Synthi A - Money (1973) Wurlitzer - Comfortably Numb (1979) Sequential Circuits Prophet-5 Plastikman - Plasticity (1993) Roland TB-303 Portishead - Mysterons (1994) Roland SH-101 - We Carry On (2008) EMS VCS3 Queen - You're My Best Friend (1976) Wurlitzer Radiohead - Everything in its Right Place (1999) Sequential Circuits Prophet-5 Rick Astley - Never gonna give you up (1987) Yamaha DX7 Robert Hood - SH.101 (1994) Roland SH-101 Robin S. - Show Me Love (1993) Korg M1 Roxy Music - Ladytron (1972) EMS VCS3 Sabrina – Boys (1987) Roland D-50 Second Phase - Mentasm (1991) Roland Alpha Juno Small Faces – Lazy Sunday (1968) Wurlitzer Snap -Rhythm is a Dancer (1992) Korg M1 Snoop Doggy Dogg - Gin and Juice (1993) Roland D-50 Stevie Wonder - Maybe Your Baby (1972) Hohner Clavinet D6 Sun Ra - The Wind Speaks (1970) Moog Minimoog Supertramp - Dreamer (1974) Wurlitzer - Goodbye Stranger (1978) Wurlitzer 200-A - Logical Song (1979) Wurlitzer 200-A Talking Heads - Burning Down the House (1983) Sequential Circuits Prophet-5 - This Must Be the Place (1983) Sequential Circuits Prophet-5 et Prophet-6 Tangerine Dream - Poland (1984) PPG Wave Taylor Dayne - Tell It to My Heart (1987) Roland D-50 Tears for Fears - Everybody Wants to Rule the World (1985) Arturia Prophet VS The Art of Noise - Ode to Don Jose (1987) Roland D-50 The Cars – Leave or Stay (1987) Roland D-50 The Doors – Light my Fire (1967) Fender Rhodes The Game - Put You On the Game (2005) Korg Triton The Human League - Love Action (1981) Oberheim OB8 The Prodigy - Charly (1991) Roland Alpha Juno This Mortal Coil - Barramundi (1984) Yamaha DX7 T.I - Hurt (2007) Korg Triton Too $hort - Freaky Tales (1987) Sequential Circuits Prophet-5, Roland TR-808 Toto - Africa (1982) Yamaha CS-80 Ultravox - Lament (1984) PPG Wave Vangelis - Blade Runner Blues (1982) Yamaha CS-80 Van Halen - Jump (1983) Oberheim OB-Xa White Noise - Love Without Sound (1969) EMS VCS3 Wiley - Eskimo (2002) Korg Triton Yes - Owner of a lonely heart (1983) Fairlight CMI .
Load more

Recommended publications
  • Leksykon Polskiej I Światowej Muzyki Elektronicznej
    Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.
    [Show full text]
  • Bitstream Pro Configuration Software Preset List Configuration Software
    Bitstream Pro Configuration Software Preset List The purpose of this document is to list all the MIDI presets built-in the configuration software of the Bitstream Pro MIDI controller from Wave Idea. For additional information, please refer to the Wave Idea website www.waveidea.com Access Virus Controllers .................................................................................................................................................................................................. 6 Access Virus Sysex Page A ............................................................................................................................................................................................. 6 Access Virus Sysex Page B ............................................................................................................................................................................................. 7 Yamaha QY-70 Pat Sysex Track 1................................................................................................................................................................................... 7 Yamaha QY-70 Pat Sysex Track 2................................................................................................................................................................................... 8 Yamaha QY-70 Pat Sysex Track 3..................................................................................................................................................................................
    [Show full text]
  • TECHNEWS Words: MICK WILSON
    TECHNEWS words: MICK WILSON 138 TECH TALK — MANU GONZALEZ The Ibiza-based DJ/producer talks about how the island helped launch his tech voyage. DIGITAL LOVE 141 IN THE With the release of four new digital STUDIO products from Denon, has a new era We hear about French producer for DJs dawned? Vitalic’s studio gear. t’s undeniable that 2016 saw some pretty seismic shifts. Except, perhaps, in the DJ technology community. We kept on doing what we did with the I same old, same old. However, the new year may hold some surprises. We can now reveal a potential game- changer in the world of DJ technology, with the release of Denon DJ’s new DJ gear. Four new products aim to confront the dominance of Pioneer DJ in the booth: the SC5000 media player, Engine Prime music management system, X1800 mixer and the VL12 turntable. We suppose the biggest announcement was the new Denon 140 808 STATE DJ SC5000 Multimedia Player. When we first saw it, we Is Roland’s new DJ-808 controller were impressed by the way it looked, even before we had a set to become legendary? chance to get hands-on and find out what it could do. The DJ Mag Tech crew were amongst the first people to ever see and touch this array of new DJ technology. We welcomed it — after all, whilst there has been a cycle of industry standards over the years, there have only really been two periods of dominance without anything else really making a dent. Technics had its 1200s and Pioneer DJ had its CDJs; many tried to buck the trend but fell by the wayside.
    [Show full text]
  • Roland Spirit Bass 50 Manual Manual Online
    Roland Spirit Bass 50 Manual manual online. GC-408 Musical Instrument Amplifier pdf manual download. Musical Instrument Amplifier Roland Spirit-10A Operation Manual. (2 pages). 360systems midi bass pro manual.pdf · aas tassman roland d-50 d-550 speed musitronics manual.pdf · roland d-50 soundcraft spirit studio lc manual.pdf. CUBE-120XL BASS Bass Amplifier CUBE-60XL BASS Bass Amplifier D-BASS 115X Powered Satellite Cabinet E- 50 Music Workstation. Page 25 of the manual shows both guitar and condenser connected, but I am concerned that this Roland Quad Capture, AudioTeckina 3035 Mic and ATH-M50 Headphones. This never mattered before, but now I have a bass and a guitar and have started to meet I'm thinking Quad capture VS my old 90's Spirit Folios. Roland Global Official Fan Page. Stay up to date with Roland news, artists, promotions, events, and more. Guitar & Bass Amplifiers. Guitar & Bass Amplifiers. As with the MXR Flanger, the Stereo Chorus' Manual control allowed players to adjust the MXR Bass Innovations has joined forces with Fuzzrocious Pedals to create the MXR Bass So how were you able to capture the spirit of those picks? Dunlop kicked off 2015 at this year's NAMM Show with a 50th anniversary. Roland Spirit Bass 50 Manual Read/Download Manuale Utente, Manuelle de l'Utilisateur, Owner's Manual, Manual de Bit-One DS-2 MagicVox 2000. Nerve Centre 50. Spirit Toccata (Preliminary) MM 50. MP-13 Bass Pedal (Deutsch) OMB-3 (Deutsch) OMB-5. OMB-5 (Deutsch) OCTAVE PLATEAU PHILIPS POWERTRAN PPG RHODES RODGERS ROLAND I remember downloading the manual at the time and thinking what a jewel I had found.
    [Show full text]
  • Roland Boutique D-05 Synthétiseur Linéaire
    Démarrage - 1.1 OU trouver QUOI ? Roland Boutique D-05 Synthétiseur linéaire Aide-mémoire d’utilisation Roland D-05 - Aide-mémoire d’utilisation Août 2018 1/137 Démarrage - 1.1 OU trouver QUOI ? Sommaire court Le sommaire complet est à la fin du document Pour une lecture à l’écran pensez à utiliser les signets du PDF pour naviguer dans le document 1 DÉMARRAGE 4 1.1 OU TROUVER QUOI ? 5 1.2 INTRODUCTION 5 1.1 CONNEXIONS 9 1.2 RETOUR AUX RÉGLAGES D’USINE : « FACTORY RESET » 10 1.3 SAUVEGARDE ET RESTAURATION DES DONNÉES 10 1.4 PANNEAU DE COMMANDES 11 1.5 MODE DE STRUCTURE DU MOTEUR DE SON 13 1.6 UTILISATION DE BASE 14 2 GUIDE DES PARAMÈTRES 21 2.1 EDITION DE BASE 21 2.2 COPIER UN TYPE DE REVERB 27 2.3 SAUVEGARDER DES PATCHES 28 2.4 PARAMÈTRES DE TONE : MENU « UPPER/LOWER TONE » 28 2.5 MODIFICATION DE « KEY MODE » 44 2.6 SEQUENCER/ARPEGGIATOR 45 2.7 TRANSFERT DE PATCHS VERS ET DEPUIS LE D-50/550 49 2.8 SOUND LIST 52 2.9 PARAMETER LIST 57 2.10 MIDI IMPLEMENTATION 59 3 LOGICIELS 71 3.1 « D-50 VOICE EDITOR » PANEL POUR CTRLR DE MEASTEMPO (GRATUIT) 71 3.2 « D50 LIBRARIAN » DE CHRIS NIGHTINGALE (DONATIONWARE) 73 3.3 « IPG-800 » ÉMULATION DE PROGRAMMEUR ROLAND POUR IOS DE KENTAI (5.50€) 74 3.4 « PATCH BASE » POUR IOS DE COFFEESHOPPED LLC (22€) 76 4 RESSOURCES SUR INTERNET 78 4.1 SITES INTERNET 78 4.2 BANQUES SUPPLÉMENTAIRES 80 4.3 TUTORIELS 124 4.4 AVIS 125 Roland D-05 - Aide-mémoire d’utilisation Août 2018 2/137 Démarrage - 1.1 OU trouver QUOI ? Téléchargez la dernière version de cet aide-mémoire sur : https://fr.audiofanzine.com/rack-numerique/roland/d-05/medias/autres/ AVERTISSEMENT : Ce document n’est pas prévu pour l’impression car il ne prétend pas être finalisé, et peut évoluer.
    [Show full text]
  • The “Poumtchak” Pattern
    The “PoumTchak” Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music Hans T. Zeiner-Henriksen Department of Musicology Faculty of Humanities University of Oslo 2010 ii Contents Introduction....................................................................................................................... 1! Prologue .......................................................................................................................... 1! The twist and the turn, Part I....................................................................................... 1! The twist and the turn, Part II ..................................................................................... 2! The poumtchak pattern ............................................................................................... 3! The project: choices, limitations and terminology.......................................................... 4! The music.................................................................................................................... 4! The movements........................................................................................................... 5! The theory ................................................................................................................... 5! The survey................................................................................................................... 8! The analyses...............................................................................................................
    [Show full text]
  • Howard Scarr
    PROGRAMMING ANALOGUE SYNTHS VIRUS TUTORIAL BY HOWARD SCARR PROGRAMMING ANALOGUE SYNTHS VIRUS TUTORIAL BY HOWARD SCARR © 2002 Access Music GmbH. Printed in Germany All rights reserved. This book is protected by the copyright and distributed under licenses restricting it’s use, copying, distribution, and decompilation. No parts of this book may be reproduced in any form by any means without prior written authorisation of Access Music GmbH and its licensors, if any. TRADEMARKS Access, the Access logo and Virus are trademarks or registered trademarks of Access Music GmbH in Germany and certain other countries. All other product names mentioned herin are the trademarks of their respective owner. CONTACT Access Music GmbH Am Stadion 10 45659 Recklinghausen Germany Email: [email protected] Web: http://www.access-music.de CREDITS Written by Howard Scarr Production supervision and layout: Marc Schlaile SPECIAL THANKS TO Alex Schmidt, Andreas Gammel, Anselm Roessler, Basil Brooks, Ben Crosland, Bernie Krause, Cosmic Dreamer, Drew Neumann, Geoff Farr, Ingo Gebhardt, Jeza, Maik Fliege, Manuel Schleis, Matt Picone, Matthew Stolley, Robert Margouleff, Terence M. Pender, Thilo Kramny, Zack Steinkamp. SYNTH PICTURES COURTESY OF MAGAZINE - WWW.KEYS.DE Table of Contents Introduction ............................................................................................................ 11 About This Tutorial.......................................................................................... 11 Setting Up......................................................................................................
    [Show full text]
  • And the Musicians Who Use Them by JOHN TWELLS ( SEP 15 2016
    Roland AIRA TB-3 Touch Bassline... $299.00 Free Shipping on Most Items! Sweetwater The 14 most important synths in electronic music history – and the musicians who use them BY JOHN TWELLS (HTTP://WWW.FACTMAG.COM/AUTHOR/JOHN/), SEP 15 2016 Make Music (http://www.factmag.com/category/make-music) is FACT’s new section devoted to making music anywhere, whether you’re a seasoned producer or a total novice, using an arsenal of analog gear or just your iPhone. How did the synthesizer become such a crucial part of modern music? John Twells charts the evolution of an instrument at the heart of 21st century songwriting, delving into the famous and surprising songs they feature on. The synthesizer is as important, and as ubiquitous, in modern music today as the human voice. The concept is simple enough – a basic circuit generates a tone, and the tone can then be controlled by some sort of input, human or otherwise. It’s a concept that has provided the backbone for countless instruments over the last 100-or-so years, and like it or not, has informed the direction of modern music both in the mainstream and in the underground. These days it’s easy enough to boot up your cracked copy of Ableton Live or Logic and open any number of VST synths, giving you access to decades of technological innovation. It is however important to know how these sounds took hold in the first place, and why they were so successful. Sometimes it was simply the fact that there was no competition (the Minimoog) and sometimes the success was simply down to price and availability (the MS-20).
    [Show full text]
  • Synthesizer Guide 2011
    Synthesizer 1 Guide 2010/11 Guide Nr. 2 Synthesizer Sonnenstraße 15 Tel: 0049/(0)89/55146-116 D-80331 München www.hieber-lindberg.dewww.hieber-lindberg.de [email protected] www.hieber-lindberg.de Index Vorwort Liebe Synthesizer-Freunde! tomoberheim.com 3 SEM - Synthesizer Expander Module Seite 4 Analog ist „in“: Viele Musiker haben erkannt, dass analoge Syn- thesizer betreffend Klangtiefe unübertroffen sind. Zudem macht die Radikal Technologies Bedienung „richtiger“ Potis und Fader einfach mehr Freude, was Accelerator Performance Synthesizer Seite 6 bei Analogen wie auch Virtuell-Analogen eben selbstverständlich Doepfer ist. Daher boomen diese Instrumente wie nie zuvor. Klangtüftler, DIY Synthesizer Seite 12 Soundbastler und Modular-Freaks leben jetzt zudem in einem bei- nahe goldenen Zeitalter: Noch nie war das Angebot an Modulen, Vermona Modularsystemen und zugehörigen Controllern so umfangreich und Mono Lancet Desktop Synthesizer Seite 14 breitgefächert wie heute. Viel Angebot bedeutet jedoch auch viel In- formation. Für Fragen rund um alle Synthesizer- und Studio-Ange- Hieber Lindberg legenheiten stehen wir euch daher jederzeit gerne zur Verfügung. Vintage Synthesizer Ausstellung Seite 15 Hieber Lindberg Die Hieber Lindberg Vintage Synthesizer Ausstellung wird bis 2011 Synthesizer Preisliste mit Gutschein Seite 16 verlängert. Sie erlaubt das Antesten bzw. Kennenlernen von Syn- thesizer-Klassikern und ermöglicht vor allem direkte Vergleiche zu Moog Music modernen Instrumenten. In diesem Sinne: Viel Spaß mit dem neuen Moog Voyager - 40 Jahre Minimoog Seite 24 Synthesizer Guide! Flame Euer Six In A Row Sequencer Seite 28 Martin Machwitz Livewire Frequen Steiner 3HE Filter Modul Seite 31 Vintage Synthesizer Ecke Monophone Instrumente Seite 32 Vintage Synthesizer Ecke Polyphone Instrumente Seite 34 Hieber Lindberg Synthesizer Guide Nr.
    [Show full text]
  • Download Our Rates & Gear List
    analog test kitchen equipment list Monosynths Polysynths Samplers Arturia Microbrute SE Akai AX-60 Akai S3000 Casio VL-1 Arp Omni 2 e-MU Emax 1 Korg 700S Crumar Performer Ensoniq EPS Korg Monologue Ensoniq ESQ-1 Kurzweil K2000-RS Makenoise 0 Coast Kawai K3 Teenage Engineering KO Modal CRAFT 2.0 Korg Polysix Yamaha TX-16W Moog Minimoog Model D Modal SKULPT Moog Slim Phatty Moog Opus 3 Sequencers Moog Minitaur Oberheim Matrix 6 Arp 1601 Moog Sirin Roland Alpha Juno 2 Electro Harmonix 8 step Moog Werkstatt Roland Juno 60 Korg SQ1 x 2 Mute Synth 4.0 Roland MKS-30 & PG-200 Roland CSQ-100 NEXT! Spacebass 3.2 Sequential Prophet VS Oberheim SEM Waldorf Blofeld Vocoder Roland System 100: Yamaha CS-60 Roland SVC-350 101 keyboard/102 expander Yamaha DX7 Roland SH-1 Yamaha Reface CS Drum machines Roland SH-101 Yamaha SY22 Boss DR-55 Roland TB-03 Boss DR-110 Boss DR-220E Sequential Circuit ProOne Modular Yamaha CS5 analog craftsman Hammond Autovari64 Yamaha CS10 Aries Korg DDM-110 Super Drums Modcan B (continued) rates $50/hour with house engineer Please contact us for multi-day lock outs. 2 hour minimum session 617-513-3886 [email protected] $400/10 hour block with house engineer $80/hour private synthesis & production lessons analog test kitchen equipment list Drum machines (cont’d) Tape (available on request) Ibanez FP-777 Flying Pan Korg KR-55B Revox B-77HS Korg SDD-3000 rack Linndrum LM-2 w/MIDI Tascam 80-8 1/2” 8 track Korg SDD-3000 pedal x 3 Modal CRAFTrhythm Lexicon MPX-1 Lexicon PCM60 Oberheim DMX w/MIDI Monitors Tama TS202 & TS206 Lexicon
    [Show full text]
  • Building Mobile Instruments for Improvised Musical Performance
    Building Mobile Instruments for Improvised Musical Performance Damon Holzborn Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Damon Holzborn All rights reserved Abstract Building Mobile Instruments for Improvised Musical Performance Damon Holzborn This paper explores an approach to building electronic musical instruments for use in improvised music that I have found to be particularly effective for developing flexible, dynamic, and versatile instruments well adapted to the improvised context, and a resultant set of suites of solo improvised character pieces. The lessons learned from this research can be useful beyond the scope of this particular instrument design philosophy. In Part I, I present the foundations of my approach to instrument design, based on my past experience and the technological environment in which electronic music has developed. I discuss the values that guide me in the creation of instruments for use in improvised performance, and describe the development tools iRTcmix and Nikl, and Dixey, an instrument I have created with those tools and hardware devices using the Apple iOS operating system. Part II discusses the musical issues related to the creation of Character Weekend, a set of solo recordings produced with the tools described in Part I. Table of Contents 1) List of Charts, Graphs and Illustrations ii 2) Acknowledgements iii 3) Dedication iv 4) Foreword v 5) Part I: Instrument Design 1 5.1 Introduction 1 5.2 Origin Myth 3 5.3 Models 6 5.4 Values 9 5.5. Simplicity 17 5.6 Development Environment: iRTcmix and Nikl 18 5.7 The Instrument: Dixey 24 6) Part II: Character Weekend 29 6.1 Materials 29 6.2 Solo 37 6.3 Recording Improvisation 40 7) Conclusion 44 8) Works Consulted 46 9) Appendix A: RTcmix Resources on the Internet 50 10) Appendix B: Dixey Nikl Template 51 i List of Charts, Graphs and Illustrations 1) Enchilada - four views of my primary performance system as it evolved 2 over the years.
    [Show full text]