The Other 3 Tenors • Trio Representation: Leota Arts Management Leota Bauman 993 W

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The Other 3 Tenors • Trio Representation: Leota Arts Management Leota Bauman 993 W. Briarcliff Road • Bolingbrook, IL 60440-5218 • 630-410-2443

The Other 3 Tenors Biography

Since joining forces in 2001, the trio of Warren Moulton, Franco Martorana and Simon Kyung Lee, a.k.a. The Other 3 Tenors has been playing to capacity crowds in such venues as The Sierra Ballroom in Palm Desert, CA, The La Porte Civic Auditorium, Governors State University, The Soka Performing Arts Center in Aliso Viejo, CA, The Sandwich Opera House, The Clubhouse Three Theater in Laguna Woods, CA, Beloit College, The Scherr Forum Theater in Thousand Oaks, CA, The Arcada Theater in St. Charles, IL, The Beverly Arts Center, Chicago’s Festa Pasta Vino, Taste of Melrose Park, IL, and The Acorn Theater in Three Oaks, MI. Combining theater shaking voices with side splitting humor, this trio creates a program like no other. “The 3 Tenors meet the 3 Stooges”, is the way one recent concertgoer put it. With their combined experience on the opera stage and concert platform as well as radio and television, this talented triumvirate takes you on a veritable musical tour of the world, with everything from operatic arias and musical theater standards to Korean folksongs, Viennese waltzes, French cabaret favorites, Spanish melodies, Irish ballads and Neapolitan love songs, with a Yiddish lullaby thrown in for good measure! Host Warren Moulton and fellow tenors Franco Martorana and Simon Kyung Lee raise the rafters with beautiful harmonies and uproarious laughter. The Other 3 Tenors...an unforgettable evening of high notes and hijinks!

Leota Arts Management • www.LeotaArts.com • [email protected] The Other 3 Tenors • Trio Representation: Leota Arts Management Leota Bauman 993 W. Briarcliff Road • Bolingbrook, IL 60440-5218 • 630-410-2443

INDIVIDUAL BIOGRAPHIES

Long Version

Warren Moulton

Chicago tenor, actor, comic, writer and raconteur Warren Moulton has left his mark on over 50 leading and character roles in opera and operetta during the past three decades. Known to audiences for putting a light touch on the classics, Warren has performed in productions of La Bohème, Madama Butterfly, Gianni Schicchi, Pagliacci, Falstaff, Rigoletto, Don Giovanni, Così fan Tutte, Lucia di Lammermoor, La Favorita, The Barber of Seville, Romeo and Juliet, Ariadne auf Naxos, L’Incoronazione di Poppea, The Count of Luxembourg, The Merry Widow, Die Fledermaus, A Waltz Dream, Candide, Knickerbocker Holiday, Les Misérables, The Desert Song, Babes in Toyland, Amahl and the Night Visitors and others. This multi-faceted tenor has been heard frequently from the stages of Chicago Opera Theater, Glimmerglass Opera, Pamiro Opera, Chicago Chamber Opera, Harbor Country Opera, Madison Opera, Light Opera Works, Du Page Opera, Muddy River Opera, Lincoln Opera and Da Corneto Opera. After a few false starts as a cartoonist, country western musician, nightclub comic and radio announcer, Warren made his operatic debut, as a baritone, as John Sorel in Menotti’s The Consul. After discovering his true tenor range, Warren has sung a few leading roles…Cavaradossi in Tosca and the title role in Les Contes d’Hoffmann among them…but prefers to portray the many comic roles that opera and operetta have to offer. A gifted actor and comedian, Warren has won rave reviews for his unique characterizations of such supporting roles as Harry Helmsley (Prince Paul) in Chicago Opera Theater’s hilarious update of Offenbach’s The Grand Duchess, Monostatos in The Magic Flute for Madison Opera, Spalanzani in Chicago Opera Theater’s The Tales of Hoffmann, Dottore in the Chicago premiere of The Jewel Box (Chicago Opera Theater, 1996) and the inept but proud cook, Sam Sharkey, in the world stage premiere of Britten’s Paul Bunyan at Glimmerglass Opera in 1995. A veteran of over four hundred concert and recital performances, Warren has soloed with Elgin Symphony, The Illinois Valley Symphony, The Chicago Symphonic Pops, Waukegan Symphony, City Symphony of Chicago, West Suburban Symphony and Wheaton Symphony. This versatile artist has also become well known as the host of numerous Chicago area programs, including the immensely popular “Wednesday Opera” and “Classical Cabaret” series at the Chicago Cultural Center, the long running “Venuti’s Opera Dinner” in Addison and the “Summer Opera” concert series in Grant Park.

INDIVIDUAL BIOGRAPHIES

Long Version

Franco Martorana

Born in Geneva, Switzerland to Sicilian parents, Franco Martorana was born to be a tenor. Franco’s father...also a tenor...raised the youngster on the recordings of the great Italian tenors of the past and taught his son the folksongs of his native region. The Martoranas immigrated to the United States and settled in Chicago, where Franco received his education. During his teen years, the aspiring divo began to receive a good deal of attention for his natural tenor voice. Following a number of well received recitals in his community, Franco made his operatic stage debut as Camille in Franz Lehàr’s The Merry Widow for Chicago’s Lincoln Opera. While cutting his operatic teeth at Lincoln Opera, Franco journeyed to Germany with the company for a series of performances of scenes and ensembles from La Bohème, Madama Butterfly and La Traviata. After returning to the States, Franco had the opportunity to meet Luciano Pavarotti’s teacher, Arrigo Pola, during the maestro’s visit to Chicago. After a brief period of study with Pola, the young tenor was awarded a scholarship to University of Oklahoma, where he spent the next few years working with some the country’s top voice teachers and coaches, including Paul Kiesgen and John Wustman. Franco then returned to Chicago, where he was accepted into the chorus of the Lyric Opera of Chicago. One of the highlights of Franco’s tenure with Lyric happened in December of 1994 when he was chosen to sing the role of the Messenger in a production Verdi’s Aïda under Maestro Bruno Bartoletti. In 1997, he was invited to sing the roles of Alfredo in Verdi’s La Traviata and Turiddu in Mascagni’s Cavalleria Rusticana for Zwei-Groschen-Oper in Humbach, Germany under the direction of Nicholas di Virgilio. During the past few seasons, Franco has appeared with Bellissima Opera in their productions of La Traviata and Madama Butterfly and as Michele in The Saint of Bleecker Street in Chamber Opera of Chicago’s tribute to the late Gian Carlo Menotti. Most recently, Franco was heard as the tenor soloist in Rossini’s Petite Messe Solennelle with the Downer’s Grove Choral Society. This golden voiced tenor has also gained a well-deserved reputation for his interpretations of classic Italian and Neapolitan songs.

INDIVIDUAL BIOGRAPHIES

Long Version

Simon Kyung Lee

Although he happens to be the youngest member of this tenorial trio, Simon Kyung Lee, has a performing career that dates back some three decades! This former child star made appearances in two major motion pictures in his native Korea before the idea of singing opera ever entered his head. As is so often the case with child stars, Simon found that his film career was over by the time he reached the ripe old age of seven. After an uneventful childhood and adolescence, Simon once again found himself bitten by the performing bug. This time, the bug was musical and Simon took up vocal studies at Dong Eui University in his hometown of Busan. After migrating to the United States, he continued his education at Chicago’s Roosevelt University. During this time, Simon continued to learn his craft as a chorister with Lyric Opera of Chicago, where he had the opportunity to share the stage with many of opera’s greatest talents. His solo debut came about during a 1994 production of La Bohème, when the tenor took over the role of Rodolfo for an indisposed artist. This artist was none other than Warren Moulton, who was unable to sing due to bronchitis! Since this unexpected debut, Simon has made a tremendous impression on public and critics alike in such leading roles as Radames in Aïda, Manrico in Il Trovatore, Ismaele in Nabucco, Cavaradossi in Tosca, Luigi in Il Tabarro, Rinuccio in Gianni Schicchi and, what is fast becoming his signature role, Calaf in Turandot. Of a 2005 performance of Calaf, Matt Wright of The Utah Statesman reported that, “The absolute highlight of the evening was Lee’s performance of one of opera’s greatest arias, ‘Nessun dorma’”. This versatile tenor has also adopted some of opera’s lesser known roles such as Arvino in I Lombardi, Giles Corey in The Crucible, the Third Jew in Richard Strauss’ Salome and the title role in Menotti’s Goya. Simon has been enjoying his association with Utah Festival Opera, Chamber Opera of Chicago, Da Corneto Opera, Opera Carolina, Singapore Lyric Opera, Kansas City Puccini Festival, Singapore Lyric Opera, Sunstate Opera and others. This two time recipient of awards from the National Bel Canto Foundation was invited to perform in recital at the first annual Musical Festival in Modena, Italy. In April of 2007, Simon made his Carnegie Hall debut as tenor soloist in Haydn’s Mass in Time of War. Most recently, this busy tenor has been singing lead roles with Teatro Lirico d’Europa’s national tours of Carmen, Rigoletto and La Bohème.

INDIVIDUAL BIOGRAPHIES

Medium Version

Warren Moulton

Chicago tenor, actor, comic, writer and raconteur Warren Moulton has left his mark on over 50 leading and character roles during the past two decades. Known for putting a light touch on the classics, Warren has performed in La Bohème, Madama Butterfly, Pagliacci, Rigoletto, The Barber of Seville, Romeo and Juliet, The Merry Widow, Die Fledermaus, The Desert Song, Babes in Toyland and others with such companies as Chicago Opera Theater, Glimmerglass Opera, Chicago Chamber Opera, Harbor Country Opera and Light Opera Works. This former nightclub comic and radio announcer has won rave reviews for his characterizations of such roles as Monostatos in The Magic Flute, Spalanzani in The Tales of Hoffmann, Dottore in the Chicago premiere of The Jewel Box and Sam Sharkey in the world stage premiere of Britten’s Paul Bunyan at Glimmerglass Opera in 1995. A veteran of over four hundred concert and recital performances, Warren has soloed with The Chicago Symphonic Pops, City Symphony of Chicago, West Suburban Symphony and Wheaton Symphony. This versatile artist has also hosted such Chicago area programs as the “Wednesday Opera” and “Classical Cabaret” series at the Chicago Cultural Center and the “Summer Opera” concert series in Grant Park.

Franco Martorana

Born in Geneva, Switzerland to Sicilian parents, Franco Martorana immigrated to the United States at an early age and settled in Chicago. Franco’s stage debut was as Camille in The Merry Widow for Chicago’s Lincoln Opera. While with Lincoln Opera, Franco journeyed to Germany with the company for performances of La Bohème, Madama Butterfly and La Traviata. Following studies with Pavarotti’s teacher, Arrigo Pola, the young tenor enrolled at University of Oklahoma, where he worked with some the country’s top voice teachers and coaches. Franco then returned to Chicago and joined the chorus of the Lyric Opera of Chicago. One of the highlights of Franco’s tenure with Lyric happened in December of 1994 when he was chosen to sing the role of the Messenger in a production Verdi’s Aïda. In 1997, he performed the roles of Alfredo in La Traviata and Turiddu in Cavalleria Rusticana for Zwei-Groschen-Oper in Humbach, Germany. In recent seasons, Franco has appeared in Bellissima Opera’s productions of La Traviata and Madama Butterfly and as Michele in The Saint of Bleecker Street in Chamber Opera of Chicago’s Menotti Gala. This golden voiced tenor has also gained a well deserved reputation for his interpretations of Italian and Neapolitan songs.

Simon Kyung Lee

This former child actor starred in two major motion pictures in his native Korea before reaching the age of seven. Following vocal studies at Dong Eui University in his hometown of Busan, Simon migrated to the United States where he continued his education at Chicago’s Roosevelt University. During this time, Simon joined the ranks of the chorus of Lyric Opera of Chicago, where he shared the stage with many of opera’s leading talents. His solo debut came about during a 1994 production of La Bohème, when the tenor took over the role of Rodolfo for an indisposed artist. Since this unexpected debut, Simon has made a tremendous impression in such roles as Radames in Aïda, Manrico in Il Trovatore, Ismaele in Nabucco, Cavaradossi in Tosca, Luigi in Il Tabarro, Rinuccio in Gianni Schicchi and, what is fast becoming his signature role, Calaf in Turandot. Simon has sung with Utah Festival Opera, Chamber Opera of Chicago, Opera Carolina, Kansas City Puccini Festival, Singapore Lyric Opera, Sunstate Opera and others. In April of 2007, Simon made his Carnegie Hall debut as tenor soloist in Haydn’s Mass in Time of War. Most recently, this busy tenor has been singing the leads in Teatro Lirico d’Europa’s national tours of Carmen, Rigoletto and La Bohème.

INDIVIDUAL BIOGRAPHIES

Short Version

Warren Moulton

Chicago tenor, actor, comic, writer and raconteur Warren Moulton has left his mark on over 50 operas and operettas, including La Bohème, Rigoletto, The Barber of Seville, Romeo and Juliet, The Merry Widow, Die Fledermaus, Knickerbocker Holiday and The Desert Song for such companies as Chicago Opera Theater, Glimmerglass Opera, Chicago Chamber Opera and Light Opera Works. A veteran of over four hundred concert and recital performances, Warren has soloed with Elgin Symphony, The Chicago Symphonic Pops, City Symphony of Chicago, West Suburban Symphony and Wheaton Symphony. Warren is also well known as the host of numerous Chicago area programs, including the “Classical Cabaret” series at the Chicago Cultural Center and the “Summer Opera” concert series in Grant Park.

Franco Martorana Born in Switzerland to Sicilian parents, Franco Martorana came to the U. S. at an early age and settled in Chicago. His stage debut was as Camille in The Merry Widow for Chicago’s Lincoln Opera. Franco joined the company in Germany to sing La Bohème, Madama Butterfly and La Traviata. After returning to the States, Franco studied briefly with Pavarotti’s teacher, Arrigo Pola. The young tenor then joined the chorus of the Lyric Opera of Chicago, where he sang the role of the Messenger in a production Verdi’s Aïda in 1994. In 1997, he performed the roles of Alfredo in La Traviata and Turiddu in Cavalleria Rusticana in Humbach, Germany. Recently, Franco has appeared in Bellissima Opera’s productions of La Traviata and Madama Butterfly and as Michele in The Saint of Bleecker Street with Chamber Opera of Chicago.

Simon Kyung Lee This former child star began vocal studies at Dong Eui University in his hometown of Busan, South Korea before migrating to the U. S. After further studies at Chicago’s Roosevelt University, Simon joined the chorus of Lyric Opera of Chicago. His solo debut came about during a 1994 production of La Bohème, when he took over for an indisposed artist. Since this unexpected debut, Simon has made a tremendous impression in such operas as Aïda, Il Trovatore, Tosca, and Turandot for such companies as Utah Festival Opera, Chamber Opera of Chicago, Singapore Lyric Opera, Kansas City Puccini Festival and Sunstate Opera. In 2007, Simon made his Carnegie Hall debut in Mass in Time of War and recently sang the lead tenor roles in Teatro Lirico d’Europa’s national tours of Carmen, Rigoletto and La Bohème.

CONCERT REPERTOIRE

Trios 1. Mattinata (Leoncavallo)* 2. Mamma (Bixio)* 3. Parlami d’amore, Mariù (Bixio) 4. Funiculì, funiculà (Denza)* 5. Torna a Surriento (de Curtis)* 6. Non ti scordar di me (de Curtis)* 7. ‘O sole mio (di Capua)* 8. La danza (Rossini)* 9. Santa Lucia (Cottrau) 10. Rigoletto - La donna è mobile (Verdi) 11. La Traviata – Libiamo (Verdi)* 12. Panis angelicus (Franck) 13. Because (d’Hardelot)* 14. With a Song in my Heart (Rodgers) 15. The Student Prince - Drink! Drink! Drink! (Romberg)* 16. Be My Love (Brodzsky) 17. My Way (Anka)*

Warren Moulton Solos 1. La serenata (Tosti) 2. Ideale (Tosti) 3. ‘A vucchella (Tosti) 4. Chitarra Romana (di Lazzaro) 5. Silenzio cantatore (Lama) 6. Comme facette màmmetta (Gambardella) 7. ‘O marenariello (Gambardella) 8. I’ te vurria vasà (di Capua) 9. Wien, du Stadt meiner Träume (Sieczynski) 10. Jeg elsker dig/I Love Thee (Grieg) 11. Autumn Leaves (Kosma) 12. Rozhinkes mit Mandlen (Goldfaden) 13. Roumania, Roumania (Lebedev) 14. The Desert Song – The Desert Song (Romberg)* 15. The Desert Song – The Riff Song (Romberg) 16. Song of Norway – Strange Music (Wright/Forrest) 17. The Loveliest Night of the Year (Aaronson) 18. Beloved (Aaronson) 19. Because You’re Mine (Brodzsky) 20. Come Prima (Taccani) 21. Begin the Beguine (Porter) 22. Les Misérables – Stars (Boublil) 23. Memory (Webber) 24. Perhaps Love (Denver) 25. Danny Boy (Weatherly)*

CONCERT REPERTOIRE (Continued)

Franco Martorana Solos 1. Tosca – Recondita armonia (Puccini) 2. Tosca – E lucevan le stelle (Puccini)* 3. Madama Butterfly – Addio fiorito asil (Puccini) 4. La Bohème – Che gelida manina (Puccini) 5. La Forza del Destino – O tu che in seno agli angeli (Verdi) 6. La Traviata – De’ miei bollenti spiriti (Verdi) 7. Fedora – Amor ti vieta (Giordano) 8. Cavalleria Rusticana – Viva il vino 9. Cavalleria Rusticana – Addio alla madre (Mascagni) 10. La Gioconda – Cielo e mar (Ponchielli) 11. Core ‘ngrato (Cardillo)* 12. Non t’amo più (Tosti)* 13. Mattinata (Tosti) 14. L’ultima canzone (Tosti) 15. La canzone dell’ amore (Bixio) 16. Vurria (Pugliese) 17. Chitarra Romana (di Lazzaro) 18. Tu, can nun chiagne! (de Curtis) 19. Dicitencello vuje (Falvo) 20. ‘Na sera ‘e maggio (Cioffi) 21. Abballati (Sicilian folk song) 22. And This is my Beloved (Wright/Forrest) 23. The Student Prince – Serenade (Romberg)

CONCERT REPERTOIRE (Continued)

Simon Kyung Lee Solos 1. Tosca – Recondita armonia (Puccini) 2. Tosca – E lucevan le stelle (Puccini) 3. Turandot – Non piangere Liù (Puccini) 4. Turandot – Nessun dorma (Puccini)* 5. Manon Lescaut – Donna non vidi mai (Puccini) 6. La Bohème – Che gelida manina (Puccini)* 7. Il Trovatore – Ah, sì ben mio coll’ essere (Verdi) 8. Aïda – Celeste Aïda (Verdi) 9. Rigoletto – Questa o quella (Verdi)* 10. Rigoletto – Parmi veder le lagrime (Verdi) 11. Rigoletto – La donna è mobile (Verdi) 12. Adriana Lecouvreur – La docilssima effigie (Cilea) 13. L’Arlesiana – Lamento di Federico (Cilea) 14. Fedora – Amor ti vieta (Giordano) 15. La Gioconda – Cielo e mar (Ponchielli) 16. Carmen – La fleur (Bizet) 17. Faust – Salut, demeure chaste et pure (Gounod) 18. Das Land des Lächelns – Dein ist mein ganzes Herz (Lehár)* 19. Granada (Lara)* 20. Ti voglio tanto bene (de Curtis) 21. L’ultima canzone (Tosti) 22. Musica proibita (Gastaldon) 23. Lolita 24. Song of the Boatman (Cho)* 25. I’ll Walk With God (Aaronson)

* indicates selections with orchestral scores supplied by O3T

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