WGLT Program Guide, November-December, 2011
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Immigration Advocate Weighs in on Trump Administration's Move to End Flores Agreement
WAMU 88.5 BBC World Service NEWSCAST DONATE LIVE RADIO SHOWS NATIONAL Immigration Advocate Weighs In On Trump Administration's Move To End Flores Agreement LISTEN · 4:59 PLAYLIST Download Transcript August 21, 2019 · 5:19 PM ET Heard on All Things Considered NPR's Audie Cornish speaks with Wendy Young, president of the child advocacy organization KIND, about President Trump's moves to change requirements for the detention of migrant children. AUDIE CORNISH, HOST: The Trump administration is moving to allow the government to detain migrant families with children indefinitely. The Department of Homeland Security announced today that they plan to publish a new regulation that would eliminate the current 20- day limit on the detention of minors. That 20-day limit stems from a 1997 court settlement called the Flores Agreement that governs conditions for migrant children in federal care. Acting DHS Secretary Kevin McAleenan blamed the Flores Settlement for the influx of hundreds of thousands of migrants at the southern border. (SOUNDBITE OF ARCHIVED RECORDING) KEVIN MCALEENAN: The driving factor for this crisis is weakness in our legal framework for immigration. Human smugglers advertise, and intending migrants know well that even if they cross the border illegally, arriving at our border with a child has meant that they will be released into the United States to wait for court proceedings that could take five years or more. CORNISH: The government is set to publish the final rule on Friday. It will require approval from a federal judge before can go into effect. We're joined now by Wendy Young. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Boston Symphony Orchestra
Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New -
Freelance Journalist Invoice Washington Dc
Freelance Journalist Invoice Washington Dc Calfless and unbreathing Alasdair palsies her witenagemot beefburgers photosensitizes and droops longways. Zymotic and russety Herby manipulates almost theocratically, though Christ scats his mammet unknitted. Looted and emarginate Malcolm never outguess his geebung! What happened to understand what to freelance journalist, where she clerked for Exempts licensed pharmacists from the ABC test. English and psychology from Fairfield University in Connecticut. Doing yet she needed to out put Sherriff on my footing are the year ends. International in five native Toronto and later worked as a reporter and editor for UPI in Washington and Hong Kong; as a bureau chief in Manila and Nairobi; and as editor for Europe, Africa and the morning East based in London. This file is where big. This template for public service, from oil drilling in freelance journalist invoice washington dc public; and skilled trade on the invoice template yours, you may work? Vox free by all. He says its like some who attend are not there yet make a point, they are there a cause mayhem. President of Serbia and convicted war criminal, Slobodan Milosevic. Generate a template for target time. Endangered Species on and wildlife protections. As a freelance commercial writer, proofreader and editor, i practice your job easier freelance writing the company and eight more successful. Your visitors cannot display this state until the add a Google Maps API Key. Some cargo is easier to work than others. Verification is people working. The international radio news service period the BBC. Evan Sernoffsky is a reporter for the San Francisco Chronicle specializing in criminal intelligence, crime and breaking news. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME -
Congressional Record—House H288
H288 CONGRESSIONAL RECORD — HOUSE February 15, 2006 We must call on Hamas to put an end to vi- (Mr. HYDE) that the House suspend the Nevada (Mr. PORTER) and the gen- olence and terror. They must cease their rhet- rules and concur in the Senate concur- tleman from Illinois (Mr. DAVIS) each oric of hate. The U.S. and the international rent resolution, S. Con. Res. 79. will control 20 minutes. community must strongly urge Hamas to rec- The question was taken. The Chair recognizes the gentleman ognize Israel’s right to exist. The SPEAKER pro tempore. In the from Nevada. Mr. FARR. Mr. Speaker, Hamas maintains opinion of the Chair, two-thirds of GENERAL LEAVE and asserts a radical, violent ideology within those present have voted in the affirm- Mr. PORTER. Mr. Speaker, I ask its charter—the destruction of Israel. I believe ative. unanimous consent that all Members that S. Con. Res. 79, which reaffirms that no Ms. ROS-LEHTINEN. Mr. Speaker, may have 5 legislative days within U.S. funds should go to the Palestinian Au- on that I demand the yeas and nays. which to revise and extend their re- thority if the majority party maintains a position The yeas and nays were ordered. marks and include extraneous material calling for the destruction of Israel, is a good The SPEAKER pro tempore. Pursu- on H. Con. Res. 300, as amended. first step in creating a more peaceful region. ant to clause 8 of rule XX and the The SPEAKER pro tempore. Is there Voting in support of this Resolution is not a Chair’s prior announcement, further objection to the request of the gen- hard choice. -
2010 Npr Annual Report About | 02
2010 NPR ANNUAL REPORT ABOUT | 02 NPR NEWS | 03 NPR PROGRAMS | 06 TABLE OF CONTENTS NPR MUSIC | 08 NPR DIGITAL MEDIA | 10 NPR AUDIENCE | 12 NPR FINANCIALS | 14 NPR CORPORATE TEAM | 16 NPR BOARD OF DIRECTORS | 17 NPR TRUSTEES | 18 NPR AWARDS | 19 NPR MEMBER STATIONS | 20 NPR CORPORATE SPONSORS | 25 ENDNOTES | 28 In a year of audience highs, new programming partnerships with NPR Member Stations, and extraordinary journalism, NPR held firm to the journalistic standards and excellence that have been hallmarks of the organization since our founding. It was a year of re-doubled focus on our primary goal: to be an essential news source and public service to the millions of individuals who make public radio part of their daily lives. We’ve learned from our challenges and remained firm in our commitment to fact-based journalism and cultural offerings that enrich our nation. We thank all those who make NPR possible. 2010 NPR ANNUAL REPORT | 02 NPR NEWS While covering the latest developments in each day’s news both at home and abroad, NPR News remained dedicated to delving deeply into the most crucial stories of the year. © NPR 2010 by John Poole The Grand Trunk Road is one of South Asia’s oldest and longest major roads. For centuries, it has linked the eastern and western regions of the Indian subcontinent, running from Bengal, across north India, into Peshawar, Pakistan. Horses, donkeys, and pedestrians compete with huge trucks, cars, motorcycles, rickshaws, and bicycles along the highway, a commercial route that is dotted with areas of activity right off the road: truck stops, farmer’s stands, bus stops, and all kinds of commercial activity. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
2008 Annual Report
2008 Annual Report Public Radio. In Your Community. Online at tpr.org About Texas Public Radio TEXAS PUBLIC RADIO BOARD OF DIRECTORS exas Public Radio was organized in 1988 and formally incorporated BOARD CHAIR t DORA ANN VERDE* the following year. The broadcaster grew out of a merger of two separate VICE CHAIR KAREN RAYZOR* organizations, the Classical Broadcasting Society of San Antonio (owner of PRESIDENT & KPAC-FM) and San Antonio Community Radio (owner of KSTX-FM). TPR is GENERAL MANAGER DAN SKINNER* an independent, non-profit organization governed by a Board of Directors TREASURER DOGAN PERESE* composed of San Antonio and Hill Country residents. SECRETARY PAT McGOWAN* KPAC specializes in broadcasting programs. Its weekday schedule is In 1998 Texas Public Radio added MEMBERS classical music and fine arts composed mainly of programs a third station to the family. FREDA FACEY information. For the most part, its produced by National Public Radio, Transmitting from a site near MARY FLANAGAN JAY FORREST programming is created from its own such as NPR’s flagship newsmagazines Kerrville, KTXI-FM serves listeners in KLEE KLEBER library of classical music recordings All Things Considered and Morning the Hill Country with simultaneous MicHael W. Lackey, P.E. – a collection that provides varied Edition. Opportunity for listener broadcasts of programs on the KPAC JOHN McLAUGHLIN and comprehensive opportunities to comments and questions on a wide and KSTX schedules. JANET McNUTT MARILYN MOLL sample the entire range of music. range of subjects is offered during HUYEN NGUYEN, M.D. The schedule also includes live NPR’s Talk of the Nation and The Diane San Antonio and the neighboring STEWART REUTER, M.D. -
Disco Reed Détaillée
20-21 décembre 2000, New York graphie disco HAPPINESS Plenty Swing, Plenty Soul Eric Reed (p) Marcus Printup (tp) Wycliffe Gordon (tb) Eric REDD Guy Reynard et Yves Sportis Wes Anderson (as) Walter Blanding (cl) OUS FAISONS ici état des enregistrements d’Eric Reed en leader et coleader. L’index en Rodney Green (dm) sideman permet de rendre compte de la grande curiosité d’Eric Reed. Il est un 1. Overture Renato Thomas (perc) Nsolide leader mais également un grand accompagnateur prisé par ses pairs. Eric 2. Maria Reed possède un univers très large dans le jazz, dans son sens culturel, la musique 3.Hello, Young Lovers d’inspiration religieuse et le blues étant également omniprésent dans son expression. 4. Pure Imagination Rappelons qu’une discographie présente l’état des publications sur disque. Chaque 5. 42nd Street session est classée chronologiquement, présente la date et le lieu d’enregistrement, le(s) 6.Send in the Clowns titre(s) des albums où elle se trouve gravée, énumère les musiciens, les titres des morceaux, 7. My Man's Gone Now/Gone, enfin la référence des albums en LP ou CD. Nous avons retenu en priorité les éditions Gone, Gone cohérentes. Les livrets/couvertures en illustration constituent de bons repères. Rappelons que 8. Nice Work If You Can Get It 9. You'll Never Walk Alone l’index n’est pas une totalisation de toutes les éditions, mais le fil continu, en CD ou à défaut 10. I Got Rhythm en LP. 1. Happiness 11. Finale (Last Trip) 2. Three Dances: Island Grind- Pour cette discographie (méthode Jazz Hot), nous avons consulté d’excellentes sources ❚■● Impulse! 12592 discographiques, comme la Jazz Discography de Walter Bruyninckx, sur internet Latin Bump-Boogie www.jazzdisco.org/eric-reed/discography et bien sûr les disques eux-mêmes. -
Chenjerai-Kumanyika-Review.Pdf
The Transom Review Volume 15/Issue 2 Chenjerai Kumanika March 2015 (Edited by Sydney Lewis) Chenjerai Kumanyika The Transom Review – Vol.15/ Issue 2 Intro from Jay Allison Chenjerai took our Transom Traveling Workshop on Catalina and suddenly had to reckon with his own voice, his own identity, in the role of a public radio reporter. In his manifesto, Chenjerai confronts this question of how we sound, how we want ourselves to sound, and what’s permitted. I remember Tavis Smiley once saying, “Public radio wants me to be black, but not TOO black.” Chenjerai tackles that issue straight on — reading copy in various versions of his “self”— and examining the sound of public media, on the air and in the podcast world. These are key questions for public radio and it’s good to have them right out on the table. Vocal Color In Public Radio This summer during the Transom Catalina workshop, I produced my first public radio piece. While writing my script, I was suddenly gripped with a deep fear about my ability to narrate my piece. As I read the script back to myself while editing, I realized that as I was speaking aloud I was also imagining someone else’s voice saying my piece. The voice I was hearing and gradually beginning to imitate was something in between the voice of Roman Mars and Sarah Koenig. Those two very different voices have many complex and wonderful qualities. They also sound like white people. My natural voice –– the voice that I most use when I am most comfortable –– doesn’t sound like that.