Cambridge University Press 978-0

Cambridge University Press 978-0-521-51348-7 — The Cambridge History of Medieval Music 2 Volume Hardback Set Edited by Mark Everist , Thomas Forrest Kelly Index More Information

Index

Aachen, 791 Alanus, Johannes Council of, 181, 640 “Sub Arturo plebs/Fons/In omnem”, Palatine Chapel, 639, 640, 654 705, 711 Aaron, 37 alba, 384, 386, 398 Abano, Petrus de Alberti family, 1092 Expositio problematum Aristotelis, Albi 453 cathedral of Sainte-Cécile, 311 Abelard, Peter, 188, 190, 1033–34 Albigensians, 781 “Dolorum solatium”, 1034, 1037 Albigensian Crusade, 1057 “O quanta qualia”, 1034 alchemy, 358, 368 Abraham, 512 Aldhelm, Bishop of Sherborne, 648 Abruzzi, 1108 Alexandria, 464 Absolutism, 1180 Alexandria, Philo of, 46 Acart de Hesdin, Jehan Al-Fārābī,Abū Nas:r Muh: ammad ibn Prise amoureuse, 1163 Muh: ammad acrostic, 786, 942, 954, 1102, 1103, 1137, kitāb al-mūsīqī al-kabīr (“Grand Book on 1168 Music”), 366 Adam, Abbot of St Victor, Paris, 349 Alfonso V (“the Magnanimous”), King of Adam and Eve, Fall of, 156 Aragon, 456, 465 admixtio, 847 Alfonso X, king of Castile and León, 382, admonitio, 1006 392, 410–11, 734 Adoration of the Cross, 100 Alia musica, 650 Advent, 70, 93, 99, 106, 107, 109, 127, 141, Alighieri, Dante, 412 142, 268, 289, 325, 331, 481 Al-Kindī, Abu Yūsuf Yaʻqūb ibn ʼIsh: āqas:- Advent plays, 511 S:abbāh: , 366 aere gallico, 695 All Saints, 106, 855 aere italico, 695 allegory, 959, 1002, 1057, 1160 aerophones, 454 Alleluia, 69, 75, 76, 92, 94, 102, 109, 127, horns and trumpets, 461–62 128, 131, 134, 135, 139, 144, 148, pipes, 460–61 150, 183, 251, 268–69, 270, 283, 300, reeds, 459–60 302, 304–6, 307, 311, 314, 322, 323, Aﬄigemensis, Johannes, 369 330, 332, 334, 342, 476, 479, 632, Africa, 77, 215, 409, 634, 636 646, 665, 725, 761, 763, 776, 783, Vandal occupation of, 636 785–86, 801, 812–13, 850–52, Agaune, 135 854–55, 866–69, 1001 Agnus Dei, 94, 222, 268, 270, 275, 631, 632, Al-Munajjim, Abū l-H: asan ibn, 366 646, 706, 884–85, 895, 1103, 1105, Alps, 95, 133, 180, 265, 266, 271, 287, 1109, 1121 290, 291, 342, 343, 374, 654, 837, airaine, 461 1170 Aist, Dietmar von, 405 Alsace, 102 aius, 134 Alsfeld ala bohemica, 454 Passion play of 1501, 511, 512 Al-Andalus, 409 alta cappella, 595 Alans, 124 Amadée V, Count of Savoy, 933

[1201]

© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51348-7 — The Cambridge History of Medieval Music 2 Volume Hardback Set Edited by Mark Everist , Thomas Forrest Kelly Index More Information

1202 Index

Amadis, 564 antiphonary, 70, 72, 111, 834, 852 America see also USA, 1191 antiphoner, 82, 85, 93, 99–102, 105–11, 114, Amerus 115, 130, 138–39, 243, 256, 265, 275, Practica artis musice, 452 287, 289, 307, 311, 481, 645, 818 Amiens, 399, 989 antiphony, 591, 632 cathedral, 645 Antipope Benedict XIII, 656 Amiens, Thibaut de, 435 Antipope Clement VII, 656, 658 Amoena, 303, 324 antiquity, 627, 647, 720, 847, 1026, 1052, Amphion, 360 1147, 1177–78, 1179–80, 1183, 1185, Amsterdam, 893 1186, 1187–89, 1190–91, 1194, ancient medicine, 20 1195–97 Andalusia, 124, 411 anti-Semitism, 1056 Andorra, 124 apēchēmata, 55 Andrea dei Bussi, Giovanni, 1183 Apel, Willi, 803, 1126, 1127, 1128, Andrea of Bologna, Johannes, 1121 1143 Andrieu, F., 943 aphorism, 478 Andrieu, Michel, 633 Apostles, 123, 137 Angelicum Cantum, 134 apotomē,19 Angers, 188, 334–35 appoggiatura, 600, 601, 822 Abbey of St. Aubin, 333 Apt Angilbert I, 138 cathedral of St. Anne, 339 Angilbert II, 138 Apulia, 129 Anglican Church, 126 Aquileia, Paulinus of, 648 Anglicus, Bartholomeus Aquinas, Thomas, 660, 781 De proprietatis rerum, 452, 458 Aquitaine, 81, 87, 147, 315, 330–37, 394, Anglo-Normans, 512, 930 802, 817–25, 828, 1026 Anglo-Saxons, 639 Aquitanian notation, 106, 126, 226, notation, 333 252–55, 330 Aniane, Benedict of, 135, 139 Nova cantica, 147–48, 149, 150, 152, anima, 222 158–64, 166, 168, 170–71 annalis cantus, 647 Aquitaine, Eleanor of, 382 Annunciation, 106, 504, 781 Aragon, 409, 465, 893, 1129 Anonymous 4 (ensemble), 614, 623 archaeology, 564, 566 Anonymous IV, 196, 370, 652, 677, 701, 740, music, 451, 453–54 834–35, 839–40, 842, 843–44, 845, architecture, 1184 847, 849, 856, 1059, 1065, 1069 Archpoet, 1037 anthropology, 576 Arezzo, 258 antiphon, 54, 70, 76, 85, 93–94, 100, 105–9, cathedral of, 257 111, 128, 130, 136, 139–44, 224, 265, Monastery of San Martino al Pino, 1095 267–71, 273, 275, 278, 279–80, Arezzo, Guido of, 138, 228, 257, 357, 365, 283–85, 288, 290–91, 292–93, 476, 369, 371, 484–85, 563, 564, 787, 479–87, 588, 654, 661–62, 725, 726, 946–50 727, 778, 781, 785–92, 804, Epistola de ignoto cantu, 487 811–13, 852 Guidonian hand, 369, 750 Canticum Canticorum, 785 Micrologus, 727, 801, 802–3, 809–12, 813, model melody, 480 814–15, 816, 821, 822, 828 antiphona, 128 notation, 257–59 ad accedentes (ad accendum), 127 Regulae, 949 ad confractionem, 127 Regule rhythmicae, 366 ad crucem, 141 “Ut queant laxis”, 489 ad pacem, 127 Arezzo, Odo of, 484 ad praelegendum, 134 Arezzo, Pseudo-Odo of, 485 in choro, 143–44 Dialogus de musica, 369 in psalmo, 142, 143–44 Arianism, 631 post evangelium, 140 Arians, 137 Antiphonale Monasticum, 112 Aribo Antiphonale Romanum, 112 De musica, 729

Index 1203

Ariosto, Ludovico Aulnay-de-Saintonge Orlando furioso, 571 church of St Pierre de la Tour, 192 Aristotle, 20, 196, 367, 370–71, 374 aulo, 460 De memoria, 478 Aurelian, 181, 368–69 Poetics, 719 Aurillac, Gerbert of (Pope Sylvester II), 651 Problemata, 359 Austria, 349, 404, 511, 775, 782, 1120 Arles, 132 authenticity, 216, 451, 578, 609, 620, 623, Basilica of, 135 749, 1127 Synod of, 132 Auto de los Reyes Magos, 519 Arlt, Wulf, 148, 170, 272, 276, 288, 291, autos sacramentales, 520 908 Autun, 337 armarium, 182 Auvergne, 394, 1169 armarius, 182, 651 Auxentius, 137 Armenia, 41, 57 Auxerre, Remi of, 649 Church of, 53 avant-garde, 612, 1162 rite, 54 Averlino, Antonio (“Filarete”), 1184 Armide, 564 Avignon, 711, 836, 893, 1126, 1129 armonie, 463 school, 469, 553, 1094 Arras, 194–95, 198, 335, 399, 403, 930 Avignon papacy, 657, 893–94, 1129 Abbey of St Vedast, 333, 336–37 papal chapel, 657–58 cathedral of Notre Dame, 658, 659 papal singers, 657–58 Arras, Lambert Ferri of, 435 Avogadro family, 894 Arras, Moniot de, 435 Avranches, Johannes of, 334 Ars Antiqua, 836 Liber de oﬃciis ecclesiasticis, 334 Ars Nova, 198, 469, 690, 694, 697, 701, 702, 704, 889, 934, 946, 949, 1079, 1086, Bach, Johann Sebastian, 213 1121, 1125, 1148, 1158, 1162, 1163, Bagby, Benjamin, 578, 611, 620, 622 1165–66, 1172, 1190, 1191, 1195–96 bagpipe, 420, 454, 459–60, 469, 470, 506, Ars Subtilior, 469, 542, 695, 705–11, 747, 513, 594–96 765, 768, 771, 1080, 1084, 1091, balada, 387 1094, 1104, 1110, 1125–44 baladelle, 926, 1169 Artois, 399, 416, 931, 993 Bald, Charles the, 107, 133, 136 Ascension, 53, 143, 519 ballade, 387, 468, 469, 591, 707, 765–66, asceticism, 639 770–71, 909, 922–28, 932, 937, urban ascetics, 629–30, 647 939–42, 954, 959, 960–61, 1014, Association pour l’étude de la musique et 1114, 1129, 1130, 1134–35, des techniques dans l’art médiéval 1137–38, 1139, 1159, 1162, (APEMUTAM), 454 1163–71 assonance, 337, 755, 1009–10 ballata, 413, 655, 766–68, 937, 949, 1080, Assumption, 107, 504, 519, 761, 781, 850 1084–89, 1093, 1095, 1096, 1102–3, Assumption of the Virgin, 506, 509, 515 1105, 1113, 1120 Asturias, 124 balleta, 387 Athens, Damon of, 17, 20 Baltzer, Rebecca A., 544, 555 Atkinson, Charles, 249, 358 Bandini, A. M., 1092 aube, 386 Bannister, Henry Marriot, 323 Aubrey, Elizabeth, 192 Baptism of Christ, 328 Aubry, Pierre, 346, 732 Baptist, John the, 186 Auerbach, Erich, 283 baptistery, 852 augete, 246 Bar Mitzvah, 44 augmentation, 743, 803, 805–8, 1138 Barbeau, Marius, 575–77 Augsburg, Conrad of, 792 Barbitonsoris, 1117 Augsburg, Ulrich of, 792 “Sanctus”, 1109 Augustodunensis, Honorius Barcelona, 469 Gemma animae, 281 Barnabas (Apostle), 137 Speculum ecclesiae, 281 Baroﬃo, Giacomo, 784 Augustus, Gaius Octavius (Emperor), 137 Baroque, 210, 437–39, 622, 1180 Augustus, Romulus, 3 Barrett, Sam, 1029

1204 Index

Basel, 869 Bernicia, King Theodoric of, 22 Council of, 659, 780, 1196 Bersele, 662 schola cantorum, 622 Besseler, Heinrich, 1191 Bassée, Adam de la, 435–36 Bethlehem, 159 Ludus super Anticlaudianum, 429, 431–32, Béthune, Conon de, 399 433, 435 Béthune, Sauvage de bassoon, 577 “Quant Quant voi paroir la fueille en la Bastart, Audefroi le, 399 ramee” (RS 550), 435 Bate, Henry, 466 Beverley, 465, 514 Battista Alberti, Giovanni, 1190 Bible, 16, 26, 37–39, 40–45, 50, 51, 59, 80, Bauchant, Jacques, 556 94, 184, 278–86, 451, 493, 555, 649, Bavaria, 404 884, 957 Bavaria-Ingolstadt, Elisabeth of, 466 allegorical texts, 48, 278–86 BBC (British Broadcasting Corporation) Apocalypse, 193, 464 Radio, 6 Apocrypha, 40 Beatrice, Countess of Burgundy, 404 Books of Wisdom, 478 Beaujeu, Renaut de, 436 cantillation, 46 Roman du Bel Inconnu, 437 Epistles, 92, 94, 134, 139 Beauvais New Testament, 40, 127, 134, 279, 283, cathedral, 147, 505, 645, 836, 840 627, 1056 Circumcision Oﬃce, 841, 870 Old Testament, 40, 92, 103, 109, 127, 134, Play of Daniel, 504 139, 190, 279, 283–84, 292, 874, Beck, Jean, 576–77, 732 1032, 1056, 1194 Becket, Thomas, 792 prophetic songs, 40 Bede, the Venerable, 25, 72 Revelation, 134 bedon, 462 Song of Songs, 785 bedonneur, 462 Binchois, Gilles, 1189, 1196 bel canto, 214 Bingen, Hildegard of, 188–89, 612, 614, Beldemandis, Prosdocimus de, 374, 653, 792, 1034 1090, 1119 Ordo virtutum, 221 commentary, 1133 symphonia, 212, 222 Belgium, 123, 311, 1114 Binkley, Thomas, 611, 619 bells, 462, 504, 519, 613 Biondo, Flavio, 1183 Benedicamus domino, 149–50, 156, 167, 171, Biscop, Benedict, 72, 648 273, 818, 840, 851, 852, 854, 1056, Björkvall, Gunilla, 151 1101, 1104–5, 1109, 1117–19 Black Death, 1079, 1089 Benedictus, 40, 94, 105, 109, 1117 bladder pipe, 460 Benediktbeuern, Abbey of Blois, Peter of, 1037, 1051 Passion play, 512 Blois, Robert de, 431 benefaction, 661–65, 779, 780 bloodletting, 1102 beneﬁce, 640, 644, 657–58, 889, 1011 Blume, Clemens, 323 Benevento, 78, 85, 100, 108, 109 Boardman, Reginald, 7 Beneventan rite, 129–32 Boccaccio, Giovanni cathedral of, 131 Decameron, 471, 1085, 1089 chant, 78–79, 100, 114 Boen, Johannes, 370, 600, 966 notation, 100, 130, 131, 138, 228, 250, Boethius, Anicius Manlius Severinus, 18, 252–54, 256 22–24, 28, 34–35, 57, 59, 359–65, Bent, Margaret, 1000, 1002, 1003, 1012–13, 368–70, 371, 649, 652, 804–6, 962, 1014, 1103 964, 1195 Beowulf, 620 Alypian notation, 360, 368 Berdiajew, Nikolai, 1186 Consolatio philosophiae, 22, 959, 1027, Berger, Anna Maria Busse, 847 1030 Berger, Karol, 490 consonance, 806, 809 bergerie, 513 De arithmetica, 360, 649 Berio, Luciano, 213 De institutione musica, 18, 22, 28, 359–62, Berneville, Gillebert de, 399 363–65, 649, 1001 Bernhard, Michael, 365 gamut, 804

Index 1205

Bohemia, 376, 404, 775, 784 British Isles, 634, 646, 648, 700–5, 836, 932 Bologna, 101, 1091, 1102 Brito, Adam, 188 Cathedral school, 651 Brittany, 81, 333, 335, 399 university of, 653 Brixen Bologna, Bartolomeo da, 1113 cathedral school, 194 Bologna, Jacopo da, 655, 1082, 1084, 1086, Brown, Thomas, 1006 1091, 1093, 1096, 1103, 1108 Brownlee, Kevin, 1002 “Non al suo amante”, 698 Bruges “Oselletto selvaggio per stagione”, 949 cathedral, 893 “Sì com’al canto”, 1091 church of St. Donatian, 661 bombarde, 460 Brulé, Gace, 399, 401, 436, 1150 Bonaiuto, Andrea di, 592 “De bone amour et de leaul amie”, 1151 Bondone, Giotto di “Douce dame, gres et graces vous rent”, Life of the Virgin, 1103 1063 Bonure, Jehan le, 659 “Loiaus amour qui m’alume” (RS 672a), Book of Hours, 531, 555 1151 book production, 176, 178, 182–84, 185–91, “Quant ﬁne amor me prie” (RS 306), 1151 193, 197–98, 200–2, 392, 814, 1025, Brumana, Biancamaria, 1084, 1094 1193 Brümsin, Kathrin, 200 book trade, 837 Brunham, Robertus de Borgne, Pierre le, 435 c.o.p. ligatures, 704 Born, Bertran de, 394 cauda hirundinis, 704–5 Bornelh, Guiraut de, 394, 410 Bruni, Leonardo, 1183 Boulogne, Girardin de, 437 Brussels, 470 bourdon (drone pipe), 459 Buda, 521 Bouwsma, William J., 1180, 1189 Budapest, 377 Bower, Calvin, 362, 650 bugle, 461 Bowers, Roger, 644, 661 Buigne, Gace de la Bowman, James, 5, 613–14 Roman des deduis, 956 Boxgrove Priory, 614 buisines, 594 Boynton, Susan, 185 buq, 461 Brabant, 643, 956 Burgos Braga Abbey of Santa María la Real de Las First council of, 635 Huelgas, 212 Brand, Benjamin, 1012 Burgundy, 135, 192, 399, 891, 933 Braudel, Fernand, 1180 Burgundian court, 599, 656, 892 Bremen Burgundy, John of, 196–97 University of the Arts, 622 Burney, Charles, 564–65 Brennenberg, Reinmar von, 405 Bury St. Edmunds Brescia, 894 Abbey, 1011 Breslau, 377 Burzio, Nicolò, 360 Bretel, Jehan, 399, 402 Bus, Gervais du “Adan, vauriés vous manoir”, 403 Roman de Fauvel, 440–41, 448, 690, 908, Brett, Charles, 5 942, 1002, 1006, 1073, 1158–61 breviary, 110, 125, 128, 189, 256, 774, 776, Butterﬁeld, Ardis, 908 780, 933 Byrd, William, 1191–92 breviary of Cardinal de Quiñones, 777 Bythinia, 48 brevis, 24, 417–18, 677–78, 680, 681, Byzantine empire, 23, 53, 129, 216, 464, 685–90, 696, 698–99, 701–4, 707–8, 1188, 1192 711, 738, 741, 742, 743, 846–47, 984, chant, 55–56, 59 1041, 1090, 1130, 1134 Church, 241 altera, 677, 685, 702, 711, 738, 743 Oktoechos, 369, 484 imperfect, 698 prokeimenon, 75 perfect, 698 rite, 54, 57 recta, 677, 685, 738 rhomboid, 701, 704 Cabreira, Guiraut de, 468 Britain, 82, 612, 617, 623 cabrette, 460

1206 Index

caccia, 937, 949, 1012, 1014, 1080, 1084, Moysi, 141, 142 1086, 1087, 1091, 1108, 1113 trium puerorum, 141 Çacherias, Magister, 1081 cantiga, 382, 389, 409–13, 417, 418, 421, 592 cadential formulas, 871 d’amigo, 386, 388, 392, 410 cadenza, 849 d’amor, 386, 388, 392, 410 caesura, 79, 87, 337, 390, 418 de loor, 387, 411 Calabria, 129 de miragre, 387, 411 Calcidius, 358–59 Cantigas de Santa Maria, 383, 388, 392, 413, translation of Plato’s Timaeus, 358–59 420, 421, 455, 456, 468, 734 Caldwell, John, 1 cantilena, 373, 385, 420, 584, 599, 704, 751, Cambrai, 333, 641, 662, 956, 1013 756, 1009, 1048 cathedral, 335, 340, 642, 644, 645, cantillation, 724 659–60, 662–65, 893 cantio, 1023, 1048 chapel of St. Stephen, 663–64 cantor, 92, 103, 106, 114, 167, 177, 182–83, Notre-Dame des Fiertes, 663 185–87, 214, 218, 248, 271, 277, 286, church of St Croix, 642, 659 287, 289, 292, 301, 304–6, 323, 350, church of St. Géry, 659 357–58, 365, 368, 371, 481, 628–30, Cambrai, Jaque de, 1151 632, 636–37, 641, 724–25, 837, 891 Cambrai, Martin le Béguin de cantor peritus, 368 “Loiaus desir et pensee jolie” (RS cantor peritus et perfectus, 368 1172), 435 Cantor, Petrus, 844 Cambridge Cantorey, 511 Trinity College, 615 cantus, 140, 367, 420, 469, 1023 Cambridge Music-Archaeological Research coronatus, 385, 416, 420, 468, 584, 599, (CMAR), 454 732, 1111 Campaldino firmus, 674, 678, 737, 996, 1000, 1005, battle of, 1092 1009, 1013, 1049 campanula, 462 fractus, 1100 Campion, Jehan, 1166 insertus, 1152 Canada, 575–76 mensurabilis, 724 Canadian Pacific Railway Company, mensuratus, 724, 783 576 planus, 259, 724, 783 cancionero, 520 planus binatim, 542, 546, 645, 1107, 1119 canço, 384 prius factus,10–11 canon, 57, 92, 292, 454, 457, 708, 763, 943, versualis, 385, 416 948, 1012, 1069, 1087, 1093, 1130 Capdoil, Pons de, 468 Canonical Institute, 181 Cape, Safford, 469 canso, 382, 386, 419, 420, 1149 Capella, Martianus, 22, 359–60 cantare all’improvviso, 598 De nuptiis Philologiae et Mercurii, 22, 306, cantare super librum, 1094, 1103, 1104, 1109, 359, 649 1111, 1119 capitulum, 141 cantasi come, 1120 Capitulum de vocibus applicatis verbis cantata, 1195 (anon.), 695 cantatorium, 92, 101, 852 Cappadocia, 634 Canterbury Capponi family, 1082 Abbey of St. Augustine, 187, 1030 Carbonel, Bertran, 391 Canterbury, Reginald of, 187 Cardenal, Peire, 394 Canterbury Tales, 591 Cardine, Dom Eugène, 247 canticle, 40, 50, 78, 104–5, 111, 128, 134, carillon bells, 452, 462 136, 140, 141, 143, 785 caritas, 222 of Daniel, 135 Carlier, Gilles, 662 of Zachary, 134 Carlson, Rachel Golden, 1033 canticum, 1023 carmen, 1048 Abbacuch, 141 Carnin, Jehan de, 659 deuteronomii, 141, 142 carol, 584, 592, 599 Esaiae, 141 Carolingian empire, 97, 105, 123, 133, Ionae, 141 180–84, 203, 217, 249, 266, 267, 272,

Index 1207

273, 279, 285, 290, 291, 292, 303, choristers, 664 358, 362, 463, 638–40, 648–49, 743, education, 641, 643, 653 see also 1192 cathedral school cantilena romana, 162 grand vicars/minor canons, 642–43 Carolingian minuscule, 250 lector, 628–30, 636–37 Carolingian Renaissance, 23, 59, 1027 magistri puerorum, 641, 664 chant, 72, 78, 265 music cultivation, 643–46, 660 music theory, 360 musicians, 657–60 Palatine Chapel, 653–54 scholaster, 641 poetry, 314 singing vicars, 642–44 Carpathian Mountains, 836 small vicars/clerics, 643–44 Carpenter, Nan Cooke, 652 side chapels/altars, 643 Carrara, Francesco “il Novello”, 1095 worship, 50–53, 59, 71, 128, 135–36, cartulary, 177, 188, 191 137–39, 239, 271, 640–46, 778 Cascia, Donato da, 1082 cauda, 162–64, 391, 400, 467, 696, 753, Cascia, Giovanni da, 655, 1082, 1084, 1091, 1042, 1052, 1058–59, 1062, 1093 1065–73 “La bella stella”, 1084 Celano, Thomas of, 784 “Con bracci assai”, 1091 celeriter, 227, 246 “Nascoso el viso”, 699 Celts, 639, 647 “Più non mi curo”, 1087 Censorinus Casentino, Bonaiutus de, 1102 De die Natali, 359 Casentino, Jacopo del, 1092 Cerquiglini-Toulet, Jacqueline, 953 Caserta, Antonello da, 1083, 1084 Chabannes, Adémar de, 185–86, 187, 216, “Beauté parfaite”, 1134 263, 269, 279, 289 Caserta, Philipoctus de, 709, 1172 Chabannes, Roger of, 186 “Credo”, 1107 chace, 1014, 1087, 1165 “En attendant souﬀrier”, 1170 chalemie, 460, 467, 470 “En remirant vo douce portraiture”, chalumeau, 460 1135–36 Chambers, E. K., 1022 Cassiodorus, Flavius Magnus Aurelius, Chambers of Rhetoric 359–60, 634, 648, 722, 743 (Rederijkerskamers), 518 Exposition of the Psalms,52 Champagne, 399, 435 Institutiones, 359, 362, 649 Champagne, Thibaut de, 434–35 Vivarium, 634–35, 647 “Ave gemma”, 434 Castile, 212, 409, 519, 893 “Tant ai Amours servies longuement” (RS castitas, 222 711), 435 castrati, 210 “Tuit mi desir” (RS 741), 1151 Catalonia, 394, 409, 519 Le champion des dames, 1189 Catharans, 781 Chancellor, Philip the, 682–84, 844, 873, Catharism, 395 1037–39, 1051, 1063 cathedral clergy, 630–34, 640–46, 724, 853 “Ex semine Abrahe divino”, 683 Benedictine cathedrals, 642 chanson, 11, 382, 386, 429, 553, 556, 591, book production, 178, 193 621, 694, 888–89, 890–91, 893–95, canons, 177, 191, 292, 640–42, 657, 659, 899, 902, 908, 918, 928, 930–32, 986, 843, 1011 992, 993, 1038, 1148, 1152, 1158, Augustinian, 188, 196, 343, 346, 349, 1162, 1164–66, 1173 775, 783, 1086 à refrain, 440, 1154 Premonstratensians, 113, 343, 348, 782 à toile, 436 cantor, 92, 103, 106, 114, 167, 177, avec des refrains, 387, 388, 398, 440, 1152, 182–83, 185–87, 214, 218, 248, 271, 1165 277, 286, 287, 289, 292, 301, 304–6, d’ami, 386 323, 350, 357–58, 365, 368, 371, 481, d’histoire, 385, 387, 398 630, 636–37, 641, 724–25, 837, 891 de croisade, 386, 448 cathedral school, 160, 194, 232, 369, 475, de femme, 386 636–37, 641, 648, 651, 724–26, de geste, 382, 439 779–80 de mal mariée, 387

1208 Index

chanson (cont.) charter, 179, 191 de toile, 385, 387 Charterhouse School, 614 royale, 1162 Chartres, 81 chansonette, 429 Abbey of St Peter of, 186 chansonnier, 193, 195, 733, 916, 924, 938, cathedral, 15, 43, 177, 186, 191, 192, 643, 992, 993, 994, 1152, 1158, 1164 645, 850 chant, 10, 39, 41–46, 52, 55–57, 69–88, 92, church of St. Aignan, 642 123–44, 168, 200, 210, 211–12, school, 186, 651 214–15, 216–17, 220, 222–26, 230, Chartres, Bernard of, 15 232, 250–51, 259–60, 300–2, 308, Chartres, Fulbert of, 186 340, 358, 365, 368–69, 376–77, 390, Chartres, Vidame de, 436 492–95, 502, 504, 509, 512, 548, 562, Chastoiement des dames, 431 566, 569–71, 584–85, 586–89, Château Frontenac, 576 592–93, 602, 629–34, 642, 645, 647, Châtillon, Walter of, 1037, 1051 650, 651, 654, 656, 661, 675, 678, “Frigescente karitatis”, 1037 685, 687, 719, 720, 724–30, 734, 735, “Ver pacis aperit”, 1063 736, 757–59, 761–63, 774–92, 801, Chaucer, Geoﬀrey, 466, 965 809, 812–17, 824, 826, 828, 839–43, Canterbury Tales, 591 849–56, 857–66, 867–69, 882, 883, Chester, 514 884, 890, 1000, 1001, 1005, 1009, mystery play cycle, 506, 515–16 1012, 1013, 1032, 1049, 1050, 1058, Childeric III, 180 1080, 1100, 1131, 1148, 1158, 1192 chirograph, 663 Beneventan, 78–79, 100, 129–32 chivalry, 563, 962 Byzantine, 59 choir screen, 852 Carolingian, 78 choirbook format, 536, 541, 542 Gallican, 132–37 choirbook layout, 782 Gregorian, 633, 774, 835 chorale, 778 Hebrew, 45 chordophones, 41, 454, 457 lay participation, 3, 23, 35, 54, 57, 59, 82, bowed, 458–59, 590–91, 596–97, 598 97, 115, 126, 129, 131, 250, 279, 287, plucked, 454–58, 590–91, 597, 598 300, 301, 303, 475–77, 479–84, 561, choreography, 599 570, 609, 779–80 choron, 460 leise-chants, 779 Christmas, 53, 93, 107, 112, 139, 143–44, melismatic, 165 149, 152, 158–59, 269, 273, 278, 284, Milanese, 137–44 325, 503–4, 512, 513, 520, 736, 759, neumatic, 165 850–51, 853, 858–59, 874, 1056, Old Spanish, 123–29, 527 1057 processional, 852, 1039 Christmas plays, 503, 516 responsorial, 802, 825, 849, 974, 1001 Christological hymns, 48 Roman, 69–88, 113–16 chronicle, 179, 185, 192, 198, 428, 430, Romano-Frankish, 69–88, 116, 263–79, 452, 636 286–93, 640, 787 chronology, 861, 924, 928–30, 933, 991, style, 779–80, 792 1008, 1021, 1126, 1179 syllabic, 165 chrotta, 455 transmission, 77–82 Church of England, 778 vernacular, 778, 779, 784 Cicero, Marcus Tullius, 21, 1192 Chapteuil, Pons de, 1150 Somnium Scipionis, 359 Charlemagne, 59, 95, 114, 132, 136–37, 138, Ciconia, Johannes, 374, 653, 895, 1012, 180–82, 251, 273, 290, 301, 302, 304, 1083, 1084, 1091, 1093, 1094, 1097, 639, 648–49, 650, 726 1114–15, 1120–21 Oﬃce in honour of, 791 “Albane misse celitus/Albane doctor Vita of, 183 maxime”, 1103 Charles I of Anjou, 194–95 “Ave vergine”, 1115, 1120 Charles IV, Holy Roman Emperor, 777 “Gloria”, 1108 Charles V, king of France, 556, 836 Nova musica, 374 Charles VI, king of France, 466 “O rosa bella”, 1114 Charles, Count of Valois, 198 “Sus une fontayne”, 1107, 1172

Index 1209

Ciliberti, Galliano, 1084, 1094 Commemoratio brevis (anon.), 362, 727, 728 cimbalum, 455 Commentarius (anon.), 729 circumcision, 143, 763, 840, 844, 851, 853, Commentarius in Micrologum (anon.), 230 858–59, 870, 1056, 1057, 1073 commentary, 179, 202, 265, 269, 285, 302, circumﬂex accent, 249 304–5, 306, 334, 349, 350, 358, 359, citational practice, 953, 1147–73 363, 459 cithare, 455, 457 comminutio, 600–1 citole, 5, 455, 466, 596 Common of Virgins, 323, 855 cittern, 596 communio, 128, 135 civic cycles, 514 communion, 69, 75, 94–95, 102, 103, 109, civic musicians, 582 115, 126, 128, 131–32, 134–35, 140, Cividale del Friuli, 1106, 1119 270, 300, 476, 637, 781 council of, 1106, 1107 Compiègne, 107, 110, 133 Cividale, Antonio da, 1083 Abbey of St Corneille, 312, 315, 332 Clairvaux, Bernard of, 218–19 compline, 93, 104–5, 112, 128, 140, 149, clapper, 420 1015 clarion, 461 Comtessa de Dia, 394, 396 classical mythology, 16–17 “A chanter m’er de so q’ieu no clausula, 10–11, 435, 683–84, 737, 739–41, volria”, 397 744, 758, 760–61, 834, 842, 844, 850, conception, 781 853, 855–74, 922, 933, 974–78, Conciliar Period, 895 983–86, 992, 1050, 1148, 1156 Concilium Meldense, 307, 311 clavichord, 596 concordance, 857–58, 861, 910 clavicimbalum, 455 Condé, Baudoin de clavis, 487 Prison d’Amour, 430 Clément, Monk of Lessay, 930 conductus, 11, 151, 154, 167, 222, 273, 431, Cleomadès, 430 467, 547, 683, 731, 740–41, 751, Cleophas, 516 752–56, 824, 834, 838–44, 849, 869, clos, 761, 1089 888–89, 895, 898–902, 933, 974, Cluny, 82, 272, 334–35, 337, 348 975–78, 994, 995, 1021, 1023, 1037, Abbey of, 476 1038, 1041, 1042, 1048–75, 1119, Cluny, pseudo-Odo of, 365 1147, 1158 Dialogus, 809 cum caudis, 933, 1058–59, 1065–73 cobla, 387, 391 sine caudis, 1062–65 Codax, Martin, 410 conductus-motet, 976–81, 993–94, 996 codicology, 178, 200–2, 358, 361–65, 375, confractorium, 140 530–32, 543, 883, 1035 confraternities, 194, 392, 412, 518–19, 550, Coinci, Gautier de, 399, 448, 1151 661–62, 780, 1163 De la Chasteé as nonains, 430 confraternity plays, 518–19 “Ja pour yver, pour noif ne pour gelee”, confréries, 399 1152 conjunctura, 680, 1059 “Miracles de Nostre Dame”, 430, 432, consonance, 18, 156, 161, 163, 372, 492–95, 1151 577, 598, 676, 737, 750, 758, 804–6, collect, 95, 103 809, 823, 827, 828, 848, 859, 871, collectar, 93, 111, 818 913, 966, 996, 1060, 1086, 1093, Cologne, 132 1119, 1156 cathedral, 15 consort, 1195 Cologne, Franco of, 195–97, 370, 652, 678, Constance 680, 701, 739, 740, 742, 849, 1058, council of, 775, 780, 1172, 1196 1090 Constantinople, 15, 49, 52 Ars cantus mensurabilis, 195, 677, 684–87, patriarch of, 519 704, 845, 846, 987 contemptus mundi, 222 color, 587, 683, 834, 865, 866, 870, 896, contenance angloise, 996 1069 Contractus, Hermannus, 302–3, 650, coloration, 690, 694, 708–11, 742, 771, 787, 791 1091, 1110, 1133, 1134 contrafactum, 10–11, 155, 164, 169–71, 189, comma, 19 264, 391, 398, 402, 405, 431, 433,

1210 Index

435–36, 786, 980, 1005, 1021, 1030, Creation to Doomsday cycles, 514 1032, 1037, 1039–41, 1062, 1063, credo, 751, 756, 883–85, 890–91, 894–903, 1084, 1111, 1151, 1160 1100, 1103, 1105, 1107, 1108, 1109, contrary motion, 161, 765, 808, 815, 1110, 1111, 1114, 1117, 1119, 1120 821–22, 824, 828, 871 Credo Cardinalis, 730 Conversion of St. Paul, 515 Creed, 127, 784 copula, 740, 848–49, 854, 859, 862, 866, Cremona, Gerard of, 367 870, 871, 1058 Croatia, 1121 cor sarrasinois, 461 Crocker, Richard, 1, 265, 323 Corbie, 101, 109 cross-rhythms, 707–8 Abbey of St Peter, 649 crotales, 463 Corbus de Padua, Jacobus, 1084 Cruce, Petrus de, 374, 688–89, 701, Cordier, Baude, 1129, 1139 702–3, 989 “Belle, bonne, sage”, 943 “Aucun ont trouvé/Lonc tans/ “Tout par compas”, 943, 1139 Annunciantes”, 688 cornett, 5, 461 Cruciﬁxion, 511 Cornwall crusades, 171, 215, 383, 386, 406, 416, 818, Ordinalia plays, 517 1191 Corpus Christi, 112 Albigensian, 395 feast of, 662, 781 First Crusade, 173 Corpus Christi plays, 506, 509, 511, crwth, 458, 590, 596 514–16, 520 cum fragore, 246 Corpus Troporum, 267 Cumming, Julie, 1003 Cortona, 518 Cuontz, Joachim, 350, 776 Confraternità di Santa Maria delle currentes, 680, 791, 1059, 1110 Laude, 413 Cusa, Nicholas of, 1183 Cossey, Henry of, 459 customary, 194 Cotto, Johannes, 369, 376 custos, 131, 155 Couci, Chastelain de, 399, 565, 1150 Cuthbert, Michael Scott, 544 Roman du Châtelain de Couci, 429, 431, Cuvelier d’Arras, Jehan le 436, 448 “Se Galaas”, 954, 1168 “Tant ne me sai dementer ne cycle of ﬁfths, 757 conplaindre” (RS 127), 1164 cymbal, 463, 594 counterpoint, 365, 370, 375, 475, 492–96, Cyprus, 2 652–53, 718, 747, 750, 752, 753, 756, Lusignan kings of, 894, 1013, 1130 758, 760–64, 766, 836, 844, 859, 863, Cysat, Renward, 511 867, 909, 912, 924, 1013, 1075, 1094, Czech Republic, 3, 520 1119, 1131 Courson, Robert of, 652, 853 d’Accone, Frank, 1083 Summa, 838–39 d’Aguilers, Raymond, 173 Court, Jehan le d’Alvernha, Peire, 1150 Le Restor du Paon, 430 d’Amiens, Girart, 435–36 Court d’Amours, 430 Escanor, 430 Court de Paradis (anon.), 430, 440, 446 Roman de Meliacin, 430, 435–36, 437–39 court musicians, 940 d’Angicourt, Perrin, 399 courtly love, 388–89, 432, 563, 887, 960–67, d’Arezzo, Guido, 1029 see Arezzo, 1140, 1151 Guido of Coussemaker, Edmond de, 565–67 d’Arezzo, Guittone, 413 Couvin, Watriquet de, 1164, 1166 d’Arras, Andrieu Contredit, 399 Fatras, 447 d’Arras, Jehan le Cuvelier, 399 Coventry, 514 d’Arras, Moniot, 399 mystery play cycle, 515 “Amors mi font renvoisier et canter”, 437 Nativity play, 507, 508 d’Avion, Gaidifer Coventry Carol, 516 “Tant ai d’amours apris et entendu” (RS cow horn, 461 2054), 435 Cracow, 377 d’Espinal, Gautier, 399 Cranmer, Thomas, 778 d’Orange, Rambaut, 192

Index 1211

da Carrara family, 1095 diaphony, 148, 151–52, 156–58, 160–67, dança, 384 168–71, 264, 804 dance, 16–17, 24, 46, 373, 387, 388, 389, didactic literature, 374, 452 398–99, 405, 419, 420, 467, 468, didactic text, 448, 1027 470–71, 501, 504, 511, 514, 517, 520, differentiae, 94, 109, 480 549–51, 582, 591–92, 595, 596, Digby mystery plays, 515 598–600, 609, 703, 731, 734, 744, diglossia, 160 761, 908–9, 1057, 1082, 1089, 1110, dignitary, 641 1151 Dijon, 241 Danckwardt, Marianne, 822 Abbey of Sainte-Benigne, 933 Dandolo, Francesco, 1103 Dijon, Guiot de, 399 Daniel, Arnaut, 394 diminution, 600, 700, 707, 709, 743, 855, dansa, 387 1004, 1105, 1107, 1138 Dante, 1079, 1092 Dinis, King of Portugal, 410 Divina commedia, 531, 661 Diocletian, Gaius Aurelius Valerius, 129 De vulgari eloquentia, 390, 1089 Dirigierrolle, 507, 510, 511 Danube, 775 discant, 156, 158, 365, 370, 492, 589, 652, Danza del Santisimo Nacimento, 674, 678, 680, 681–82, 683, 687, 704, 520 737, 739–41, 744, 839, 843, 844, Dargies, Gautier de, 399 848–49, 854–63, 870–74, 889, 974, “De la Chasteé as nonains”, 430 976, 996, 1058, 1060, 1131–32 de Le Mote, Jehan discantor, 834, 844, 862 Li Regret Guillaume, 1162 Discantus positio vulgaris (anon.), 676 de’ Prodenzani, Simone disciplinati, 413, 421 Saporetto, 471 discort, 384 de’ Servi, Andrea, 1081 Disibodenberg, monastery of, 189 “Donna, se per te moro”, 1096 dissemination, 84, 249–50, 252, 302, 369, “Donna, se’ raççi”, 1096 376, 382, 392, 544, 549, 640, 809, Deacon, John the, 216, 287, 583, 585, 640 812, 836, 842, 881, 889, 892, 893, Deacon, Paul the, 180–81, 648 1048, 1130, 1148, 1166, 1170, 1173, Dead Sea Scrolls, 47 1194 decoration, 12, 201, 1038, 1080 dissonance, 161, 598, 761, 764, 823, 828, della Scala family, 1091 848, 859, 871, 990, 1093, 1119 Deller, Alfred, 613 Disticha Catonis (anon.), 478 Denmark, 778 dit, 429 “Deo gratias”, 149, 150, 885 enté, 1158 Depositio crucis, 504 Dit de la panthere d’amours, 431, 432, 436, Depreux, Philippe, 177 439, 448 Der Busant (anon.), 459 ditone, 19 Der Kanzler, 405 Dits entés, 430 Der Marner, 405 diurnal, 190 Der Meissner, 405, 407 divisi, 1115 “Kund ich nu underscheiden wol”, 408 divisio modi, 686 Der Tannhâuser, 405 divisiones Deschamps, Eustache, 942 duodenaria, 698–99, 1090, 1107 “Armes, amours”, 943 novenaria, 698, 703 “O flour des flours”, 944 octonaria, 698–99 descort, 385, 386, 591 quaternaria, 698–99 descriptio, 1147 senaria gallica, 698 devotional texts, 785, 957, 1002, 1006, senaria perfecta, 698 1015, 1029, 1032, 1037, 1038–39, Dobson, Eric, 932 1049, 1120, 1148 Donatus, Aelius, 26 Di Bacco, Giuliano, 1121 Doncastre, W. de, 703 diabolus, 222 Dordrecht, 1170 Dialogos, 623 Dornart, Jehan, 659 dialogue plays, 518 Dortmund, 201 Dialogus in musica (anon.), 484 dot of addition, 1090

1212 Index

dot of division, 688, 696, 699–700, 702, Early Music Consort of London, 6, 613–14 707 Early Music revival, 4–7, 12, 561–78, Douai 609–15, 617, 621 church of St. Amé, 659 Earp, Lawrence, 909 douçaine, 460, 619 Easter, 53, 75, 78, 94, 100, 109, 112, 127, “Douce dame, vous ociez a tort” (Lo73), 137, 139, 143–44, 182, 186, 269, 278, 1163 280–83, 291, 305, 311, 329, 503–4, doxology, 127–28, 141–43, 149, 229, 505, 511, 515, 649, 663, 664, 850, 480–81, 852, 862 852, 869, 1056 dragma, 1110, 1132, 1135 Easter plays, 503, 516 Dragonetti, Roger, 388 Easter Sunday, 505 drama, 17, 21, 467 Eastern Orthodox Church, 40, 57 secular, 518 Echternach, 103 vernacular, 513 Eco, Umberto, 1186 Dreves, Guido Maria, 190 education (medieval), 725–26, 779–80, 960, drone, 464, 594–97, 598, 614 1027 drone pipe, 595 chant, 479–87 drone string, 458–59, 463 didactic song, 491 Droysen, Johann Gustav, 1183, 1187 gamut, 487–91 drum, 420, 460, 462, 470, 550, 577 ladder diagram, 491 Dryden, John, 563 memorization, 475–96 Du Fay, Guillaume, 659, 662–65, 1012–13, method of loci, 490 1097, 1120, 1125, 1130, 1189, 1196 rote learning, 485 “Ce moys de may”, 694 mnemonic devices, 376, 477–79, 484, “Ecclesie militantis”, 744 490–93 “L’homme armé”, 1172 music theory in verse, 492 “O patriarcha pauperum”, 665 tonal system, 487–93 Recollectio festorum beate Marie Virginis, Edward I, king of England, 555, 836 789–91 Edward III, king of England, 556, 1015 “Sebastiani gratia”, 665 Eger (Cheb) “Vasilissa ergo gaude”, 1012 Corpus Christi play, 521 Dublin Egeria, 53–54, 635, 647 Trinity College Itinerarium, 53, 629 Brain Boru harp, 456 Eggebrecht, Hans, 374 Dubois, Gilles, 662 Egidi, Francesco, 1108 Dubrovnik, 1121 Egidius Duchesse de la Trémoïlle, 556 “Roses et lis”, 1169 Duchié, Jacques, 466 églogas, 520 ductia, 373, 385, 416, 599 Egypt, 48, 54, 634 ductus, 114, 115, 170, 252, 314, Einsiedeln 687 Abbey of, 325 Dufay, Guillaume, 202–3, 375 Eleanor of Aragon, queen of Castile, 656 dulcimer, 596 Elche Dunstaple, John, 1191–92 Assumption play, 519 “Veni sancte spiritus”, 744 Elckerlijc, 518 duodecima, 135–36 Elevatio crucis, 504 Duparc, Henri, 7 Elevation of the Host, 884 duple meter, 688, 689–95, 701–4, 708, 731, Ellington, Duke, 578 732, 738, 757, 846, 946 Emiliani, Pietro, bishop of Viacenza, 894 duplum, 494 Emmaus, 516 Durand, William, 343, 346 “Emmi! dolens, chetis” (Lo149), 1164 Durant, Will, 568 Enchiriadis treatises, 801, 802–11, 813, Durazzo, Niccolò, 660 814–15, 816, 821, 822, 828 Durham gamut, 802–8 cathedral priory, 1011 Encina, Juan del, 520 Durham Liber Vitae Project, 177 églogas, 520 Dyer, Joseph, 72, 73, 636, 649, 651 Enechma syllables, 484

Index 1213

enēchēmata, 55 extensio modi, 739 England, 187, 197, 318, 330, 332–33, 335, Exultet, 725 343, 348, 371, 463, 465, 508, 510, 542, 544, 593, 598, 634, 640, 644, faburden, 546, 598 658, 661, 674, 688, 695, 700–5, 711, Faidit, Gaucelm, 394, 1150 744, 747, 756, 759, 782, 893, 962, Fallows, David, 619 996, 1000, 1008–11, 1014, 1034, falsetto, 613, 1085 1039, 1051, 1056, 1074, 1120, 1166, Far East, 583 1170, 1192 Farfa English royal chapel, 892 Abbey of, 185 Enguerran VII, Lord de Coucy, 658 Fassler, Margot, 273, 346, 349, 847 Engyldeo, 251 Fasti Ecclesiae Gallicanae, 657 “Psalle modulamina”, 251 Fauchet, Claude, 561 Enlightenment, 565, 571, 573, 1180, 1186 fauxbourdon see faburden, 546 Ensemble Organum, 616 Febus, Gaston, Count of Foix, 1137 enthousiasmos,16 Fenis, Rudolf von, 405, 1151 envoi, 399 ferial, 329 epigraphy, 628 Fernandez, Lucas, 520 Epiphany, 94, 107, 110, 139, 143–44, 149, Ferreux-Quincey 322, 328, 346 Oratory of the Paraclete, 1034 Epistle, 817, 851, 883 festum, 502 epistolary, 92 Fétis, JeanFrançois-Joseph, 566 Erart, Jehan, 399 fiddle, 420, 451, 458–59, 468, 470, 590, Erec et Enide, 933 596–97, 598, 599, 619, 1085 Erlau Filargo, Pietro, Archbishop of Milan, 894 Mary Magdalen, 512 film, 568–69, 578 Escanor, 430 fin’ amors, 1001 Eschenbach, Wolfram von, 405 Finding of the Relics Essen, 503 feast of, 850 Essenes, 37 Firenze, Gherardello da, 1082, 1089 Essex, 932 Firenze, Giovanni da, 1086 estampida, 387 Firenze, Lorenzo da, 1082, 1089 estampie, 385, 387, 420, 467, 470, 550, “Diligenter advertant cantores”, 769, 771 591, 599 “Sanctus”, 1109 Estellés, Javier Serra, 658 Firenze, Paolo da, 1081, 1084, 1091, L’Estoire de Joseph, 430 1093–95 Esztergom rite, 776 Ars ad discendum contrapunctum, 1095 ēthos,20 “Benedicamus Domino”, 1095, 1110 Eucharist, 135, 140, 500, 502, 627, “Corse per l’onde”, 1094 1112 “Gaudeamus Omnes”, 1094 Euclid, 457 “Godi Firenze”, 1094 Euclidian geometry, 744 First Jewish War, 37, 47 Sectio canonis, 363 Siege of Jerusalem, 38, 59 Eulogius, Favonius, 359–60 flagellanti, 413 Euripides, 16 flageolet, 460, 462 The Bacchantes,16 Flanders, 187, 349, 465, 643, 930, 1086 evangeliary, 92, 337 Flanigan, C. Clifford, 502 Everist, Mark, 615, 1005, 1090 Flannel, Gilles “L’Enfant”, 659, 662, 664 Everyman, 516 fleur de lis, 1137 Evesham, Walter of (Odington), 370, 701 Fleury Evreux Abbey of Saint Benoît de, 505 cathedral, 658 “Play of the Innocents”, 505 exchequer, 463 Fleury, Helgaud of, 184, 187 Exegesis, 649, 1032 Florence, 137, 202–3, 412, 413, 518, 531, exercitia vocum, 224 1080, 1084, 1091, 1092, 1095, 1100, exordium, 399 1109, 1120, 1196 expectate, 246 Basilica of Santa Croce, 1037

1214 Index

Florence (cont.) Frankish empire, 84, 114, 124, 129, 130, church of Orbatello (Santa Maria 132–33, 136, 138, 250, 266–68, 272, Annuziata Virgine), 1095 277, 286–90, 292, 318, 404, 638–40 church of San Lorenzo, 1092 chant, 85–88, 97, 113–16, 265, 271, Compagnia delle Laude di Santo Spirito, 273–74, 287, 289, 291, 292, 301 413 Church, 114, 286, 287, 288, 290 Council of, 519 schola cantorum, 211 Florentine Republic, 1092 frauenlied, 386 Monastery of Santa Trinità, 1092 Frauenlob, Heinrich, 468 Monastery of St. Maria degli Angeli, 202, frauenstrophe, 386 1080, 1094 Freising, 325 Orsanmichele, 1096 Freistedt, H., 228 Santa Trinità church, 655 French Revolution, 1185 Spanish Chapel of Santa Maria Frere, Walter Howard, 102 Novella, 592 Friedrich I Barbarossa, Duke of Swabia, florilegium, 478–79, 482, 484, 493, 649, 404–5 953, 1025 Frigdora, 303 Florilegium angelicum, 478 Froissart, Jean, 942 Florimont, 933 La prison amoureuse, 470 flute, 451, 454, 466, 470, 511, 519, 577 Meliador, 448, 470, 956 straight, 420, 461 frons, 391 transverse, 420, 461, 596 Fugger, Raymund, 557 Foix, 1126, 1129 Fulbert, Bishop of Cambrai, 651 Foixà, Jofre de Fulda “Be m’a lonc temps menat”, 1150 Abbey of, 649 Foliot, Philippe, 659 Fulgentius, Fabius Planciades folk music, 405, 458, 463, 467, 470, 505, Mitilogiae, 359 565–66, 568, 571, 573–76, 614, Fuller, Sarah, 169, 652, 817, 820, 824, 1001 617, 623 function, 128, 149–51, 167, 178, 266, 279, Fontaine, Pierre, 659 283, 285, 287, 288, 292, 382, 388, Fontaines, Huitace de, 1165 413, 502, 505, 507, 513, 519, 527, formes fixes, 536, 899, 902, 907, 1120, 537–38, 545, 547, 554, 590, 593–96, 1129–30, 1162, 1163 599, 719, 785, 828, 840, 858, 885, Fortunat, Venance, 455 963, 1002, 1011, 1012, 1015, 1021, Fournival, Richard de, 399 1038, 1048, 1056 De Vetula, 467 “Onques n’amai tant/Sancte Gace Brulé Germane”, 924 “Au renouviau de la doucor d”esté”, 402 fractio modi, 680, 687, 739, 847, 1060 Gaffurius, Franchinus, 374–75, 653 Fraction of the Host, 884 Theoricum opus musice discipline, 375 Franc, Martin le, 1196 Galeran de Bretagne, 591 Le champion des dames, 1189 Galiot Letter to the Savoy Secretaries, 1189 “En attendant d’amer”, 1170 France, 2, 53, 87, 123, 124, 232, 255, 273, Gallicus, Johannes, 371 311, 315, 318, 330, 332–33, 334–35, Ritus canendi, 371 343, 348, 350, 374, 394, 398, 428, Gamber, Klaus, 631 463, 478, 505, 519, 573, 582, 592, gamut, 487–91, 802–8 640, 645, 655, 688, 689, 695, 698, hand, 487–91 703, 711, 747, 782, 801, 827, 836, scala, 487–91 853, 892–94, 962, 974, 1000, 1006–8, Garin le Loheren, 468 1009, 1011, 1012, 1038, 1056, 1079, Garlandia, Johannes de, 370, 584, 593, 601, 1086, 1093, 1102, 1129, 1147 652–53, 677, 703, 739, 741, 859, 870, Franche-Comté, 892 1069 Francia, Egidius de, 1081, 1089 De mensurabili musica, 676–80, Francia, Guilielmus de, 1081, 1089 845–49 Frankfurt am Main, 587 Garlandia, Johannes de (grammarian) Dirigierrolle, 507, 510, 511 Parisiana poetria, 847

Index 1215

Garlandia, Johannes deGarzo, 413 785, 787, 826, 834, 850–54, 858, 861, Gascony, 394 866, 869, 870, 980, 1001 Gaston III “Fébus,” count of Foix-Béarn, Medicean, 778 1168–69 Graduale Novum, 112 Gaul, 77, 85, 123, 124, 634, 635–36 Graduale Romanum, 112 Gallican cadence, 329 Graduale Triplex, 112, 247 Gallican rite, 132–37, 638, 640 graisle, 461 gender, 937, 960–67 grammar, 21, 22, 25–26, 159, 249, 361, 373, Georgia, 54, 57 382, 492, 496, 641, 648, 649, 721, Gerhard, Dietrich, 1180 724, 733, 847, 856, 1147 Germany, 123, 194, 259, 318, 376, 404, 458, Granada, 124 503, 504, 505, 511, 566, 582, 587, grand chant courtois, 468, 732, 909, 1151, 592, 611, 622, 775, 782, 784, 1093, 1164 1102, 1120 Grandes Chroniques de France, 462 organ tablature, 471 grave accent, 249 Gerson, Jean de Great Schism, 658, 659, 706, 1079, 1106, Tractatus de canticis, 453, 458 1112, 1121 Ghent, 547 Greece, 57, 135 Gherardo da Prato, Giovanni di ancient, 3, 16–21, 48, 57, 129, 215, 239, “Paradiso degli Alberti”, 1085, 1095 357, 457, 460, 1107, 1190 Giangaleazzo I, Duke of Milan, 1085 education, 16–21, 58, 360 Gibbon, John Murray, 576 grammar, 25–26 Gibraltar, 124 lyric poetry, 720 Giélée, Jacquemart melic verse, 733 Renart le nouvel, 910 music theory, 1187 Roman de Renart le Nouvel, 429, 442–45 mythology, 359 gigue, 458 philosophy, 15, 17, 20–21, 27–35, 58, Gillingham, Bryan, 824 358, 360, 363, 367 Giovanni, Piero di, 202 poetry, 16–17, 24, 58, 1027, 1194 gittern,. 1, 466, 470 prosody, 25–27, 720 Gloria, 40, 94, 102, 127, 131, 134, 135, 139, rhetoric, 370, 720 141–43, 268, 269, 270, 275, 289, 307, Greek Orthodox Church, 48 515, 517, 536, 584, 630, 632, 646, Greenberg, Noah, 569, 611 664, 751, 756, 882–85, 890–91, Gregorian semiology, 226 894–98, 1038, 1086, 1103, 1105–6, Grenon, Nicole, 659 1108, 1110–13, 1114, 1117, 1120 Grier, James, 106 Gloria Patri, 852 Grocheio, Johannes de, 367, 370, 373, 385, gloss, 265, 266, 283, 304, 306, 363, 652, 845, 416, 420, 584, 599, 724, 732, 743, 874, 1030, 1133, 1147 930, 1015, 1152, 1154 gold leaf, 531, 538 De musica, 452, 468 Golias, 193 Tractatus de musica, 373 Goncharova, Victoria, 782 Grosseteste, Bishop Robert, 372 Good Friday, 100, 109, 143, 505 Grottaferrata Gorgonius, feast of, 85 Abbey of, 1107 Gorze, 85 Guido Gospel, 54, 55, 56, 59, 92, 94–97, 102, 103, “Or voit tout en aventure”, 1127 132, 134, 139, 300, 840, 851, 883, Guillaume I, count of Hainaut, 1166 1113 Guilmart, Jacques-Marie, 85 Gothic era, 774, 974 guitar, 30 Gothic minuscule, 259 guitara latina, 455 Gothic Voices, 4–7, 12–13, 612, 614, 616 Günther, Ursula, 706, 1125, 1126, 1129 Gothic wars, 70 Gushee, Laurence, 908 gradual, 69, 72, 75, 82, 87, 92, 94, 100–4, gutturalis, 585 105–6, 107, 109–10, 113, 115, 201–2, Gy, Pierre-Marie, 278 229, 247, 256, 264, 268, 275, 300, 302, 311, 319, 333, 334, 476, 479, Haar, James, 202–3 481, 627, 645, 725, 759, 778, 782, Haas, Max, 211

1216 Index

Hadrian I, 136 heresy, 781 Hagenowe (der Alte), Reinmar von, 405 hermeneutics, 165, 266, 267, 283, 285, 292, Haggh-Huglo, Barbara, 181, 783 364, 375 hagiography, 185, 187, 203 Herod, 328, 506, 507, 509, 517 Hague, 192 Herodotus, 720 Haïk-Vantoura, Suzanne, 45 Herwart, Hans Heinrich, 557 Hainault, Philippa of, 658 Hesbert, Dom René-Jean, 97, 110, 239 Halle, Adam de la, 194–95, 392, 399, 402, Hesdin, Jean Acart de 429, 436, 443, 907–18, 929, 930, 993, La Prise amoureuse, 448 1164 Hesse “Adan, vauriés vous manoir”, 403 Nativity play, 512 “Dame, or sui traïs”, 910–12 hexachord, 369, 487–89, 492, 494, 603, Le Jeu de la Feuillée, 195 750, 752 Jeu de Robin et Marion, 195, 501, 505, 513, Hiley, David, 1, 330, 334, 502, 788 576–77, 1165 Hill, Martin, 5 “Puisque je sui de l’amourouse loi”, 1164 Hilliard Ensemble, 612, 614–15, 624 Hamburger, Jeﬀrey, 201 Hirsau, 272, 348 Hanboys, Johannes, 703, 704–5 Abbey of, 278, 775 Handel, George Frideric Hirsau, Wilhelm von, 650 Orlando, 571 historiated initials, 420, 531, 546 Handlo, Robert de, 690, 702–3 histories, 179, 181, 185 Hanelle, Mathieu, 659 historiography, 562, 570, 610–15, 621, Hankeln, Roman, 1100 1021, 1177–97 harmonics, 27–35, 58, 357, 358, 360–61, histrio, 502 367, 371–73, 375 hocket, 689, 849, 896, 1004, 1008, 1094, harmony, 236, 371, 466, 590, 722, 747, 750, 1117 752, 753, 756, 759, 760–61, 764, 767, Hohenstaufen empire, 404 770–71, 822, 824, 828, 951, 1000–1, Holland, 1170 1003, 1060, 1075, 1156 Holland-Zealand-Hainaut, 893 harp, 41, 420, 451, 452, 454–56, 458, 459, Hollandrinus, Johannes, 376–77 465, 466–67,468,470,550,577, Holschneider, Andreas, 814, 815–16 590–91,596,598,618,656,943,1085 Holsinger, Bruce, 191 harpsichord, 596 Holy Innocents, 328, 516 Harrowing of Hell, 503, 517 Feast of, 504 Hascher-Burger, Ulrike, 542 Holy Land, 383, 394, 634 Haspre, Jehan Symon de, 656, 658 Holy Roman Empire, 318, 404, 891 Haucourt, Jehan de, 656, 658 Holy Sepulcher, 54, 173 Haug, Andreas, 151, 170, 183, 311, 322 Holy Week, 100, 109, 111, 112, 131, 140, Hausmusik, 1195 463, 1002 Hayes, Roland, 7 Homer, 16, 77, 720, 1188 Heckenbach, Willibrord, 76 The Odyssey, 466, 965 Heidelberg, 587 homiliary, 93 Heimpel, Hermann, 1182 homily, 179, 333 Heinzer, Felix, 283–84, 292 homophony, 898, 942, 993, 1108, 1117, Heirmologion, 57 1156 Helfta, Gertrude of, 200 Hoppin, Richard, 1 Helisachar, 251 Horace (Quintus Horatius Flaccus), 1192 Heloise, 190, 1034 Carmen saeculare, 721 hemiola, 694, 710, 1110, 1135 Odes, 1027 Henry III, Duke of Brabant, 435 horn, 420, 454, 461, 467, 470, 513, 577 “L’autrier estoie montés” (RS 936), 435 hornpipe, 507 Henry V, King of England, 466 Hothby, John Herculaneum, 564 La Calliopea legale, 729 Herder, Johann Gottfried household church, 627–29 Volkslieder, 571, 573 Hucbald, 368–69, 803, 809 Hereford Greek notation, 241 tableaux vivantes, 514 Hucke, Helmut, 77, 82, 84, 115

Index 1217

Hughes, Andrew, 1 instrumental music, 12, 13, 192, 239, Hughes, Dom Anselm, 1 467–72, 504, 506–9, 511, 513–14, Hughes, David, 78 515, 518, 520, 542, 569, 589, 601, Huglo, Michel, 72, 136, 195–97, 224, 813, 928, 929, 1082, 1085, 1104, 273 1110, 1194 Huizinga, Johan, 6, 1177 instruments only, 470–72 The Waning of the Middle Ages,6 voice and accompaniment, 5, 420–21, humanism, 375, 894, 1008, 1178, 1180, 467–70 1183, 1184, 1186–93, 1195–97 instrumentalists, 465–67, 654 Hungary, 376, 404, 520, 776, 782, 784 instruments, 5, 12–13, 18–19, 21, 27–35, 39, Huot, Sylvia, 938, 962, 964 41–43, 210, 415, 420–21, 451–72, hurdy-gurdy, 420, 458, 463, 596, 614 504, 506–9, 511, 513–14, 518, 527, Hûsen, Fridrich von, 405 577, 582–83, 590–92, 593–97, 603, hydraulos, 464 604, 611–12, 618–19, 621, 623, 1194 hymn, 41, 46–47, 54, 56, 59, 71, 93, 105, bas (soft), 454, 504, 594, 596–97 113, 127, 128–29, 134, 135, 136, 140, haut (loud), 454, 467, 470, 504, 508, 143–44, 151, 168, 170, 190, 258, 383, 593–95 431, 477, 509–10, 553, 575, 584, 591, keyboard instruments, 1104 631, 665, 721, 729, 730, 778, 786, makers, 465 789, 1026, 1029, 1034, 1100, 1112 intercessory prayer, 780 hymnal, 651, 1026, 1112 intonation, 480 hymnary, 109, 111, 190 intonation formula, 859 hymnody, 724 intonation pitch, 867 hymnum trium puerorum, 134 introit, 69–70, 75, 87, 93–97, 103, 106, 109, hymnus, 140, 142–44, 315, 317 165, 229, 255, 269–70, 273, 276, 278, 280, 288, 289, 300, 476, 637, Iberian peninsula, 2, 123–29, 394, 409, 544, 812, 882 585, 592, 638 Iran, 214 Iceland, 212 Ireland, 135, 457, 634 iconography, 556, 582, 613 Ireland, Thomas musical, 12, 192, 202, 210, 214, 410, 420, Manipulus ﬂorum, 479 421, 451–53, 459, 468, 583, 591–92, Irish harp (clarseach), 456 595, 596, 613, 616, 618–19 Isaac, 512 Idelsohn, Abraham Zwi, 46 isorhythms, 743, 900, 901, 1003–5, 1080, idiophones, 462–63 1093, 1103, 1114–15 Île-de-France, 272 Israel, 41 illumination, 108, 184, 186, 195, 200, 201, ancient, 16, 38, 58–59 202, 410, 420, 452, 459, 528, 531–32, Italy, 2, 70, 101, 123, 129–30, 132, 135, 137, 535, 538, 546, 554, 556, 591, 826, 194, 250, 254, 273, 274, 374–76, 382, 1080 394, 404, 470, 505, 582, 593, 598, imitation, 215, 720, 766, 870, 948, 959, 632, 634, 636–38, 655, 674, 688, 695, 1014, 1069, 1087, 1147, 1193 711, 747, 782, 784, 894, 1000, 1008, Immel, Stephen, 495 1011–13, 1074, 1079–97, 1100–22, improvisation, 95, 164, 169, 369, 374, 470, 1130, 1170, 1184 492, 496, 534, 542, 545–46, 590, Lombard invasion of 568, 636 594–95, 597–600, 604, 610, 612, 783, Ite missa est, 268, 885–87, 891 801, 802–12, 828, 903, 908, 951, iubilatio, 305, 306 1086, 1104 iubilus, 149, 330, 334 Incarnation, 148, 159 iusum, 246 incipits, textual see text incipits Ivanhoe (1952), 569 incunabulum, 264 India, 214, 215 J. O. Industrial Revolution, 1182 “L’orque Arthus”, 1138 ingressa, 131, 139 Jacobi, Mary, 503, 511 Innsbruck Jacobsthal, Gustav, 576 Passion play, 512 Jakemès, 429, 436, 439 Instituta Patrum de modo psallendi (anon.), 583 James, David, 615

1218 Index

Jammers, Ewald, 814, 816 Klosterneuburg, 101 Jarrow Koblenz, 587 Abbey of, 648 Korah, sons of, 41 jazz, 549, 620 Koselleck, Reinhart, 1183 Jeanne d’Arc (1909), 568 Krainis, Bernard, 611 Jeduthun, 41 kreuzlied, 386, 407 Jeﬀery, Peter, 85, 638, 647 Kruckenberg, Lori, 274, 334 Jehan, king of Bohemia, 1165 krumhorn, 596 Jerusalem, 37, 53–54, 56, 59, 479, 629, 647 Kügle, Karl, 1007, 1013, 1015, 1090 Dome of the Rock, 38 Kyriale, 102, 112, 1105, 1117 rite, 53–54 Kyrie, 94, 102, 131, 134, 139, 141–44, 268, Temple of Herod (“Second Temple”), 275, 632, 646, 706, 751, 756, 882–85, 37–39, 47, 1188 890, 895, 899, 1014, 1038, 1101, Temple of Solomon, 37 1104, 1105, 1109, 1110–11, 1119 tomb of Jesus, 59 Kyrieleis-acclamations, 779 Jesperssøn, Niels gradual, 778 l’Escurel, Jehannot de, 930 Jeu d’Adam, 513 “A vous douce deboinaire”, 908, 913, Jeu de Robin et Marion, 505, 513, 576–77 926–29, 1156 jeu-parti, 398, 399, 402, 909, 1057 La Croix, Jehan de “Monamy”, 659 Jewish music, 46 La Rochelle Joan II, Countess of Auvergne and siege of, 1057 Boulogne, 1169 Laborde, Jean-Benjamin de, 564–65, João II, King of Portugal, 520 573, 575 João III, King of Portugal, 520 lai, 385, 386, 389, 398, 406, 419, 428, 431, joculator, 502 468, 550, 584, 591, 694, 757, 937, Johanna, Duchess of Brabant, 956 1039, 1055 John I, King of Aragon, 456, 459, 460, Lai d’Aristote, 431 463, 465 laisse, 439 John II “the Good”, king of France, Lambertus, 370, 371, 376, 652, 677, 684, 465, 703 689, 846, 849, 995 John II, bishop of Constance, 133 lament, 20, 190, 383, 384, 386, 389, 391, John, Count of Luxembourg, king of 504, 505, 511, 513, 517, 940, 945–48, Bohemia, 959 1027, 1029, 1127, 1166 John, Duke of Berry, 556, 656, 658, 961, 1169 Lampe, Peter, 630 jongleur, 194, 415, 465, 470, 551, 575, Landini, Francesco, 766–68, 938, 1081, 654, 656 1082, 1084, 1089, 1091–93, 1096–97, jousting, 467 1120 jubilus, 852, 855 “Donna s’i’t’ò fallito”, 1093 “Musica son/Già furon/Ciascun”, 948 Karp, Theodore, 737, 824 “Or su, gentili spirti”, 1085 Kelly, Thomas, 131, 184, 186 “Questa fanciulla”, 471 Kelly-Gadol, Joan, 1180 Landini Consort, 464, 544, 612 Kempf, Damien, 181 Landino, Cristoforo, 1092 Kenyon, Nicholas, 621 Langobards kettledrum, 462 invasion of, 70 keyboard instruments, 454, 455, 542, 596 Langue d’oc, 394, 428, 436, 438 strings, 463–64 langue d’oïl, 428, 436, 437 wind, 464 Laodicea Kildare, 638 Council of, 628 Kim, Eun Ju, 784 Laon King Arthur, 563 Abbey of Saint Jean, 658 King David, 41, 456, 462 cathedral, 657 kinnor, 41 cathedral of Notre Dame, 147 Kirkby, Emma, 614 notation, 247 Kiss of Peace, 127 Laon, Adelem of, 1027 kithara, 27–35, 58, 455 Laon, Bertrada of, 180

Index 1219

lapis lazuli, 531, 532 Libert, Gautier, 659 larynx, 616 Lichfield Last Judgment, 1057 cathedral, 516 Last Supper, 53 Liechtenstein, Ulrich von, 405 Latin kingdom of the Crusaders, 52 lied, 386 lauda, 128, 382, 383, 388, 389, 392–93, Liège, 932, 1012, 1114 411–14, 417, 421, 518, 531, 593, 734, Liège, Gerard of 1120 Quinque incitamenta ad Deum amandum laude drammatiche, 518 ardenter, 431 laude liriche, 518 Liège, Jacobus de, 366, 370–71, 375, 690, laudario, 1120 702, 1073 laudes, 134 musice, 453 laudesi, 413 ligatures, 686–87, 735, 737–42, 846–47, lauds, 93, 104–5, 111, 112, 140, 184 853, 1041, 1060, 1090 Lawson, Graeme, 453 c.o.p., 687, 689, 704, 1110, 1115 lays, 384, 386 cauda hirundinis, 704–5 Le Goff, Jacques, 1182 one-pitch, 1090 Le Mans perfect, 686 cathedral, 463 proprietas, 686–87 Le Puy, 1073 Lille, 431, 433, 435 Leach, Elizabeth Eva, 1090 church of St Pierre, 659 lectio continua, 128 Lille, Alain de, 1051 lection, 256, 725 Complaint of Nature, 966 lectionary, 93, 94, 103, 111, 189 Lille, Simon de, 1163 lector, 628–30, 636–37 limiting tone, 807, 810, 815 Leeb, Helmut, 72 Limoges, 827 Leech-Wilkinson, Daniel, 561, 573, Abbey of St. Martial, 106, 185–86, 212, 621, 748 332, 383, 751, 817, 822, 1032 Lefèvre d’Étaples, Jacques, 1183 sponsus play, 505, 512 Lefferts, Peter, 704, 1009, 1014 Limoges, Pierre de, 908 legendary, 93 Limousin, 394 legendum, 134 Lincoln, 465 Leicester, 1034 Linköping leich, 386, 406, 785 cathedral, 836 Leiden, 893 lira da braccio, 597 leimma,19 Liszt, Franz, 548 Leipzig, 102, 377 Litany, 92, 111, 476, 779 Lent, 69, 92, 94, 103, 112, 127–28, 134, 140, litterae significativae, 226–27, 815–16 268, 270, 325, 646, 1002 litterati, 888, 1015 León, 409 Liturgy of the Eucharist, 884 Leoninus, 188, 191, 612, 614–15, 740, Liturgy of the Word, 883, 884 834,835,837,842,843–44, 853, Ljubliana, 1121 856, 862 loca, 487 Lérins, 135, 636 Lohengrin, 566 monastery, 647 Lombards, 129, 130, 133, 138, 636 Lescurel, Jehan de, 399 London, 465 Dits entés, 430 St. Alban’s church, Holborn, 614 Levites, 37–39, 41–43 St. Paul’s cathedral, 836 Levy, Kenneth, 78, 181, 251 Westminster Abbey, 15 Libellus, 95, 812 Long, Michael, 749 Libellus cantus mensurabilis secundum Johannem longa, 24, 417–18, 603, 677–78, 680–81, de Muris, 704 685, 696, 699, 702, 703, 741, 846–47, Liber Hymnarius, 113 857, 984, 1041, 1090, 1130 liber motetorum, 891 duplex, 680, 681, 685, 738, 862 Liber ordinarius, 278 florata, 680 Liber pontificalis, 70, 75, 630, 632–33 imperfecta, 685, 692, 702, 738, 743 Liber Usualis, 111–12 maxima, 742

1220 Index

longa (cont.) lyre, 27, 41, 187, 455, 457, 458, 519 perfecta, 685, 687, 692, 702, 732, 737, 738, lyric insertions, 428–49 743, 910 recta, 677 macaronic texts, 991, 1021, 1035, 1049 ultra mensuram, 743 Machaut, Guillaume de, 4, 7, 198–99, 448, Lord’s Prayer, 851 454, 461, 469, 530, 536, 538, 544, Lorenzetti, Ambrogio, 592 556, 616, 644, 655, 657, 694, 706–7, Lorenzo, Ser, 1110 887, 902, 907–9, 912–16, 938–45, Lorraine, 404 959–65, 1000, 1002, 1005–8, 1010, Lorris, Guillaume de 1011, 1015, 1022, 1125, 1134, 1138, Roman de la Rose, 437, 470, 957, 1002, 1162–68, 1169–72 1006, 1152 “Amours doucement”, 757 Lorsch “Amours qui a le pouoir/Faux Abbey of, 649 Samblant m’a deceü/Vidi Lossius, Lucas Dominum”, 1002 Psalmodia, 778 “Dame, pour Dieu ne metez en oubli” Louis I “the Pious”, king of the Franks, 137, (Lo144), 1164 177, 272, 290, 648 “De Fortune” (B23), 961, 1170 Louis I, Duke of Bourbon, 199 “De petit pó” (B18), 961, 1121 Louis I, Duke of Orléans, 466 “Donnez, signeurs” (B26), 959, 1163 Louis IX, king of France, 754, 836, 1015 “Douce dame jolie”,5 Louis X, king of France, 1015 “Douce dame, vous ociez a tort” (Lo73), Louis XI, king of France, 555 1163 love song, 399 “Emmi! dolens, chetis” (Lo149), 1164 Low Countries, 600, 662, 893 “En amer a douce vie”, 1169 Lowe, Elias Avery, 647 “Esperance qui m’asseüre” (B13), 1165 Lowinsky, Edward, 1084 “Hareu! hareu! le feu/He las!/Obediens lozenge, 259 usque ad mortem”, 706 Lucca, 83, 108 “Honte, paour” (B25), 959 lucernarium, 143–44 Le Jugement dou Roy de Behaingne, 956, Lucerne 959, 962 Passion play of 1571, 1583, 1597, 508, Le Jugement dou Roy de Navarre, 956, 510, 511–12 959, 962 Lucifer, 517 lais, 757 Ludenscheyde, Sister Hadewygis of, 201 “Lasse!/Se j’aim/Pour quoy me bat mes ludus, 502 maris”, 1164 Ludus super Anticlaudianum, 429, 431–32, “Lay de Plour, Qui bien aimme” (L22/ 433, 435 16), 962 Ludwig, Friedrich, 576, 1004 Le Livre dou Voir Dit, 1163 Lug, Robert, 573 “Loange des Dames” (Lo192), 1163 Lully, Jean-Baptiste, 563 “Ma ﬁn est mon commencement”, 1138 Amadis, 564 “Messe de Nostre Dame”, 469, 536, 542, Armide, 564 756, 885, 890, 892, 1109 Roland, 563–64 “Nes qu’on porroit”, 1135–36 Luna, Piedro de, 893 “Nulle dolour ne se puet comparer” lusor, 502 (Lo119), 1164 lute, 41, 420, 454–55, 456–57, 465, 470, 508, “On ne porroit penser”, 1162 590–91, 596, 598, 613, 618, 1089 “On ne puet riens savoir”, 1163 Luther, Martin, 570 “Or voy je bien” (Lo12), 1164 Formula missae, 778 “Petre clemens/Lugentium siccentur/ Luxembourg, 123, 892 Non est inventus similis illi”, 1015 Luxembourg, Bonne of, 956 “Pluseurs se sent repenti” (Lo109), 1164 Lyon, Agobard of, 476 “Pour ce que tous mes chans” (B12), 939, Lyon, Bishop Florus of, 277 1164 Lyons “Quant ma dame”, 707 Second Council of, 660 “Quant Theseus/Ne quier veoir” (B34), lyra, 455 960, 1168

Index 1221

“Remede de Fortune”, 940 Marseille, Presbyter Musaeus of, 631 “Rose, lis”, 694, 770 Marseilles, 515 “Se ma dame m’a guerpy” (V6), 1163 Marseilles, Folquet de, 1150 Madrid, 546 Marselha, Folquet de, 391, 394 madrigal, 655, 695, 697, 698–700, 710, 766, Martel, Charles, 640 767, 937, 949, 1080, 1081, 1084, Marti, Susan, 201 1086–88, 1091, 1093, 1094–96, 1105, Martin I, King of Aragon, 464 1109, 1114, 1195 Martyr, Justin, 628 maestro de capilla, 520 Martyr, Peter, 413 Maestro Piero, 655 martyrology, 183, 186 Magdalene, Mary, 503, 504, 507, 511, Mary Magdalene, 512, 515, 817, 855 512, 515 Masilia, Gennadius of, 631 magister, 191 Masorah, 42 Magniﬁcat, 40, 105, 109, 143–44, 851, 1110 masque, 564 Magnus liber organi, 495, 620, 739, 834–35, Mass, 51, 69, 72, 75–76, 85, 92, 94–104, 106, 839–45, 850, 852, 1102 109, 111–12, 113, 125, 126–28, Maillart, Jehan, 592 131–32, 133–35, 136, 137, 139–40, Roman du Comte d’Anjou, 591 144, 160, 169, 272, 275, 278–80, 283, Mainz 288, 300, 302, 304–5, 311, 340, 348, Abbey of St Alban, 325 476, 479, 500–1, 553, 588, 632, 634, Mainz, Diet of, 405 636, 637–38, 640, 642, 643, 645, 646, Mallorca, 519 647, 661–62, 663–65, 707, 724–26, mandora, 457 751, 756, 774, 777, 780–81, 783, 784, Mankind, 507, 516 801, 812–13, 817–18, 825, 828, 840, “mannerist style”, 1126 842, 851–52, 854, 857, 858, 881–82, Manuale, 138 883, 885–88, 890–95, 902, 933, 974, Manuel I, King of Portugal, 520 1014, 1032, 1049, 1101, 1103, 1105, manuscript sources, 527–57 1106–7, 1108–12, 1114, 1119, 1120, codicology, 530–32, 543 1196 collectors/collections, 548–57, 818 High, 779 decoration, 531–32, 535, 538, 546, 547, private, 779 548, 554 Requiem, 664 function, 527–28, 537–38, 539–40, 542, votive, 311 544–48, 552–55 Mass cycle, 881–82, 890, 1013, 1105, 1109, mise-en-page, 530–37, 552 1172 notation, 546–48 Massilia Sound System, 575 organization, 529–30, 532–34, 538–39, Mastino II della Scala, 655 547, 842–43, 883, 926, 939, 991, matins, 93, 104–5, 107, 109–11, 112, 128, 1008, 1021–22, 1080, 1081, 1082, 135, 140–43, 184, 224, 269, 273, 1105–6, 1109 503–4, 789, 851, 853, 854 paleography, 530–32, 543, 556 matutinarium, 128 quality, 531, 537, 539, 543, 545, 548, Mauclerc, Jehan, 659 552, 557 maxim, 478 size, 531, 538, 546, 548, 552 maxima, 1130 voice-part format, 534–37, 542 Mazzuoli, Giovanni, 1096 Mar Saba, 57 Mazzuoli, Niccolò, 1096 Marcabru, 394 Mazzuoli, Piero, 1096 Marche, the, 1108 “A Febo dame”, 1096 Mareulh, Arnaut de, 1150 McGee, Timothy, 215 marginalia, 363, 452 McKinnon, James, 69–70, 74, 627–28, Margival, Nicole de, 429 634, 637 Dit de la panthere d’amours, 429, 436, Meaux 439, 448 Council of, 263 Marigny, Enguerrand de, 198, 199, 1160 medial tenor, 1010 Marot, Clément, 562–63 mediant, 480–81 Marquis de Paulmy, 573 Medici family, 202–3, 1082, 1111 Marseille, Bishop Venerius of, 631 Medieval Ensemble of London, 612

1222 Index

mediocriter, 227 Metz, Amalar of, 106, 304–6, 330, 649 meditation, 71 Liber de ordine antiphonarii, 305, 311 Mediterranean, 215, 265, 290, 1121, 1187, Liber oﬃcialis, 304–5, 311 1194 Metz, Angilram of, 181 Meißen, Heinrich of, 785 Metz, Chrodegang of, 85 Meissen, Heinrich von, 405 Metz, Guillebert de, 466 Meister Alexander, 405 Metz, Theogerus of, 650 Meistersinger, 609 Meun, Jean de Meliacin, 430 Roman de la Rose, 437, 470, 957, 1002, Méliador, 956 1006, 1152 melisma, 10, 79, 86–87, 95, 103, 109, 114, Meyer, Christian, 372 115, 139, 152, 153–54, 160, Meyer, Wilhelm, 575 162–64, 224, 244, 246–47, 269–70, Mézières, Philippe de, 504 288, 343, 345, 411, 414, 484, Miazga, Tadeusz, 784 494–96, 587, 734, 736, 741, micanon, 457 758–64, 820–22, 823, 827, 908, Michel, Jean 946, 974, 1029, 1033, 1035, 1059, Le Mystère de la Passion, 514 1062, 1065, 1086, 1094, 1135 Michelet, Jules, 566 Melk Michelsberg, Frutolf of Abbey of, 775 Brevarium, 362 Mellet, Symon, 660 micrographics, 201 melodie lunghe, 707 Micrologus, 727, 729, 801, 802–3, 809–12, melos, 845, 848, 870 813, 816, 821 Melun, Guillaume de, 956 Micy, Letaldus of, 276 membraphones, 462 Middle East, 583 memento mori, 521 Midi, 382–83, 393–94, 395 Mendelssohn, Felix, 10 Milan, 77, 130, 131, 137–44, 632, 655, 711, mendicant orders, 412, 430 1091, 1095 Order of the Brothers of the Blessed Basilica nova, 137–38 Virgin Mary of Mount Carmel Basilica vetera, 137–38 (Carmelites), 775 edicts of, 627 Order of Friars Minor (Franciscans), 83, university of, 653 413, 775–77, 782, 784, 888 Visconti, 894 rite, 785 Milan, Edict of, 49 Order of Preachers (Dominicans), 113, Milanese rite, 136, 137–44 200–1, 302, 343, 349, 350, 413, notation, 100 775–76, 782, 888 Millet, Hélène, 657 menestrallus, 502 mimesis, 719, 789 mensura, 723, 724, 743–44 mimetic performance, 500–1 mensuration signs, 708, 1090, 1110, 1131, mimus, 502 1132–34, 1139 minim, 691–94, 696, 698, 699–700, 703, Merlet, Lucien, 177, 191 704–5, 706–8, 710–11, 743, 1086, Merlet, René, 177, 191 1090, 1127, 1132 Merocles, 137 arrow-tipped, 1090 Merovingian Dynasty, 180 Minnelied, 382, 386, 404–9 Messiaen, Olivier, 616 Minnesang, 734 Metenses, 303 Minnesinger, 382, 383, 388–89, 390, 392, Metrologus (anon.), 228, 729 393, 404–9, 417, 420–21, 468, 534, metrum, 718, 720, 723, 743, 1023, 1024, 592, 622 1026, 1030, 1052–53 minstrel, 456, 459, 462, 465, 467, 470, 517, Metz, 85, 181, 301, 315, 582, 595, 654, 656, 1194 641 minstrel schools, 656 Abbey of, 323 miracle plays, 502 notation, 100, 104, 109, 226, 227, Miracles de Nostre Dame, 430, 432 247, 252 Miracles de Nostre Dame sans Personnages, cathedral, 640 1163 schola cantorum, 639 miraculum, 502

Index 1223

Miraval, Raimon de, 394 tempus, 688–700, 703, 704, 706, 708, 710, miscellany, 314, 553, 857, 1025, 1038 729, 738, 742–43, 1090–91, 1132, mise-en-page, 252, 303, 317, 318–22, 324, 1133, 1135 342, 484, 530–37, 552 modernism, 610 misericord, 452 Modernity, 1177–81, 1184–87, 1188, 1192, misericordia, 222 1195, 1196–97 Mishnah, 39 Moissac misogyny, 967 Abbey of St Peter, 192 missal, 102–4, 125, 129, 256, 315, 349, 555, momentum, 743 664, 774, 776, 777, 1117 Monachus, Guilielmus, 491 Missale mixtum, 127 Monaco, Lorenzo, 202 Misset, Eugène, 346 monastic worship, 50–53, 59, 71, 105, 135, misterium, 502 138–39, 239 Moberg, Carl-Allan, 786 monasticism, 50, 51–53, 135, 138–39, 181, Mocquereau, Dom André, 99, 228 217, 249, 271, 288, 292, 724 mode (melodic), 34–35, 479–96, 753, 996, Benedictine, 52, 75, 105, 112, 135, 139, 1192 185, 187, 635, 775, 783, 785, 836, eight church modes, 54–57, 93, 250, 852, 1011, 1095, 1106 368–69, 480, 650, 750, 786, 809 book production, 178, 185, 193, 543, 648, authentic, 93, 488, 759, 768, 787, 789 1025, 1080 ﬁnals, 788 Brigittinians, 775 plagal, 93, 168, 488, 761, 768, 787 Camaldolese, 202 eight psalm tones, 479–81 Carthusian, 113, 774, 776, 782 intonation, 480–81 Cistercian, 111, 113, 272, 348, 477, mediant cadence, 480–81 774–76, 782–83, 785, 836 recitation tone, 479–81 desert, 630 termination cadence, 480–82 education, 160, 183, 184, 200, 232, 475, mode (rhythmic), 24–25, 370, 417–18, 593, 639, 647–51, 724–26 676–81, 683–85, 732, 737, 738–44, monastic libraries, 647, 649, 817 824, 845–49, 859–61, 862, 866, 871, armarius, 651 910, 913, 975, 980–81, 986, 1041–43, monastic rites, 777 1059, 1067, 1102, 1155, 1192 monastic school, 634, 724–26 alternate third mode, 701 monastic worship, 778 binary rhythm, 689–95, 701–4, 708, 731, rise of, 630, 635–36 732, 738, 757, 821, 827, 846, 946 Rule, 635 divisiones, 696–700, 703, 743, 1090, 1107, urban, 630, 635, 636, 1121 647 extensio modi, 739 Warmouth Abbey, 648 fractio modi, 680, 687, 739, 847, 1060 monochord, 18, 257, 372, 457, 966 gradus system, 690–95, 704 monologue plays, 518 modus, 691, 694, 696, 699, 706, 723, 729, monophony, 10–11, 12–13, 14, 151–52, 158, 742, 847, 848, 1132 160, 164–71, 222, 260, 279, 300, 377, binary, 742 382–421, 512, 529, 535, 575, 588–89, imperfectus, 699, 742, 1132 590, 592, 595, 596, 597–98, 599, 601, maior perfectus, 742 614, 694, 724–30, 735, 738, 742, 750, non rectus, 847, 848 757, 765, 769, 774–92, 812, 813, 817, perfectus, 699, 742, 1132 819–20, 823, 834, 839, 843, 882, 884, rectus, 848 907, 909, 912, 924, 928, 986, 991, reductio modi, 847 993, 1020–44, 1051, 1060, 1062, similis ante similem, 707 1065, 1079, 1080, 1082, 1084, 1087, ternary, 742 1100, 1105, 1109, 1110, 1119, 1154, mutatio qualitatis, 692, 694, 704 1156, 1165 prolation, 690–95, 699, 703, 704, 706–8, melismatic, 165 710–11, 729, 742, 1090, 1132, 1133, neumatic, 165, 168 1134 syllabic, 165, 168, 410, 411 proportions, 18, 695, 708, 710, 711, 1131, Mons, 956 1132, 1133, 1134, 1135, 1138, 1139 Passion play of 1501, 508, 510, 514

1224 Index

Montaigne, Michel de, 573 organal, 741 Montaigu, Gérard de, 556 Petronian, 989–91, 995 Montanism, 628 refrain centos, 992 Montecassino, 636 rondeau-motet, 916–18, 922, 929, 931, Abbey of, 130, 212, 216 933, 993, 1156 Monteverdi, Claudio, 213 sacred, 1006, 1009, 1013, 1108, 1115 Montferrand secular, 1006, 1009, 1108, 1112, 1115 Passion play of 1477, 514 vernacular, 981–87 Montpellier, 554 vernacular tenor, 918–22, 993 Mont-Renaud, monastery of, 109 Mount Sinai, 54 Montreuil, Gerbert de, 437–38, 448 mouvance, 1024 Roman de la Violette, 430, 431, 433, 436–38 Mozart, Wolfgang Amadeus, 616 Moosburg Muhammad, 38 collegiate church of St Castulus, 785 Muisis, Gilles Li, 466 morality plays, 502, 506–8, 509–10, 516, Munrow, David, 4–7, 612, 613–15, 622 518, 521 Muris, Johannes de, 365, 370–72, 374, 375, moralizing text, 840, 965, 1022, 1026, 1037, 376, 514, 696, 708, 743 1162 gradus system, 690–95, 704 Moravia, 404, 784 Libellus cantus mensurabilis, 1130–31, 1133, Moravia, Hieronymus de, 724, 729 1134, 1138 Moravia, Jerome of, 196, 370–71, 597, 600, Libellus cantus mensurabilis secundum 652, 908, 929–30 Johannem de Muris, 690–95, 699, 700, Tractatus de musica, 230 704, 709, 711 Morin, Germain, 631 Notitia artis musicae, 374, 690 Morrow, Michael, 614, 622 muse, 459 Mortier, Raoul, 662 Muset, Colin, 399 morula, 230, 743 musette, 466 Morungen, Heinrich von, 405 music-drama, 16–17, 221, 500–21, 612 Moses, 37, 59, 141 dialogues, 500 mot, 429 Dutch, 517–18 Mote, Jean de Le, 1166 Eastern European, 520–21 Le Parfait du paon, 448 English, 514–17 Li Regret Guillaume, 1166 French, 512–14 motet, 10–11, 195, 197, 198–99, 264, 374, German, 511–12 429, 431, 435, 439, 440, 442, 467, Iberian, 519–20 472, 541, 556, 575–77, 621, 665, instruments, 504, 506–9, 511, 513–14, 688–91, 694, 695, 703, 705, 706, 736, 515, 518, 520 737, 739–41, 744, 750, 758–65, 785, Italian, 518–19 839–42, 857–58, 873–74, 885–902, liturgical, 232, 500–5, 506–10, 513, 514, 908–10, 916–26, 933, 949, 974–96, 516, 518–21, 817 1000–15, 1038, 1051, 1059, 1080, mimetic ceremonies, 501–4 1083, 1102–4, 1107–9, 1112, Visitatio sepulchri, 503 1114–17, 1148, 1154, 1164, 1165–66, monologues, 500 1173, 1192 music throughout, 501 French, 909, 980, 981–87, 991–93, 1002, Le Mystère de la Passion, 514 1006, 1014, 1148, 1154, 1160, 1164, Passion plays, 507–8 1173 secular, 500–1, 505, 513 French double, 761, 986–87, 991 semi-liturgical, 501, 505, 519 French triple, 991 spoken word with music, 501, isorhythmic, 711, 774, 901, 1115 506–10, 513 Latin, 681–84, 843, 974–81, 991, 996, tropes, 502–4 1002, 1007, 1009, 1013, 1148, 1160, music theory, 16, 55–57, 179, 187, 224–31, 1162, 1166 357–77, 416, 457, 475, 600–4, Latin double, 981, 991 649–53, 674–711, 718–44, 801, macaronic, 991 802–12, 813, 814–17, 821–23, 828, motet centon, 440 845–49, 949, 965–67, 1058–59, 1069, motet enté, 440, 446, 993, 1155 1126, 1130–33

Index 1225

ancient, 21–35 compound, 314 ancient Greek, 357–58, 359, 360, 363 ekphonetic, 27 Arabic, 366–67, 370 heightened, 97, 533, 1028, 1102 Byzantine, 369 liquescent, 168, 226, 227–28, 238, 245, Carolingian, 358, 360, 368, 373 252, 256, 322, 675 Italian, 374–76 cephalicus, 680 medieval, 357–58, 359, 360, 367–77, epiphonus, 680 487–96 oriscus, 152, 154, 228, 245, 247, 249, 252, Roman, 359–65 259, 586 musica, 722 pes, 245–46, 585, 675, 687 Musica enchiriadis treatises, 240–41, 366, pes quassus, 245 368, 650, 651, 727–28, 735 pes strata, 171 musica ﬁcta, 527, 602, 603–4 pes stratus, 156 musica mensurabilis, 365, 652, 836, 845–49, plica, 585 856, 1059, 1131, 1132 porrectus, 675 musica plana, 365, 376 pressus, 245, 586 Musica Reservata, 614 punctum, 675, 681, 685 musicology, 566, 609–10, 619–23 quilisma, 81, 228–29, 238, 245, 247, musicus, 357–58, 361, 365, 368, 371 249–50, 252, 256, 259, 586 Musikwissenschaft, 566 salicus, 247 Muslim conquest, 23 scandicus, 586, 675 mutatio qualitatis, 698 square, 1102 Mystère de l’Incarnation, 514 staﬄess, 782 Mystère de Saint Louis, 514 titulus, 249 Mystère de Sainte Barbe, 507, 510 torculus, 81, 104, 254, 586, 675 mystery plays, 502, 506, 509, 513, 514–16, tractulus, 244, 245–46 517, 609 trigon, 245, 247, 249, 259 tristropha, 228, 229, 585 nackers, 462 unheightened, 97, 103, 115, 533, 542, Nádas, John, 202–3, 1083, 1121 1029, 1036 Naples, 129, 195, 513, 636, 637 virga, 681 Nationalism, 1180 New York City Nativity, 461, 503, 507, 511, 512, 781, 840, Cloisters Cathedral, 569 855, 874, 883 New York Pro Musica, 611 Nativity plays, 507, 508, 512, 519 Nicea, 49, 137 Natus, Landinus de, 1092 First Council of, 49 Navarre, 409 Nicene Christianity, 628 Navarre, Thibaut de, 400–1, 1151, 1164 Nichomachus “Nus hons ne puet ami reconforter”, Eisagoge musica, 363 400–1 Nidaros, 348, 776 necrology, 177, 179, 185, 186–87, 188, 191, Nîmes, 132 196, 663 Nivers, Guillaume-Gabriel, 570 Nesle, Blondel de, 399, 1150, 1151 Noah, 516 Netherlands, 3 Noah’s Ark, 516 neuma, 484 noanoeane syllables, 484 neume, 26–27, 58, 97–99, 100, 103–4, 106, nocturn, 93, 105, 109, 135, 851 108, 109, 112, 126, 131, 136, 152, None, 93, 104, 112, 135, 140 155, 156, 163, 165, 171, 215, 226–28, Noorman, Jantina, 614 229–30, 239, 243–60, 315, 317, 318, Norman–Arab–Byzantine Sicily, 147 332, 334, 404, 411, 430, 487, 585, Norman Conquest, 1039 593, 729, 736–37, 819, 821, 824, 827, Normandy, 333, 399, 416 846, 1027, 1192 Normans, 129, 130 apostropha, 245, 246, 249, 585 Norway, 776, 778 bistropha, 585 notation, 77, 85, 92, 93, 132, 136, 148, 159, cheironomic, 138, 248 160, 162, 169, 210, 213, 231, 233, climacus, 246, 259, 675, 680, 685 236–60, 289, 291, 308, 316, 317, clivis, 246, 249, 585, 675, 687 417–19, 428, 429–30, 475, 504, 527,

1226 Index

533–34, 540–43, 812, 820, 826, 827, proprietas ligatures, 679 835, 837, 845, 853, 857, 862, 867, reductio modi, 847 883, 902, 939, 942, 946, 959, 964, sine littera, 674–81, 684, 701, 736–38, 1009, 1023, 1026–30, 1084, 1138 740, 846, 858, 1058, 1060, 1065–69 adiastematic, 77, 99, 102, 104, 109, 112, motet, 813 115, 229, 259, 404, 417 neumatic, 26–27, 81, 97–104, 108–9, 112, alphabetic, 100, 241, 360, 368 126, 138, 224–29, 236–39, 243–60, Ars Nova, 1004, 1127, 1128, 1131, 1132, 293, 318–22, 481, 585–87, 592–93, 1134 674, 724, 726, 735, 738, 1028, 1030, Ars subtilior, 705–11, 1126, 1128, 1036 1130–44 Anglo-French, 252 special note shapes, 709, 711 Anglo-Saxon, 333 cantus fractus, 884 Aquitanian, 106, 126, 226, 252–55, 330, circle-stem, 703–4 1028 coloration, 690, 694, 708–11, 742, 771, Beneventan, 100, 108, 130, 131, 138, 1091, 1110, 1133, 1134, 1137 228, 252–54, 256 cursive, 247 Breton, 100 Dasia, 240–41, 727, 804, 805–6 cheironomic, 138, 248 diastematic, 77, 97, 229, 256–57, 314, Germanic, 252 320, 430, 481, 484 gothic, 417 divisi, 1112 Hufnagelschrift, 260 English, 700–5 in campo aperto, 533 alternate third mode, 701 Laon, 247 binary rhythm, 701–4 Lothringian, 247 mensural, 701, 702 Messine, 100, 104, 109, 226, 227, 247, rhomboid breves, 704 252, 417 trochaic paired semibreves, 702, 703 Milanese, 100 Franconian, 684–87, 689, 696, 701, 704, North Italian, 101, 252 735, 987, 1041, 1043, 1090, 1102 Paleofrankish, 243, 249, 252 c.o.p. ligatures, 687 square plainchant, 111, 259–60, 417 ligatures, 686–87 St. Gall, 101, 109, 112, 226–27, 259 Gothic, 782 Visigothic, 252 Greek letter, 241 orthochronic, 685 Guidonian, 138, 257–59 Petronian, 689, 696, 702–3 Hermannus of Reichenau, 239–41 plainchant, 674, 724, 738, 1041 instrumental, 239 quasi-mensural, 733, 735 interlinear, 319–20 semi-mensural, 418–19 Italian Trecento, 695–700, 703, 1090–91, square plainchant, 777, 782, 1119 1115, 1121 square polyphonic, 259–60, 417, 675 meter signature, 696 staﬀ, 41, 45, 138, 369, 782 Marchettian, 1090, 1102, 1106 stroke, 541, 546 mensural, 196, 245, 259, 365, 370, 375, tablature, 239, 241, 471, 542, 703 417–19, 542, 593, 603, 652–53, void, 705 681–711, 730, 731, 735, 741–44, 771, Notre Dame polyphony, 259, 417, 496, 539, 813, 836, 884, 888, 910, 949, 985, 544, 546, 547, 554, 555, 591, 613, 1004, 1041–43, 1090–91, 1100, 1102, 614–15, 645, 674–76, 681–84, 685, 1110, 1115, 1121, 1126–28, 1130–36 700–1, 735, 737, 739–41, 744, 759, cantus fractus, 784 789, 802, 812, 817, 824, 826–27, modal, 541, 674–81, 683, 700–1, 738–44, 834–74, 974, 1001, 1041, 1050–73, 845–49, 1042 1079, 1102 cum littera, 681–84, 687, 701, 736–38, nova cantica, 2, 147–73, 1032, 1041 739, 741, 846, 858, 1058, 1060–61, Novalesa, 342 1062 Noyon extensio modi, 739 cathedral, 645 fractio modi, 680, 687, 739, 847, 1060 N-Town Plays, 506, 509, 514, imperfect ligatures, 680 517 perfect ligatures, 680 Nunc Dimittis, 40, 105

Index 1227

nuns Ordinary, 71–72, 94–95, 102, 112, 127, 131, Brigittinian, 775 264–65, 268, 273, 340, 644, 646, 660, Nuremberg, 778, 867 725, 751, 756, 774, 776, 780–81, 784, 812, 817, 881–82, 883–84, 885–90, obedientia, 222 895–902, 1014, 1032, 1050, 1101, obituary, 179, 185, 191, 663 1103, 1105, 1108–9, 1119 oblique motion, 161, 808, 812 ordinatio, 363 oboe, 460 ordo, 502, 739, 862 “Occidentana”, 303 Ordo prophetarum, 504 Occitania, 573 Ordo psallendi, 635 Ockham, William of, 1092 Ordo Rachelis, 504 ode, 40 Ordo Romanus, 133, 305, 638 Odoacer, Flavius, 3 organ, 26, 373, 455–65, 467, 469, 470–71, offerenda, 140 508, 514, 518, 783, 853 offertoria, 136 loft, 464 Offertoriale Triplex cum versiculis, 112 portative, 420, 464, 596 offertorium, 140 positive, 464, 590 offertory, 69, 75, 76, 92, 94, 109, 112, 127, tablature, 542 131, 269, 270, 300, 332, 342, 476, organista, 834, 843, 850, 852, 853–54, 584, 646, 725, 781 856–57, 858, 862–65, 867–69 Office, 51, 69, 71–72, 75–76, 85, 92–94, 99, organistrum, 420, 463–64 104–9, 110–14, 125, 128–29, 135–38, organology, 454 139, 144, 149, 160, 180, 182, 184, organum, 10, 264, 368, 374, 467, 492–96, 187, 218, 221, 224, 264, 268, 279, 527, 547, 555, 575, 589, 598, 613, 476, 483, 515, 588, 636, 638, 640, 646, 679, 681, 682–83, 700–1, 738, 642, 645, 647, 662, 726, 777, 778, 740–41, 759, 760, 774, 803–10, 780–81, 784, 785–92, 801, 808, 811, 812–17, 821, 824, 826–28, 834, 812–13, 818, 825, 828, 842, 851–52, 838–43, 848–74, 933, 974–76, 993, 854, 857, 881, 900, 1032, 1049, 1073, 995, 1001, 1042, 1051, 1058, 1059, 1101, 1119 1069 prose, 781, 787 compound, 805 “rhymed”, 786, 792 compound parallel, 806 Office of the Dead, 111, 112 duplum, 674, 681, 740, 839, 841, 842–43, Officium, 127, 502 853, 858, 867, 869–70, 1060 Officium pastorum, 503, 516 oblique, 809–10 Officium resurrectionis, 516 parallel, 788, 803, 807, 809–10 Officium stelle, 503 purum, 674, 740, 826, 849, 854–57, Oktoechos, 57, 369, 479, 484 859–61, 870–71, 1058, 1059, 1067 Olavi, Petrus, 775 quadruplum, 682–83, 740, 834, 839, 840, olifant, 461 842, 844, 849, 853, 867–74, 1069 Oliver, Judith, 200 triplum, 683, 740, 834, 839, 841, 842, 844, Olivier, Jo. 849, 853, 867–74, 1069 “Si con cy gist”, 1139–44 Orlando Consort, 612, 624 ontology, 373 Orléans, 187, 1057 opera, 10, 210, 214 church of St Aignan, 891 Opus Caroli Regis contra synodum, 639 Orleans, Admetus of, 703 oral transmission, 46, 77–82, 97, 123, 125, ornamentation, 600–2, 604 130, 132, 136, 138, 181, 197, 213, Orpheus, 359, 1188 231, 250, 376, 392–93, 470, 475, 545, Orthez, 469 549–52, 562–63, 571, 573, 575, 590, orthography, 393, 845–46 611, 630, 635, 651, 782, 848, 866, Orvieto, 1095 954, 1024, 1025, 1079, 1148, 1173, Orvieto, Ugolino, 374 1193 ostinato, 675, 683, 996 Oratio Annae, 141 Ostragoths, 129 oratory, 852 Ottoman conquest, 53 ordinal, 138, 139, 179, 190, 349, 776, 1101 Ottoman empire, 215 Ordinalia, 517 ouvert, 761, 1089

1228 Index

Ouwe, Hartmann van, 405 papal chapel, 660, 893, 1108 Ovid (Publius Ovidius Naso), 467, 1192 papal court, 469 Ars amatoria, 431 papal curia, 634, 637, 642, 657, 777, 1129 Metamorphoses, 945 Paraclete, Oratory of the, 190 poetry, 382 Paradis de Moncrif, François-Augustin Oxford, 377, 458, 960 de, 573 Oxyrhynchus Papyri, 48 parallel motion, 750, 805–6, 807–8, 809, 812, 814, 824, 871, 899, 921 Padova, Bartolino da, 1083, 1089, 1091, Pardubice, Arnestus of, 777 1095–96 Pareia, Ramos de, 602 “Ama chi t’ama”, 1095 Pareja, Bartolomé Ramos de, 653 “La douce çere”, 1081 Le Parfait du paon, 448 “La ﬁera testa”, 1095 Paris, 81, 133, 147, 188, 191, 195–99, 219, “Imperial sedendo”, 1095 233, 259, 346, 349, 350, 373, 377, Padova, Marchetto da, 372, 586 385, 399, 416, 465, 466, 494, 641, Padua, 377, 892, 894, 1083, 1095, 1106, 646, 652, 783, 827, 835, 836, 930–32, 1114, 1115 951, 974, 993, 1021, 1152, 1163 Abbey of Santa Giustina, 1106 Abbey of St. Denis, 1057 Basilica del Santo, 665 Abbey of St. Victor, 188, 191, 346, 349, cathedral 783, 1037 school, 651 cathedral of Notre Dame, 188, 191, 211, Scrovegni Chapel, 1103 222, 346, 642, 644, 645, 751, 780–81, university of, 653 802, 817, 826, 834–74, 1050–73 Padua, Bartolino da school, 651 “Imperial sedendo”, 472 cathedral of St. Stephan, 837 Padua, Dactalus de, 1095 Chapel of St. Ursula, Sorbonne, 197 Padua, Gratiosus de, 1103, 1117 church of St. Denis du Pas, 852 Padua, Marchetto da, 653, 949, 1102 church of St. Jean le Rond, 642, 852 Brevis compilatio, 1121 College d’Arras, 198 Pomerium, 696–98 Confrérie St Éloi of the Guild of cantus mixtus, 697 Goldsmiths, 513 divisiones, 696–700, 703 Conservatoire, 7, 617 via naturae, 696 Île de la Cité, 852, 869 Paganini, Niccolò, 548 Monastery of St. Barthélemy, 869 paganism, 47, 48, 59, 629 Monastery of St. Denis, 81, 87, 99, 110 philosophy, 52 priory of St. Eloi, 852 Page, Christopher, 6–7, 13, 178, 184, 186, school of, 477 613, 622, 627–30, 633, 635–36, Sorbonne, 622 638–39, 649, 652, 654, 908, 1003, University of, 197, 233, 370, 652 1043, 1177 parish plays, 514 Pageant of the Shearmen and Tailors, 516 parole, 429 Paien, Thomas, 960, 1168 paroxytone, 87 paleography, 178, 183–84, 187, 250, 375, part format, 926, 948, 994 376, 431, 530–32, 543, 556, 736, passagio, 600, 601–2 1109 Passion, 54 musical, 224–31, 303 Passion plays, 504, 505, 510–12, 514 Palermo Paston, Edward, 557 cathedral of, 147 pastora, 384, 386 Palestine, 57 pastourelle, 386, 389, 398, 419, 500, 513, 591, palimpsest, 131, 133, 631, 1083, 1111 909, 986, 1164 Palm Sunday, 143, 504, 781 Pater noster, 128, 725, 1052 pan pipes, 461 patrem omnipotentem, 140 panisorhythm, 1005 patronage, 548, 549–50, 551, 649, 659, 661, Panofsky, Erwin, 1191 706, 888, 893, 894, 933, 940, 954, Paolo Abbot of Florence 1136–38, 1165, 1168–69, 1190, 1194, “Benedicamus domino”, 1104 1196 “Gaudeamus omnes”, 1104 Pattison, Walter, 192

Index 1229

Pavia, 130, 1083 secular, 584, 590–93 school, 1094 tempo, 602–3, 604, 782 Payne, Thomas, 682 textual language, 231–33 pedagogy, 160, 210, 222–24, 362, 369, 374, vibrato, 229–31, 585, 587, 600–1, 375, 377, 615–18, 629, 779, 789 615, 623 pedal note, 949 vocal articulation, 213, 214, 220, 221–22, Pedro de Luna (Antipope Benedict 227, 228, 232, 587, 617 XIII), 656 vocal sound, 211, 212–17, 218–20, Peguilhan, Aimeric de, 394 583–86, 587–88, 589, 603, 604, 614, Peirol, 394 615–18 Peiteu, Guilhem de, 155 vocal style, 213, 217 Pelletier, Wilfrid, 577 vocal technique, 211, 214, 216–17, Pentecost, 93, 109, 112, 143–44, 169, 311, 218–20, 231, 584, 593, 616, 623 325, 786, 850, 852, 1056 vocal terminology, 212, 214, 217–20 Pepin III “the Short”, king of the Franks, vocal tradition, 213, 214–16, 231, 584–85 84, 95, 107, 114, 132–33, 180–81, performance revival, 620, 624 286, 290, 464, 638, 640 peripheral, 3 Peraga de Padua, Zaninus de, 1084 Perotinus, 191, 612, 614–15, 682–84, 740, percussion, 454, 592, 594 834, 835, 837, 840, 842, 843–45, Perdrigon, 468, 1150 856, 862 Peregrinus play, 516 “Alleluia, Nativitas”, 855, 976 performance, 11, 245, 246, 256, 263, 264, “Ex semine”, 976 265, 285, 291, 292, 311, 342, 349, “Salvatoris hodie”, 840 357, 415–21, 432, 451, 469, 500, 502, “Sederunt principes”, 682–83, 869, 873 506–10, 517, 521, 534, 538, 542, “Viderunt omnes”, 682–83, 853, 869, 874 545–54, 568, 575–77, 645, 689, 710, personatus, 641 724–30, 735–36, 738, 781, 813–14, personification, 945–47, 953–59, 965, 1057 815, 820, 825, 835, 836, 839, 847, Perugia, 1102 853, 854, 867, 881–84, 888, 903, 908, Perugia, Matteo da, 709, 1115–17, 1138, 928, 929–30, 939, 942, 951, 954–56, 1170 960, 964, 965, 966, 974, 975, 992, “Se je me plaing de Fortune”, 1170 994–95, 1003, 1006, 1015, 1020, Perugia, Niccolò da, 1089 1040, 1060, 1085, 1102, 1119, 1127, “La fiera testa”, 1095 1131, 1193, 1194, 1196 pes, 390, 400, 409, 760, 996, 1010 historically-informed, 213–16, 615 Petrarch, Francesco, 198, 478, 1185 instruction, 1138–39, 1140, 1142 Pharisees, 37 isosyllabic, 418 Philip Augustus, king of France, 1063 isotonic, 418 Philip II “the Bold,” duke of Burgundy, 556 modern, 4–7, 609–25, 749, 1022, 1035, Philippe IV, king of France, 198, 556, 887, 1043 1160 performance practice, 12–13, 164–65, Philip V “the Tall,” king of France, 556 210–33, 389, 578, 582–604, 609–25, philology, 361–65, 566, 576 725, 1023, 1073, 1102 Philpot, Margaret, 4–6 accompanied voice, 590–92, 1085, 1105 Piacenza chant, 782 cathedral of, 102 improvisation, 164, 534, 542, 590, Picardy, 399, 416, 435, 930 594–95, 597–600, 604, 610, 612 Picardy, Petrus de, 196 instruments, 5, 590–92, 593–97, 604, Piccolomini, Enea Silvio, 1184, 1190, 1196 618–19 Picquigny, Nicolas de language, 593 “Plaisance/Or tost”, 956–58 lyric song, 415–21 piedi, 413, 1089 musica ficta, 603–4 Piero, Magister, 1082, 1086, 1091 notation, 224–31, 585–87, 592–93 “Con bracci assai”, 1091 ornamentation, 600–2, 604 “Sì com’al canto”, 1091 performing imperative, 619–20 piffaro, 518 rhythm, 587, 592–93, 599, 1041–44, 1060 pilgrimage, 825, 827 sacred, 584, 588–90, 591 pipe, 461, 462, 596

1230 Index

pipe-and-tabor, 511 religious, 388, 413 piqué tour en dehorsa cappella, 612 rêverie, 428 Pirrotta, Nino, 1081 rhythmical, 1024, 1026, 1035, 1049, Pisa, Peter of, 648 1053–54 Pisan, Christine de, 200 satirical, 383 pitch collection, 749, 752–53, 757, 809 strophic, 148–49 Pizan, Christine de, 942 topical, 840, 1057 planctus, 190, 315, 505, 513, 1023, 1029, Ubi sunt tradition, 954 1034, 1056 vernacular, 167, 382, 654, 730–35, 835, planh, 398, 419 895, 929, 933, 937–67, 1025, 1032, plant, 384 1049, 1057, 1062, 1147 Plantagenet, 892 Poignare, Barthélemy, 659 Plato, 17, 20, 58, 358, 360 Poirier, Matthieu le logos, harmonia, and rhythmos, 719 Court d’Amours, 430 Phaedo,17 Poitiers, 383, 437, 465, 631 Republic, 719 Poitou, 394 Somnium Scipionis,21 Poland, 376, 520, 782, 784, 836, 1120, 1166 theory of mimēsis, 20, 719 polyphony, 10–11, 12–13, 147–48, 151–52, Timaeus,21 156, 160, 164–66, 191, 200, 202, 223, Play of Daniel, 504, 569, 611, 612 232, 236, 365, 369, 370, 375, 377, plica, 613, 679, 680, 741 393, 398, 416, 417, 419, 431, 464, Pliny the Younger, 48 467, 469, 492–96, 512, 515, 531, Plivet, John of, 196 534–36, 541–42, 544, 546–48, 549, pluralism, 642 550–51, 561, 569, 575–77, 584, pneuma, 342 588–90, 595, 596–600, 601–2, 604, poetic meter, 22, 24–25, 58, 133, 150, 623, 643–46, 658–62, 664–65, 719, 151–55, 279, 304, 345–46, 359, 384, 729, 738–44, 774, 782, 801–28, 394, 399–401, 406, 410–11, 413–14, 834–74, 881–903, 907–34, 937–67, 418, 593, 683, 820, 822, 824, 847, 974–96, 1000–15, 1021, 1023, 1038, 980–81, 1024, 1052–54 1042, 1048–75, 1079–97, 1147–73, poetry, 179, 937–67, 978, 1020, 1030, 1036, 1193, 1196 1049–58, 1061–63, 1075, 1160, 1189 improvised choral, 802–12, 814 allegorical, 959, 1002, 1057, 1160 polytextuality, 541, 918, 940, 951, 960, 993, didactic, 845, 960 1000, 1009, 1014, 1093, 1103 elegiac, 17, 382 Pompeii, 564 epic, 17, 383, 405, 430, 439, 452, 468, Ponthion, 638 1024, 1027 pontiﬁcal, 179 erotic, 17, 383 Pontus, 48 fastra, 1164, 1166 Pope Alexander V, 894 fatras, 428, 447, 448 Pope Benedict XIII, 893 Goliardic, 1037, 1147 Pope Boniface VIII, 555, 836, 1102 hymnic, 17 Pope Calixtus II, 826 jeu-parti, 398, 399, 402, 909, 1057 Pope Celestine I, 72, 632 lament, 940, 945–48, 1027, 1029, 1127, Pope Clement V, 836 1166 Pope Clement VI, 893 love, 382, 383, 840, 939, 940, 959, Pope Clement VII, 893, 1137 960–67, 986, 1057, 1139–42 Pope Fabian, 132 lyric, 802, 817–25, 828, 938, 957, 1006, Pope Gelasius I, 302, 632 1147–48 Pope Gregory I, 70, 73, 97, 268, 286, 289, Marian, 385, 430 302, 570, 632, 636, 647 metrical, 384, 404, 406, 418, 1024, 1026, Pope Gregory XI, 893 1035, 1049, 1050, 1052–53, 1089 Pope Gregory XII, 894, 1107 mnemonic, 491 Pope Gregory XIII, 563 moralizing, 840 Pope Hadrian I, 95, 289 narrative, 448, 895, 938, 940, 956, 957, Pope Hadrian II, 289 1002, 1006, 1024, 1039, 1148 Pope Innocent III, 83, 395, 1063 oiseuses, 428 Pope John X, 125

Index 1231

Pope John XIX, 138, 259 proparoxytone, 87 Pope John XXII, 894 Proper, 76, 85, 94–95, 102, 300, 311, 660, Constitutio Docta SS. Patrum, 774 665, 725, 777, 780–81, 783, 784, 812, Pope Martin I, 633 842, 881, 890, 1050, 1104, 1119 Pope Nicholas I, 302, 304 prophetia, 134 Pope Nicholas III, 777 proportions, 1131, 1132, 1134 Pope Paul I, 84, 107 fractions, 1133 Pope Pius II, 1184 sesquialtera, 18, 708, 1133, 1138 Pope Pius V, 774, 777 sesquioctava, 18, 1138 Pope Pius X, 111 sesquitertia, 18 Pope Pius XII, 111 proprietas, 686 Pope Sergius I, 631, 632 prosa, 100, 158, 166, 168–69, 307, 311, 315, Pope Stephen II, 180, 638 317, 330, 331–34, 342, 817, 823–24, Pope Stephen III, 75 827, 1032, 1049 Pope Stephen IX, 130 prose, 11, 99, 278, 281, 300, 307, 328, 374, Pope Telesphorus, 630 428, 429, 431, 536, 568, 590, 646, Pope Vigilius 719, 720, 731, 786, 787, 882, 883, Vita of, 70 884, 895, 902, 909, 1050, 1052 Pope Xystus, 630 proser, 109 popular music, 573, 617 prosōdia daseia, 240 Portugal, 3, 124, 409, 520 prosody, 25–27, 248–49, 570 postcommunion, 95, 103 prosopography, 176–203 postlude, 13, 150, 420, 468, 598 prosopopeia, 965 Pothier, Dom Joseph, 566 prosula, 95, 150, 251, 316, 330, 332, 339, Pradas, Daude de, 436 342, 683, 840, 974, 1052 Prague, 377, 776 Protestant Reformation, 563, 569 Prato, 1092 protreptikos, 361 Prato, Giovanni da provenance, 733, 770, 784, 930–32, 1104, Paradiso degli Aberti, 471 1121 precentor, 349 Provençe, 394, 573 prelude, 13, 468, 598 Provins, Guiot de, 404 Pres, Josquin des, 1013 Prudentius, Aurelius Clemens, 278, 1029 Presbyter, Theophilus Prüm Schedula diversarium artium, 464 Abbey of, 325, 649 Presentation, 781 Prüm, Regino of, 368, 476, 484, 649 Presentation of the Virgin, 504 psallendo, 127 Primas, Hugh, 1037 psalm, 38, 40–41, 45, 46–47, 50–52, 53, 59, Prime, 93, 104, 112, 128, 140 69, 71, 72, 77, 93–94, 104–5, 109, printing, 375, 776, 1191, 1193 128, 135–36, 140, 141–44, 182, Prise amoureuse, 448, 1163 279–80, 284–85, 288, 289, 476–77, La Prise d’Alexandrie, 469 479–81, 516, 588, 627, 629, 726, 728, Prison d’Amour, 430 781, 785, 786, 808, 851, 1109 procellaris, 230 psalms of David, 632 procession, 155, 262, 645, 780–781, psalm tone, 94, 106, 229, 269, 479–81, 598 850, 852 psalmellus, 139, 140 Procession of the Prophets, 504 psalmody, 71–72, 105, 135, 224, 269–70, processional, 109, 645 279, 285, 288, 291–92, 629–30, 636, processional music, 785, 812, 850–52, 854, 637–38, 642, 647 869, 1048, 1194 antiphonal, 71, 128, 270 Prodenzani, Simone de, 1089 responsorial, 71, 128, 270, 758, 759 Il Saporetto, 1095 psalmos,41 prolation psalmus directus, 141, 142–43 major, 690, 694, 703, 708, 710, 1090, psalmus quinquagesimus, 142 1132 psalter, 40–41, 52, 93, 102, 109, 110–11, minimum, 690 143, 279, 280, 477, 651, 725, 777 minor, 694, 699, 1090, 1133 psalteratus, 476 signs, 1109 Psalterium Monasticum, 113

1232 Index

psaltery, 420, 454–55, 457–58, 467, 470, recta mensura, 677, 685 591, 596 Red Byrd, 614–15 Ptolemy, Claudius Red Sea, 40 Harmonica, 363 Redon public ceremony, 582 Abbey of St. Sauveur, 335 punctum, 243–44, 246–47, 249, 255–56, 259, reductio modi, 847 320, 471, 675, 834, 842, 844, 1041, Reese, Gustave, 1 1150 Reformation, 730, 774, 780, 784, 1191 punctus, 1091, 1110, 1132, 1133 refrain, 5, 71, 75, 135, 139, 141, 152, 155, divisionis, 1121 159, 162, 168, 280, 288, 384, 406, Purcell, Henry, 563 410–11, 413, 429, 588, 591–92, 599, King Arthur, 563 629, 708, 761–72, 813, 826, 840, 843, The Fairy Queen, 564 937, 943–50, 951, 954, 962, 1032, purgatory, 660–61 1035, 1051, 1055, 1089, 1135, 1137, Purification, 504 1143, 1152–69 Purification of the Virgin, 781, 852 refrain, 11, 12, 384, 386–89, 390, 398–99, puys, 399, 1162 401, 430–32, 436, 437, 439–48, Pygmalion, 465 909–12, 919–21, 992–93, 1148–49, Pyrénées, 410, 573 1151 Pythagoras, 17, 360, 457, 462 cento, 992 Pythagorean intervals, 20 Regensburg, 281, 895 Pythagorean tuning, 372 Abbey of St Emmeram, 99, 263, 272, theory of acoustics, 58 319–20, 325 Regensburg, Baturich of, 251 Quadrivium, 361, 368, 371, 373, 649, 652 Regula magistri (anon.), 635–36, 640, 647 Quattrocento, 894, 1097, 1100–22 Reichenau Quebec, 575–76 Abbey of, 649 Quebec City, 576 Reichenau, Berno of, 650 Quintilian, Marcus Fabius, 477, 478 Reichenau, Hermannus of Quixote, Don, 1177 notation, 239–41 Qumran, 47 Reims, 335, 1139 Quodvultdeus, 26 Abbey of St Denis, 196 cathedral, 644, 656, 892, 893, 1007, rabab, 458 1015 Rachel, 504, 505 Rouelle altar, 890 radiocarbon techniques, 453 school, 651 Radom, Nicholas de, 1121 religious guilds, 413 Radomski, Mikolaj, 1121 religious reform, 272, 278, 348–49, 369, Ragot, Jacques, 659 562, 563, 570, 774–78 Raising of Lazarus, 53 Church of England Act of Supremacy Ramos de Pareja, Bartolomé, 372 1534, 778 Rankin, Susan, 183–84, 516, 814–15 English, 778 Rapondi, Dino, 661 Lutheran, 778 Rathus, Sister Elisabeth, 201 Melk, 783 rattle, 463 papal curia, 777 razo, 192, 939 religious sacrifice, 38, 632 rebec, 5, 420, 457, 458–59, 466, 470, 590, Le remède de Fortune, 469, 962, 1169 596, 597 Remy, Philippe de, 399 reception, 213, 274, 561–69, 631, 1173 Les Oiseuses, 447 recitation, 777, 781 Renaissance, 3, 19, 24, 28, 437–39, 456, 491, recitation tone, 270, 329, 479–81, 491, 492, 583, 613, 623, 651, 718, 744, 599 996, 1177–79, 1181–83, 1186–89 recitative, 989 Renart le nouvel, 910 Reckow, Fritz, 801 Renart, Jean, 429, 436–37, 448, 470 reconquista, 409 Galeran de Bretagne, 466 recorder, 5, 596 Roman de Guillaume de Dole, 429, 433, 436, Records of Early English Drama, 510, 514 437–39, 912

Index 1233

Reome, Aurelian of, 229, 251, 360, rithmus, 315, 718, 719–20, 1023–26, 649–50, 654 1053–54, 1060–61, 1062, 1073 Musica disciplina, 251 ritornello, 695, 697, 698, 1086–88, 1094 repetition, 24, 80, 131, 139, 153, 156, Robert II “the Pious,” king of the Franks, 158–59, 216, 219, 222, 245, 301, 325, 187, 302–3 330, 332, 343, 390, 395, 759, 764, Robert II, count of Artois, 194, 513 788, 855, 857, 871, 918–21, 922, 926, Robertson, Anne, 1006, 1015 951, 993, 1000, 1003–5, 1009–11, rock music, 613, 617 1012, 1013–14, 1024, 1029, 1032, Rodericus 1039, 1055, 1063, 1065, 1069, 1086, “Angelorum psallat”, 770–72 1097, 1110, 1114, 1156 Roi, Adenes le, 458, 460 representatio, 502 Cleomadès, 430 respond-gradual, 131–32 Roland, 563–64 responsoria inter lectiones, 141, 142 Rollason, David, 177 responsoriale, 107 Roman curial liturgy, 775, 777 responsorium, 127, 128, 134 Roman de Fauvel, 429, 430, 431, 440–41, 448, in choro, 143–44 528, 535, 690, 908, 942, 1002, 1006, post hymnum, 142 1073, 1158–61 responsory, 70, 75–76, 93, 104–5, 106–10, Roman de Guillaume de Dole, 433, 436, 128, 136, 139, 140–44, 165, 224, 437–39 267–68, 269, 273, 342, 479, 503, 513, Roman de Horn, 466 646, 725, 726, 786, 787–88, 792, 801, Roman de la Dame à la Licorne, 449 812–13, 827, 851–53, 854, 858–61, Roman de la Poire, 429 862, 869–74, 974 Roman de la Rose, 437, 470, 912, 957, 1002, Resurrection, 54, 55, 57, 503, 874 1006, 1152 Resurrection Vigil, 54, 59 Roman de la Violette, 430, 431, 433, 436–38 Resverie (anon.), 447 Roman de Meliacin, 431, 432, 435–36, 437–39 retroncha, 387 Roman de Perceforest (anon.), 449 retronxa, 384 Roman de Renart le Nouvel, 429, 442–45 Reuental, Neidhart von, 405, 407 Roman de Tristan, 429, 431 rêverie, 447 Roman des deduis, 956 Rheinau, 110 Roman des sept sages, 449 rhetoric, 23, 95, 213, 221, 361, 370, 373, Roman du Bel Inconnu, 437 382, 388, 416, 417, 649, 720, 724, Roman du Châtelain de Couci, 431, 436, 448 749, 856, 963, 1028, 1147, 1195 Roman empire, 21, 37–38, 48, 49, 123, 129, Rhine, 272 132–33, 215, 359, 627–30, 882, 1182, rhythm and meter, 13, 22, 24–25, 58, 80, 1184, 1187 150, 165, 226–27, 245, 247, 259, 279, fall of, 3, 464 346, 365, 370, 417–19, 527, 586–87, Roman conquest of Britain, 635 592–93, 599, 615, 718–44, 751, 756, Roman rite, 638–40, 654, 726, 777, 758, 764, 768, 782, 818, 824, 835, 785, 786 845–49, 858, 859–62, 910, 942, 946, formation of, 627–38, 647 980–81, 986–90, 1003–5, 1041–44, Roman schola cantorum, 629, 637–38, 639, 1052–54, 1059, 1065, 1086, 1087, 657, 725 1094, 1100, 1107, 1109–10, 1114, Roman synod, decree of, 73 1117, 1119, 1125, 1128, 1130–36, “Romana”, 303 1138, 1152, 1155, 1193 romance, 11, 382, 388, 428–49, 452, 466, ancient, 721–25, 743–44 563, 591, 732, 910, 912, 933, 956, Carolingian, 743 992, 1002, 1149, 1151, 1168 Riez, Jehan du, 659 Romano-Frankish liturgy, 111, 113–16, 787 rinascita, 1184, 1185, 1188, 1193, Romantic era, 1185 1196 Romanticism, 571 ripresa, 1089 Rome, 23, 52, 76, 77, 82–83, 85, 87, 113, Riquier, Guiraut, 392, 394, 397, 410 123, 129, 130, 136, 180–81, 301, 305, “Be.m meravilh co non es enveios”, 398 585, 630, 633, 635, 636, 647, 648, rise of the universities, 193, 200, 361, 777, 836, 1037, 1107, 1121, 1139 651–53 ancient, 3, 21–23, 455, 463, 1188, 1190

1234 Index

Rome (cont.) Rubrice breves (anon.), 698 education, 21–24, 360, 629 Rudel, Jaufre, 394, 436–38 grammar, 21, 22, 25–26, 361 “Lanquan li jorn son lonc en mai”, 438 philosophy, 15, 28–35, 359–65 Rügen, Wizlâv von, 405 poetry, 58, 1027, 1190, 1194 Rupertsberg, convent of, 189, 212, 222 prosody, 25–27, 58 rhetoric, 23, 361 Sabilone, Robertus de, 834, 845 theatre, 500 Sablé, Renaut de, 436, 437 Arch of Titus, 38 Sachs, Curt, 568 Caelian hill, 647 sackbut, 511, 514 Council of, 137 Sacramentary, 92, 94, 95–97, 100, 103, Lateran Council of 595, 632 180, 631 Monastery of St Andrew, 647 sacre rappresentazioni, 518 Roman Curia, 83, 85 Sacrificium, 127, 136 Roman Forum, 38 Sadducees, 37 Roman Office, 105 Saint-Gille, Chastelaine de, 431 Roman rite, 72, 84, 88, 95, 113–16, 123, Saint-Maur de Glanfeuil, 110 125, 129–32, 133, 136–37, 138, 140, St. Agnes, 513 144, 180, 250, 263, 265–68, 270, 271, St. Aidan of Lindisfarne, 634 272, 277, 278–80, 286–93, 300, 302, St. Alban, 1037 311, 369 St. Alcuin of York, 648 Mass, 69, 72, 76, 127, 288 St. Amand, Hucbald of, 649 Office, 75, 106 St. Ambrose of Milan, 71, 137, 140, 142, Scola cantorum, 70, 72–75, 77, 85 143, 302, 630, 634 St. Mary Major’s Basilica, 15, 52 “Aeterne rerum conditor”, 140 St. Paul’s Basilica, 52, 75 Ambrosian rite, 130, 131, 138–44, 302 St. Peter’s Basilica, 52, 75–76, 633, “Deus creator omnium”, 143 638, 647 feast of the Deposition of, 139 rondeau, 11, 398, 428, 430, 431, 439, 442, feast of the Ordination of, 139 467–68, 469, 506, 514, 575, 591, 694, hymns, 631, 721 707, 765, 770–71, 907, 909–22, 926, “Splendor paternae gloriae, 142–43 928–30, 933, 937, 943, 951, 960, 993, St. Andrew, 109 1015, 1095, 1108, 1111, 1115, 1130, St. Andrews 1138–39, 1154–61, 1165, 1169, 1172 cathedral, 3, 212, 645, 740, 836, 841, religious, 1163 854 simple, 910, 918 St. Anthony of Padua, 663, 1056 tercet, 910 Mass of, 664 rondellus, 776, 996, 1010, 1075 St. Anthony the Great rondet, 387, 439, 1152–54, 1156 Rule of, 635 de carole, 439 St. Augustine of Hippo, 21, 25, 283, 359, Rongh, Jehan, 659 630, 648, 722–23 Rosarius, 430, 435 Confessions, 743 Roth, Adalbert, 660 De musica, 22, 25, 304, 359, 847 rotrouenge, 387 hymns, 632 rotte, 458 On Christian Doctrine,52 rotulus, 1166 Rule of, 635 rotunda, 385 St. Bartholomew, 131 rotundellus, 373, 385 St. Basil of Caesarea “the Great”, 48, 52 Rouen, 132, 334 Address to Young Men on Reading Greek cathedral, 464 Literature,52 Mystère de l’Incarnation, 514 St. Bede the Venerable, 648 Rouen, Remedius of, 84 St. Benedict Rouse, Mary, 478 rule of, 52, 75, 105, 181–82, 476 Rouse, Richard, 478 St. Benedict of Aniane, 640, 648 Royal chapel, 653–54, 660, 892 St. Benedict of Nursia, 632, 634 Rózsa, Miklós, 569 Rule of, 635–36, 638, 640, 647, 648 rubebe, 458 St. Bernard of Clairvaux, 1056

Index 1235

St. Bertin, Goscelin of, 187–88 St. Gall, Ratpert of, 183–84 Liber confortatorius, 187 St. Georg im Schwarzwald, 224 St. Boniface, 648 St. Germain, 133, 134–35, 1056 St. Brendan of Clonfert, 634 St. Ghislain, Arnulf of, 601, 965 St. Briccius of Tours, 85 St. Guillaume of Bourges St. Bridget, 775 feast of, 869 St. Brigid of Kildare St. Hadrian of Canterbury, 648 life of, 638 St. Hilary of Poitiers, 630 St. Caesarius, 135 hymns, 631 St. Chrodegang, Bishop of Metz, 180–81, St. Honoratus of Arles, 634 218, 640, 641 St. Isidore of Seville, 23, 71, 128, 217–18, Regula canonicorum, 218 359–60, 583, 743 Rule of, 181, 642 De ecclesiasticis oﬃciis, 126 St. Ciarán of Clonmacnoise, 634 Etymologiae, 23, 359, 649 St. Clement of Alexandria, 48 Libri synonymorum, 315 The Pedagogue,46 Synonyma, 1026 St. Columba of Iona, 634 St. James, 855 St. Columban, 634 St. James the Greater St. Constantine “the great”, Roman cult of, 825 Emperor, 132 liturgy, 802 conversion of, 627 St. Jerome, 630, 635, 1194 St. Cyprian of Carthage, 124 St. John the Baptist St. Cyril of Jerusalem, 53 feast of, 643 St. Denis, 1056 nativity, 974 Basilica of St. Denis, 649 St. John of Damascus, 57 feast of, 850 St. John the Evangelist, 200 St. Denis, Hilduin of, 137 St. Kyneburga, 1037 St. Eligius St. Lawrence feast of, 852 feast of, 139 St. Emmeram Anonymous, 370, 677, 845 St. Lucy, 106 St. Enda of Aran, 634 St. Martin of Tours, 85, 634 St. Finnian of Clonard, 634 St. Mauritius of Agaunum, 85 St. Francis of Assisi, 412, 1056 St. Mercurius, 131 St. Gall St. Mildreth, 187 Abbey of, 182, 183–84, 212, 275, 284, St. Nicholas, 168, 817, 1056 301, 316, 319, 322, 324, 330, St. Pachomius the Great 539, 776 Rule of, 635 notation, 101, 109, 112, 226–27, St. Paul, 46, 123, 503 245–48, 259 Conversion of, 106 Passion play, 512 St. Peter, 123, 129, 503 Vita of, 183 St. Sebastian St Gall, Ekkehard IV of, 183–84, 289, 301, feast of, 662, 664 302–4, 323 St. Stephen, 53, 1056 Petrus and Romanus, 301 feast of, 844 St. Gall, Hartker of, 108, 243 feast of the Finding of, 850 St. Gall, Iso of, 243, 308 St. Theodore of Tarsus, 648 St. Gall, Notker of, 139, 182–84, 241, 301, St. Thomas Becket, 219 302–3, 304, 307, 316, 322, 323, 329, St. Thomas of Canterbury, 755, 1056 350, 776 feast of, 869 “Festa Christi”, 325–29, 335 Translation of, 869 Gesta Karoli, 276 St. Tutilo of St. Gall, 183–84 “Laudes deo concinat”, 308 St. Victor, Adam of, 188–89, 191, 837 Liber hymnorum, 183 St. Victor, Hugh of Liber ymnorum Notkeri, 308, 317, 324, De tribus maximus circumstantiis 348, 350 Gestorum, 477 Notkerian letters, 735 St. Waudru, 664 “Psallat ecclesia”, 308 St. William, 664

1236 Index

St. William of Bourges, 1056 642, 648, 649, 654–57, 659, 710, 887, St. Willibrord, 648 891, 945, 954–60, 1006, 1011, 1013, Salamanca 1091, 1126, 1129, 1130, 1137, 1158, cathedral, 520 1164, 1166, 1172 Salisbury, 776 libraries, 650 Salisbury, John of, 15, 219–20, 853 secular music, 193, 202, 529, 531, 549–52, Policraticus, 219, 838 584, 600, 610, 619, 654–56, 659, Salome, Mary, 503, 511 1105, 1107, 1110 Salomonis, Elias, 589 secular rites, 777, 786 saltarello, 471, 599 Seder Rav Amram Gaon, 39 salut d’amour, 430–31, 447 semibrevis, 417–18, 685–91, 694, 696, Salzburg, 99 698–700, 702–4, 706, 708, 742, 846, St. Peter’s Abbey, 99 1090, 1115, 1130 San Lupo, 108, 109 altera, 686, 689, 703 Sancto Johanne, Matheus de, 656, 658 cauda hirundinis, 704–5 “Courtois et sages”, 1137 caudata, 1132, 1135 “Science n’a nul annemi”, 948 imperfecta, 703 Sanctorale, 93, 103, 106–7, 111, 325, 787 maior, 685–87, 702, 703 Sanctus, 94, 127, 212, 222, 268, 270, 275, minima, 698, 742, 1130 536, 630, 646, 706, 884–85, 895, minor, 685–87, 702, 703 1080, 1103, 1105, 1110, 1111, 1117 oblique-stemmed, 1090 Sanders, Ernest H., 1001 paired, 703 Sandhofe, Holger Peter, 113 perfecta, 703 Santiago de Compostela, 147 semiminim, 1086, 1090 cathedral, 15, 192, 464, 645, 751, 802, reverse-ﬂagged, 1132 825, 826, 827 semiotics, 618 Santo Domingo de Silos Semur monastery of, 836 Passion play, 514 Saracens, 636 Senator, Cassiodorus, 23 Sarum Gradual, 102 Institutions of Divine and Secular Sarum rite, 776 Learning,23 satire, 1037, 1162 Seneca, Lucius Annaeus, 1192 satirical text, 389 Senleches, Jacob, 656, 940 Savoy, 659 “En attendant, Esperance conforte”, 709, Saxony, 404 1134, 1170 Sayce, Olive, 180, 193 “En ce gracieux temps”, 952 Scandinavia, 2, 457 “Fuions de ci”, 940 Schilling, Sister Elisabeth, 201 “La harpe de melodie”, 469, 943, 1134 Schlager, Karl Heinz, 783 “Je me merveil/J’ay plusieurs fois”, Schrade, Leo, 4–7, 13, 361 707, 948 Schreurs, Eugeen, 548 Sens, 956 score format, 534, 541–42, 547, 813, 819, cathedral, 147, 645, 836 910, 926, 993, 1156 Sens, Odorannus of, 184 Scotland, 456, 645, 836, 841, 854 alphabetic notation, 241 Scottus, Sedulius, 148 sentement, 939–40 scriptorium, 188, 531, 543, 648, 1080, 1106 Septuagesima, 100 Seay, Albert, 1 sequence, 10, 156–58, 165, 168–69, 183, Seclin 184, 188, 200, 241, 263–64, 268, 273, church of Saint-Piat, 658, 659 277, 289, 300–50, 385, 431, 479, 512, Second Jewish War, 37 515, 730, 731, 737, 776, 777, 781, Second Vatican Council, 126 783, 785, 788, 811, 812, 814, 817, secret, 95, 103 838, 840, 872, 959, 1010, 1025, 1029, secular clergy, 778 1037–39, 1050, 1055, 1065, 1087, secular court, 22, 178, 180, 191, 195, 199, 1102, 1110, 1166 276, 382, 383, 394, 395, 399, 410, “ﬁrst-epoch” model, 345 421, 429, 438, 465, 468, 469, 470–71, “second epoch” model, 345 513, 520, 563, 582, 591, 597, 599, aparallel, 329–30, 343, 350

Index 1237

Dedication, 325 Solage, Jean, 656, 954 German tradition, 335–42 “Calextone”, 942 partially-texted, 300, 308, 312, 332–34 “Fumeux fume”, 770–71 synoptic layout, 316, 318–22, 324, 343 Solesmes texted, 300–1, 307–8, 311, 314–16, 325, Abbey of St. Pierre, 99, 217, 566, 587, 331–34 730 textless, 300–1, 303, 304–7, 311, 312–13, solfège, 369 316, 332–35 solmization syllables, 258, 487, 491, 966, tradition 1029 Anglo-French, 303, 318, 330–39 solus tenor, 1005, 1103 German, 303, 318, 330 song, 24, 26, 29, 41, 46, 187, 421 Italian, 303, 318 cantiones, 785 Victorine, 975 chivalric, 383 sequentia, 300, 301, 304–12, 317, 330–34, dance, 373, 387, 388, 389, 398–99, 405, 342, 611, 1049 416, 419, 420, 421, 467, 468, 470–71, sequentiary, 319, 324–25, 330, 343, 346, 349 501, 504, 591–92, 731, 908–9, 1089, Sercambi, Giovanni, 1095 1151 Sestaro, Albertet de debate, 398 “Bo chanter fai al gen temps de devotional, 232, 398, 402, 413, 593, 1032, pascor”, 420 1037, 1038–39, 1049, 1120, 1148 Seven liberal arts, 22–23, 58, 360, 1195 dialogue, 383, 386, 406, 419 sext, 93, 104, 112, 135, 140, 852 diaphonic, 165, 170 Sforza, Lodovico, 653 didactic, 193, 383, 387, 491, 1027, 1110, Shakespeare, William, 500 1151 Shaw, Geoﬀrey, 5 epic, 383, 569, 571–74 shawm, 420, 460, 470, 506, 507, 511, 514, folk, 566, 568, 571, 575, 576 594–96 Goliardic, 1147 Shearmen and Tailors’ Pageant, 507, 508 lament, 20, 190, 383, 384, 386, 389, 391, shofar, 39 504, 505, 511, 513, 517, 940, 945–48, siciliana, 1106 1027, 1029, 1127, 1166 Sicily, 170 love, 190, 382–89, 391, 395, 398, Sidgwick, F., 1022 399, 405, 406, 416, 436, 507, 562, Siena 818, 939, 940, 959, 960–67, 986, Palazzo Publico, 592 1034, 1037, 1063, 1139–42, 1148, Siena Nativity play, 519 1151 Sigebert I, 302 lyric, 382–421, 802, 817–25, 828, signum rotundum, 703 1147–48 Sigo (cantor of Chartres), 186–87 macaronic, 1021, 1035 silete, 508, 509, 517 moralizing, 386, 389, 1026, 1037, Simson, Otto von, 1177 1162 sinuosa, 585 nova cantica, 147–73 sirventes, 386, 392, 395, 398, 419 penitential, 387 Skálholt picture, 943 church of, 212 polemical, 193, 383 Slaughter of the Innocents, 506, 507 popular, 383, 432, 571, 575, 576 Slavonia, 57 prophetic, 40 Slovenia, 1121 refrain, 11, 384, 386–89, 390, 398–99, Société Sainte Cécile, 7 401, 410–11, 430–32, 439–48, 708, Socrates, 17 761–72, 937, 943–50, 951, 954, 962, Soest, 201 992–93, 1051, 1089, 1135, 1137, convent of Paradies bei Soest, 200–2 1143, 1148–49, 1152–69 Sohier, Mathieu, 191 satirical, 386, 1037, 1162 Soignies, Gontier de, 399, 436 secular, 14, 373, 382–421, 428–49, 531, Soissons, 312, 430, 435 542, 553, 562, 569, 570, 584, 593, Soissons, Raoul de, 399 730, 765, 907–34, 937–67, 1005, “Quant voi la glaie meüre” (RS 2107), 1026, 1032, 1037, 1079–97, 1106, 435 1107, 1113, 1147–73

1238 Index

song (cont.) Straßburg strophic, 148–49, 151–60, 169–70, 171, University of, 576 382–421, 428–49, 621, 819–20, 824, streitgedicht, 386 840, 895, 1024, 1032, 1053–56, Strohm, Reinhard, 661 1061–67 structure topical, 386, 406, 1026, 1057 melodic, 263, 270, 279, 300, 328, 385, vernacular, 10–11, 147–48, 150, 188, 193, 390–91, 393, 395, 398, 399–403, 232, 260, 382–421, 428–49, 512, 571, 406–9, 410–11, 413–14, 416, 820, 730–35, 835, 907–34, 937–67, 996, 896, 902, 909, 916–26, 993, 1009–11, 1020, 1023, 1032, 1038, 1049, 1062, 1013–14, 1025, 1032, 1040, 1055, 1106, 1148, 1149, 1158 1062–65, 1069, 1075, 1086, 1087–89, Song of Roland, 571–73 1119, 1156, 1160 Song of the Sibyl, 504 poetic, 155, 167, 384, 398, 410, 411, 416, Sonnenberg, Friedrich von, 405 753, 787, 820, 882, 895, 896, 909, sono, 128 916–26, 1024, 1039, 1053–56, sonum, 134 1062–65, 1089, 1135, 1154 Sordello, 394 rhythmic, 328, 619, 857, 896, 901, 902, Sortes 993, 1000, 1004, 1010, 1013, 1135, “Credo”, 1107 1144 sotte chanson, 1160 Studio der frühen Musik, 568, 611 sound recording, 549, 569, 576, 619 Sturgeon, Nicholas Souzdal, Abraham of, 519 “Salve mater/Salve templum”, 711 Spain, 53, 124, 125, 255, 348, 456, 463, 645, subfinal, 329 836, 893, 1120, 1129 Subiaco, 349 Roman Spain, 123–29 Abbey of St Scolastica, 775 Spanish rite, 123–29, 134, 136 Monastery of Sacro Speco, 775 Spanish Reformed Episcopal Church, 126 succentor, 177, 191 Spanke, Hans, 155, 170, 1055 suffrage, 661 Spataro, Giovanni, 653 Summa musice (anon.), 585 Spervogel, 406 sursum, 246 “Swa eyn vriunt dem andern vriunde bi Susay, Jehan, 656, 658 gestat”, 407 Suso, Henry Speyer, Julian of Horologium sapientiae, 1006 St. Francis office, 788 Suzoy, Jehan Spiess, Lincoln Bunce, 803–4 “Pythagoras, Jubal et Orpheüs”, 707, Spitta, Philipp, 802 953 sponsus, 505, 512 Swabia, 404 Spruch, 387, 406 Sweden, 775, 786, 836 Squarcialupi, Antonio, 202–3, 1080 Switzerland, 135, 182, 404, 511 Squarcialupi, Francesco, 203 Symmachus, Quintus Aurelius, 632 Stäblein, Bruno, 82, 84, 264, 271, 325, 338, symphonia, 162–64 633–34, 637–38 Synagogue, 39, 41, 44, 46, 47, 59, 509, 627 stained glass, 12, 452 syncopation, 694, 696, 704, 706–8, 711, 951, Stampensis, Albertus, 838 1090, 1094, 1117, 1133–36 stampida, 384 displacement, 707, 710 stantipes, 373, 385, 420 synoptic layout, 316, 318–22, 324, 343 Stary Sącz Syracuse, Bishop John of, 632 Poor Clare convent of Blessed Kinga, Syria, 57 836 Szendrei, Janka, 782, 783 Statius, Publius Papinius, 1030 St.-Bénigne-de-Dijon, 100 tablature, 239, 241, 471, 542, 703, 1106 Stephan, Rudolf, 780 tableau vivant, 514, 520 Sternfeld, F. W., 2 tabor, 5, 462, 594 Stevens, John, 167, 732, 1035, 1037 tactus, 540, 718 Stone, Anne, 710 tagelied, 386 Stone Age, 451 talea, 896, 1003–5, 1010, 1012, 1013–14 Strabo, Walahfrid, 136, 272 Talmud, 39, 59

Index 1239

tambourine, 508, 592 “Alleluia, Per manus autem tanzlied, 387 apostolorum”, 855 Tarentum, Aristoxenus of, 719 “Alleluya Inter natos mulierum”, 974 Taruskin, Richard, 621 “Alleluya, Christus resurgens”, 869 Tavernier, Vincent le, 659 “Alleluya, Hodie Maria virgo”, 854 taxonomy, 937, 1022 “Alleluya, Post partum virgo”, 855 te’amim, 42–45 “Alleluya, Posui adiutorium”, 834, 855 Te deum, 135, 141, 509–10, 807, 808 “Alleluya, Vox sancti Bartholomei”, 869 Tegernsee “Alma chorus”, 315 Abbey of, 785 “Alma redemptoris mater”, 785 temperament, 618, 619 “Alto consilio”, 165 tempo, 689, 728, 986–90 “Ama chi t’ama”, 1095 Temporale, 70, 93, 106, 111, 325, 787 “Amis loial vous ay trouvé”, 1167 tempus, 677–78, 684 “Amoena”, 324 imperfectum, 690, 694, 696, 699, 708, 710, “Amor potest/Ad amorem”, 689 1090, 1133 “Amors mi font renvoisier et canter”, 437 perfectum, 690, 694, 695, 696, 703, 1090, “Amours doucement”, 757 1132, 1135 “Amours et ma dame aussi, jointes mains tenete, 227, 246 vous proi merchi” (vdB 156), 443 tenor structure, 993, 1000, 1003–5, “Amours qui a le pouoir/Faux 1009–11, 1013–14 Samblant m’a deceü/Vidi tenso, 384, 386 Dominum”, 1002 tenson, 386 “An espoir d’avoir aïe” (RS1099), 1152 Terce, 93, 104, 112, 128, 135, 140, 852 “Angelorum psallat”, 770–72 termination cadence, 480–82 “Angelus ad Virginem”, 591 Tertullian, Quintus Septimus Florens “Annus novus in gaudio”, 159 Apologeticum, 628 “Arce siderea”, 824 terzetto, 1086, 1087 “Armes, amours”, 943 tessitura, 222, 328, 750, 913 “Assumpta est Maria”, 515 tetrachord, 28–34, 55, 57–59, 162, 168, 240, “Attende caelum et loquar”, 141 802–3, 805, 806–7, 810 “Au cuer ai un mal/Ja ne m”en repentirai/ Tewkesbury, John of, 370 Jolietement”, 442, 919–22, 1156 Quatuor principalia, 704 “Au renouviau de la doucor d”esté”, 402 text incipits and titles of melodies “Aucun ont trouvé/Lonc tans/ “A chanter m’er de so q’ieu no Annun[tiantes]”, 991 volria”, 397 “Aucun ont trouvé/Lonc tans/ “A Febo dame”, 1096 Annunciantes”, 688 “A touz jours sanz remanoir”, 1160 “Aurea personet lyra”, 1030 “A vous douce deboinaire”, 908, 913, “Ave corpus sanctum gloriosi Stefani”, 926–29, 1156 1103 “Ab joi mou lo vers e.l (al) comens”, 437 “Ave regina celorum”, 785 “Abiecto, Rigat ora lacrimis”, 869 “Ave Regina/Mater Innocencie/[Ite Missa “Ad superni regis decum”, 164 Est]”, 1102 “Adan, vauriés vous manoir”, 403 “Ave vergine”, 1115, 1120 “Adest una atque precelsa”, 339 “L’autrier estoie montés” (RS 936), 435 “Aeterne rerum conditor”, 140, 142 “L’autrier par un matinet (Erroie)” (RS “Al’entrada del tens clar”, 501 962), 447 “Albane misse celitus/Albane doctor “Autumnalis, 336 maxime”, 1103 “Ave gemma”, 434 “Alleluia. Postquam factus homo”, 282, 283 “Ave Maria”, 302 “Alleluia Pascha nostrum”, 675 “Ave maris stella”, 170 “Alleluia V. Hodie Maria Virgo”, 761 “Ave, donna sanctissima”, 414 “Alleluia V. Vidimus stellam”, 763 “Bavverisca”, 336 “Alleluia, Adorabo ad templum”, 854–55 “Be deu hoi mais ﬁnir nostra razos”, “Alleluia, Assumpta est Maria”, 855, 167–68 866–67 “Be m’a lonc temps menat”, 1150 “Alleluia, Nativitas”, 855, 976 “Be.m meravilh co non es enveios”, 398

1240 Index

text incipits and titles of melodies (cont.) “Congaudentes angelorum”, 323 “Beata viscera”, 834, 844 “Constat in altari”, 1112 “Beati immaculati in via”, 142 “Corde patris genitus”, 168 “Beatus vir [Qui timet]”, 335 “Cornelius, cum orasset”, 862–65 “Beauté parfaite”, 1134 “Corse per l’onde”, 1094 “La bele m’ocit/In seculum”, 1154, 1155 “Courtois et sages”, 1137 “La bella stella”, 1084 “Credo”, 1107, 1120 “Belle, bonne, sage”, 943 “Credo Cardinalis”, 1100 “Benedicamus Domino”, 1095, 1104, “Credo Regis”, 1100 1110 “Credo scabioso”, 1113 “Benedicite omnia opera domini”, 141 “Crucifixum in carne”, 854, 1112 “Benedicta semper sancta”, 312, 315 “Cunctipotens genitor”, 1105 “Benedictus dominus deus Israel”, 141 “D’amor languire”, 1113 “Bien m’ont amours entrepris”, 932 “Da laudis homo”, 159 “Bien m’ont amours/Tenor”, 924, 929 “Da laudis homo nova cantica”, 152 “Bo chanter fai al gen temps de “Dame, or sui traïs”, 910–12 pascor”, 420 “De bone amour et de leaul amie”, 909, “Bon vin/Cist chans veult boire”, 690 1151 “C’est la jus en la roi/Pro patribus”, 1156 “De Fortune” (B23), 961, 1170 “Cacciando per gustar”, 1113 “De monte lapis scinditur”, 736–37, 1069 “Calextone”, 942 “De nocte vigilat”, 141 “Cantemus domino gloriose”, 141 “De petit pó” (B18), 961, 1121 “Captiva”, 323 “Deduto sey”, 770, 771 “Carmen suo dilecto”, 324 “Des mes amours sui/L’autrier m’estuet/ “Catholicorum contio”, 158 Defors Compiegne” (RS 1256), 1164 “Caute cane, cantor care”, 1030 “Descendit de celis”, 854, 871 “Ce moys de may”, 694 “Deus creator omnium”, 143 “Ce que je tieng/Certes mout est bone “Deus creator/Rex genitor/Doucement vie/Bon compaigngie/Manere”, 1162 me reconforte”, 1165 “Celebranda satis nobis”, 339 “Deus deorum Pluto”, 1113 “Celi domina/Ave virgo virginum/Et “Deus deus meus”,86 super”, 1160 “Deus in adiutorium”, 150, 160–61 “Chançon ferai puis que Dieus m’a “Dex est aussi comme li pelicans”, 909 doné”, 402 “Diastematica vocis armonia”, 1035–36 “Chapelet de venke et nouvel ami ferai” “Dic Christi veritas”, 1061–62, 1067 (vdB 342), 444 “Dicit dominus”,94 “Chorus”, 333, 336 “Dies irae”, 777, 783, 1110 “Christ ist erstanden”, 779 “Dies sanctificatus”, 851 “Christi hodierna”, 316, 332, 337 “Diex, comment durer porrai, aimmi, “Christi miles Christo commilitat”, 755 ahai! quant a le bele que j’ain congiet “Ci me faut un tour de vin/Dex quar le me prendrai?” (vdB 494), 442 donnez” (vdB 370), 1161 “Diligenter advertant cantores”, “Cignea”, 324 769, 771 “Cithara”, 333 “Dilexisti iustitiam”, 255 “Clamans in deserto/Johan[ne]”, “Discordia”, 324 974–76, 981 “Dolorum solatium”, 1034, 1037 “Clamavi ad dominum”, 141 “Domine audiui”, 80, 86 “Clavus pungens acumine”, 1069 “Domine audivi auditionem”, 141 “Collegerunt pontifices”, 220 “Domine exaudi”, 80, 86 “Comes Flandrie”, 1108 “Domine, quis habitabit/De veri cordis/ “Companho, farai un vers tot Concupisco”, 1005 convinen”, 155 “Dominus”, 862 “Con bracci assai”, 1091 “Dominus in syna”, 323 “Concelebremus sacram”, 315 “Donna s’i’t’ò fallito”, 1093 “Concordia”, 336 “Donna, se per te moro”, 1096 “Confirmatum est cor”, 141 “Donna, se’ raççi”, 1096 “Congaudeant catholici”, 838 “Donnez, signeurs” (B26), 959, 1163

Index 1241

“Douce amie je vous pri, pour Dieu “Garrit gallus/In nova/Neuma”, 690, 695 merci”, 447 “Gaude felix Francia”, 754–55 “La douce çere”, 1081 “Gaude Maria virgo”, 854, 870 “Douce dame a qui je sui pour Dieu “Gaudeamus Omnes”, 1094, 1104 merci” (vdB 602), 447 “Gaudeat devocio/Nostrum”, 682 “Douce dame, gres et graces vous rent”, “Gaudete vos fideles”, 344, 345–46 1063 “Gloria qui sonitu”, 902 “Douce dame jolie”,4–7, 13 “Gloria”, 1108, 1110 “Dumsigillum summi patris”, 834 “Gloria et honor deo patri”, 141–43 “Duo tres”, 324 “Gloria et honor patri”, 127 “Ecce aduenit”,70 “Gloria, loys”, 896 “Ecce iam Christus”, 343 “Gloria, peliso”, 896 “Ecce iam votiva”, 337–38 “Glorieuse dieu amie/Veritatem”, 980 “Ecclesie militantis”, 744 “Gloriosa”, 313 “Eia recolamus”, 313 “Gloriosa [Dies adest]”, 335 “Eius”, 761 “Gloriosus, Dextera tua”, 866 “En amer a douce vie”, 1169 “Godi Firenze”, 1094 “En attendant”, 1170 “Gratiosus Fervidus”, 1103 “En ce gracieux temps”, 952 “Grates nunc omnes”, 343 “En la maison”, 943 “Hac in die Gedeonis”, 1059 “En ma dame ai mis mon cuer et mon “Han Diex! Ou pourrai je trouver”, 1159 panceir” (vdB 662), 1152 “Hareu! hareu! le feu/He las!/Obediens “En mon cuer est un blanc cine usque ad mortem”, 706 pourtrait”, 1169 “La harpe de melodie”, 943, 1134 “En non Diu que que nus die” (vdB “Haute pence me done” (RS1905), 1154 673), 761 “Hé! Reveille-toi Robin” (vdB 870), 1165 “En non Diu que que nus die/Quant voi la “Hec dies”, 870 rose espanie/T. Eius in oriente”, 761 “Hec est dies triumphalis”, 1069 “En remirant vo douce portraiture”, “Helas! tant vi de mal eure”, 913 1135–36 “Hodie cantandus est”, 284 “En tes doulz flan”, 1172 “L’homme armé”, 1172 “En un vergier”, 1137 “Homo quidam”, 662 “Epiphaniam domino”, 156, 158, 336 “Honte, paour” (B25), 959 “Esperance en qui mon cuer s’embat”, “Hui main au doz mois de mai/[Hec 1169 Dies]”, 922–24 “Esperance qui m’asseüre” (B13), 1165 “Iacet granum”, 869 “Estat ai com om esperdutz”, 396 “Iam nunc intonant”, 339 “Ex Ade vitio”, 165 “Ierusalem mirabilis”, 173 “Ex semine”, 976 “Illuxit”, 336 “Ex semine Abrahe divino”, 683 “Imperial sedendo”, 472, 1095 “Exsultabunt sancti”, 229 “In hoc anni circulo”, 159, 170 “Fait fut pour vous”, 956–57 “In hoc anni circulo/Mei amic e mei “Fami cantar l’amor di la beata”, 414 fiel”, 149 “Femina vetus”, 791 “In hoc festo breviter”, 150, 159 “Festa Christi”, 319, 322, 325–29 “In laudes innocentium”, 168 “La fiera testa”, 1095 “In lectulo meo”, 790 “Filia matris”, 323 “In seculum viellatoris”, 467 “Flos de spina procreatur”, 1067–68 “In te domine speravi”, 320, 322 “Flos pudicitie”, 1039–40 “Incomparabiliter”, 168 “Flur de virginité”, 1041 “Inscrutibilia iudicia”, 335 “Fraude ceca desolato”, 1059 “Inter flores electorum”, 1037 “Frigdola”, 324 “Interludium de clerico et puella”, 500 “Frigescente karitatis”, 1037 “Inventor rutili”, 1029 “Frölich, zärtlich”, 1172 “Iubilemus exultemus”, 165 “Fuions de ci”, 940 “J’ai desir de veoir”, 913 “Fulgens preclara”, 313 “J’ai fait nouveletement/Amie” (vdB “Fumeux fume”, 770–71 934), 1160

1242 Index

text incipits and titles of melodies (cont.) “Messe de Nostre Dame”, 469, 536, 542, “J’ai un chapelet d’argent et bele amie 756, 885, 890, 892, 1109 a mon talent” (vdB 985), 446 “Metenses”, 323 “Ja pour yver, pour noif ne pour gelee”, “Metensis maior”, 323 1152 “Metensis minor”, 323, 335 “Je me merveil/J’ay plusieurs fois”, “Mira dies oritur”, 159 707, 948 “Miracles de Notre Dame”, 506, 507, 513, “Je voi douleur avenir/Fauvel nous a fait 1151 present/Autant m’est si poise”, 1160 “Miserere mei deus”, 142 “Jeu de Robin et Marion”, 1165 “Misit Herodes”, 826 “Johan[ne]”, 975 “Mon chant en plaint, ma chanson en “Jolietement me tient li mal d’amer, clamour/Qui doloreus onques n’a jolietement” (vdB 1166), 442 cogneü/Tristis est anima mea”, 1166 “Jube Domine”, 552 “Le mont Aon”, 771, 1169 “Kund ich nu underscheiden wol”, 408 “Mors”, 869, 873 “Kyrie Cuthberte prece”, 756–58 “Mors vite propitia”, 591 “Kyrie, chipre”, 899 “Musa”, 337 “Lanquan li jorn son lonc en mai”, 438 “Musica son/Già furon/Ciascun”, 948 “Lasse!/Se j’aim/Pour quoy me bat mes “Narrabo”, 103 maris”, 1164 “Narrabo omnia”, 115 “Lauda novella sia cantata”, 414 “Nascoso el viso”, 699 “Lauda Sion”, 777, 781 “Nata est hodie”, 148 “Laude iocunda”, 827 “Natali regis gloria”, 168 “Laudes crucis attolamus”, 781, 783, “Ne celle amour”, 1166 1037 “Ne derelinquas me”, 103 “Laudes deo concinat”, 308 “Ne sai que je die/Johanne, 982–86 “Laus tibi sit o fidelis”, 320, 322, 329 “Nel prato pien de fiori”, 1094 “Lay de Plour” (L22/16), 962 “Non al suo amante”, 698 “Letabundi iubilemus”, 152, 165 “Non deve null’ ome d’esto per ren “Letamini plebs”, 149 dultar”, 411 “Letamini plebs hodie”, 150 “Noster cetus”, 161, 164 “Lilium floruit”, 159 “Nostra tuba nunc tua clementia”, 332 “Loiaus amour qui m’alume” (RS672a), “Nu alrest leb ich mir werde”, 407 1151 “Nube carnis”, 159 “Loiaus desir et pensee jolie” (RS “Nunc clericorum contio”, 150 1172), 435 “Nus hons ne puet ami reconforter”, “Ludowice prelustris francorum/Servant 400–1 regem/Rex regum et dominus “Nus n’iert ja jolis s’il n’aime” (vdB dominantium”, 1015 1407), 447 “Lux rediit”, 158 “Nusmido”, 862 “Ma dame/Tres dous amis/Cent mille “O admirabile Veneris idolum”, 1030 fois”, 940 “O alma trinitas”, 339 “Ma fin est mon commencement”, “O flour des flours”, 944 1138 “O lilium convallium”, 1060–61 “Magnificat anima mea”, 143 “O Maria deu maire”, 151 “Manere”, 761 “O Maria/d’omelia”, 414 “Maria virgo/Celi domina/Porchier”, “O Maria, maris stella/Veritatem”, 1160 977–81 “Mass of Toulouse”, 893 “O Maria, virgo davidica/O Maria, maris “Mass of Tournai”, 891 stella/Veritatem”, 982 “Mater”, 323, 337 “O patriarcha pauperum”, 665 “Medievalism”, 1177–97 “O quanta qualia”, 1034 “Mes cuers est emprisone/Et pro [suo]”, “O Roma nobilis”, 1030 916, 922 “O rosa bella”, 1114 “La mesnie fauveline/J’ai fait “L’orque Arthus”, 1138 nouveletement amie/Grand despit ai “O sapientia”, 654 je”, 1160 “Omnes”, 761

Index 1243

“On ne porroit penser”, 1162 “Quant voi paroir la fueille en la ramee” “On ne puet riens savoir”, 1163 (RS 550), 435 “Onques n’amai tant/Sancte “Quem quaeritis” tropes, 502–3 Germane”, 924 “Qui habitat”,86 “Or la truix trop durete” (RS 977), 1154 “Qui regis sceptra”, 343 “Or su, gentili spirti”, 1085 “Qui seminant”,86 “Or voit tout en aventure”, 946, 1127 “Quid tu virgo”, 323 “Or voy je bien (Lo12), 1164 “Radix Iesse”, 159, 160 “Oriente”, 761 “Recitemus per hac festa”, 1037 “Oselletto selvaggio per stagione”, 949 “Regi nato domino”, 168 “Par maintes foys”, 951 “Regi regum glorioso”, 1101 “Paradiso degli Alberti”, 1085, 1095 “Regina caeli”, 785 “Parit preter morem”, 1054 “Regnat”, 761 “Pascha nostrum”,94 “Remede de Fortune”, 940 “Passerose de beauté”, 1169 “Resonemus hoc natali”, 149 “Pastor cum traeret”, 1028–29 “Rex caeli”, 806, 808 “Pater noster”, 150 “Rex in aeternum”, 313 “Pater sancte dictus Lotarius”, 1063–64 “Rex Karole”, 1108 “Petre clemens/Lugentium siccentur/ “Rex omnia tenens imperio”, 171 Non est inventus similis illi”, 1015 “Rex omnipotens”, 166, 811 “Pitagoras, Jabol, et Orpheüs”, 953 “Romana”, 323 “Più non mi curo”, 1087 “Rose, lis”, 694, 770 “Plaisance/Or tost”, 956–58 “Roses et lis”, 1169 “Plausu querulo”, 1104 “Salvatoris hodie”, 834, 840 “Play of the Innocents”, 505 “Salve mater misericordie”, 1074 “Plebs domini”, 152–54, 165 “Salve mater/Salve templum”, 711 “Plus ne puet Musique”, 945–47 “Salve regina”, 664, 785, 1100, 1108 “Pluseurs se sent repenti (Lo109), 1164 “Salve sancta parens patrie”, 1053 “Populum tuum”, 103 “Salvum fac populum”, 103–4 “Porchier miex estre ameroie”, 1160 “Samson dux fortissime”, 1037 “Portare”, 761 “Sancte Paule pastor bone”, 315 “Postquam factus homo”, 278 “Sancti spiritus”, 166 “Pour ce que tous mes chans” (B12), 939, “Sancti spiritus adsit gratia”, 302 1164 “Sancti spiritus adsit nobis gratia”, 302 “Prenés l’arbre Peyronelle”, 1165 “Sancti spiritus assit nobis gratia”, 169 “Prima mundi”, 156–58, 161 “Sanctus”, 1118 “Promat chorus hodie”, 154–55 “Scalam ad caelos”, 323 “Proper veritatem”, 980 “Science n’a nul annemi”, 948 “Psallat ecclesia”, 308 “Se Galaas”, 954, 1168 “Psalle modulamina”, 251 “Se je chant mains que ne sueil” “Puella turbata”, 323 (RS1000), 1164 “Puisqu’il m’estuet de ma dame partir” “Se je me plaing de Fortune”, 1170 (RS 1441), 448, 1164 “Se July Cesar”, 1169 “Puisque je sui de l’amourouse loi”, 1164 “Se ma dame m’a guerpy” (V6), 1163 “Pythagoras, Jubal et Orpheüs”, 707 “Se päour/Diex, tan desir/Concupisco”, “Quam bonus”, 792 1005 “Quan vei la lauzeta mover”, 1151 “Se par mon chant me pooie alegier” “Quant ﬁne amor me prie” (RS306), 1151 (RS1252), 1150 “Quant je le voi/Bon vin doit/Cis chans “Se per dureça”, 1084 veult boire”, 1161 “Sebastiani gratia”, 665 “Quant joyne cuer”, 1169 “Sederunt principes”, 682–83, 834, “Quant ma dame”, 707 869, 873 “Quant Theseus/Ne quier veoir” (B34), “Serina”, 337 960, 1168 “Sì com’al canto”, 1091 “Quant vient en mai/Ne sai que je die/ “Si com aloie jouer/Deduisant com ﬁns Johanne”, 986–87, 992 amourous/Portare”, 440 “Quant voi la glaie meüre” (RS 2107), 435 “Si con cy gist”, 1139–44

1244 Index

text incipits and titles of melodies (cont.) “Ut sacris”, 103 “Sicut ceruus”,78 “Uterus hodie”, 1032–33 “Sorbonne Mass”, 891 “Va t’en mon cuer”, 956–58 “Spiritus domine”, 322 “Vasilissa ergo gaude”, 1012 “Spiritus domini”, 320, 323 “Veni de Libano sponsa”, 515 “Spiritus et alme”, 882 “Veni electa mea”, 515 “Splendor paternae gloriae”, 142–43 “Veni sancte spiritus”, 571, 744, 777 “Stans a longe”, 336 “Venite exultemus”, 105 “Stella maris illustrans”, 756 “Ver pacis aperit”, 1063 “Stirps Iesse”, 149 “Verbum caro factum est”, 1100 “Sub Arturo plebs/Fons/In omnem, 705, “Verbum deo dei natum”, 200 711, 1011 “Verbum pater exhibuit”, 1055 “Sub tuum praesidium”,48 “Veri solis radius”, 820 “Sumer is icumen in”, 701, 994, 1037 “Veris ad imperia”, 1065, 1069 “Sumite, karissimi”, 710, 1114, 1134 “Victimae paschali laudes”, 777 “Summa pia”, 315 “Victime paschali”, 515 “Summi triumphum”, 323 “Viderunt Emmanuel”, 165 “Super te Ierusalem/Sed fulsit virginitas/ “Viderunt omnes”, 682–83, 834, 851, T. Do/Primus Tenor”, 759–60 852, 853, 854, 858–63, 869, 874 “Surge proxima mea”, 515 “Viderunt omnes V. Notum fecit”, “Surgit Christus”, 1110 759 “Sus une fontayne”, 1107, 1172 “Virgine nato”, 162 “Swa eyn vriunt dem andern vriunde bi “Virgines venerande”, 323 gestat”, 407 “Virgo mater salvatoris”, 346 “Tant ai Amours servies longuement” (RS “Virgo plorans”, 323 711), 435 “Vitellia”, 336 “Tant ai d’amours apris et entendu” (RS “Volez oyer le castoy”, 926, 930, 932 2054), 435 “Worldes blisse”, 932 “Tant me fait a vous penser/Tout li cuers texture, 148, 149, 155, 156, 158, 165, 300, me rit de joie/Omnes”, 440 328, 395, 396, 397, 401–3, 410–11, “Tant ne me sai dementer ne 413, 414, 613, 747, 813, 814, 817, conplaindre” (RS 127), 1164 820–23, 836, 849, 869, 889, 895, 896, “Te lucis ante terminum”, 105 899, 912, 918, 919, 942, 944, 1004, “Tera manus”, 866 1009–10, 1012, 1013–14, 1021, 1035, “Terribilis est locus iste”, 869 1042, 1104, 1114–15, 1156 “Thomas gemma/Thomas caesus”, 703 The Age of Faith (1950), 568 “Tote la joie que j’ai me vient de vos” (vdB The Castle of Perseverance, 510, 517 1788), 446 The Crusades (1935), 569 “Tout li cuers me rit de joie quant la voi” The Fairy Queen, 564 (vdB 1781), 447 The Pride of Life, 508, 509 “Tout par compas”, 943, 1139 Theodosius, Macrobius Ambrosius, “Toute vois m’a amours assail/Trop ai 359–60 grieté pour cheli/Je la truis trop Therapeutae, 46, 48 asprete”, 1154 Thessalonica, 52 “Toz li cuers me rit de joie, quant la voi” edicts of, 627 (vdB 1781), 441 Thibaut “Tres dous regart”, 960 Roman de la Poire, 429 “Tribum quem”, 472 Thibaut IV, roi de Navarre, 399 “Trinitas”, 319, 322 Thibaut, count of Champagne, 192 “Tu autem”, 149 The Thirteenth Warrior (1999), 568 “Tuba vel ﬁstula”, 333 Thomaskirche, 102 “Tuit mi desir” (RS 741), 1151 Thornton, Barbara, 612 “Turmas arment christicolas”, 1067 Thorote, Mathieu, 659 “Tympanum”, 333 three-column format, 536 “Unus amor”, 335 Thuringia, 404 “Ut pateat evidenter”, 770, 771 tierce de picardie,7 “Ut queant laxis”, 489, 1029 Tiersot, Julien, 576

Index 1245

Tinctoris, Johannes, 374–76, 597, 653, 278, 289, 291, 301, 324, 359, 367, 1100, 1104, 1184, 1191, 1194, 392–93, 406, 413, 437, 550, 638–39, 1195–96 854, 856, 867, 902, 931, 943, 953, “Complexus effectuum musices”, 1190 1032, 1043, 1050, 1073, 1084, 1187 De inventione et usu musicae, 456 transposition, 756, 757 Liber de arte contrapuncti, 1190 Transubstantiation, 884 Proportionale musices, 1190 Trastevere Tintinhac, Arnaut de, 1150 church of St. Cecilia, 113 tituli, 629, 635, 637, 647 treatise, 187–88, 189, 195–97, 199, 215, 219, Titus, 38 228, 236, 249, 359, 361–62, 365, 366, Todi, Jacopone da, 413 370, 372, 374, 375, 384, 385, 416, Toledo, 124–25, 133 431, 452–53, 491, 545–46, 585, 588, cathedral, 645, 836, 841 602, 611, 649–53, 801, 802–12, ton, 406 814–17, 828, 836, 839, 845, 856, 934, tonal organization, 747–72, 787–88 960, 966, 981, 995, 1014, 1030, 1069, finals, 750, 752–53, 756, 757, 759, 760, 1095, 1126, 1128, 1130–33, 1166, 765–68, 770–71, 788 1184 signature system, 756, 767, 770 Trebor simultaneous-style, 751–58, 770 “Passerose de beauté”, 1169 song style, 751, 765–72 “Quant joyne cuer”, 1169 tenor style, 751, 758–65, 770 “Se July Cesar”, 1169 tonal center, 390, 397, 414, 757–58, 761, trecanum, 134 770, 820, 996 Trecento, 2, 202, 544, 750, 949, 1100–22 tonal closure, 750, 753, 756, 757, 758, secular, 1079–97 760, 764, 765 Treitler, Leo, 77, 115, 252, 291, 645 tonal contrast, 753, 757, 788, 820 tremolo, 600 tonal shift, 750, 753–55, 756 tremula, 230 tonal system, 360, 491, 752–53, 765 tremulo, 601 tonary, 93–94, 100, 241, 320, 369, 479–87, Trent 491, 809, 812 Council of, 264, 349, 570, 774, 777, 779 topical text, 1026 triangle, 463 topography, 930–33, 1021 Trier, 132, 336, 587 topos, 1149 trill, 600–1 Torah, 37, 44–45, 59 “long”, 600 tornada, 420 “open”, 600 Toul “quick”, 600 Abbey of Saint-Èvre, 263 Trinity, 325 Abbey of St. Aper, 314 Trithemius, Johannes, 1183 Toulouse, 124, 330 tritone, 390, 577, 604, 822 Tournai trivium, 373 cathedral, 891 trobairitz, 385, 394, 396 Tours, 85, 135 trombone, 577 Basilica of St. Martin, 656 Trondheim, 776 Tours, Gregory of, 132 trope, 10, 92, 95, 99–100, 149–50, 158, 184, Towneley mystery plays, 514 212, 222, 241, 314, 340, 502–4, 539, Tract, 69, 75, 78, 79, 86, 92, 94, 127, 268, 588, 646, 776, 777, 784–85, 812, 817, 300, 302, 476, 479, 494, 646, 725, 840, 874, 882–85, 900–2, 974, 1009, 801, 812, 828 1032, 1038, 1049, 1073, 1080, 1101, Tractatus figurarum (anon.), 709, 1127, 1128, 1108, 1119 1132 melodic, 269–70, 275 trade guilds, 194, 399, 412, 465, 500, 506, melodic, with added text, 269–70 509, 513, 514, 652, 661–62 textual, 269, 288 Trajan, 48 textual-melodic, 269, 270–71, 275 transitorium, 140 vernacular, 780 transmission, 24, 42, 58, 69–70, 75, 76, troper, 106, 109, 170, 265, 271, 272, 275, 77–88, 97, 147, 150, 152, 156, 170, 280, 289, 319, 333 171, 215, 250, 263, 267, 269, 274, tropos, 723

1246 Index

Trossingen Valenciennes Staatliche Hochschule fur Musik, 622 Passion play of 1547, 508 trotto, 599 Valla, Lorenzo, 1183, 1190 troubadour, 147, 155, 160, 170, 191–92, Valois, 891 194, 214, 382–83, 385–92, 393–400, Valois, Catherine of, 466 404, 406, 409–10, 411, 417, 419, van den Boogaard, Nico H. J., 992 420–21, 436–37, 466, 468, 534, 569, Van der Werf, Hendrik, 736 575, 592–93, 654, 732, 733, 939, Van Dijk, S. P. J., a111.1, S. J. P., 84 1062, 1082, 1119, 1148, 1149–53, Vandals, 124, 636 1170, 1194 Varennes, Aymon de trobar clus, 395 Florimont, 933 trobar leu, 395 variant concordances, 393 trouvère, 10, 12, 382, 383, 388–91, 392–93, variatio, 152, 165–67, 169, 171 398–405, 416–17, 419, 420–21, 429, Vasari, Giorgio, 1092 431, 433–35, 437, 448–49, 458, 466, Vatican Organum Treatise, 494–96, 856 468, 534, 565, 592, 732, 907, 908, Veldeke, Hendrik von, 405 916, 922, 929–30, 933, 938, 986, Venerable, Peter the, 348 991–93, 994, 1022, 1038, 1062, 1079, veneration of the Blessed Virgin Mary, 1119, 1148, 1149–52, 1164, 1170 781, 785 troveresses, 385 Venetian empire, 1122 Trowell, Robertus, 703 Veneto, 894, 1012, 1083, 1130 Troyes, Bishop Ato of, 826 Venice, 1092, 1115, 1196 Troyes, Chrétien de cathedral, 15 Erec et Enide, 933 Ventadorn, Bernart de, 394, 395, 436, 1149 trumpet, 38, 454, 461–62, 467, 470, 506, “Ab joi mou lo vers e.l (al) comens”, 437 507–9, 511, 514, 517, 518, 550, “Estat ai com om esperdutz”, 396 594–95, 1193 “Can vei la lauzeta mover”, 395 turelure, 460 “Quan vei la lauzeta mover”, 1151 Turin, 107, 137 Vente, Jacquemin de la, 1154 Turkey, 48 verba de sequencia, 317 Tuscany, 412, 1081, 1083, 1093, 1100, 1109 verbal canon, 1131, 1132, 1138 Tutbury, 465 Vergne, Louis-Élisabeth de la (Comte de Twelve Holy Brothers, festival of, 131 Tressan), 573 two-column format, 107, 535, 536, 541, Verona, 314, 655, 1091 994–95 vers, 384, 429 Tyrol, 404 versaria, 838 versus, 154, 240, 315, 317, 383, 391, 731, ultra mensuram, 677–78 736, 751, 752–54, 756, 802, 817–25, Umayyad conquest of Hispania, 124 1023, 1026, 1032, 1035, 1048 Umbria, 412, 1108 Vespasian, 38 uncinus, 247 vespers, 48, 75, 93, 104–5, 111, 112, 128, undertone, 329 136, 140, 143–44, 305, 311, 663, 665, unicum, 404, 442, 448 840, 851, 854, 1119 University of Indiana, 622 second vespers, 143 Uodalskalk, 792 vespertinum, 128 Upper Carniola, 1121 Vetus Latina, 70, 278 USA, 611, 744 see also America via artis, 696 Utrecht, 893 vibrato, 229–31, 585, 587, 600–1, 615, 623 Vicente, Gil, 520 Vadstena, 775 Vic-sur-Aisne, Prieur de, 432 Vagantenstrophen, 1037 victoria, 222 Vaillant, Jean Victorines, 188 “Ma dame/Tres dous amis/Cent mille Vidal, Peire, 394 fois”, 940 vidas, 939 “Par maintes foys”, 951 vielle, 454, 458, 466–68, 469–70, 591, Valencia, 124, 465 596, 599 Corpus Christi plays, 520 Vienna, 895

Index 1247

Viés Maisons, Gilles de Waddell, Chysoganus, 190 “Se par mon chant me pooie alegier” Waeltner, Ernst Ludwig, 807 (RS1252), 1150 Wagner, Richard, 213 vigil, 48, 109, 128, 135, 140, 144, 629 Lohengrin, 566 Vikings, 315 Waite, William, 847 villancico, 520 Wales, 456 Villani, Filippo, 1092, 1183 Wälli, Silvia, 1028 Villehardouin, Guillaime de, 556 Wallonia, 932 Vingt-deuxième Royal Régiment Walters Robertson, Anne, 198–99 orchestra, 577 Wathey, Andrew, 1008, 1015 Vinier, Guillaume le, 399 Watt, Joachim von, 1183 viol, 458, 518 Webern, Anton, 4 viola, 459 Weckerlin, Jean-Baptiste, 7, 13 virelai, 4, 7, 398, 411, 468, 469, 694, 765–67, Wenceslaus I, duke of Luxembourg, 449, 937, 952, 956–58, 1089, 1107, 1130, 470, 956 1163, 1165, 1172 Werner, Eric, 45 virga, 243–44, 246–47, 249, 255–56, 259, Western classical canon, 611, 621 320, 675, 685, 1041 William IX, duke of Aquitaine, 192, virga strata, 245 382–83, 394 Virgil (Publius Vergilius Maro), 80, 337, Williams, Sarah Jane, 907 1030, 1190 Winchester, 335 virtuosity, 212, 217, 219–22, 618, 706, 710, cathedral, 332–33, 334, 336–37, 645, 802, 817, 822, 827, 853, 866, 951, 735, 801 1035, 1128 polyphony, 646, 812–17, 821, Visconti Family, 655, 710, 1091, 1095 828 Visconti, Valentina, 466, 1085 Windsor, 465 Viser, Petrus le, 690, 702 Wiora, Walter, 1192 Visigoths, 124, 638 Wisdom, 506–8, 509–10, 516 Visigothic neumatic notation, 252 Wittgenstein, Ludwig, 4 Visitatio sepulchri, 503 Wittkowska-Zaremba, Elżbieta, 782 Visitation, 781 Wodeque, 662 Vitry, Philippe de, 198–99, 472, 655, 657, Wolkenstein, Oswald von, 537, 1172 690, 703, 743, 887, 949, 1000, 1004, “Frölich, zärtlich”, 1172 1005, 1008, 1010, 1011, 1162, 1166 women musicians, 199–202, 212, “Garrit gallus/In nova/Neuma”, 690, 221–22, 385, 394, 399, 623, 1085, 695 1178 “Tribum quem”, 472 Worcester, 108 Vitry-en-Artois, 198 cathedral, 109, 836 Vivaldi, Antonio word painting, 391, 787, 1087 Orlando ﬁnto pazzo, 571 word play, 158–60, 408 vocal tract, 616 World War II, 47, 568 voces, 487 Wright, Craig, 191, 615, 642, 780 Vogelweide, Walther von der, 404, Würzburg, 264 405–6 Würzburg, Konrad von, 405 “Nu alrest leb ich mir werde”, 407 Wyet, Jehan, 659 voice crossing, 750, 751, 870 voice exchange, 160–61, 164, 683, 849, 870, York, 514 996, 1009–11, 1069, 1075 Corpus Christi plays, 506, 509, voice type, 220–22 515–16 Le voir dit, 469 York, Alcuin of, 305, 640, 726 Vollaerts, J. W. A., 729 York, Paulinus of, 634 volta, 413, 1089 Young, Karl, 503 von Lünen, Sister Elisabeth, 201 Yudkin, Jeremy, 1 von Radegg, Katharina, 200 Voragine, Jacobus de, 302–4, 350 Zabarella, Francesco, 894 Legenda aurea, 302 Zabern, Conrad von Vulgata, 70, 278 De modo bene cantandi, 587, 782

1248 Index

Zachara da Teramo, Antonio, 1081, 1083, Zadar 1091, 1094, 1107–8, 1110, 1112–16, church of St. Mary, 212 1120–21 Żagań “Cacciando per gustar”, 1113 Augustinian priory of, 1166 “Credo”, 1107, 1120 Zaminer, Frieder, 374 “Credo scabioso”, 1113 Zayaruznaya, Anna, 1008 “D’amor languire”, 1113 Zealots, 37 “Deduto sey”, 770, 771 Zeeman, Nicolette, 965 “Deus deorum Pluto”, 1113 zither, 43, 454–55, 457 “Gloria”, 1108, 1110 Zuchetto, Gérard, 575 “Sumite, karissimi”, 710, 1114, 1134 Zumthor, Paul, 285, 363, 393, 1024 Zacharie, Nicolaus, 1113 Zweter, Reinmar von, 405