Cambridge University Press 978-0-521-51348-7 — The Cambridge History of Medieval Music 2 Volume Hardback Set Edited by Mark Everist , Thomas Forrest Kelly Index More Information Index Aachen, 791 Alanus, Johannes Council of, 181, 640 “Sub Arturo plebs/Fons/In omnem”, Palatine Chapel, 639, 640, 654 705, 711 Aaron, 37 alba, 384, 386, 398 Abano, Petrus de Alberti family, 1092 Expositio problematum Aristotelis, Albi 453 cathedral of Sainte-Cécile, 311 Abelard, Peter, 188, 190, 1033–34 Albigensians, 781 “Dolorum solatium”, 1034, 1037 Albigensian Crusade, 1057 “O quanta qualia”, 1034 alchemy, 358, 368 Abraham, 512 Aldhelm, Bishop of Sherborne, 648 Abruzzi, 1108 Alexandria, 464 Absolutism, 1180 Alexandria, Philo of, 46 Acart de Hesdin, Jehan Al-Fārābī,Abū Nas:r Muh: ammad ibn Prise amoureuse, 1163 Muh: ammad acrostic, 786, 942, 954, 1102, 1103, 1137, kitāb al-mūsīqī al-kabīr (“Grand Book on 1168 Music”), 366 Adam, Abbot of St Victor, Paris, 349 Alfonso V (“the Magnanimous”), King of Adam and Eve, Fall of, 156 Aragon, 456, 465 admixtio, 847 Alfonso X, king of Castile and León, 382, admonitio, 1006 392, 410–11, 734 Adoration of the Cross, 100 Alia musica, 650 Advent, 70, 93, 99, 106, 107, 109, 127, 141, Alighieri, Dante, 412 142, 268, 289, 325, 331, 481 Al-Kindī, Abu Yūsuf Yaʻqūb ibn ʼIsh: āqas:- Advent plays, 511 S:abbāh: , 366 aere gallico, 695 All Saints, 106, 855 aere italico, 695 allegory, 959, 1002, 1057, 1160 aerophones, 454 Alleluia, 69, 75, 76, 92, 94, 102, 109, 127, horns and trumpets, 461–62 128, 131, 134, 135, 139, 144, 148, pipes, 460–61 150, 183, 251, 268–69, 270, 283, 300, reeds, 459–60 302, 304–6, 307, 311, 314, 322, 323, Affligemensis, Johannes, 369 330, 332, 334, 342, 476, 479, 632, Africa, 77, 215, 409, 634, 636 646, 665, 725, 761, 763, 776, 783, Vandal occupation of, 636 785–86, 801, 812–13, 850–52, Agaune, 135 854–55, 866–69, 1001 Agnus Dei, 94, 222, 268, 270, 275, 631, 632, Al-Munajjim, Abū l-H: asan ibn, 366 646, 706, 884–85, 895, 1103, 1105, Alps, 95, 133, 180, 265, 266, 271, 287, 1109, 1121 290, 291, 342, 343, 374, 654, 837, airaine, 461 1170 Aist, Dietmar von, 405 Alsace, 102 aius, 134 Alsfeld ala bohemica, 454 Passion play of 1501, 511, 512 Al-Andalus, 409 alta cappella, 595 Alans, 124 Amadée V, Count of Savoy, 933 [1201] © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51348-7 — The Cambridge History of Medieval Music 2 Volume Hardback Set Edited by Mark Everist , Thomas Forrest Kelly Index More Information 1202 Index Amadis, 564 antiphonary, 70, 72, 111, 834, 852 America see also USA, 1191 antiphoner, 82, 85, 93, 99–102, 105–11, 114, Amerus 115, 130, 138–39, 243, 256, 265, 275, Practica artis musice, 452 287, 289, 307, 311, 481, 645, 818 Amiens, 399, 989 antiphony, 591, 632 cathedral, 645 Antipope Benedict XIII, 656 Amiens, Thibaut de, 435 Antipope Clement VII, 656, 658 Amoena, 303, 324 antiquity, 627, 647, 720, 847, 1026, 1052, Amphion, 360 1147, 1177–78, 1179–80, 1183, 1185, Amsterdam, 893 1186, 1187–89, 1190–91, 1194, ancient medicine, 20 1195–97 Andalusia, 124, 411 anti-Semitism, 1056 Andorra, 124 apēchēmata, 55 Andrea dei Bussi, Giovanni, 1183 Apel, Willi, 803, 1126, 1127, 1128, Andrea of Bologna, Johannes, 1121 1143 Andrieu, F., 943 aphorism, 478 Andrieu, Michel, 633 Apostles, 123, 137 Angelicum Cantum, 134 apotomē,19 Angers, 188, 334–35 appoggiatura, 600, 601, 822 Abbey of St. Aubin, 333 Apt Angilbert I, 138 cathedral of St. Anne, 339 Angilbert II, 138 Apulia, 129 Anglican Church, 126 Aquileia, Paulinus of, 648 Anglicus, Bartholomeus Aquinas, Thomas, 660, 781 De proprietatis rerum, 452, 458 Aquitaine, 81, 87, 147, 315, 330–37, 394, Anglo-Normans, 512, 930 802, 817–25, 828, 1026 Anglo-Saxons, 639 Aquitanian notation, 106, 126, 226, notation, 333 252–55, 330 Aniane, Benedict of, 135, 139 Nova cantica, 147–48, 149, 150, 152, anima, 222 158–64, 166, 168, 170–71 annalis cantus, 647 Aquitaine, Eleanor of, 382 Annunciation, 106, 504, 781 Aragon, 409, 465, 893, 1129 Anonymous 4 (ensemble), 614, 623 archaeology, 564, 566 Anonymous IV, 196, 370, 652, 677, 701, 740, music, 451, 453–54 834–35, 839–40, 842, 843–44, 845, architecture, 1184 847, 849, 856, 1059, 1065, 1069 Archpoet, 1037 anthropology, 576 Arezzo, 258 antiphon, 54, 70, 76, 85, 93–94, 100, 105–9, cathedral of, 257 111, 128, 130, 136, 139–44, 224, 265, Monastery of San Martino al Pino, 1095 267–71, 273, 275, 278, 279–80, Arezzo, Guido of, 138, 228, 257, 357, 365, 283–85, 288, 290–91, 292–93, 476, 369, 371, 484–85, 563, 564, 787, 479–87, 588, 654, 661–62, 725, 726, 946–50 727, 778, 781, 785–92, 804, Epistola de ignoto cantu, 487 811–13, 852 Guidonian hand, 369, 750 Canticum Canticorum, 785 Micrologus, 727, 801, 802–3, 809–12, 813, model melody, 480 814–15, 816, 821, 822, 828 antiphona, 128 notation, 257–59 ad accedentes (ad accendum), 127 Regulae, 949 ad confractionem, 127 Regule rhythmicae, 366 ad crucem, 141 “Ut queant laxis”, 489 ad pacem, 127 Arezzo, Odo of, 484 ad praelegendum, 134 Arezzo, Pseudo-Odo of, 485 in choro, 143–44 Dialogus de musica, 369 in psalmo, 142, 143–44 Arianism, 631 post evangelium, 140 Arians, 137 Antiphonale Monasticum, 112 Aribo Antiphonale Romanum, 112 De musica, 729 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51348-7 — The Cambridge History of Medieval Music 2 Volume Hardback Set Edited by Mark Everist , Thomas Forrest Kelly Index More Information Index 1203 Ariosto, Ludovico Aulnay-de-Saintonge Orlando furioso, 571 church of St Pierre de la Tour, 192 Aristotle, 20, 196, 367, 370–71, 374 aulo, 460 De memoria, 478 Aurelian, 181, 368–69 Poetics, 719 Aurillac, Gerbert of (Pope Sylvester II), 651 Problemata, 359 Austria, 349, 404, 511, 775, 782, 1120 Arles, 132 authenticity, 216, 451, 578, 609, 620, 623, Basilica of, 135 749, 1127 Synod of, 132 Auto de los Reyes Magos, 519 Arlt, Wulf, 148, 170, 272, 276, 288, 291, autos sacramentales, 520 908 Autun, 337 armarium, 182 Auvergne, 394, 1169 armarius, 182, 651 Auxentius, 137 Armenia, 41, 57 Auxerre, Remi of, 649 Church of, 53 avant-garde, 612, 1162 rite, 54 Averlino, Antonio (“Filarete”), 1184 Armide, 564 Avignon, 711, 836, 893, 1126, 1129 armonie, 463 school, 469, 553, 1094 Arras, 194–95, 198, 335, 399, 403, 930 Avignon papacy, 657, 893–94, 1129 Abbey of St Vedast, 333, 336–37 papal chapel, 657–58 cathedral of Notre Dame, 658, 659 papal singers, 657–58 Arras, Lambert Ferri of, 435 Avogadro family, 894 Arras, Moniot de, 435 Avranches, Johannes of, 334 Ars Antiqua, 836 Liber de officiis ecclesiasticis, 334 Ars Nova, 198, 469, 690, 694, 697, 701, 702, 704, 889, 934, 946, 949, 1079, 1086, Bach, Johann Sebastian, 213 1121, 1125, 1148, 1158, 1162, 1163, Bagby, Benjamin, 578, 611, 620, 622 1165–66, 1172, 1190, 1191, 1195–96 bagpipe, 420, 454, 459–60, 469, 470, 506, Ars Subtilior, 469, 542, 695, 705–11, 747, 513, 594–96 765, 768, 771, 1080, 1084, 1091, balada, 387 1094, 1104, 1110, 1125–44 baladelle, 926, 1169 Artois, 399, 416, 931, 993 Bald, Charles the, 107, 133, 136 Ascension, 53, 143, 519 ballade, 387, 468, 469, 591, 707, 765–66, asceticism, 639 770–71, 909, 922–28, 932, 937, urban ascetics, 629–30, 647 939–42, 954, 959, 960–61, 1014, Association pour l’étude de la musique et 1114, 1129, 1130, 1134–35, des techniques dans l’art médiéval 1137–38, 1139, 1159, 1162, (APEMUTAM), 454 1163–71 assonance, 337, 755, 1009–10 ballata, 413, 655, 766–68, 937, 949, 1080, Assumption, 107, 504, 519, 761, 781, 850 1084–89, 1093, 1095, 1096, 1102–3, Assumption of the Virgin, 506, 509, 515 1105, 1113, 1120 Asturias, 124 balleta, 387 Athens, Damon of, 17, 20 Baltzer, Rebecca A., 544, 555 Atkinson, Charles, 249, 358 Bandini, A. M., 1092 aube, 386 Bannister, Henry Marriot, 323 Aubrey, Elizabeth, 192 Baptism of Christ, 328 Aubry, Pierre, 346, 732 Baptist, John the, 186 Auerbach, Erich, 283 baptistery, 852 augete, 246 Bar Mitzvah, 44 augmentation, 743, 803, 805–8, 1138 Barbeau, Marius, 575–77 Augsburg, Conrad of, 792 Barbitonsoris, 1117 Augsburg, Ulrich of, 792 “Sanctus”, 1109 Augustodunensis, Honorius Barcelona, 469 Gemma animae, 281 Barnabas (Apostle), 137 Speculum ecclesiae, 281 Baroffio, Giacomo, 784 Augustus, Gaius Octavius (Emperor), 137 Baroque, 210, 437–39, 622, 1180 Augustus, Romulus, 3 Barrett, Sam, 1029 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51348-7 — The Cambridge History of Medieval Music 2 Volume Hardback Set Edited by Mark Everist , Thomas Forrest Kelly Index More Information 1204 Index Basel, 869 Bernicia, King Theodoric of, 22 Council of, 659, 780, 1196 Bersele, 662 schola cantorum, 622 Besseler, Heinrich, 1191 Bassée, Adam de la, 435–36 Bethlehem, 159 Ludus super Anticlaudianum, 429, 431–32, Béthune, Conon de, 399 433, 435 Béthune, Sauvage de bassoon, 577 “Quant Quant voi paroir la fueille en la Bastart, Audefroi le, 399 ramee” (RS 550), 435 Bate, Henry, 466 Beverley, 465, 514 Battista Alberti, Giovanni, 1190 Bible, 16, 26, 37–39, 40–45, 50, 51, 59, 80, Bauchant, Jacques, 556 94, 184, 278–86, 451, 493, 555, 649, Bavaria, 404 884, 957 Bavaria-Ingolstadt, Elisabeth of, 466 allegorical texts, 48, 278–86 BBC (British Broadcasting Corporation) Apocalypse, 193, 464 Radio, 6 Apocrypha, 40 Beatrice, Countess of Burgundy, 404 Books of Wisdom, 478 Beaujeu, Renaut de, 436 cantillation, 46 Roman du Bel Inconnu, 437 Epistles, 92, 94, 134, 139 Beauvais New Testament, 40, 127, 134, 279, 283, cathedral, 147, 505, 645, 836, 840 627, 1056 Circumcision Office, 841, 870 Old Testament, 40, 92, 103, 109, 127, 134, Play of Daniel, 504 139,