Annual Report 1996-97
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Old-City Lahore: Popular Culture, Arts and Crafts
Bāzyāft-31 (Jul-Dec 2017) Urdu Department, Punjab University, Lahore 21 Old-city Lahore: Popular Culture, Arts and Crafts Amjad Parvez ABSTRACT: Lahore has been known as a crucible of diversified cultures owing to its nature of being a trade center, as well as being situated on the path to the capital city Delhi. Both consumers and invaders, played their part in the acculturation of this city from ancient times to the modern era.This research paperinvestigates the existing as well as the vanishing popular culture of the Old-city Lahore. The cuisine, crafts, kites, music, painting and couture of Lahore advocate the assimilation of varied tastes, patterns and colours, with dissimilar origins, within the narrow streets of the Old- city. This document will cover the food, vendors, artisans, artists and the red-light area, not only according to their locations and existence, butin terms of cultural relations too.The paper also covers the distinct standing of Lahore in the South Asia and its popularity among, not only its inhabitants, but also those who ever visited Lahore. Introduction The Old City of Lahore is characterized by the diversity of cultures that is due tovarious invaders and ruling dynasties over the centuries. The narrow streets, dabbed patches of light andunmatched cuisine add to the colours, fragrance and panorama of this unique place. 22 Old-city Lahore: Popular Culture, Arts and Crafts Figure 1. “Old-city Lahore Street” (2015) By Amjad Parvez Digital Photograph Personal Collection Inside the Old-city Lahore, one may come the steadiness and stationary quality of time, or even one could feel to have been travelled backward in the two or three centuries when things were hand-made, and the culture was non-metropolitan. -
Harkishan Lall 1921-2000
185 In Remembrance In Remembrance Mulk Raj Anand 1905-2004 Mulk – A Dear Friend As I pen this name, Mulk Raj Anand, (Mulk as we called him) a number of images flash across my mind. Was he a man or was he a phenomenon? One thing can be said for certain: he lived his life on his own terms – I wonder why God deprived him of completing his century of life? I had the good fortune of being his personal friend. I cannot remember how it happened but this friendship propelled me into a spate of opportunities to be with him when he met the big and mighty and when he walked to feel the weak and lowly of the society. Whenever he came to Chandigarh, he always found time to turn up in my humble residence, perch himself on his favourite seat in the drawing room, the place of prominence from where he could preside over everybody in the room. Immediately on entering, he would start dilating on the topic he had been ruminating over in his mind, and the knowledge would flow through his vocal chords ceaselessly punctuated with many expletives, and telling everybody how unconcerned they all were about the evils of society and about the lack of positive action on their part. He often asked me, why don’t I write a book on Chandigarh and why don’t I write papers and so on. I did pen a booklet – Chandigarh, a presentation in free verse – and he listened to it with great patience and said ‘we shall publish it via Marg Publications’. -
PRINT CULTURE and LEFT-WING RADICALISM in LAHORE, PAKISTAN, C.1947-1971
PRINT CULTURE AND LEFT-WING RADICALISM IN LAHORE, PAKISTAN, c.1947-1971 Irfan Waheed Usmani (M.Phil, History, University of Punjab, Lahore) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTH ASIAN STUDIES PROGRAMME NATIONAL UNIVERSITY OF SINGAPORE 2016 DECLARATION I hereby declare that this thesis is my original work and it has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in the thesis. This thesis has also not been submitted for any degree in any university previously. _________________________________ Irfan Waheed Usmani 21 August 2015 ii ACKNOWLEDGEMENT First I would like to thank God Almighty for enabling me to pursue my higher education and enabling me to finish this project. At the very outset I would like to express deepest gratitude and thanks to my supervisor, Dr. Gyanesh Kudaisya, who provided constant support and guidance to this doctoral project. His depth of knowledge on history and related concepts guided me in appropriate direction. His interventions were both timely and meaningful, contributing towards my own understanding of interrelated issues and the subject on one hand, and on the other hand, injecting my doctoral journey with immense vigour and spirit. Without his valuable guidance, support, understanding approach, wisdom and encouragement this thesis would not have been possible. His role as a guide has brought real improvements in my approach as researcher and I cannot measure his contributions in words. I must acknowledge that I owe all the responsibility of gaps and mistakes in my work. I am thankful to his wife Prof. -
Library Bulletin, November 2017
Volume 6 Issue 11 ISSN: 2309-5032 Volume 6 Issue 10 ISSN: 2309-5032 LIS BULLETIN Library Information Services, CIIT Lahore What is inside? News of the month Journals’ Contents Newspaper’s Clippings And many more Contact Details Serial Section Library Information Services COMSATS Institute of Information Technology, Lahore Phone: +92 42 35321094 URL: library.ciitlahore.edu.pk 1 All rights reserves 2017 @ Library Information Services, CIIT Lahore Contents Painting and Calligraphy Exhibition 03 Color, Drawing & Clay Modeling Competitions 05 Games/ Activities during student week, among Library Staff 06 Birthday Celebration and Welcome Party 07 PASTIC Meeting on impact and usage of consortium of S&T and R&D Librarian of Pakistan 08 New Arrival 09 Journals’ Table of contents 12 News Indexing of November 17 News Clippings of November 23 Contact Information 33 2 News of the month Painting and Calligraphy Exhibition Danish Society of Library Information Services, has organized "Painting and Calligraphy Exhibition" on November 7, 2017. Prof Dr. Qaisar Abbas, Director CIIT Lahore and renowned painter and artist, Prof. Dr Ajaz Anwar,Wajid Yaqoot and famous play writer and novelist inaugurated the event. Library In charge Dr. Muhammad Tariq, library staff, members of Danish society and students were present at the inauguration ceremony. The guests visited the paintings and calligraphic paintings and praised the art. In the end, the chief guests distributed the shields to organizers and the members of Danish Society. 3 4 Color, Drawing & Clay Modeling Competitions Library Information Services CIIT-Lahore organized the events of Coloring, Drawing and Clay Modeling during the student week fall 03.11.2017 to 08.11.2017. -
Anwar Jalal Shemza Cv
ANWAR JALAL SHEMZA CV Born 1928, Simla, India Died 1985, Stafford, UK Education 1956-1960 Slade School of Fine Art, London, UK 1944-1947 The Mayo School of Art, Lahore, Pakistan Solo Exhibtions 2018 Paintings from the 1960s, Hales Gallery, London, UK 2015 BP Display: Anwar Shemza, Tate Britain, London, UK Drawing, Print, Collage, Jhaveri Contemporary, London, UK 2010 The British Landscape, Green Cardamom, London, UK 2009 Calligraphic Abstraction, Green Cardamom, London, UK 2006 Zahoor-ul-Akhlaq Art Gallery, National College of Arts, Lahore and Pakistan National College of Arts, Rawalpindi, Pakistan 1997 Birmingham Museum and Art Gallery, Birmingham, UK 1995 Botanical Gardens Gallery, Birmingham, UK 1992 Manchester Metropolitan University, Alsager, UK 1991 Keele University, Keele, UK 1987 Playhouse Gallery, Canberra, Australia 1985 Roots, Indus Gallery, Karachi, Alhamra Art Centre, Lahore and Pakistan National Council of the Arts Gallery, Islamabad and Peshwar, Pakistan 1972 Ashmolean Museum, Oxford, UK London, 7 Bethnal Green Road, E1 6LA. T +44 (0)20 7033 1938 New York, 547 West 20th Street, NY 10011. + 1 646 590 0776 www.halesgallery.com @halesgallery 1967 Exhibition of 25 Paintings, Alhamra Art Centre, Lahore and Pakistan National Council of the Arts Gallery, Islamabad and Peshwar, Pakistan 1966 Commonwealth Institute, London, UK 1964 Ashmolean Museum, Oxford, UK Keele University, Keele, UK Stafford College of Art, Stafford, UK 1963 Paintings, Drawings, 1957-1963, Gulbenkian Museum of Oriental Art and Archaeology, Durham, UK 1962 An -
Making Heritage in the Walled City of Lahore
Conservation-Led Marginalization: Making Heritage in the Walled City of Lahore Jannat Sohail Urban Studies Supervisor: Maroš Krivý May 25, 2020 Abstract The emerging trajectory of conservation and urban revitalization in the Walled City of Lahore is indicative of its preference for tourism. The shift in the objectives of conservation towards utilizing cultural heritage as a capital resource for negotiating meanings, representations, power, and politics promotes conservation-led marginalization. This is not limited to physical dispossession in the inner- city, but also involuntary social exclusion and the loss of access or restrictions on livelihood opportunities. The pattern of state-sanctioned attempts to render collective ownership of heritage capitalizes on the mediations with national and international institutions to authenticate their decision- making. The role of UNESCO as a status-defined marketing tool in lobbying the local heritage industry, as well as a source of global governance, is understated. The nature and conditions of ‘heritage’ conservation schemas require critical attention, while pivotal questions need to be addressed regarding its rhetorical deployment. The objective of the research is to explore the nature, scope, and effect of the multifaceted national and international institutional framework in the definition, production, consumption, and making of heritage. Keywords: heritage industry, bureaucracy, international agencies, marginalization. 2 Copyright Declaration I hereby declare that: 1. the present Master’s thesis is the result of my personal contribution and it has not been submitted (for defence) earlier by anyone else; 2. all works and important viewpoints by other authors as well as any other data from other sources used in the compilation of the Master’s thesis are duly acknowledged in the references; 3. -
Tuesday, December 1, 2020 2 — 6 Pm
2+2=5 IMRAN AHMAD Tuesday, December 1, 2020 2 — 6 pm Continues till Wednesday, December 16, 2020 www.koelgallery.com | F-42/2, Block 4, Clifton, Karachi, Pakistan | T. +92 (21) 35831292 | E: [email protected] 2+2=5 Reflecting my personality, my bygone experience and my fond memories – my initial fascination with time and space finally combines the varied character traits in my work. Dots, lines, and tones vigorously scratch the metal to construct images from the conscious, the sub-conscious, and the pleasure of mark making with oozing strength and energy leaves me with abstraction narrating long stories with only a stroke. At the same time, a small word illustrated with thousands of lines. This new body of work is based on exploring techniques such as drypoint and Line Etching while depicting my daily life experiences from my surroundings. These images are my feelings, comments, and catharsis while playing truth and dare with the seasons of life. Imran Ahmad From the Series “Nature” Line Etching 3 inch diameter each 2020 From the Series “Nature” Line Etching 3 inch diameter each 2020 From the Series “Nature” Line Etching 3 inch diameter each 2020 From the Series “Nature” Line Etching 3 inch diameter each 2020 From the Series “Nature” Line Etching 3 inch diameter each 2020 From the Series “Nature” Line Etching 3 inch diameter each 2020 From the Series “Nature” Line Etching 3 inch diameter each 2020 From the Series “Nature” Line Etching 3 inch diameter each 2020 From the Series “Nature” Line Etching 3 inch diameter each 2020 From the -
Anwar Jalal Shemza Cv
H A L E s ANWAR JALAL SHEMZA CV Born 1928, Simla, India Died 1985, Stafford, UK Education 1956-1960 Slade School of Fine Art, London, UK 1944-1947 The Mayo School of Art, Lahore, Pakistan Solo Exhibtions 2019 Anwar Jalal Shemza: Various Works (1961–1969), Sharjah Biennale 14: Making New Time, Sharjah, UAE 2018 Paintings from the 1960s, Hales Gallery, London, UK 2015 BP Display: Anwar Shemza, Tate Britain, London, UK Drawing, Print, Collage, Jhaveri Contemporary, London, UK 2010 The British Landscape, Green Cardamom, London, UK 2009 Calligraphic Abstraction, Green Cardamom, London, UK 2006 Zahoor-ul-Akhlaq Art Gallery, National College of Arts, Lahore and Pakistan National College of Arts, Rawalpindi, Pakistan 1997 Birmingham Museum and Art Gallery, Birmingham, UK 1995 Botanical Gardens Gallery, Birmingham, UK 1992 Manchester Metropolitan University, Alsager, UK 1991 Keele University, Keele, UK 1987 Playhouse Gallery, Canberra, Australia London, 7 Bethnal Green Road, El 6LA. + 44 (0)20 7033 1938 New York, 547 West 20th Street, NY 10011. + 1 646 590 0776 www.halesgallery.com f W ~ @halesgallery H A L E s 1985 Roots, Indus Gallery, Karachi, Alhamra Art Centre, Lahore and Pakistan National Council of the Arts Gallery, Islamabad and Peshwar, Pakistan 1972 Ashmolean Museum, Oxford, UK 1967 Exhibition of 25 Paintings, Alhamra Art Centre, Lahore and Pakistan National Council of the Arts Gallery, Islamabad and Peshwar, Pakistan 1966 Commonwealth Institute, London, UK 1964 Ashmolean Museum, Oxford, UK Keele University, Keele, UK Stafford College -
THE TRADE MARKS JOURNAL August, 2010
THE TRADE MARKS JOURNAL (No.715, AUGUST 1, 2010) 512 Regd. No. S. 1395 TMR-01-08-2010 Journal No. 715 THE TRADE MARKS JOURNAL August, 2010 (Registered as a Newspaper) ISSUED UNDER THE DIRECTIONS OF THE REGISTRAR OF TRADE MARKS REGISTRY, KARACHI THE TRADE MARKS JOURNAL (No.715, AUGUST 1, 2010) 513 Regd. No. S. 1395 TMR-01-08-2010 Journal No.715 THE TRADE MARKS JOURNAL (Registered as a Newspaper) st No. 715 August, 1 2010 APPLICATIONS OPPOSITION Applications for registrations of Trade Marks Notice is hereby given that any person in respect of Goods and Services may be made at who has grounds of opposition to the registration of any of the marks advertised IPO-PAKISTAN HEADQUARTERS herein according to classes under the # 23, Street # 87, Sector # G-6/3, heading “Application Advertised before Attaturk Avenue, Embassy Road, Registration” may, within two months from ISLAMABAD the date of this Journal, lodge Notice of Ph: 051-9208146-47 Opposition on Form T.M-5 accompanied by Fax: 051-9208157 the prescribed fee of Rs.6,000/-. TRADE MARKS REGISTRY The period for lodging Notice of Plot No. CD-3, Behind K.D.A. Civic Centre, 3rd, 4th & 5th Floor Defunct CCI & E Building Gulshan-e- Opposition may be extended by the Registrar Iqbal, Karachi. if he thinks so and upon such terms as he Ph: 99230538-99231002-99230533 may direct. Fax: 9231001 BRANCH TRADE MARKS REGISTRY Request for extension of time shall always IPO-REGIONAL OFFICE bear the reference the name of prospective House No.15, Block E-1, opponent and the number of Trade Marks, if Shahrah-e-Imam Hussain (A.S) any, to be made basis of opposition. -
India Reports 73,272 New Coronavirus Cases, 926 Fresh Fatalities
K *&#$ %%&( &*' $! $%#' )% $)( ,)'"# &(+!!%!,'(!!&&$! #'%!$,'$! K M M Y ##$)' $$'#'#" #$'' #%$'( +$&!*#& &'$##'#$&(&#$&&$"%$ Y C C JAMMU, SUNDAY, OCTOBER 11 , 2020 VOL. 36 | NO.281 | REGD. NO. : JM/JK 118/15 /17 | E-mail : [email protected] |www.glimpsesoffuture.com | Price : Rs. 2.00 India reports 73,272 new coronavirus cases, 926 fresh fatalities !1!'$% . JK reports 635 =380 A4?>AC43 new positive =4F2>A>=0E8ADB20B4BC0: 8=6C74>E4A0;;20B4;>03C> cases, 70955 F78;4 ?4>?;470E4A4 recovered so far 2D?4A0C43B>50A?DB78=6 C74A42>E4AHA0C4C> ?4A24=C 022>A38=6 C> C74 *74>E4A=<4=C>= +=8>=40;C7$8=8BCAH30 )0CDA30H8=5>A<43C70C C0D?30C43)0CDA30H *74 =4F?>B8C8E420B4B 340C7C>;;3D4C>&, >5 =>E4; >A>=0 E8ADB 2;8<143 C> F8C7 &, 5A>< ?4>?;4BD22D<18=6C> !0<<D 38E8B8>= 0=3 C7438B40B48=0B?0=>5 5A><"0B7<8A38E8 7>DABC7430C0D?30C430C B8>=70E4144=A4?>AC43 0<B7>F43 >AC74B42 A medic takes swab samples to conduct COVID-19 tests via C>30HC7DBC0:8=6C74C> >=330H8=0A>FC74=D< Rapid Antigen testing,at Goverment hospital in Jammu C0; =D<14A >5 ?>B8C8E4 14A>502C8E4&, 20B 20B4B 8= !0<<D 0=3 4BA4<08=4314;>F;0:7 ?4A 24=C =380B )4?C4<14A 22>A38=6 "0B7<8AC> ;B> &, 340C7B *74A40A4 02C8E4 &, C0;;H 703 C> C74 =380= >D=28; >5 70E4144=A4?>AC43 20B4B>52>A>=0E8ADB8=542 2A>BB43C74 ;0:7<0A: $43820;(4B40A27 $( 5A>< !0<<D 38E8B8>= C8>=8=C742>D=CAHF7827 >= D6DBC ;0:7 >= 02D<D;0C8E4 0=3 5A>< "0B7<8A <0:4 ?4A24=C>5C74 D6DBC0=3 ;0:7>= B0<?;4B70E4144=C4BC43 8E8B8>= $>A4>E4A C>C0; 20B4;>03 C74 30C0 )4?C4<14A CF4=C?0BC D?C>&2C>14A B<0=H0B Youngsters hold placards to create awareness on gender equality, ahead of the International Day of the Girl Child, ;0:7>=)4?C4<14A B0<?;4B F4A4 <>A4&, BC0C43 *74&, 20B4 !!!+*,.*)+#! in Jammu district. -
An Analysis of the Components of Self-Realization in Sadequain's Poetry
Journal of the Research Society of Pakistan Volume No. 56, Issue No. 2 (July – December, 2019) Aqsa Malik* An Analysis of the Components of Self-Realization in Sadequain’s Poetry and Paintings Abstract Self-realization has been an age old conceptual paradigm and echoes in almost all of the major religions mystical traditions and philosophical ideas. In an attempt to integrate man with the larger reality, the paradigm endorses an uplifting of self from a personal dimension of life towards an impersonal one. Sadequain has been one of the few painters who combined the art of painting with a vision to change man. A closer analysis of his works reveals that his intent has been to induce self- realization in the viewer. This paper explores into the theme of self-realization as used by Sadequain. It suggests that Sadequain introduced this theme in three components. The first component established a critique of morally bankrupt man, the second, provided a vision to be actualized and third defined the nature of human strength required for achieving the goal. These components are observable in his poetry and paintings and together they define the mechanism of self- realization. Introduction Sadequain has a distinct identity as an artist which owes to both his content and style. His art can be clearly seen as a real-time manifestation of what he thought and felt in relation to life and its adversities. We observe that he combined ideas from philosophy, mysticism and religion and then rephrased their essence in a visual form. According to Faiz Ahmad Faiz, in Sadequain‟s work „one finds the elements of evolutionary philosophy put forth by modern intellectuals but the way he articulated these is a creative act of his own mind similar in spirit to life itself; untiring and continuous‟.1 The available literature briefly documents Sadequain‟s life and analyzes his work, however, his work has not been analyzed from a macro perspective. -
Abdullah Promises Justice to Jalrez Victims
Eye on the News [email protected] Truthful, Factual and Unbiased Vol:IX Issue No:331 Price: Afs.15 TUESDAY . JULY 07 . 2015 -Saratan 16, 1394 HS www.afghanistantimes.af www.facebook.com/ afghanistantimeswww.twitter.com/ afghanistantimes Abdullah ISIS in Afghanistan on Putin, Xi Jinping s promises justice SUMMIT AGENDA to Jalrez victims By Farhad Naibkhel tion of strong armed forces with dahar provinces. Afghan Air Force all necessary corps and detach- training academy is also active in KABUL: Ministry of Defense ments, he added. Kabul, he said. (MoD) on Monday said that Af- The spokesman said that due Counting challenges, he said ghan Air Force (AAF) would be to the challenges, finally in 2009 that despite some progress, lack equipped with 20 Super E29 practical steps were taken to Close Air Support (CAS) was still fighter jets by the end of this year. strengthen the air force, adding that a big challenge for the army. Spokesman to the defense after five years the Afghan army Commander of the Afghan Air ministry, General Dawlat Waziri, has build tremendous capacity in Force, Major General Mohammad said that E29 is good aircraft when air transportation. Infrastructure Dawran, said that great progress it comes to close combat support. has been built for strengthening has been made in area of infrastruc- He said the fighter jets would be of the air force in different prov- ture and transportation, but for available this year to the fledging inces. Currently, aviation corps is the army lack of CAS was still air force of the country. Speaking active in Kabul, Herat and Kan- haunting problem.