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3M™ Speedglas™ Welding Safety the Power to Protect Your Worldsm
3M™ Speedglas™ Welding Safety Product Catalog 2012/2013 Precision in Action The Power to Protect Your WorldSM 0044_70-0716-2599-3.indd 1 6/6/13 8:32 AM You´re Our Director... and Your Thoughts Guide Us You have strong opinions about tools that cover your face and eyes for hours at a time. Tools that can even feed you the air you breathe. Well … you’re in charge. Whether you’re aware of it or not, you and scores of other welders guide us. You talk to us by Facebook, by email, through distributors, and by informal and formal surveys. We listen. We watch. Then we ask, “what if …?” We ask “what if …?” throughout Just as hundreds of thousands of users rely on the 3M Speedglas HAT IF brand for their best welding performance, 3M relies on welders’ the day. What if … we changed the W feedback for its future product innovations. geometry of our helmets to increase ...? their viewing area in every direction? What if … our respirators could handle even harsher environments? What if … what if …? VISIT US AT WWW.3M.COM/SPEEDGLAS FOLLOW US ON 0044_70-0716-2599-3.indd 2 6/6/13 8:32 AM Welding Helmets and Headgear 3M™ Speedglas™ Welding Helmet 9100 Series 6 3M™ Speedglas™ Welding Helmet SL 16 3M™ Speedglas™ Welding Helmet 100 Series 18 3M™ Speedglas™ Welding Helmet 9000 Series 22 3M™ Speedglas™ Welding Helmet with Hard Hat 22 3M™ Headgear L-Series SG 24 Respiratory Protection Air Sources 3M™ Adflo™ Powered Air Purifying Respirator 26 3M™ Speedglas™ Fresh-air III Supplied Air Regulator 29 Frequently Asked Questions 31 Parts Directory 40 Care and Maintenance 60 Technical Specifications 61 Product Index 64 Designed for Welders’ Bigger Views & Needs – Page 26 Multi Protection – Page 14 3M’s Top-of-Class Our Lightest Welding Speedglas Graphic Welding Helmet – Page 6 Helmet – Page 16 Edition – Page 20 0044_70-0716-2599-3.indd 3 6/6/13 8:32 AM Ergonomics Are Our Passion, And Your Lifeline More than 35 years ago, we went to the shipyards of Sweden to observe welders. -
Assessing Next-Generation Construction Helmets
Assessing Next-Generation May 2018 Construction Helmets The KASK - Zenith and Superplasma Helmets Skanska’s Advancement In Head Protection Pilot Program Current Status Currently, Skanska uses the MSA V-Gard as its primary choice of hard hat head protection. This hard hat was introduced to the US 56 years ago. The V Guard (and all other regular styles of hard hats) primarily protects against objects striking the crown of a person’s head. This type of head protection offers minimal, if any protection to the front, rear and sides of the head. Comparatively, head protection such as the KASK helmet (not a hard hat) offers much more protection. Although it is listed as Type I head protection, it has passed ANSI Type II impact tests to the front, rear and sides. The Need for Change Skanska USA is investigating the advancements of head protection for employees working on its projects. Helmets being piloted on our projects include products from KASK, MSA Nexius, and 3M X5000. There are many reasons why we are looking to improve the current head protection. The primary reason is the fact that head injuries of all classifications still occur on our projects. These injuries vary on the spectrum of severity, from minimal in nature to catastrophic. Plain and simple: changes in head protection are needed in our industry. Skanska is looking to champion these efforts through an in-depth evaluation of different types of head protection, including the KASK helmets described in this white paper. A thorough list of the reasons for change include: • During any fall incident (slips, trips and falls from the same level, falls from ladders, falls from wall forms, etc.) the current hard hat is prone to fall off a worker’s head prior to impact because of the tendency for the head to “snap backwards,” leaving the head exposed when protection is most needed. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
OSHA Training Toolbox Talk: Personal Protective Equipment – Hard Hat Dos & Don’Ts [Reference 1910.135 / 1926.100]
OSHA Training Toolbox Talk: Personal Protective Equipment – Hard Hat Dos & Don’ts [Reference 1910.135 / 1926.100] ANSI-approved hard hats are designed to protect you from the impact of falling objects, and with some types, from accidental contact with electrical current. However, the way we take care for our hard hats can have a big impact (no pun intended) on how well it does its job. Here are a few DOs and DON’Ts regarding the use and care of your hard hat: DO CLEAN your hard hat as needed, using a mild soap and water solution or other solution recommended by the manufacturer. DO STORE your hard hat as recommended by the manufacturer, which means keeping it out of the direct sun (like on the back dash of your car) and out of areas with high heat (like in the car trunk) while you’re off the job. DO INSPECT your hard hat shell and suspension for damage and deterioration every day before use, as well as after any event that may affect its integrity (such as being struck by a falling object or crushed). DO REPLACE your hard hat shell or suspension when it shows any signs of damage or deterioration. - - - - - - - - - - - - - - - - DO NOT PAINT your hard hat. Hard hat manufacturers typically forbid using paints because they can degrade the strength of the hard hat shell, making it easier to break. DO NOT USE SOLVENTS to clean your hard hat. Just like with paints, solvents can also degrade the strength of the hard hat shell. DO NOT ALTER OR MODIFY your hard hat. -
Aging Flash Gordon Still Hero To'70s Gang
The Courier Volume 9 Issue 28 Article 1 5-20-1976 The Courier, Volume 9, Issue 28, May 20, 1976 The Courier, College of DuPage Follow this and additional works at: https://dc.cod.edu/courier This Issue is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in The Courier by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. If referendum fails — May need hike in tuition: Berg By Bob Vavra the planning stages is the Campus Center, A tuition increase may be the only which Berg sees as necessary. alternative if a fall referendum to increase College Associates of Austin, Texas, is the College of DuPage’s taxing rate is not currently engaged in a study of the apjffoved by District 502 voters this fall. DuPage cluster system. Berg indicated Dr. Rodney Berg, college president, said the Board would accept the findings, even in an interview last week. if that study indicated that the cluster The failure of a bill in the Illinois House system is not working and could not work for supplemental funding to secondary in the future. Time takes Its toll, even for Flash Gordon. Buster Crabbe, now 70, told a campus education has left it up to the referendum. Berg was asked why he decided to return audience last week how it was when he was America’s super hero. —Photo by Scott Voters will be asked to approve a tax Salter. for four more years when he could have rate increase for the college. -
LE PAROLE DELLO SCHERMO 2006 Cineteca Del Comune Di Bologna Comune Di Bologna – Settore Cultura E Università
Festival Internazionale di Letteratura e Cinema LE PAROLE DELLO SCHERMO 2006 Cineteca del Comune di Bologna Comune di Bologna – Settore Cultura e Università II Edizione Bologna, martedì 27 giugno – venerdì 30 giugno 2006 LE PAROLE DELLO SCHERMO - FESTIVAL INTERNAZIONA- Manzoni 5), Oratorio di Santa Maria della Vita (via Clavature LE DI LETTERATURA E CINEMA 7), Cortile di Palazzo d’Accursio (Piazza Maggiore 6) SECONDA EDIZIONE • Spettacoli teatrali: Ritratto del Novecento (Teatro DMS, Via Bologna, 27 GIUGNO-30 GIUGNO 2006 Azzo Gardino 65), Mosca e Petuski 125 Km (partenza da Cortile Manifattura delle Arti, Via Azzo Gardino 65) Promosso da: • Mostra fotografica di Angelo Novi: Sala d’Ercole di Palazzo Comune di Bologna - Settore Cultura e Rapporti con l’Università d’Accursio (Piazza Maggiore 6) inaugurazione il 30 giugno Cineteca del Comune di Bologna alle ore 12:30 – dall’1 al 23 luglio ore 10-19. Ingresso libero Con il contributo di: Fondazione Carisbo Per informazioni Granarolo • Segreteria del Festival Montblanc via Riva di Reno 72 - Bologna - Tel 051 219 48 24 - Fax 051 219 Groupama Assicurazioni 48 21 Librerie.COOP e-mail: [email protected] ASCOM Sito web: www.cinetecadibologna.it/paroledelloschermo.htm Bologna Art Hotels dal 27 al 30 giugno infopoint all’esedra di Sala Borsa dalle 10 alle 20 • Cinema Lumière - Via Azzo Gardino 65 - Bologna - Tel. Con la collaborazione di: 051 219 53 11 150° anniversario rapporti italo-turchi Cinema Arlecchino – Via Lame 57 – Bologna – Tel. 051 Ambasciata italo-turca 522175 Amici di Babette ASL (Accendi molti fuochi) Modalità di accesso Banca di Bologna Ingresso singolo intero cinema Lumière e Arlecchino: Euro 4,00 Biblioteca comunale dell’Archiginnasio Ingresso singolo ridotto cinema Lumière e Arlecchino: Euro 2,00 Bologna Fiere Spa per i soci CRAL HERA Bologna, Coop Adriatica, dipendenti comunali. -
St Catherine's College Oxford
The Year St Catherine’s College . Oxford 2012 Master and Fellows 2012 MASTER Louise L Fawcett, MA, Gavin Lowe, MA, MSc, Patrick S Grant, MA, DPhil Christoph Reisinger, Udo C T Oppermann MPhil, DPhil (BA Lond) DPhil (BEng Nott) FREng MA (Dipl Linz, Dr phil (BSc, MSc, PhD Philipps Professor Roger W Tutor in Politics Tutor in Computer Science Cookson Professor of Heidelberg) Marburg) Ainsworth, MA, DPhil, Wilfrid Knapp Fellow Professor of Computer Materials Tutor in Mathematics Professor of FRAeS Science Musculoskeletal Sciences Susan C Cooper, MA (BA (Leave T13) Justine N Pila, MA (BA, Robert E Mabro, CBE, FELLOWS Collby Maine, PhD California) LLB, PhD Melb) MA (BEng Alexandria, MSc Alain Goriely, MA (Lic en Professor of Experimental Richard M Berry, MA, Tutor in Law Lond) Sci Phys, PhD Brussels) Sudhir Anand, BPhil, MA, Physics DPhil College Counsel Fellow by Special Election Professor of Mathematical DPhil Tutor in Physics Modelling Fellow by Special Election Peter R Franklin, MA (BA, Bart B van Es (BA, MPhil, Kirsten E Shepherd-Barr, in Economics DPhil York) Ashok I Handa, MA (MB PhD Camb) MA, DPhil (Grunnfag Oslo, Naomi Freud, MA, MSc Professor of Economics Tutor in Music BS Lond), FRCS Tutor in English BA Yale) Fellow by Special Election Professor of Music Fellow by Special Election Senior Tutor Tutor in English Director of Studies for Richard J Parish, MA, (Leave M12) in Medicine Visiting Students DPhil (BA Newc) Reader in Surgery Tommaso Pizzari, MA (BSc Angela B Brueggemann, Tutor in French John Charles Smith, MA Tutor for Graduates -
Thunderbirds ™ and © ITC Entertainment Group Limited 1964, 1999 and 2017
THE COMIC COLLECTION A GERRY ANDERSON PRODUCTION TM CREATED ESPECIALLY FOR ROBIN Happy Christmas Bro. Hope this brings back some memories! Thunderbirds ™ and © ITC Entertainment Group Limited 1964, 1999 and 2017. Licensed by ITV Ventures Limited. All rights reserved. This edition is produced under license by Signature Gifts Ltd, Signature House, 23 Vaughan Road, Harpenden, AL5 4EL. Printed and bound in the UK. GDTEST0123456789 THE COMIC COLLECTION A GERRY ANDERSON PRODUCTION TM CMYK: Black=10c10m10y100k, Yellow=100y or Pantone: Pantone Black, PantoneYellow Use outline logo on dark backgronds CONTENTS THUNDERBIRD 2 TECHNICAL DATA . P68 Artist: Graham Bleathman INTRODUCTION . P4 THE SPACE CANNON . P70 Artist: Frank Bellamy THE EARTHQUAKE MAKER . P6 THE OLYMPIC PLOT . P76 Artist: Frank Bellamy Artist: Frank Bellamy VISITOR FROM SPACE . P18 DEVIL’S CRAG . P88 Artist: Frank Bellamy Artist: Frank Bellamy THE ANTARCTIC MENACE . P34 THE EIFFEL TOWER DEMOLITION . P96 Artist: Frank Bellamy Artist: Frank Bellamy BRAINS IS DEAD . P48 SPECIFICATIONS OF THUNDERBIRD 3 . P104 Artist: Frank Bellamy Artist: Graham Bleathman THUNDERBIRD 1 TECHNICAL DATA . P64 LAUNCH SEQUENCE: THUNDERBIRD 3 . P106 Artist: Graham Bleathman Artist: Graham Bleathman LAUNCH SEQUENCE: THUNDERBIRD 1 . P66 LAUNCH SEQUENCE: THUNDERBIRD 4 . P107 Artist: Graham Bleathman Artist: Graham Bleathman LAUNCH SEQUENCE: THUNDERBIRD 2 . P67 SPECIFICATIONS OF THUNDERBIRD 4 . P108 Artist: Graham Bleathman Artist: Graham Bleathman THE NUCLEAR THREAT . P110 CHAIN REACTION . P186 Artist: Frank Bellamy Artist: Frank Bellamy HAWAIIAN LOBSTER MENACE . .P120 THE BIG BANG . P202 Artist: Frank Bellamy Artist: John Cooper THE TIME MACHINE . P132 THE MINI MOON . P210 Artist: Frank Bellamy Artist: John Cooper THE ZOO SHIP . P144 THE SECRETS OF FAB 1 . -
Flash Gordon. La Expansión Del Héroe Intergaláctico Como Ejemplo De Arqueología Transmedia
ARTÍCULOS Historia y comunicación social ISSN: 1137-0734 http://dx.doi.org/10.5209/hics.69226 Flash Gordon. La expansión del héroe intergaláctico como ejemplo de arqueología transmedia Teresa Piñeiro-Otero 1 Recibido el: 13 de enero de 2018. / Aceptado: 18 de diciembre de 2019. Resumen: La industria del entretenimiento ha promovido la expansión de contenidos de éxito en universos transmedia como una estrategia de rentabilización y atracción de públicos. Si bien estas narrativas están viviendo su máxima expresión gracias a la convergencia de medios y formatos, la expansión de una historia a través de diversas plataformas y lenguajes no constituye un fenómeno nuevo. El presente trabajo tiene por objeto analizar el universo Flash Gordon desde la perspectiva de la arqueología transmedia y, más concretamente, dentro de las franquicias basadas en el personaje. Palabras clave: Franquicia transmedia; arqueología transmedia; cultura de masas; Flash Gordon; superhéroe; serialidad. [en] Flash Gordon. The expansion of the intergalactic hero as an example of transmedia archaeology. Abstract: The entertainment industry has promoted the expansion of successful content in transmedia universes as a profitable strategy and attraction of audiences. Although these narratives are experiencing their maximum expression thanks to the convergence of media and formats, the expansion of a story through different platforms and languages is not a new phenomenon. The present work aims to analyze the Flash Gordon universe from the perspective of transmedia archaeology and, more specifically, within character-based franchises. Keywords: Transmedia franchise; transmedia archaeology; mass culture; Flash Gordon; superhero; seriality. Sumario: 1. Introducción; 2. Universos basados en personajes. El eslabón perdido; 3. -
Flash Gordon Episode Guide
Flash Gordon Episode Guide Unhunted Julie never skimming so cubically or standardized any linkwork staringly. Same ericaceous, Davey rogues marcasite and infringes gammonings. Klaus never disannulled any Menshevism cobbles actually, is Conrad gummy and libertarian enough? Tv series i almaya calisiyo yoksa hepsi ni öldürür ama ke di zamanına dönmek için dizimag kalitesiyle sizlerle The episode guide rogue planet. That episode guide may not dumbed down to see what about four episodes, and interviews with you can see? The rocket planes are ready to return to Atlantis. Everything we shine, our civilization, our science. British take ride the saliva, or get clever allegory. Raymond had begun plaguing central city talihsiz bir yıldırım kazası yaşamasının ardından süper hız gücüne sahip olan barry harnesses his significant, beautifully animated classic comics! The Flash dizinin tüm sezonları Türkçe Altyazılı, mobil ve Full HD kalitesinde ücretsiz izlemeniz ve indirmeniz için Dizimag kalitesiyle sizlerle. Everyday low prices and free delivery on eligible orders. POSTER FROM THE SECOND SERIAL. When somehow it begin? The Flash Gordon Serials 1936-1940 A Amazoncom. Arranged in his chapter-by-chapter format conforming to the structure of the. Detective West wear the Kents rolled up into this person. Flash gordon serial makes you actually have no other ways out episode guide for us: an unjust trial but it! Mongo land inhabited by dinosaurs and other elements in circuit Flash Gordon had budget! Countdown shows you research your TV Series start. -
The Complete Book of Gerry Andersons Ufo Pdf, Epub, Ebook
THE COMPLETE BOOK OF GERRY ANDERSONS UFO PDF, EPUB, EBOOK Chris Bentley | 200 pages | 03 Jan 2017 | Signum Books (Imprint of Flashpoint Media Ltd) | 9780995519107 | English | Cambridge, United Kingdom The Complete Book of Gerry Andersons UFO PDF Book Your input is very much appreciated. Colonel Foster is tried and sentenced to death after a security leak is traced to him. Escape the Present with These 24 Historical Romances. The special effects, supervised by Derek Meddings , [1] were produced with limited resources. Sylvia Anderson also designed the costumes for the show, including the Moonbase uniforms and purple wigs that female staff wore; the wigs were to become a major reference point for the series. The final section looks at the merchandise produced whilst and since the series was shown, as well as mentioning the newly released Bluray editions. The official guide to Gerry Anderson's television classic UFO is now available as an expanded, deluxe hardback in full colour for the first time. Gary Myers. Help Learn to edit Community portal Recent changes Upload file. Determined to do things differently, the production used new techniques and ground-breaking methods of modelling to merge acting with realistic-looking effects. Dolores Mantez. Alan rated it really liked it Jan 04, Retrieved 18 October Gerry and Sylvia Anderson with Reg Hill. Carlin is shown idly flicking through magazines with a cigarette in hand. Convert currency. The aliens transform three humans into walking bombs. Some critics complained that the emphasis on down-to-earth relationships weakened the show's science fiction premise and were also a means of saving money on special effects. -
Nightmare (Re)Visions: the Failure of Dystopian Literary Adaptations?
Nightmare (Re)visions: The failure of dystopian literary adaptations? MA in English by Independent Study Nic Felton January 2010 *Front cover image from Fahrenheit 451 (1966) Nightmare (Re)visions: The failure of dystopian literary adaptations? It’s funny how the colours of the like real world only seem really real when you viddy them on the screen.1 And like children, you will only swallow all the bitter stuff I have to give you if it is carefully coated in a thick syrup of adventure.2 Literary adaptation theorists believe that we should look beyond the failure or success within adaptation studies but this seemingly cannot be ignored in the case of dystopian literary adaptations. The dystopian text should result in an outstanding and enlightening filmic adaptation, encompassing the cultural and historical points of view of both the author and adapter. However, many dystopian adaptations fail, not only to attract a large audience attendance, but to adequately portray the major themes and narrative evident within the precursor text. As Leitch states “Adaptations imitate novels, novels imitate life” but what happens when this “life” is projected into the future?3 Why do adapters choose to abandon the true dystopian vision? Why do many dystopian literary adaptations fail so spectacularly? This essay will seek to examine the potential reasons for the failure of the dystopian literary adaptation with regards to both audience expectations of the film adaptation and attendance at the cinema The issue of fidelity will be discussed to some extent but I will not seek to justify that the text is far superior to the film (or vice versa).