BHS Musical Ensembles Perform with Cleveland Orchestra

Total Page:16

File Type:pdf, Size:1020Kb

BHS Musical Ensembles Perform with Cleveland Orchestra Vol. 58 No. 03 www.bcomber.org The Beachcomber Beachwood High School 25100 Fairmount Boulevard Beachwood, Ohio Dec. 16, 2016 BHS Musical Ensembles Perform With Cleveland Orchestra performing and worked in By Dalia Zullig another room…I had ex- Editor-in-Chief tra rehearsals twice a week The renovated audito- for the two to three weeks rium saw its first event on leading up to it, and each the evening of Nov. 5. The rehearsal was about an BHS Orchestra performed hour long.” with the Cleveland Orches- Goldman said students tra along with the choir who were not able to com- and some of the band. mit time to rehearsals were Instrumental music not forced to perform. teachers Lisa Goldman and “The students were told Noel DeViney worked with ahead of time that this the students in a series of would be something above rigorous rehearsals. Choir and beyond,” she said. “… Director Darlene Haight If students felt they did had 9 students sing along- not have the time, they side the Cleveland Or- could be excused.” chestra. 7 band students, A slightly reduced Cleve- led by Band Director Da- land Orchestra joined 39 vid Luddington, in both a students. They played piec- Brass Trio and Woodwind es that utilized the avail- Quartet, performed with able musicians. the Cleveland Orchestra as First the BHS musical well. ensembles performed a “I started working with series of pieces including the kids immediately when works by Vivaldi, Bach and school started,” Goldman Mendelssohn. After in- termission, the Cleveland Students from Beachwood’s orchestra had the opportunity to play side by side with the Cleveland Orchestra. said. “My assistant Noel Photo by Susan Bestul DeViney and I split the Orchestra played works by class so that I peeled off John Williams, Beethoven students. reer out of music, but she very cognizant of the little Haynesworth and Wu hope those kids who would be and Michael Dougherty. At “The way the conductor does want to keep playing. details within the music,” to join an orchestra in col- the end of the evening, the was able to communicate “It wasn’t terribly stress- Wu said. “He knew the lege. Inside This Issue... two orchestras joined to- with us and get us to do ful playing with the Cleve- style very well, and he gave Adams, who played the gether to perform Ravel’s what he wanted us to do land Orchestra,” Wasser- pretty good advice on the double bass during the Boléro as a finale. was amazing,” she said. “It man said. “It was more phrasing and how to mod- event, also wants to con- The students had the was almost like he was talk- stressful playing by our- ulate the bow.” tinue her musical career in opportunity to practice ing to us and not telling us selves because when you’re Freshman Abigail Ad- college. not only with Cleveland what to do. He would say ‘I playing with the Cleve- ams also learned a lot from “I’m not sure if I would Orchestra musicians, but want it to sound like this’ land Orchestra you know working with her stand major in music,” she wrote. also had a special rehearsal and not just ‘do this’.” it’s going to sound good… partner, Mark Atherton. “But I would love to play in with just Beachwood stu- Wasserman also found They’re so good that no “My stand partner was a college orchestra.” dents under the leadership it very educational to play matter what you do, it’s go- really cool,” she wrote in an “This is a once-in-a-life- of Cleveland Orchestra alongside the world-fa- ing to sound good.” email. “He’s been in the or- time kind of event,” Gold- conductor Brett Mitchell. mous orchestra. Senior Shitong Wu, who chestra for 30 years.” man said. “The Cleveland “The conductor came in “I think it was really played first chair viola, said “It’s great to play with Orchestra is a world class Hope Beats [about] two weeks out and PG 2 Hate interesting to see what playing with the orchestra people who are better than organization. It was both worked with just the 39 we’re doing for fun and on the night of the event you,” said senior Cameron an honor and a privilege kids,” Goldman said. for class being translated was cathartic. Haynesworth, who played to host them; it was both Senior Amanda Wasser- into something someone is “It was freeing because first cello, “…because you an honor and a privilege to man, who plays violin, said doing professionally,” she we’ve worked so much and get to see what you’re have them work with our the conductor had a special said. now we get to express it to missing out on.” students; and it was both way of getting across his Wasserman said she everybody,” he said. Wu wants to minor in an honor and a privilege to musical directions to the doesn’t want to make a ca- “My stand partner was music in college. Both be on stage with them.” Beachwood Responds To Shaker Heights Suspensions may or may not have been By Jinle Zhu related with the incident, a ASL Holiday News & Layout Editor walkout staged on Friday PG 3 Party the 11th, and a blackout by “No, because they don’t both Beachwood and Shak- work for it and as a cul- er, Weingard and Husa- ture they are scary, violent, madeen’s punishment has rude and needy. They ex- now been reversed. pect to be catered to.” According to the Shak- These were the words erite coverage, Husama- used in a text message sent deen’s mother met with by a Shaker Heights stu- Shaker Heights Principal dent the day after the elec- Jonathan Kuehnle and tion. It was a racist tirade came up with an alterna- directed at African Ameri- tive to her in-school sus- cans. pension. Shortly after, Shaker “I don’t think [Weingard Woman Heights students Elena and Husamadeen] should PG 6 Warriors Weingard and Myahh have been punished,” Husamadeen were appalled Shaker Heights senior Ben by the racist message and Livingston added. “They posted a screenshot of the were doing what they be- A banner was distributed on social media to organize the blackout. message on social media, lieved was right.” Image source: Instagram where it exploded. The use of racially- On Thursday Nov. 10, charged language and ra- City, verbal abuse of immi- not have been suspended. At Beachwood, students the Shaker Heights admin- cially-motivated violence grants and more. I know the suspension was have also expressed strong istration decided to call the have been increasingly com- “I understand why the overturned, but it was still opinions on the incident two girls to the principal’s mon since the election and student who [publicized the a bad decision.” and its outcomes. office, where they were in- are part of a larger trend. messages] was punished “I do hope the Shaker ad- On Friday, Nov. 11, formed of their in-school Since the election, there based on Shaker policy,” ministration tries to keep many Beachwood students suspension for “disruptive has been a nationwide in- Shaker senior Noah Gill the student body more joined Shaker Heights stu- behavior and speech.” crease in hate speech and said. “However, the other involved,” Livingston con- dents in holding a black- Responses Through an extraor- graffiti. According to CNN, student didn’t tweet any- cluded. “I was surprised out (where students wear PG 9 to Trump dinary series of events, documented incidents in- thing that would have ex- there wasn’t an assem- black clothing) to protest including a letter by the clude mosques getting let- posed the original commen- bly to talk about the sub- the suspension. The black- American Civil Liberties ters promoting genocide, tator’s privacy, not even the ject, what with the bomb Union, a bomb threat that vandalism in New York name, and therefore should threats and online uproar.” Continued on Pg.2 ... News THE BEACHCOMBER 2 News THE BEACHCOMBER 3 Holocaust Survivor Tells Story About Hope Overcoming Hate ASL Club Welcomes Community to “PJs and Cereal” Party was 17 years old, accord- Bernath emphasized the that for two weeks and ing to the Cleveland Jewish challenges of life in the restored Stanley’s hope in News. He now celebrates Nazi prison camps. In- humanity, giving him in- May 6 as his birthday ev- mates scrambled for food spiration to get through ery year. in a place where starvation each day with the knowl- “That’s when I was re- and torture were daily oc- edge that not all Nazis born,” Bernath told BHS currences. were monsters,” Deegan students in 2013, as quot- However, one day Ber- wrote. ed in the Cleveland Jewish nath was working near a Even though he was in a News. “If I had been there Nazi guard tower when a horrifying place, Bernath one more day, I would have miracle occurred. While he tried to stay hopeful. He been [dead].” was working, a small pack- emphasized the impor- Bernath and the other age dropped, as if from the tance of focusing on the prisoners were starved in sky. positive. the camp. When he was He was not sure whether “Hatred is a parasite that liberated in 1945, Bernath he should open it and take infects your brain,” he said. weighed only 65 pounds. the risk of being shot. He Students were awed On that day, he was eating took the risk, picked up by Bernath’s abillity to grass and worms while ly- the package, hid behind keep hope and love in his “Hatred is a parasite that infects your brain.” Photo by Rihab Ali ing on the ground.
Recommended publications
  • HONING the MYSTICAL EAR: Making Sense of Music As a Means of Mystical Living
    HONING THE MYSTICAL EAR: Making Sense of Music as a Means of Mystical Living by Michael J. Lamanna, S.J. A Thesis Submitted in Partial Fulfilment of the Requirements for the Licentiate in Sacred Theology at Boston College School of Theology and Ministry Readers Rev. John Baldovin, S.J., Ph.D. Rev. Brian Dunkle, S.J., Ph.D. April 19, 2021 Table of Contents Introduction: “A New Kind of Humanity That Is Musical” ........................................................ 2 The Challenge from Fr. Nicolás ................................................................................................................ 2 The Approach ............................................................................................................................................ 3 Some Background Music and Conceptual Ground Clearing .................................................................... 5 The Theological a Priori ........................................................................................................................... 6 Why Bother Giving This a Listen?............................................................................................................ 9 Chapter 1: Honing the Ear .......................................................................................................... 12 The On-Ramp: Theological Aesthetics ................................................................................................... 13 Bridge One: Music is Communication, but also Cognition ...................................................................
    [Show full text]
  • Leggi La Recensione Del Buscadero
    RECENSIONI DISCO DEL MESE AARTIST THE AVETT BROTHERS TITLE True Sadness LABEL American/Universal cose risapute ed altre pe e di altre roots Ame- wwww per nulla. Ma poi, una ricana, profondamente Bob Dylan, Tom Petty & volta ascoltato il disco, CONSIGLIATO inserite nel suono della Mudcrutch, Band of Horses, Un paio di mesi fa, il 14 marzo, ci si accorge che non è band della Carolina Del 76ROCK Seth Avett ha mandato una cambiato molto nel suo- Nord: canzoni come Ain’t Tony Joe White, Rich Robinson, John Doe, Jake No Man, Smithsonian,True Sa- Bugg, Eric Lindell, Case/Lang/Veirs, Hackensaw lettera ai suoi fans, spiegando no della band. Prodotto da come sarebbe stato il nuovo di- Rick Rubin, come i tre prece- dness, Divorce Separation Blues, Boys, David Corley, Spain, Larkin Poe, East of sco, True Sadness, annuncia- denti lavori di studio (I And Love sono qui per confermarlo. Un di- Venus, Paul Simon, Dirk Hamilton, Mark Knopfler, to per il prossimo 24 Giugno. and You, 2009, The Carpenter, sco bello e fiero che cresce ascol- Lou Rhodes, Michael McDermott, Rest in Chaos, Un disco dalle radici variegate, 2012, Magpie and The Dande- to dopo ascolto, che si posiziona Bad Company, The Connection, Afterhours, Willie come una coperta decorata, ed lion, 2013) True Sadness è puro tra folk e rock, con dosi adeguate Sugarcapps, Radiohead, Steve Gunn, There Will ha citato musicisti quali Tom Pet- Avett Brothers, con una serie di di folk, bluegrass, country, rock, Be Blood, Tribute to Jack Hardy, Clarence Bucaro, ty, Jimmie Rodgers, Sister Roset- canzoni di indubbia qualità, che ragtime ed indie rock: la band Meschiya Lake, Infamous Stringdusters, Jama ta Tharpe, Queen (sic), Nine Inch hanno una corposa dose di radi- ha un suono che, come aveva Trio, Robin Trower, Swans, The Wild Feathers, Nails, Gillian Welch, Walt Disney, ci.
    [Show full text]
  • Oshkosh Waterfest in August
    TO THE MUSIC MUSIC MOVES OUTDOORS 10+ SUMMER FESTIVALS Get Out & Do What You Like to do JUNE 2018 Colin Mochre Warming up to Wisconsin weather by default LOVERBOY Reliably rocking Oshkosh Waterfest in August FOX CITIES PAC Music for all this fall UPcomiNG EVENts: PLUS! Fox Cities | Green Bay MARK’S Marshfield | Oshkosh Stevens Point | Waupaca EAST SIDE NO Detail too small Wausau | Wisconsin Rapids FOR success Waterfest Tickets Celebrates on sale now Summer C l i c k h e r e BY ROCKING THE FOX Advance Ticket Availability Also appearing VIP & General Admission Season Passes The Producers Thomas Wynn & Copper Box (On Line, Oshkosh Chamber & Bank First) Single Event VIP Admission Paul Sanchez and The Believers The Legendary (On Line, Oshkosh Chamber, Bank First) The Rolling Road Show Davis Rogan Band Shadows of Knight Single Event General Admission (On Line-only) The Tin Men REMO DRIVE Brett Newski & No Tomorrow Admissions are also available at the gate day of show Questions: Call Oshkosh Chamber (920) 303-2265 Alex McMurray Road Trip The Pocket Kings For Group Discounts, Gazebo & Stage Right admissions The Lao Tizer Quartet Nick Schnebelen And more! Sponsorships: Mike at (920) 279-7574 or John at (920) 303-2265 x18 WATERFEST.ORG FOR MORE INFO Get Out & Do What You Like to Do JUNE 2018 p.12 COLIN MOCHRE PROFESSES HE HAS NO PLANS P. 4 P. 8 P.18 P.28 DEPARTMENTS LOWDOWN LOVERBOY MUSIC FEsts FALL FOX PUBLISHER’S NOTE p. 2 BRASS Still lovin’ every 11 Wisconsin CITIES PAC A little of everything minute of summer festivals Musical variety SUPPER CLUB - musical in Milwaukee working for the on sale now Mark’s East Side weekend in Appleton p.24 EVENts CALENdaR p.34 PUBLISHER’S NOTE Move It Outdoors JuneFa mily2018, Fu Vol.n Edit2, Issueion 6 June is here and it is time to get Supper Club Guy- David Brierely PUBLISHERS NORMA JEAN FOCHS outside and enjoy some warm goes German at Mark’s East Side PATRICK BOYLE weather and sunshine.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Chance the Rapper's Creation of a New Community of Christian
    Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough.
    [Show full text]
  • AUSTRALIAN SINGLES REPORT 19Th December, 2016 Compiled by the Music Network© FREE SIGN UP
    AUSTRALIAN SINGLES REPORT 19th December, 2016 Compiled by The Music Network© FREE SIGN UP ARTIST TOP 50 Combines airplay, downloads & streams #1 SINGLE ACROSS AUSTRALIA Starboy 1 The Weeknd | UMA starboy Rockabye The Weeknd ft. Daft Punk | UMA 2 Clean Bandit | WMA Say You Won't Let Go 3 James Arthur | SME Riding the year out at #1 on the Artist Top 50 is The Weeknd’s undeniable hit Starboy ft. Daft Punk. Black Beatles Overtaking Clean Bandit’s Rockabye ft. Sean Paul & Anne-Marie which now sits at #2, Starboy has 4 Rae Sremmurd | UMA stuck it out and finally taken the crown. Vying for #1 since the very first issue of the Australian Singles Scars to your beautiful Report and published Artist Top 50, Starboy’s peak at #1 isn’t as clear cut as previous chart toppers. 5 Alessia Cara | UMA Capsize The biggest push for Starboy has always come from Spotify. Now on its eighth week topping the 6 Frenship | SME streaming service’s Australian chart, the rest of the music platforms have finally followed suit.Starboy Don't Wanna Know 7 Maroon 5 | UMA holds its peak at #2 on the iTunes chart as well as the Hot 100. With no shared #1 across either Starvi n g platforms, it’s been given a rare opportunity to rise. 8 Hailee Steinfeld | UMA Last week’s #1, Rockabye, is still #1 on the iTunes chart and #2 on Spotify, but has dropped to #5 on after the afterparty 9 Charli XCX | WMA the Hot 100. It’s still unclear whether there will be one definitive ‘summer anthem’ that makes itself Catch 22 known over the Christmas break.
    [Show full text]
  • A Fast-Moving Storm
    University of Kentucky UKnowledge Theses and Dissertations--English English 2017 A FAST-MOVING STORM Amanda Kelley Corbin University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.207 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Corbin, Amanda Kelley, "A FAST-MOVING STORM" (2017). Theses and Dissertations--English. 58. https://uknowledge.uky.edu/english_etds/58 This Master's Thesis is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Grammy® Awards 2018
    60th Annual Grammy Awards - 2018 Record Of The Year Childish Gambino $13.98 Awaken My Love. Glassnote Records GN 20902 UPC: 810599021405 Contents: Me and Your Mama -- Have Some Love -- Boogieman -- Zombies -- Riot -- Redbone -- California -- Terrified -- Baby Boy -- The Night Me and Your Mama Met -- Stand Tall. http://www.tfront.com/p-449560-awaken-my-love.aspx Luis Fonsi $20.98 Despacito & Mis Grandes Exitos. Universal Records UNIV 5378012 UPC: 600753780121 Contents: Despacito -- Despacito (Remix) [Feat. Justin Bieber] -- Wave Your Flag [Feat. Luis Fonsi] -- Corazón en la Maleta -- Llegaste TÚ [Feat. Juan Luis Guerra] -- Tentación -- Explícame -- http://www.tfront.com/p-449563-despacito-mis-grandes-exitos.aspx Jay-Z. $13.98 4:44. Roc Nation Records ROCN B002718402 UPC: 854242007583 Contents: Kill Jay-Z -- The Story of O.J -- Smile -- Caught Their Eyes -- (4:44) -- Family Feud -- Bam -- Moonlight -- Marcy Me -- Legacy. http://www.tfront.com/p-449562-444.aspx Kendrick Lamar $13.98 Damn [Explicit Content]. Aftermath / Interscope Records AFTM B002671602 UPC: 602557611755 OCLC Number: 991298519 http://www.tfront.com/p-435550-damn-explicit-content.aspx Bruno Mars $18.98 24k Magic. Atlantic Records ATL 558305 UPC: 075678662737 http://www.tfront.com/p-449564-24k-magic.aspx Theodore Front Musical Literature, Inc. ● 26362 Ruether Avenue ● Santa Clarita CA 91350-2990 USA Tel: (661) 250-7189 Toll-Free: (844) 350-7189 Fax: (661) 250-7195 ● [email protected] ● www.tfront.com - 1 - 60th Annual Grammy Awards - 2018 Album Of The Year Childish Gambino $13.98 Awaken My Love. Glassnote Records GN 20902 UPC: 810599021405 Contents: Me and Your Mama -- Have Some Love -- Boogieman -- Zombies -- Riot -- Redbone -- California -- Terrified -- Baby Boy -- The Night Me and Your Mama Met -- Stand Tall.
    [Show full text]
  • Computational Models of Music Similarity and Their Applications In
    DISSERTATION Computational Models of Music Similarity and their Application in Music Information Retrieval ausgef¨uhrt zum Zwecke der Erlangung des akademischen Grades Doktor der technischen Wissenschaften unter der Leitung von Univ. Prof. Dipl.-Ing. Dr. techn. Gerhard Widmer Institut f¨urComputational Perception Johannes Kepler Universit¨atLinz eingereicht an der Technischen Universit¨at Wien Fakult¨atf¨urInformatik von Elias Pampalk Matrikelnummer: 9625173 Eglseegasse 10A, 1120 Wien Wien, M¨arz 2006 Kurzfassung Die Zielsetzung dieser Dissertation ist die Entwicklung von Methoden zur Unterst¨utzung von Anwendern beim Zugriff auf und bei der Entdeckung von Musik. Der Hauptteil besteht aus zwei Kapiteln. Kapitel 2 gibt eine Einf¨uhrung in berechenbare Modelle von Musik¨ahnlich- keit. Zudem wird die Optimierung der Kombination verschiedener Ans¨atze beschrieben und die gr¨oßte bisher publizierte Evaluierung von Musik¨ahnlich- keitsmassen pr¨asentiert. Die beste Kombination schneidet in den meisten Evaluierungskategorien signifikant besser ab als die Ausgangsmethode. Beson- dere Vorkehrungen wurden getroffen um Overfitting zu vermeiden. Um eine Gegenprobe zu den Ergebnissen der Genreklassifikation-basierten Evaluierung zu machen, wurde ein H¨ortest durchgef¨uhrt.Die Ergebnisse vom Test best¨a- tigen, dass Genre-basierte Evaluierungen angemessen sind um effizient große Parameterr¨aume zu evaluieren. Kapitel 2 endet mit Empfehlungen bez¨uglich der Verwendung von Ahnlichkeitsmaßen.¨ Kapitel 3 beschreibt drei Anwendungen von solchen Ahnlichkeitsmassen.¨ Die erste Anwendung demonstriert wie Musiksammlungen organisiert and visualisiert werden k¨onnen,so dass die Anwender den Ahnlichkeitsaspekt,¨ der sie interessiert, kontrollieren k¨onnen. Die zweite Anwendung demon- striert, wie auf der K¨unstlerebene Musiksammlungen hierarchisch in sich ¨uberlappende Gruppen organisiert werden k¨onnen. Diese Gruppen werden mittels W¨orter von Webseiten zusammengefasst, welche mit den K¨unstlern assoziiert sind.
    [Show full text]
  • I Wish I Was Avett Brothers
    I Wish I Was Avett Brothers Is Selby speakable when Angus repulsing regardfully? Is Claudio consistent or Baltic when slitting some duratives feint unmurmuringly? How splendent is Brice when tricentennial and subminiature Morgan slow-down some Judah? Minimum undefined options for educational and songs basically detailed the magic to higtlight the vocals from the card has you covered with your spellings etc. Free or show shipping was. Download millions of form responses in several members enjoy prime; these technologies as thousands of these google ads? We are just when recommending friends would be aware these crime podcasts that the avett brothers together to. The pending And Future Carpe. Your entire music without water, i wish was avett brothers show was called roots music? They are frequently, tells TODAY say the ongoing crisis in Texas brought on this brutal winter weather. They will sit down business models and vital, was avett brothers. But not depend greatly upon which playlists are interviewed or clicking i wish or socially conscious turn for video! The best in cold water, was avett reflects on your fellow musicians became consumed by friday, sold or an annotation. Yep but gossip can send do? Before you wish was avett brothers turn their legacy to. European traditions as i wish i was avett brothers. Fields required or framed option. Detroit concert in ways other parts of business models and i wish to consent choices at record companies. You can sort only numbers in broad field. This letter not entirely a helmet thing. Thanks I needed that! When i would hang me, simple song but were a unique.
    [Show full text]
  • Triple J Hottest 100 of the Decade Voting List: AZ Artists
    triple j Hottest 100 of the Decade voting list: A-Z artists ARTIST SONG 360 Just Got Started {Ft. Pez} 360 Boys Like You {Ft. Gossling} 360 Killer 360 Throw It Away {Ft. Josh Pyke} 360 Child 360 Run Alone 360 Live It Up {Ft. Pez} 360 Price Of Fame {Ft. Gossling} #1 Dads So Soldier {Ft. Ainslie Wills} #1 Dads Two Weeks {triple j Like A Version 2015} 6LACK That Far A Day To Remember Right Back At It Again A Day To Remember Paranoia A Day To Remember Degenerates A$AP Ferg Shabba {Ft. A$AP Rocky} (2013) A$AP Rocky F**kin' Problems {Ft. Drake, 2 Chainz & Kendrick Lamar} A$AP Rocky L$D A$AP Rocky Everyday {Ft. Rod Stewart, Miguel & Mark Ronson} A$AP Rocky A$AP Forever {Ft. Moby/T.I./Kid Cudi} A$AP Rocky Babushka Boi A.B. Original January 26 {Ft. Dan Sultan} Dumb Things {Ft. Paul Kelly & Dan Sultan} {triple j Like A Version A.B. Original 2016} A.B. Original 2 Black 2 Strong Abbe May Karmageddon Abbe May Pony {triple j Like A Version 2013} Action Bronson Baby Blue {Ft. Chance The Rapper} Action Bronson, Mark Ronson & Dan Auerbach Standing In The Rain Active Child Hanging On Adele Rolling In The Deep (2010) Adrian Eagle A.O.K. Adrian Lux Teenage Crime Afrojack & Steve Aoki No Beef {Ft. Miss Palmer} Airling Wasted Pilots Alabama Shakes Hold On Alabama Shakes Hang Loose Alabama Shakes Don't Wanna Fight Alex Lahey You Don't Think You Like People Like Me Alex Lahey I Haven't Been Taking Care Of Myself Alex Lahey Every Day's The Weekend Alex Lahey Welcome To The Black Parade {triple j Like A Version 2019} Alex Lahey Don't Be So Hard On Yourself Alex The Astronaut Not Worth Hiding Alex The Astronaut Rockstar City triple j Hottest 100 of the Decade voting list: A-Z artists Alex the Astronaut Waste Of Time Alex the Astronaut Happy Song (Shed Mix) Alex Turner Feels Like We Only Go Backwards {triple j Like A Version 2014} Alexander Ebert Truth Ali Barter Girlie Bits Ali Barter Cigarette Alice Ivy Chasing Stars {Ft.
    [Show full text]
  • Augmented Renaissance: from Creation to Revelation Christopher Atkinson Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2015 Augmented Renaissance: From Creation to Revelation Christopher Atkinson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Atkinson, Christopher, "Augmented Renaissance: From Creation to Revelation" (2015). LSU Master's Theses. 3378. https://digitalcommons.lsu.edu/gradschool_theses/3378 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. AUGMENTED RENAISSANCE: FROM CREATION TO REVELATION A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Christopher A. Atkinson B.A., Albany State University, 2012 May 2015 Acknowledgment I would first like to thank my Lord and Savior, Jesus Christ, who is the head of my life. To my Mother and Father: Words can ‘t begin to express how grateful I am to be your son. You’ve instilled pivotal attributes in me that shaped and molded me into the man that I am today. I marvel at your unwavering support and I love you from the bottom of my heart and depths of my soul! To Shelby Atkinson: We bump heads constantly, but I appreciate you being such a fantastic little sister.
    [Show full text]