01 F.Katalog 2015.Indd

Total Page:16

File Type:pdf, Size:1020Kb

01 F.Katalog 2015.Indd 34. ‹STANBUL FİLM FEST‹VAL‹ 34TH ISTANBUL FİLM FESTIVAL 4 -19 NİSAN/APRIL 2015 İstanbul Kültür Sanat Vakfı 34. İstanbul Film Festivali’nin gerçekleştirilmesine büyük katkı sağlayan TC Kültür ve Turizm Bakanlığı’na ve Sinema Genel Müdürlüğü’ne teşekkür eder. The Istanbul Foundation for Culture and Arts would like to thank festıval sponsor the Ministry of Culture and Tourism and General Directorate of Cinema whose contributions have made the 34th Istanbul Film Festival possible. Değerli destekleri için TC Istanbul Valiliği, TC İstanbul İl Kültür ve Turizm Müdürlüğü, İstanbul Büyükşehir Belediyesi, TC Beyoğlu Kaymakamlığı ve Beyoğlu Belediyesi’ne teşekkür ederiz. Acknowledging the kind contributions of the Governorship of Istanbul, Istanbul Provincial Directorate of Culture and Tourism, Istanbul Metropolitan Municipality, Beyoğlu District Governorship and Municipality of Beyoğlu. leadıng sponsor offıcıal sponsors İletişim Communication Taşıyıcı Carrier Konaklama Hotel theme sponsors wıth the hıghest contrıbutıon meetıngs on the brıdge sponsor acknowledgıng prıze provıders the kınd collaboratıon of Uluslararası Yarışma Altın Lale Ödülü International Competition Golden Tulip Award Ulusal Yarışma Jüri Özel Ödülü National Competition Special Jury Prize Seyfi Teoman En İyi İlk Film Ödülü Seyfi Teoman Best Debut Film Prize Radikal Halk Ödülü Radikal People’s Choice Award Sinemada İnsan Hakları Avrupa Konseyi Sinema Ödülü (FACE) Human Rights in Cinema Film Award of the Council of Europe (FACE) press sponsors tv sponsors magazıne sponsors radıo sponsors İÇİNDEKİLER CONTENTS13 Sunuş 14 Presentations Sinema Onur Ödülleri 21 Cinema Honorary Awards Jüriler 27 Juries Uluslararası Yarışma 39 International Competition Sinemada İnsan Hakları Yarışması 53 Human Rights in Cinema Competition Yarışma Dışı 64 Out of Competition servıce sponsors festıval campaıgn 2014-2015 turkısh cınema 2014-2015 Sigorta Ulusal Yarışma 67 National Competition Insurance Yarışma Dışı 76 Out of Competition Yeni Türkiye Sineması 78 New Turkish Cinema Ulusal Belgesel Yarışması 83 National Documentary Competition Ufak Hakikatler 97 Little Truths Stratejik Araştırma Hisar Kısa Film Seçkisi 100 Hisar Short Film Selection Strategic Research Türk Klasikleri Yeniden 103 Turkish Classics Revisited . Sinema Onur Ödülleri 107 Cinema Honorary Awards we acknowledge theır kınd support Akbank Galaları 111 Akbank Galas Sağlık towards the promotıon of the Healthcare festıval. Ustalar 123 Masters Dünya Festivallerinden 131 From the World of Festivals Yeni Bir Bakış 149 New Visions CRM Danışmanlığı NTV Belgesel Kuşağı 161 Documentary Time with NTV CRM Consultancy Mayınlı Bölge 173 Mined Zone Antidepresan 183 Antidepressant Çocuk Mönüsü 193 Kids’ Menu Kurumsal Eğitim Corporate Education Geceyarısı Çılgınlığı 197 Midnight Madness Aile Bağları 201 Family Ties Balkanlar: Ateşin Sineması 209 Balkans: Cinema of Flames CRM Yazılım Yeni Alman Canlandırma Sineması 215 New German Animation CRM Software Development Lisandro Alonso: Sahipsiz Topraklar 219 Lisandro Alonso: No Man’s Land Yüz Yıllık Acı 225 Hundred Years of Pain Sinematek ve Onat Kutlar 229 Cinematheque and Onat Kutlar Anılarına 241 In Memoriam Özel Gösterimler 249 Special Screenings Köprüde Buluşmalar 253 Meetings on the Bridge Bilet Bilgileri ve Mekânlar 279 Ticket Sales and Venues Yapımcı ve Dağıtımcı Adresleri 287 Producer & Distributor Contacts Teşekkürler 305 Acknowledgements Yönetmen Dizini 311 Index of Directors Film Dizini 315 Index of Films SUNUŞ PRESENTATION 2015, Türk Sinematek Derneği’nin 2015 marks the 50th anniversary of the kuruluşunun 50, hem bu derneğin Turkish Cinematheque Association hem de İstanbul Film Festivali’nin and the 20th anniversary of the death kurucuları arasında yer almış, İKSV’nin of Onat Kutlar, co-founder of both the gelişimine büyük emek harcamış olan Association and the Istanbul Film Onat Kutlar’ın aramızdan ayrılışının Festival. In these and many other roles, ise 20. yıldönümü. Sinematek, Onat Kutlar labored selflessly for the faaliyet gösterdiği 1965-1980 yılları advancement of İKSV. arasında tematik toplu gösterimler gerçekleştirmiş, ticari sinemalarda Founded in 1965, the Cinematheque izlenmesi mümkün olmayan sayısız Association organised thematic film filmi göstermiş, yurtdışından programs; screened numerous films BÜLENT ECZACIBAŞI konukların da katıldığı paneller, that would have never been shown at söyleşiler, sergiler düzenlemiş, commercial movie theatres; organized ­ chaırman of iksv sinema alanında düşünce üretimini exhibitions, panels and talks with teşvik eden ve entelektüel tartışma international guest speakers; and ortamının zenginleşmesine katkıda prepared publications that generated bulunan yayınlar hazırlamıştı. ideas and encouraged debate about İstanbul Film Festivali’nin de cinema over the following 15 years. öncesinde, ülkemizde sinemanın A precursor of the Istanbul Film farklı boyutlarının tanınması ve bu Festival, the Cinematheque Association sanatın derinlikli olarak sevilmesinde was a unique institution even by current büyük rol oynayan, Türkiye’de bugün standards: it introduced our country dahi benzeri olmayan bir kurumdu. to the multiple aspects of cinema and İstanbul Film Festivali, bugün played a leading role in generating 34. yılına ulaşan macerasına, bu deeper interest in this art form. derneğin yerleştirdiği geleneğin takipçisi olarak başlamıştı. Thirty-four years ago, the Istanbul Kuruluşunun 50. yıldönümünde Film Festival began its journey as the Türk Sinematek’ini özlemle hatırlıyor, successor to this valuable tradition. ülkemizde sinema alanında büyük Hence, on this 50th anniversary of the önem taşıdığına inandığımız bu iki Turkish Cinematheque Association, we oluşumun da kurucuları arasında yer commemorate both the Association and alan Onat Kutlar’ı da bir kez daha Onat Kutlar, who so greatly contributed saygıyla anıyoruz. to the development of both institutions. Festivalin 10. yılı için hazırladığı In an essay written for the 10th yazıda Onat Kutlar “İstanbul Film anniversary of the festival, Onat Kutlar Festivali’ni düşündüğümde, bu kent said, “As I see it, the Istanbul Film (…) bir ‘şenlik’ oluyor” diyordu. Bu Festival transforms this city (…) into yıl da yarışmalar, tematik bölümler, a ‘festival’.” As in previous years, we gösterilecek 200’ü aşkın film, have sought to create a festival that ustalık dersleri, Köprüde Buluşmalar contributes to the art of cinema and atölyeleri, söyleşiler ve panellerle, enriches the intellectual lives of our sinemanın gelişimine katkıda audiences through the screening of bulunacak ve izleyicilerimizin düşünce more than 200 films in different dünyalarını zenginleştirecek bir thematic categories, master classes, festival gerçekleştirmeyi hedefledik. Meetings on the Bridge workshops, 16 gün boyunca İstanbul Film panel discussions, and competitions. Festivali’yle, sinemanın bir kez Throughout 16 days, we hope that daha kentimizde bir şenlik olarak the Istanbul Film Festival once again yaşanmasını ümit ediyoruz. transforms our city into a festival. SUNUŞ PRESENTATION İstanbul Film Festivali’nin 34. yaşını This year, the 34th edition of the kutladığı bu yıl, Sinematek’in de Istanbul Film Festival overlaps with the 50. yıldönümü. Festivalin temellerini 50th anniversary of the Cinematheque. atan ekibin aynı zamanda The team who established the film Sinematek’in de kurucularından festival were equally the founders of olması, festivalin köklerini the Cinematheque, so in a sense, we 50 yıl öncesine dayandırıyor. can say that the history of the festival Festivalin amacı, kuruluşundan covers 50 years. All this while, our aim bugüne değişmedi: Türkiye’de remained unchanged: to contribute to sinema kültürünün yerleşmesine the dissemination of cinema culture katkıda bulunmak, sinemanın in Turkey, to establish cinema as an bir sanat olarak yaygınlaşması ve art, reaching out to a greater audience. AZİZE TAN daha geniş kitlelere ulaşmasını Throughout all those years, as a sağlamak. Yönetmen sinemasının true follower of auteur films, it was ­ festıval dırector takipçisi olarak sinemaseverleri indeed the Istanbul Film Festival that Tarkovski’den Pasolini’ye, introduced to cinema lovers many Kiarostami’den Angelopoulos’a, filmmakers from Tarkovsky to Pasolini, Carlos Reygadas’dan bu yıl tüm from Kiarostami to Angelopoulos, from filmlerini gösterdiğimiz Lisandro Carlos Reygadas to Lisandro Alonso– Alonso’ya kadar pek çok yönetmenle whose corpus of work will be screened tanıştırdık. Öne çıkan sinema this year. We always followed currents akımlarını takip ettik; tıpkı bu yıl of cinema; hence this year’s special Balkan sinemasına ayırdığımız özel section devoted to the Balkan cinema; bölüm gibi. Her yıl farklı ülkelerin or as is the case with this year’s canlandırma sinemasını keşfetmeye German animations, every year we çalıştık, bu yılki durağımız Almanya. tried to discover animation traditions of Gösterdiğimiz filmlerle dünya ve different countries. Through the films Türkiye gündemini de yakından takip we screen, we observe closely the actual ediyoruz. Bu yılın programından state of the things in the world and Edward Snowden’ın hikâyesini in Turkey. While in the documentary anlatan Citizenfour, dünya üzerinde Citizenfour–that relates the story of gözetlenmeyen kimse kalmadığını Edward Snowden–we will see the proof kanıtlarıyla sunarken, Bakur belgeseli that everybody is spied on in the world de izleyiciyi onlarca yıldır süren bir at the moment, we will also find in the harekete, PKK’ye derinlemesine
Recommended publications
  • Feature Films
    FEATURE FILMS NEW BERLINALE 2016 GENERATION CANNES 2016 OFFICIAL SELECTION MISS IMPOSSIBLE SPECIAL MENTION CHOUF by Karim Dridi SPECIAL SCREENING by Emilie Deleuze TIFF KIDS 2016 With: Sofian Khammes, Foued Nabba, Oussama Abdul Aal With: Léna Magnien, Patricia Mazuy, Philippe Duquesne, Catherine Hiegel, Alex Lutz Chouf: It means “look” in Arabic but it is also the name of the watchmen in the drug cartels of Marseille. Sofiane is 20. A brilliant Some would say Aurore lives a boring life. But when you are a 13 year- student, he comes back to spend his holiday in the Marseille ghetto old girl, and just like her have an uncompromising way of looking where he was born. His brother, a dealer, gets shot before his eyes. at boys, school, family or friends, life takes on the appearance of a Sofiane gives up on his studies and gets involved in the drug network, merry psychodrama. Especially with a new French teacher, the threat ready to avenge him. He quickly rises to the top and becomes the of being sent to boarding school, repeatedly falling in love and the boss’s right hand. Trapped by the system, Sofiane is dragged into a crazy idea of going on stage with a band... spiral of violence... AGAT FILMS & CIE / FRANCE / 90’ / HD / 2016 TESSALIT PRODUCTIONS - MIRAK FILMS / FRANCE / 106’ / HD / 2016 VENICE FILM FESTIVAL 2016 - LOCARNO 2016 HOME by Fien Troch ORIZZONTI - BEST DIRECTOR AWARD THE FALSE SECRETS OFFICIAL SELECTION TIFF PLATFORM 2016 by Luc Bondy With: Sebastian Van Dun, Mistral Guidotti, Loic Batog, Lena Sukjkerbuijk, Karlijn Sileghem With: Isabelle Huppert, Louis Garrel, Bulle Ogier, Yves Jacques Dorante, a penniless young man, takes on the position of steward at 17-year-old Kevin, sentenced for violent behavior, is just let out the house of Araminte, an attractive widow whom he secretly loves.
    [Show full text]
  • Clones Stick Together
    TVhome The Daily Home April 12 - 18, 2015 Clones Stick Together Sarah (Tatiana Maslany) is on a mission to find the 000208858R1 truth about the clones on season three of “Orphan Black,” premiering Saturday at 8 p.m. on BBC America. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., April 12, 2015 — Sat., April 18, 2015 DISH AT&T DIRECTV CABLE CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA SPORTS WBRC 6 6 7 7 6 6 6 6 AUTO RACING Friday WBIQ 10 4 10 10 10 10 6 p.m. FS1 St. John’s Red Storm at Drag Racing WCIQ 7 10 4 Creighton Blue Jays (Live) WVTM 13 13 5 5 13 13 13 13 Sunday Saturday WTTO 21 8 9 9 8 21 21 21 7 p.m. ESPN2 Summitracing.com 12 p.m. ESPN2 Vanderbilt Com- WUOA 23 14 6 6 23 23 23 NHRA Nationals from The Strip at modores at South Carolina WEAC 24 24 Las Vegas Motor Speedway in Las Gamecocks (Live) WJSU 40 4 4 40 Vegas (Taped) 2 p.m.
    [Show full text]
  • Production Notes Greg Haddrick, Greg Mclean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS
    A Stan Original Series presents A Screentime, a Banijay Group company, production, in association with Emu Creek Pictures financed with the assistance of Screen Australia and the South Australian Film Corporation Based on the feature films WOLF CREEK written, directed and produced by Greg McLean Adapted for television by Peter Gawler, Greg McLean & Felicity Packard Production Notes Greg Haddrick, Greg McLean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler & Felicity Packard SERIES WRITERS Tony Tilse & Greg McLean SERIES DIRECTORS As at 2.3.16 As at 2.3.16 TABLE OF CONTENTS Key Cast Page 3 Production Information Page 4 About Stan. and About Screentime Page 5 Series Synopsis Page 6 Episode Synopses Pages 7 to 12 Select Cast Biographies & Character Descriptors Pages 15 to 33 Key Crew Biographies Pages 36 to 44 Select Production Interviews Pages 46 to 62 2 KEY CAST JOHN JARRATT Mick Taylor LUCY FRY Eve Thorogood DUSTIN CLARE Detective Sergeant Sullivan Hill and in Alphabetical Order EDDIE BAROO Ginger Jurkewitz CAMERON CAULFIELD Ross Thorogood RICHARD CAWTHORNE Kane Jurkewitz JACK CHARLES Uncle Paddy LIANA CORNELL Ann-Marie RHONDDA FINDELTON Deborah ALICIA GARDINER Senior Constable Janine Howard RACHEL HOUSE Ruth FLETCHER HUMPHRYS Jesus (Ben Mitchell) MATT LEVETT Kevin DEBORAH MAILMAN Bernadette JAKE RYAN Johnny the Convict MAYA STANGE Ingrid Thorogood GARY SWEET Jason MIRANDA TAPSELL Constable Fatima Johnson ROBERT TAYLOR Roland Thorogood JESSICA TOVEY Kirsty Hill 3 PRODUCTION INFORMATION Title: WOLF CREEK Format: 6 X 1 Hour Drama Series Logline: Mick Taylor returns to wreak havoc in WOLF CREEK.
    [Show full text]
  • Kulturprogramm 6|2015 Bis 15.7
    Kulturprogramm 6|2015 bis 15.7. Architekturausstellung Architectus Omnibus? Ausstellung Ausgestellt werden die ausgewählten 10 Projekte der öffentlichen Ausschreibung Architectus Omnibus? Mo-Do 15-18 Uhr Außerdem wird das Archiv Fresh Latino 2 präsentiert. Fr 12-15 Uhr Instituto Cervantes, Rosenstr. 18-19, 10178 Berlin. Eintritt frei Mo, 1.6. 20:00 Uhr Cine en español Zonazine Dokumentarfi lmreihe - Un sitio donde quedarse Spanien, 2014, R: Marta Arribas & Ana Pérez, 85 Min., OmeU Babylon, Rosa-Luxemburg-Str. 30, Tel.: 030-242 59 69, www.babylonberlin.de Eintritt: Saal 1: 8 €, Saal 2/3: 7 € / für Kursteilnehmer des IC 4 € Do, 4.6. bis Seminar Manual de supervivencia para artistas Sa. 6.6. Das Seminar richtet sich an spanische Künstler und Kulturvermittler, die sich in Deutschland eine neue Existenzgrundlage eröffnen möchten. Instituto Cervantes, Rosenstr. 18-19, 10178 Berlin Auf Spanisch. Eintritt frei. Um Anmeldung wird unter [email protected] gebeten. Mo, 8.6. 20:00 Uhr Cine en español Videokunst & Performance Das „Do it Yourself“ Videoprojekt Spanien, 2009, 2010, 2012, 2014. R: Johanna Speidel, OmeU. Anschließend Live-Performance. Babylon, Rosa-Luxemburg-Str. 30, Tel.: 030-242 59 69, www.babylonberlin.de Eintritt: Saal 1: 8 €, Saal 2/3: 7 € / für Kursteilnehmer des IC 4 € Di, 9.6. 19:30 Uhr Buchpräsentation Von Rügen nach Gernika. Die Männer der Legion Condor Hervorragende Studie über die Legion Condor der Historikerin Stefanie Schüler-Springorum: Krieg und Fliegen. Die Legion Condor im Spanischen Bürgerkrieg wird von der Autorin vorgestellt. Bibliothek, Instituto Cervantes, Rosenstr. 18-19, 10178 Berlin Do, 11.6. 19:30 Uhr Gespräch Lateinamerikanische Reportagen im 21.
    [Show full text]
  • Cata2006.Pdf
    SOMMAIRE/CONTENTS S PARTENAIRES/PARTNERS & SPONSORS 005 ÉDITORIAUX/EDITORIALS 006 PRIX/PRIZES 030 JURYS/JURIES 033 jury de la compétition internationale/international competition jury 034 jury de la compétition française/french competition jury 040 jury son/soundtrack jury 046 jury GNCR, jury Marseille Espérance, jury des Médiathèques GNCR jury, Marseille Espérance jury and Public libraries jury 050 SÉLECTION OFFICIELLE/OFFICIAL SELECTION 051 éditorial/editorial 052 compétition internationale/international competition 057 film d’ouverture/opening film 058 compétition française/french competition 097 ÉCRANS PARALLÈLES/PARALLEL SCREENS 113 rétrospective harmut bitomsky / harmut bitomsky retrospective 115 rétrospective joaquin jordá / joaquin jordá retrospective 129 robert morin, fais-le toi-même ! / robert morin, do it yourself ! 141 be with me – la fiction avec le documentaire / be with me – fiction with documentary 157 toutes les nuits (en six jours) / all kinds of nights (in six days) 179 fenêtre allemande, tübingen / a glimpse of germany, tübingen 191 les sentiers / paths 195 SÉANCES SPÉCIALES/SPECIAL SCREENS 229 TABLES RONDES/ROUND TABLES 235 FIDMarseille AVEC/FIDMarseille WITH 237 VIDÉOTHÈQUE/VIDEO LIBRARY 245 ÉQUIPE ARTISTIQUE/ARTISTIC TEAM 261 REMERCIEMENTS/ACKNOWLEDGEMENTS 265 C.A. et ÉQUIPE FIDMarseille / FIDMarseille MANAGEMENT COMMITTEE and STAFF 266 INDEX/INDEX index des films / film index 267 index des réalisateurs / filmmaker index 269 index des producteurs / film producer index 270 004 PARTENAIRES/PARTNERS & SPONSORS Pa
    [Show full text]
  • D2492609215cd311123628ab69
    Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films.
    [Show full text]
  • Festival Centerpiece Films
    50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E.
    [Show full text]
  • Distribution Agreement in Presenting This
    Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Tianyi Yao Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao Master of Arts Film and Media Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Tanine Allison Committee Member _________________________________________ Timothy Holland Committee Member _________________________________________ Michele Schreiber Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao B.A., Trinity College, 2015 Advisor: Matthew Bernstein, M.F.A., Ph.D. An abstract of
    [Show full text]
  • Turkish Cinema
    Turkish cinema Nezih Erdoğan Deniz Göktürk The first years Cinema, as a Western form of visual expression and entertainment, did not encounter resistance in Turkey, a country culturally and geographically bridging East and West. It perfectly represented the ambivalent attitudes of the national / cultural identity under construction. On one hand, cinema came as a sign of modernization / Westernization, not only for the images of the Westbeing projected onto the screen, but also for the condi- tions of its reception. Cinematography was a technological innovation imported from the West and the ritual of going to the movies became an important part of the modern urban experience. On the other hand, cinema offered possibilities for the production of a ‘national discourse’. Many of the early feature films reflect the ‘birth of a nation’ or resis- tance to the Allied Forces during World War I. The audience was already familiar with the apparatus (theatre, screen, figures, music and sound, light and shadow), which bore some resemblance to the traditional Turkish shadowplay Karagöz, one of the most popular entertainment forms of the past. Ayse Osmanoğlu, the daughter of Sultan Abdülhamid II, remembers that the French illusionist of the palace used to go to France once a year and return with some novelties to entertain the palace population; a film projector throwing lights and shadows on a wall was the most exciting of these spectacles. The first public exhibition took place in 1896 or 1897 in the Sponeck pub, which was frequented by non-Muslim minorities (namely Levantines), as well as Turkish intellectuals infatuated with the Western civilization in Pera (today Beyoğlu), a district in the European part of Istanbul known for its cosmopolitan character.
    [Show full text]
  • Female Silences, Turkey's Crises
    Female Silences, Turkey’s Crises Female Silences, Turkey’s Crises: Gender, Nation and Past in the New Cinema of Turkey By Özlem Güçlü Female Silences, Turkey’s Crises: Gender, Nation and Past in the New Cinema of Turkey By Özlem Güçlü This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Özlem Güçlü All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9436-2 ISBN (13): 978-1-4438-9436-4 To Serhan Şeşen (1982-2008) and Onur Bayraktar (1979-2010) TABLE OF CONTENTS List of Figures .......................................................................................... viii Acknowledgements ..................................................................................... ix Notes on Translations ................................................................................. xi Introduction ................................................................................................. 1 And Silence Enters the Scene Chapter One ............................................................................................... 30 New Cinema of Turkey and the Novelty of Silence Chapter Two .............................................................................................
    [Show full text]
  • I Am Not Your Negro
    Magnolia Pictures and Amazon Studios Velvet Film, Inc., Velvet Film, Artémis Productions, Close Up Films In coproduction with ARTE France, Independent Television Service (ITVS) with funding provided by Corporation for Public Broadcasting (CPB), RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod With the support of Centre National du Cinéma et de l’Image Animée, MEDIA Programme of the European Union, Sundance Institute Documentary Film Program, National Black Programming Consortium (NBPC), Cinereach, PROCIREP – Société des Producteurs, ANGOA, Taxshelter.be, ING, Tax Shelter Incentive of the Federal Government of Belgium, Cinéforom, Loterie Romande Presents I AM NOT YOUR NEGRO A film by Raoul Peck From the writings of James Baldwin Cast: Samuel L. Jackson 93 minutes Winner Best Documentary – Los Angeles Film Critics Association Winner Best Writing - IDA Creative Recognition Award Four Festival Audience Awards – Toronto, Hamptons, Philadelphia, Chicago Two IDA Documentary Awards Nominations – Including Best Feature Five Cinema Eye Honors Award Nominations – Including Outstanding Achievement in Nonfiction Feature Filmmaking and Direction Best Documentary Nomination – Film Independent Spirit Awards Best Documentary Nomination – Gotham Awards Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Arianne Ayers Ryan Werner Rene Ridinger George Nicholis Emilie Spiegel Shelby Kimlick Magnolia Pictures Cinetic Media MPRM Communications (212) 924-6701 phone [email protected] [email protected] [email protected] [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House.
    [Show full text]
  • The Construction of the Post-Socialist Urban Identity: China’S Reform and Drifting Urban Population Huimin Deng
    Global Film Cultures – peer-reviewed Cinergie – Il cinema e le altre arti. N.14 (2018) https://doi.org/10.6092/issn.2280-9481/8388 ISSN 2280-9481 The Construction of the Post-socialist Urban Identity: China’s Reform and Drifting Urban Population Huimin Deng Submitted: July 3, 2018 – Revised version: October 22, 2018 Accepted: November 6, 2018 – Published: December 31, 2018 Abstract In the transition from the socialist system to the postsocialist system since 1978, thousands of Chinese urban- to-rural migrant workers and students of socialist movements and urban laid-off workers of socialist state- owned enterprises were no longer safeguarded by Chinese government in terms of political status, job oppor- tunities, welfare, and living standard. Struggling for returning to cities and integrating into the competitory market economy become the living dilemma of the two urban groups respectively. This paper explores the images of those troubled urban figures within both the Chinese Sixth Generation cinema and the Chi- nese independent documentary. It aims at exposing Chinese urban people’s drifting experience within the postsocialist social context in relation to Chinese modern cinema. The spatial and ideological drifting of troubled urban people in postsocialist China, it shall argue, derives from the transition from the socialist class struggle to the postsocialist economy-oriented reform and from the socialist planned economy to the postsocialist market economy. Keywords: urban drifters; socialist movements; social reform; ideological transformation; spatial move- ment. Huimin Deng: University of St Andrews (United Kingdom) [email protected] Huimin Deng is a Ph.D. student at the Department of Film Studies of the University of St Andrews and is supervised by Prof.
    [Show full text]