EDITION #8 _ JANUARY 2006
I{APPY NfW YEAR Wet"o-" to zOO6. I hope you a had a geat Cblistmas, and Santa brought you all you wanted Udortunat€lv 2005 end€d in a bad r ay, with the passing oftwo instrumental greats: LINK WRAY "The Runble Man", Link Wray passed away on 5 November at th€ age of 76. Otre of the pioneers of rock instrum€ntals, Link's music was always original, atrd always LOLTD. The UK bas€d Ace Records hav€ a nice tribute on their website, !{aats!9roals.la,qk Ace have at least eight CD's available of]-inL's material. wray was bom lrederick Lincoln Wray on May 2, 1929 in Dunq North Carolina. Psn ShawDee India.r! he was playing guitar at a. early ag€, and learned from such diverse names as Tex Ritter, Sheiff Tex Davis and Wild Bill Elliott After a stift in the US Anny (servhg in Korea) he form€d a barld with his brothers Doug and vernon plaving colntry music "Rumble" came along in 1958, and was folowed by "Rawhide", "Jack The Ripper", "Ace Of Spades', "Batman Theme", 'The Sweeper", "Run Chicken Run", "The Shadow Knows", "The Black widow" and other sidster titles These were re.orded for the for the Epic and Swan labels A{ler the relatively short-lived instrunental boom', Wray s^,itched to vocals nainly for Poiydor. But his instlument3ls have influenced mary oftoday's musicians (including Pete Tonnsend, Paul Mccartney, David Bowig Bob Dyian, Bruce Springstee4 Neil Youg The Stooges, The MC5) and tuave be€fl featured in the soundtraclc ofsuch films as "Pulp liction", "Desperado" and "lndependence Day" He cottinued perfoming right up to his death, appearing at tle Green Bay festival in wisconsin in e2tly 2005 (and stil1 LOttD!) A D\iD ""The Rumble Man" was jssued by Cherry Red Fiims in 2003, and features Link in his 1996 UK tour. It is still available.
TONY ME[II4.N The original Shadows' drunmet Tony Meehafl, died after a fall at his London home on 28 November. He was bom Daniel Jos€ph Arthony M€ehan in Hampstead, north London on March 2, 1943. He took up rhe drums at the ag€ of l0 afld made his fiIst appeam.ce a1 a danc€ hall in Wimbledon. Soo4 he had played timpani with the London Youth Orchestra and worked on th€ cabaret scene at such venues as Churchili's aod The Stork Club. When skifie broke ort, he perfom€d with the Wonied Men and Tbe Vipers, and baoked Vince Taylor and Tony Sheridan. At the end o11958' Hank Marvin alld Bruce welch.€ffuited Tony in The Dri{ters for a tou. with CliffRichard. We know the Drifiers soon beoame Th€ Shadowr and they had huge success in alnost a[ parts ofthe worl4 except ihe US. Meehan's flrst recorded appearance llas on Clilfs "Livin'Lovin DoX", ard he played or all olThe Slad's early lits frotn "Feeth line" and inciuding "Apache", 'TBI', 'Man OfMystery' and some of Clifs hits. Tony also appeared in the film "The Young Ones". ln October 1961, he left the group to pursue a career as a composer and r€cord prcducer. H€ negotiated an independent produotion de"l with Decca, and played rlrums on a number of sessions with the lit€s ofBilly Fury, Joln Lelton and Frank Ifl€ld. In the meantine, let lturris had also lefr The Shadows, and they joined fo.ces to record a nunber ofitrst umentals (mai.Iy written by Jerry Lordan) such as "Diamonds", "scarlett O'H"ra" and "Applejack". Following a tragic car accidert which nearlv killed Jet Harris' Meehan fomed the Tony Meelan Combo, \thich irclud€d Jobn Paul Jones and John Mclsugbtin The conbo was largelv jazz- orient€4 ald was not succ€ssful. Meehan then concentrated on produclion work for Tim Hadi& lohn Howatd (no' not the PM but a British singer,), RogerDaltrey and P.P.Arnold Melboumes two major newspapers, 'The Age" and "The Herald Sun" both .an obiluaries, albeit over a month apan. "Th€ Age" caled th€irs "Oui Of Tle Shadows Into O*n Spotliglt" on Decenber t, and the 'Herald Sun" on 5 Janua.y was headed "Provided Beal For Pop Success". Many regard Tony M€ehan as THE Shadows drunmer, even thougl he was only with the goup for under three years! His inaovJive drumming was described by Si CIitr as "the backbone ofthe band and tus aegr€ssjve vet sparse stvle was similar to Ringo Sta#s five years later with The Beatles". Ofcourse, we alt know and love the Shadows' and J€t and Tony's music, and will sadly miss ToDv Meehan - R I P
HANIi BRUCI. BRIAN & JACI(? Wf ilst on u Shudows theme, ihe "lntemational Express" of22 November lan ihe following story reproduced "Biogmpher- reveels J&ck's Shadowy patt" gest remembered as the dFamic bassist ofcream, Jack Bruc€ could e{sily have ended up working with tlree orher world-lamous bands. A new biography ciaims that a{Ier splittrng Fom Eric Clapton and Gnger Baker in 1968, Bruce was asked to join sup€rgroups kd Zeppeli4 Crosby Stills And Nash - and middl€-market s.runmers The Shadows. Bruce turned down a[ tkee, but the ofFer from Hank Marvin and Co still provides fond memories. "Thejob ofer that was most surprisin& and which deliglts and amuses Jack to this day, came ton Marvin," writes author Steven Myat{: in The Biography OfJack B.uce. "That sort ofmusic wasnt Jack's thing He wouldnt have been happy in the snart udform, let alone playirg someone elsels bass parts on three-minute singles."
MOMENT OF TRI TH I'11 set the scene Christmas Eve - a walk to Sydney Road, then a tram ro Victoria Market, follovr€d by a walk to "Houd Dogs Bop Shop" for 'brerk-up' day and a f€w ales ll,jth Denys and the boys'. Then I ventur€d down to the wodd famous Rainbow Hotel in St Davids St.eet, Fitzroy to see Momed Of Tl'l]th in their "Clristmas Eve Sulf Spectacular" reunior show 'for one show only' Graeme Thomas and War€n Rougn (ftitart, Domedc Prattico @rumt and Rick Belgan (Bass and Vocals) entertarned \r'rth almost four hours ofinstrumentals, with a couple ofvocals thrown in f]r variety. Set One comprised Riptidg ?enetration, Mr Moto, Bayou Rock Califomia Sul (Voc), Lisa Maree, Apache, Goldfilge., Drop Il Let's Go To Hawaii (Voc), Endless Summe. Theme, Tailwind and Momenl OfT.uih. Set Two had Dr No (Jam€s Bod Thene), Round And Round, Bombora, Windy And Warm, Ne€dles And Pins, Have Lov€, Will Travel (Voc) Honky Tonk, Kulra{"th4 Little Honda (Voc), SurfRider, Hawaii Five-0, Secret Agent Man and Squad Car. Set Ttue€ begm with War Of The Worlds, then Theme trrom 'A Sumner Place', Boss Barracuda (Voc), Ace Of Spades, The H€arse, Wipe Out, She's About A Mover (Voc), Pirnochio, Bi.d Bath, Louie Louiq Pipeline, Blaak Widow and Msirlou. A geat aftemoon was had by all. An interesting set list, with Australian instro's, Shadows and Ventures numbers, and some classic sudtracks. Great stuft. And tbe goup are still working on their album of'classic' Australian instrumentals - due in 2006
STEWART IItrA.LE MtrMORIAL LUNCH The Maroondal Sports Club in East Ringwood hosted a gather;ng of Stewart's lriends ard lam y on Sunday 1l D€c€mber. Orgadsed by Dan Mclachlar! the aft€mootr was a huge success, and a fitting tnbute to Stewart. We w€re treat€d to a wide variety of music by a gather;ng of .nuso's who f€atured in Ste*y's vaiou.s bands over rhe years. Add to that, a nice luncl, cold beer, a ftiendly atmosphere and you e.d up with an almost ped€ct dayl Weil done, Dan.
DUANE EDDY Duan€ has onc€ again ofered a Clrisimas tune, called "Mery Cnristmas", for downloadjng lrom the Eb & Flo website It's an interesting track, not quite as good as 2004's "Eariy Christnas" - but the price is right! | Duane has been busy in the studios, wiih appearances on Jimmy Sturr's album "Slake, Raltle & Poika" with 'Detour", the track "Wildcat" is on Muriel Anderson's latest CD, a track ca ed "That's How lt Was When We Started To Rock & Roll" (which should be part ofa brand new Duane albun featuring differ€nt guest artists) with Brian Setze., a neR version of'!Th€s€ Boots Are Made For Walkjng" with L€e ltazlewoo4 and a track called "Prelude" by Chris Rice fton his CD "Amusing", which is aotually a new formar CD on one sidq and D\aD on the oiher.
REVIEWS Not many Austmlian releases this time, but some int€resting CD's nevertheless:
VARIOUS - "OUIff, A PARTY!" AcE (Ilk) CDcflD l06s (sterco/*Mono) QUTIE A t R',fy - BrLr, &RCHTN / RIK-A,TrK - TH! t,lVELY ONIS / BULLDOG , TIID \aDiTLTRES / SUGAR SIACK - DA\,'n WRONSK & PI'IE CURRY / EI, RTNCO (') , W€S DAKJS & I{IS RFBEI-S / PANIC BUITON , THE BELNRS / C}1I!J| WHOOPIN,KOII' - I'IITJ NORIONS / VAQUERO c) Tl.tD TORNADODS / ttND ME A GOtDtrN STREET - TltE SIIAI Xlwli / jQRQTJAV (') - THL] ,Ft',t RAS / l,AS VFCAS SCENE - 3 BALLS OI RE / CLINK CLINK CL^.SSIC - JOI1N BLAIR & MARTY TTPPEIiS / BLI]I rtRE TH! I.IBRANIS / MOONSHOT (Glrl.tstioT) - TIIE SPOTN]CKS/DUMIrO-ItE TORQUAyS / NIAXTY SUNtuSE TtS SIRING-A-LONGS /IImBALL,?AUL TOLINSON / AI-()NE - TEE SPARTANS / REAI,LY BlG 'IME . TT]E GLASGIW flKI SHAKERS / I@T P,\TTER - THE CII,{LLENCERS / KISSIN - THE (NIOHI S / B1]LLD1)G TIE DtrTONATORS / TORQUAY C), TlE SCORPIONS I ALMOS I PARADISI]. JERRY MACM]]SH & VI IIifIY The Fireballs were a vastly under-mted g/oup in my opinio0 Here $e hale a fabulous tribuie to the ban4 with a! assorbent ofbands and anists, old and new' Excellent.
VARIOUS . "GUITAR MANLA _ VOLUMtr 23" RARITY ([ollrnd) CD 192744 (Stereo) TEA BREAK - TI]E DEIENDERS / BESAME MUCIiO . TI]E DIIENI)]RS / THE rID THE DIFINDIRS / ARMCH,{IR TI]! DEFENDDI{S / D ISY,'I'HIJ DE}ENDERS / HIJISSER SAND, PV & THE HI]AR'ItsEATS / IIDART RC(K.IV & TT]E I]EARTBNATS / BLACK EYES RCreK - IV &'IIII, HF/ARTBEATS / BLACK SWAN PV & ]I]E HEARTBEATS / TIIE CR]JEL SE,A - PTPELTNE 6T /CRYTORA S]]AD]W,PtrEL1NE '61lTFIE STORM PIPDLniE '61 / IILSTAR - PIPELIjE '61 / KIEP SE RCHJN(} - rHl:r JUMIIING lrlvFl / JAI)}I IIJOL - I Hg JUMPING llvFi / WOI4AN CASINO,III{E JUMPINC IIVE / L\PI-OSION D'PRESS - ]I{E JIMPING FTfE / THEME lOR YOTD,IG LOVERS ATLANI]S / BACK HOME - ,\TLAN'IIS / ]]ENNO-SAN - AILAN'|IS /'THE I'I-YDER AND TIIE SPY , ATLANIIS / RAM,BIAIK.SIIUSI] TITtr S]IUCK , ADVIJNTL'RF, / MEET MR CAI,I"\GIIAN AD1,tr}J''URE / SAN AI.ITOMO R{JSIj . ADVENI'UI!] / MOONILOWER . DAY DRTAM / HURRICANE BEAT DAY DREAM / {BAIROSS, TIS MAGIC ST&ANCERS It never c€ases to amrze me how Rarity ke€p coming up with quality instrumenial p.oduct. These bands ar€ mainly from Tbe Netherlands, and are all of a high standard It is especialiy interesting that nost of the Shadows 'clones" h.ave disappear€d, and the bands iave looked to more diverse sources for thel material Witness for €xanple, the first trach Tea Breah originally done by the Singapore group, The Quests. Other influenc€s come ftom all o\,'er Europe, ard there is a smattering of Shads tunes by Atlantis, and some Ventu.es numbers by the exceilert Adventwe. VARIOUS - "DANCEII.{LL STRINGBUSTERS: 2" SUNDAZED (US) SC 1[56 (Mono) COARA TTiEBEI,MON'I'FJ\€ /MI']-E TRAIN SI'OMP ROY BUCIIANAN / CYCLONE 'BOBBY WA!']\IE / WATIR BABY BOCXJi}j - JO! I"4-A}HIS/TTIEIINGER-Pt]lLBAUGII/MOSHRLT{]MI'44CI'NEEARTD-BOBBYAItLINI'IIHTiIEIfuSTLIR'S/SCORPNN-TJIE CARNATIONS / BUTTONS AND BOWS ' TT]E MA\'EEES / PR'TTY PL'ASD ROY BUCT]AN,AN / BRAGGiN' ' BOB MOORE AN]) 1'HE '].Ht TEMPS / CIIAII NOOGA PHtl, BAUOH / TORQIILA - BOBBY W,\\1.1E / STROLLIII IN Al-l-EY _ TIIE BEJ-MoN'I FIVE / TIIIRD I,AN TI]EME ' TIIE MAYBTES / WAY OUI ' (TJEIIE AND TTIE K,A fS / CYCLON -'1'I1L TRAWI-ERS / TTIE SWAG - TIs TORNAIX)ES / IROPIiY RLN AOB MOI)R! ANIJ 'IHE TEMPS / BOBBY'S BooGIE # I . BOBBY WAYNE / MLJSI]RCDM \tr\CHINE (PART 2) - BOBBY ARLIN \MTI] 'ITIE IIUSTLERS The second in this series - I hope thereh many more. An eclectic collection of rare and desirable tracks. Well compiled, vrell .ecorded, and weli annotated.
VARIOUS - "STRICTLY INSTRUMENTAL VOL'E" BUFFALO BOP (Germany) Bb - O ssr74 (Mono) AOSS -'I'HE DIAL 'I'ONDS / ]i)()TF:IIANNY S?ECIAL JIM NDERSON & IlD SCAIES / KACKIE . IREMOLOS / TEE IiCKI-E CINCKFN ' TIIN ATMOSPHERI:S / }t)W \!'OW CRACE IENNEISED / DIR'I'Y ROBB'R - NOI]LEMEN/ BRUSH}'IRE . D1CK BIIRI}) AND'l'ItE SMILING F-\NCIICOWBOYS /PYRAI!4ID'S STOMP THI.] PYRAMIDS /ROCKIR .]'I]E MONIEFAYS /ZFPER . WAILY AND THE fuOI]TS / WAR1"\TI1-JERRYLEETRrc/CIIARGE'TIIEREMJCADES/REDSI{NRTMBI'-IlDARROVANDl}IEBRA\'ES/IAU],-'IIS P]RANIIDS / 'I}fuNDER IIEAI} . TEDDY AND THE ROIJGH RIDERS / WH]RLMND ' RAY MC]RTON & ]'TIF] ]]]MP.TONIS / TIPTIJRN - trDDE SMTH WI'IH'!HE IIOINETS /P],AYBOY, TIE SAINI'S / R'NECAI]}J ,'fHE TINIQI'ES / I'ARK E\'ES TtI' CI]ESSMIN /BlG SHOT - ACE CANNON / DYNAM1C ' LEoN SMITH AND TI]E ORBIT Rq]KERS / THUNDIR ' BOB TA]1-OR AND TIIE COIII\IIS / HORSEILY 'Illlj EPKINS / R(XKSVN-I,E. !,! .TiM ADN4R}J,1ONES / DO\\N INLL - THE MYS'IgRIONS / ONE CYCL! \,!NTLJI{N ' THE LIVE WRNS / SLE]]CE !{AI-A,€R TlS TIIR,dSTIERS /WINDFAI,I,. LEON SMTH AND IIIE ORBiT RU]KERS / BORDFR BEAT - EDDIE SMITH WTTII THE H(}R\t'fS This is another series I always eagerly look lorward to. This seems to be st onger than p.evious volumes5 with some re-ally rockin tncks. Great!
VARIOUS - MAGIC (France) 3930564 (Ster€o) "SLEEPWALKMAMA" glNS st_EEpwALK by TtiE sEAlrows / lII' spoTNtcKs / TIIE CIi{NIAYS / Cl€T Al ]}E CI,IriERS / JF f fiARRrs / TlrF I rvFll.Y ONliS / THlr SONICS / RICKY KING / TH! VENTT BAS BttRI BLANCA / THE IIRIAAND / TilE SLNI1GHTS TllE JIT BI"{CITelstar Mania". I didnt think I'd enjoy thes€ so much, hearing 20 or so versions of tbe same song / tune. But Magic have lovingly compited the tacks in an interesting way, aod all ofthei. releases are now done ;n 24 Bit remastering which sounds sensanonal!
VARIOUS . "DRII{NG GUTTARS VOL.3" TWANGSVILLO (rinhnd) TWGS2866 (Stereo) suRi DRL\'I BEAT OY RYI,|'{IMUSIKK] AB / JAC(POT OY RYTMIMUSm(K ,^B / SURIS YOrr slR - OY RYIi\m"'ftJsllKK ,4B / DREAMS COME TRLT! , OY RY1'MIMUSIIEIiI AB / EL LOCOS MOTIW OY RYTMIMLJSIIXT'I A! / REMTJMBER MONR!?OS THg DANGERS / ])]NT TRACES TiIE DANOERS / ILOW}jRS OF SPRiNC - TIS DANGERS / SPANISII EITS . f]]IJ D,ANGERS / IiAPPY TOGtrTIiER - THE DANGERS I S?ACFDUSI BEAT _ GLITAR RA & 1Hl:l SlrIlS l CAM? ROCK _ GL'ITAR RA & lHrl SLNS / SUMMERS C NE . RA & T1]! SI]NS / ARCT]C CIRCLE SLTRF GUTIAR RA & Th-F, SUNS / OR]NCO'S G{NTAR TWIST T]]E SI-VIR IIA\!{S / MR MOIO'iUITAR - l'HE SILVIR HAWKS / DAKOTA TH}] SJLVER I1AWKS / TW1LTGHT AT 'l]JE TRISTLNS . 1'!]E SILI'DR ILAWIiS / ONLY A IOOL BREAKS HIS OWNIIEART HAI,F & IIALI / BA],]AD Of LIOHTI{OUSE ' IIA]-F & HAL| /ISARTACHES. HALI & 1IAII Ili.ldsh lab€l Twangsvi e have certainly done their bjt in p.onding instrumentals. This is around tbeir 30rh rclease in just over follr years, this time featuring a selection ofFinnish goups - weil knowr for their unique approach to instuo music. sometimes kno*n as 'Rautalanka", always well played and melodic.
PIIIL BAUGF - iLIvtr WIRE!" SUNDAZED (US) SC 6222 (nono) COr-nltRY GltlTAR (r) / DRY CIMEL / N) DEPosll, NO m'l]-nN (v) / ]]IE IINCI1R / COOD TIMES (!) / Li\E W]RI / IONESoME JOtr FROM KOKO MO (Vi / I INOW 'I}]A'| IEELING (T) / tsRAND NI]W WC}RI-D (V) / TA(I ONE / DONT TEI'L NYONE (I CRIED) (\') / CHATTANOOGA / oNE MAN BAND {v) This is pad ofa series of couniry guitar CD's.ecently issued by Sun&zed- Othets include Merle Travis and Spe€dy West This one is a reissue ofPlil Baugh's L? "Country Guitar" fion 1965 \tith a bonus track. Tle vocals are by Vem Stovall, and all featue some blistering guitar work.
JERRY BYRD . "MASTDR OF TFE STtrf,L CUMA& VOL. ONE' CORD INTERNATIONAL (US) A 9s980 (Stereo) 'ORCIIY TIIIME fOR ,\ DJ / MEMORIES O! MARLA / BIRD OF PAIIADISE / STEELIN 1]]E CHTMES / / IIAWAI1 N WEDDD'IG SONG / EBB TIDN / ES]R'I,I,I]'A / !AD!D LOI'E / ORC'IIIDS IN TI{! Mi]ONL1CHI / I'IARLA. EL'IIIA / BEAU'I]II''L I'ATIANA / FOREVTR MOFJ /CIiIM]J IN/DANNY tsOY The title says it all I only hope there's a Volume 2, and 3 . . This is rnade by Sonv / BMG, so hopetullv drere's more The t acks arc taken Fom Je.ry's albunN retorded between 1961 and 1967, ircluding "Adnirable Bvrd", "BFd Of Paradise". "Memories Of Maria', "Satin Sxrings Of Steel", "Bu.ning Sands, Pearly Shells & Steel Guittrs" AND it jncludes my favoudte "Memories OfMar;a". Beauliful.
SANDV NELSON - "SANDY NELSON'S BIG SXTIES BEAT PARTYI" ACtr (UI() CDCED 1080 (St€reo/'Mono) LO\'IN / TREAT HlR RIGIII (*) / WITITTIIR BOIILEVARD / IIEY JOE / SCRATCIIY (T) / SOC( I'f TO 'EM J COI\GJ ON LF]T'S GO / GOOI) C) ']IlE B / DOWN iN'I1lE BOONBTKS {*) / BOSS BEAT / WLDLY BLILLY C) / CIIOP4HoP e) / JENNY TArt A RIDEj / DRrr'I'fs elr)NC STRIP / TOSSIN' AN]] TTIRNIN /FJ, (;RICO / SLOW DO\\TN (') / THE LION IN MNTER / II)lnE LOT]IE /REACH IOR A STAR C) /I I,IKI IT LIm rlAT (*) / GRq)VY CRIJBWORM / (jOING UP TllE COr-qilRY / I IXJN',f NEED NO DOCI OR (') / MlNrroClNO The blurb says "24 daace floor fillers and instro killerc culled from Sandy Nelson's Imp€dal albuns and singl€s, 1965-1969". Although Nelson is a drummer, he used such Sreat musicians as G€.ry Mcceg Rene Hall, Ho\a€rd Robe.ts, Bamey Kess€I, Larry Knechtel Jim Horn, Carol Kaye, Ai Casey and nany othss on his sessions, so they were always professional A far cry tsom 'Ler lhere Be Drum." bur mos lisLenable
JOIINNY SMITN . "WALK, DON'T RUN!" ROULETTf, JAZZ (US) 7243 s 60440 2 9 (Stcrco) WAII' DOIIT RUNI / SOPHISTICATED LADY / TLI, RIMEMAER AIRII, / \I'IIAT'S NEW / HOW ABOIJT YOIJ' / IN A SENTMENIAI M@D / S'ITANGER IN PAIADISE / SOMIONE TO WATCH OVER ME / EASY TO LO\'E / LO\,ER MAN / AUIUMN N NSW YORI' / 'S WONDERFUL / OIIR LOVE 1S IgI! TO STAY / LULLABY OF BIRDLAND Mainly a laid-back jazz guitar album, this is, of course, ol iderest to instro fans for the inclusion of the o.iginal v€rsion oI "WDR", from wherce Chet Aikins, and later The Ventures did their ve.sions.
And tnaly a coupl€ ofAustraliatr instrumentals:
MICgAf,L FD( - "Wf,B OF DREAMIi" MICHAtrL Fx (Ausl) FM0082003 (Sterco) PASSTONIiRLTIT / WA\,.ES / TWO LFFT !'EF]T / U! AND ABOUT / IEVI]R / RIGH1 PL CE. RICI]I TTNG / MELIOW TNIIRLT'D! / I@TPRINTSINMYIIEART/T|[D"AEIING/ATR]ANLN-ENAMF]DGEORGE/PROMISE/ASADIN'IERLI'DE/WIiENATEARDROP l,4ll-S / 4 AM / WEB OF DREAMS/IEAIaIRE CIROM VIDEO: RECORDING WEB OI DREAMS
MICHAf,L FD( - "SOMTIEING'S COOKING" MICHAtrL FLX (Aust) FM082005 (Ster€o) SLOW FOOD / PRMO INCONIRO / OPPOSITES ATTRAC1 / WHIiRF ARE YOU NOW? / SOMETHING S COOI(ING / TI]EME FROM PETNR GUNN / MY GUITAR IS MY SWIETIIEART / CANT BI.]Y ME I,Ol'! DRJ\,E I\4Y CAR / TWO TIME SIIUF}LE / tsLL'TJ NGEL I TRLIE I]EARI S / v'lLL 1OR \IONTI'/]]EAT OI TI.IE MOMEN] / THD.IK]NG OI I]OME / WAITZING MATILDA These are by a largely unknown (in Melbou.ne) guitarist who reninds me somewhat oleady Tommy Emmanuel material.Iix uses mainly acoustic guitars, aid the tacks are tastefully played and arranged. I lope he do€s lots Inorel
And noq a couple oIDVD's "for your viewing pleasure" :
SCOTTY MOORtr €1rl - "A TRIBUTE TO TFE KING BY SCOITY MOORE & FRJEN'DS" UNIWRSAL MUSIC (trU) 0602498729496 (St€reo) (80nir) BLIJ! MOON OF ISIITUCKY MARK KNOPFLER / MY BABY LEIT MF MIKE SANCI]EZ / 'IHATS ALL RIGTIT , IRIC CLAPTON / I]EARTBREAI II']TEL . STD11{ GIBBONS / TRYING TO GE1' 'IO YOU {BERT LEE / BABY ],ET'S PLAY HOUSE ' MARK IC.IOPFLER / SH{(I. RAI'I'LE & ROLL , PAUL ANSELL / MNSS OI B'I]ES PAUL ANSELL / ONN MGIII W1TIT YOU PAIJI, ANSILI / TXJNI' BE CRU!]], - SI!JI''' G]BBONS / MO}i}]Y HONEY.ERIC CLAPTON/A'L SI]d]K IIP - MIKE SANCI]IZ / L{WDY MSS CLA\IDY . M]KE SANCHEZ / BIU! Mq]N MARTIN TAYI-OR / T IiIRCOT TO ITI,MEMBFR TO FORGET - PALIL ANSELL / RICONSDIR BABY . PAUI- ANSELL / READY TEDDY . ?AI,'L ANSELL / I]EARI]]RIAK HOI}:L ,IVIAJRTTN TA\'I-OR / IX)NI' DAVI] CTLMOI]R / JA]LIIOUSE RocK , S'II]V[! C1BBONS I COOD ROC(]NG TONI'iIIT,IAUI ANS!J,I, / I DONT CARE II TI]E SI]N DONT SH]NF. STSVI CTEBONS / (YOI IRE sO SQTJARII) BABY I DON! CARii - {BERT LEE / BLLE SI'EDE SHOES - AIBERT LEE / TINESSE! Gio) WATTZ MARTIN TAYIaTR / MYSTE{Y TRAN$ ERIC C]-APION / HOTJNI) DOC . AIAERT LEI] / JFJRRY SCHII-LING - LIVE AT ABBEY ROAD STUDIOS / DONIJS FEATLTRES: INIIR\4IW WTIti SCOTTY MOoRE / IN1IRVIEW WTtl JERRY SCHII.LING / BEHIND lltE SCENES AT ABBEY ROAD / !.R]ENDS OF SCOTTY creat stufl! Features Scotty Moore on most tracks, proving he has not lost his touch. It was recorded Live at Abbey Road Studios h Lodon in tribute to Elvis. Mosdy vocals, but almost without exceptio4 some gl€at guitar playing by Moore and his 'friends'.
MERLE IRAVIS - "MtrRLtr TRAVIS AT 'TOWN EA BLAR FAMILY (G€rmany) BtrI) 20008 AT INIRODUCTION BY JAY STEWART / FAT CAL / UN'DER THE DOUBLE EAGLE / DEEI SOU'IE / SOL]RW@D MOIINIAIN / tr' YOU CANT CO RIGIIT DONT DO WRONG / BUGI-E CALI, RAC; / M IN S'IRF,ET BR'AKDO\TN / BI,IJ]] REI-I- / WAY DOWN YONDER ]N NEW ORLLANS / SQUAWS AIONG TI.IE !'L'KCN / MA. HE'S MAKING E]'ES AT MD / ND{I POLND HAMMFR / fI,L SEE YOU IN MY DREAMS / CANNONtsAI-I- RAC / WONT YOU RIDE IN MY UTTLE RED WAGI]N / IKE E\ERLY'S RAG / TUCK ME TO S],FEP IN MY OI,D "N'CKY IJOMF / CINCINNATI lnli / BACK 1lo1\,4j lN lNDl4NA / IIoUSE Ol DAVID BI-UES / SQUAWS IONO TIII YLIKON / CITDDLE ItP A LIT[! CLOSER / TUCK ME TO SLEE? DI MY OI ,]) ']'IICKY I]OMF, / HOMINY GRTTS / MI])N IGH'I' SIT]C] L Anorher rn rhe'Totrrl llall Parry'serjes by Bear i'ar iy 26 scitrtiilariDg Fackr oflhe ma$er in an inrerenrng mi,,lure of vocals and instrumentals. The tracks were recorded between September 1958 and December 1959, and many featu.e Joe Maphls, Johnny Bond, Skeets McDonal4 Billy Mize & others ?ickir' at ir's best'
TRIVIA We've had vocal versions of "Apache", "Telst?r" and maoy more of our favourite instnrmentals now l've discovered a vocal version of "Walk Dont Run" by Tommy Leodefii. Quite enjoyable, and ceftail y ditrerentl
DISCOGRAPHIES Over the years, I hav€ amassed huge amounts ofdiscogaphies and information on (mainly) instrumental artists. I have $aned 10 computerize lots ofthes€ discogaphies. lfthere are any you would lik€,.iust ask. Bear;n nind, that it would be almost impossible to do the Shadows o. Venturesll
NXW GANDY DA}ICDR _ TEE MAGAZINE FOR ROCK ]NSTRUMENTAL MUSIC The latest "NGD" is Issue 76, leatunng Jimmy Nichol, Shadowmania and Shadoz, The Sparls ftom Brazil and much morc. NGD always contains reiaews, irterviews, discograph:es and interesling articles, and has cove.ed over 5,000 new releases! Subscdptions and back issues are available {ion me - GEOFF JERMY, 8/52 Hardine Streel Coburg, \4c. 3058 Tel: (03) 9386 1972. Ema;]: si€!af1@b4ipaad-a9Lq!! FURTIIER RI,AI)ING "shadsfax" is an excelient litll€ A5 magazine concentrating on al nattets Shadows Subs are 17 pounds, conlacl editor Tony Hotrman at [email protected] For Ventures fans, there's The Ventu.es Resurgencg now up to issue 82. Edited by G€rry Woodagg it's available at i 7 pounds liom Geffy at E-Nfarl-ventures.esurgence@tesco net '?ipeline" magazine, 4 issues al 18 pounds, is co-edited by Alan Taylo. and Dave Burke. The latesl is$q No 69 featwes extensive interviews with Bmce Welch and tl€ Arlantics, as well as in-depth reviews The Pipeline websile is wrr$'.pj!rri!9!q!gjq!k Do you prefer the "Twang"? Arthur Moir is the editor of "Twarysville", devoted tq ofcou'se, Duane Eddv Subs are 15 pounds Contact Arthur at DECUK, ?.O. Box 203, Sheffield Sl 1XU, England.
HOUND DOG'S BOP $tOP IiDBS o{OLTND DOG'S BOP SHOP) ar€ closed for the Christmas brealq and wili re-open on 19 January 2006 Tbe shop is at 313 Victoria Street, W€st Melboume Vic 3003. Always in stock is a huge rang€ of inslrumentals ftom the 50's ard 60's Shadows, Ventures, Duane Eddy, Atlantics, Johnny & The Hurricanes, Bill Black's Combo, Chet Atkjns, Kim Humpk€ys and Spotnicks are just a few of the many artisls in srocL, as well as many popular labels such as Rarity, Echo, Colectot Canetoa4 white Labet, Bison Bop. Lois ofvinyl too 45s and LPsllMostoithe nen releases reviewed here are available at llDBS. Ther€'s also a growing range ofD\iD's as w€ll as a large range ofbooks Openirs hours are Thursday 10-6, Friday 10-7.30. Salu.day 10-3. Call in and check out the range. or give DENYS a call on}3 9329 5362. Denys can also ararye ma]l orde. ifyou wish
SUBSCRJPTIONS Some subscriptions are now du€. lf you woutd like to subscdbe or renew, please let me know as soon as possible. Subs are AU$30 Per Annunr for SIx Bi-monthly issues. postage (within Ausnal;a) paid. ?rice fo. email copies the same (please speciry which you prefer - the €mail version will be seil a few days before the '\nai1 rnail" copies). Adve.lising rates subject io negotiation. Contact GEOII. JERI4Y AT 8/52 Harding Stree., Coburg, Vic. 3058. T€l; (03) 9386 1972, Mobile: 0428 288 577, Email: {rierm}'@biqpq!{L!9!e
EXCITING ITEWS! In a further effort to help Fomote ihe Oz lnslro to a worldwide audience, Kim Hunplreys has lecorded a iee 'do*{ oadable album (eomplere wirh irsert and label) ro be issued wiih a free special coliecto.s issue of "2cood4wods". The albu'n will l€ature two all new original tunes, "Amistad" and "Consequences Of Obsession', 6 traoks "as you've never heard tl€m belore" "Goofin' A.ound Rebel Rouser", "Guitar Ta.ngo", "Shazam" and "This Old House", plus an all acousiic versions of "Mercedes", the popular radio fack from his 2004 "Big Twang Theorv" aibum. The plan is ihat this will be tie ff.st of a series io spr€ad the work of o&er Oz Inst.o Guitar Heroes, past and presen! across th€ World Wide Web. The website hosting this new venture is still under coirsiructiort but rest assured, as soon as it is ready, you will be advised p.ornplly. Stay tuned for mor€ derailsl
"ARID" (Australian (and New Zealand) Rock Instrumental Discogaphy) I.or this issuq we feature Robert Porter, beit€. knowrl as Rob E.G. The titles in lower case are vocals, wiilst the titles in LIPPER case are instrumertals Any colnments, addilions ot rmendoenrs ,re welcome. ROB E.G. Bdn k)bert Ge.vge Potlt in SJdley on I Jwte 1912, Rob E.G (later ra'eltitlg b the nane Robie Pofter) ]wl enonns success with a iri g qf i stumetual si gles, playe.l on d six-$nnqi LA steel guita\ sonevhat in the slyk of Santo & Johmy kier .wilching to tiocdls, he prcved to possest a line ba ad \uice. Ihe ed f dals saw appeltances on the "B.ort\toLt" n'sh(N, and latet his own n'rhow'Sutf bu .t'in Sidney. the fuBt instrmentut si]€les verc self- conpo:\ed, tMl Si :le or (I Theenk) becane the frst of thrce mmber one hil\ (the othe^ rierc Jezebel .r"1 55 Dars At Pckng). :ii :;eno anl55 Dats At I'ekng were both tuaded wr dis.s (25,000 copies each), an.l Si Setu,t ve tantosell orer 15,00A. .Iezebel was rele&\zd in the U.K. dnd le othet countieq a d MGM nade a special pretenlation t1 Roh E G. .fot his vernn of the thene to 55 Dals. Mos/ of the ttdckt featured ba.:h,E chotus and big effangene ts, and not)ehy efects werc conno . I aI he ha.l ine hils, seren ofwhich werc inshmentab. He had an utusaal itance on stage, $ne rep.rls attibute it to ytio, vhile othes cldin a csr auident cauied lhe ptubletn. Robie Porter, at he w1s tvn krcu)n, vent to the II.K. it 1964, a d Lltel pdluced (otkl nanased, in sone cdset Dad Cun, RicL Springlelt Marcia Hines, Atr Supply. Hurh a d Tonnj linnnnuel He also ha.l hir own label. Wzat l.
ALBUMS: 1. "Ttttr BtrST Otr ROB E.G." (t?) FESTIVAI (Aus0IL.30906 TEARDROP / PETER GUNN / he'il have to go / WHIPLASH / SI SENOR (l TIIEENK) / COMANCHE SUNSET / your cheatin' h€art / 5-4-3-2-1-ZERO / SLEEPWALK / RTLROADIN'/ JAMAIC-{\ iAREWELL / SWAN RIVER (TWST)
2. "JtrZi]BtrL AND 1T OTEERS" (LP) (1e63) FESTIVAL (AustNZ) FL 310s6 JEZEBEL / COTTON PICKIN' / BLUE HAWAIT / ZANZIBAR / please help me. i'm falling / POL\'I'{ESLAN BOSSA NOVA / candy man / CREENHORN / IN TltE MIDDLE OF AN ISLAND / STAGE TO C-IN4ARRON / ALOHA OE / FORTY MILES OFBAD ROAD
3. "PLAY TEE GUITAR WITS ROB E.G." (LP) ( 1964) FESTIVAI- (Aust/NZ) FL.3 I 223 I,P) CATENDAR (Aust) R 66-57 WHIPLASH / ZANZIBAR / GREENHORN / COTTON PICKIN' / SI SENOR O THEENK) / COMANC}IE SLD.ISET / RA]LROADIN' / SWAN RI\ER (TWIST) . (EACH TRACK RSPEATED WITI{ INSTRI}4ENTAI- BACKING ONLY)
4. " TIAWAIIAN Gf]TIAR" (r?) (r e64) FESTIVAL (Aust) IL.3 I 33 88 (I\4) / SFL.93 13 3 8 (S) (CAS) FESTIVAI- (Arst) C.3 I 338 (LP) FESTIVAL (Ausl) L 31338 PAGAN LO\T SONG / SWEET LEJLANI / BEYOND TIIE RF,FI / BAI,I HAI / BLI]E HAWAII / ALOITA OE / IIAWAI] TATTOO / HAWANAN WEDDING SONG (IG KALI NEI AI' / AD\GNTURES IN PARNDISE / LOVELY HIJLA HANDS / IN T}IE MIDDLE OF AN ISLAND / POLYNTSTAN BOSSA NOVA
5. "ITItr VOICtr AND THE GUTTAR OF ROB 8,G." (LP) FESTTVAL (Aus!4\z) FL 31473 VOICE; when you're not near / love lette.s in the sand / cant help falling in love / i (who have nothing) / ecstasy / anyone who had a heart GUITAR: HAWAI TATTOO / CARMEN | / SENORITA / J5 DAYS AT PEKING / SOUL / TIM-BUC-TOO
6. "THE GUTTAR SOUNDS OF ROB T.G." (1-P) UNI\aERSAL RICORD CLUB (Aust U.77s (LP) LrI',II\ERSAL/SUMMIT (Aust) SRA.250 049 I PAGAN LO\G SONG / SWEET LEILAM / BEYOND T}IE REEF / BAII H'AI / BLTIE HAWAII / ALOHA OE / HAW{I TATTOO / CARMEN I / SENORITA / 55 DAYS AT PEKING / SOL]L / TIM BUC-TOO
7. "ROBIE fORTER S]NGS" (LP) FESTIVAL (Aust) FL.32041 eithe.way;lose/letitbeme/ihewritingonthewall/lostinthestars/i'veoftenwondered/whenifallinlove/herein my anns / danny boy / my love for you / dont you know / i'11 walk alone / bom
8. "MOR-E SOUNDS OF ROB E.G." (LP) LrIIIVERSAL RECORD CLUB (Aust) U.886 (ROB E.G. SINGS): when you're rot near / love leters in the sand / can't help fallins in love / i (who have nothjns) / ecstasy / anyone who had a heart (ROB f,.G. PLAYS INSTRUMtrNTAL GUTIAR): IN THE MIDDLE OF AN ISLAND / ?ETER GUNN / HAWAIIAN WEDDING SONG (KE KALI NEI AU) / SLEEPWATK / POLYNESLAN BOSSA NOVA / AD\tsNTURES IN PARADISE g."HEART OF IEtr MATTf,R" (as ROBIE PORTER) 0-P) oe67) MGM (US) r/SE 44s8 i havent gor an',rhing be$ef to do / am i blue / teach me to forget / god bless rh€ child / ids alright with rne / yesterdays tears / so much more / no orc lives in my world / smile / folks who live on tlrc ! / ballad ofthe sad young rnen
10. "S4-3-2-l : TEf, FtrSTrVAL [ILtr VOL.3" (tP) (1986) IESTIVAL (Aust) L 19003 (CAS) FESTryAL (Aust) C.19003 (CD) (t992) IESTIVAL (Aust) D 19003 WHIPLASH / RAILROADIN'/ SI SENOR (I TT{EENK) / 5-+3.2.1.Z8F.O / IEZEBEL / 55 DAYS AT PEKING/ SOUL / AD\GNTI.IRES IN ?ARADISE / COMANCI{E STINSET / seven tuot two / TIM-BUC-TOO / PETER CLTNN TTIEME / ZANZIBAR / SWAN RI\ER (TMST) / CARMEN / SENORITA / SLEEPWALK / TEARDROP / dear miss hon€y / when
COMPIL TION ALBUMS: 1. "grTs oF THE 50,S AND 60'5" (LP) FESTTVAL (Aust) L.2s329 1a."20 GOLDtrN CREATS OF THE s0'S & 60'5" (LP) (1980) FESTTVAI (Aust) L.2s329 (CD) IESTIVAL (Aust) D.25329 - 55 DAYS AT PEKIIIC
2. "20 GOLDEN GRtrATS OF TIItr 60'5" (LP) ( 1981) IESTIVAL (Aust) L.25369 (cD) FESTTAr (Aust) D.25369 - 5-+3 -2-1-ZERO
3. "ROCK AND ROLL AUSTRALIA" (LP) (1e7s) IESTIVAL (Aust) L.2521 I (cAS) .FESTryAL (Aust) C 25211 - 55 DAYS AT PEKING
4. "FtrSTTVAT'S GOLDEN OLD]ES" (LP) FESTIVAL (Aust) FL 31368 - st sENoR (I THEENK) s. "sp( o'cLocK RocK vol-.2" (1,P) TESTIVAL (Auso FL.30738
(LP) EIJROPEAN BOOTLEG L.2s2l1
7. "ROCI(IN' AT TEf, KANGAROO ITOP" (T-P) EIJROPEANBOOTLEG ?
8. "GLtrNN A.BAI(ER'S TIME WARP FRtrStrNTS THtr FtrSTIVA]- FILf,' (CD) FESTML (Aust) D 19288 - 5-1-3-2-1-ZERO
9. "ROCKIN' 'NEATE THE SOUIEtrRN CROSS 1958-64" (CD) TIME-LIFE (Aust) RRC-E 3tl840 AUS 2 - 54-3-2-1-ZERO
10. "FESTIVAL'S HIT PARADE" (LP) (re63) IESTML (Aust)FL.30907 (LP) CATENDAR (Aus0 R66- I i 4 - 51 SENOR (I TIIEENK)
11. "E\'f,RYBODY'S DISC OF TFE Wf,EK" (L?) TESTIVAI- (Aust) FL.3I156 - CARMEN 12. "TIIE ALL AUSTRALIAN IIIT PARADE" (LP) (1e64) ITESTI VAL (Aus!) IL i 1217 - 55 DAYS AT PEKING / SOLTL
13, "BRIAN EENDERSON'S BAII}STAND '63" (LP) (re63) FESTTVAL (Aus, FL.3 1047 - IFZFSEL I ZINZIIAS,
14. " f,I'ERYTHING'S SWINGING" (LP) POPLTLAR (Aus, E 232
15. "S|ZZLTNC 70'S VOL.2" (2LP) (1985) EMI (Aus, POP 260688/2 - gemini (as Robie ?orter)
16. "SPINNING AROU\'D VOL.I- 1952-1977 TIIE LOCAL YEARS" (2CD) (2001) IESTIVAL (Aust) 334542 . 51 SENOR (I THEENI(?)
17. "BI-ACI' trYtrS . OI'ERDRIW" (cD) (.20a4 STYLUS (tJI() 10 PIING 20 - STAGE TO CIMARRON
E.P'S: 1. "ROB tr G'S BIG FOL'R" IESTIVAL (AusrNZ) Fx 10480 SLEEPWALK / RAILROADIN' (*) / WHI?LASH (*) / CON,{.ANCIIE SUNSET (* - TRACKS RE-RECORDED FOR IESTIVAL)
2. "VOCALLY YOURS {ROB E G. SINGS COUNTRY AND wESTf,RN" FESTTVAL (Aus0Fx.10s27 please help mg i'm falling / h€'11 have to go / candy mar / your cheatin' h€art
3. "SISENOR" (1962) FESTWAL (Ausi) FX.l0s44 SI SENOR . I ]]IEENK? / SWAN RI\€R (TWIST) / TEARDROP / ?ETER GLTNN
4. '51-t2-t-ZF"RO" (1962) FESTIVAL (Aust) FX. 10610 5-4.3-2.I-ZERO / JAMAICAN I'AREWELL / FORTY MILES OF BAD ROAD / ZANZIBAR
5. "JEZEBEL" (1963/4) FESTIVAL (Aust) FX.10699 JEZEBEL / STAGE TO CIItrARRON / GREENHORN / COTTON }ICKIN'
6. "ss DAYS AT Pf,XING" (February 1964) FESTIVA]- (Aust) IX.10714 55 DAYS AT ?EKING / POLYNESIAN BOSSA NOVA / IN TiIE MIDDLE OF AN ISLAND / ALOHA OE
7. "ROB tr.G. PI-AYS THf, GREAT INSTRUII{trNTALS" FESTIVAL (AUSI) FX,1O8O9 HAWA]I TATTOO / CARMEN ! / SENORITA / SOIJA
8, "ADVENTURES IN PAnADISE" FESTTVAL (Aus, FX.10869 AD\ENTIJRES IN PARADISE / BALI H'AI / BEYOND TIIE REEF / TIAWAIIAN WEDDING SONG 9.:3QE-EGSGSIDEM!IS: (3 E.P.sEr) FESTIVAL (Aust Fx.10877-e I. COTTON PICKIN' / 55 DAYS AT PEKING / SOUL / TIM-BUC-TOO 2. CARMEN ! / SENORITA / SI SENOR (I THEENK) / WHII'LASH 3. 5-4-]-2-1-ZERO / JAMAICAN T'AREWELL / JEZEBEL / STAGE TO CIMARRON r0. "INSTRUMENTAL SHOWCASE" GECORD ONE oF 3 E P SET) FESTIVAL (Aust) XL.30162 SI SENOR (I TT]EENK) / CARMEN] / JEZEBEL / SOUL (NOTE: RECORD 2 by THE JOYBOYS; RECORD 3 by HERB ALPERT'S TIUANA BRASS)
11. "WIlf,N YOU'RE NOT NtrAR" IESTIVAL (Aust) IX.10958 when you're not near / ecstasy / love ietters in the sand / i (who have nothing)
12. "SAWAIITATTOO" FESTIVAI- (Aust IX. I099s HAWAII TATTOO / PAGAN LOVE SONG / SWEET LEILAM / BLLIE IIAWAII 13. "DEAR MISS EONEY" FESTIVAL (Aust) FX.I I144 dear miss honey / vhen you're not near / anyone who had a heart / ecstasy
14. "YOU COULD END TEtr woRtl)" FESTIVAL (Auso FX.11478 you could end the world / yesterday's years / sure has been good loving you baby / no one iives in my world
COMP ,IITION E.P'S: r. "Rnx 4 STAR" REX (Aust RE. 1002
2. "4 FROM BAI{DSTAND" FESTIVAT (Aust) MP.001 - IN TIIE MIDDLE OF AN ISLAND
3. "SUNDAY TELtrGRAPH UNDER 21 " SUNDAY TELEGRA?H (Aust)TEL. OO ] FESTWAL (Aust)EP.001 - COTTON ?ICKIN'
SINGLES: 1 seven foc,t two / your cheatin' heart (Ieb&ary 1960) REX (Aust) RS.007 2. do you love lne / WHIPLASH (Aueust 1960) PYE (Aust) PP 056 3. RAILROADIN' / my first lov€ (January l96l) PYE (Aust) PP.0s7 4 COMANCI{E SUNSET / china dol] (1e61) PYE (Aust) PP. I 09 5 SI SENOR (I TIIEENK) / SWAN RTVER (TWIST) (Iebruary I 962) FESTML (Aust) FK210 SPARTON (Canada) 1l 18 R 6 5-4-3.2- I -ZERO / JAItrAICAN FAREWELL (october r 962) TESTIVAL (Aust FK.2?4 FESTIVAL (NZ) FK.274 7. JEZEBEL / STAGE TO CIN,f,{RRON (May I961) FESTIVAL (AusLNZ) FK.3s8 coLlMBrA (uK) DB.7l00 BrG TOP (US) 3154 8 55 DAYS AT ?EK]NG / GREENHORN (June 1963) FESTryAL (Ausr) fi(403 9. SOUL / COTTON PICKIN (Octob€r 1963) FESTIVAL (Aust) FK.480 lO.CARMENI/SENORTTA (Ma.ch 196a) IESTryAL (Aust) IK 533 1] ADVF,NTIJRF,S IN PARADISE / TIM-BUC-TOO ( {ay 1964) IESTIVAL (Aust) FK 634 12 when you're not near / ALOHA OE (June 196,1) FESTryAL (Ausd FK.677 13. HAWAII TATTOO / PETER GI,NN (Decenber I 9s) IESTML (Aust)IK.821 FESTryAL (NZ) FK 821 14. dear miss honey / when you!.e in love (January 1966) FESTIVAL (Aust) FK. I 1 89 15. i've often wondered / h€artach€ hurry on by (March i 966) FESTIVAL (Aust) FK. 1324 16. ejther way i Iose / bom (July 1966) IESTTVAL (Aust) FK. I 429 i?. eiiher way i lose / let it b€ m€ (1e66) MGM (IJK) ? 18. i haven't sot anrthing better to do / no on€ lives in my world (M".ch 1967) FESTTVAL (Aust) FK. I 743 MGM (IJS) 1370r i9 that's ihe way love is / yesterday's years (Septemb€r 1967) FESTIVAL (Aust) FK. I 959 MGM (JS) K 13779 20 you cor d end the world / sure has been good loving you baby (January 1968) FESTIVAL (Aust) IK.21 l2 2t th€ writing on the wali / if you'd let me (April 1%8) FESTIVAT (Ausr) FK 23 I 8 22 gernini / he is nor h€ (1e70) SPARItrAC (Aust) SPR003 santa claus (and we love him) (fanily versior) / (turky version) @ecember 1970) S?ARMAC (Aust) SPR.006 24 try to find more lov€ / enpty 0e70) SPARMAC (Aust) SPR.007
NOTf,: ALL SINGLES #15 to 24 IN NAME OF ROBIE ?ORTER