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Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game. -
Muhlberger 1 1 REDEFINING the INDEPENDENT FILMMAKER's AMERICAN DREAM from 1990 to 2010
Muhlberger 1 REDEFINING THE INDEPENDENT FILMMAKER'S AMERICAN DREAM FROM 1990 TO 2010 ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Media Arts and Studies ______________________________________ by Patrick Muhlberger June 2010 1 Muhlberger 2 Table of Contents Section 1: Trailerpark and the American Dream..................................................... 4 1a: Our Festival Experience ..................................................................................................... 7 1b: Mistakes and Lessons Learned........................................................................................ 8 1c: New Routes to the Dream ................................................................................................10 Section 2: The Birth of the American Dream ..........................................................12 2a: Robert Redford’s Dream..................................................................................................14 2b: The Weinsteins Dream and the beginnings of Miramax.......................................17 2c: Kicking it Into High Gear..................................................................................................18 2d: The Boom of Sundance.....................................................................................................23 2e: -
“We Can't Even Play Ourselves”: Mixed-Race Actresses in the Early
“WE CAN’T EVEN PLAY OURSELVES”: MIXED-RACE ACTRESSES IN THE EARLY TWENTY-FIRST CENTURY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES AUGUST 2017 By Valerie M. Lo Dissertation Committee: Robert Perkinson, Chairperson Mari Yoshihara Jonna Eagle Konrad Ng Jonathan Okamura Keywords: Mixed race, Ambiguity, Post-Racial, Color-blind, Film ACKNOWLEDGEMENTS This project has been a test of my resiliency and grew from my desire to add a small contribution to the ongoing discussion of mixed race representations in film and television. Many people have come into my life in the last several years and encouraged my studies, talked excitedly with me, and subtly (or blatantly) pushed me to continue when I thought the road ahead looked too ominous. In 2005, at San Francisco State University’s Asian American Studies banquet, my Master’s thesis chair, Wei Ming Dariotis, remarked that a PhD was in the stars for me. Those words stayed close to me during my graduate work at the University of Hawai'i. My first teaching assistantship with Isabelle Peluad at San Francisco State University in Asian American Literature showed me exactly what I wanted to immerse myself in for the rest of my life. Graduate courses with Russell Jeung and Madeline Hsu reaffirmed my desire to work within the field of Asian American Studies and continue on to a doctorate program. My coursework in American Studies was rigorous and pushed me out of my comfort zone in the best way. -
1 Hard-Partying Brothers Mike (Adam Devine
Hard-partying brothers Mike (Adam Devine) and Dave (Zac Efron) place an online ad to find the perfect dates (Anna Kendrick, Aubrey Plaza) for their sister's Hawaiian wedding. Hoping for a wild getaway, the boys instead find themselves outsmarted and out-partied by the uncontrollable duo. Mike and Dave Stangle are young, adventurous, fun-loving and, some would even say, obnoxious. The “some” would include other members of the Stangle family. So when their sister Jeanie announces she’s getting married, the family holds an intervention, demanding that Mike and Dave bring dates. Respectable dates! The reason for the intervention is revealed through quick flashbacks that recall the guys’ antics over the years at Stangle family gatherings. Everyone’s having a good time, things are going smoothly, and then Mike and Dave show up stag, get drunk, hit on the girls, act like idiots and ruin the celebration. Therefore, dates! To fulfill their family’s request Mike and Dave turn to the best source of decent, respectable girls they can think of: Craigslist. They place an ad promising that their selected companions will receive an all-expense paid trip to Hawaii and the chance to participate in all of the Stangle family wedding-related activities. The ad goes viral, and the response is so overwhelming that Mike and Dave have no choice but to audition the candidates. They meet with nice girls, grungy girls, weird girls, paranoid girls, militant girls, twin girls that look like guys, girls that are guys. The dates they hadn’t counted on are Tatiana and Alice. -
World Building Documents, It Means Having to Create and Visit Us on Campus Whenever You Can
FALL 2013 IN MOTION EnterW SCA’sORLD Newest Discipline BUILDING Comedy @ SCA STUDYING COMEDY IS SERIOUS BUSINESS Bryan Singer FIRST SCA ALUMNUS TO NAME A DIVISION Alumni Profile: Jenova Chen SCA GAME DESIGNER HAS A BIG YEAR UNIVERSITY OF SOUTHERN CALIFORNIA FALL 2013 DEPARTMENTS STORIES MESSAGE FROM THE DEAN 3 YEAR IN REVIEW 4 FACULTY PROFILE: FINK, LEMARCHAND AND WIXON 14 ZERO TO SIXTY 8 COMEDY@SCA 10 REMEMBERING DON THOMPSON 12 ALUMNI PROFILE: Jenova CHEN 17 ALUMNI QUICKtaKES 38 ALUMNI TV AND FILMS IN RELEASE 40 CRITICAL STUDIES ANIMATED FILMS REBRANDED 20 AT FESTIVALS 41 MESSAGE FROM THE DEAN WORLD Everything we do at the School of Cinematic Arts is grounded In the pages that follow you will also find out how the School’s IN MEMORIAM 42 BUILDING in making sure our students are fully prepared as scholars, media divisions are preparing for the future. The newly rebranded Bryan makers and entrepreneurs to be innovators in the entertainment Singer Division of Critical Studies, for example, boasts a curriculum 22 industry. That means we are always questioning ourselves, that is reflective of all the media changes occurring around the particularly about whether we have the faculty, staff and equipment globe. It is the first division to be named for an alum, and we to best support their talent and vision. The right answer, regardless couldn’t be more proud and grateful that Bryan has decided to of what we are doing now, is always that we can do more. As a celebrate his successes by giving back to generations of SCA future-focused institution, our goal is to anticipate the changes that students. -
Sony Pictures Classics Acquires Sundance Darling Celeste & Jesse
FOR IMMEDIATE RELEASE SONY PICTURES CLASSICS ACQUIRES SUNDANCE DARLING CELESTE & JESSE FOREVER NEW YORK, NY (January 24, 2012) – Sony Pictures Classics announced today that they have acquired all North American, Latin American and Eastern European rights to the film CELESTE & JESSE FOREVER. The film, directed by Lee Toland Krieger (THE VICIOUS KIND) and co- written by Rashida Jones and Will McCormack, is produced by Jennifer Todd and Suzanne Todd of Team Todd and Lee Nelson of Envision Media Arts, who also financed the film. The deal was negotiated by UTA's Independent Film Group. CELESTE & JESSE FOREVER was one of the most talked about films at the festival and debuted in the Premiere Section of the 2012 Sundance Film Festival. The film stars Rashida Jones, Andy Samberg, Chris Messina, Ari Graynor, Will McCormack, Emma Roberts, and Elijah Wood. CELESTE & JESSE FOREVER is about two people who met in high school, married young and are growing apart. Now thirty, they decide to get divorced and attempt to stay best friends while pursuing other relationships. This plan is not as simple as they had imagined. Celeste— imperious, successful and driven-- is convinced that divorcing the boyish Jesse is the right thing to do. Jesse passively accepts this transition into friendship, even though he still is in love with her. As the reality of their separation sets in, Celeste slowly and painfully realizes she has been cavalier about their relationship. But her timing with Jesse is less than fortuitous. While navigating the turbulent changes in their lives and in their hearts, these two learn that in order to truly love someone, you may have to let them go. -
1261 08/26 Issue One Thousand Two Hundred Sixty-One Thursday, August Twenty-Six, Mmxxi
LAST UPDATED: MONDAY, SEPTEMBER 6, 2021 6:15:27 PM #1261 08/26 issue one thousand two hundred sixty-one thursday, august twenty-six, mmxxi “ABBOTT ELEMENTARY” Series / ABC 05-20-21 ê PRODUCTION OFFICE 1149 N. Gower St., Suite 271, Hollywood, CA 90038 [email protected] [email protected] PHONE: 323-785-2255 STATUS: August 16 LOCATION: Los Angeles PRODUCER: Justin Halpern - Patrick Schumacker WRITER/PRODUCER: Quinta Brunson DIRECTOR: Randall Einhorn LP: Werner Walian PM: Jeffrey Schwartz 1AD: Shahrzad Davani CAST: Tyler James Williams - Janelle James - Chris Perfetti - Lisa Ann Walter - Sheryl Lee Ralph CD: Wendy O'Brien WARNER BROS. TELEVISION 4000 Warner Blvd. Burbank, CA 91522 818-954-6000 [email protected] 20TH TELEVISION 10201 West Pico Boulevard, Los Angeles, CA 90035 310-369-1000 A workplace comedy about a Group of teachers brouGht toGether in one of the worst public schools in the country, simply because they love teachinG. The teachers will rely on each other to make it through the day, and find a way to counteract the school district’s bullshit attitude toward educating children. The eternally optimistic Janine is in her second year teaching at an underfunded, underserved elementary school in her hometown of Philadelphia, where she comes up aGainst jaded but devoted teachers, children in challenGinG situations and a principal who's basically out to lunch. (AuGust 16 - November 5) “ACKLEY BRIDGE” 05 Series / Channel 4 06-24-21 ê THE FORGE // THE FORGE ENTERTAINMENT (AB5) LIMITED 2nd Floor, The Zeppelin Building 59-61 Farringdon Road, London EC1M 3JB [email protected] PHONE: +44 020 8104 2200 STATUS: November 2021 LOCATION: Yorkshire, UK PRODUCER: Alex Lamb - George Faber - George Ormond - Jade Taylor WRITER/PRODUCER: Ayub Khan Din - Kevin Erlis - Malcolm Campbell DIRECTOR: Jordan Hogg - Jon East LP: Matthew Hamilton CD: Beverley Keogh - David Martin Ackley BridGe is a small Yorkshire town, home to larGely divided white and Asian populations. -
The Age of Adaline
THE AGE OF ADALINE Yönetmen Lee Toland Krieger Yapımcılar Tom Rosenber Gary Lucchesi Türü Romantik Oyuncular Blake Lively Michiel Huisman Harrison Ford Ellen Burstyn Kathy Baker Yapım Yılı 2015 İthalat / Dağıtım Pinema Vizyon Tarihi: 05.06.2015 SİNOPSİS Bir çağ değişirken doğmuş olan bir kadın, geçirdiği bir kaza sonucu hiç yaşlanmamakla 'ödüllendirilir'. Yıllar boyunca insanlardan uzak, izole bir hayat süren kadın sonunda ölümsüzlüğünü kaybetmeye değecek bir adamla tanışır. Yönetmenliğini Lee Toland Krieger'in üstlendiği filmin oyuncu kadrosunda Blake Lively, Ellen Burstyn ve Harrison Ford yer alıyor. Mucizevi bir şekilde neredeyse 80 yıldır, 29 yaşında kalmayı başaran Adaline Bowman (Blake Lively), münzevi bir hayat sürüyor, sırrını ortaya çıkarabilecek hiç kimseyle fazla yakınlaşmıyordu. Tesadüfen karizmatik yardımsever Ellis Jones'la (Michiel Huisman) tanışması hayata ve aşka duyduğu tutkuyu yeniden tetikler. Ellis'in anne babasıyla (Harrison Ford ve Kathy Baker) geçirdiği bir hafta sonu, gerçeğin ortaya çıkması tehlikesi yaratınca, Adaline, hayatını sonsuza dek değiştirecek bir karar verir. The Age of Adaline filminde Blake Lively (Gossip Girl, Hırsızlar Şehri), Michiel Huisman (Yaban, Game of Thrones), Kathy Baker (Saving Mr. Banks, Makas Eller), ve Harrison Ford (Uzay Oyunları, Yıldız Savaşları), ve Ellen Burstyn (Yıldızlararası, Bir Rüya İçin Ağıt) rol alıyor. Filmin yönetmeni Lee Toland Krieger (Vazgeçmem Senden, Saldırgan Tür) ve film J. Mills Goodloe (Unutulmaz Aşk, Pride) ile Salvador Paskowitz'in (Nic and Tristan Go Mega Dega) senaryosundan uyarlanmış; filmin hikayesi de J. Mills Goodloe ve Salvador Paskowitz'e ait. 20'nci yüzyılın başlarında doğan Adaline Bowman'ın aklına 21'inci yüzyılın başını görecek kadar yaşayacağı gelmemişti, ta ki mucizevi bir şekilde ölümden kurtulup sonsuz gençliğe kavuşana kadar. -
THE NEW FACE of NON-FICTION How the SCA Family Is Redefining the Documentary
FALL 2012 IN MOTION THE NEW FACE OF NON-FICTION How the SCA family is redefining the documentary UNIVERSITY OF SOUTHERN CALIFORNIA FALL 2012 DEPARTMENTS STORIES MESSAGE FROM THE DEAN 3 YEAR IN REVIEW 4 BUILDING THE FUTURE: PHASE III 16 ALUMNI PROFILE: TROJANS WITH A PUTTING iMAP ON TV AND FILM IN RELEASE 30 PETER SEGAL 8 VISION 10 THE MAP 13 ALUMNI AND FACULTY QUICKTAKES 32 IN MEMORIAM 35 THE ART AND TECHNOLOGY OF ANIMATION 18 THE NEW FACE OF NON-FICTION 22 MEDIA INSTITUTE FOR TWENTY YEARS OF SOCIAL CHANGE 20 STUDENT INDUSTRY RELATIONS 29 Dean Elizabeth M. Daley BOARD OF COUNCILORS ALUMNI DEVELOPMENT COUNCIL Senior Associate Dean, Frank Price (Chair, Board of Councilors) John August ’94 Neal Moritz ’85 External Relations Marlene Loadvine Susan Downey ’95 Robert Osher ’81 Frank Biondi, Jr. Barry Meyer Bob Ducsay ’86 Santiago Pozo ’86 Associate Dean Barry Diller Sidney Poitier Robert Greenblatt ’87 Shonda Rhimes ’94 Communications & PR Kristin Borella Lee Gabler John Riccitiello Tom Hoberman Jay Roach ’86 David Geffen Barney Rosenzweig Ramses Ishak ’92 Bruce Rosenblum ’79 Contributors Ryan Gilmour Brian T. Grazer Scott Sassa James Ishii ’76 Gary Rydstrom ’81 Desa Philadelphia Brad Grey Steven Spielberg Leslie Iwerks ’93 Josh Schwartz Valerie Turpin Jeffrey Katzenberg John Wells Polly Cohen Johnsen ’95 Peter Segal ’84 Justin Wilson Alan Levine Jim Wiatt Aaron Kaplan ’90 Stacey Sher ’85 George Lucas Paul Junger Witt Michael Lehmann ’85 Jason Shuman ’96 Design Roberto A. Gómez Don Mattrick Robert Zemeckis Laird Malamed ’94 John Singleton ’90 Ashley Armstrong Bill M. Mechanic Michelle Manning ’81 Scott Stone ’79 Candice Navi Andrew Marlowe ’92 Tim Story ’94 Derek McLay Toper Taylor ’85 Photographers Carell Augustus Andrew Millstein Randy Zisk ’81 Alan Baker Steve Cohn Caleb Coppola Ryan Gilmour Roberto A. -
Nhfilmfestival.Com October 11.12.13.14 2012 1 B:8.375” T:7.625” S:7.125” B:11.125” T:10.375” S:9.875”
nhfilmfestival.com october 11.12.13.14 2012 1 B:8.375” T:7.625” S:7.125” B:11.125” T:10.375” S:9.875” PROUD SUPPORTER OF THE NEW HAMPSHIRE FILM FESTIVAL AND THE NEW HAMPSHIRE LIQUOR COMMISSION Moët & Chandon ® Champagne, © 2012 Imported by Moët Hennessy USA, Inc., New York, NY. 2 MOET5390_AD1_M01.indd 1 9/6/12 5:42 PM MOET5390_AD1_M01.indd Saved at 9-6-2012 5:40 PM from MME05-Shane by sD / sD Printed At None Job info Fonts & Images Live 7.125” x 9.875” Fonts Trim 7.625” x 10.375” Copperplate Gothic BT (Bold), Avenir (55 Roman) Bleed 8.375” x 11.125” Images Imperial-final-cmyk.tif (CMYK; 1092 ppi; 27.47%), MOET_CHAN_ PMS872_4C.eps (76.73%) Inks Cyan, Magenta, Yellow, Black Production:Volumes:Production:..._AD1:Working:MOET5390_AD1_M01.indd WELCOME TO THE 12TH ANNUAL NEW HAMPSHIRE FILM FESTIVAL! This was definitely a record breaking year, a year of new filmmaking is in its golden age. Ordinary, albeit passionate adventures, a year of firsts. We received more submissions and ambitious, people now have the means to document than ever before, resulting in a larger than life program of and share their stories with high caliber cameras that nearly 100 films. We found a new permanent headquarters produce incredible footage, and bring it to the screen with home at the Discover Portsmouth Center, and a new venue top shelf editing equipment. The entire world has become a for our Saturday night Moët & Chandon after party at film set with endless possibility. -
Rashida Jones and Will Mccormack
CELESTE AND JESSE FOREVER Directed by Lee Toland Krieger Written by Rashida Jones and Will McCormack Official Selection Sundance Film Festival 2012 Los Angeles Film Festival 2012 91 min | Rated R | Release Date (NY/LA): 08/03/2012 East Coast Publicity West Coast Publicity Distributor Falco Ink Block Korenbrot Sony Pictures Classics Steven Beeman Jennifer Malone Carmelo Pirrone Michelle DiMartino Max Buschman Lindsay Macik 250 W. 49th St, Ste 704 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-445-7100 tel 323-634-7001 tel 212-833-8833 tel 212-445-0623 fax 323-634-7030 fax 212-833-8844 fax SYNOPSIS Celeste (Rashida Jones) and Jesse (Andy Samberg) met in high school, married young and are growing apart. Now thirty, Celeste is the driven owner of her own media consulting firm, Jesse is once again unemployed and in no particular rush to do anything with his life. Celeste is convinced that divorcing Jesse is the right thing to do -- she is on her way up, he is on his way nowhere, and if they do it now instead of later, they can remain supportive friends. Jesse passively accepts this transition into friendship, even though he is still in love with her. As the reality of their separation sets in, Celeste slowly and painfully realizes she has been cavalier about their relationship, and her decision, which once seemed mature and progressive, now seems impulsive and selfish. But her timing with Jesse is less than fortuitous. While navigating the turbulent changes in their lives and in their hearts, these two learn that in order to truly love someone, you may have to let them go.