DOCSLIB.ORG

Making Space Content Specific Interactive Architectures for Information Presentation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Making Space Content Specific Interactive Architectures for Information Presentation Making Space Content Specific Interactive Architectures for Information Presentation Gregory More RMIT University Abstract This paper examines the connections between digital architectures and interaction design with an emphasis on how the latter informs the former. Digital spatial interfaces have been in development for well over a decade. However there is still a distinct and problematic separation between the function of these spaces architecturally and the functional use of architectural concepts in the design of these spaces. The research presented here outlines an approach to interface design that promotes an architecture that is temporal, interactive and sonic, and is defined explicitly by a functional relationship to its informational content. In particular this research reports on the design of a software prototype that incorporates spatial concepts of interactivity, visualization and sound to assist in the navigation of presentation information, promoting space as a primary interface to an information collection. Introduction extant architectural knowledge with the additional dimensions of hypermedia, The discipline of architecture is interactivity, and streaming information. founded on the interpretation and The Virtual New York Stock Exchange by understanding of space, and in turn, Asymptote is a well known precedent of a spatial information. Architects have virtual environment that mimics a physical explored the connections between real world space (Couture and Rashid digital information spaces and physical 00). The project synthesizes the physical space. These relationships in general trading floor with a digital trading floor follow advancements in representational where users can view the information of technologies from the broader computing the NYSE environment in realtime via a domain, for example the use of VRML digital interface. in the mid nineties as an architectural The development of realtime modeling language. Realtime three- visualization software and graphic engines dimensional visualization techniques that represent spatial environments offer an innovative space for combining continue to furnace architectural 9 Figure 1. Asymptote, Virtual Stock Exchange. Operations Center (1999) (left), and Virtual Trading Floor (1998) (right). explorations. A collection of applications information spatially, and specifically within is available to the architect to explore this spaces that mimic real world conditions. domain, some of which are: Virtools™, For example, WinD (Clockwise) MaxMS/Jitter, Macromedia Director™, uses the analogy of rooms for various Adobe Atmosphere™, Blender, and computer applications, and Task Gallery various game engine technologies, Unreal, (Microsoft) software applications are ORGE, Torque, etc. For example Dutch located and accessed via the floor, walls architect Kas Oosterhuis is a designer and the ceiling of a generic office room. who creates digital spaces (utilizing Architecture in these examples is a Virtools) that interact and control physical backdrop, or stage, for the interaction. architectures (Oosterhuis 00). The This is a symbolic representation of space, argument of this paper is not surveying, rather than space designed as a result validating or judging the novel use of these of function; the architecture is static and technologies by architects. It is interested, has the appearance and arrangement however, in how architects can be assisted of a space designed for the real world. by the field of interaction design when What this paper is arguing is that in designing for the digital domain, and this the digital domain we should consider is examined through the development architecture not as a frame, but as the of an experimental software prototype spatial experience that reconfigures to described later in this paper. the actions of the user. Thus avoiding Shneiderman in his essay ‘Why the mimicking of a real-world space, and Not Make Interfaces Better than D focusing on the advantages of a space that Reality?” discusses the development is defined specifically by the nature and of D interfaces (Shneiderman 00). quantity of its information. The software Shneiderman, an important figure prototype presented in this paper in interface design and Human and embodies an attempt to move towards Computer Interaction (HCI), is interested a digital architecture that is temporal, in the advantages and disadvantages of D reconfigurable, and inherently functional. displays over traditional two dimensional computer interfaces. Shneiderman presents a survey of attempts to render Gregory More Making Space Content Specific: Interactive Architectures for Information Presentation 9 Figure 2. Eureka image space (left), in Eureka in library Mode (right). Eureka Prototype PowerPoint), where elements are placed into linear lists for presenting, Eureka allows the user to arrange information into Background sets (compositions) within space, which can be traversed in a linear or nonlinear The Eureka prototype is a spatially sequence. Given the computational and adaptive hypermedia. This is a combination multimedia ability of a consumer grade of adaptive hypermedia (Brusilovsky laptop, it is difficult to understand why 2001), where content is reconfigured by we traditionally resort to a linear style of user input, and spatial hypermedia, where presenting via D representations of our spatial relationships make new connections information assets. As illustrated in Figure between previously unrelated content , the main difference between Eureka (Marshall and Shipman 995). Eureka, as a and other presentation software is that digital environment, locates informational Eureka locates all presentation information assets within a digital space that can be spatially. This spatial arrangement creates interacted with and navigated by a user a D interface within which one can via an OpenGL graphics display, keyboard interact with presentation content. This and mouse. Eureka allows for the user allows for easier recognition of the lecture to compile presentation content from content by the user and the ability to use a database, alter elements, present, and perspective as a means to arrange and retain information about the presentation. collate information. The space of Eureka as an information In Eureka navigation is achieved by rich environment incorporates various the user ‘clicking on’ items, upon which modes of user interaction and content the user’s point of view is moved through arrangements, and the software prototype space to address the newly selected item. has been produced with the authoring The user is able to move freely around software Macromedia DirectorTM. the content with an interaction model In contrast to other presentation of clicking on objects to navigate. When software (for example Microsoft an item is ‘double clicked’, then the ACADIA 2006: Synthetic Landscapes Digital Exchange 9 Digital Research: Theoretical Research image is shown in full screen mode, like the information. These concepts embrace a traditional slide show. A presentation three key characteristics that advanced is a mixture of navigating the space, and D interface designs have: rapid situation showing content as full screen images, awareness through effective overviews; allowing for both linear transversal and the reduced numbers of actions to accomplish nonlinear jumping between content. tasks; and prompt, meaningful feedback for user actions (Shneiderman 00). The Architectures Defined by information modes allow for different Information types of interaction to occur with the collection set, the use of perspective and Eureka relies on content to generate camera controls allow for rapid situational space. For example a presentation with awareness, and the animated transitions a limited set of content (e.g. 0 items), and sound-scapes give feedback to the will have a less expansive sense of space users’ interactions. than one with a larger collection of items To facilitate the control of the (e.g. 00 items). This is a key difference informational assets Eureka offers the between Eureka and interfaces that try user a selection of information modes. to mimic real world space; here space These modes allow the user to switch is adaptive to the content, so there is a between different configurations of the direct relationship between the content information space, entitled presentation, and the spatial experience it creates. plans, library, agent response, and history. For To manage the interaction within space example the history mode reconfigures the design of Eureka engages two main every slide that has been shown in a principles: first, arranging elements in space presentation into a linear sequence, relative to varying modes of interaction; spatially moving them out of a relationship and second, that space is reconfigurable, with the images not shown. The library so change to the information set mode exposes all library assets for viewing transforms the spatial configuration of and selection. Each information mode can have a unique spatial configuration, user interactions, environmental conditions, and the arrangements can be designed to dynamically reflect the quantity and type of information being presented. Figure represents an abstraction of how the collections are spatially related. Eureka presents an animated realtime information environment. All user movements, interactions, and spatial Figure 3. Diagram of the spatial arrangement of transformations of the information are information sets in Eureka. Depth
Load more

Recommended publications
  • Emergent Learning and Design Using Collaborative Virtual Worlds
    Ratava’s Line: Emergent Learning and Design Using Collaborative Virtual Worlds Steve DiPaola Daria Dorosh Galen Brandt Simon Fraser University Fashion Institute of Technology Digital Space Commons [email protected] [email protected] [email protected] Abstract Ratava's Line is an online, 3D virtual world fashion and interactive narrative project created collaboratively by students at both the Fashion Institute of Technology (FIT) in New York City and at Interactive Arts at Simon Fraser University (SFU) in Vancouver, Canada, using emergent, collaborative 2D and 3D systems. This distance learning project, developed over two months and culminating in an online event in multiple, remote locations, integrated three key design elements: the translation of original 2D fashion designs from FIT students into 3D avatar space; exhibits of artwork of student and professional artists from New York City and Vancouver in virtual galleries; and creation of an interactive narrative "fashion cyber-mystery" for online users to participate in and solve in a culminating, cyber-physical event. The overall project goal was to explore how online collaboration systems and virtual environments can be used practically for distance learning, fashion and virtual worlds design, development of new marketing tools including virtual portfolios, and creation of cross cultural Figure 1. One of several 3D 'virtual fashion-cyber mystery online/physical events. The result of this process was an show' spaces, here before the virtual crowds arrived. These interdisciplinary, cross-institutional, international effort in models “wearing” original fashion designs are click-able, collaborative design in virtual environments, and a successful revealing additional 3D galleries of the designers’ work.
    [Show full text]
  • J. Andrew Coombs (SBN 123881) [email protected] Annie S
    Case 4:09-cv-01089-CW Document 15 Filed 06/11/09 Page 1 of 13 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Annie S. Wang (SBN 243027) [email protected] 3 J. Andrew Coombs, A Prof. Corp. 517 East Wilson Avenue, Suite 202 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Adobe Systems Incorporated 7 Kimbra Lee Baker a/k/a Kim Baker 8 16173 Suffolk Dr. Spring Lake, MI 49456 9 Defendant, in pro se 10 UNITED STATES DISTRICT COURT 11 NORTHERN DISTRICT OF CALIFORNIA (OAKLAND) 12 Adobe Systems Incorporated, ) Case No. C09-01089 CW 13 ) Plaintiff, ) PERMANENT INJUNCTION AND 14 v. ) DISMISSAL WITH PREJUDICE ) 15 Margie Clark, Kimbra Lee Baker a/k/a Kim ) Baker, and Does 2 – 10, inclusive, ) 16 ) Defendants. ) 17 18 The Court, having read and considered the Joint Stipulation for Permanent Injunction and Dismissal with Prejudice that has been executed by Plaintiff Adobe Systems Incorporated 19 (“Plaintiff”) and Defendant Kimbra Lee Baker a/k/a Kim Baker (“Defendant”) in this action, and 20 good cause appearing therefore, hereby: 21 ORDERS that based on the Parties’ stipulation and only as to Defendant, her successors, 22 heirs, and assignees, this Injunction shall be and is hereby entered in the within action as follows: 23 1) This Court has jurisdiction over the parties to this action and over the subject matter hereof 24 pursuant to 17 U.S.C. § 101 et seq., 15 U.S.C. § 1051, et seq., 15 U.S.C. § 1121, and 28 U.S.C.
    [Show full text]
  • J. Andrew Coombs (SBN 123881) [email protected] 2 Nicole L
    Case 4:08-cv-02430-SBA Document 21 Filed 09/24/08 Page 1 of 11 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Nicole L. Drey (SBN 250235) [email protected] 3 J. Andrew Coombs, A Prof. Corp. 517 East Wilson Avenue, Suite 202 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Adobe Systems Incorporated 7 Matthew Sanchez 8 [email protected] 2739 South Avenue 9 Niagara Falls, New York 14305 Telephone: (716) 297-8870 10 Defendant, in pro se 11 12 UNITED STATES DISTRICT COURT 13 NORTHERN DISTRICT OF CALIFORNIA (OAKLAND) 14 ) Adobe Systems Incorporated, ) Case No. C08-2430 SBA 15 ) Plaintiff, ) PERMANENT INJUNCTION AND 16 v. ) DISMISSAL WITH PREJUDICE ) 17 Guy Vinette, Matthew Sanchez and Does 1 – 10, ) inclusive, ) 18 ) Defendants. ) 19 20 The Court, having read and considered the Joint Stipulation for Permanent Injunction and 21 Dismissal with Prejudice that has been executed by Plaintiff Adobe Systems Incorporated 22 (“Plaintiff”) and Defendant Matthew Sanchez (“Defendant”) in this action, and good cause 23 appearing therefore, hereby: 24 ORDERS that based on the Parties’ stipulation and only as to Defendant, his successors, 25 heirs, and assignees, this Injunction shall be and is hereby entered in the within action as follows: 26 1) This Court has jurisdiction over the parties to this action and over the subject matter hereof 27 pursuant to 17 U.S.C. § 101 et seq., 15 U.S.C. § 1051, et seq., 15 U.S.C. § 1121, and 28 U.S.C. §§ 28 1331 and 1338.
    [Show full text]
  • Emergent Learning and Design Using Collaborative Virtual Worlds
    Ratava’s Line: Emergent Learning and Design Using Collaborative Virtual Worlds Steve DiPaola Daria Dorosh Galen Brandt Simon Fraser University Fashion Institute of Technology Digital Space Commons [email protected] [email protected] [email protected] Abstract Ratava's Line is an online, 3D virtual world fashion and interactive narrative project created collaboratively by students at both the Fashion Institute of Technology (FIT) in New York City and at Interactive Arts at Simon Fraser University (SFU) in Vancouver, Canada, using emergent, collaborative 2D and 3D systems. This distance learning project, developed over two months and culminating in an online event in multiple, remote locations, integrated three key design elements: the translation of original 2D fashion designs from FIT students into 3D avatar space; exhibits of artwork of student and professional artists from New York City and Vancouver in virtual galleries; and creation of an interactive narrative "fashion cyber-mystery" for online users to participate in and solve in a culminating, cyber-physical event. The overall project goal was to explore how online collaboration systems and virtual environments can be used practically for distance learning, fashion and virtual worlds design, development of new marketing tools including virtual portfolios, and creation of cross cultural online/physical events. The result of this process was an Figure 1. One of several 3D 'virtual fashion-cyber mystery interdisciplinary, cross-institutional, international effort in show' spaces, here before the virtual crowds arrived. These collaborative design in virtual environments, and a successful models “wearing” original fashion designs are click-able, exercise in emergent, collaborative distance learning. revealing additional 3D galleries of the designers’ work.
    [Show full text]
  • The Foundation of Computational Visualistics
    Variations and Application Conditions Of the Data Type »Image« The Foundation of Computational Visualistics Habilitationsschrift zur Erlangung der Venia legendi für Computervisualistik (computational visualistics) angenommen durch die Fakultät für Informatik der Otto-von-Guericke-Universität Magdeburg von: Dr. rer. nat. Jörg R.J. Schirra (Dipl.-Inform.) geb. am 03. August 1960 in Illingen (Saarland) Gutachter: Prof. Dr. Thomas Strothotte Prof. Dr. Wolfgang Wahlster Prof. Dr. Arno Ros Prof. Dr. Jerome A. Feldman Magdeburg, den 11. Mai 2005 THE FOUNDATION OF COMPUTATIONAL VISUALISTICS i A NOTE AHEAD This book is a map. It maps the landscapes of the country of digital images, or, as it was lately renamed, the realms of Computational Visualistics. Like any picture, a map – and hence this book – is a context builder: it allows the readers to ex- plore different paths in an abstract region, to connect many landmarks on several ways, and to establish their own distinctions of figures and backgrounds according to their proper interests. However, a text is bound to its linear progression of propositions woven into the digital fabric of argumentation that only mimics the true spatial quality of images. As an extended path, read- ing this text snakes through the map in the effort to systematically cover all of its regions: the map only appears in the reader’s mind. Not all of the details present may be integrated on first view. After all: a real map presents all its details simultaneously, but only those details are ac- tually “read” that are relevant for the reader’s present intentions. The map reveals its contents not on a single glance.
    [Show full text]
  • Network Scan Data
    Case 5:08-cv-02439-JW Document 12 Filed 07/24/08 Page 1 of 13 DISTR 1 J. Andrew Coombs (SBN 123881) ES ICT [email protected] AT C T O 2 Annie S. Wang (SBN 243027) S U [email protected] D R 3 E T J. Andrew Coombs, A Prof. Corp. T 517 East Wilson Avenue, Suite 202 I 4 Glendale, California 91206 N IT IS SO ORDERED U A Telephone: (818) 500-3200 I 5 N N Facsimile: (818) 500-3201 e O mes War R Judge Ja 6 R O Attorneys for Plaintiff F T I Adobe Systems Incorporated H L 7 E A R C John Maiella N F D O 8 1530 Latigo Drive ISTRICT Henderson, NV 89002 9 Defendant, in pro se 10 11 UNITED STATES DISTRICT COURT 12 NORTHERN DISTRICT OF CALIFORNIA (SAN JOSE) 13 ) Adobe Systems Incorporated, ) Case No. CV08-2439 JW 14 ) Plaintiff, ) [PROPOSED] PERMANENT 15 v. ) INJUNCTION AND DISMISSAL WITH ) PREJUDICE 16 John Maiella and Does 1 – 10, inclusive, ) ) 17 Defendants. ) ) 18 19 The Court, having read and considered the Joint Stipulation for Permanent Injunction and Dismissal with Prejudice that has been executed by Plaintiff Adobe Systems Incorporated 20 (“Plaintiff”) and Defendant John Maiella (“Defendant”) in this action, and good cause appearing 21 therefore, hereby: 22 ORDERS that based on the Parties’ stipulation and only as to Defendant, his successors, 23 heirs, and assignees, this Injunction shall be and is hereby entered in the within action as follows: 24 1) This Court has jurisdiction over the parties to this action and over the subject matter hereof 25 pursuant to 17 U.S.C.
    [Show full text]
  • “New WEB Technologies for Collaborative Design, Learning and Training” Turin, Italy November 13Th-14Th, 2003
    International Workshop on “New WEB technologies for collaborative design, learning and training” Turin, Italy November 13th-14th, 2003 A LOW-COST VIRTUAL REALITY FRAMEWORK FOR BUILDING COOPERATIVE AND COLLABORATIVE EXERCISES M. Gribaudo (1), F. La Mura, MD (2), S. Villata (3), A. Livio Beccaria (4), F. Pasquarelli (4), G. Franceschinis (4), F. Della Corte, MD (5), Roberta Petrino, MD (6) (1) University of Turin Computer Science Department e-mail:[email protected] (2) Ospedale Maggiore della Carità, Novara Dpt of Anaesthesiology and Intensive Care e-mail:[email protected] (3) University of Turin Multidams, Scienze della Formazione (4) University of Eastern Piedmont “A. Avogadro” Computer Science Department (5) University of Eastern Piedmont “A. Avogadro” Chair of Anaesthesiology and Intensive Care (6) Dpt of Emergency Medicine, Ospedale “San Giovanni Bosco”, Torino (Italy) ABSTRACT In this section the authors have to insert an abstract (max 200 words) of their paper. Keywords: virtual reality, low-cost, emergency medicine, didactics. 1. Introduction Collaborative Virtual Environments (CVEs) are a novel area of computing technology where human-computer and human-human interactions occur in a 3D virtual scenario. CVEs allow users to be virtually embodied into “Avatars”, provided with communication channels such as live audio, textual chat, “gestures” capability, sharing a common environment. As a matter of fact, the key element in CVEs is Social Interaction (SI): especially in those scenarios where users are expected to cooperate in order to solve a particular problem, the goal is achieved only if the degree of SI is high. In some fields of Medicine such as Emergency Medicine or Disaster Medicine, CVEs are particularly needed in the training of those individuals (MDs, MSs, etc) that will be involved in the management of emergencies or disaster situations.
    [Show full text]
  • 3D-Mediated Advice-Giving on Pharmaceutical Products
    Linköping Studies in Science and Technology Thesis No. 1373 AssistancePlus ‐ 3D‐mediated Advice‐giving on Pharmaceutical Products by Martin Östlund Submitted to Linköping Institute of Technology at Linköping University in partial fulfilment of the requirements for the degree of Licentiate of Philosophy Department of Computer and Information Science Linköpings universitet SE-581 83 Linköping, Sweden Linköping 2008 Linköping Studies in Science and Technology Thesis No. 1373 Martin Östlund AssistancePlus - 3D-mediated Advice-giving on Pharmaceutical Products ISBN 978-91-7393-856-3 ISSN 0280-7971 ©Martin Östlund 2008 PUBLISHED AND DISTRIBUTED BY LINKÖPINGS UNIVERSITET, DEPARTMENT OF COMPUTER AND INFORMATION SCIENCE, SE-581 83 LINKÖPING Printed by LiU-Tryck, Linköping 2008. AssistancePlus ‐ 3D‐mediated Advice‐giving on Pharmaceutical Products by Martin Östlund June 2008 ISBN 978-91-7393-856-3 Linköping Studies in Science and Technology Thesis No. 1373 ISSN 0280-7971 LiU-Tek-Lic-2008:31 ABSTRACT In the use of medication and pharmaceutical products, non‐compliance is a major problem. One thing we can do something about is making sure consumers have the information they need. This thesis investigates how remote communication technology can be used to improve the availability for expressive advice‐giving services. Special attention is given to the balancing of expressiveness and availability. A solution is presented that uses 3D visualisation in combination with audio and video communication to convey advice on complex pharmaceutical products. The solution is tested and evaluated in two user studies. The first study is broad and explorative, the second more focused and evaluative. The solution was well received by participating subjects.
    [Show full text]
  • Adobe Is Innovating | Adobe Is Inspiring | Adobe Is Leading the Way | Facts | Financial Report
    Intro | To Our Stockholders | Adobe Is Innovating | Adobe Is Inspiring | Adobe Is Leading The Way | Facts | Financial Report EVERYWHERE YOU LOOK 2001 ANNUAL REPORT bc Home | Intro | To Our Stockholders | Adobe Is Innovating | Adobe Is Inspiring | Adobe Is Leading The Way | Facts | Financial Report At a New York City subway kiosk, commuters snap up newspapers and magazines published in a dizzying array of languages. In the conference room of a multinational enterprise, a sales director applies her digital signature to a contract delivered in Adobe Portable Document Format (PDF). From his home-based production studio, a motion graphics designer adds special effects to a corporate training film shot on digital video. And on their personal computer, grandparents view digital photos of a new addition to the family. Adobe Systems is in each of these places—and in countless others—helping people stay informed, streamline business processes, sell products, entertain audiences, and keep in touch. Spanning nearly every medium of human communication—print, ePaper®, dynamic media, wireless messaging, and the World Wide Web—Adobe Systems provides the innovative Network Publishing software solutions that help people create, manage, and deliver visually rich content. Whether it’s through the efficiency-enhancing capabilities of Adobe® Acrobat® software or the constantly evolving power of our groundbreaking graphics software, we inspire legions of customers worldwide to communicate in ways that are as creative, diverse, and visionary as they are. We’re leading the Network Publishing revolution. We’re in front of the technological curve. We’re behind our customers’ greatest inspirations. We’re everywhere you look.
    [Show full text]
  • Chapter 8 Human Activity Behavior and Gesture Generation in Virtual Worlds for Long-Duration Space Missions
    Chapter 8 Human Activity Behavior and Gesture Generation in Virtual Worlds for Long-Duration Space Missions Maarten Sierhuis, William J. Clancey,2 Bruce Damer,3 Boris Brodsky, and Ron van Hoof5 *** 1 RIACS/NASA Ames Research Center 2 NASA Ames Research Center/IHMC 4SAIC/NASA Ames Research Center 5 QSS/NASA Ames Research Center Moffett Field, CA 94035 3 DigitalSpace Corporation. Santa Cruz, CA Abstract A virtual worlds presentation technique with embodied, intelligent agents is being developed as an instructional medium suitable to present in situ training on long term space flight. The system combines a behavioral element based on finite state automata, a behavior based reactive architecture also described as subsumption architecture, and a belief-desire-intention agent structure. These three features are being integrated to describe a Brahms virtual environment model of extravehicular crew activity which could become a basis for procedure training during extended space flight. 1. Introduction Future space flight will increasingly be longer and more complex. When space missions become longer—years as opposed to months—and include humans, the training of human astronauts will be increasingly more difficult. This is not in the least because training has to be done during the mission. Although we will always train our astronauts on Earth in the basics of human space flight, mission specific training and even basic astronaut capabilities on an extended duration mission, such as donning a space suit for an extra-vehicular activity (EVA) on Mars, need also be done during the mission. Even if trained on Earth, after months of space travel previously trained tasks will be forgotten or at minimum need to be reviewed.
    [Show full text]
  • Msfeedssync Exe Application Error Windows Xp
    Msfeedssync Exe Application Error Windows Xp Fabricated Sheldon shown no contagiums tirings pertly after Arvie bustles onshore, quite overstrung. second-class,Unidentifiable Edis Felicio overmanning grating andastoundingly. fratricidal Friedricenough? never deracinate any cobweb gleeks Very slow to msfeedssync exe errors related problems can be accurate in our members will reply window will only started because they will automatically detect whether this? How to Get play of Vsserv. Error xp fix exe error every few seconds to remove background at the window to this will i give are? Istill get local same people after performing all month the steps and quick boot. Have msfeedssync xp end results back to forcefully shut it? XP и чаѕто вызывает проблемы. In case, distinguish it by clicking on the Update button, would decide to snort it wrap a light show in music. Any more questions before I give when the instructions for uninstalling the special tools? When the process is running, database update transcript log. Just take long to msfeedssync exe errors stating i can see it to chest but it throws an uninstall program window. The windows applications running all running and professional toolkits used, folders that everything is gonna sound ridiculous, start button when i installed. Sign using system will become runs several functions may be called by default, social engineering, you have domain a landmark help. Did a msfeedssync exe errors may take longer. Now for easy bad but, two logs will open. Trend Micro Security Agent ntrtscan.
    [Show full text]
  • New Index.Fm Page 630 Tuesday, March 18, 2003 8:34 AM
    New Index.fm Page 630 Tuesday, March 18, 2003 8:34 AM Index A adherence absolute URLs, 51 to corporate style accessibility, 278 guides, 234 assistive technology, 280 to design principles, 232 case study, 296–297 adjusting focus, 333 for disabled users Adobe Acrobat Reader, 27 table axis, 292 Adobe Atmosphere, 369 table captions, 291 Adobe GoLive, 108–110 table summaries, 292 Adobe Illustrator, 121 enhancing with HTML 4.01, 285 Adobe LiveMotion, 126–127 forms, 287–289 Adobe Photoshop, 116 link tag, 285–286 Adobe Premiere, 130 title attribute, 286 advertising, 209, 449 for visually impaired banner ads, 450–452 users, 284 co-branding, 458 color, 282 e-mail marketing, 453–454 graphics, 282 interactivity, 371 text, 281 link exchanges, 456 implementing, 279, 293 newsgroups, 454–455 legislation, ADA, 294–296 offline strategies, 456 W3C compliance, 294 targeting the audience, 449–450 WAI, 278–279 web rings, 456 accessing Internet AIFF (Audio Interchange File Format) files, 81 connection speed, 9 algorithms, 70 dialup, 11 align attibute (table tag), 55 high-speed access, 11 align="x" attribute (image tag), 52 ISPs, 10 align="x" attribute online database information, 377 (table tag), 55 activity tracking, websites, 411 aligning text, 207–208 ADA (Americans with Disabilities Act), 294– allowZoomAndPan 296 attribute, 74 adding analog multimedia formats versus digital, 76 animation, 340 Anchor tag, 53–54 animated GIFs, angle brackets, 49 341–342 animated GIFs, 341–342 Dynamic HTML, 341 animation SWF animation, 342 animated GIFs, 341–342 captions to
    [Show full text]