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Lyra Mckee 31 March, 1990 – 18 April, 2019 Contents
MAGAZINE OF THE NATIONAL UNION OF JOURNALISTS WWW.NUJ.ORG.UK | MAY-JUNE 2019 Lyra McKee 31 March, 1990 – 18 April, 2019 Contents Main feature 16 The writing’s on the wall Exposing a news vacuum News t’s not often that an event shakes our 03 Tributes mark loss of Lyra McKee profession, our union and society as powerfully as the tragic death of Lyra McKee. Widespread NUJ vigils A young, inspirational journalist from 04 Union backs university paper Belfast, lost her life while covering riots Ethics council defends standards Iin the Creggan area of Derry. Lyra became a journalist in the post peace agreement era 05 TUC women’s conference in Northern Ireland and in many ways was a symbol of the Calls for equal and opportunities new Ireland. She campaigned for Northern Ireland’s LGBTQ 07 Honouring Lyra community and used her own coming out story to support Photo spread others. She was a staunch NUJ member and well known in her Belfast branch. “At 29 she had been named as one of 30 European journalists Features under 30 to watch. She gave a prestigious Ted talk two years 10 A battle journalism has to win ago following the Orlando gay nightclub shootings in 2016. She Support for No Stone Unturned pair had signed a two-book deal with Faber with the first book about children and young men who went missing in the Troubles due 12 Only part of the picture out next year. How ministers control media coverage The NUJ has worked with the family to create a fund 22 Collect your royal flush in Lyra’s name and the family said that they have been How collecting societies help freelances inundated with requests to stage events in her name. -
Ethical Transformations in Yan's 陆犯焉识 (The Criminal Lu Yanshi)
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 17 (2015) Issue 5 Article 11 Ethical Transformations in Yan's ???? (The Criminal Lu Yanshi) Weihong Zhu Central China Normal University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Chinese Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Zhu, Weihong. "Ethical Transformations in Yan's ???? (The Criminal Lu Yanshi)." CLCWeb: Comparative Literature and Culture 17.5 (2015): <https://doi.org/10.7771/1481-4374.2759> This text has been double-blind peer reviewed by 2+1 experts in the field. The above text, published by Purdue University Press ©Purdue University, has been downloaded 189 times as of 11/ 07/19. -
War of Roses: a House Divided
Stanford Model United Nations Conference 2014 War of Roses: A House Divided Chairs: Teo Lamiot, Gabrielle Rhoades Assistant Chair: Alyssa Liew Crisis Director: Sofia Filippa Table of Contents Letters from the Chairs………………………………………………………………… 2 Letter from the Crisis Director………………………………………………………… 4 Introduction to the Committee…………………………………………………………. 5 History and Context……………………………………………………………………. 5 Characters……………………………………………………………………………….. 7 Topics on General Conference Agenda…………………………………..……………. 9 Family Tree ………………………………………………………………..……………. 12 Special Committee Rules……………………………………………………………….. 13 Bibliography……………………………………………………………………………. 14 Letters from the Chairs Dear Delegates, My name is Gabrielle Rhoades, and it is my distinct pleasure to welcome you to the Stanford Model United Nations Conference (SMUNC) 2014 as members of the The Wars of the Roses: A House Divided Joint Crisis Committee! As your Wars of the Roses chairs, Teo Lamiot and I have been working hard with our crisis director, Sofia Filippa, and SMUNC Secretariat members to make this conference the best yet. If you have attended SMUNC before, I promise that this year will be even more full of surprise and intrigue than your last conference; if you are a newcomer, let me warn you of how intensely fun and challenging this conference will assuredly be. Regardless of how you arrive, you will all leave better delegates and hopefully with a reinvigorated love for Model UN. My own love for Model United Nations began when I co-chaired a committee for SMUNC (The Arab Spring), which was one of my very first experiences as a member of the Society for International Affairs at Stanford (the umbrella organization for the MUN team), and I thoroughly enjoyed it. Later that year, I joined the intercollegiate Model United Nations team. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. THE STORY BEHIND THE STORIES British and Dominion War Correspondents in the Western Theatres of the Second World War Brian P. D. Hannon Ph.D. Dissertation The University of Edinburgh School of History, Classics and Archaeology March 2015 2 TABLE OF CONTENTS Abstract ………………………………………………………………………….. 4 Acknowledgements ……………………………………………………………… 5 Introduction ……………………………………………………………………… 6 The Media Environment ……………...……………….……………………….. 28 What Made a Correspondent? ……………...……………………………..……. 42 Supporting the Correspondent …………………………………….………........ 83 The Correspondent and Censorship …………………………………….…….. 121 Correspondent Techniques and Tools ………………………..………….......... 172 Correspondent Travel, Peril and Plunder ………………………………..……. 202 The Correspondents’ Stories ……………………………….………………..... 241 Conclusion ……………………………………………………………………. 273 Bibliography ………………………………………………………………...... 281 Appendix …………………………………………...………………………… 300 3 ABSTRACT British and Dominion armed forces operations during the Second World War were followed closely by a journalistic army of correspondents employed by various media outlets including news agencies, newspapers and, for the first time on a large scale in a war, radio broadcasters. -
E Il Quadri C'e' Sempre!
SOMMARIO anno secondo — numero terzo Ma se io avessi previsto tutto questo.. Pag.3 La caduta di Varsavia ... Pag.4 Antigone, tragedia immortale Pag.7 L’uomo, la bestia e la virtù”: realtà o apparenza Pag.9 Cento motivi x non ritirarsi dal Quadri Pag.10 IL peso dello zaino Pag.12 E meglio vivere o morire? Pag.13 I francobolli Pag.14 L’era glaciale Pag.15 Gin e Fizz, appuntamento noir Pag.16 Poesie Pag.17 Millencolin forever Pag.18 Tutti insieme appassionatamente Pag.20 Allarme HOAX Pag.21 Videogiochi & musica Pag.22 Orientamento lento Pag.24 Profémon Pag.26 171 Nomi Pag.28 Ritorna la pagella Pag.30 Direttore: Marco Azzalini 5^CI - [email protected] Il Giudizio Universale Vicedirettore: Arianna Frigo 4^AI - [email protected] Copertina di: SUPERVISORE ( NONCHé anima del giornalino ): Giuliano Guzzo 4^AI Giuliano Guzzo 4^AI - [email protected] Uomo obiettivo: Prof. Giuliano Cisco - [email protected] Impaginatori: Janusz Trevisan 4^AI - [email protected], Alessandro Venturini 5^CI [email protected], Cristian Pozza 3^AST, Gennaro Di Napoli 5^LG - [email protected], Gianluca Bonanno 5^LG, Gregorio Dal Sasso 2^BI - [email protected], Paolo Albanese 3^AST REDAZIONE: Giovanni Monarca 4^AST - [email protected], Andrea Pezzato 4^AST, Paola Bertozzi 3^BI, Trivisonno Andrea 1^AI, Paolo Zoccante 2^BI - [email protected], Mariasole Cavallarin 2^LG, Elisa Borrelli 5^CI, Stefano Tapparo 4^AST, Elisa Dalla Libera 2^LG, Valentina Accietto 3^BST, Guzzo Alberto 1^AI, Barbolan Cristina 1^BI, David Tosin 3^LG, Michele D’Alessandro 3^ATL, MariaGiulia Rigon 3^ATL Michael Walker “Texas Ranger” 4^AST Un ringraziamento particolare va rivolto al Comitato Genitori per il sostegno finanziario a questa pubblicazione Marco Azzalini 5^CI Vabbé, lo ammetto: cinque anni sono volati. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
International Beatleweek Fab Facts
International Beatleweek Fab Facts 1. International Beatleweek is worth an estimated £2.8m to the local economy. Cavern City Tours alone books around 4,500 bed nights with city hotels for the August Bank Holiday week. 2. The first Beatles Convention was held at Mr Pickwick’s club in 1977 and was organised by legendary Cavern Club DJ Bob Wooler and the Beatles’ first manager Allan Williams. It has been held at the Adelphi Hotel every year since 1981, apart from 1984 when it moved to St George’s Hall. 3. Since its inception, International Beatleweek has welcomed in the region of 900 different bands, artists and guests to its stages from 50 different countries including Guatemala, Thailand and Kazakhstan. 4. The 2010 Peace, Love & Understanding concert, held in Liverpool’s majestic Anglican Cathedral, featured performances by bands or artists from all seven continents including Antarctica, from which Trinity Church performed Let It Be. 5. The youngest performer at Beatleweek is three-year-old American Walter Bolin who sang on stage with his parents Eli Bolin and Allison Posner in 2017. The youngest official band in the history of International Beatleweek is The Beatbrothers, whose members Phil and Eddie Gillespie appeared at the Cavern in 2001 at the ages of eleven and nine respectively. 6. The Cavern Club welcomes around 10,000 visitors during Beatleweek. 7. The festival has led to romance. There have been two proposals on stage during recent years, while one marriage to come out of Beatleweek involved a member of the security team and an American Beatle fan he met and fell in love with at the 1989 event. -
Problematizing the Stereotype of the Prostitutes As Seen in Geling Yan's the Flowers of War
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PROBLEMATIZING THE STEREOTYPE OF THE PROSTITUTES AS SEEN IN GELING YAN'S THE FLOWERS OF WAR AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By Florina Leonora Tyana Student Number: 114214009 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PROBLEMATIZING THE STEREOTYPE OF THE PROSTITUTES AS SEEN IN GELING YAN'S THE FLOWERS OF WAR AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By Florina Leonora Tyana Student Number: 114214009 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TIME IS PRECIOUS vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Dedicated to My beloved parents, My little Brother, And ‘you know who’ viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGMENTS In this part, I would like to send my love and thank them for this part of journey in my life. First and foremost, I would love to thank Jesus Christ, because HE listen to all my prayer and my parent prayer‟s. To my thesis advisor, Elisa Wardhani S.S, M.Hum whose is always be patience to correct my thesis and for her big help in guiding me during the process of finishing this thesis. I also would like to thank Drs. Hirmawan Wijanarka, M.Hum for his guidance and support. -
Richard & the Percys
s Richard III Society, Inc. Volume XXV No. 3 Fall, 2000 — Susan Dexter Richard & The Percys Register Staff EDITOR: Carole M. Rike 4702 Dryades St. • New Orleans, LA 70115 (504) 897-9673 FAX (504) 897-0125 • e-mail: [email protected] ©2000 Richard III Society, Inc., American Branch. No part may be RICARDIAN READING EDITOR: Myrna Smith reproduced or transmitted in any form or by any means — mechanical, Rt. 1 Box 232B • Hooks, TX 75561 electrical or photocopying, recording or information storage retrieval — without written permission from the Society. Articles submitted by (903) 547-6609 • FAX: (903) 628-2658 members remain the property of the author. The Ricardian Register is e-mail: [email protected] published four times per year. Subscriptions are available at $18.00 ARTIST: Susan Dexter annually. 1510 Delaware Avenue • New Castle, PA 16105-2674 e-mail: [email protected] The Richard III Society is a nonprofit, educational corporation. Dues, grants and contributions are tax-deductible to the extent SPECIAL CORRESPONDENT — YORKSHIRE allowed by law. Geoffrey Richardson Dues are $30 annually for U.S. Addresses; $35 for international. Each additional family member is $5. Members of the American Society are also members of the English Society. Members also In This Issue receive the English publications. All Society publications and items for sale may be purchased either direct at the U.K. Member’s price, or via the American Branch when available. Papers may be borrowed Editorial License, Carole Rike . 3 from the English Librarian, but books are not sent overseas. When a Richard & The Percys, Sandra Worth . -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Trafalgar Square Publishing
Trafalgar Square Publishing Spring 2019 Best-Selling Titles Spring 2019 9781781452929 9781781453278 9781781453155 9781781453414 9781781452912 9781445670072 9781849909679 9781785941689 9780712352253 9780712352505 9780712352765 9781787390164 9781785003240 9781785035517 9781783963201 9781783963140 9781908531841 9781912050420 9780008135782 9781784977870 9781784979911 9781788542807 9781786694430 9781784082796 9781786064653 Spring 2019 Best-Selling Titles 9781921997969 9780565094423 9780565094409 9780857301758 9781843447740 9781910633847 9781912374038 9781910633809 9780957148345 9781843681441 9781843681311 9781509823512 9780143574224 9781844137879 9780718185336 9781846149429 9780720620054 9781910258637 9781910258743 9781910258590 9781910497364 9781786090010 9781787411883 9780750979948 9780750985598 Don’t Miss Contents 32 Glimpses of Animals/Pets .......................................................................1, 19–20, 97–101, 158 the Unknown Antiques & Collectibles/Crafts & Hobbies ................................25, 152–153, 155 Architecture ..............................................................................90, 107, 148, 154 Art/Design ................................................ 8, 25, 30, 102, 107, 123, 147, 151, 145 Autobiography/Memoir ......................... 29–30, 73, 83, 85, 87, 99, 101, 145–146 Biography .................. 3–4, 26, 30, 85, 99, 112, 114–119, 121, 145, 147, 157, 159 Body/Mind/Spirit ............................................................................... 91, 105, 145 Business/Career .......................................................................................... -
September 2006.Pub
Lambda Philatelic PUBLICATION OF THE GAY AND LESBIAN HISTORY ON STAMPS CLUB Journal Ï SEPTEMBER 2006, VOL. 25, NO. 2, WHOLE NO. 95 Plus the final installment of Paul Hennefeld’s Handbook Update September 2006, Whole No. 95, Vol. 25, No. 3 The Lambda Philatelic Journal (ISSN 1541-101X) is published MEMBERSHIP: quarterly by the Gay and Lesbian History on Stamps Club (GLHSC). GLHSC is a study unit of the American Topical As- Yearly dues in the United States, Canada and Mexico are sociation (ATA), Number 458; an affiliate of the American Phila- $10.00. For all other countries, the dues are $15.00. All checks should be made payable to GLHSC. telic Society (APS), Number 205; and a member of the American First Day Cover Society (AFDCS), Number 72. Single issues $3. The objectives of GLHSC are to promote an interest in the col- There are two levels of membership: lection, study and dissemination of knowledge of worldwide philatelic material that depicts: 1) Supportive, your name will not be released to APS, ATA or AFDCS, and 2) Active, your name will be released to APS, ATA and 6 Notable men and women and their contributions to society AFDCS (as required). for whom historical evidence exists of homosexual or bisex- ual orientation, Dues include four issues of the Lambda Philatelic Journal and 6 Mythology, historical events and ideas significant in the his- a copy of the membership directory. (Names will be with- tory of gay culture, held from the directory upon request.) 6 Flora and fauna scientifically proven to having prominent New memberships received from January through September homosexual behavior, and will receive all back issues and directory for that calendar 6 Even though emphasis is placed on the above aspects of year.