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Law and the Crystal Ball: Predicting Behavior with Statistical Inference and Individualized Judgment
Law and the Crystal Ball: Predicting Behavior with Statistical Inference and Individualized Judgment Barbara D. Underwood* Important benefits and burdens are distributed in American society on the basis of predictions about individual behavior. Release from prison, places in schools, jobs, and retail credit are among the benefits distributed to those applicants who are found most likely to succeed. The effort to predict an applicant's behavior can be made in a variety of ways: by professional experts or ordinary laymen, by use of individ- ualized judgment or formulas that assign fixed weights to prede- termined characteristics of the applicant. No matter what method is used, it typically generates controversy. This controversy is expressed in policy debates over the fairness or wisdom of choosing a particular method for selecting applicants. It also appears in litigation challenging a selection system on the ground that it violates some constitutional or statutory requirement. When the deci- sionmaker is a government agency, such as the parole authority or a public school, then the choice of a selection system is plainly a matter of public concern. As a political matter it involves the allocation of public resources, and as a legal matter it is subject to the requirements of fairness contained in the due process and equal protection clauses of the United States Constitution. But even when the decisionmaker is a private institution, such as a private employer or lender, its prac- tices are often subject to public scrutiny and legal control. Many private decisionmakers are prohibited by law from discrimination on the basis of race, sex, and various other attributes. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Xca for EVERYONE in the BUSINESS of MUSIC Euro Net
XCa FOR EVERYONE IN THE BUSINESS OF MUSIC Newman rejoins Hole^ in new Universal role^^ Euro net sales lô mm Universal Music's look up Thompson resigns T^%m S m.^m 'r^ s -]3 file is at fis highest in years. "A couple be seduced # /une 28 r^Xai ail noise! ail of! ail art! ail newl [^) 1/4 million users* Now that's what I cali an audience! To advertise on the UK's most popuiar 0171 940 8626 or [email protected] dotmusic^r'the insider's guide to music U. Ht Miller Freeman n e w s f / / e DOTHUSIC COVERS GtiSTOHBURY GinaG leads légal fighl for provideMWs sister live coverage website dotmusicfrom this will withweekend's updates Glastonbury throughout Festivalthe day. glastonbury)The site (www.dotmusic.com/ from Friday will add unpaid Eurovision royallies soundclipsreviews, interviews, to its festival pictures guide. and by Paul Gorman [ Angry creditors led by Eurovision star I theRichard song's Burton originaland Bob producers,Wainwright EDEIRECRUITSEdel Records hasNEW recruited STAFF two £500,000Gina G arein unpaidhunting royalties at leastfrom \s tyof streamsThe Next from Room, Wamer who forcedto be frozen royal- joinednew staff. to handle Lynne nationalMorgan radiohas her 1996 Eurovision hit Ooh Ah... copiesiin March in 1996,the UK selling alone. 810,000It also tworeceive years payments ago when on theyan overridedid not haspromotions been appointed while Dorian product Wathen wasreached a massive number hit 12 in inEurope, the US South and £17,000agreed with last FX. week. Taube also received manager responsible for Ginâ G: claiming damages at an early sta unpaid royalties. -
Night Ranger (From the 1983 Album MIDNIGHT MADNESS) Transcribed by Roadkill Words and Music by Jack Blades, Brad Gillis, Alan Francis Fitzgerald
WHEN YOU CLOSE YOUR EYES As recorded by Night Ranger (From the 1983 Album MIDNIGHT MADNESS) Transcribed by Roadkill Words and Music by Jack Blades, Brad Gillis, Alan Francis Fitzgerald Gadd2/B C6 Em7add4 Dm7add4 A7sus4 Am7 Gadd2 G Gmaj7 C x 7 fr. xx 7 fr. x 7 fr. x x 5 fr. x 5 fr. 5 fr. xx 3 fr. x x 3 fr. x x 3 fr. Cadd11 Fadd2 D B E G/B Em D/C Dsus4 G5 x x 3 fr. x x 5 fr. x ` x x ` x 6 fr. x x x 7 fr. x x 7 fr. x x 5 fr. xxx 3 fr. Cmaj7 G/F C/F Dm7 Cmaj9 F/C F C/D x x 3 fr. x x x x x 5 fr. x x 3 fr. x x 5 fr. x x 5 fr. A Intro Moderate Rock = 140 P Gadd2/B C6 Gtr II f (Keyboards play chords) ^ ^ ^ R V V V 1 g P V V V V V V V P V V V V I 4 u u u z u v 1/2 vib. w/bar Gtr I f (Brad Gillis) [[[[[[ M Note:*1 [[[[[[ [[[[[[[[ T 12 (12) O A 12 14 12 14 14 12 12 14 12 14 B H P H Em7add4 ^ 8va ^ ^ V V V V V V V W 5 g c P V V V V I V V V c z u u Trem. bar * Note:*2 7 V 1/2 vib. w/bar Full M A.H. -
1 Song Title
Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist Billie Joe Armstrong, 21ST CENTURY BREAKDOWN 329 GREEN DAY Green Day 24 HOURS 337 CUESHE ACCORDING TO YOU 330 ORIANTHI Steve Diamond IKAW LANG TALAGA 338 YENG CONSTANTINO JUMP THEN FALL 333 TAYLOR SWIFT Taylor Swift LOVE STORY 334 TAYLOR SWIFT Taylor Swift Kevin Jonas, Sr., Nicholas LOVEBUG 332 JONAS BROTHERS Jonas, Joe Jonas, Kevin Jonas MAHAL PA RIN 339 SAM MILBY MOMENT OF TRUTH 335 FM STATIC FM Static PAIN IN MY HEART 340 ARNEL PINEDA PANAGINIP 341 MAYONNAISE PUTIK 342 SANDWICH Sandwich SUNDOT 343 AEGIS Celso Abenoja Matthew Followill, Jared Followill, USE SOMEBODY 336 KINGS OF LEON Nathan Followill, Caleb Followill HARTZLER JOSHUA, HODGES WHAT ABOUT NOW 331 WESTLIFE DAVID, MOODY BEN, www.wowvideoke.com 1 Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist James Harris, Janet AGAIN 9046 JANET JACKSON Jackson, Terry Lewis Jimi Jamison, Todd EVER SINCE THE WORLD BEGUN 9048 SURVIVOR Smallwood, Frankie Sullivan Kara DioGuardi, Leona HAPPY 9049 LEONA LEWIS Lewis, Salaam Remi I HAVE FALLEN IN LOVE (WITH THE SAME WOMAN THREE TIMES) 9052 JOSE MARI CHAN Jose Mari Chan (lyrics) MY LOVE IS HERE 9053 ERIK SANTOS SMITH DANDRE LEMONT, MILLER PYRAMID 9047 CHARICE CALVIN JERMEL, FRANK LAWRENCE SA AKING PUSO 9054 ARIEL RIVERA Vehnee Saturno SANA KAHIT MINSAN 9055 ARIEL RIVERA Vehnee Saturno Glen Burtnik, Shelly WE COULD BE IN LOVE 9050 LEA SALONGA AND BRAD KANE Peiken Walter Afanasieff, WHENEVER YOU CALL 9051 MARIAH CAREY AND BRIAN MCKNIGHT Mariah Carey 2 www.wowvideoke.com Music Video Pack Vol. -
(Anesthesia) Pulling Teeth Metallica
(Anesthesia) Pulling Teeth Metallica (How Sweet It Is) To Be Loved By You Marvin Gaye (Legend of the) Brown Mountain Light Country Gentlemen (Marie's the Name Of) His Latest Flame Elvis Presley (Now and Then There's) A Fool Such As I Elvis Presley (You Drive ME) Crazy Britney Spears (You're My) Sould and Inspiration Righteous Brothers (You've Got) The Magic Touch Platters 1, 2 Step Ciara and Missy Elliott 1, 2, 3 Gloria Estefan 10,000 Angels Mindy McCreedy 100 Years Five for Fighting 100% Pure Love Crystal Waters 100% Pure Love (Club Mix) Crystal Waters 1‐2‐3 Len Barry 1234 Coolio 157 Riverside Avenue REO Speedwagon 16 Candles Crests 18 and Life Skid Row 1812 Overture Tchaikovsky 19 Paul Hardcastle 1979 Smashing Pumpkins 1985 Bowling for Soup 1999 Prince 19th Nervous Breakdown Rolling Stones 1B Yo‐Yo Ma 2 Become 1 Spice Girls 2 Minutes to Midnight Iron Maiden 2001 Melissa Etheridge 2001 Space Odyssey Vangelis 2012 (It Ain't the End) Jay Sean 21 Guns Green Day 2112 Rush 21st Century Breakdown Green Day 21st Century Digital Boy Bad Religion 21st Century Kid Jamie Cullum 21st Century Schizoid Man April Wine 22 Acacia Avenue Iron Maiden 24‐7 Kevon Edmonds 25 or 6 to 4 Chicago 26 Miles (Santa Catalina) Four Preps 29 Palms Robert Plant 30 Days in the Hole Humble Pie 33 Smashing Pumpkins 33 (acoustic) Smashing Pumpkins 3am Matchbox 20 3am Eternal The KLF 3x5 John Mayer 4 in the Morning Gwen Stefani 4 Minutes to Save the World Madonna w/ Justin Timberlake 4 Seasons of Loneliness Boyz II Men 40 Hour Week Alabama 409 Beach Boys 5 Shots of Whiskey -
Styx Live at the Red Robinson Show Theatre
FOR IMMEDIATE RELEASE OCTOBER 18, 2011 BOULEVARD CASINO PRESENTS STYX LIVE AT THE RED ROBINSON SHOW THEATRE SATURDAY, FEBRUARY 4 Coquitlam, BC – Spawned from a suburban Chicago basement in the early 70’s, Styx would eventually transform into the virtual arena rock prototype by the late 70’s and into the 80’s due to a fondness for big rockers and soaring power ballads. Their self-titled debut album was released in 1972 followed by Styx II, The Serpent Is Rising and Man of Miracles. And while the albums helped them to build a substantial following locally, Styx failed to break through to the mainstream until a track from their second album, "Lady" started to get substantial airplay in 1974. After the song was issued as a single nationwide, it quickly shot to #6 on the singles chart as Styx II was certified gold. Guitarist Tommy Shaw then joined in 1975 and proved to be the missing piece of the puzzle for the band as most of their subsequent releases throughout the late 70’s earned at least platinum certification and produced such hit singles as "Come Sail Away", "Renegade", "Blue Collar Man" and "Fooling Yourself”. Styx then became one of North America’s top rock acts due to such big hit singles as "Too Much Time on My Hands". It also marked the first time in history that a band released four consecutive triple-platinum albums. A career-encompassing live album, Caught in the Act was issued in 1984 before Styx went on hiatus with the majority of its members pursuing solo projects throughout the remainder of the decade. -
Music for a New Day Artist Bio
Music for a New Day Artist bio Fariba Davody: Fariba Davody is a musician, vocalist, and teacher who first captured public eye performing classical Persian songs in Iran, and donating her proceeds from her show. She performed a lot of concerts and festivals such as the concert in Agha khan museum in 2016 in Toronto , concerts with Kiya Tabassian in Halifax and Montreal, and Tirgan festival in 2017, 2018, 2019, and 2021 in Toronto. Fariba opened a Canadian branch of Avaye Mehr music and art school where she continues to teach. Raphael Weinroth-Browne: Canadian cellist and composer Raphael Weinroth- Browne has forged a uniQue career and international reputation as a result of his musical creativity and versatility. Not confined to a single genre or project, his musical activities encompass a multitude of styles and combine influences from contemporary classical, Middle Eastern, and progressive metal music. His groundbreaking duo, The Visit, has played major festivals such as Wave Gotik Treffen (Germany), 21C (Canada), and the Cello Biennale Amsterdam (Netherlands). As one half of East-meets-West ensemble Kamancello, he composed “Convergence Suite,” a double concerto which the duo performed with the Windsor Symphony Orchestra to a sold out audience. Raphael's cello is featured prominently on the latest two albums from Norwegian progressive metal band Leprous; he has played over 150 shows with them in Europe, North America, and the Middle East. Raphael has played on over 100 studio albums including the Juno Award-winning Woods 5: Grey Skies & Electric Light (Woods of Ypres) and Juno-nominated UpfRONt (Ron Davis’ SymphRONica) - both of which feature his own compositions/arrangements - as well as the Juno-nominated Ayre Live (Miriam Khalil & Against The Grain Ensemble). -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
New Entry of Record Labels in the Music Industry
Start Me Up: New Entry of Record Labels in the Music Industry Master Thesis MSc Business Administration Management and Entrepreneurship in the Creative Industries Faculty of Economics and Business, Amsterdam Business School Myra Alice Wilhelmina Ruers - 11903929 Supervisor: Dr. M. Piazzai 21st of June 2018 Statement of Originality This document is written by Student Myra Ruers, who declares to take full responsibility for the contents of this document. I declare that the text and the work presented in this document is original and that no sources other than those mentioned in the text and its references have been used in creating it. The Faculty of Economics and Business is responsible solely for the supervision of completion of the work, not for the contents. 2 Abstract The music industry is extremely vibrant, diverse, and inherently uncertain. Record labels are the main intermediaries in this industry, facilitating the connection between the creative input from musicians and the demand from the consumers. Due to many technological advancements, the barriers to entry have decreased significantly, hence making it easier to enter this industry as a new record label. Additionally, strategic integration options allow existing firms to start new ventures by acquiring or initiating subsidiaries. This research focuses on the multiple modes through which new entry can be commenced. These entry modes all have their own characteristics and consequences for the configurations of the industry. The likelihood of entry, the subsequent performance of new record labels, and the effects on the diversity of the output are the main topics that are explored. In this study, databases storing longitudinal information on musical releases are used to compile a dataset with the necessary information on new record labels. -
CONGRESSIONAL RECORD— Extensions of Remarks E1406 HON
E1406 CONGRESSIONAL RECORD — Extensions of Remarks July 22, 2010 the last four decades. Through their live per- of the World. On April 29–30, 2011, the eyes including hosting a historic meeting of nearly formances and the music and songs still of the barbeque world will be focused on Lex- 500 tribal leaders last year and President played on radio stations around the world ington as it hosts the Inaugural BBQ Capital Obama’s issuance of an Executive Order on every day, the members of Lynyrd Skynyrd Cook-off. Consultation and Coordination with Tribal Gov- have established themselves as timeless art- The Cook-off, which hopes to become an ernments. Yet, as U.S. Ambassador to the ists who transcend any one musical era or annual competition, will not only feature the United Nations Susan Rice has said, ‘‘far generation. tastiest food in the world, but will aid in the more must be done—at home and abroad—to As validated by their induction into the Rock restoration of downtown Lexington. With peo- tackle’’ the challenges facing indigenous peo- and Roll Hall of Fame in 2006, Lynyrd ple coming from all over the east coast and ples. Skynyrd has had a seminal impact on the de- midwest, hotels will be utilized, food will be The Declaration on the Rights of Indigenous velopment of rock and country music and a eaten, gas will be pumped, and most impor- Peoples provides an important framework for profound influence on the career development tantly, people from all over the United States addressing indigenous issues globally. -
FOR IMMEDIATE RELEASE 2008 Last Fling Announces Dennis
FOR IMMEDIATE RELEASE 2008 Last Fling Announces Dennis DeYoung and the Doobie Brothers, Friday and Saturday Night Headliners NAPERVILLE, Ill. – June 3, 2008 – This Labor Day weekend Rotary Hill, in Naperville, will be filled with the unique musical stylings of the Doobie Brothers and Dennis DeYoung. Dennis DeYoung, former lead singer of Styx, takes the Last Fling main stage on Friday, August 29, at 8 p.m. and will play the music of Styx. DeYoung is a Chicago native and a founding member of the famous rock group. DeYoung wrote eight of their nine top ten singles. Styx sold 35 million albums worldwide and was the only band to ever record four consecutive triple platinum albums. For more than four decades, DeYoung has been a singer, songwriter, keyboardist and record producer. He wrote and sang several classics including: “Lady”, “Come Sail Away”, “Best of Times”, “Mr. Roboto”, “Show Me the Way”, “Desert Moon”, “Don't Let It End”, and the 1979 Peoples Choice Award winner, “Babe”. DeYoung has also recorded seven solo albums including “Desert Moon”, whose title track achieved top ten status. “Dennis has a huge catalog of hits and is among Chicagoland’s most relevant artists, both in the past and currently,” says John Wrona, Last Fling co-executive director. The Doobie Brothers perform at the Last Fling on Saturday August 30, at 8 p.m. on the main stage. Over the years, The Doobie Brothers’ music has evolved from a country/blues base into a sound emphasizing everything from R&B and Jazz elements, from guitar fueled rockers like “China Grove” and “Long Train Running,” to the folky chart topper “Black Water.” Other hits include “Listen to the Music” and “Rockin’ Down the Highway.” Combined with their consistent appeal on the road, the Doobies have earned a fanatical loyalty for their high-energy shows, and are truly one of America's most loved rock and roll bands.