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The Language of Gitanjali: the Paradoxical Matrix Dr Sukriti Ghosal Principal MUC Women’S College Burdwan, West Bengal India
www.the-criterion.com The Criterion: An International Journal in English ISSN 0976-8165 The Language of Gitanjali: the Paradoxical Matrix Dr Sukriti Ghosal Principal MUC Women’s College Burdwan, West Bengal India In his essay the ‘The Imagination’ I. A. Richards points out that in a poem impulses are organized by a poet in two ways -- by exclusion and by inclusion. In the structure of poems where impulses are organized by inclusion one comes across a unique ‘equilibrium of opposed impulses’ (197), a gift of the poetic imagination. Paradox is one of the verbal manifestations of this singular balance of heterogeneous impulses. As ordinary language is generally marked by what Shklovsky calls habitualization (12), the contradiction inherent in a paradox belies our expectations and comes to us at first as a shock. But as we probe deeper and look at the expression from a new angle, the familiar semantic horizon of the words used gets extended resolving in the process all apparent contradictions. This is what Cleanth Brooks theorizes as the ‘disruptive’ function of the language of literature: The tendency of science is necessarily to stabilize terms, to freeze them into fixed denotations; the poet’s tendency is by contrast disruptive. The terms are continually modifying each other, and thus violating their dictionary meanings. (9) When Eliot writes ‘April is the cruellest month’(51) we feel bewildered because the line rudely shakes all positive bliss and grace associated with the first month of the spring. Gradually as we take into account the story of the Fisher King of the fertility myth, we discover the truth embedded in the paradox. -
E-Digest on Ambedkar's Appropriation by Hindutva Ideology
Ambedkar’s Appropriation by Hindutva Ideology An E-Digest Compiled by Ram Puniyani (For Private Circulation) Center for Study of Society and Secularism & All India Secular Forum 602 & 603, New Silver Star, Behind BEST Bus Depot, Santacruz (E), Mumbai: - 400 055. E-mail: [email protected], www.csss-isla.com Page | 1 E-Digest - Ambedkar’s Appropriation by Hindutva Ideology Preface Many a debates are raging in various circles related to Ambedkar’s ideology. On one hand the RSS combine has been very active to prove that RSS ideology is close to Ambedkar’s ideology. In this direction RSS mouth pieces Organizer (English) and Panchjanya (Hindi) brought out special supplements on the occasion of anniversary of Ambedkar, praising him. This is very surprising as RSS is for Hindu nation while Ambedkar has pointed out that Hindu Raj will be the biggest calamity for dalits. The second debate is about Ambedkar-Gandhi. This came to forefront with Arundhati Roy’s introduction to Ambedkar’s ‘Annihilation of Caste’ published by Navayana. In her introduction ‘Doctor and the Saint’ Roy is critical of Gandhi’s various ideas. This digest brings together some of the essays and articles by various scholars-activists on the theme. Hope this will help us clarify the underlying issues. Ram Puniyani (All India Secular Forum) Mumbai June 2015 Page | 2 E-Digest - Ambedkar’s Appropriation by Hindutva Ideology Contents Page No. Section A Ambedkar’s Legacy and RSS Combine 1. Idolatry versus Ideology 05 By Divya Trivedi 2. Top RSS leader misquotes Ambedkar on Untouchability 09 By Vikas Pathak 3. -
Religion, Freedom and Escape of Women in African American and Indian
Koshy 1 Spice Sisters: Religion, Freedom and Escape of Women in African American and Indian Literatures A Thesis Submitted to The Faculty of the School Of Communication In Candidacy for the Degree of Master of Arts in English By Lovely Koshy 3 May 2013 Koshy 2 Liberty University School of Communication Master of Arts in English _______________________________________________________________________ Thesis Chair Date Yaw Adu-Gyamfi, Ph.D. ______________________________________________________________________ First Reader Date Mark Schmidt, Ph.D. _______________________________________________________________________ Second Reader Date Clive McClelland, Ph. D. Koshy 3 Special Thanks to . My husband, Denny Koshy, for putting up with my strange schedules, stressful days, and cheering me on My children, Jonathan, David, Ruth and Jerusalem-Rose, for providing comic relief daily My parents, who coincidentally also celebrated fifty years in the ministry, for their legacy Dr. Yaw, for hours devoted to helping me present a holistic argument Family and friends, for prayers, support, and encouragement Koshy 4 Table of Contents Introduction: Spice Sisters: Religion, Freedom and Escape of Women in African American and Indian Literatures …………………………. ………………………………………….……...5 Chapter One: Amen, Sister! Religious Matriarch in Hansberry’s A Raisin in the Sun ………..............25 Chapter Two: Spicy Women in Tagore’s Short Stories……………………………………….…....…..38 Chapter Three: Hansberry and Tagore: Spice in Social Activism………………………………………..52 Chapter Four: Savoring the Spice through Hansberry and Tagore…………………. ……………….....67 Works Cited………………………………………………………………………….…..81 Koshy 5 Introduction Spice Sisters: Religion, Freedom, and Escape of Women in African American and Indian Literatures “When the world gets ugly enough – a woman will do anything for her family.” – Mama in A Raisin in the Sun . Lorraine Hansberry and Rabindranath Tagore are two authors whose contribution to literature goes beyond their giftedness as writers. -
2348-7666; Vol.3, Issue-7(4), July, 2016 Impact Factor: 3.656; Email: [email protected]
International Journal of Academic Research ISSN: 2348-7666; Vol.3, Issue-7(4), July, 2016 Impact Factor: 3.656; Email: [email protected] In-charge of English Department, Ideal College of Arts & Sciences (A), Kakinada It may not be hyperbolic to As an educationist, reformer say that there may not be such a great politician, and follower of Brahmo Samaj, man as Tagore. Just two points are worth he assimilated the best in the oriental enough to mention here. He was the tradition. fought against the bigotry and author of our National Anthem . At least inertia of conventional Hinduism. He 40 crore Indians stand up to respect the relinquished his knight hood. National Anthem, when it is sung or As a painter, Tagore struck the played on music. He was the author of golden mean between traditionalism and the National Anthem of Bangladesh also. impressionism. “Genuinely original, There also a good number of people genuinely native”. Again, as a musician respect their National Anthem by he established a pleasing synthesis standing in attention. What else would between classical and light music, the dead soul requires to be joyous, if at Rabidra Sangeet will enjoy eternal youth. all we have belief on soul. As a dramatist, he started with verse- Above all he was the first Asian plays and ended with dance drama. He to receive the Noble Prize for English was also an actor. literature in 1913. The writing of Tagore began his poetic career at Gitanjali, written in a foreign language the age of eight and continued it until the was preferred to the writings of even the last day of his eventful life. -
The Imperial and the Colonized Women's Viewing of the 'Other'
Gazing across the Divide in the Days of the Raj: The Imperial and the Colonized Women’s Viewing of the ‘Other’ Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg Vorgelegt von Sukla Chatterjee Erstgutachter: Prof. Dr. Hans Harder Zweitgutachter: Prof. Dr. Benjamin Zachariah Heidelberg, 01.04.2016 Abstract This project investigates the crucial moment of social transformation of the colonized Bengali society in the nineteenth century, when Bengali women and their bodies were being used as the site of interaction for colonial, social, political, and cultural forces, subsequently giving birth to the ‘new woman.’ What did the ‘new woman’ think about themselves, their colonial counterparts, and where did they see themselves in the newly reordered Bengali society, are some of the crucial questions this thesis answers. Both colonial and colonized women have been secondary stakeholders of colonialism and due to the power asymmetry, colonial woman have found themselves in a relatively advantageous position to form perspectives and generate voluminous discourse on the colonized women. The research uses that as the point of departure and tries to shed light on the other side of the divide, where Bengali women use the residual freedom and colonial reforms to hone their gaze and form their perspectives on their western counterparts. Each chapter of the thesis deals with a particular aspect of the colonized women’s literary representation of the ‘other’. The first chapter on Krishnabhabini Das’ travelogue, A Bengali Woman in England (1885), makes a comparative ethnographic analysis of Bengal and England, to provide the recipe for a utopian society, which Bengal should strive to become. -
Tagore's Song Offerings: a Study on Beauty and Eternity
Everant.in/index.php/sshj Survey Report Social Science and Humanities Journal Tagore’s Song Offerings: A Study on Beauty and Eternity Dr. Tinni Dutta Lecturer, Department of Psychology , Asutosh College Kolkata , India. ABSTRACT Gitanjali written by Rabindranath Tagore (and the English translation of the Corresponding Author: Bengali poems in it, written in 1921) was awarded the Novel Prize in 1913. He Dr. Tinni Dutta called it Song Offerings. Some of the songs were taken from „Naivedya‟, „Kheya‟, „Gitimalya‟ and other selections of his poem. That is, the Supreme Being is complete only together with the soul of the devetee. He makes the mere mortal infinite and chooses to do so for His own sake, this could be just could be a faint echo of the AdvaitaPhilosophy.Tagore‟s songs in Gitanjali express the distinctive method of philosophy…The poet is nothing more than a flute (merely a reed) which plays His timeless melodies . His heart overflows with happiness at His touch that is intangible Tagore‟s song in Gitanjali are analyzed in this ways - content analysis and dynamic analysis. Methodology of his present study were corroborated with earlier findings: Halder (1918), Basu (1988), Sanyal (1992) Dutta (2002).In conclusion it could be stated that Tagore‟s songs in Gitanjali are intermingled with beauty and eternity.A frequently used theme in Tagore‟s poetry, is repeated in the song,„Tumiaamaydekechhilechhutir‟„When the day of fulfillment came I knew nothing for I was absent –minded‟, He mourns the loss. This strain of thinking is found also in an exquisite poem written in old age. -
IP Tagore Issue
Vol 24 No. 2/2010 ISSN 0970 5074 IndiaVOL 24 NO. 2/2010 Perspectives Six zoomorphic forms in a line, exhibited in Paris, 1930 Editor Navdeep Suri Guest Editor Udaya Narayana Singh Director, Rabindra Bhavana, Visva-Bharati Assistant Editor Neelu Rohra India Perspectives is published in Arabic, Bahasa Indonesia, Bengali, English, French, German, Hindi, Italian, Pashto, Persian, Portuguese, Russian, Sinhala, Spanish, Tamil and Urdu. Views expressed in the articles are those of the contributors and not necessarily of India Perspectives. All original articles, other than reprints published in India Perspectives, may be freely reproduced with acknowledgement. Editorial contributions and letters should be addressed to the Editor, India Perspectives, 140 ‘A’ Wing, Shastri Bhawan, New Delhi-110001. Telephones: +91-11-23389471, 23388873, Fax: +91-11-23385549 E-mail: [email protected], Website: http://www.meaindia.nic.in For obtaining a copy of India Perspectives, please contact the Indian Diplomatic Mission in your country. This edition is published for the Ministry of External Affairs, New Delhi by Navdeep Suri, Joint Secretary, Public Diplomacy Division. Designed and printed by Ajanta Offset & Packagings Ltd., Delhi-110052. (1861-1941) Editorial In this Special Issue we pay tribute to one of India’s greatest sons As a philosopher, Tagore sought to balance his passion for – Rabindranath Tagore. As the world gets ready to celebrate India’s freedom struggle with his belief in universal humanism the 150th year of Tagore, India Perspectives takes the lead in and his apprehensions about the excesses of nationalism. He putting together a collection of essays that will give our readers could relinquish his knighthood to protest against the barbarism a unique insight into the myriad facets of this truly remarkable of the Jallianwala Bagh massacre in Amritsar in 1919. -
TIWARI-DISSERTATION-2014.Pdf
Copyright by Bhavya Tiwari 2014 The Dissertation Committee for Bhavya Tiwari Certifies that this is the approved version of the following dissertation: Beyond English: Translating Modernism in the Global South Committee: Elizabeth Richmond-Garza, Supervisor David Damrosch Martha Ann Selby Cesar Salgado Hannah Wojciehowski Beyond English: Translating Modernism in the Global South by Bhavya Tiwari, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Dedication ~ For my mother ~ Acknowledgements Nothing is ever accomplished alone. This project would not have been possible without the organic support of my committee. I am specifically thankful to my supervisor, Elizabeth Richmond-Garza, for giving me the freedom to explore ideas at my own pace, and for reminding me to pause when my thoughts would become restless. A pause is as important as movement in the journey of a thought. I am thankful to Martha Ann Selby for suggesting me to subhead sections in the dissertation. What a world of difference subheadings make! I am grateful for all the conversations I had with Cesar Salgado in our classes on Transcolonial Joyce, Literary Theory, and beyond. I am also very thankful to Michael Johnson and Hannah Chapelle Wojciehowski for patiently listening to me in Boston and Austin over luncheons and dinners respectively. I am forever indebted to David Damrosch for continuing to read all my drafts since February 2007. I am very glad that our paths crossed in Kali’s Kolkata. -
Htts-Newsletter-Fina
WINTER 2012 Bhakti patra First Hindu Temple in White Plains coming soon! A group of dedicated and determined Hindu citizens of our community have come together with a vision and a dream of building a unifying monument to our traditions – right here in the heart of Westchester! This dream Hindu Temple of Tristates has grown to reality and has culminated in the purchase of a Bhoomi Pooja pristine parcel of land to construct Westchester dignitaries applaud and welcome the Hindu Temple of Tristates. The property, located at our temple in Westchester! rd 390 North Street in White Plains is Saturday, October 23 was a very momentous day for all Hindus 1.75 acres of flat landscaped land in Westchester! The Trustees of the Hindu Temple of Tristates that is already zoned for religious along with more than 70 dedicated volunteers organized the buildings. Bhoomi Pooja for land, which will be the home of our Temple. The occasion was graced by more than 500 people! Dignitaries that included Hon. Mayor Amicone of Yonkers, County Executive Robert Astorino, Hon. Mayor Tom M. Roach of White Plains, Mayor Joseph Delfino, and many others attended the Pooja and applauded and welcomed the addition of this monument in the heart of Westchester. Mayor Amicone and County Exec. Robert Astorino also presented the Trustees with Proclamations commemorating the occasion! Visit our Facebook page at: http://www.facebook.com/pages/Hindu-Temple-of- Tristates/207947092572092 to view the proclamations and photographs from this day. WINTER 2012 BHAKTIBhakti PATRApatra WINTER 2012 LEAVE A LEGACY FOR YOUR LOVED ONES! Please complete the above form along with a check made out to “Hindu Temple of Tristates” and mail to 77 Knollwood Rd., White Plains, NY 10607. -
Dus Mahavidyas
Newsletter Archives www.dollsofindia.com Rabindranath Tagore – A Beacon of Light Copyright © 2011, DollsofIndia Jeebono Jokhon Shukaey Jaey When the heart is hard and parched up Korunadharaey Esho come upon me with a shower of mercy. Shokolo Madhuri Lukaey Jaey When grace is lost from life Geetoshudharoshe Esho come with a burst of song. Kormo Jokhon Probolo Aakar When tumultuous work raises its din Goroji Uthiya Dhake Chari Dhar on all sides shutting me out from beyond, Hridoyprante, Hey Jibononath come to me, my lord of silence Shanto Chorone Esho with thy peace and rest. Aaponare Jobe Koriya Kripon When my beggarly heart sits crouched Kone Pore Thake Deenohino Mon shut up in a corner, Duraar Khuliya, Hey Udaaro Nath break open the door, my king Raajoshomarohe Esho and come with the ceremony of a king Bashona Jokhon Bipulo Dhulaey When desire blinds the mind Ondho Koriya Obodhe Bhulaey with delusion and dust Ohe Pobitro, Ohey Onidro O thou holy one, thou wakeful Rudro Aaloke Esho come with thy light and thy thunder - a poem from the collection - Transalated by Rabindranath Tagore "Gitanjali" Original writing of Rabindranath Tagore Courtesy Gitabitan.net This song was sung by Rabindranath Tagore for Mahatma Gandhi, on September 26, 1932, right after Gandhi broke his fast unto death, undertaken to force the colonial British Government to abjure its decision of separation of the lower castes as an electorate in India. Tagore was and will remain one of the greatest poets and philosophers the world has ever seen. His contribution to Indian literature, music, arts and drama endeared him not only to Bengalis but to Indians and the world at large. -
Unit 10: Dalit Movement
Unit 10 Dalit Movement UNIT 10: DALIT MOVEMENT UNIT STRUCTURE 10.1 Learning Objectives 10.2 Introduction 10.3 Conceptualizing the term ‘Dalit’ 10.4 Dalit Movement: Emergence, Causes, Objectives 10.5 Dalit Movement: Issues, leadership and implications 10.6 Let Us Sum Up 10.7 Further Reading 10.8 Answers to Check Your Progress 10.9 Model Questions 10.1 LEARNING OBJECTIVES After going through this unit, you will be able to- l Obtain an overall understanding about the Dalit movement in India, l Know the primary causes, rise, issues, leadership and implications of the Dalit movement in India. 10.2 INTRODUCTION Social movements of different kinds and nature emerge due to issues and problems faced by the society. The Dalit movement emerged owing to specific social hurdles faced by particularly the so-called Dalit community of the country. In this unit, emphasis shall be laid on a holistic understanding of the idea of Dalit movements in India. 10.3 CONCEPTUALIZING THE TERM ‘DALIT’ The term “Dalit” is considered to have been derived from Sanskrit. The term in its simplest form implies “crushed”, or “broken to pieces”. Historically it is believed that the term was first used by Jyotirao Phule in the 19th century, in the milieu of the subjugation met by the former “untouchable” 116 Social Movements Dalit Movement Unit 10 castes among the Hindus. Mahatma Gandhi espoused the expression “Harijan,” (when loosely translated the term implies “Children of God”), to locate the former castaways. As per the Indian Constitution, the Dalits are the people who are listed in the schedule caste category. -
Visva-Bharati, Santiniketan Title Accno Language Author / Script Folios DVD Remarks
www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks CF, All letters to A 1 Bengali Many Others 75 RBVB_042 Rabindranath Tagore Vol-A, Corrected, English tr. A Flight of Wild Geese 66 English Typed 112 RBVB_006 By K.C. Sen A Flight of Wild Geese 338 English Typed 107 RBVB_024 Vol-A A poems by Dwijendranath to Satyendranath and Dwijendranath Jyotirindranath while 431(B) Bengali Tagore and 118 RBVB_033 Vol-A, presenting a copy of Printed Swapnaprayana to them A poems in English ('This 397(xiv Rabindranath English 1 RBVB_029 Vol-A, great utterance...') ) Tagore A song from Tapati and Rabindranath 397(ix) Bengali 1.5 RBVB_029 Vol-A, stage directions Tagore A. Perumal Collection 214 English A. Perumal ? 102 RBVB_101 CF, All letters to AA 83 Bengali Many others 14 RBVB_043 Rabindranath Tagore Aakas Pradeep 466 Bengali Rabindranath 61 RBVB_036 Vol-A, Tagore and 1 www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks Sudhir Chandra Kar Aakas Pradeep, Chitra- Bichitra, Nabajatak, Sudhir Vol-A, corrected by 263 Bengali 40 RBVB_018 Parisesh, Prahasinee, Chandra Kar Rabindranath Tagore Sanai, and others Indira Devi Bengali & Choudhurani, Aamar Katha 409 73 RBVB_029 Vol-A, English Unknown, & printed Indira Devi Aanarkali 401(A) Bengali Choudhurani 37 RBVB_029 Vol-A, & Unknown Indira Devi Aanarkali 401(B) Bengali Choudhurani 72 RBVB_029 Vol-A, & Unknown Aarogya, Geetabitan, 262 Bengali Sudhir 72 RBVB_018 Vol-A, corrected by Chhelebele-fef. Rabindra- Chandra