DOCSLIB.ORG

Ghosting-Playbill Final-Draft.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ghosting-Playbill Final-Draft.Pdf IRISH REPERTORY THEATRE Written by Jamie Beamish and Anne O’Riordan Starring Anne O’Riordan Directed for streaming by Jamie Beamish A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN Irish Repertory Theatre Presents A Theatre Royal, Waterford and Throwin Shapes Production GHOSTING WRITTEN BY ANNE O'RIORDAN AND JAMIE BEAMISH DIRECTED FOR LIVESTREAM BY JAMIE BEAMISH STARRING ANNE O'RIORDAN ORIGINALLY DIRECTED FOR THE STAGE BY AIDAN KELLY original music, sound, lighting design live video editing by press representatives general manager & projections DERMOT SEÁN MATT ROSS LISA JAMIE QUINN O'SULLIVAN PUBLIC RELATIONS FANE BEAMISH TIME & PLACE Present Day London, UK Waterford, Ireland Running Time: One hour, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank the Howard Gilman Foundation. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST ANNE O'RIORDAN (Síle, West End, Edinburgh Fringe, Theatre Playwright) Anne trained Royal Waterford, Belfast Baby Grand at the Royal Central & German Tour), Ghosting with Anne School of Speech and O’ Riordan (Katzpace, London and Drama, London. Theatre Theatre Royal, Waterford) and the credits include: King Lear forthcoming play The Horrors. Jamie (Theatre Royal, Waterford), Ghosting has worked as sound designer and (Katzpace London & Theatre Royal, composer on numerous theatrical Waterford), I and You (GEST), The productions and wrote original Lonesome West (Royal Court, songs for the TNT series "WILL". Liverpool), The Wonderful Wizard of Acting incl: The Beaux’ Stratagem Oz (Octagon Theatre), Gulliver’s (NT-Olivier), Othello (Shakespeare’s Travels (Octagon Theatre), Alice Globe), Merchant of Venice (Theatre in the Quarter), Fallen (Almeida), Trelawny of The Wells Angels (Frinton Summer Theatre), (Donmar), Blue Thunder (Vaults, Overshadowed (Sunday’s Child London), The Taming of The Shrew Theatre Company), The Merry Wives (Shakespeare's Globe), Stones in of Windsor (Merely Theatre), His Pockets (Tricycle Theatre), The Cinderella (Octagon Theatre), A Merchant of Venice (RSC), Macbeth Midsummer Night's Dream (Red (RSC), England People Very Nice (NT Kettle Theatre Company). Television/ - Olivier), A Slight Ache (NT - film credits include: "Call the Midwife" Lyttleton), I, Keano (Olympia Theatre, (BBC), "Doctors" (BBC), "The Clinic" Dublin), The Flags (Manchester (RTÉ), "32A" (Janey Pictures). Royal Exchange - MEN Theatre Award), Sacrifice at Easter, The JAMIE BEAMISH (Playwright, Tempest & The Last Beauty Spot Streaming Director, Original (Corcadorca, Cork), The Winter’s Tale Music, Sound Design, (Propeller - UK, Dublin, Spain, New Projections) Previous work York and China), Calico (West End), at Irish Rep: Sound & Tech Much Ado About Nothing (Peter Hall Designer, Give Me Your Co. - Bath), Midsummer Night’s Hand in the W. Scott McLucas Studio Dream, Two Gentlemen of Verona Theatre, and as a Performance on (Ian Charleson Award nomination),The Screen. Writing credits include: CAT Wind in the Willows, High Society, (The Play) with Richard Hardwick The Pirates of Penzance (all at The (Ambassadors Theatre in London’s Open Air Theatre), The Beauty Queen WHO’S WHO IN THE CAST of Leenane (York Theatre Royal), National Theatre, London and the The Wizard of Oz (Birmingham West End, including the original Rep), Carousel (Perth Rep). Film & West End production of Once the TV work includes: Nigel Berbrooke Musical. On film and TV, Aidan has in "Bridgerton" (Netflix), "HALO" worked on many shows, including (Paramount), "Derry Girls" (Channel "Call the Midwife" (BBC), "Warrior" 4), "Extra Ordinary" (Blinder Films),"WILL" (Cinemax) and the upcoming "Stay (TNT),"The Commuter (Studio Canal), Close" (Netflix). Aidan also Love, Rosie" (Constantin Film), "Pan" narrates audiobooks, with over 50 (Warner Bros.), "London Irish" (Channel titles to date. 4), "Pudsey The Movie" (Syco), "The Borgias" (Showtime), "Hanna" DERMOT QUINN (Lighting Design) (Focus Features), "Anna Karenina", has been a full-time professional "The Eagle", "Atonement" (Working artist and theatrical practitioner Title), "Robin Hood" (Universal/ for over 30 years. A founding Scott Free). member and former Artistic Director of ‘Spraoi’ Street Arts AIDAN KELLY (Original Stage Festival in Waterford, Ireland, he Director) Aidan’s directing credits is currently the Technical Manager include Rigor Mortis and Misterman at the Theatre Royal, Waterford. for Theatre Royal Waterford, as With a wide range of disciplines, well as the 24 Hour Plays for the such as Set & Prop Design, Abbey Theatre, Ireland’s National Lighting Design and Performance Theatre. As an actor, Aidan has Direction & Devising, his work has worked in New York in the original won numerous awards and has production of Howie the Rookie at enjoyed extensive media coverage. PS122, The Abbey Theatre’s Most recent works include Ghosting production of Terminus by Mark (Throwing Shapes & Theatre Royal, O’Rowe at The Public Theater and Lighting Design), The Red Iron Sebastian Barry’s The Pride of (Red Kettle Theatre Company, Set Parnell Street at 59E59. Other Design), Chitty Chitty Bang Bang theatre work includes: many (Cecilian Musical Society, Set productions with The Abbey, Druid, Design), The King Lear Review The Gate, Rough Magic and (Theatre Royal Productions, Set Fishamble, as well as The Royal and Lighting Design), A Taste of Shakespeare Company, the Becket (Theatre Royal Productions, WHO’S WHO IN THE CAST Set Design), My Real Life (Theatre Kirwan’s Rebel in the Soul, Finian’s Royal Productions, Set Design), Rainbow, The Phyllis Newman Johnny I Hardly Knew Ya (Garter Women’s Health Initiative gala, Lane Productions, Set Design). Truman Capote’s A Christmas Memory, and Juno and the Paycock SEÁN O’SULLIVAN (Live Video Editor) and Dancing at Lughnasa. New York is a theatre technician in the south stage appearances include A Perfect east of Ireland and has been Ganesh, Meet Me in St. Louis, The working in the industry since 2011. Perfect Party, Morning’s at Seven, He has worked with many Irish and Private Lives (with Elizabeth Taylor European artists/companies, from and Richard Burton), and many Waterford Pantomime Society to performances with the New York Fishamble Theatre Company and is Shakespeare Festival. Ms. Moore currently deputy technical has received two Tony Award coordinator at Theatre Royal nominations, the Outer Critics Waterford. Seán also works with Circle Award, the Drama Desk Irish Street theatre company Award, the Drama League Award, “Spraoi” as a builder/maker and the Irish America Top 100 Irish creates spectacle and street theatre Award, The Eugene O’Neill Lifetime for Irish and European festivals as Achievement Award, and the 2008 well as for the annual Spraoi festival. Irish Women Of The Year Award. She is the recipient of the St. Patrick’s CHARLOTTE MOORE (Artistic Director) Committee in Holyoke’s John F. Recent directing assignments Kennedy National Award, and has include: Meet Me in St. Louis: A thrice been listed as one of the “Top Performance on Screen, Love Noël: A 50 Power Women” in Irish America Performance on Screen, Molly Magazine. Charlotte was named Sweeney: A Performance on Screen, “Director of the Year” by The Wall London Assurance, Love, Noël, The Street Journal in 2011. Charlotte Plough and the Stars as part of The has recently been inducted in to the O’Casey Cycle, On a Clear Day You Irish America Hall of Fame and Can See Forever, Three Small Irish been awarded the Presidential Masterpieces by W.B Yeats, Lady Distinguished Service Award for the Gregory and J.M. Synge. New York Irish Abroad, 2019 by President premiere of Brian Friel’s The Home Michael D. Higgins. Place, World premiere of Larry CIARÁN O’REILLY (Producing WHO’S WHO IN THE CAST Director) Favorite directing credits been awarded the Presidential include: A Touch Of The Poet: A Distinguished Service Award for Performance on Screen, The Weir: A the Irish Abroad, 2019 by President Performance on Screen, Lady G: Michael D. Higgins. Plays and Whisperings of Lady Gregory, Dublin Carol, The Shadow IRISH REPERTORY THEATRE Founded by of a Gunman, The Seafarer, The Ciarán O’Reilly and Charlotte Moore, Dead, 1904, Shining City, Off the Irish Repertory Theatre opened its doors Meter, On the Record, The Weir with Sean O’Casey’s The Plough and the (Calloway Nom.), Banished Children Stars and is now in its 32nd Season. of Eve, The Emperor Jones, Irish Rep is currently the only year-round (Callaway Award, O’Neill Credo theatre company in North America Award, Drama Desk, Drama League, devoted to bringing Irish and Irish- and Lucille Lortel Nom.), The Hairy American works to the stage. Recognized Ape (Drama Desk Drama League with the Jujamcyn Theatres Award, a and Callaway Nom.), Philadelphia, special Drama Desk Award for Here I Come! (Drama Desk Nom). “Excellence in Presenting Distinguished Irish Rep acting roles include Da, Irish Drama,” the Lucille Lortel Award for Juno and the Paycock, Dancing at “Outstanding Body of Work,” and a 2013 Lughnasa, Molly Sweeney, Candida, Outer Critics Circle Special Achievement Aristocrats, A Whistle in the Dark, Award in recognition of 25 years of The Shaughraun, and The Irish and producing outstanding theatre. Irish How They Got That Way. He appeared Rep presents the very best in Irish in the Roundabout Theatre theatre, from the masters to the new Company’s production of A Touch generation of Irish and Irish-American of the Poet with Gabriel Byrne. He writers who are transforming the stage. has appeared at the Abbey Theatre Located in the heart of New York’s Off- in Dublin and made his Broadway Broadway community, Irish Rep offers debut in The Corn is Green. Films an engaging perspective on the Irish and include The Devil’s Own (starring their unique contributions to the world of Harrison Ford), “Law & Order,” “The drama.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Carol Raskin
    Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia
    [Show full text]
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end.
    [Show full text]
  • Digital Playbill
    IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC.
    [Show full text]
  • Virtual Live Auction 5 Pm on Sunday, September 20
    Virtual Live Auction 5 pm on Sunday, September 20 Auctioneer: Nick Nicholson Host: Bryan Batt 1. Join Seth Rudetsky as a Special Guest on Stars in the House Your name will be added to the roster of entertainment luminaries when you join Seth Rudetsky as a special guest on an episode of Stars in the House. Created with his husband, James Wesley, in response to the coronavirus pandemic, Stars in the House brings together music, community and education. Benefiting The Actors Fund, the daily livestream features remote performances from stars in their homes, conversing with Rudetsky and Wesley in between songs. The incredible 800 guests so far have included everyone from Annette Benning to Jon Hamm to Phillipa Soo. Don’t miss the opportunity to join for an episode and make your smashing debut as a special guest on Stars in the House. Opening bid: $500 2. Virtual Meeting with the Legendary Bernadette Peters There are few leading ladies as notably creative and compassionate as Bernadette Peters. The two-time Tony Award winner made her Broadway debut in 1967’s The Girl in the Freudian Slip. In the decades since, she’s created some of musical theater’s most memorable roles including Dot in Sunday in the Park with George and The Witch in Into the Woods. She’s a member of the Broadway Cares/Equity Fights AIDS Board of Trustees who has created memorable performances in stunning Broadway revivals, notably Annie Get Your Gun, Gypsy, Follies and, most recently, Hello Dolly!. Today, you can win a virtual meet-and-greet with this legend.
    [Show full text]
  • The Relevance of Tennessee Williams for the 21St- Century Actress
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par.
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Download Theatre
    MICHAEL GOTTLIEB • LIGHTING DESIGN (917) 796-7775 [email protected] mgld.com Member, United Scenic Artists Local 829/NABET BROADWAY Lysistrata Jones Walter Kerr Theatre Dan Knechtges Orphans (Associate LD) Gerald Schoenfeld Theatre Pat Collins, LD A Tale of Two Cities (Associate LD) Al Hirschfeld Theatre Richard Pilbrow, LD OFF-BROADWAY The Sean O’Casey Cycle (3 plays in repertory) Irish Rep Directors: Neil Pepe, Ciaran O’Reilly, Charlotte Moore (selected credits) Bill Irwin: On Beckett Irish Rep Bill Irwin Woody Sez Irish Rep Nick Corley Afterplay Irish Rep Joe Dowling James Joyce’s The Dead, 1904 American Irish Historical Society Ciaran O’Reilly Shining City (with Matthew Broderick) Irish Rep Ciaran O’Reilly Major Barbara Pearl Theatre Co. David Staller Storyville York Theatre Bill Castellino Rated P for Parenthood Westside Theatre Upstairs Jeremy Dobrish Lysistrata Jones Transport Group Dan Knechtges Signs of Life Amas Musical Theatre Jeremy Dobrish The Master Builder (with James Naughton) Irish Rep Ciaran O’Reilly Spain MCC/Lucille Lortel Theatre Jeremy Dobrish Election Day Second Stage Jeremy Dobrish Complete Works of Wm. Shakespeare (Abridged) Century Center (Prod.: Jeffrey Richards) Jeremy Dobrish The Last Session 47th Street Theatre Jim Brochu The Impostor (A. Pendleton/C. Flockhart) Workhouse Theatre John Coles S. S. Glencairn - Four Plays of the Sea Willow Cabin Theatre Company Edward Berkeley REGIONAL/TOURS Bill Irwin: On Beckett Center Theater Group, Los Angeles Bill Irwin Ruggedly Jewish (with Bob Garfield) Philadelphia Theatre Company & Tour Michael Sexton U R Star A.R.T. Oberon, Ars Nova Kenny Finkle My Fair Lady 60th Anniversary (Assoc. LD) Sydney Opera House & Australian Tour Julie Andrews, Chris Gattelli The Great American Mousical (w/R.
    [Show full text]
  • The Modernized, Streamlined Contract
    OCTOBER 2009 VOL. 81 | NO. 8 JournalNEW YORK STATE BAR ASSOCIATION The Modernized, Streamlined Contract Electronic Contracts Also in this Issue and Signatures – Redux E-Discovery Why Arbitrate? by Bran Noonan Navigating in PowerPoint 866-FUNDS- NOW Pre-Settlement Finance BESTSELLERS FROM THE NYSBA BOOKSTORE October 2009 Construction Site Personal Injury New York Lawyer’s Deskbook, NEW! Litigation — New York Labor Law Second Edition (2008–2009) The Practice of Criminal Law under §§ 200, 240(1), 241(6) (2008 Revision) WINNER OF THE ABA’S CONSTABAR AWARD the CPLR and Related Civil Procedure Perhaps no single scheme of statutory causes of action The Second Edition consists of 27 chapters, each Statutes, Fifth Edition has initiated more debate. This text provides a road covering a different area of practice that provides A book that pulls together the rules and provi- map through this at-times confusing area of law. advice within that particular area of law. PN: 4150 / Member $250 / List $325 / 2,490 pages sions of law not covered in NY’s CPL or Penal Law. Includes a summary of key case developments. PN: 40698 / Member $45 / List $55 / 206 pages PN: 4047 / Member $80 / List $110 / 480 pages New York Lawyer’s Formbook, Second Edition (2008–2009) Debt Collection and the Enforcement Medical Malpractice in New York, The Formbook is a companion volume to the Third Edition of Money Judgments, Second Edition New York Lawyer’s Deskbook and includes 21 This book provides advanced insight into many sections, each covering a different area of practice. (2008) aspects of the trial of a medical malpractice case.
    [Show full text]
  • Brian Friel, Ireland and Globalisation
    GRAAT On-Line issue #13 March 2013 Brian Friel, Ireland and Globalisation Martine Pelletier Université François-Rabelais, Tours ICD (EA 6297) The Celtic Tiger phenomenon has understandably drawn much attention in view of Ireland’s extremely rapid transformation from a traditional society with an ailing economy into a winner in the global game, all in the space of a few years during the 1990s. In his aptly named Luck and the Irish. A Brief history of Change, 1970- 2000 , Roy Foster recalls the sense of awe that many people felt as statistics accumulated, demonstrating Ireland’s sudden prosperity: Output in the decade from 1995 increased 350%, outpacing the per capita averages in the UK and the USA, personal disposable income doubled, exports increased fivefold, trade surpluses accumulated into billions, employment boomed, immigrants poured into the country. As the twentieth century reached its end, Ireland’s transformation was an established fact: the country had apparently become vastly rich. (Foster 7) Ireland could now compare favourably with the former colonial master, the United Kingdom, and with the economic superpower, the United States. Through this newly found prosperity, ghosts of the past were exorcised: “People bought into the idea that this wasn’t just an economic boom—it was a national vindication, a healing, the sense that our bad past was gone, and gone forever…” (O’Toole quoted in Nicoll). 63 Faced with such a seemingly miraculous metamorphosis, commentators could be seen to fall into two categories, the optimists and the pessimists or, as Foster calls them, “Boosters” and “Begrudgers.” Now that the global economic recession has killed the Celtic Tiger—a drop in growth of GDP from 6% in 2007 to -7.6% in 2009 leaving Ireland with a banking system in tatters, thousands of un-saleable housing units, a return to the bad old days of mass emigration 1 and double digit unemployment figures—the warnings of the begrudgers have acquired a prophetic value.
    [Show full text]
  • Press Release
    Wymer Publishing Uriah Heep A Visual Biography Martin Popoff With Kevin Julie on images Publication date: 16th April 2021 RRP: £59.99 ISBN: 978-1-912782-56-7 Hardback: 297 x 210mm, 240pp. The publication of Martin Popoff’s Uriah Heep: A Visual Biography is something of a bitter‐sweet I event given the recent news. Following the very sad loss of Lee Kerslake in September 2020, Popoff — having interviewed various band members over the past few years — was all set to conduct another interview with Ken Hensley in mid‐ November when the tragic news of Ken’s sudden departure reached Heep fans around the world. Undeterred, the decision that had already been made to immortalise Uriah Heep with a comprehensive visual biography remained. RELEASE Popoff’s celebrated and detailed timeline takes us through more than fifty years of massive rock history from this much‐loved band. From the early days with legendary front man David Byron, through the John Lawton years; the John Sloman and Pete Goalby fronted periods and from 1986 with Bernie Shaw taking centre stage; all eras are comprehensively covered. This differs from previous Uriah Heep books with the inclusion of so many previously unpublished photos, along with rare memorabilia and artefacts that makes this an indispensable addition to the vast Uriah Heep catalogue. PRESS Customers who pre‑order by 31st January can have their names printed on a dedicated fan page. For all media enquiries please contact: Gary Hibbert: [email protected] Pre-order now: https://www.wymeruk.co.uk/webshop/books/rock/uriah-heep/uriah-heep-a-visual-biography/ Wymer Publishing, Bedford, MK41 8JB, England Trade enquiries: [email protected] General enquiries: [email protected] Tel: +44 (0) 1234 326691 .
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]