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Be.Jazz: Jazz Blog 20-03-2007, 02:50 PM
be.jazz: jazz blog 20-03-2007, 02:50 PM SEARCH BLOG FLAG BLOG Next Blog» Create Blog | Sign In be.jazz can we handle this much torque? get in touch email rss Tuesday, January 16, 2007 rss for comments Come Sunday #2 - 14/01/2006@deSingel, Antwerpen specials be.myspace jazz and blogs jazz blog glossary read more ...all links... Francis Marmande encense le BJO et Philippe Catherine The King of Jazz Stewart Copeland on jazz Gilberto Gil on Intellectual Property Uncertainty Principles The Making Of a Guitar Goddess Fado Scrapes and Hisses: Extended Techniques in Improvised Music Black Theater Mosaic goes smooth you said the improvising guitarist: be.jazz has had some fine articles, but, for me, this is the finest (and most thought provoking) I�v... jacques: Great reporting Mwanji. Thanks. Tim: Wow, what an excellent post. You are in a class by yourself. mwanji: Thanks! DJA: Welcome back! Esteban Novillo: Quiero darte a conocer Las 1001 M�sicas del Jazz, un programa dedicado al Smooth Jazz y Jazz Fusion.... DJA: Karl Jannuska! He's an old friend from my McGill days. Great fucking drummer, and great guy. I actua... Oana: you'll get there. Powered by HaloScan Before leaving the house, I was quite saddened to learn of the near- simultaneous deaths of Alice Coltrane and Michael Brecker. Both were head out unfortunate surprises: I hadn't heard that Coltrane was doing poorly and thought that Brecker was getting better after his transplant and the surprise di 20. mrt-do 19. apr 2007 appearance at a Herbie Hancock concert. -
Jason Adasiewicz's Rolldown Varmint Cuneiform 2009
WHAT THE PRESS HAS SAID ABOUT: JASON ADASIEWICZ’S ROLLDOWN VARMINT CUNEIFORM 2009 Line-up: Jason Adasiewicz (vibraphone), Josh Berman (cornet), Aram Shelton (alto saxophone & clarinet), Jason Roebke (bass), Frank Rosaly (drums) “Consult the jazz vibraphone flow chart and it’s easy to connect the dots between major players from Lionel Hampton to Milt Jackson up through Bobby Hutcherson. … Chicago-based Jason Adasiewicz is a relatively new addition to the playing field…the caliber of his work so far certainly places him in a position for early consideration. Varmint continues the course set by his working ensemble Rolldown on their self-titled debut… Apt comparisons to Sixties Blue Note-era Hutcherson have been plentiful in press in describing both Adasiewicz’s sound and his spacious composing style which embraces freer interplay without abandoning an underlying allegiance to head-solos orthodoxy for too long. A closer cousin still might be …Walt Dickerson. Adasiewicz generates a similarly warm and luminous sonority with his mallets and makes regular use of his instrument’s motor to blur his clusters into vivid watercolor shades. The rest of the group is comparably equipped on the creative front with cornetist Josh Berman and alto saxophonist Aram Shelton … obvious antecedents for Shelton are Eric Dolphy and Jackie McLean… Berman has a full range of tonal effects… Bassist Jason Roebke and drummer Frank Rosaly work in keen collusion…The balance is particularly effective … … Chicago residents and visitors are fortunate… Adasiewicz and his colleagues sit well with the city’s fastest company and still have plenty to say.” - Derek Taylor, Dusted, December 2, 2009, www.dustedmagazine.com “Vibraphonist-composer Jason Adasiewicz returns to the same avant-leaning territory he staked out on Rolldown’s eponymous debut in 2008. -
The New York City Jazz Record
BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 THE NEW YORK CITY JAZZ RECORD BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 MUSICIANS OF THE YEAR ALBUMS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR LAKECIA BENJAMIN (saxophone) JUHANI AALTONEN, JONAS KULLHAMMAR, JUHANI AALTONEN, JONAS KULLHAMMAR, TIM BERNE (saxophone) CHRISTIAN MEAAS SVENDSEN, CHRISTIAN MEAAS SVENDSEN, SOLO RECORDINGS BOXED SETS UNEARTHED GEMS ILMARI HEIKINHEIMO— ILMARI HEIKINHEIMO— MATS GUSTAFSSON (saxophone) CHRIS CORSANO—Mezzaluna (Catalytic Sound) PAUL DESMOND—The Complete 1975 Toronto Recordings ART BLAKEY & THE JAZZ MESSENGERS— The Father, the Sons & The Junnu (Moserobie) The Father, the Sons & The Junnu (Moserobie) (Mosaic) Just Coolin’ (Blue Note) JAMES BRANDON LEWIS (saxophone) SIGURD HOLE—Lys / Mørke ( Light / Darkness ) (s/r) DANIEL BINGERT—Berit in Space (Moserobie) PETER EVANS—Into the Silence (More is More-Old Heaven) HERMIONE JOHNSON—Tremble (Relative Pitch) CHARLES LLOYD—8: Kindred Spirits (Live From the Lobero) ELLA FITZGERALD—The Lost Berlin Tapes (Verve) CHARLES LLOYD (saxophone) (Blue Note) LUCA T. MAI—Heavenly Guide (Trost) LONDON JAZZ COMPOSERS ORCHESTRA— COLLOCUTOR—Continuation (On The Corner) FIRE! ORCHESTRA—Actions (Rune Grammofon) MODERN JAZZ QUINTET KARLSRUHE/ That Time (Not Two) MATTHEW SHIPP—The Piano Equation (Tao Forms) FOUR MEN ONLY—Complete Recordings (NoBusiness) CHARLES MINGUS—@ Bremen 1964 & 1975 (Sunnyside) ANDREA KELLER—Journey Home (s/r) DAVID KRAKAUER/KATHLEEN TAGG— UP-AND-COMERS OF THE YEAR CHARLIE PARKER—The Mercury & Clef 10-Inch LP ALAN WAKEMAN—The Octet Broadcasts (1969 and 1979) Breath & Hammer (Table Pounding) Collection (Verve) EMMET COHEN (piano) JON-ERIK KELLSO—Sweet Fruits Salty Roots (Jazzology) LATIN RELEASES (Gearbox) CHARLES LLOYD VARIOUS ARTISTS—Not Two.. -
Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms
FOR IMMEDIATE RELEASE Media Contact: March 19, 2014 Casey De La Rosa 310.360.1981 [email protected] Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms First ‘Sundance Institute Episodic Story Lab’ to Be Held in Fall 2014 at the Sundance Resort, with Norman and Lyn Lear as Founding Supporters Los Angeles, CA — Sundance Institute today announced a significant expansion of its renowned labs for independent artists to include dedicated support for writers and creators of series for television and online platforms. The first Sundance Institute Episodic Story Lab will be held in Fall 2014 at the Sundance Resort in Sundance, Utah. Building on the Institute’s 30-year legacy of developing new work from storytellers with distinctive and risk-taking stories, this new initiative addresses the need for more opportunities for learning and mentorship of singular and diverse voices in scripted TV and online series. In collaboration with accomplished mentors, writers at the six-day, immersive Episodic Story Lab will work on developing stories and characters that play out over multiple episodes and will also have the opportunity to better understand the landscape for production and distribution of serialized stories. Both drama and comedy writing will be supported at the Lab, which has been organized under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program. The Lab is made possible by generous support and guidance from television producer Norman Lear and his wife, Institute Trustee Lyn Lear. The Institute cites the growth of great writing and bold content in recent years as inspiration for the Lab. -
Indie Exclusive Silver Vinyl
OHMME PARTS RELEASE DATE : August 24, 2018 CATALOG # : JNR268 LP UPC: 714270692963 AVAILABLE FORMATS : LP-C1 / CD GENRE : Indie / Alternative BOX LOT QUANTITY : 20 LP / 30 CD LP-C1 UPC: 714270692673 PACKAGING : JACKET / WALLET INDIE EXCLUSIVE SILVER VINYL VINYL INCLUDES DOWNLOAD NON-EXPORTABLE. VINYL NON-RETURNABLE. CD UPC: 714270692666 TRACK LISTING : OVERVIEW : 1 Icon 3:17 Already celebrated as the “Heart of Chicago’s Music Community” (Noisey) by both fans and tastemakers alike, OHMME (aka the duo of Sima Cunningham and Macie Stewart) amalgamate 2 Grandmother 5:17 the aggressive and the meditative on their bold debut full-length album, Parts. 3 Parts 5:01 The duo are multi-instrumentalist, singer-songwriters with a special penchant for two 4 Water 2:31 instruments in particular. "Well the band started because we knew we could sing well together 5 Liquor Cabinet 3:50 we wanted to make some noise with the guitar,” says Cunningham. Elaborating, Stewart finishes, “Sima and I are both trained classical pianists and we know many of the sonic spaces 6 Peach 2:54 keyboards have to offer. Since we were interested in experimenting and creating something 7 Sentient Beings 5:28 different from what we had both done in the past, we chose guitar as our outlet for this band. We wanted to create parameters for ourselves that were both new and uncomfortable to 8 Left Handed 4:31 force ourselves into a different creative space.” These guitar-heavy experiments are 9 Walk Me 5:28 sometimes earthy and resounding, at other times shimmering and buzzing—swirling around the duo's expertly crafted vocals while creating a chaotic bed of harmony. -
Unbecoming Adults: Adolescence and the Technologies of Difference in Post
Unbecoming Adults: Adolescence and the Technologies of Difference in Post-1960s US Ethnic Literature and Culture DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James K. Harris, M.A. Graduate Program in English The Ohio State University 2017 Dissertation Committee: Dr. Martin Joseph Ponce, Advisor Dr. Lynn Itagaki Dr. Jian Chen Copyright by James K. Harris 2017 Abstract Adolescence has always been a cultural construction. The designation of a separate space apart from the presumed innocence of childhood and the myths of autonomy and responsibility that come to define adulthood is a surprisingly modern phenomenon. As such, adolescence bears the traces of the ideologies of race, gender, sexuality, and nation that attend so much of the period that calls itself “modernity.” My dissertation asks how writers and artists of color imagine themselves into the archive of coming of age narratives in post-1960s US literature and culture. In thinking about the importance of identity in the period following the advent of nominal civil rights, I offer the “long(er) civil rights movement” as a way of resisting the move to periodize the struggles through which difference has historically accrued meaning in the US nation- state. Each chapter centers around a “technology,” the academy, the body, the entertainment industry, and the internet, which is essential to the formation of adolescent identity in the post-war era, alongside a key term in the lexicon of American culture that accrues added meanings when filtered through the experience of difference. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Emerging Narrative
Emerging Narrative 25 Feature Scripts in Development Arrow Written and directed by Emily Carmichael, produced by Adam Spielberg and Josh Hetzler, cinematography by Ben Richardson. In a madcap alternate-reality Brooklyn, three science-fiction heroes face their greatest challenge yet: not saving the world anymore. (Sci- fi/Comedy) The Assumption Written and directed by Tom Quinn, produced by Steve Beal and Ellen Knechel. A young priest attempting to save his elementary school from closure becomes a local celebrity after a near-death experience. (Drama) Baby Lu Written and directed by Emily Ray Reese, produced by Tati Barrantes and Caroline Oliveira. A forbidden crush forces 13-year-old Lucinda and her mountain man father to confront her developing sexuality in a small town in Northern New Mexico. (Coming of Age) The Blandishments Written and directed by Kyle Smith. The Blandishments, a five-piece band from Indiana, weather the challenges that come with writing a hit alternative-rock song in 1993. (Comedy) Brooklyn Flee Written and directed by Alexandra Roxo, written and produced by Devon Kirkpatrick. When two girls meet online and agree to drive across country together, their impromptu adventure brings them much closer than they’d anticipated. (Comedy) Chicken Day Written by Melissa Brandt. A troublesome teenage girl must win a small town’s annual chicken competition in order to save the members of her dysfunctional family. (Drama) Cutlet Written and directed by Clay Liford, produced by Angie Meyer and Brock Williams. A road trip to an isolated farm becomes a nightmare for two siblings when they are forced to battle a mutated herd of carnivorous cattle. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Miguel Arteta on Learning How to Run a Movie Set
September 15, 2017 - Miguel Arteta is a Puerto Rican film and television director best known for his films Chuck & Buck, The Good Girl, and most recently, Beatriz at Dinner. His next film is the experimental comedy Duck Butter, starring Alia Shawkat. Here Arteta recounts the practical education he received on movie sets working with the likes of Sidney Lumet, Sydney Pollack, and Jonathan Demme. "His curiosity and the way he was just actively responding, like letting himself respond in a joyful way to people and to situations, was incredible," says Arteta of Demme. "He was directing, not controlling. He was responding. If you control it then it's going to be a boring movie. You have to respond so that you feel there's life beyond the frame. The audience feels like they're coming on an exploration with you." As told to Charlie Sextro, 3025 words. Tags: Film, Process, Collaboration, Beginnings, Education. Miguel Arteta on learning how to run a movie set Did you have much experience on set before you started directing? I did. First of all, I worked on student films when I was at university, but when I moved to New York, my friend hooked me up to be a location scout for Sidney Lumet on two of his films, Q&A and Family Business. I didn’t know New York. I had to lie because they were shooting in Spanish Harlem for Q&A and I said, “Yeah, definitely. I’m Puerto Rican, I know.” My job was to drive the van to meet Timothy Hutton, star of Q&A, and Sidney at his house in the Upper East Side. -
Council District No. 13 ~
COUNCIL FILE NO. /e.l~O/Ci~ COUNCIL DISTRICT NO. 13 ~ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s). _10 E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ---'--- notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: ____} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____} Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council fEB 0 2 2012 Of the City of Los Angeles Honorable Members: C. -
THE MOST UNEXPECTED COMEDY EVER CONCEIVED. ©2010 Miramax Film Corp
THE MOST UNEXPECTED COMEDY EVER CONCEIVED. ©2010 Miramax Film Corp. All Rights Reserved. www.theswitch-movie.com CAST (in order of appearance) Wally Mars . .JASON BATEMAN Knit Hat Guy . .VICTOR PAGAN Kassie Larson . .JENNIFER ANISTON Leonard . JEFF GOLDBLUM Debbie . JULIETTE LEWIS MIRAMAX FILMS Artie . .TODD LOUISO Declan . .SCOTT ELROD and Roland . PATRICK WILSON Party Guest . REBECCA NAOMI JONES MANDATE PICTURES Roland’s Wife Jessica . KELLI BARRETT Party Guest 2 . JEREMY J . MOHLER Present Actor on Stage . WILL SWENSON Man in Theatre . .EDWARD JAMES HYLAND Pauline . CAROLINE DHAVERNAS Waiter . BRIAN PODNOS Sebastian . .THOMAS ROBINSON THE SWITCH Woman on Bus . CARMEN M . HERLIHY Girl at Pizzeria . LILY PILBALD Climbing Wall Guide . JASON JONES A BONA FIDE / ECHO FILMS Stunt Coordinators . DOUG CROSBY Production JARED BURKE Stunts DAVID JANUZZI CHASE MILLEA Directed by . .JOSH GORDON CURTIS LYONS CHRIS CENATIEMPO & WILL SPECK JON TROSKY BLAISE CORRIGAN Screenplay by . ALLAN LOEB ISABELLA CENATIEMPO SOPHIA CENATIEMPO Based on the Short Story “Baster” by . .JEFFREY EUGENIDES JOHN CORSON Produced by . ALBERT BERGER and RON YERXA Choreographer . KEITH YOUNG Executive Producers . NATHAN KAHANE JENNIFER ANISTON Production Supervisor . DAVID PRICE KRISTIN HAHN Director of Photography . .JESS HALL, BSC Post Production Supervisors . .JACK SCHUSTER Production Designer . .ADAM STOCKHAUSEN NANCY KIRHOFFER Film Editor . JOHN AXELRAD Costume Designer . KASIA WALICKA MAIMONE Art Director . .LARRY GRUBER Co-Producers . ALLAN LOEB Set Decorator . CAROL SILVERMAN BRIAN BELL KELLI KONOP A-Camera/Steadicam Operator . CRAIG HAAGENSEN MARY LEE First Assistant A-Camera . FRANK RINATO STEVEN PEARL Second Assistant A-Camera . DAVID FLANIGAN Music Supervisor . STEVEN BAKER B-Camera Operator . DAVID M . DUNLAP Music by . ALEX WURMAN First Assistant B-Camera .