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A Dangerous Summer
theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model. -
Walt Whitman: a Current Bibliography
Walt Whitman Quarterly Review http://ir.uiowa.edu/wwqr Walt Whitman: A Current Bibliography Ed Folsom Volume 28, Number 1 ( 2010) pps. 79-86 DOUBLE ISSUE Stable URL: http://ir.uiowa.edu/wwqr/vol28/iss1/10 ISSN 0737-0679 Copyright c 2010 by The University of Iowa. Walt Whitman: a Current BiBliography Banion, Kimberly Winschel. “‘these terrible 30 or 40 hours’: Washington at the Battle of Brooklyn in Whitman’s ‘the Sleepers’ and ‘Brooklyniana’ manuscripts.” Walt Whitman Quarterly Review 27 (Spring 2010), 193-212. [examines Whitman’s portrayals of george Washington in the context of other antebellum portrayals of the general and first president and argues that “what stands apart” in Whitman’s writings is “his recurring focus on Washington’s defeat at the Battle of Brooklyn and other scenes of loss as the defining moments of the future president’s and the fledgling nation’s legacy”; examines Whitman’s unpublished “Brooklyniana” manuscripts as they relate to his developing conception of Washington and as they illuminate the well-known passage in “the Sleepers” of Washington saying farewell to his troops, a scene that captures “the national narrative of defeat and eventual victory that is always tinged with a sense of loss.”] Benfey, Christopher. “the real Critter.” New York Review of Books 57 (June 24, 2010). [review of C. K. Williams, On Whitman; William C. Spenge- mann, Three American Poets: Walt Whitman, Emily Dickinson, and Herman Melville; Walt Whitman, Song of Myself and Other Poems, ed. robert hass.] Bergman, David, ed. Gay American Autobiography: Writings from Whitman to Sedaris. madison: university of Wisconsin press, 2009. -
'A True Magic Chamber': the Public Face of the Modernist Bookshop
‘A True Magic Chamber’: The Public Face of the Modernist Bookshop Andrew Thacker Modernist Cultures 11.3 (2016): 429–451 DOI: 10.3366/mod.2016.0149 © Edinburgh University Press www.euppublishing.com/loi/mod Abstract This article explores the role of bookshops in the construction of a public for modernism and analyses a number of bookshops committed to promoting modernist culture, such as those run by Sylvia Beach (Shakespeare and Company), Adrienne Monnier (La Maison des Amis des Livres), and Frances Steloff (Gotham Book Mart). It also considers how the bookshop is a fulcrum between commerce and culture, a key issue for contemporary modernist studies, and discusses aspects of bookshop culture that seem to operate ‘beyond’ the market. One example is that of We Moderns, a catalogue issued by the Gotham Book Mart in 1940 and which represents a fascinating example of the print culture of the modernist bookshop. Drawing upon the work of Mark Morrisson and Lawrence Rainey, the article also evaluates the position of the bookshop within debates around modernism and the public sphere. The Business of the Magic Chamber A member of the public strolling through Paris in the early 1920s who drifts onto the Left Bank in search of culture, might find themselves in the triangle of small streets between the grander avenues of Boulevard St. Michel and the Boulevard St. Germain in the 6th Arrondissement. These are the streets around the Sorbonne and, as such, there are many bookshops servicing the university. Thinking it might be fun to buy a book, a modern or contemporary book, they stroll up Rue de l'Odéon, across from the National Theatre, spying a likely looking bookshop and decide to enter. -
Dial M for Marianne: the Dial’S Refusals of ‘Work in Progress’
GENETIC JOYCE STUDIES – Issue 15 (Spring 2015) Dial M for Marianne: The Dial’s Refusals of ‘Work in Progress’ Ronan Crowley University of Passau Joyce was extremely anxious to introduce his heroine to readers in the United States. Aiming high, I sent her off to the Dial, hoping its editor, Marianne Moore, would find her attractive. I was glad to get word that the Dial had accepted the work, but it turned out that this was a mistake. It had come in when Miss Moore was away, and she was reluctant to publish it. The Dial didn’t back out altogether. I was told, however, that the text would have to be considerably cut down to meet the requirements of the magazine. Now Joyce might have considered the possibility of expanding a work of his, but never, of course, of whittling it down. On the other hand, I couldn’t blame the Dial for its prudence in dealing with a piece so full of rivers that they might have been overflooded at 152 West Thirteenth Street. I was sorry about ‘A.L.P.’s’ failure to make the Dial. Joyce, who was still in Belgium, was not surprised. ‘Why did you not bet with me?’ he wrote. ‘I should have won something.’ He added that he regretted the loss of a ‘strategical position’. Joyce always looked upon his Finnegans Wake as a kind of battle.1 In this characteristically muddled account, Sylvia Beach provides the canonical version of ‘Work in Progress’s’ rejection by the Dial. Implicit in her reference to rivers and the witty image of the flooded Greenwich Village office, explicit in the inclusion of its title is Beach’s conviction that at issue was the ‘Anna Livia Plurabelle’ section (I.8) of the Wake. -
The Maternal Body of James Joyce's Ulysses: the Subversive Molly Bloom
Lawrence University Lux Lawrence University Honors Projects 5-29-2019 The aM ternal Body of James Joyce's Ulysses: The Subversive Molly Bloom Arthur Moore Lawrence University Follow this and additional works at: https://lux.lawrence.edu/luhp Part of the Literature in English, British Isles Commons © Copyright is owned by the author of this document. Recommended Citation Moore, Arthur, "The aM ternal Body of James Joyce's Ulysses: The ubS versive Molly Bloom" (2019). Lawrence University Honors Projects. 138. https://lux.lawrence.edu/luhp/138 This Honors Project is brought to you for free and open access by Lux. It has been accepted for inclusion in Lawrence University Honors Projects by an authorized administrator of Lux. For more information, please contact [email protected]. THE MATERNAL BODY OF JAMES JOYCE’S ULYSSES: The Subversive Molly Bloom By Arthur Jacqueline Moore Submitted for Honors in Independent Study Spring 2019 I hereby reaffirm the Lawrence University Honor Code. Table of Contents Acknowledgements Introduction ................................................................................................................ 1 One: The Embodiment of the Maternal Character..................................................... 6 To Construct a Body within an Understanding of Male Dublin ................................................. 7 A Feminist Critical Interrogation of the Vital Fiction of Paternity ........................................... 16 Constructing the Maternal Body in Mary Dedalus and Molly Bloom ..................................... -
Shawangunk Review
Shawangunk Review State University of New York at New Paltz New Paltz, New York Volume XXVI Spring 2015 EDITORS Thomas Festa H. R. Stoneback GUEST EDITOR for the TWENTY-SIXTH ANNUAL ENGLISH GRADUATE SYMPOSIUM Thomas G. Olsen Cover art: Jason Cring TheShawangunk Review is the journal of the English Graduate Program at the State University of New York, New Paltz. The Review publishes the proceedings of the annual English Graduate Symposium and literary articles by graduate students as well as poetry and book reviews by students and faculty. The views expressed in the Shawangunk Review are those of the authors and not necessarily those of the Department of English at SUNY New Paltz. Please address correspondence to Shawangunk Review, Department of English, SUNY New Paltz, New Paltz, NY 12561. Copyright ©2015 Department of English, SUNY New Paltz. All rights reserved. Contents From the Editors I Introduction 3 Twice-Told Tales and the 2014 Graduate Thomas G. Olsen Symposium II Keynote Address 7 Disposing Shakespeare’s Estate in the Eighteenth Jack Lynch Century III Symposium Essays 19 “As Bokes Us Declare”: Intertextuality and Courtly Ian Hammons Love Conventions in Troilus and Criseyde 27 Rewriting Nature in As You Like It: Shakespeare’s Bill Kroeger Metacommentary 35 If You Worked Here You’d Be Home By Now: J. Dewey Permanence and Profession in the Forest of Arden 43 The Tempest: Appropriation of Colonial Discourse Daniel J. Pizappi and Sociopolitical Anxieties in the Caliban-Stefano- Trinculo Subplot 51 From the Screen to the Text: Rewriting Cinematic Melisa R. Walsh Beauty in Kafka’s Amerika 57 Re-visions of Madness in the Tradition of Lear Marc Cioffi 63 Luhrmann’s Postmodern Shakespeare Katie De Launay 69 Text and Not: Ian Pollock’s Graphic Novel Kelly Morehead Performance of King Lear IV Poetry 77 Thunder Snow David Appelbaum 78 Invitatory David Appelbaum 79 Pachysandra David Appelbaum 80 for Scheherazade Laurence Carr 82 a hundred iridescents Laurence Carr 83 Against Dawn Joann K. -
University of Victoria Special Collections Freund, Gisèle SC043
University of Victoria Special Collections Freund, Gisèle SC043 Title Gisèle Freund fonds Dates 1963-1966 Extent 11 cm of textual records 161 photographs Biographical Sketch Gisèle Freund was a photographer and writer who lived in Paris, France. Freund collaborated on the book "James Joyce in Paris: His Final Years" with V.B. Carleton (Verna). Scope and Content The fonds consists mainly of manuscript, correspondence, and photographs relating to the book "James Joyce in Paris: His Final Years". Included are a typescript "On Photographing Joyce" with holo. notes; Freund's photographs with a typescript list of those not included in the book; Carleton's typescript and her typescript translation of the preface; a dummy copy for the book; galley proofs; a paste up of the title page; and a few photos and sample text. Also included are: a newspaper account of the book in “Le Figaro”; a holograph preface written by Simone de Beauvoir; release letters from people included in the book, among them Henry Miller. Finding Aids File list available. Title Source Title based on the contents of the fonds. Freund, Gisèle 1997-039 Materials related to "James Joyce in Paris: His Final Years by Gisèle Freund and V.B. Carleton with a Preface by Simone de Beauvoir PR6019/O9Z5333/1965 Box 1 1.1 Private correspondence 1963-1965 relating to James Joyce in Paris, plus Freund's tss of her Joyce Homage Lecture, 1966. item #31 1.2 GF's First Notes of Text. item #2 tss. text of book item #3 tsc. GF's "On Photographing Joyce" item #4 tsc, corr. -
Salons by Robin Imhof
Salons by Robin Imhof Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Mabel Dodge Luhan Reprinted from http://www.glbtq.com (above) established a colorful salon in her Fifth Avenue Apartment in No one has disputed the significant contribution of women in the cultural history of New York City. salons, but what is often overlooked in mainstream publications on the topic is that Photograph by Carl van many of these salon hostesses and attendees were lesbian, bisexual, or gay. Vechten, April 12, 1934. Library of Congress Prints and Photographs Eighteenth- and Nineteenth-Century Parisian Salons Division. The tradition of literary gatherings began in Renaissance France and Italy, but it was in eighteenth-century Paris that the salon gained prominence for lively intellectual conversation in the fields of arts and letters. The hostesses of these events were typically women of some distinction, whether by title or personal wealth. The meetings were often referred to by the day of the week on which they were held. Topics of conversation ranged from (but were not limited to) matters of literary and social taste and, increasingly, political issues. Salon conversation was characterized by a blend of wit and oral brilliance. A notable salon hostess of eighteenth-century Paris was Madeleine de Scudéry. Famous for her "Saturdays of Sappho," she recreated salon society in her novels. What is striking about these assemblies is that they were presided over by women, a rare example of female control in a literary realm. During the nineteenth century, Paris salons became showcases for musicians such as Chopin and Liszt. -
When William Met Mary: the Rewriting of Mary Lamb's
Studia Anglica Posnaniensia 47/4, 2012 doi: 10.2478/v10121-012-0018-4 WHEN WILLIAM MET MARY: THE REWRITING OF MARY LAMB’S AND WILLIAM-HENRY IRELAND’S STORIES IN PETER ACKROYD’S THE LAMBS OF LONDON PETR CHALUPSKÝ Charles University, Prague ABSTRACT Peter Ackroyd’s London novels represent a distinctive component in his project of composing a literary-historical biography of the city. Understanding London as a multi- layered palimpsest of texts, Ackroyd adds to this ongoing process by rewriting the city’s history from new, imaginative perspectives. For this he employs approaches and strate- gies such as parody, pastiche, genre mixture, metafiction, intertextuality and an inces- sant mixing of the factual with the fictititious. The aim of this article is to explore the various ways in which he toys with historical reality and blurs the borderline between fiction and biography in The Lambs of London (2004), offering thus an alternative ren- dering of two unrelated offences connected with late eighteenth and early nineteenth century London literary circles: Mary Lamb’s matricide and William-Henry Ireland’s forgeries of the Shakespeare Papers. I had a sister – The devil kist her, And raised a blister! Charles Lamb 1. Introduction Peter Ackroyd’s most ambitious literary-historical project is to compose a biog- raphy of London, to reconstruct the city through the texts it has created, allowed to be created, incited, or inspired. Ackroyd himself admits that it is an ex- tremely difficult, if not impossible, task to accomplish, as the city is infinite and illimitable in the sense that it “goes beyond any boundary or convention. -
Walt Whitman
WALT WHITMAN THE CENTENNIAL ESSAYS THE CENTENNIAL ESSAYS WALT WHITMAN Edited by Ed Folsom Drawings by Guido Villa UNIVERSITY OF IOWA PRESS IOWA CITY University oflowa Press, Iowa City 52242 Copyright © 1994 by the University oflowa Press All rights reserved Printed in the United States of America No part of this book may be reproduced or used in any form or by any means, electronic or mechanical, including photocopying and recording, without permission in writing from the publisher. Printed on acid-free paper 01 00 99 98 97 96 95 94 c 5 4 3 2 01 00 99 98 97 96 95 94 p 5 4 3 2 Library of Congress Cataloging-in-Publication Data Walt Whitman: the Centennial essays I edited by Ed Folsom; drawings by Guido Villa. p. em. Includes bibliographical references and index. ISBN 0-87745-459-0 (cloth), ISBN 0-87745-462-0 (paper) r. Whitman, Walt, r8I9-I892-Criticism and interpretation. I. Folsom, Ed, I947- PS3238.w369 I994 8n'.3-dc20 CIP TO GAY WILSON ALLEN Dean ofWhitman Scholars Contents Acknowledgments Xl Abbreviations Xlll Introduction: "Generations Hence" XV ED FOLSOM THE LIFE: THE BIOGRAPHICAL WHITMAN Whitman Biography in 1992 3 GAY WILSON ALLEN The Binns Biography 10 JEROME LOVING Whitman: Bibliography as Biography 19 JOEL MYERSON Whitman Unperturbed: The Civil War and After 30 VIVIAN R. POLLAK THE TEXTS: ORIGINS AND STYLE The European Roots of Leaves ofGrass 51 ROGER ASSELINEAU Vlll CONTENTS "Tallying, Vocalizing All": Discourse Markers in Leaves of Grass 61 C. CARROLL HOLLIS Whitman's Physical Eloquence 68 M. JIMMIE KILLINGSWORTH Reconstructing Language in Democratic Vistas 79 JAMES PERRIN WARREN The Obfuscations of Rhetoric: Whitman and the Visionary Experience 88 ARTHUR GOLDEN THE CULTURE: POLITICS AND SEXUALITY The Body Politic in Democratic Vistas !05 HAROLD ASPIZ The Politics of Labor and the Poet's Work: A Reading of ''A Song for Occupations" 120 ALAN TRACHTENBERG Whitman and the Dreams of Labor 133 M. -
Hjem Til Bøkene
Hjem til bøkene Hvis du, som jeg, en reisende en vinterdag Fakultet for humaniora og utdanningsvitenskap Master i faglitterær skriving Mari Kildahl Juni 2015 1 INNHOLD Forord…………………………………………………………………………………………..3 Del I: Hjem til bøkene - Hvis du, som jeg, en reisende en vinterdag I.………………………………………………………………………………………………..6 BERLIN: Grønt som i løvens tid ……………………………………………………….........11 II………………………………………………………………………………………………20 KRAKOW: Med utsikt til landet som ikke lenger er…………………………………………28 III……………………………………………………………………………………………...37 PARIS: Da den gamle bokhandleren lå til sengs og så seg selv i Idioten…………………….47 IV……………………………………………………………………………………………..62 BATH: Der en bok får sin sang er en ny tid på gang…………………………………………74 V………………………………………………………………………………………………82 OSLO: Det fins et sted – fra Gallia til doktorens kontor……………………………………..88 VI……………………………………………………………………………………………..97 Litteraturliste………………………………………………………………………………...105 Sluttnoter…………………………………………………………………………………….108 Del II: Fagartikkel Innledning…………………………………………………………………………………..113 Masteroppgaven som bokmanus……………………………………………………………113 For hvem? Om målgruppe og titler…………………………………………………………114 Sjangervalg…………………………………………………………………………………117 Oppbygging…………………………………………………………………………………119 Språket og metaforene………………………………………………………………………121 Kvalitativ utforskning. Om teori og metode………………………………………………..125 Strategiene…………………………………………………………………………………..128 Erkjennelsen og autoetnografien……………………………………………………………132 Litteraturliste………………………………………………………………………………..134 2 Forord Jeg har så lenge jeg kan huske vært glad i bøker. Ikke bare glad i å lese dem, men glad i å se på dem, og lukte dem. Glad i sidene som kvitrer når de er nye og senere tykner og blir gule. Glad i min egen forventning når jeg holder en bok i hendene og ennå ikke vet hva som vil bli meg fortalt. Jeg innbiller meg at jeg også alltid har likt å være omgitt av bøker. Men alltid er nok en overdrivelse, for vi hadde få bøker hjemme da jeg var barn. På biblioteket derimot, og i bokhandelen, der kunne jeg gå meg vill blant alle bokryggene. -
By LAUREN GUNDERSON Directed by SEAN DANIELS SEAN DANIELS ELIZABETH KEGLEY ARTISTIC DIRECTOR EXECUTIVE DIRECTOR
MERRIMACK REPERTORY THEATRE 2015–16 SEASON PLAYGUIDE WALTER WHITMAN, NATIONAL BADASS: Why he’s the center of attention for I and You MEET LAUREN: One of America’s hottest playwrights spills all OCT 7 – NOV 1, 2015 SET UP FOR SUCCESS: Dreaming up a teen’s I AND YOU room for the stage by LAUREN GUNDERSON directed by SEAN DANIELS SEAN DANIELS ELIZABETH KEGLEY ARTISTIC DIRECTOR EXECUTIVE DIRECTOR IN ASSOCIATION WITH RICHARD WINKLER PRESENTS I AND YOU WRITTEN BY LAUREN GUNDERSON† FEATURING KAYLA FERGUSON REGGIE D. WHITE SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER MICHAEL CARNAHAN JENNIFER CAPRIO † BRIAN J. LILIENTHAL† SOUND DESIGNER CASTING STAGE MANAGER DAVID REMEDIOS† BINDER CASTING CASEY L. HAGWOOD JACK BOWDAN, CSA DIRECTED BY SEAN DANIELS OCTOBER 7 – NOVEMBER 1, 2015 Produced by special arrangement with Playscripts, Inc. (www.playscripts.com) PRODUCTION SPONSOR MEDIA SPONSOR Merrimack Repertory Theatre is funded in part by the Massachusetts Cultural Council, a state agency. LORT Merrimack Repertory Theatre operates under agreements between the League of Resident Theatres (LORT), Actors’ Equity League of resident theatres Association (AEA), Stage Directors and Choreographers Society (SDC) and United Scenic Artists Local (USA) USA-829, IATSE. † Member MRT Patriot program EDUCATIONAL AND COMMUNITY OUTREACH PROGRAM SUPPORTERS 3M Lowell Polish Cultural Council Aubert J. Fay Charitable Fund Linda Trudel Endowment Fund Trustees of the Ayer Home Ronald M. Ansin Foundation Bobs Discount Furniture Nathaniel & Elizabeth P. Stevens Foundation