'A True Magic Chamber': the Public Face of the Modernist Bookshop
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January 16, 1987 N.E.A
R. I. Jewish Historical Inside: Association 1 1 "Living In An Age of 1 30 S essions Street P rovide n ce , RI 02 906 Treachery And Deception," page4 ..> .. .:., . THE ONL:Y ENGLISH-JEWISH WEEKLY IN R.I. AND SOUTHEAST MASS. VOLUME LXXIV, NUMBER 6 FRIDAY. JANU ARY 16, 1987 35¢ PER COPY ADL Report: Fundamentalist And NEW YORK (JTA) - The National Conference on Sovi et Evangelical Attitudes Toward Jews Jewry (NCSJ), in its year-end NEW YORK (J T A) - The president of the Southern Baptist It wa s found that 49 percent of report, rebukes the Soviet Union results made public last week of a Convention, the Re v. Bailey those between 18 and 34 years of for "a year of dramatic, but largely nationwide survey of evangelical Smith. Only 12 percent agreed age agreed with at. least. one of the disappointing developments'1 in and fundamentalist Christian with this statemen t. anti-Semitic characterizations human ri ghts and Jewish attitudes towa rds Jews challenge Sixty-ei ght percent sa id Jews compared to 34 percent of those 55 emigration. some commonly held assumptions, are viewed by God " no differently and ove r. In an 18-page wrap-up of Soviet accord ing to the Anti-Defamation than other non-Chris tians" The survey noted a statistically moves and statements on human League of B'nai B'rith which because they have not accepted significant relationship between ri ghts, released last Thursday at a commissioned the poll. Jesus, 20 percent said they may be belief in a literal reading of the press conference in Washington, Conducted telephonically judged " more harshly" and 12 Bible and expression of one or the NCSJ assails the new policy of among a sampling of 1,000 percent were "unsure." more secular anti-Semitic views. -
Dial M for Marianne: the Dial’S Refusals of ‘Work in Progress’
GENETIC JOYCE STUDIES – Issue 15 (Spring 2015) Dial M for Marianne: The Dial’s Refusals of ‘Work in Progress’ Ronan Crowley University of Passau Joyce was extremely anxious to introduce his heroine to readers in the United States. Aiming high, I sent her off to the Dial, hoping its editor, Marianne Moore, would find her attractive. I was glad to get word that the Dial had accepted the work, but it turned out that this was a mistake. It had come in when Miss Moore was away, and she was reluctant to publish it. The Dial didn’t back out altogether. I was told, however, that the text would have to be considerably cut down to meet the requirements of the magazine. Now Joyce might have considered the possibility of expanding a work of his, but never, of course, of whittling it down. On the other hand, I couldn’t blame the Dial for its prudence in dealing with a piece so full of rivers that they might have been overflooded at 152 West Thirteenth Street. I was sorry about ‘A.L.P.’s’ failure to make the Dial. Joyce, who was still in Belgium, was not surprised. ‘Why did you not bet with me?’ he wrote. ‘I should have won something.’ He added that he regretted the loss of a ‘strategical position’. Joyce always looked upon his Finnegans Wake as a kind of battle.1 In this characteristically muddled account, Sylvia Beach provides the canonical version of ‘Work in Progress’s’ rejection by the Dial. Implicit in her reference to rivers and the witty image of the flooded Greenwich Village office, explicit in the inclusion of its title is Beach’s conviction that at issue was the ‘Anna Livia Plurabelle’ section (I.8) of the Wake. -
Why Iot Is a Marvelous Work of Art
Journal of Literature and Art Studies, January 2021, Vol. 11, No. 1, 62-70 doi: 10.17265/2159-5836/2021.01.010 D DAVID PUBLISHING Covers and Contents: Why iot is a Marvelous Work of Art Peter L. Hays University of California, Davis, USA iot (1924) was a remarkable artistic achievement. Following collages in the works of Picasso, Braque, and Gris, publisher Bill Bird created a collage of newspaper headlines on the cover of that slim volume that linked to the collage of vignettes within that Hemingway wrote. Both depicted a world losing traditional values, torn by war and despair and increasing commercialism. Subsequent Hemingway book covers by Scribners, at least until The Old Man and the Sea, emphasized sales over art and had little to do with content. Keywords: Hemingway, iot, collage, modernist art Introduction The cover of Ernest Hemingway’s 1924 in our time—behind the lower-case title, lower-case author’s name, publisher’s colophon, and lower-case press name—is a collage of newspaper snippets.1 Only 170 copies of the book survived pristine printing on handmade Rives paper, of the 300 planned, with 120 having the watermark of the paper appear under the frontispiece. 1924 was an advanced year for Cubist collages by Picasso and Braque, both of whom incorporated bits of printed material, often newspapers, into their works of art (“collage” from the French for “to glue”). Picasso’s Still Life with Chair Caning (1911-12) features imitation chaircaning on oilcloth surrounded by a frame of actual rope, and on the chair caning one can read the letters J.O.U., which can be a pun on jouer, to play, which both artists were doing with their collages. -
1 Abbey Books; #4 Richard Abel Bookseller; 1973:1, S
M-106 BOOKSELLER’S CATALOGS A & R BOOKSELLERS; #1 ABACUS BOOKSHOP; #1 ABBEY BOOKS; #4 RICHARD ABEL BOOKSELLER; 1973:1, Sale edition; 1974: 1 ABI BOOKS; #10-11, 15, 22-23, 30; Edward Gordon Craig; 1982: Early autumn, Spring, Edward Gorey; 1983: Spring ABINGTON BOOKS; 1973: Autumn ABOUT BOOKS; #3, 9-10, 61-64, 67-69 BEN ABRAHMSON’S ARGUS BOOK SHOP; #1-5, 7-12, 14-17, 20-34, Along the north wall, Along the south wall, 383, 623, 626, 969, 975, 985, 1944: Oct. HERMAN ABROMSON; #5-6, 7-10, 12 ACADEMIC BOOK COLLECTION; #9 ACADEMY BOOK SHOP; #61 PAUL ADAMS; Botany ADCO SPORTS BOOK EXCHANGE; 1808 TO DATE RICHARD ADAMIAK; #29 RICHARD H. ADELSON; 1981: Spring ; 1983: Spring ; 1992-93: Winter; 1994-95: Winter ADS AUTOGRAPHS; #1-3, 6-10, 13 ADVENTURE BOOK STORE; #1 ; 1988: Nov. AEONIAN PRESS; 1 catalog (unnumbered/undated) AESOP BOOKS; #8 CHARLES AGVENT; #2-5 AHAB RARE BOOKS; #26-27 ALASTOR RARE BOOKS; #16 EDWIN ALBERT; #1 l ALBION BOOKS; #3-4; 1979: Dec. ALCAZAR BOOK SERVICE; #51, 156 ALDREDGE BOOK STORE; #53, 87, 89-90, 114-116 ALEX ALEC-SMITH; #10, 14/16, 18 ALEPH-BET BOOKS; #3, 8-12, 14, 32, 35, 38-41, 43-45, 49, 53, 65; 2004: April 19 ALEXANDERSON & KLOSINSKI BOOKSELLERS; #1-2 ALFA ANTIQUARIAN BOOKSELLER; #79 LIBRAIRIE ALIX; #1 D.C. ALLEN; #32-33, 36, 58, 60, 62 R.R. ALLEN BOOKS; #21, 66-67, 70, 74, 79, 81-82, 84, 86, 92-96; 1996 WILLIAM H. ALLEN BOOKSELLER; #189, 206, 219, 224-225, 227-228, 231-232, 235-236, 239, 244-245, 249-251, 254-256, 259-261, 264-266, 268, 271-273, 275-276, 279-281, 283-284, 287-288, 290-291, 293- 294, 296-297, 300-301, 303-305, 307, 310-311, 313-314, 316-318, 320-321, 323-324; Special mailing 20 DUNCAN M. -
Sister Onfa: Uranian Missionary to Mesilla John Buescher
ISSN 1076-9072 SOUTHERN NEW MEXICO HISTORICAL REVIEW Pasajero del Camino Real By Doña Ana County Historical Society Volume XXVIII Las Cruces, New Mexico January 2021 Doña Ana County Historical Society Publisher Board of Directors for 2021 President: Dennis Daily Southern New Mexico Historical Review Vice President: Garland Courts Secretary: Jim Eckles Sponsors Treasurer: Dennis Fuller Historian: Sally Kading Past President: Susan Krueger Bob and Cherie Gamboa At Large Board Members Frank and Priscilla Parrish Luis Rios Robert and Alice Distlehorst Sim Middleton Jose Aranda Susan Krueger and Jesus Lopez Daniel Aguilera James and Lana Eckman Bob Gamboa Buddy Ritter Merle and Linda Osborn Frank Brito Review Editor position open - contact [email protected] Review Factotum: Jim Eckles Dylan McDonald Mildred Miles Cover Drawing by Jose Cisneros (Reproduced with permission of the artist) George Helfrich The Southern New Mexico Historical Review (ISSN-1076-9072) is looking for original articles concern- Dennis Daily ing the Southwestern Border Region. Biography, local and family histories, oral history and well-edited Nancy Baker documents are welcome. Charts, illustrations or photographs are encouraged to accompany submissions. We are also in need of book reviewers, proofreaders, and someone in marketing and distribution. Barbara Stevens Current copies of the Southern New Mexico Historical Review are available for $10. If ordering by mail, Glennis Adam please include $2.00 for postage and handling. Back issues of the print versions of the Southern New Mexico Historical Review are no longer available. However, all issues since 1994 are available at the Leslie Bergloff Historical Society’s website: http://www.donaanacountyhistsoc.org. -
Edward Gorey Phantasmagorey, 1974 Pen and Ink with Collage on Paper Collection of Clifford Ross
Edward Gorey Phantasmagorey, 1974 Pen and ink with collage on paper Collection of Clifford Ross Phantasmagorey is a play on the term “phantasmagoria” which means: “a constantly shifting, complex succession of things seen or imagined.” Like a phantasmagoria, this series of six images reveals dreamlike glimpses into Gorey’s imagination. Each vignette shows a common motif in Gorey’s work, including a ghostly femme fatale, a cat sitting atop a stack of books, and a fur-coated self-portrait. This drawing was made for an exhibition of the same name, held at the Sterling Memorial Library, Yale University, in 1974. An art student named Clifford Ross, now a contemporary artist in his own right, curated the first survey of Gorey’s work for his senior thesis. 501 Harry Benson Scottish, born 1929 Edward Gorey in His New York City Apartment with Cat, 1978 Gelatin silver print Collection of the artist Benson’s photographic portrait offers a glimpse into Gorey’s apartment in Manhattan’s Murray Hill neighborhood, where he lived from 1953 to 1983. Gorey displayed his collection of fine art—including a print by Edvard Munch and drawings by Balthus—next to found objects that he treated as works of art, such as a weathered crucifix and a needlepoint of a skull. Out and about in the city, he took in movies, theater, dance, and art exhibitions. At home, he retreated to his creative sanctuary filled with obscure books, fine art, and his beloved cats. Edvard Munch Norwegian, 1863–1944 The Woman and the Bear, 1908–9 Lithograph on wove paper mounted on wove paper Bequest of Edward Gorey, 2001.13.61 Munch created this image to illustrate his mythical story Alpha and Omega. -
University of Victoria Special Collections Freund, Gisèle SC043
University of Victoria Special Collections Freund, Gisèle SC043 Title Gisèle Freund fonds Dates 1963-1966 Extent 11 cm of textual records 161 photographs Biographical Sketch Gisèle Freund was a photographer and writer who lived in Paris, France. Freund collaborated on the book "James Joyce in Paris: His Final Years" with V.B. Carleton (Verna). Scope and Content The fonds consists mainly of manuscript, correspondence, and photographs relating to the book "James Joyce in Paris: His Final Years". Included are a typescript "On Photographing Joyce" with holo. notes; Freund's photographs with a typescript list of those not included in the book; Carleton's typescript and her typescript translation of the preface; a dummy copy for the book; galley proofs; a paste up of the title page; and a few photos and sample text. Also included are: a newspaper account of the book in “Le Figaro”; a holograph preface written by Simone de Beauvoir; release letters from people included in the book, among them Henry Miller. Finding Aids File list available. Title Source Title based on the contents of the fonds. Freund, Gisèle 1997-039 Materials related to "James Joyce in Paris: His Final Years by Gisèle Freund and V.B. Carleton with a Preface by Simone de Beauvoir PR6019/O9Z5333/1965 Box 1 1.1 Private correspondence 1963-1965 relating to James Joyce in Paris, plus Freund's tss of her Joyce Homage Lecture, 1966. item #31 1.2 GF's First Notes of Text. item #2 tss. text of book item #3 tsc. GF's "On Photographing Joyce" item #4 tsc, corr. -
De Camp Was Her Father of 1983, They Married
The ABN E WSLETTEA AR VOLUME SEVENTEEN, NUMBER 2 ANTIQUARIAN BOOKSELLERS' ASSOCIATION OF AMERICA SPRING 2006 INSIDE: ABAA offers Scholarships to ILAB Congress............................................PAGE 15 ABAA Member Report from the New World: The Wins Oscar 39th California International Antiquarian Book Fair Photo credit: Copyright A.M.P.A.S. Diana Ossana and Larry McMurtry at the Academy Awards. by Susan Benne Longtime member Larry McMurtry won the Oscar for Best Adapted Screenplay for his treatment of Brokeback Mountain at the 78th Annual Academy Awards. He shared the honor with his writing partner, Diana Ossana. Photo credit: Lynne Winslow In his acceptance speech, Mr. McMur- The Book Fair Committee celebrates the success of the fair. Pictured: Gordon try thanked his bookselling colleagues of Hollis, Carol Sandberg, Ed Postal, Victoria Dailey, and Rachel Weinstein. the world. In a follow-up interview with McMurtry, he conveyed to Newsletter by Gordon Hollis and Kate Fultz If this wasnʼt your impression of the Editor Rob Rulon-Miller: "Here is rough- Hollis (Mr. Hollis was chair of the 2006 Los Angeles Book Fair then you might ly what I meant to say at the Oscar[s]-- Los Angeles Book Fair Committee) have missed the 39th California Inter- actually got to say most but not all of it... national Antiquarian Book Fair at the Finally, I'd like to thank booksellers--all When you think of the California Interna- Century Plaza in Los Angeles where all booksellers everywhere, from the owners tional Antiquarian Book Fair in Los An- of the above was true. The numbers for of the humblest paperback exchange up geles, does the following come to mind: the fair this year were impressive: there to the grand masters of the great book were 190 dealers from the U.S. -
Writing Communities: Aesthetics, Politics, and Late Modernist Literary Consolidation
WRITING COMMUNITIES: AESTHETICS, POLITICS, AND LATE MODERNIST LITERARY CONSOLIDATION by Elspeth Egerton Healey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2008 Doctoral Committee: Associate Professor John A. Whittier-Ferguson, Chair Associate Professor Kali A. K. Israel Associate Professor Joshua L. Miller Assistant Professor Andrea Patricia Zemgulys © Elspeth Egerton Healey _____________________________________________________________________________ 2008 Acknowledgements I have been incredibly fortunate throughout my graduate career to work closely with the amazing faculty of the University of Michigan Department of English. I am grateful to Marjorie Levinson, Martha Vicinus, and George Bornstein for their inspiring courses and probing questions, all of which were integral in setting this project in motion. The members of my dissertation committee have been phenomenal in their willingness to give of their time and advice. Kali Israel’s expertise in the constructed representations of (auto)biographical genres has proven an invaluable asset, as has her enthusiasm and her historian’s eye for detail. Beginning with her early mentorship in the Modernisms Reading Group, Andrea Zemgulys has offered a compelling model of both nuanced scholarship and intellectual generosity. Joshua Miller’s amazing ability to extract the radiant gist from still inchoate thought has meant that I always left our meetings with a renewed sense of purpose. I owe the greatest debt of gratitude to my dissertation chair, John Whittier-Ferguson. His incisive readings, astute guidance, and ready laugh have helped to sustain this project from beginning to end. The life of a graduate student can sometimes be measured by bowls of ramen noodles and hours of grading. -
The New York Times Includes the Wolfe
2/7/13 For Bookworms Who Want to Talk About It - The New York Times This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » January 22, 1999 For Bookworms Who Want to Talk About It By BRUCE SHENITZ Reading is an essentially solitary activity, but talking about books requires at least two people. Even if you live with another bibliovore, what are the chances that you will both be struck by the desire to read and discuss, say, ''Bleak House'' or ''Ulysses'' at precisely the same moment? The growing popularity of reading groups and book clubs attests to the desire to talk about books as well as read them. Another motivation for joining such groups, suggested Alberto Manguel, author of ''A History of Reading,'' is that it ''makes you feel less guilty about an activity that society sees as leisure, entertainment or diversion.'' As a result, he said, ''it gives us an alibi for this kind of guilty pleasure.'' In fact, New Yorkers have been gathering together for general book talk for more than 100 years, said Thomas Bender, a professor of history at New York University. Around the turn of the century, he said, such groups played an important part in the city's cultural life. The phenomenon of the author as a star had already developed in Europe earlier in the 19th century, Mr. -
Hemingway's Mythical Method
Hemingway’s Mythical Method: Implications of Dante Allusion in In Our Time by William Parker Osbourne Stoker B.A. in English and Religion, May 2014, University of the South: Sewanee A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 19, 2019 Thesis directed by Christopher Sten Professor of English © Copyright 2019 by William P. O. Stoker All rights reserved ii Abstract of Thesis Hemingway’s Mythical Method: Implications of Dante Allusion in In Our Time The widely accepted assessment of Ernest Hemingway’s In Our Time is that the text’s fragmentary form belies a complex but cohesive narrative wholeness. Missing from the critical record, however, is an adequate account of In Our Time’s use of what T.S. Eliot termed “the mythical method.” Using a palimpsestic system of indirect allusion, Hemingway’s fragmentary novel constructs an overarching pattern of reference to the journey of Dante’s pilgrim through Hell and Purgatory in the Divine Comedy. Hemingway’s use of this mythical method not only provides his novel a more concrete narrative framing device than its critics have recognized, but also reflects new dimensions of the influence Dante, Eliot, and Ezra Pound exerted on Hemingway’s earliest work. In particular, similarities between In Our Time and Pound’s Draft of XVI Cantos (both published in 1925), combined with Pound’s well-documented mentorship of Hemingway, suggest Pound may have been a primary source of influence on Hemingway’s apprehension of and engagement with Dante and the epic tradition he represents. -
France En Vacances, by Amit Pieter 11 Peaceful Paris, by Natalie Hideg 12 Les Bals Des Pompiers, by Tenday O
Spire The Beacon on the Seine July/August 2014 The American Church in Paris ACP Spire, July / August 2014 In this issue Thoughts from the Rev. Dr. Scott Herr 3 Vacation Bible School, by Allison Wheeler 4 InSpired, by Rev. Michelle Wahila 5 Painting with the Spirit, review by Rev. Scott Herr 6 Success: Run to Jerusalem, by Megan Staley The present persecuted Church, by Rev. Dan Haugh 7 Wedding goodbye, by Ilinca Mreana 8 Working weddings, by Rev. Kit Schooley 9 Summer in Paris Summer listings, by Karen Albrecht 10 France en vacances, by Amit Pieter 11 Peaceful Paris, by Natalie Hideg 12 Les bals des pompiers, by Tenday O. Chirawu 13 Who put that Bible in my hotel room? by Amit Pieter 14 Summer walking tours, by Rebecca Brite 14 200th anniversary Stratford-on-Odéon, by Rebecca Brite 15 ACP history, by Alison Benney 16 Paris libéré, by Lisa Previtt 18 Paris Home Companion, by Tim Holm 19 Care & feeding of ACP receptionists, by Alison Benney 20 Summer Music Notes, by Fred Gramann Back from over the wall 21 Heartfelt music from Hartford 23 Broadway comes to ACP 25 International music festival at ACP 25 Youth choirs concert, by Ellen Kountz 27 Still Point, Fete de la Musique 27 Movie Discussion Group 28 ACP missions Greetings from Tanzania, by JoAnn Neal 30 Rafiki village, Uganda, by Patti Lafarge 33 Following our Destiny, by Destiny E. Ryales 33 July/August calendar 34 On the cover: Photo by Fred Gramann The American Church in Paris 2 ACP Spire, July / Augustwww.acparis.org 2014 65 quai d’Orsay, 75007 Paris +331.40.62.05.00 Thoughts from The Rev.