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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
«Es Gibt Keinen Schwulen Rap» | Norient.Com 7 Oct 2021 18:15:11
«Es gibt keinen schwulen Rap» | norient.com 7 Oct 2021 18:15:11 «Es gibt keinen schwulen Rap» by Jonathan Fischer Der New Yorker Rapper Khalif Diouf alias Le1f ist schwul und mischt mit Witz und knalligen Videos den Hip-Hop auf. Als Aktivist für LGTB-Rechte sieht sich der Sohn senegalesischer Einwanderer aber nicht – und Musikjournalisten, so empfiehlt er, sollten sich weniger mit seiner sexuellen Identität und mehr mit seinen Songs beschäftigen. Eine bearbeitete Version dieses Artikels erschien im Norient Buch Seismographic Sounds (Info und Bestellmöglichkeit hier). Das Interview fängt nicht gut an. Nachdem der Fotograf den schlaksigen Afroamerikaner darum gebeten hat, doch bitte – «nur für ein paar Bilder» – eine blonde Perücke aufzusetzen, stürmt Khalif Diouf alias Le1f wütend Richtung Ausgang seines Münchner Hotels: «Ich bin ein Rapper und keine https://norient.com/stories/le1f Page 1 of 5 «Es gibt keinen schwulen Rap» | norient.com 7 Oct 2021 18:15:11 Drag-Queen!» Und was er auf dem Kopf trage, solle man bitte sehr seiner eigenen Regie überlassen. Erst das Versprechen, ernsthaft über seine Texte zu reden, holt ihn zurück. Ein paar Fragen später lümmelt Le1f entspannt auf der Couch und lacht über die Aufregung, die seine Person im Showbusiness auslöst: «Warum kommt niemand mal auf die Idee, mich mit Little Richard oder Sylvester in eine Reihe zu stellen? Die waren auch schwul und schwarz. Und sehr erfolgreiche Entertainer.» Dabei teilt der junge New Yorker das Dilemma aller offen schwulen Rapper: Die Medien reduzieren sie nur allzu gern auf ihre Sexualität, messen sie an ihrem Provokationswert für die Hiphop-Welt. -
PDF Download Dark Paradise Kindle
DARK PARADISE PDF, EPUB, EBOOK Tami Hoag | 1 pages | 01 May 1999 | Bantam Doubleday Dell Publishing Group Inc | 9780553561616 | English | New York, United States Dark Paradise PDF Book More From Ask. Sometimes, just talking about it helps. Dort kann der Elektriker doppelt so viel Geld verdienen wie in Florida, doch die Umstellung wird garantiert nicht leicht. Reply 13 years ago. Cancel Report. Yet the seemingly unending downturn and constant threat of robberies is wearying. Doch am Ende werden sie mit ihrem Traumhaus belohnt. This live performance features alternate lyrics. Leider erschweren Termiten und ein heftiger Wasserschaden die Bauarbeiten erheblich. Kim ist Hausfrau und Mutter. In dieser Vegetationszone wird es im Winter bis zu minus 50 Grad kalt. Even basic services are more expensive as a result. Sie wollte einfach, dass die vier diese Erfahrung mit ihr teilen konnten. Die beiden brauchen mehr Platz, doch sie sind sich auch bewusst, dass ein Umzug nicht an ihr jetziges Zuhause herankommen wird. Die Renovierung wird teuer. Beide haben unterschiedliche Vorstellungen von ihrem neuen Zuhause. Close Menu. Most of all, unrestrained public spending has allowed government debts to creep up to levels that threaten their solvency. We recommend caring for this product by cold machine wash. When they gained independence many were considered development success stories thanks to investment in health and education. The hardship is now so severe that the squeeze extends deep into the middle class. Even the more placid states have rates that outstrip the US. Die zweite Immobilie des Tages ist ein qm2-Haus in toller Lage. We're doing our best to make sure our content is useful, accurate and safe. -
IZZY OCAMPO New York, NY | (917) 480-0360 | [email protected]
IZZY OCAMPO New York, NY | (917) 480-0360 | [email protected] EDUCATION 2014 Middlebury College Middlebury, VT Bachelor of Arts, magna cum laude, Chemistry GPA: 3.6/4.0 HONORS 2010—2014 Posse Foundation Full-Tuition Leadership Scholarship to Middlebury College LECTURES & WORKSHOPS 2016 Recess Art New York, NY brujas x stud1nt: Home Studio Recording & Sound Design Workshop 2016 Vassar College Poughkeepsie, NY Creative Approaches to Electronic Production 2016 The New School New York, NY Movement and Process in Electronic Production EXPERIENCE Fall 2016- Present Hyperballad Music Brooklyn, NY A&R ▪ Scout emerging and leading talent for 7” series and liaise between artist’s team and Hyperballad ▪ Build Hyperballad’s brand as a creative cultural hub and cultivate relevant industry partnerships through curatorial programming of unique music products and events Summer 2016-Present Whimsical Raps New York, NY Operations Manager ▪ Manage lifecycle of four modular synthesizers from parts sourcing, manufacturing, assembly, shipment, to repairs ▪ Prepare and coordinate invoices and purchase orders for dozens of distributors, manufacturers, and buyers ▪ Responsible for hand assembly of faceplates, knobs, circuit boards and product packaging and small soldering repairs ▪ Calibrate and quality control each module before shipment Summer 2016 Hyperballad Music Brooklyn, NY Recording Engineer Intern ▪ Prepared recording consoles, tape machine, patchbay, instruments, mics, outboard gear, and DAWs for tracking sessions ▪ Assisted engineers with tracking -
Tegan and Sara Return with New Album; Love You to Death to Be Released June 3, 2016 New Music to Come April 8Th
TEGAN AND SARA RETURN WITH NEW ALBUM; LOVE YOU TO DEATH TO BE RELEASED JUNE 3, 2016 NEW MUSIC TO COME APRIL 8TH March 11, 2016 - Tegan and Sara have announced their forthcoming album Love You to Death today. Recorded in Los Angeles, Love You to Death is the band's 8th studio album and once again finds the group working with producer Greg Kurstin (Adele, Sia, Beck, Ellie Goulding). It is slated for release on June 3rd while the first taste of music from the album is due April 8th, the same day that pre-orders begin. Love You to Death is the follow up to Tegan and Sara's pop breakthrough album Heartthrob, which featured the singles "Closer", which was certified gold in the US, and "I Was a Fool". In addition to this, the band were featured on the LEGO Movie single "Everything is Awesome" with The Lonely Island, and were invited to perform that song as part of the 2015 Oscar telecast. Born in Calgary, Alberta and now residing in Vancouver, BC, Tegan and Sara have sold over 1 million albums and collected 7 Gold certifications, 1 Double Platinum certification, 3 Juno Awards, 2 Polaris Prize nominations, and a Grammy nomination. Tegan and Sara are playing sold-out intimate shows in Los Angeles and New York in May. Full list below and more info here. More tour dates will be announced soon. 5/2 @ The Roxy Theatre in Los Angeles, CA 5/3 @ Teragram Ballroom in Los Angeles, CA 5/9 @ Le Poisson Rouge in New York, NY More info: http://teganandsara.com/ https://www.instagram.com/teganandsara/ https://twitter.com/teganandsara https://www.facebook.com/TeganandSara ### For media requests, please contact Brooke Black / [email protected] For regional requests, please contact Jasmine Lywen-Dill / jasmine.lywen- [email protected] . -
Law Center Renovations to Cost $25 Million
University of South Carolina Scholar Commons February 2013 2-4-2013 The aiD ly Gamecock, MONDAY, FEBRUARY 4, 2013 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2013_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, MONDAY, FEBRUARY 4, 2013" (2013). February. 16. https://scholarcommons.sc.edu/gamecock_2013_feb/16 This Newspaper is brought to you by the 2013 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA MONDAY, FEBRUARY 4, 2013 VOL. 111, NO. 15 ● SINCE 1908 Law Center renovations to cost $25 million USC likely to take on $44 million College of Hospitality, Retail and delaying work on other buildings accessible and has been worn down in debt for new building Sport Management and add general around campus. signifi cantly, Gruner said. classroom space, said Ed Walton , Tackling issues in the Law Center, A renovation would convert the USC’s chief fi nancial offi cer. USC’s third-largest classroom law library into classroom space, Thad Moore [email protected] The university will also likely need building, would require the potentially add laboratories, plant to renovate the Taylor and Horry- university to take on additional debt, grass in place of the building’s Guignard houses, which will share he said. parking lot and build a two-story Moving the School of Law could a block with the new law school and The building is currently worth lobby between its two main wings, trigger a need for $30 million of could house new initiatives, Walton $35 million, said Derek Gruner, Gruner said. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Lana Del Rey - Born to Die: the Paradise Edition Pdf
FREE LANA DEL REY - BORN TO DIE: THE PARADISE EDITION PDF Lana Del Rey | 136 pages | 01 Mar 2013 | Hal Leonard Publishing Corporation | 9781458448620 | English | United States Born to Die - Paradise Edition - Rolling Stone Paradise is the third extended play and second major release by American singer and songwriter Lana Del Rey ; it was released on November 9, by Universal Music. It was additionally packaged with the reissue of her second studio albumBorn to Dietitled Born to Die: The Paradise Edition. The EP's sound has been described as baroque pop [1] and trip hop. Upon its release, Paradise received generally favorable reviews from music critics. The extended play debuted at No. It also debuted at No. That same month, an EP of the same name was made available for digital purchase, containing the film along with the three aforementioned songs. In an interview with RTVE on June 15,Del Rey announced that she had Lana del Rey - Born to Die: The Paradise Edition working on a new album due in November, and that five tracks had already been written, [3] two of them being " Young and Beautiful " [ citation needed ] and "Gods and Monsters", [ citation needed ] and another track titled "Body Electric", which was performed and announced as one of her songs at BBC Radio 1's Hackney Weekend. The prior album's re-release, titled Born to Die: The Paradise Editionwas available for pre-order offering an immediate download of "Burning Desire" in some countries. The song served as the soundtrack for a short film called Desire[8] directed by Ridley Scott and starring Damian Lewis. -
Top 200 Most Requested Songs
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2013 RANK ARTIST SONG 1 Journey Don't Stop Believin' 2 Cupid Cupid Shuffle 3 Black Eyed Peas I Gotta Feeling 4 Lmfao Sexy And I Know It 5 Bon Jovi Livin' On A Prayer 6 AC/DC You Shook Me All Night Long 7 Morrison, Van Brown Eyed Girl 8 Psy Gangnam Style 9 DJ Casper Cha Cha Slide 10 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 11 B-52's Love Shack 12 Beyonce Single Ladies (Put A Ring On It) 13 Maroon 5 Feat. Christina Aguilera Moves Like Jagger 14 Jepsen, Carly Rae Call Me Maybe 15 V.I.C. Wobble 16 Def Leppard Pour Some Sugar On Me 17 Beatles Twist And Shout 18 Usher Feat. Ludacris & Lil' Jon Yeah 19 Macklemore & Ryan Lewis Feat. Wanz Thrift Shop 20 Jackson, Michael Billie Jean 21 Rihanna Feat. Calvin Harris We Found Love 22 Lmfao Feat. Lauren Bennett And Goon Rock Party Rock Anthem 23 Pink Raise Your Glass 24 Outkast Hey Ya! 25 Isley Brothers Shout 26 Sir Mix-A-Lot Baby Got Back 27 Lynyrd Skynyrd Sweet Home Alabama 28 Mars, Bruno Marry You 29 Timberlake, Justin Sexyback 30 Brooks, Garth Friends In Low Places 31 Lumineers Ho Hey 32 Lady Gaga Feat. Colby O'donis Just Dance 33 Sinatra, Frank The Way You Look Tonight 34 Sister Sledge We Are Family 35 Clapton, Eric Wonderful Tonight 36 Temptations My Girl 37 Loggins, Kenny Footloose 38 Train Marry Me 39 Kool & The Gang Celebration 40 Daft Punk Feat. -
AFH-Dissertation Last Edits
Narratives and Sensemaking in the New Corporate University: The Socialization of First Year Communication Faculty by Andrew F. Herrmann A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Arthur P. Bochner, Ph.D. Eric M. Eisenberg, Ph.D. Carolyn Ellis, Ph.D. Charles Guignon, Ph.D. Date of Approval: June 16, 2008 Keywords: academic capitalism, discourse, ethnography, Foucault, identity, interactive interview, storytelling, strategic ambiguity, Weick © Copyright 2008, Andrew F. Herrmann Dedication To my advisor, mentor, teacher and friend, Dr. Arthur P. Bochner. Thank you for the critiques, guidance, support and wisdom. And patience. To my committee members, Dr. Eric Eisenberg, Dr. Carolyn Ellis, and Dr. Charles Guignon. Thank you for your insights and encouragement. To my dissertating comrades – Dr. Tony Adams, Dr. Cara Mackie and Robyn Boylorn – for providing me feedback and keeping me grounded. To Dr. Bob Krizek for taking a chance on an adult student. To Mom: this is the culmination of all the “bad parenting.” To Charlie, Fred and Jim for consistently being there and never doubting. To my nephew Garrett, for reminding me to play. To the CB from the EB. To the brave participants who opened their lives to me, showing me the future. Table of Contents Abstract iii Chapter 1: The Agenda – Studying Organizational Socialization in the University 1 Chapter 2: The Construction of Social -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
November 2020: Alumni English 100 Class Oracle
Issue 1 November 5, 2020 Onward Odyssey ORACLE English 100 Writers’ Journal Contents Why We Write .............. 2 Educational Journeys .. 13 Kevin Mullen, Odyssey Co-Director, English 100 Instructor [email protected] 608-572-6730 Emily Auerbach, Odyssey Co-Director [email protected] 608-712-6321 www.odyssey.wisc.edu Odyssey Oracle 11-5-2020 Why We Write If I had a chance to really look back wanted and not worry about the backlash. I could at my life, I can say that writing explore my feelings with words instead of keeping saved it. From the early years of them bottled up. It didn’t take me long to fill my me writing love letters to the guys journal up after figuring out that I had something who probably didn’t know I existed to say. I started to use my subject journals to jot to writing papers and poetry for down things in school, at family events, and even my Odyssey class, putting a pen to in church. It turned out that I did have something paper gave me the space to express myself freely to say! Instead of holding on to the mean things I and unafraid. I knew that my silent power could thought about myself at the time, I got them out. I take me into a world where what I said mattered was able to clear my mind while giving it space to and was appreciated. recreate how I felt about myself. In other words, I’d struck gold. Outside of my notebooks I was a gentle giant.