Obeah: Healing and Protection in West Indian Slave Ife El
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After the Treaties: a Social, Economic and Demographic History of Maroon Society in Jamaica, 1739-1842
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. University of Southampton Department of History After the Treaties: A Social, Economic and Demographic History of Maroon Society in Jamaica, 1739-1842 Michael Sivapragasam A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History June 2018 i ii UNIVERSITY OF SOUTHAMPTON ABSTRACT DEPARTMENT OF HISTORY Doctor of Philosophy After the Treaties: A Social, Economic and Demographic History of Maroon Society in Jamaica, 1739-1842 Michael Sivapragasam This study is built on an investigation of a large number of archival sources, but in particular the Journals and Votes of the House of the Assembly of Jamaica, drawn from resources in Britain and Jamaica. Using data drawn from these primary sources, I assess how the Maroons of Jamaica forged an identity for themselves in the century under slavery following the peace treaties of 1739 and 1740. -
I the Sacred Act of Reading: Spirituality, Performance, And
The Sacred Act of Reading: Spirituality, Performance, and Power in Afro-Diasporic Literature By Anne Margaret Castro Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2016 Nashville, Tennessee Approved: Vera Kutzinski, Ph.D. Ifeoma Nwankwo, Ph.D. Hortense Spillers, Ph.D. Marzia Milazzo, Ph.D. Victor Anderson, Ph.D. i Copyright © 2016 by Anne Margaret Castro All Rights Reserved To Annette, who taught me the steps. iii ACKNOWLEDGEMENTS I am deeply grateful for the generous mentoring I have received throughout my graduate career from my committee chairs, Vera Kutzinski and Ifeoma Nwankwo. Your support and attention to this project’s development has meant the world to me. My scholarship has been enriched by the support and insight of my committee members: Hortense Spillers, Marzia Milazzo, and Victor Anderson. I would also like to express my thanks to Kathryn Schwarz and Katie Crawford, who always treated my work as valuable. This dissertation is a testament to the encouragement and feedback I received from my colleagues in the Vanderbilt English department. Thanks to Vera Kutzinski’s generosity of time and energy, I have had the pleasure of growing through sustained scholarly engagement with Tatiana McInnis, Lucy Mensah, RJ Boutelle, Marzia Milazzo and Aubrey Porterfield. I am thankful to Ifeoma Nwankwo’s work with the Drake Fellowship, which gave me the opportunity to conduct oral history interviews with Dr. Erna Brodber and Petal Samuel, in Woodside, Jamaica. My experiences in Jamaica deeply affected the way I approach my scholarship. -
“Superstition Is the Offspring of Ignorance,” the Suppression
“SUPERSTITION IS THE OFFSPRING OF IGNORANCE,” THE SUPPRESSION OF AFRICAN SPIRITUALITY IN THE BRITISH CARIBBEAN, 1650-1834 by Carlie H. Manners Bachelor of Arts, Algoma University, 2016 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Graduate Academic Unit of History Supervisor: Stefanie Hunt-Kennedy, PhD, History Gary K. Waite, PhD, History Examining Board: Lisa M. Todd, PhD, History, Chair Robert Whitney, PhD, History Elizabeth Effinger, PhD, English This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK August 2019 © Carlie H. Manners, 2019 Abstract This thesis interrogates the suppression of the enslaved spiritual practice, Obeah, through African slavery in the British Caribbean from 1650-1834. Obeah is a syncretic spiritual practice derived from West African religious epistemologies. Practitioners of Obeah invoked the spiritual world for healing, divination, and protection. What is more, under the constant threat of colonial violence, they practiced Obeah for insurrectionary purposes. This thesis reveals and contextualizes the many ways in which Obeah faced cultural suppression at the hands of religious, colonial, and imperial authorities as a means to comply with and respond to sociopolitical conflicts occurring within the British Empire. British writers conceived of Obeah as ‘ignorant’ superstition and used this against Africans as justification for their subjugation by the British empire. Furthermore, this project traces the development of the English concern for Obeah alongside their pre- existing conceptions of magic and religion, which influenced the ways in which British colonists confronted African practitioners. ii Dedication For my grandparents, Claus and Linda. -
Downloaded from Brill.Com09/24/2021 04:10:37AM Via Free Access 2 Pires, Strange and Mello Several Afro- and Indo-Guianese Populations
New West Indian Guide 92 (2018) 1–34 nwig brill.com/nwig The Bakru Speaks Money-Making Demons and Racial Stereotypes in Guyana and Suriname* Rogério Brittes W. Pires Universidade Federal de Minas Gerais, Belo Horizonte, Brazil [email protected] Stuart Earle Strange Yale-NUS College, Singapore [email protected] Marcelo Moura Mello Universidade Federal da Bahia, Salvador, Brazil [email protected] Abstract Throughout the Guianas, people of all ethnicities fear one particular kind of demonic spirit. Called baccoo in Guyana, bakru in coastal Suriname, and bakulu or bakuu among Saamaka and Ndyuka Maroons in the interior, these demons offer personal wealth in exchange for human life. Based on multisited ethnography in Guyana and Suriname, this paper analyzes converging and diverging conceptions of the “same” spirit among * Most of the research for this article was carried out by the authors during fieldwork for their Ph.D. dissertation.The research was financed byThe National Science Foundation,The Social Science Research Council, The Wenner Gren Foundation, and the University of Michigan’s Department of Anthropology (Stuart Strange); by Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) and Museu Nacional’s Graduate Program in Social Anthro- pology, Universidade Federal do Rio de Janeiro (ufrj) (Marcelo Mello and Rogério Pires); and by a CNPq postdoctoral scholarship in the Universidade Federal de Minas Gerais (Rogério Pires). Previous versions of this article were presented twice in 2015 and once in 2017: in a seminar at Museu Nacional/ufrj, in a panel session at the American Anthropological Asso- ciation (aaa) meeting, and in a lecture at Universidade Federal de Juiz de Fora (ufjf). -
DIANA PATON & MAARIT FORDE, Editors
diana paton & maarit forde, editors ObeahThe Politics of Caribbean and Religion and Healing Other Powers Obeah and Other Powers The Politics of Caribbean Religion and Healing diana paton & maarit forde, editors duke university press durham & london 2012 ∫ 2012 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by Katy Clove Typeset in Arno Pro by Keystone Typesetting, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Newcastle University, which provided funds toward the production of this book. Foreword erna brodber One afternoon when I was six and in standard 2, sitting quietly while the teacher, Mr. Grant, wrote our assignment on the blackboard, I heard a girl scream as if she were frightened. Mr. Grant must have heard it, too, for he turned as if to see whether that frightened scream had come from one of us, his charges. My classmates looked at me. Which wasn’t strange: I had a reputation for knowing the answer. They must have thought I would know about the scream. As it happened, all I could think about was how strange, just at the time when I needed it, the girl had screamed. I had been swimming through the clouds, unwillingly connected to a small party of adults who were purposefully going somewhere, a destination I sud- denly sensed meant danger for me. Naturally I didn’t want to go any further with them, but I didn’t know how to communicate this to adults and ones intent on doing me harm. -
Dancing Postcolonialism
Sabine Sörgel Dancing Postcolonialism TanzScripte | edited by Gabriele Brandstetter and Gabriele Klein | Volume 6 Sabine Sörgel (Dr. phil.) teaches the history and theory of theatre and dance at Johannes Gutenberg-University Mainz. Her current research includes cross- cultural corporealities, contemporary performance and postcolonial theory. Sabine Sörgel Dancing Postcolonialism The National Dance Theatre Company of Jamaica Die vorliegende Arbeit wurde vom Fachbereich 05 Philosophie und Philologie der Jo- hannes Gutenberg-Universität Mainz im Jahr 2005 als Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) angenommen. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2007 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Cover illustration: Rex Nettleford, NDTC’s »moving spirit«, co-founder, princi- pal choreographer, and current Artistic Director. Here seen in lead role of »Myal«. Credits: Photographs: cover illustration and pages 100, 102, 103, 110, 112, 119, 131, 175, 176, 177 courtesy and copyright by Maria LaYacona and NDTC ar- chives; page 140 courtesy and copyright by Denis Valentine and NDTC ar- chives; page 194 courtesy and coypright by W. Sills and NDTC archives. All video stills: courtesy -
Scholarship 2004–2005
SCHOLARSHIP 2004–2005 The 2004–2005 edition of the Duquesne University Scholarship bibliography was produced at the Gumberg Library, under the direction of Laverna Saunders, University Librarian. The bibliography was compiled by Matthew Boyer, Electronic Thesis and Dissertation Coordinator. Editorial assistance was provided by Leslie Lewis, Barbara Adams, and Allison Brungard. Duquesne University 600 Forbes Avenue Pittsburgh, PA 15282 http://www.duq.edu © 2006 CONTENTS Letter from the President....................................................................................................................v Publications...........................................................................................................................................1 McAnulty College and Graduate School of Liberal Arts ........................................................3 Bayer School of Natural and Environmental Sciences..........................................................16 School of Law..............................................................................................................................23 A. J. Palumbo School of Business Administration and John F. Donahue Graduate School of Business ......................................................................................................................25 Mylan School of Pharmacy........................................................................................................29 Mary Pappert School of Music..................................................................................................32 -
The Spiritual Landscapes of Barbados
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2016 Sacred Grounds and Profane Plantations: The Spiritual Landscapes of Barbados Myles Sullivan College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the African History Commons, Archaeological Anthropology Commons, Cultural History Commons, History of Religion Commons, and the Social and Cultural Anthropology Commons Recommended Citation Sullivan, Myles, "Sacred Grounds and Profane Plantations: The Spiritual Landscapes of Barbados" (2016). Undergraduate Honors Theses. Paper 945. https://scholarworks.wm.edu/honorstheses/945 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Sullivan 1 Sacred Grounds and Profane Plantations: The Spiritual Landscapes of Barbados Myles Sullivan Sullivan 2 Table of Contents Introduction page 3 Background page 4 Research page 6 Spiritual Landscapes page 9 The Archaeology and Anthropology of Spiritual Practices in the Caribbean page 16 Early Spiritual Landscapes page 21 Barbadian Spiritual Landscapes: Liminal Spaces in a “Creole” Slave Society page 33 Spiritual Landscapes of Recent Memory page 47 Works Cited page 52 Figures Fig 1: Map of Barbados page 4 Fig 2: Worker’s Village Site at Saint Nicholas Abbey page 7 Fig 3: Stone pile on ridgeline page 8 Fig 4: Disembarked Africans on Barbados (1625-1850) page 23 Fig 5: Total percentage arrivals of Africans by regions page 23 Fig 6: “Gaming” Pieces from the slave village site page 42 Fig 7: Gully areas at St. -
Kenneth M. Bilby Jamaican Maroon Collection
Kenneth M. Bilby Jamaican Maroon Collection AFC 1983/008 Guides to the Collections in the Archive of Folk Culture American Folklife Center, Library of Congress Washington, D.C. March 2002 Revised September 2009 Contact information: http://hdl.loc.gov/loc.afc/folklife.contact Additional search options available at: http://hdl.loc.gov/loc.afc/eadafc.af002001 LC Online Catalog record: http://lccn.loc.gov/2004695191 Prepared by Michelle Forner Collection Summary Call No.: AFC 1983/008 Creator: Bilby, Kenneth M., 1953- Title: Kenneth M. Bilby Jamaican Maroon Collection Inclusive Dates: 1977-1991 Bulk Dates: 1977-1979 Contents: 1 box ; .2 linear feet ; 332 items; 300 manuscript pages, 29 10" audio tapes, and 3 videocassettes Location: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: An ethnographic field collection of sound recordings, moving images, and accompanying materials that document the music and dance of Jamaican Maroons, particularly the Kromanti Dance ritual complex recorded by Kenneth M. Bilby in 1977-1979, and in 1991. Languages: Collection material in Jamaican Creole and English Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. For a glossary of Maroon terms used in the Kenneth M. Bilby Jamaican Maroon Collection, see Appendix A . People Bilby, Kenneth M., 1953- collector. Bilby, Kenneth M., 1953- --Ethnomusicological collections. Organizations Smithsonian Folklife Festival, collector. Subjects Dance--Jamaica. Field recordings--Jamaica. Folk songs, Creole--Jamaica. -
The Seasoning of Enslaved Africans in Eighteenth
DRAFT “[M]anaged at first as if they were beasts:” The Seasoning of Enslaved Africans in Eighteenth-Century Jamaica Nicholas Radburn1 In April 1754, Richard Beckford, the owner of almost a thousand enslaved people in Jamaica, penned a lengthy manuscript guide to plantation management. Beckford explained that the “Success of my plantations… chiefly depend[ed]” on “governing ye minds of my Slaves as Well as exercising their Bodies in a reasonable Manner.” Although Beckford urged the exercise of “Justice & Benevolence” to all enslaved people, he emphasized that particular care needed to be taken with recently arrived Africans. They should be “treated with a very gentle hand & must be inured to labour by degrees,” otherwise “despair” would “tak[e] possession of their Minds” and “all Medicine & future care will be to no purpose.”2 Beckford’s instructions illustrate an important distinction that British Caribbean enslavers made between newly arrived Africans and plantation-born slaves in their management regimes. Planters believed that Africans needed to be “seasoned” over a several-year period to habituate them to the new disease environment and to plantation labor. Enslavers developed numerous seasoning strategies, which they exchanged verbally and via manuscripts such as Beckford’s. By the late eighteenth century, plantation manuals also publicized seasoning techniques, and they typically followed Beckford in advocating a policy of mild treatment towards Africans for several years. Even so, some promoted a much harsher program for seasoning enslaved people.3 Writing twenty years after Beckford, planter-historian Edward Long claimed that Africans were “of so savage a 1 Nicholas Radburn is a lecturer in Atlantic history at Lancaster University. -
Global Encounters and the Archives Global Encounters a Nd the Archives
1 Global Encounters and the Archives Global EncountErs a nd thE archivEs Britain’s Empire in the Age of Horace Walpole (1717–1797) An exhibition at the Lewis Walpole Library, Yale University October 20, 2017, through March 2, 2018 Curated by Justin Brooks and Heather V. Vermeulen, with Steve Pincus and Cynthia Roman Foreword On this occasion of the 300th anniversary of Horace In association with this exhibition the library Walpole’s birthday in 2017 and the 100th anniversary will sponsor a two-day conference in New Haven of W.S. Lewis’s Yale class of 2018, Global Encounters on February 9–10, 2018, that will present new and the Archives: Britain’s Empire in the Age of Horace archival-based research on Britain’s global empire Walpole embraces the Lewis Walpole Library’s central in the long eighteenth century and consider how mission to foster eighteenth-century studies through current multi-disciplinary methodologies invite research in archives and special collections. Lewis’s creative research in special collections. bequest to Yale was informed by his belief that “the cynthia roman most important thing about collections is that they Curator of Prints, Drawings and Paintings furnish the means for each generation to make its The Lewis Walpole Library own appraisals.”1 The rich resources, including manuscripts, rare printed texts, and graphic images, 1 W.S. Lewis, Collector’s Progress, 1st ed. (New York: indeed provide opportunity for scholars across Alfred A. Knopf, 1951), 231. academic disciplines to explore anew the complexities and wide-reaching impact of Britain’s global interests in the long eighteenth century Global Encounters and the Archives is the product of a lively collaboration between the library and Yale faculty and graduate students across academic disci- plines. -
American Folklife
1989 Festival of American Folklife Smithsonian Institution/National Park Service Thierry^ Benrand, maker ot" a iviize. a ii>>\\ laic 1 icnch bagpipe, in his workshop in La Garnache, a village in the Vendee region of France. (Photo by Winifred Lambrecht) On the front cover: Vallisa Vinhasa Tavares represents the island of Kaua'i in the Merrie Monarch parade in Hilo, Hawai'i. (Photo by Lynn Martin, courtesy State Foundation on Culture and the Arts Folk Arts Program) On the hack cover. Una Griffiths and Cacilda Wright, traditional cooks from Santa Caiz, Jamaica, squeeze juice from grated cassava. (Photo by Heliana Portes de Roux) 1989 Festival of American Folklife June 23-27 June 30-July 4 Smithsonian Institution National Park Service We dedicate this year's program book to the nienioiy ofJoseph Condon (1943-1988). Joe was a special assista>it to the Secretary' and a friend of the Festival for many years. Joe tanght ns a lot ahont leadership, integrity and honesty. As ivejdce both successes and crises, we will painfully miss him. Contents Celebrating Freedom by Robert McC. Adams, Secretary, Smithsonian Institution 4 Our Shared Cultural Resources by James M. Ridenour, Director, National Park Service 6 Why We Do the Festival by Richard Kurin 8 American Indian Problems of Access and Cultural Continuity by Thomas Vennum, Jr. 22 Hawai'i: Cosmopolitan Culture at the Crossroads of the Pacific by Richard Kennedy with Lynn Martin 36 French Traditions: Their History and Continuity in North America by Winnie Lambrecht 50 Creolization in the Caribbean by Heliana Portes de Roux 66 Festival of American Folklife ©1989 by the Smithsonian Institution Editor: Frank Proschan Coordinator: Arlene Liebenau Designer: ]oix\ Wolbier Assistant Designer Becky Lepkowski Special thanks: Linda Breitag, Andras Goldinger, Nicholas Spitzer Typesetter: Harlowe Typography Printer: Ameriprint Typeface: ITC Garamond Paper: Warren Patina Insert: Simpson Sundance Felt — Celebrating Freedom Robert McC.