DOCSLIB.ORG

The Cathedral and Metropolitical Church of Christ, Canterbury

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Cathedral and Metropolitical Church of Christ, Canterbury THE CATHEDRAL AND METROPOLITICAL CHURCH OF CHRIST, CANTERBURY The Reverend N C Papadopulos in Residence 11 8.00 Holy Communion (BCP) – High Altar 14 WEDNESDAY 7.30 Morning Prayer – Our Lady Martyrdom THE p236, readings p187 8.00 Holy Communion – St Gabriel, Crypt NINETEENTH 11.15 Holy Communion – Jesus Chapel, Crypt SUNDAY 9.30 Morning Prayer (said) – Quire Psalms 129; 130 AFTER 5.30 EVENSONG Responses – Byrd TRINITY 11.00 SUNG EUCHARIST – Quire SUNG BY THE GIRLS’ CHOIR AND THE LAY CLERKS Jackson in G Psalms 73; 74 Haydn Missa brevis in F Psalms 90.12-end; 150 Bring us, O Lord God – Harris Hymn 250 Edward White Repleti sunt omnes – Esquivel Hymns 362; 294; 318 Benson, th 94 Archbishop, 1896 Preacher: The Reverend N C Papadopulos, Vice Dean 15 THURSDAY 7.30 Morning Prayer – Our Lady Martyrdom 8.00 Holy Communion – Our Lady Undercroft, Crypt 3.15 EVENSONG Responses – Sanders Teresa of Avila, attended by the Cathedral Company of Change Ringers Teacher of the Faith, 5.30 EVENSONG Responses – Sumsion Swayne Magnificat Psalms 127; 128 1582 Boys’ voices Gretchaninov Nunc dimittis Collection Hymn AMR 496 Noon Second Service Psalm 75 Stay with me, Lord – Todd ‘The Bellringers’ Hymn’ Ave Maria – Saint-Saëns Hymn 482 6.30 Eucharist – Quire The King’s School 6.15 Holy Communion – Our Lady Martyrdom 16 FRIDAY 7.30 Morning Prayer – Our Lady Martyrdom 12 MONDAY 7.30 Morning Prayer – Our Lady Martyrdom 8.00 Holy Communion – Our Lady Martyrdom 8.00 Holy Communion – St Martin, North-East Transept 12.00 Sacrament of Reconciliation (until 1pm) Wilfred of Ripon, – Holy Innocents, Crypt Bishop, 5.30 EVENSONG Responses – Sanders Missionary, 709 Ayleward Short Service Psalms 65-67 5.30 EVENSONG Responses – Sanders Expectans expectavi – Wood Hymn 339 Darke in A minor Psalms 82-85 Simon de Meopham, nd Mihi autem nimis – Tallis Hymn 450 52 Archbishop, 1333 SERVICES SUNG BY THE LAY CLERKS 17 SATURDAY 8.00 Holy Communion – Saints and Martyrs of Our Own Time, Corona 9.30 Morning Prayer – Jesus Chapel, Crypt 13 TUESDAY 7.30 Morning Prayer – Our Lady Martyrdom Ignatius, 8.00 Holy Communion – St Edward the Confessor, North Trinity Bishop of Antioch, 3.15 EVENSONG Responses – Cleobury Edward the Confessor, st Martyr, c.107 1 of Luke King of England, 1066 5.30 EVENSONG Responses – Sanders Wood in E Psalm 89.1-19 Ives Lichfield Service Psalms 69; 70 Nothhelm, Regina coeli – White Collection Hymn 478 Gaude virgo gloriosa – Tallis Hymn 230ii th 10 Archbishop, 739 7.30 Canterbury Festival Concert – Nave Orchestra of the Age of Enlightenment Ian Bostridge (tenor) ROBERT WILLIS, DL, DCL, DD, DEAN CANTERBURY CATHEDRAL MATTHEW RUSHTON, MA(OXON), MA, PRECENTOR CATHEDRAL HOUSE, 11 THE PRECINCTS, CANTERBURY, CT1 2EH DAVID FLOOD, MA, DMus, FRCO (Chm), FGCM, ORGANIST TEL: +44 (0) 1227 762862 | EMAIL: [email protected] THE CATHEDRAL AND METROPOLITICAL CHURCH OF CHRIST, CANTERBURY The Reverend N C Papadopulos in Residence SERVICES SUNG BY THE LAY CLERKS 21 WEDNESDAY 7.30 Morning Prayer – Our Lady Martyrdom 18 LUKE THE 8.00 Holy Communion (BCP) – High Altar 8.00 Holy Communion – St Mary Magdalene, Crypt EVANGELIST p236, readings p229 Retreat address given 11.15 Holy Communion – Jesus Chapel, Crypt by Evelyn Underhill 9.30 Morning Prayer (said) – Quire Psalm 146 in 1927 5.30 EVENSONG Responses – Leighton-Jones Walsh St Paul’s Service Psalm 106.1-18, 43-end 11.00 SUNG EUCHARIST – Quire Inveni David – Bruckner Hymn 392 Duruflé Messe cum jubilo Psalms 147.1-7; 150 This is my commandment – Tallis Hymns 466; 401; 235 22 THURSDAY 7.30 Morning Prayer – Our Lady Martyrdom Preacher: The Reverend C P Irvine, Canon Librarian 8.00 Holy Communion – Holy Innocents, Crypt 3.15 CANTERBURY FESTIVAL EVENSONG 5.30 Evening Prayer (said) – Eastern Crypt Psalm 108 Responses – Cleobury Introit: Gaudent in coelis – Palestrina 6.15 Holy Communion – Our Lady Martyrdom Howells in E Psalm 103 O mes très chers frères – Poulenc Collection Hymn 205 6.30 Service of Healing and Wholeness – Crypt 23 FRIDAY 7.30 Morning Prayer – Our Lady Martyrdom 8.00 Holy Communion – Our Lady Martyrdom 12.00 Sacrament of Reconciliation (until 1pm) – Holy Innocents, Crypt 19 MONDAY 7.30 Morning Prayer – Our Lady Martyrdom 2.00 Archbishop’s School Dedication Service – Quire 8.00 Holy Communion – Jesus Chapel, Crypt Henry Martyn, 5.30 EVENSONG Responses – Leighton-Jones Translator of the 5.30 EVENSONG Responses – Bertalot Tallis in the Dorian mode Psalms 114; 115 Scriptures, Missionary Parnell Short Service Psalms 98; 101 Ave maris stella – Byrd Hymn 409 in India and Persia, 1812 Laudate dominum – Tallis Hymn 394 7.30 Canterbury Festival Concert – Eastern Crypt Ralph d’Escures, Victoria Consort and Canterbury Gregorian Music Society th 37 Archbishop, 1122 24 SATURDAY 8.00 Holy Communion – St Anselm, South Quire aisle 20 TUESDAY 7.30 Morning Prayer – Our Lady Martyrdom 9.30 Morning Prayer – Jesus Chapel, Crypt 8.00 Holy Communion – St Stephen, North-East Transept 3.15 EVENSONG Responses – Clucas 5.30 EVENSONG Responses – Bertalot SUNG BY THE DAMIAN SINGERS Clucas Westminster Service Psalm 104.1-23 Howells in G Psalm 119.1-8 Seigneur, je vous en prie – Poulenc Hymn 404 omit 2 O sing unto the Lord – Willcocks Collection Hymn 467 ROBERT WILLIS, DL, DCL, DD, DEAN CANTERBURY CATHEDRAL MATTHEW RUSHTON, MA(OXON), MA, PRECENTOR CATHEDRAL HOUSE, 11 THE PRECINCTS, CANTERBURY, CT1 2EH DAVID FLOOD, MA, DMus, FRCO (Chm), FGCM, ORGANIST TEL: +44 (0) 1227 762862 | EMAIL: [email protected].
Load more

Recommended publications
  • Grosser Saal Klangwolke Brucknerhaus Präsentiert Von Der Linz Ag Linz
    ZWISCHEN CREDO Vollendeter Genuss TRADITION BEKENNTNIS braucht ein & GLAUBE perfektes MODERNE Zusammenspiel RELIGION Als führendes Energie- und Infrastrukturunternehmen im oberösterreichischen Zentralraum sind wir ein starker Partner für Wirtschaft, Kunst und Kultur und die Menschen in der Region. Die LINZ AG wünscht allen Besucherinnen und Besuchern beste Unterhaltung. bezahlte Anzeige LINZ AG_Brucknerfest 190x245.indd 1 02.05.18 10:32 6 Vorworte 12 Saison 2018/19 16 Abos 2018/19 22 Das Große Abonnement 32 Sonntagsmatineen 44 Internationale Orchester 50 Bruckner Orchester Linz 56 Kost-Proben 60 Das besondere Konzert 66 Oratorien 128 Hier & Jetzt 72 Chorkonzerte 134 Moderierte Foyer-Konzerte INHALTS- 78 Liederabende 138 Musikalischer Adventkalender 84 Streichquartette 146 BrucknerBeats 90 Kammermusik 150 Russische Dienstage 96 Stars von morgen 154 Musik der Völker 102 Klavierrecitals 160 Jazz VERZEICHNIS 108 Orgelkonzerte 168 Jazzbrunch 114 Orgelmusik zur Teatime 172 Gemischter Satz 118 WortKlang 176 Kinder.Jugend 124 Ars Antiqua Austria 196 Serenaden 204 Kooperationen 216 Kalendarium 236 Saalpläne 242 Karten & Service 4 5 Linz hat sich schon längst als interessanter heimischen, aber auch internationalen Künst- Der Veröffentlichung des neuen Saisonpro- Musik wird heutzutage bevorzugt über diverse und innovativer Kulturstandort auch auf in- lerinnen und Künstlern es ermöglichen, ihr gramms des Brucknerhauses Linz sehen Medien, vom Radio bis zum Internet, gehört. ternationaler Ebene Anerkennung verschafft. Potenzial abzurufen und sich zu entfalten. Für unzählige Kulturinteressierte jedes Jahr er- Dennoch hat die klassische Form des Konzerts Ein wichtiger Meilenstein auf diesem Weg war alle Kulturinteressierten jeglichen Alters bietet wartungsvoll entgegen. Heuer dürfte die nichts von ihrer Attraktivität eingebüßt. Denn bislang auf jeden Fall die Errichtung des Bruck- das ausgewogene und abwechslungsreiche Spannung besonders groß sein, weil es die das Live-Erlebnis bleibt einzigartig – dank der nerhauses Linz.
    [Show full text]
  • Vespers 2020 Music Guide
    MILLIKIN UNIVERSITY® 2 0 2 0 ALL IS BRIGHT MUSIC GUIDE VESPERS MEANS ‘EVENING’ AND IS ONE OF THE SEVEN CANONICAL HOURS OF PRAYER. MILLIKIN UNIVERSITY | SCHOOL OF MUSIC BELL CAROL (2017 All Choirs) William Mathias “AlltheBellsonEarthShallRing”wastheVespersthemeinMathias’compositionwastheperfect openingTheprocessionendeavorstorevealtoaudiencemembersthatbellsaregiftssounds(musicifyou will)oeredtothemangerIndeedtheremainderoftheprogramdisplayedbellsinbothcelebratoryand reflectivemomentsThepiecewascomposedforSirDavidWillcocksthechoirmasterwhobroughtsomuch attentiontotheLessonsandCarolsofKing’sCollegeCambridge ALLELUIA(2018 University Choir) Fredrik Sixten “SingAlleluia”wasthethemeofVespersinandSixten’sreflectivesettingcameearlyintheprogram givingthiswordusuallyconsideredfestiveinmoodasenseofadventhope LAUDATE DOMINUM (2015 Millikin Women) Gyöngyösi Levente LaudateDominumhasservedmanycomposersinincludingMozartwhouseditinhiswellknownSolemn VespersContemporaryHungariancomposerGyöngyösicombinesanincessantmantraonasinglenotewith complexrhythmsforthissettingofPs(“OPraisetheLordallyenations”)Harmonicdensityincreasesand joinstherhythmicdrivetothefinalAlleluiawheretheadditionofatambourineaddsafinalcelebratorynote MAGNIFICAT(2017 Collegiate Chorale) Bryan Kelly EvensongtheAnglicanversionofVespersalwaysincludesasettingoftheMagnificatEventhough thisiscomposedforEnglishearsBryanKelly’senthusiasmforLatinAmericanmusicisclearlyevident inthissettingfromthes GLORIA PATRIMAGNIFICAT (2019 All Choirs) John Rutter ThefinalmovementofRutter’sMagnificatgathersmanyofthework’sthemesintoatriumphantfinale
    [Show full text]
  • Program of Our 10Th Anniversary Year, a Year of Exploration and Variety in Celebration of Ten Years of Choral Music Making
    San Francisco Lyric Chorus Robert Gurney, Music Director Board of Directors Helene Whitson, President Bill Whitson, Treasurer Wylie Sheldon, Secretary David Baker, Director Anna Barr, Director Andrea Ogarrio, Director Welcome to the Summer 006 Concert of the San Francisco Lyric Chorus. Since its formation in 1995, the Chorus has offered diverse and innovative music to the community through a gathering of singers who believe in a commonality of spirit and sharing. The début concert featured music by Gabriel Fauré and Louis Vierne. The Chorus has been involved in several premieres, including Bay Area composer Brad Osness’ Lamentations, Ohio composer Robert Witt’s Four Motets to the Blessed Virgin Mary (West Coast premiere) New York composer William Hawley’s The Snow That Never Drifts (San Francisco premiere) San Francisco composer Kirke Mechem’s Christmas the Morn, Blessed Are They, To Music (San Francisco premieres), and selections from his opera, The Newport Rivals, and our 10th Anniversary Commission work, Lee R. Kesselman’s This Grand Show Is Eternal. We come to the final program of our 10th Anniversary Year, a year of exploration and variety in celebration of ten years of choral music making. We began with our Fall 005 program, as we presented An English Christmas, which honored the 500th birth of the great Thomas Tallis with a performance of his Missa puer natus est nobis and his lovely anthem, If Ye Love Me. We also presented joyous and gentle 0th-century Christmas compositions by British composers Ralph Vaughan Williams, Benjamin Britten, Gustav Holst, and William Mathias. Our exciting Spring 006 program, American Spiritual Landscapes, featured the San Francisco Lyric Chorus’ gift to the choral world—our 10th Anniversary Commission work—This Grand Show Is Eternal, by Illinois composer, Lee R.
    [Show full text]
  • Magnificat JS Bach
    Whitehall Choir London Baroque Sinfonia Magnificat JS Bach Conductor Paul Spicer SOPRANO Alice Privett MEZZO-SOPRANO Olivia Warburton TENOR Bradley Smith BASS Sam Queen 24 November 2014, 7. 30pm St John’s Smith Square, London SW1P 3HA In accordance with the requirements of Westminster City Council persons shall not be permitted to sit or stand in any gangway. The taking of photographs and use of recording equipment is strictly forbidden without formal consent from St John’s. Smoking is not permitted anywhere in St John’s. Refreshments are permitted only in the restaurant in the Crypt. Please ensure that all digital watch alarms, pagers and mobile phones are switched off. During the interval and after the concert the restaurant is open for licensed refreshments. Box Office Tel: 020 7222 1061 www.sjss.org.uk/ St John’s Smith Square Charitable Trust, registered charity no: 1045390. Registered in England. Company no: 3028678. ACKNOWLEDGEMENTS The Choir is very grateful for the support it continues to receive from the Department for Business, Innovation and Skills (BIS). The Choir would like to thank Philip Pratley, the Concert Manager, and all tonight’s volunteer helpers. We are grateful to Hertfordshire Libraries’ Performing Arts service for the supply of hire music used in this concert. The image on the front of the programme is from a photograph taken by choir member Ruth Eastman of the Madonna fresco in the Papal Palace in Avignon. WHITEHALL CHOIR - FORTHCOMING EVENTS (For further details visit www.whitehallchoir.org.uk.) Tuesday, 16
    [Show full text]
  • This Land Sings
    Choral & Song Reviews An attractive and well-crafted Bruckner • Stravinsky work, it is easy to understand why Bruckner: Mass No. 2 in E minor; Gardner regarded it as his most Stravinsky: Mass successful cantata, especially in a Berlin Radio Choir; Members of the performance as committed as this. Berlin Radio Symphony Orchestra/ Ashley Riches is a commanding Gijs Leenaars soloist, his diction never losing Pentatone PTC 5186 774 53:10 mins clarity in the various places where It’s a splendid he moves the story on, such as at coupling: these the heart of the longest movement, are the two most ‘The Harp of Alfred’. The City of original mass- London Choir and Paulina Voices settings since sing with rousing gusto in the more Beethoven’s rambunctious passages, such as Missa solemnis, both making ‘The Battle of Ethandune’, yet with strikingly un-Romantic use of a control and hush in the numerous wind ensemble. The Berlin Radio mysterious or poetic moments, such Choir are thoroughbreds, and to as the barely accompanied opening hear them tackling Bruckner’s high of ‘The baptism of Guthrun’. Both soprano writing and sustained here and in the purely instrumental fortissimo declamations, to say and charmingly quirky An English nothing of Stravinsky’s ear-testing Ballad (1969), the BBC Concert harmonic twists, is to marvel that Orchestra is typically assured it can be all brought off with so Clear command: baritone Ashley Riches leads the way with John Gardner and nuanced, while Hilary Davan little apparent effort. Not only Wetton paces the performances so, but director Gijs Leenaars, his ‘Any fool can vocalist Annika Socolofsky sings adroitly.
    [Show full text]
  • UNICORN RECORDS 27-29 York Road, Waterloo, London SE1. Based on a Bruckner Bust by Franz S
    in its traditions, he grew up in Australia, wnere ,,-- , '''''' ~ . ... "'·.... --- I I""' I~ - J - , --I It"'I.-'"I"" ... e ..........""':.._,...•• r (1862) of Bruckner is due to be issued by Calder Requiem aeternam (Grant them eternal rest) his love of this open, developing world became (Day of wrath) & Boyars in autumn 1970. Dies irae Moderato, E flat major reflected in the clarity of approach and execu­ Domine Jesu Christe (Lord Jesus Christ) F major tion that has marked his career as a conductor_ The Requiem in d minor was recorded in Hostias et preces (Sacrifices of praise and prayers to Thee) e minor He stems from the schools of Eugene Holy Trinity, Brompton, London, on 28 May Quam olim Abrahae (As Thou once didst promise to Abraham) March d minor Goossens, Rafael Kubelik and Carlo Zecchi , and and 1 June 1970. Sanctus (Holy, holy, holy, Lord God of Hosts) holds the Conductor's Diploma of the Paris The Four Orchestral Pieces were recorded in Benedictus (Blessed is He) Conservatoire, though he himself freely admits Barking Assembly Hall, London, on 1 July 1970. Agnus Dei (Lamb of God) that the greatest influence on his musical Producer: Dr. Robert Simpson Requiem aeternam (Grant them eternal rest) development has been the friendship and Engineer: Brian Snelling Cum sanctis tuis (With Thy saints forever) encouragement which Furtwa'ngler showed him; A DOLBY SOUND SYSTEM !RECORDING Sleeve printed by Richard Davis Ltd . Cover design by Justin Michmann Photograph of Hans-Hubert Schonzeler UNICORN RECORDS 27-29 York Road, Waterloo, London SE1. based on a Bruckner bust by Franz S.
    [Show full text]
  • Nineteenth Century Sacred Music: Bruckner and the Rise of the Cäcilien-Verein
    Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2020 Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein Nicholas Bygate Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Music Commons Recommended Citation Bygate, Nicholas, "Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein" (2020). WWU Graduate School Collection. 955. https://cedar.wwu.edu/wwuet/955 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein By Nicholas Bygate Accepted in Partial Completion of the Requirements for the Degree Master of Music ADVISORY COMMITTEE Chair, Dr. Bertil van Boer Dr. Timothy Fitzpatrick Dr. Ryan Dudenbostel GRADUATE SCHOOL David L. Patrick, Interim Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non- exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files.
    [Show full text]
  • Bach 721 - J.S
    BACH 721 - J.S. BACH: Cantatas 142 & 65, Magnificat BWV 243 Bach moved to Leipzig on May 22, 1723, where he was to live as Cantor of the Thomas Kirche for the remaining 27 years of his life. He quickly realized that the weekly Cantatas were to be his first priority, and he at once determined to fulfil an old ambition to produce a series of Cantatas as required for every Sunday or Special Occasion in the Church’s Year, composing almost one per week for the first three years of his tenure. Fortunately he was able to draw upon a basic cantata model already formulated several years earlier while he was at Weimar. Our first Cantata, BWV 142: Uns ist ein Kind geboren – For unto us a Child is born , a Cantata for the first day of the Christmas Festival, was composed at Weimar, probably in 1712 or 1713 with a text by Erdmann Neumeister. It is scored for Alto, Tenor and Bass soloists, a full Choir, two Recorders, two Oboes, first and second Violins, Viola and Continuo. This is followed by Cantata BWV 65: Sie werden aus Saba alle kommen – They shall all come out of Sheba. This Advent Cantata tells of the visit of the three Wise Men from the Orient, coming to present their gifts to the new-born Christ in the Bethlehem stable. First performed on January 6 th , 1724, the Festival of the Three Kings or Dreikönigsfest which brought to an end Bach’s first Leipzig Christmas, the Cantata is scored for Tenor and Bass soloists, full Choir, two Recorders, two Oboi da caccia, two Horns, Viola, Cello, Double bass and Continuo.
    [Show full text]
  • Bach: Magnificat & Christmas Cantata
    DUNEDIN CONSORT JOHN BUTT CHRISTMAS CANTATA 63 Reconstruction of Bach’s first Christmas Vespers in Leipzig in E flat major, BWV 243a and Cantata, BWV 63, within a reconstruction of J.S. Bach’s first Christmas in Leipzig: Vespers in the Nikolaikirche, 25 December 1723 Dunedin Consort John Butt Julia Doyle soprano Joanne Lunn soprano Clare Wilkinson mezzo-soprano Nicholas Mulroy tenor Matthew Brook bass-baritone For the full liturgy of the reconstruction of J.S. Bach’s first Christmas in Leipzig, please see pages 12–13. Additional content is available for download from www.linnrecords.com/recording-bach-magnificat.aspx for free. 2 Giovanni Gabrieli Magnificat in E flat major, BWV 243a q Motet: Hodie Christus natus f Magnificat .................................... 2:55 2:54 est a8 ............................................ g Et exsultavit ................................ 2:24 h Vom Himmel hoch .................... 1:30 Johann Sebastian Bach j Quia respexit .............................. 2:35 w Organ Prelude: Gott, durch k Omnes generationes ................. 1:21 deine Güte, BWV 600 ............. 1:00 l Quia fecit ...................................... 1:43 ; Freut euch und jubiliert .......... 1:20 Cantata: Christen, ätzet diesen Tag, 2) Et misericordia .......................... 3:30 BWV 63 2! Fecit potentiam ......................... 1:56 e Chorus: Christen, ätzet 2@ Gloria in excelsis Deo! ............. 1:06 diesen Tag .................................... 5:21 2# Deposuit potentes .................... 2:01 r Recit: O selger Tag! .................. 2:57 2$ Esurientes implevit bonis ....... 3:18 t Aria: Gott, du hast es wohl 2% Virga Jesse ................................ 2:58 gefüget ......................................... 7:26 2^ Suscepit Israel ........................... 2:03 y Recit: So kehret sich 2& Sicut locutus est ........................ 1:24 nun heut ...................................... 0:49 2* Gloria ............................................. 2:16 u Aria: Ruft und fleht den Himmel an ..................................
    [Show full text]
  • Bruckner Mass in E Minor Motets
    The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 BRUCKNER MASS IN E MINOR MOTETS Academy of St Martin in the Fields Sir Stephen Cleobury THE CHOIR OF KING’S COLLEGE, CAMBRIDGE For more than half a millennium, King’s College Chapel has been the home to one of the world’s most loved and renowned choirs. Since its foundation in 1441 by the 19-year-old King Henry VI, choral services in the Chapel, sung by this choir, have been a fundamental part of life in the College. Through the centuries, people from across Cambridge, the UK and, more recently, the world have listened to the Choir at these services. Today, even people who aren’t able to attend services in the Chapel have heard King’s Choir, thanks to its many recordings and broadcasts, and the tours that have taken it to leading international concert venues around the world. Despite its deep roots in musical history, the Choir has always been at the forefront of technological innovation, and records exclusively on its ‘impeccable’ own label. 2 BRUCKNER MASS IN E MINOR MOTETS The Choir of King’s College, Cambridge Academy of St Martin in the Fields Henry Websdale & Dónal McCann Organ Scholars Sir Stephen Cleobury conductor 3 CD 57:06 ANTON BRUCKNER (1824–1896) 1 ECCE SACERDOS MAGNUS | WAB 13 (1885) 6:04 MASS NO. 2 IN E MINOR | WAB 27 (1882) 2 I Kyrie 5:43 3 II Gloria 6:50 4 III Credo 7:58 5 IV Sanctus 2:42 6 V Benedictus 4:48 7 VI Agnus Dei 3:55 8 TOTA PULCHRA ES | WAB 46 (1878) 4:48 9 VIRGA JESSE | WAB 52 (1885) 3:17 10 LOCUS ISTE | WAB 23 (1869) 2:38 11 AVE MARIA | WAB 6 (1861) 3:05 12 CHRISTUS FACTUS EST | WAB 11 (1884) 5:18 4 SHADES OF THE PAST IN played out against a revival of interest in early music.
    [Show full text]
  • Bach Magnificat / Te Deum Mp3, Flac, Wma
    Bach Magnificat / Te Deum mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Magnificat / Te Deum Country: US Style: Baroque MP3 version RAR size: 1319 mb FLAC version RAR size: 1494 mb WMA version RAR size: 1841 mb Rating: 4.1 Votes: 634 Other Formats: MPC MP3 AIFF VOX DTS AU AAC Tracklist Hide Credits Magnificat D-dur BWV 243 Alto Vocals – Janet BakerBass Vocals – Thomas HemsleyComposed By – –Johann A1 Johann Sebastian BachEngineer – Robert GoochProducer – Suvi Raj 30:20 Sebastian Bach GrubbSoprano Vocals – Anne Pashley, Lucia PoppTenor Vocals – Robert Tear Te Deum C-dur –Anton B1 Alto Vocals – Birgit FinniläBass Vocals – Don GarrardSoprano Vocals – 22:45 Bruckner Anne PashleyTenor Vocals – Robert Tear Companies, etc. Phonographic Copyright (p) – EMI Electrola GmbH Credits Chorus – New Philharmonia Chorus Conductor – Daniel Barenboim Leader – Wilhelm Pitz Orchestra – New Philharmonia Orchestra Notes Recorded in England Other versions Category Artist Title (Format) Label Category Country Year Bach* / Bruckner* - His Master's Bach* / Bruckner* ASD 2533, Daniel Barenboim - Voice, His ASD 2533, - Daniel UK 1970 ASD. 2533 Magnificat / Te Deum Master's ASD. 2533 Barenboim (LP) Voice Bach* / Bruckner* - Bach* / Bruckner* New Philharmonia - New Chorus And Philharmonia His Master's 7692591 Orchestra*, Daniel 7692591 Germany 1970 Chorus And Voice Barenboim - Orchestra*, Magnificat / Te Deum Daniel Barenboim (LP) Bach* / Bruckner* - World S/5250 Bach* / Bruckner* Magnificat / Te Deum S/5250 Australia 1973 Record Club (LP, Album,
    [Show full text]
  • DEDHAM CHORAL SOCIETY PROGRAMS Performance History Winter Spring
    DEDHAM CHORAL SOCIETY PROGRAMS Performance History Winter Spring 2000’s 2007-08 Machet die Tore Weit - Telemann The Armed Man: A Mass for Peace‡ - Jenkins Vesperae Solennes de Dominica - Mozart Dona Nobis Pacem (Mass in B minor) - Bach German Carols: Weinachtszeit in Dutschland Dona Nobis Pacem - Vasks 2006-07 Laura per la Natività del Signore - Respighi Lux Aeterna - Lauridsen Gloria in D, RV 589 - Vivaldi Ubi Caritas et Amor - Lauridsen Ballad of Befana - Mechem Kyrie, Credo & Domine ad adiuvandum me festina - Vivaldi Italian Christmas Carols Hymns to the Virgin: Laudi all vergine Maria - Verdi Ave Marie - Rossini Ave Marie - Verdi Salve, O Vergine Maria - Rossini 2005-06 Christmas Cantata - Pinkham Missa sub titulo Sancti Francisci Seraphici - M. Haydn Christmas Spiritual Medley - Jennings Requiem KV 626 (Levin edition) - Mozart Gloria - Rutter 2004-05 Magnificat - Zelenka Carmina Burana: Cantiones profanae - Orff Musik’s Jubilee - Carter Cantata for Christmas - Gardner 2003-04 Canticles of Light - Chilcott Mass in D - Dvorak O Magnum Mysterium - Lauridsen Promise of Living - Copland Magnificat - Willcocks Selections from Mass - Bernstein Ave Maria -Biebl 2002-03 Gloria - Mendelssohn Vespers of the Blessed Virgin - Monteverdi Messiah Part I - Handel 2001-02 Magnificat - Bach Requiem - Duruflé Magnificat - Mendelssohn Missa Brevis in C - Mozart Magnificat - Pärt Ave Verum Corpus - Mozart 2000-01 Christmas Cantata - Bush Mass in C Minor - Mozart In Terra Pax - Finzi Te Deum - Haydn Three Ukrainian Carols 1999-2000 The Star of Bethlehem
    [Show full text]