Autumn & Winter, Brisbane

Total Page:16

File Type:pdf, Size:1020Kb

Autumn & Winter, Brisbane AUTUMN WI NITER FT' IIIID IFINc€1113Still IIIQZiwh%IIIIIII% TNEVAIIIIEV BRISBANE 1tYettieltilatri'ariarlitrectriaasstaditicaMiiarieltfaMtaYeariN Novertia•-ty•ormorrest. • .14-.1 •T•li • r • 1410.444,14440444,16,-,44,1,40 4,1 J. •• FOY & GIBSON Pty. Ltd. THE VALLEY, BRISBANE, Have much pleasure in submitting our New Season's Catalogue, which we trust will prove most interesting. General Information for our Customers. FREE FREIGHT ON DRAPERY THROUGHOUT QUEENSLAND. OUR TERMS OF BUSINESS are prompt NETT CASH; a remittance •• covering cost of goods should, therefore, accompany the order to avoid delay. 7. WHEN ORDERING, give full name (not initials only), postal address, and 71 state whether Mr., Mrs., or Miss. When residing at a distance from the station or port, give instructions for forwarding Always mention amount of remittance sent, and do not overlook to state clearly the Size, Colour, or other particulars of Goods required. In cases where the Articles needed are not shown or priced in our Catalogues or Advertisements, an allowance to cover their cost may be made in the remittance. Any balance left over will be returned with the bills, or placed on credit, as desired. REMITTANCES may be made by MONEY ORDERS. CHEQUES, BANK DRAFTS OR POSTAL NOTES. ALL POSTAL NOTES and MONEY ORDERS should be made payable to FOY & GIBSON Proprietary Ltd., BRISBANE. Letters containing money or other valuables should always be registered, as it is the only means by which security against loss can be achieved. The cost of registration is only 3d. FREIGHT. — On all orders for DRAPERY, MANCHESTER GOODS, LADIES' and GENT'S CLOTHING AND FOOTWEAR, received from with- in Queensland, WE PAY FREIGHT. For other Merchandise it will be essential to add Freight Cost or Postage. Purchases will be sent to the nearest Railway Station or Post Office, according to size of parcel. Cus- tomers residing outside of Queensland must add Carriage Charges or Postage on all purchases. Goods will be sent by lowest Freight or Postage Cost, and any money over will be refunded. WHEN RECEIVING GOODS, Customers should satisfy themselves that they are in good order before signing Railway receipt book. In instances where damage, etc., is suspected, the packages should be examined in the presence of the Railway Officials. • RETURNS.—We are quite willing to exchange any goods not deemed saitsfactory, if returned to us, Carriage Paid, within Seven Days. GAR- MENTS MADE SPECIALLY, and MATERIALS CUT FROM THE PIECE are exceptions to this undertaking. Note:—MILLINERY will not be exchanged under any consideration. WHEN RETURNING GOODS always write the Name and Address of the Sender on the outside of the Parcel. Address: "FOY & GIBSON PROPRIETARY LIMITED, BRISBANE." WE ARE MANUFACTURERS OF THE FAMOUS " GIBSONIA" Woollen Goods, Hosiery, Underwear. • , n101,4%,114 • k1.0,11.10AP MIXTAMOSCIMMOURIAMIVIIIMX9AVAMMONVIVJEA,Wolko•A • • 1,.• patMWLVIII,St.Nm tx,fAvvp vg(IMPA,• THE HOME OF "G1BSONIA." FOY & GIBSON Pty. Ltd. The Valley, BRISBANE Fabrics and Piece Goods " GIBSONIA" Dress and Coat Materials. W. 1. - "Gibsonia" Dress Flannels, 38ins. wide. These fabrics are made in our own Mill, and are made from the best selected wool. In a range of the newest smart checks. Yard 6/11 W. 2.--"Gibsonia" Tweeds, 38ins. wide. Tweeds will be in much demand this Season for both Coats and Costumes. In a range of the latest fancy weave effects. Price, yard 6/11 W. 3.-"Gibsonia" Dress Flannel, 38ins wide. All pure Wool and a nice even weave in colours of Grey, Mastic, Rose Beige, Almond, Vieux Rose, Saxe, Royal, Amethyst, Navy, Brown. Yard 4/11 W. 4.-"Gibsonia" Flannel, 54ins, a nice medium weight, guaranteed all pure Wool in colours of Mas- tic, Rose, Wine, Almond, Maroon, Myrtle, Royal, Kingfisher, Navy, Black. Yard.. 6/11 W. 5.-"Gibsonia" Velour, 54ins. wide. This par- ticular cloth is made from the best Wool procurable, and is used extensively for Coats, etc. Can be had in colours of Fawn, Wedgwood, Green, Mushroom, Henna, Rosedust, Grey, Wine, Rose, Violet, and Navy. Price, yard 14/6 W. 6.-"Gibsonia" Velour, 54ins. wide, guaranteed all Wool. In colours of Saxe, Mole, Brown, Green, Grey, Wine, Fawn, Putty, Navy, and Saxe. Price, yard 1 1/6 W. 7.-"Gibsonia" Tweeds, 54ins. wide In all the Season's newest Tweed effects. Will be in much demand this Season for Coats also Costumes. Price, yard 7/ 11 W. 8. - "Gibsonia" . Tweed, 54ins. W. 12.-Charmalaine, 54ins. wide. wide, made from the best selected An all Wool Fabric with a beauti- W. 16.-Kashella, 36ins. wide, a Wool, and showing in a magnificent ful Satin finish, in colours of nice fine even weave in a range of fancy broken checks. range of the newest Amethyst, Saxe, Cedar Bark, Irak, Price, yard Tweed effects. Yard.. 10/6 Myrtle. 2/11 Price, yard 13/6 W. 9.-"Gibsonia" Tweeds, 54ins. W. 17. - Suiting 54ins. wide. A wide. A nice even weave, will make W. 13.-Wool Repp, 39ins. wide. an ideal Coat for Ladies' All pure Wool, and made by Priest- nice fine even weave Fabric which will be used extensively for Cos- or Children's wear. Yard 12/6 ley's Ltd., in colours of Saxe, Grey, Wine, Navy. tumes, also Tailored W. 10.-"Gibsonia" Worsted Suit- Coats. Price, yard 21/- ing, 54ins.. These Fabrics are made Price, yard 7/11 in the world renowned "Gibsonia" W. 14. - Charmante, 40ins. wide. W. 18.-Navy Serge, 54ins. wide. Mills, and are thoroughly recom- An all Wool Fabric with a nice rich This Fabric we can do in good mended for smart Coats, also Cos- Satin finish. Will make ideal coats, Indigo Blues, and good dyes. tumes. Will be in much demand also costumes. In colours of Navy, Prices, yard .... 7/11, 9/11, 11/6 this Season. Chestnut, Henna, Violet, Nigger, Price, yard 14/11 Fawn, Brown, and Almond. Price, yard 7/ 11 W. 19.-Navy Gabardine, 54ins., all W. 11.-Wool Repp, 54ins. wide. Wool and a nice even weave. - Wool Crepe de Chene, This Fabric is made by the well W. 15. Prices, yard 10/6, 12/6 known firm of Priestley's Ltd., and 39ins. wide. This fashionable fab- is guaranteed all pure Wool. An ric is made from high grade wool ideal weight for Coats and Cos- in a nice fine weave, and is an ideal W. 20. - Navy Venetian Cloth, tumes. In colours of Rosedust, weight for Frocks in colours of 54ins. A nice soft Fabric and a Grey, Irak, Coronation, Venetian Malay, Harvest, Mushroom, Ros- beautiful Satin face finish. Used Blue, Mushroom, and ette, Sultana, Wine, / I extensively for Coats, Navy. Price, yard .... 9/11 Navy & Black. Yard 7/ I I etc. Price, yard 9/11 1 A 'THE HOUSE OF VALUE. FOY & GIBSON Pty. Ltd. The Valley, BRISBANE FABRICS AND PIECE GOODS.-Continued. W. 21.-Navy Blazer Flannel 54ins. W. 35.-Black Cashmere, 45ins. wide. This W. 49.-Black Velveteen, 22ins. wide. A wide. All pure Wool, made by the Fabric is a nice even weave, and noted for nice soft finish in a good its wonderful wearing quali- reliable Black. Yard 3/11 famous "Gibsonia" Mills. ties. Price, yard 8/11 Prices, yard .... 6/11, 7/11, 8/11 W. 50.-Black Velveteen, 27ins. wide. One W. 36.-Black Flannel, 54ins. all Pure of our special qualities in a W. 22.-Cream Cashmere, 54ins. wide. A Wool, noted for good serviceable good Rich Black. Yard 5/11 wonderful soft Fabric in a nice even weave, wear. Price, yard 6/1 1 used extensively for Shawls, W. 51. - Black Velveteen, 35ins. etc. Price 13/6 W. 37.-Black Serge, 54ins. A nice soft finish in a good Black. Yard wide. This Fabric will make ideal Frocks, also Evening Wraps, etc. W. 23.-Cream Kremlaine, 40ins. wide. Better quality, 12/6, 15/6. 10/6 This Fabric is well known for its wearing A good rich Black. qualities. 54ins. Yard 6/11, 9/11 W. 38. - Black Repp, 40ins. wide. All 6/11 Wool and a good rich Black. Price, yard Price, yard Better qualities. Yard 7/11, 8/11 W. 24.-Cream Radianta. This material is 8/11 used extensively for children's Frocks, W. 52.-Coloured Velveteen, 22ins. wide. Underwear, etc. Does not shrink. W. 39.-Black Melton Cloth, 40ins. wide. This is one of our noted qualities which we 40ins. wide,- Yard 4/11, 5/11, 6/11, 7/11 This fabric ha -i a nice soft finish can recommend. In a range of colours 54ins. wide. Yard 6/11, 7/11 and is a good Black. Yard .. 2/11 including Cream, Saxe, Grey, Green, Navy, Purple, Light Brown, Royal, W. 25.-Cream Viyella, a wonder- W. 40.-Winceyettes, 36ins. wide. and Black. Price, yard 3/11 ful soft Fabric well known for its One of our specially selected num- bers, and made expressly for us. W. 53.-Coloured Velveteen, 27ins. remarkable washing and wearing wide. This particular line is used qualities. Does not shrink. This Fabric is used for all pur- poses, and can be thoroughly relied extensively for Children's wear. 31ins. Yard 5/6, 5/11 Will also be very smart for Even- 45ins. Yard 8/6 on to give satisfaction. In colours of Pink, Sky, Helio, Salmon, and ing wear. In colours of Bluette, Coral, Shrimp, Royal, Cyclamen, W. 26.-Cream Clydella. This particular Cream. Fabric is well known for its usefulness, Price, yard 1/11 Red, Peach, also Black. being a nice light weight it can be used Yard 4 /11 for all purposes. 31ins. W. 41. -- Molleton, 38ins. wide. Price, yard 3/3 W. 54.-Coloured Velveteen, 27his.
Recommended publications
  • C U R R I C U L U M G U I
    C U R R I C U L U M G U I D E NOV. 20, 2018–MARCH 3, 2019 GRADES 9 – 12 Inside cover: From left to right: Jenny Beavan design for Drew Barrymore in Ever After, 1998; Costume design by Jenny Beavan for Anjelica Huston in Ever After, 1998. See pages 14–15 for image credits. ABOUT THE EXHIBITION SCAD FASH Museum of Fashion + Film presents Cinematic The garments in this exhibition come from the more than Couture, an exhibition focusing on the art of costume 100,000 costumes and accessories created by the British design through the lens of movies and popular culture. costumer Cosprop. Founded in 1965 by award-winning More than 50 costumes created by the world-renowned costume designer John Bright, the company specializes London firm Cosprop deliver an intimate look at garments in costumes for film, television and theater, and employs a and millinery that set the scene, provide personality to staff of 40 experts in designing, tailoring, cutting, fitting, characters and establish authenticity in period pictures. millinery, jewelry-making and repair, dyeing and printing. Cosprop maintains an extensive library of original garments The films represented in the exhibition depict five centuries used as source material, ensuring that all productions are of history, drama, comedy and adventure through period historically accurate. costumes worn by stars such as Meryl Streep, Colin Firth, Drew Barrymore, Keira Knightley, Nicole Kidman and Kate Since 1987, when the Academy Award for Best Costume Winslet. Cinematic Couture showcases costumes from 24 Design was awarded to Bright and fellow costume designer acclaimed motion pictures, including Academy Award winners Jenny Beavan for A Room with a View, the company has and nominees Titanic, Sense and Sensibility, Out of Africa, The supplied costumes for 61 nominated films.
    [Show full text]
  • Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
    SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California.
    [Show full text]
  • Pricelist for : Web - Standard Jan 2020 - Valid Until Mar 15 2020
    Pricelist for : Web - Standard Jan 2020 - Valid until Mar 15 2020 Prices include base fabric and digital printing. No setup/ hidden costs. Prices inc VAT Create your fabric today at www.fashion-formula.com Natural Fibres Fabric Code Fabric Name Composition Colour Weight Face Popular For Width (mm) Sample FQ 40 - 300 m 20-39m 10-19m 4-9m 1-3m CF001 SATIN 100% COTTON White 240 Satin ✂️ 1350 £3.25 £12.80 £20.65 £21.90 £26.25 £30.00 £33.15 CF002 DRILL 100% COTTON White 250 Twill ✂️ 1400 £3.25 £10.00 £18.75 £21.25 £22.50 £27.50 £29.40 CF004 POPLIN 100% COTTON White 130 Plain ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £26.25 £27.50 £30.00 CF005 PANAMA 100% COTTON White 210 Panama ✂️ 1400 £3.25 £12.00 £19.40 £20.65 £21.90 £27.50 £30.00 CF006 LIGHT TWILL 100% COTTON White 210 Twill ✂️ 1400 £3.25 £11.60 £20.00 £21.25 £22.50 £25.65 £28.70 CF007 TOP SATEEN 100% COTTON White 170 Satin ✂️ 1350 £3.25 £11.60 £20.65 £22.50 £25.00 £28.75 £30.65 CF008 MELINO LINEN 93% CO 7% LINEN White 228 Panama ✂️ 1350 £3.25 £12.40 £20.65 £22.50 £25.00 £29.40 £31.90 CF009 LIMANI LINEN 90% CO 10% LINEN White 250 Panama ✂️ 1350 £3.25 £12.80 £23.15 £26.25 £30.00 £32.50 £35.00 CF011 CALICO COTTON 100% COTTON White 155 Plain ✂️ 1400 £3.25 £8.00 £16.25 £18.15 £20.00 £21.90 £23.75 GOTS ORGANIC CF014 COTTON PANAMA 100% COTTON Natural 309 Panama ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £25.00 £28.75 £31.90 NATURAL CF016 HEAVY DENIM 100% COTTON White 395 Twill ✂️ 1400 £3.25 £12.80 £23.15 £26.25 £28.75 £31.25 £32.25 CF017 COTTON SLUB 100% COTTON White 150 Slub
    [Show full text]
  • The War and Fashion
    F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book.
    [Show full text]
  • Antiques, Furnishings, Collectors' Items, Textiles & Vintage Fashion
    Antiques, Furnishings, Collectors' Items, Textiles & Vintage Fashion Thursday 23rd November 2017, 10am Viewing Wednesday 22nd November 10.30am-6pm and day of sale from 9am THE OLD BREWERY BAYNTON ROAD ASHTON BS3 2EB [email protected] 0117 953 1603 www.bristolauctionrooms.co.uk Live Bidding at @BristolAuctionRooms @BristolSaleroom BUYERS PREMIUM 24% (INCLUSIVE OF VAT) PLUS VAT ON THE HAMMER PRICE AT 20% WHERE INDICATED Sale No. 191 Catalogue £2 IMPORTANT NOTICES We suggest you read the following guide to buying at Bristol Auction Rooms in conjunction with our full Terms & Conditions at the back of the catalogue. HOW TO BID To register as a buyer with us, you must register online or in person and provide photo and address identification by way of a driving licence photo card or a passport/identity card and a utility bill/bank statement. This is a security measure which applies to new registrants only. We operate a paddle bidding system. Lots are offered for sale in numerical order and we usually offer approximately 80-120 lots per hour. We recommend that you arrive in plenty of time before the lots you are wishing to bid on are up for sale. ABSENTEE BIDS If you cannot attend an auction in person, Bristol Auction Rooms can bid on your behalf, acting upon your instructions to secure an item for you at the lowest possible price as allowed by other bids and reserves. You can leave bids in person, through our website, by email or telephone - detailing your intended bids clearly, giving your price limit for each lot (excluding Buyer’s Premium and VAT).
    [Show full text]
  • CAMELLIA RETICULATA • SHOT SILK Courtesy Camellias in America Revised Edition, by H, Harold Hume 2 Tbe Camellia Bulletin
    Volume g, Number 2 )anuary,lgS6 © CAMELLIA RETICULATA • SHOT SILK Courtesy Camellias in America Revised Edition, by H, Harold Hume 2 Tbe Camellia Bulletin Published by NORTHERN CALIFORNIA CAMELLIA SOCIETY, INC. OFFICERS PRESIDENT TREASURER Clement A. Roberts (LAkehurst 3-2465) Walter N. Powell (OLympic 3-1586) 2851 Johnson Avenue, Alameda 423 - 60th Street. Oakland 9 VICE-PRESIDENT OTHER DIRECTORS Wallace H. Brown (OLympic 2-5404) John Beers (YEllowstone 4-9545) 201 The Uplands, Berkeley 5 1588 Geary Road, Walnut Creek Albert E. Evers (ATlantic 3-3367) SECRETARY 3676 Happy Valley Road, Lafayette David B. Grigsby (THornwall 3-4192) Mrs. G. Myron Grismore (KEllog 2-3449) 2218 Jefferson Street. Berkeley 3618 Victor Avenue, Oakland COMMITTEE CHAIRMEN PROGRAM BLOOM DISPLA Y Wallace H. Bro-dn, Berkeley Mrs. Lenore Broze, Oakland MEMBERSHIP PUBLIC ADDRESS SYSTEM Haig S. Ashuckian, Lafayette Louis J. Giomi, Redwood City LAKESIDE CAMELLIA GARDEN CULTURAL EXPERIMENTATION Albert E. Evers, Lafayette Harold L. Paige, Lafayette QUESTION PERIOD SERGEANT-AT-ARMS Rcy W. Tess, Orinda Louis J. Macchia, San Carlos AWARDS RECEPTION David B. Grigsby, Berkeley Mrs. G. Myron Grismore, Oakland HOSTESS BOOK SALES Mrs. Judson K. iCirby, Concord James G. Brady, Oakland BULLETIN EDITORIAL STAFF BULLETIN ADVISORY BOARD EDITOR Woodford F. Harrison David L. Feathers (Clifford 4-2171) 910 Oxford Street, Berkeley I Camellia Lane, Lafayette, Calif. Harold L. Paige ASSOCIATE EDITORS 1212 Monticello Road, Lafayette John D. Lawson, M.D. 2920 Capitol Avenue, Sacramento, Calif. Roy T. Thompson 2723 Hermosita Drive Glendale 8, Calif. PACIFIC CAMELLIA SOC1ETY OFFICERS PRESIDENT SECRETARY R. F. Dickson (SYcamore 7-2159) Mrs. Sidney Harris (NOrmandy 1-5104) 1494 Casa Grande, Pasadena 7 3871 Franklin Ave.
    [Show full text]
  • Textile Arts and Aesthetics in and Beyond the Medieval Islamic World
    Perspective Actualité en histoire de l’art 1 | 2016 Textiles Crossroads of Cloth: Textile Arts and Aesthetics in and beyond the Medieval Islamic World Aux carrefours des étoffes : les arts et l’esthétique textiles dans le monde islamique médiéval et au-delà Vera-Simone Schulz Electronic version URL: http://journals.openedition.org/perspective/6309 DOI: 10.4000/perspective.6309 ISSN: 2269-7721 Publisher Institut national d'histoire de l'art Printed version Date of publication: 30 June 2016 Number of pages: 93-108 ISBN: 978-2-917902-31-8 ISSN: 1777-7852 Electronic reference Vera-Simone Schulz, « Crossroads of Cloth: Textile Arts and Aesthetics in and beyond the Medieval Islamic World », Perspective [Online], 1 | 2016, Online since 15 June 2017, connection on 01 October 2020. URL : http://journals.openedition.org/perspective/6309 ; DOI : https://doi.org/10.4000/ perspective.6309 Vera-Simone Schulz Crossroads of Cloth: Textile Arts and Aesthetics in and beyond the Medieval Islamic World A piece of woven silk preserved in the Cooper-Hewitt National Design Museum in New York (fig. 1) shows medallions with pearl borders in which various animals appear. The elephants, winged horses, and composite creatures with dog heads and peacock tails are positioned alternately face-to-face and back-to-back. The fabric is designed to be viewed both from a distance and more closely. From a distance, the overall structure with its repeating pattern forms a grid in which geometrical roundels oscillate between contact and isolation. They are so close they seem almost to touch both each other and the complicated vegetal patterns in the spaces between, although in fact each roundel remains separate from every other visual element in the textile.
    [Show full text]
  • Seritechnics
    Seri­Technics Historical Silk Technologies Edition Open Access Series Editors Ian T. Baldwin, Gerd Graßhoff, Jürgen Renn, Dagmar Schäfer, Robert Schlögl, Bernard F. Schutz Edition Open Access Development Team Lindy Divarci, Samuel Gfrörer, Klaus Thoden, Malte Vogl The Edition Open Access (EOA) platform was founded to bring together publication ini­ tiatives seeking to disseminate the results of scholarly work in a format that combines tra­ ditional publications with the digital medium. It currently hosts the open­access publica­ tions of the “Max Planck Research Library for the History and Development of Knowledge” (MPRL) and “Edition Open Sources” (EOS). EOA is open to host other open access initia­ tives similar in conception and spirit, in accordance with the Berlin Declaration on Open Access to Knowledge in the sciences and humanities, which was launched by the Max Planck Society in 2003. By combining the advantages of traditional publications and the digital medium, the platform offers a new way of publishing research and of studying historical topics or current issues in relation to primary materials that are otherwise not easily available. The volumes are available both as printed books and as online open access publications. They are directed at scholars and students of various disciplines, and at a broader public interested in how science shapes our world. Seri­Technics Historical Silk Technologies Dagmar Schäfer, Giorgio Riello, and Luca Molà (eds.) Studies 13 Max Planck Research Library for the History and Development of Knowledge Studies 13 Editorial Team: Gina Partridge­Grzimek with Melanie Glienke and Wiebke Weitzmann Cover Image: © The British Library Board. (Yongle da dian 永樂大典 vol.
    [Show full text]
  • St. Patrick*S Day Special Pages 13-28 Early Christian Women of the Province
    The Denver Catholic Register MARCH 7,1990 VOL LXVI NO. 10 Colorado's Largest Weekly 40 PAGES 25 C E N TS Episcopal leader leaves BISHOP FREY a legacy of ecumenism By Colleen Smith Mason beyond de facto disunity and demonstrate our un­ unity.” derstanding that we are bound together by our Bap­ Bishop Frey’s relationships with former bishops of When Episcopal Bishop William C. Frey ordained tism in Jesus Christ. I think the fact that The Denver Denver also were marked by camaraderie. The late a woman to the priesthood March 1 at the Air Force Catholic Register is interested in doing this inter­ Archbishop James V. Casey was quoted as saying, “ I Academy in Colorado Springs, he performed his last view is evidence of the progress we’ve made.” have a lot of respect and affection for Bishop Frey official act as head of the Episcopal Diocese of Bishop Frey added, “ It has been a blessing to both as a friend and as a leader. He’s highly gifted by Colorado. enjoy the companionship of the Catholic church for God.” For Colorado Christians, Bishop Frey’s departure the common task. You know, different parts of the Bishop Frey, whose early ministry was spent in a marks the end of the beginning of an era of ec­ country react differently; not everyone gets the priv­ circuit of Colorado mountain missions, will leave the umenism. ilege of the type of fellowship here in Colorado.” state the middle of March to assume the role of dean Bishop Frey, 60, said that the most satisfying as­ and president of Trinity Episcopal School for Minis­ pect of his 18 years as Episcopal bishop of Colorado Desire for Christian unity try in Ambridge, Pa.
    [Show full text]
  • Dr. Jaeger's Sanitary Woollen Clothing System : Net Price List
    PREVIOUS LISTS CANCELLED. v NET PRICE LIST. lip, ■ *>$■%< -*! SANITARY lx> lib llen Clothing System REQUIRE THIS TRADE MARK UPON EVERY ARTICLE. N p&a„ Every Article of Dr. Jaeger’s System bears the above Trade Mark. NONE ARE GENUINE WITHOUT IT, SOLE DEPOT: 21 & 23 COLMORE ROW, BIRMINGHAM. ---w^ ^ ^fr w w -*w* ** 0+ TISH MANUFACTURE. Dr. Jaeg-er’s Sanitary Woollen System Co., Ld., Central Office (Wholesale):— 95, MILTON STREET, LONDON, E.C. MEMORANDA TO WHICH ATTENTION IS RESPECTFULLY REQUESTED This edition supersedes previous editions. Wholesale Postal Address : 95, Milton Street, London, E.C. Retail 33 33 42 k 43, Fore Street, E.C. 33 3) 33 3 & 4, Princes St., Cavendish Sq., W. 33 3) 33 East Street and The Avenue, Brighton. 33 3’ 13 23, Commercial Street, Leeds. N.B Customers ordering by Post for the first time should address their correspondence to 42 k 43, Fore Street, London, E.C., unless, in view of probable future transactions, some other Depot should be considered more convenient. All Goods are supplied for Net Cash. References or Remittances are requested from strangers before dispatch of Goods. Remittances should include cost of carriage (see below). Orders should be headed with—Full Postal Address, forwarding instructions, and Railway Station for Parcels. Full permanent home address (if writing from a temporary abode). Title, whether Mrs., Miss, etc., should be stated. Change of address should be immediately notified, and the late as well as the new address mentioned. In the event of any mis-spelled name, or wrong designation in the Invoice, the error should be pointed out at once; otherwise much subsequent confusion may arise.
    [Show full text]
  • WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion
    WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion Over the years, the wool industry has attempted to standardize wool textile terminology. The following is list of such terms listed in “Twills, Tweeds and All-Wool Fabrics” by Harriet C. Douglas. Public Domain on arizona.edu. Broken Twill – are twills in which one or more shafts are omitted in the threading, but the weaving is regular. Dornik is an example. Cheviot Tweeds – originally from the Cheviot Hills of Scotland. Made from the rough, coarse wool of the Cheviot wool in plain weave or in 2/2 twill, with warp and weft of the same color. Often pieced dyed rather than skein dyed. Combined Twills – are Fancy twills woven in small patterns with broken diagonals and irregular warp and weft skips. Corkscrew Twills – are warp and weft rib twills produced on an uneven number of shafts, by weaving semi-opposites. One of the few twills which is not a balanced weave. Curved Twills – are Fancy twills in which the twill lines have a waved or curved nature. District Checks – is the general name applied to the Scotch Tweed checks developed during the rein of Queen Victoria for hunting and sport wear. They are characterized by a certain boldness of small figures, but “protective coloration”. They include such checks as the Glenns, The Glen Urquharts and the Shepherd check, woven on two, three or four colors. Donegal Tweed – has two types. One is a herringbone weave on a white warp with a dark weft; the other, a plain weave fabric woven with a weft which has colored nubs.
    [Show full text]
  • University of Huddersfield Repository
    University of Huddersfield Repository Bate, Toni Costume with Textiles: The Role and Development of Textiles in the Interpretation of Historical Dress for Contemporary Theatrical Costume Original Citation Bate, Toni (2015) Costume with Textiles: The Role and Development of Textiles in the Interpretation of Historical Dress for Contemporary Theatrical Costume. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/30289/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Costume with Textiles: The Role and Development of Textiles in the Interpretation of Historical Dress for Contemporary Theatrical Costume Toni Bate A thesis submitted to The University Huddersfield in partial fulfilment of the requirements of the degree of Masters by Research December 2015 Abstract Costuming a theatrical show is a complex process, from the initial design concept to opening night, the journey through the design and construction of a period costume worn for a live performance requires collaboration and compromise with director, designer, performer and the costume team.
    [Show full text]