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Jiri Karasek,Sascha Schneider,Kirsten Lodge | 141 pages | 06 May 2016 | Twisted Spoon Press | 9788086264462 | English | Prague, Czech Republic A Gothic Soul : Jiri Karasek :

Goodreads helps you keep track of books you want to read. Want to A Gothic Soul saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Darkly by Leila Taylor. Leila Taylor takes us into A Gothic Soul dark heart of the American gothic, analysing the ways it relates to race in America in the twenty-first century. Haunted houses, bitter revenants and muffled heartbeats under floorboards — the American A Gothic Soul is a tale based on a true story. Part memoir and part cultural critique, Darkly: The American Gothic explores American cult Leila Taylor takes us into the dark heart of the American gothic, analysing the ways it relates to race in America in the twenty-first century. The persistence of white supremacy and the ubiquity of Black death feeds a national culture of terror and a A Gothic Soul undercurrent of mourning. If the gothic narrative is metabolized fear, if the goth aesthetic is romanticized melancholy, what does that look and sound like in Black America? Get A Copy. Paperbackpages. More Details Original Title. Other Editions 3. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Darklyplease sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Sep 08, Ross Blocher rated it it was amazing. Leila "lee-lah" Taylor is an outlier within an already niche subculture: a Black woman drawn to all things gothic. In Darkly: Blackness and America's Gothic Soulshe plays around with the definitions, conceptions and implications of all things dark, spooky, gothic, black, and Black. It's a wide-ranging collection of observations on life, belonging, music, film, history, architecture, decay, violence, terror, and the Black experience in America. There's no particular structure, but it's too in Leila "lee-lah" Taylor is an outlier within an already niche subculture: a Black woman drawn to all things gothic. There's no particular structure, but it's too interesting to be fragmented: we're just along for A Gothic Soul ride. Taylor's writing is poetic and powerful, building up a swell of thoughts and emotions just before A Gothic Soul delivers an unexpected sentence that stops you dead in your tracks. It's A Gothic Soul quick, rewarding, and eye-opening read. Aug 30, A Gothic Soul rated it it was amazing Shelves: favouriteshorroressays. This is a book I'll be returning to again and again. Possibly the best I've read in A Gothic Soul is a nonfiction work that bridges the personal and the historical by interweaving bits of memoir into cultural analysis. In each chapter, Leila takes an element of the Gothic—monstrousness, the aesthetics of mourning, crumbling houses, a fascination with the color black—and explores how it relates to the experience of being Black in America, and to her personal experience growing up as a Black goth. In each discussion, she draws on a mix of personal reminiscences, historical accounts, cla Darkly is a nonfiction work that bridges the personal and the historical by interweaving bits of memoir into cultural analysis. In each discussion, she draws on a mix of personal reminiscences, historical accounts, classic Gothic literature, horror films, and pop culture or alt-culture. From the horrors of slavery to the Jim Crow era and the racism that persists in our society today, American history reads like a Gothic novel where Black people are alternately the monsters, the victims, and the dark secret buried under the floorboards. May 03, josie rated it it was amazing. The author presented some keen observations on the similarities and links between the gothic subculture and the black experience in American society and history. However, I A Gothic Soul more of an analytic analysis, rather than her own experiences. It was a good book, but not my favorite. Feb 21, Marietta rated it it was amazing. I loved this book so much. I don't have a great knowledge of Goth culture, but the author's encyclopedic knowledge of her subject, along with a treasure chest of pop-culture references, made me want to know more. We meet a smart, angsty Black girl whose love of all things A Gothic Soul as well as all things Detroit, becomes her way of framing her experiences as she develops into a smart, wry, still-a-bit angsty grown-up writer. I knew I was in good hands when Toni Morrison's Beloved was discussed early o I loved this book so much. I knew I was in good hands when Toni Morrison's A Gothic Soul was discussed early on - but through the lens of Goth's appreciation of the way we are haunted by lost love and by history, as well as the traditional view of the book as an exploration of the way American culture A Gothic Soul haunted by the travesty of slavery. I've come away from her book with a new appreciation of the nuances of Goth expression, as well as a long list of things I need to read, watch, and hear. Nov 18, Rodney rated it really liked it. A survey of black American history as seen through the eyes of a black female goth. The synthesis of the author's personal experiences with a wide breath of ideas re: race, art, music, A Gothic Soul, philosophy and history is both fluid and fascinating. She's as comfortable in discussing A Gothic Soul Bauhaus and Prince as she is in discussing the horrors of the middle passage and segregation. This is a smart and wholly unique book. Aug 06, Rom Mojica rated it it was amazing. Leila Taylor's writing is both eminently readable and incredibly informative - she makes this look easy, basically. A seemingly unconnected thought will start out and have you wondering how it's going to feed back into the central discussion of Blackness and gothness, and then she pivots in so gracefully and smoothly you don't even realize it. I was most impressed by this in one of the last sections, talking about urban decay and ruins of modern buildings and houses, which finally ties in A Gothic Soul a d Leila Taylor's writing is both eminently readable and incredibly informative - she makes this look easy, basically. I was most impressed by this in one of the last sections, talking about urban decay and ruins of modern buildings and houses, which finally ties in to a discussion about cities that sold a dream to Black Americans, eventually taking it away A Gothic Soul leaving the infrastructure to crumble. Though she frames it through Detroit, it's easy to apply this to neighborhoods and areas of other cities that let Black people fall through the A Gothic Soul, citing "Budgets" while strangely always having the money for white neighborhoods. The only part of this book that didn't do much for me was the section on Afrofuturism, which doesn't really have much to say except as a kind of comparison to Afrogoth. Which doesn't take much from the book overall, A Gothic Soul feeling like it's providing a different option for people who might want it. Like she says, if Afrogoth is about digging up the past, Afrofuturism is about correcting it. But it's the weakest part regardless, which is alright because it's also: the A Gothic Soul part. Darkly is an easy recommendation, media and social analysis wrapped up together by a writer who's a perfect intro to these kinds A Gothic Soul topics. It explores Blackness through the lens of gothness, but uses that as a leaping off point to talk about modern America and the history that always lurks in the background of this country. It's a hell of an achievement, A Gothic Soul perfect for people new to Black studies or who are already entrenched and are looking for a new perspective. Sep 05, KL Baudelaire rated it it was amazing. Bloody brilliant. For context, I'm a white goth from Yorkshire. Taylor's book talks about goth culture and its Black aspects in a rich, nuanced, entertaining and enthralling way, and it feels so relevant for goth today. I can't do this book enough credit in a review, please read it! Aug 10, Angela rated it it was amazing. I also attended an A Gothic Soul webinar with the author. A Gothic Soul hits all of the notes and clearly connects the goth to the history of Blackness in the United States. I highly recommend this book. This was her first book and I hope that she writes more books in the future. Jul 11, Sohum rated it really liked it. Jul 10, Nate rated it liked it. It does do some important work of pointing out how Western culture equates darkness and blackness with evil and whiteness 3. It does do some important work of pointing out how Western culture equates darkness and blackness with evil and whiteness with purity. Still, some points in A Gothic Soul that are worth confronting and thinking about. Dec 10, Jason Wyrostek added it. The A Gothic Soul parallels the "Goth' subculture and the African American experience of being the 'other' in America. Most of the books I have read about the subjects addressed subcultures and the wider culture of America in this book were very academic and often where missing personal narratives. It was a fun and interesting read with a lot of depth. I definitely recommend the book. Mar 07, Carly O'Connell rated it it was amazing Shelves: diverse-booksreading-women-challenge. Honestly mind-blowing. Jiří Karásek : A Gothic Soul

Goth is a subculture that began in the United Kingdom during the early s. It was developed by fans of gothic rockan offshoot of the post-punk music genre. The name "goth" was derived directly from the genre. Notable post-punk artists who presaged the genre and helped develop and shape the subculture include Siouxsie A Gothic Soul the BansheesBauhausthe Cureand . The has survived much A Gothic Soul than others of the same era, and has continued to diversify and spread throughout the world. Its imagery and cultural proclivities indicate influences from 19th-century literature of the same name and horror films. The scene is centered on music festivals, nightclubs, and organized meetings, especially in Western Europe. The subculture has associated tastes in music, aesthetics, and fashion. The music preferred by goths includes a number of styles such as gothic rock, death rockpost-punkcold wavedark waveand ethereal wave. The style most often includes dark usually solid black attire, dark makeup, and black hair. The subculture has continued to draw interest from a large audience decades long after its emergence. The term gothic rock was coined by music critic John A Gothic Soul in to describe a meeting he had with Jim Morrison in a dimly lit wine-cellar, which he called "the perfect room to honor the Gothic rock of the A Gothic Soul ". In a live review about a Siouxsie and the Banshees' concert in Julycritic Nick Kent wrote that, concerning their music, "[P]arallels and comparisons can now be drawn with gothic rock architects like the Doors and, certainly, early Velvet Underground". Wilson described Joy Division as "gothic" compared to the pop mainstream, right before a live performance of the band. In A Gothic Soul, Sounds described Joy Division as "Gothic" and "theatrical". They may have taken the "goth" mantle from a article published in UK rock weekly Sounds : "The face of Punk Gothique", [14] written by Steve Keaton. With Bauhaus flying in on similar wings could it be the next big thing? Outside the British scene, deathrock developed in California during the late s and early s as a distinct branch of American punk rockwith acts such as Christian Death and 45 Grave at the forefront. They're similar. The popularity of 4AD bands resulted in the creation of a similar US label, Projektwhich produces what was colloquially termed ethereal wavea subgenre of music. The s saw further growth for some s bands and the emergence of many new acts, as well as new goth-centric U. According to Dave Simpson of The Guardian"[I]n the 90s, goths all but disappeared as dance music became the A Gothic Soul youth cult". The Goth subculture of the s drew inspiration from a variety of sources. Some of them were modern or contemporary, others were centuries-old or ancient. Michael Bibby and Lauren M. Goodlad liken the subculture A Gothic Soul a bricolage. Among the mythologies that proved influential in Goth were Celtic mythologyChristian mythologyEgyptian mythologyand various traditions of Paganism. The figures that A Gothic Soul movement counted among its historic canon of ancestors were equally diverse. Gothic literature is a genre of fiction that combines romance and dark elements to produce mystery, suspense, terror, horror and the supernatural. According to David H. Richter, A Gothic Soul were framed to take place at " Typical characters consisted of the cruel A Gothic Soul, sinister priest, courageous victor, and the helpless heroine, along with supernatural figures such as demonsvampiresghostsand monsters. Often, the plot focused on characters ill-fated, internally conflicted, and innocently victimized by harassing malicious figures. In addition to the dismal plot focuses, the literary tradition of the gothic was to also focus on individual characters that were gradually going insane. English author Horace Walpolewith his novel The Castle of Otranto is one of the first writers who explored this genre. The tale was composed by Irving A Gothic Soul he was living in England, and was based on popular tales told by colonial Dutch settlers of the Hudson ValleyNew York. The story would be adapted to film in[29] in as the animated The Adventures of Ichabod and Mr. Toad[30] A Gothic Soul again in Throughout the evolution of the goth subculture, classic Romantic, Gothic and horror literature has played A Gothic Soul significant role. Lovecraft —and other tragic and Romantic writers have become as emblematic of the subculture [33] as the use of dark eyeliner or A Gothic Soul in black. Baudelaire, in fact, in his preface to Les Fleurs du mal Flowers of Evil penned lines that could serve as a sort of goth malediction: [34]. C'est l'Ennui! It is Boredom! You know him, reader, this delicate monster, —Hypocrite reader,—my twin,—my brother! The gothic subculture has influenced different artists— not only musicians—but also painters and photographers. In particular their work is based on mystic, morbid and romantic motifs. In photography and painting the A Gothic Soul varies from erotic artwork to romantic A Gothic Soul of or ghosts. There is a marked preference for dark A Gothic Soul and sentiments, similar to . Fielding said in an interview that he himself had been a goth at age fifteen and that he had a series of goth girlfriends. This was the first time he dabbled in makeup. Fielding said that he loved his girlfriends dressing him up. Some members of Bauhaus were, themselves, fine art students or active artists. Nick Cave was dubbed as "the grand lord of gothic lushness". One female role model is Theda Barathe s femme fatale known for her dark eyeshadow. Siouxsie Sioux was particularly influential A Gothic Soul the dress style of the Gothic rock scene; Paul Morley of NME described Siouxsie and the Banshees ' gig at Futurama: "[Siouxsie was] modeling her newest outfit, the one that will influence how all the girls dress over the next few months. About half the girls at Leeds had used Sioux as a basis for their appearance, hair to ankle". The s established designers such as of Lip Serviceand the s saw a surge of US-based designers, many of who continue to evolve the style to the present day. Style magazines such as Gothic Beauty have given repeat A Gothic Soul to a select few gothic fashion designers who began their labels in the s, such as KambrielRose Mortemand Tyler Ondine of Heavy Red. Gothic fashion is marked by conspicuously dark, antiquated and homogeneous features. It is stereotyped as eerie, mysterious, complex and exotic. Styles are A Gothic Soul borrowed from punk fashion and—more currently—from the Victorian and Elizabethan periods. Ted Polhemus described goth fashion as a "profusion of black velvets, lace, fishnets and leather tinged with scarlet or purple, accessorized with tightly laced corsets, gloves, precarious stilettos and silver jewelry depicting religious or themes". The first is the early goth gig-going look, which was essentially punk, whereas the second is what evolved into the nightclub look. Early goth gigs were often very hectic affairs, and the audience dressed accordingly. Martens, spike heels pumpsand A Gothic Soul toe buckle boots winklepickerssometimes supplemented A Gothic Soul accessories such as bracelets, chokers and bib necklaces. This style, retroactively referred to as Ethergothtook its inspiration from Siouxsie Sioux and mids protagonists from the 4AD roster like Liz Fraser and Lisa Gerrard. The New York Times noted: "The costumes and ornaments are a A Gothic Soul cover for the genre's somber themes. In the world of Goth, nature itself lurks as a malign protagonist, causing flesh A Gothic Soul rot, rivers to flood, A Gothic Soul to crumble and women to turn into slatterns, their A Gothic Soul streaming and lipstick askew". Cintra A Gothic Soul declares that the origins of the dark romantic style are found in the " Victorian cult of mourning. Goth fashion has a reciprocal relationship with the fashion world. Gothic styling often goes hand in hand with aesthetics, authenticity and expression, and is mostly considered to be an "artistical concept". Clothes are frequently self-designed. In recent times, especially in the course of commercialization of parts of the Goth subculture, many non- involved people developed an interest in dark fashion styles and started to adopt elements of Goth clothing primarily mass-produced goods from malls without being connected to subcultural basics: goth music and the history of the subculture, for example. Within the Goth movement they have been regularly described as "poseurs" or "mallgoths". Some of the early gothic rock and deathrock artists adopted traditional images and drew on horror film soundtracks for inspiration. Their audiences responded by adopting appropriate dress and props. Such references in bands' music and images were originally tongue-in-cheekbut as time went on, bands and members of the subculture took the connection more seriously. As a result, morbid, supernatural and occult themes became more noticeably serious in the subculture. The interconnection between horror and goth was highlighted in its early days by The Hungera A Gothic Soul film starring David BowieCatherine Deneuve and Susan Sarandon. The film featured gothic rock group A Gothic Soul performing Bela Lugosi's Dead in a nightclub. The Nickelodeon cartoon Invader Zim is also based on the goth subculture. In South Parkseveral of the fictional schoolchildren are depicted as goths. The goth kids on the show are depicted as finding it annoying to be confused with the Hot Topic " " kids from the episode " The Ungroundable " in season 12, [62] [63] and even more frustrating to be compared with kids. The goth kids are usually depicted listening to goth music A Gothic Soul, writing or reading Gothic poetry, drinking coffee, flipping their hair, and smoking. Morticia was played by Carolyn Jones in the television show The Addams Familyand then played by Anjelica Huston in the version. A prominent American literary influence on the gothic scene was provided by Anne Rice 's re-imagining of the vampire in In The Vampire ChroniclesRice's characters were depicted as self-tormentors who struggled with alienation, loneliness, and the human condition. Not only did the characters torment themselves, but they also depicted a surreal world that focused on uncovering its splendour. These Chronicles assumed goth attitudes, but they were not intentionally created to represent the gothic subculture. Their romance, beauty, and erotic appeal attracted many goth readers, making her works popular from the s through the s. Her vampire novels feature intense emotions, period clothing, and "cultured decadence". Her vampires are socially alienated monsters, but they are also stunningly attractive. Rice's goth readers tend to envision themselves in much the same terms and view characters like Lestat de Lioncourt as role models. Richard Wright 's novel Native Son contains gothic imagery and themes that demonstrate the links between blackness and the gothic; themes and images of "premonitions, curses, prophecies, spells, veils, demonic possessions, graves, skeletons" are present, suggesting gothic influence. The re- imagining of the vampire continued with the release of Poppy Z. Brite 's book Lost Souls in A Gothic Soul Despite the fact that Brite's first novel was criticized by some mainstream sources for allegedly "lack[ing] a moral center: neither terrifyingly malevolent supernatural creatures nor like Anne Rice's protagonists tortured souls torn between good and evil, these vampires simply add blood-drinking to the amoral panoply of drug abuse, problem drinking and empty sex practiced by their human counterparts", [68] many of these so-called "human counterparts" identified with the teen angst and goth music references therein, keeping the book in print. Upon release of a special 10th anniversary edition of Lost SoulsPublishers Weekly —the same periodical that criticized the novel's "amorality" a decade prior—deemed it a "modern horror classic" and acknowledged that Brite established a "cult audience". Neil Gaiman 's graphic novel series The Sandman influenced goths with characters like A Gothic Soul dark, brooding Dream and his sister, Death. A Gothic Soul | Rain Taxi

Hardcover List Price: A Gothic Soul is the most acclaimed work of Czech Decadent prose. The man lives in a dreamworld, the labyrinth of his soul giving rise to visions. In his quest for meaning, he walks A Gothic Soul city, often A Gothic Soul, while pondering questions of religious fervor and loss of faith, the vanity of life, his own sense of social alienation, human identity and its relationship to a "nation," the miserable situation of the Czechs under Habsburg rule, A Gothic Soul Prague's loss of its soul on the cusp of modernity as old sections, such as A Gothic Soul of the squalid Jewish Quarter, are demolished to make way for gaudy new buildings and streets. With a history of madness running in the family and afraid the same fate awaits him, he ultimately retreats into seclusion, preferring the monastic way of life as the epitome of unity and wholeness and a tonic to present-day fragmentation. Yet Kar sek eschews the mawkish, opting instead for darker tones that play with the tropes and motifs of Decadence while conflating the same-sex desires of his protagonist, the fatalism and futility of such an existence within the social construct of the day, with concerns for the dual fates of his nation and city. Given his importance for Czech literature and for European Decadence, very little of Kar sek's work has been translated into English. Kirsten Lodge included translations of his poetry in Solitude, Vanity, Night: An Anthology of Czech Decadent Poetry, and her translations of some of his shorter prose have been made available online. This is the first time A Gothic Soul, or any full-length work of Kar A Gothic Soul prose, has been translated into English. Buy at Local Store Enter your zip code below to purchase from an indie close to you.