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The Commodification of Whitby Goth Weekend and the Loss of a Subculture
View metadata, citation and similarbrought COREpapers to youat core.ac.ukby provided by Leeds Beckett Repository The Strange and Spooky Battle over Bats and Black Dresses: The Commodification of Whitby Goth Weekend and the Loss of a Subculture Professor Karl Spracklen (Leeds Metropolitan University, UK) and Beverley Spracklen (Independent Scholar) Lead Author Contact Details: Professor Karl Spracklen Carnegie Faculty Leeds Metropolitan University Cavendish Hall Headingley Campus Leeds LS6 3QU 44 (0)113 812 3608 [email protected] Abstract From counter culture to subculture to the ubiquity of every black-clad wannabe vampire hanging around the centre of Western cities, Goth has transcended a musical style to become a part of everyday leisure and popular culture. The music’s cultural terrain has been extensively mapped in the first decade of this century. In this paper we examine the phenomenon of the Whitby Goth Weekend, a modern Goth music festival, which has contributed to (and has been altered by) the heritage tourism marketing of Whitby as the holiday resort of Dracula (the place where Bram Stoker imagined the Vampire Count arriving one dark and stormy night). We examine marketing literature and websites that sell Whitby as a spooky town, and suggest that this strategy has driven the success of the Goth festival. We explore the development of the festival and the politics of its ownership, and its increasing visibility as a mainstream tourist destination for those who want to dress up for the weekend. By interviewing Goths from the north of England, we suggest that the mainstreaming of the festival has led to it becoming less attractive to those more established, older Goths who see the subculture’s authenticity as being rooted in the post-punk era, and who believe Goth subculture should be something one lives full-time. -
Popular Music As Entertainment Communication: How Perceived Semantic Expression Explains Liking Previously Unknown Music
This is a repository copy of Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking Previously Unknown Music. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/163797/ Version: Published Version Article: Lepa, Steffen, Steffens, Jochen, Herzog, Martin et al. (1 more author) (2020) Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking Previously Unknown Music. Media and Communication. ISSN 2183-2439 10.17645/mac.v8i3.3153 Reuse This article is distributed under the terms of the Creative Commons Attribution (CC BY) licence. This licence allows you to distribute, remix, tweak, and build upon the work, even commercially, as long as you credit the authors for the original work. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Media and Communication (ISSN: 2183–2439) 2020, Volume 8, Issue 3, Pages 191–204 DOI: 10.17645/mac.v8i3.3153 Article Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking of Previously Unknown Music Steffen Lepa 1,*, Jochen Steffens 2, Martin Herzog 1 and Hauke Egermann 3 1 Audio Communication Group, TU Berlin, 10587 Berlin, Germany; E-Mail: [email protected] (S.L.), [email protected] (M.H.) 2 Media Department, University of Applied Sciences Düsseldorf, 40476 Düsseldorf, Germany; E-Mail: [email protected] 3 York Music Psychology Group, University of York, York, YO10 5DD, UK; E-Mail: [email protected] * Corresponding author Submitted: 14 April 2020 | Accepted: 26 June 2020 | Published: 13 August 2020 Abstract Our contribution addresses popular music as essential part of media entertainment offerings. -
Arhai's Balkan Folktronica: Serbian Ethno Music Reimagined for British
Ivana Medić Arhai’s Balkan Folktronica... DOI: 10.2298/MUZ1416105M UDK: 78.031.4 78.071.1:929 Бацковић Ј. Arhai’s Balkan Folktronica: Serbian Ethno Music Reimagined for British Market* Ivana Medić1 Institute of Musicology SASA (Belgrade) Abstract This article focuses on Serbian composer Jovana Backović and her band/project Arhai, founded in Belgrade in 1998. The central argument is that Arhai made a transition from being regarded a part of the Serbian ethno music scene (which flourished during the 1990s and 2000s) to becoming a part of the global world music scene, after Jovana Backović moved from her native Serbia to the United Kingdom to pursue an international career. This move did not imply a fundamental change of her musical style, but a change of cultural context and market conditions that, in turn, affected her cultural identity. Keywords Arhai, Jovana Backović, world music, ethno, Balkan Folktronica Although Serbian composer, singer and multi-instrumentalist Jovana Backović is only 34 years old, the band Arhai can already be considered her lifetime project. The Greek word ‘Arhai’ meaning ‘beginning’ or ‘ancient’ it is aptly chosen to summarise Backović’s artistic mission: rethinking tradition in contemporary context. Нer interest in traditional music was sparked by her father, himself a professional musician and performer of both traditional and popular folk music (Medić 2013). Backović founded Arhai in Belgrade in 1998, while still a pupil at music school Slavenski, and continued to perform with the band while receiving instruction in classical composition and orchestration at the Belgrade Faculty of Music. In its first, Belgrade ‘incarnation’, Arhai was a ten-piece band that developed a fusion of traditional music from the Balkans with am bient sounds and jazz-influenced improvisation, using both acoustic and electric instruments and a quartet of fe male vocalists. -
23. Wave-Gotik-Treffen
23. Wave-Gotik-Treffen - Termin: 6. - 9. Juni 2014 - Ort: Leipzig (an rund 40 Veranstaltungsorten über die ganz Stadt verteilt), Zeltplatz und Hauptveranstaltungsort am Stadtrand auf dem agra-Messegelände Markkleeberg - Internetseiten: www.wave-gotik-treffen.de www.facebook.com/WaveGotikTreffen - Musikrichtungen: alle Arten von dunkler Musik: Gothic; EBM; Industrial; Dark Ambient; Apocalyptic Folk; Post Punk, Synthpop etc. - Eintrittskarten: 4-Tageskarte für alle Veranstaltungen im Rahmen des 23. Wave-Gotik-Treffens Pfingsten 2014 zu 99,- € im Vorverkauf (inkl. VVK-Gebühr). Die Veranstaltungskarte beinhaltet die Fahrtberechtigung für Nahverkehrsmittel (Straßenbahn, Busse, S-Bahn des MDV Zone 110) vom 6.Juni, 08:00 Uhr - 10.Juni, 12:00 Uhr (ohne Sonderlinien). - Zelten: mit Obsorgekarte zu 25,- € (inkl. VVK-Gebühr) mit folgendem Leistungspaket: Zeltplatznutzung auf dem Treffenzeltplatz „Pfingstbote“ – das ausführliche Treffen-Programmbuch Ohne Obsorge-Karte sind das Betreten und die Nutzung des Treffenzeltplatzes nicht möglich. Die Obsorge-Karte gilt nur in Verbindung mit einer Treffen-Veranstaltungskarte. - Parken: Für das Parken auf dem Treffengelände ist eine Parkvignette zu 15,- € (inkl. VVK-Gebühr) für den gesamten Treffen- Zeitraum erforderlich. Ohne Parkvignette ist das Parken auf dem Treffengelände (agra-Treffenpark) nicht möglich. Karten sind bestellbar über www.wave-gotik-treffen.de - Erwartete Besucherzahl: ca. 20000 - Kontakt: Fernruf: 0341-2120862 / E-Post: [email protected] - Photos: www.wave-gotik-treffen.de/photogallery.php Das Wave-Gotik-Treffen - schwarz-romantische Festspiele jedes Jahr zu Pfingsten in Leipzig 2014 findet das WGT zum 23.Mal statt. Vom 6. bis 9. Juni feiern wieder mehr als 20000 Gothics aus aller Welt DIE internationale Familienzusammenkunft der Gothic-Szene. Über die ganze Stadt verteilt werden etwa 200 Bands und Künstler auftreten und dabei erneut alle Spielarten dunkler Musik aufführen: Von Future-Pop bis Goth-Metal, von EBM bis Apocalyptic Folk, von mittelalterlichen Klängen bis zu elegischem Post Punk. -
GAVIN FRIDAY Peek Aboo
edition October - December 2012 peek free of charge, not for sale 07 music quarterly published music magazine aboo magazine GAVIN FRIDAY BLANCMANGE AGENT SIDE GRINDER THE BOLLOCK BROTHERS THE BREATH OF LIFE + MIREXXX + SIMI NAH + DARK POEM + EISENFUNK + IKE YARD + JOB KARMA + METROLAND + 7JK + THE PLUTO FESTIVAL - 1 - WOOL-E-TOP 10 WOOL-E-TIPS Best Selling Releases DARK POEM (July/Aug/Sept 2012) TALES FROM THE SHADES 1. DIVE STACKS Dive Box (8CD) VOICES 2. SONAR Cut Us Up (CD) 3. VARIOUS ARTISTS Miniroboter (LP) 4. TROPIC OF CANCER Permissions Of Love (12”) 5. VARIOUS ARTISTS Something Cold (LP) 6. SSLEEPING DESIRESS Because we can’t choose not one, but two Wool-E A Voice (7”) tips!!! ‘Tales From The Shades’ is the debut CD by Ant- 7. VARIOUS ARTISTS werp-based ‘Fairyelectro’ band Dark Poem. Doomy tribal The Scrap Mag (CD) pop with heavenly voices set to a dark ambient-like under- 8. LOWER SYNTH DEPARTMENT score, with enough rough hooks to keep you wandering through their fairy wood. Beware of the Forrest Nymphs!!! Plaster Mould(LP) Our second tip also resides in Antwerp, ‘Voices’ is the 9. BONJOUR TRISTESSE debut LP of Stacks aka Sis Mathé of indie noiserockers On Not Knowing Who We Are (LP) White Circle Crime Club. Touches of John Maus, Molly 10. GAY CAT PARK Nilsson, Future Islands or even Former Ghosts come to mind. So if you like your synthpop bombastic and emo- Synthetic Woman (LP) tional, straight from the heart, then Stacks is your man or your band ;-) The Wool-E Shop - Emiel Lossystraat 17 - 9040 Ghent - Belgium VAT BE 0642.425.654 -
1 ANTHRO 106 2018 Rock 80'S 90'S
1 ANTHRO 106 2018 Rock 80’s 90’s- subculture and canon New Wave Punk Goth Metal Alternative Grunge Post Canon • How do rock sub genre set themselves in opposition to the ‘mainstream’? Why is this important to them? • What are some of the distinguishing features of the various sub genre? • How and when have the various rock sub-genre, fed back into the mainstream rock style? New Wave Punk, Glam, Pop Commercial Many Musical Styles Visual (MTV) Androgynous fashion, bizarre, satirical, futuristic, avant-garde, colourful, stylish Synthesizers Dance • Adam Ant • B-52 • Duran Duran • Cars • Tears for Fears • A-Ha • Flock of Seagulls “I Ran” • Japan “Quiet Life” • The Human League “Don't You Want Me” Punk . Working class youth rebelliousness . Oppositional tendency . DIY . Resistance to authority, work and conventional politics . The underground sustain and politically active and subversive tendency . Subversiveness within pop culture . Early punk was nihilistic, later became more activist . 1979 . Sang about urban alienation . Appocalypticism . Hostility to the forces of the state (the police) . Working Class pride . Violence 2 . Pastiche, bricolage • The Jam “Going Underground” • The Clash “Should I Stay or Should I Go” • The Sex Pistols “God save the Queen” USA Ramones (New York) Often regarded as the first true punk-rock group, the Ramones were an American punk band whose music influenced later generations of punk bands. Their story begins in Queens, NY, where the band members took their musical influences (The New York Dolls, The Stooges) and channeled them to create their own songs. Greatest rock and roll band of all time The Ramones “I wanna be sedated” Velvet underground“Venus in furs” Quite simply everything about The Velvet Underground was astonishing. -
Starboy Deconstructed
Starboy Deconstructed THE WEEKND FEATURING DAFT PUNK CONTENTS Overview • At-A-Glance • YouTube • Spotify Structure • Form • Section Length • Sectional Allocation Section By Section • Intro • Verse 1 • Pre-Chorus 1 • Chorus 1 • Verse 2 • Pre-Chorus 2 • Chorus 2 • Bridge • Pre-Chorus 3 • Chorus 3 Additional Highlights & Takeaways • Energy & Dynamics • Genres & Influences • Lyrics & Title • Vocal Melody • Instruments & Arrangement • Harmony © 2017 Hit Songs Deconstructed. All rights reserved. 2 Starboy was the first single released from The Weeknd’s 2016 album of the same name. A collaboration with EDM superstars Daft Punk, this dark, moody, cocky song struck a chord with listeners, landing in the Top 10 on over 40 charts throughout the world, and peaking at #1 on over 20. To get the most out of this report, please listen to this song in its entirety now YouTube: Watch Spotify: Listen AT-A-GLANCE Artist/Group: The Weeknd featuring Daft Punk Song: Starboy Songwriters: Cirkut (Henry Walter), Doc (Martin) McKinney, Guy-Manuel de Homem-Christo, The Weeknd (Abel Tesfaye), Thomas Bangalter, DaHeala (Jason Quenneville) Producers: The Weeknd, Doc McKinney, Cirkut Record Label: Republic Primary Genre: R&B/Soul Influences: Dance/Club, Electropop, Funk, Hip Hop/Rap, R&B/Soul Length: 3:42 Full Form: I-A-PC-B-A-PC-B-C-PC-B Key: Am Tempo: 93 BPM First Chorus: 0:56 / 25% of the way into the song Intro Length: 0:15 Electronic vs. Acoustic: Electronic/Acoustic Combo Prominent instruments: Bass (Synth), Claps/Snaps, Drums/Perc, Piano (Acoustic), Synth Primary Lyrical Theme(s): Biographical, Boasting, Lifestyle Title Appearances: Starboy appears 8 times in the song Lyrical P.O.V: 1st, 2nd, 3rd © 2017 Hit Songs Deconstructed. -
Midwest Music Fest 2015 Listener's Guide
Organizers Board of Directors Trina Barrett, Sam Brown, Charlie Brown, Sean Burke, Julie Fassbender, Jacob Grippen, Zach Krage,Jim Trouten, Doug Westerman Managing Director Parker Forsell MWMF Assistant Director Dave Casey Booking Manager 168 E. 3rd St. Isaac Sammis Winona, MN 55987 Merchandise Annika Gunderson, On Three Printing GET TICKETS AND MORE Volunteer Coordinator INFO HERE Rebecca Richter Ticketing Coordinator www.midwestmusicfest.org Nicole Kirchner Music Committee Megan Hanson, Brianna Haupt, Stage Design Tim Fair, Doug Harden, Sean Brianna Truax - Modern Design Concepts Burke, Matt Marek, Alex Stevens Production Education Committee Ben Assef - Northern Sun Productions Jacob Grippen, Kelly Blau, Mike Graphic Design Costello, Brianna Haupt, Isaac Danielle Barck Sammis, Nick Novotny, Nick Elstad Fundraising Committee Printed by Sean Burke, Julie Fassbender, Cherie Harkenrider Listener’s Guide Adam Wiltgen, Jonathon Roberts, Brian Voerding, Chris Rodgers, Jim Many thanks Schmidt to the volunteers, Photography artists and sponsors Shannon Porter, Sidney Swanson, - you truly make this Ben Steinquist festival the place Hub Window Design “where music and Sarah Johnson community meet”. 3 Winona Film Society 4 5 North Light Songwriters’ Showcase Friday, April 24 • Winona Arts Center • 6pm - 10pm Frankie Lee • Nicole Rae (The Traveling Suitcase) Eddie Danger • Lydia Liza (Bomba de Luz) Mike Munson • Rachel Kilgour • J.E. Sunde Christopher the Conquered • Jaybone Bell • A gathering of nine accomplished songwriters from Minnesota, Wisconsin, -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Download Com Truise Iteration Full Album Iteration
download com truise iteration full album Iteration. Iteration is only the second proper full-length from Com Truise, and according to mastermind Seth Haley, it's the conclusion of the story line that began with 2011's Galactic Melt, involving a robot astronaut who falls in love while serving time on a battle mission. East Coast native Haley composed Iteration as he was settling into his new life in Los Angeles, and the album mirrors his own emotions and experiences as well as those of the Com Truise character. As with 2016 EP Silicon Tare, Iteration seems much clearer and more defined than the hazy, lo-fi synth funk of earlier Com Truise releases. The EP contained more uptempo tracks than usual for him, and it seemed to be the ideal soundtrack for intergalactic battle scenes. Iteration generally returns to the midtempo range, and doesn't seem quite as busy as the previous EP. Not that Com Truise's work has ever seemed cluttered, but this album seems significantly airier. While Iteration is fit for a day spent lounging by the pool as much as any other Com Truise release, it's anything but lazy. Even when the glittery melodies and booming beats have a slow-motion sway to them, they seem heavily detailed and considered. On a few occasions, a scrambled female computer voice makes an appearance, providing glimpses of what one can assume is the Com Truise character's object of affection and inspiration. A few songs, especially "Memory," feature Ibiza-ready melodies that would've popped up in tracks by progressive trance producers such as Paul van Dyk once upon a time, but they manage to sound fresh in this context. -
Chapter Two Types, Stereotypes and Hate Crimes
PEOPLE’S DEMOCRATIC REPUBLIC OF ALGERIA MINISTRY OF HIGHER EDUCATION AND SCIENTIFIC RESEARCH UNIVERISTY OF TLEMCEN FACULTY OF LETTERS AND LANGUAGES DEPARTMENT OF ENGLISH GOTHIC WORLD BETWEEN REALITY AND MYTH Extended Essay Submitted to the Department of English as a Partial Fulfillment of the Requirements for the Master’s Degree in Literature and Civilisation Presented by: Supervised by: Miss. Soumia BOUMECHRA Dr. Yahia ZEGHOUDI Board of Examiners: Pr. Amine BELMEKKI President University of Tlemcen Dr. Yahia ZEGHOUDI Supervisor University of Tlemcen Dr. Abdelkader BENSAFA Examiner University of Tlemcen Academic Year: 2015-2016 DEDICATION To my angels, my mother and my grandma, who really supports me along the journey. To my brother and little Sister. To my soulmates, Fatima and Manel. ACKNOWLEDGMENTS First of all, I thank Allah for blessing, protecting, and guiding me to proceed successfully. I would like to express my gratitude to my supervisor Dr. Yahia ZEGHOUDI who kindly guided me to complete my memoire. Very special thanks to the chairman examiner Pr. Amine BELMEKKI and the examiner Dr. Abdelkader BENSAFA for devoting their precious time to read and evaluate my work. Sincere thanks to all my teachers, and my classmates for their moral support through the past few years. Without forgetting my dearest friends, Manel and Témocha to whom I am indebted for providing me with insightful advice, moral support, and for continuously encouraging me and pushing me to my limits to complete this work. Finally, my deepest gratitude and thanks go to my Mother Sabiha, Grandma Aicha, my brother Mossaab and sister Meryem and all who helped me during my hard times. -
Czwartek: Kościół
Czwartek: Kościół - otwarcie - 17.00 24.00 - 05.00 - ManieK & dMarek - ( More Than A Party Jelenia Góra ) - (ebm, industrial, dark-harsh electro, dark wave, synth-future pop) 22:50 - 24:00 - Artrosis 21:35 - 22:30 - Skeptical Minds 20:20 - 21:15 - God's Bow 19:25 - 20:05 - 1984 18:30 - 19:10 - Victorians 17:35 - 18:15 - Carpatian Castle Sorento - otwarcie - 21.00 21.00 - 23.00 - DJane Maria Bischof (Gothic Pogo Party) (DE) (post-punk, coldwave, minimal, synthpop) 23.00 - 01.00 - DJ André Angstpop (Angstpop Party / ShockWave Party) (DE) (minimal electronic, coldwave, post-punk, NDW, batcave) 01.00 - 03.00 - DJ M (ShockWave Party / Trashique) (DE) (minimal, wave, 80's trash batcave) 03.00 - 05.00 - DJ The Ringo (ShockWave Party / Vanity Noire) (Leipzig / DE) (minimal, coldwave, 80', synth, undergrouNDW, trashpunk) 05.00 - 12.00 - SHOCKWAVE CREW + DJ Woodraf Piątek: Kościół - otwarcie - 15.00 02:30 - 05:00 - Betrayal v. Void (Deathcamp Project) - goth rock, industrial, 80s v. post-punk, minimal-synth, cold wave 01:00 - 02:30 - Rafaelo - (SDGE Team) - (cold wave, dark wave) 23:30 - 01:00 - Serafin - (SDGE Team) - (synth-pop, dark electro, ebm) 22:05 - 23:15 - Hate 20:40 - 21:50 - Vesania 19:35 - 20:25 - Darzamat 18:30 - 19:20 - Thaw 17:25 - 18:15 - Mord'a'stigmata 16:30 - 17:10 - Extinct Gods 15:35 - 16:15 – Shodan Sorento - otwarcie - 21.00 21.00 - 23.00 - DJane Moonskin (Ritual Nights) (PL) (darkwave, post-punk, gothic) 23.00 - 01.00 - DJane Novelty (Return To The Batcave / Ian Said Dance!) (PL) (post-punk, coldwave, 80', shoegaze, minimal-synth)