An Overview of Ancient Chinese Books Yunyan Zheng*
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Manchus: a Horse of a Different Color
History in the Making Volume 8 Article 7 January 2015 Manchus: A Horse of a Different Color Hannah Knight CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Asian History Commons Recommended Citation Knight, Hannah (2015) "Manchus: A Horse of a Different Color," History in the Making: Vol. 8 , Article 7. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol8/iss1/7 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Manchus: A Horse of a Different Color by Hannah Knight Abstract: The question of identity has been one of the biggest questions addressed to humanity. Whether in terms of a country, a group or an individual, the exact definition is almost as difficult to answer as to what constitutes a group. The Manchus, an ethnic group in China, also faced this dilemma. It was an issue that lasted throughout their entire time as rulers of the Qing Dynasty (1644- 1911) and thereafter. Though the guidelines and group characteristics changed throughout that period one aspect remained clear: they did not sinicize with the Chinese Culture. At the beginning of their rule, the Manchus implemented changes that would transform the appearance of China, bringing it closer to the identity that the world recognizes today. In the course of examining three time periods, 1644, 1911, and the 1930’s, this paper looks at the significant events of the period, the changing aspects, and the Manchus and the Qing Imperial Court’s relations with their greater Han Chinese subjects. -
Writing Modern Chinese History Inside out : New Relational Approaches to (Un)Thinking the Nation‑State, Diaspora, and Transnationalism
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Writing modern Chinese history inside out : new relational approaches to (un)thinking the nation‑state, diaspora, and transnationalism van Dongen, Els 2019 van Dongen, E. (2019). Writing modern Chinese history inside out : new relational approaches to (un)thinking the nation‑state, diaspora, and transnationalism. Twentieth‑Century China, 44(3), 362‑371. doi:10.1353/tcc.2019.0035 https://hdl.handle.net/10356/144278 https://doi.org/10.1353/tcc.2019.0035 © 2019 Twentieth Century China Journal, Inc. All rights reserved. This paper was published by Johns Hopkins University Press in Twentieth‑Century China and is made available with permission of Twentieth Century China Journal, Inc. Downloaded on 26 Sep 2021 02:18:15 SGT The final version of this article was published in Twentieth-Century China 44.3 (October 2019): 362-371. Review Essay Writing Modern Chinese History Inside Out: New Relational Approaches to (Un)Thinking the Nation-State, Diaspora, and Transnationalism Els van Dongen Nanyang Technological University, Singapore Abstract Engaging with earlier scholarship that probes the linearity of the nation-state, recent works employ new relational approaches and foreground “Chinese” perceptions of “China.” They approach modern Chinese history through the lens of the emigrant-homeland dynamic, advocating a localized transnationalism and exploring the implications of the transnational turn on temporality. Also, situating the nation-state within history, they argue for a “shifting” China based on questions of ethnicity and cultural exchange. This essay discusses the following works. Shelly Chan. Diaspora’s Homeland: Modern China in the Age of Global Migration. -
Elixir, Urine and Hormone: a Socio-Cultural History of Qiushi (Autumn Mineral)*
EASTM 47 (2018): 19-54 Elixir, Urine and Hormone: A Socio-cultural History of Qiushi (Autumn Mineral)* Jing Zhu [ZHU Jing is an Associate Professor in the Department of Philosophy, East China Normal University. She received her Ph.D. in history of science at Peking University and in 2015-2016 was a visiting scholar at University of Pennsylvania. She has published three articles about qiushi and two articles about Chinese alchemy. Her paper “Arsenic Prepared by Chinese Alchemist-Pharmacists” was published in Science China Life Sciences. Her work spans historical research on Chinese alchemy, Chinese medicine and public understanding of science. In addition to presenting papers at national and international conferences, she has been invited to present her research among other places at the National Tsinghua University (Taiwan), Brown University, and the University of Pennsylvania. Contact: [email protected]] * * * Abstract: Traditional Chinese medicine has attracted the attention of pharmacologists because some of its remedies have proved useful against cancer and malaria. However, a variety of controversies have arisen regarding the difficulty of identifying and explaining the effectiveness of remedies by biomedical criteria. By exploring the socio-cultural history of qiushi (literally, ‘autumn mineral’), a drug prepared from urine and used frequently throughout Chinese history, I examine how alchemy, popular culture, politics and ritual influenced pre-modern views of the efficacy of the drug, and explore the sharp contrast between views of the drug’s * I especially wish to acknowledge the great help of Professor Nathan Sivin, who has read the complete manuscript and provided me with many critical comments. -
Did the Imperially Commissioned Manchu Rites for Sacrifices to The
religions Article Did the Imperially Commissioned Manchu Rites for Sacrifices to the Spirits and to Heaven Standardize Manchu Shamanism? Xiaoli Jiang Department of History and Culture, Jilin Normal University, Siping 136000, China; [email protected] Received: 26 October 2018; Accepted: 4 December 2018; Published: 5 December 2018 Abstract: The Imperially Commissioned Manchu Rites for Sacrifices to the Spirits and to Heaven (Manzhou jishen jitian dianli), the only canon on shamanism compiled under the auspices of the Qing dynasty, has attracted considerable attention from a number of scholars. One view that is held by a vast majority of these scholars is that the promulgation of the Manchu Rites by the Qing court helped standardize shamanic rituals, which resulted in a decline of wild ritual practiced then and brought about a similarity of domestic rituals. However, an in-depth analysis of the textual context of the Manchu Rites, as well as a close inspection of its various editions reveal that the Qing court had no intention to formalize shamanism and did not enforce the Manchu Rites nationwide. In fact, the decline of the Manchu wild ritual can be traced to the preconquest period, while the domestic ritual had been formed before the Manchu Rites was prepared and were not unified even at the end of the Qing dynasty. With regard to the ritual differences among the various Manchu clans, the Qing rulers took a more benign view and it was unnecessary to standardize them. The incorporation of the Chinese version of the Manchu Rites into Siku quanshu demonstrates the Qing court’s struggles to promote its cultural status and legitimize its rule of China. -
Qing Shi (The History of Love) in Late Ming Book Culture
Asiatische Studien Études Asiatiques LXVI · 4 · 2012 Zeitschrift der Schweizerischen Asiengesellschaft Revue de la Société Suisse – Asie Aspects of Emotion in Late Imperial China Peter Lang Bern · Berlin · Bruxelles · Frankfurt am Main · New York · Oxford · Wien ISSN 0004-4717 © Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern 2012 Hochfeldstrasse 32, CH-3012 Bern [email protected], www.peterlang.com, www.peterlang.net Alle Rechte vorbehalten. Das Werk einschliesslich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung ausserhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Printed in Hungary INHALTSVERZEICHNIS – TABLE DES MATIÈRES CONTENTS Nachruf – Nécrologie – Obituary JORRIT BRITSCHGI..............................................................................................................................877 Helmut Brinker (1939–2012) Thematic Section: Aspects of Emotion in Late Imperial China ANGELIKA C. MESSNER (ED.) ......................................................................................................893 Aspects of Emotion in Late Imperial China. Editor’s introduction to the thematic section BARBARA BISETTO ............................................................................................................................915 The Composition of Qing shi (The History of Love) -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
The University of Chicago Practices of Scriptural Economy: Compiling and Copying a Seventh-Century Chinese Buddhist Anthology A
THE UNIVERSITY OF CHICAGO PRACTICES OF SCRIPTURAL ECONOMY: COMPILING AND COPYING A SEVENTH-CENTURY CHINESE BUDDHIST ANTHOLOGY A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVINITY SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY ALEXANDER ONG HSU CHICAGO, ILLINOIS AUGUST 2018 © Copyright by Alexander Ong Hsu, 2018. All rights reserved. Dissertation Abstract: Practices of Scriptural Economy: Compiling and Copying a Seventh-Century Chinese Buddhist Anthology By Alexander Ong Hsu This dissertation reads a seventh-century Chinese Buddhist anthology to examine how medieval Chinese Buddhists practiced reducing and reorganizing their voluminous scriptural tra- dition into more useful formats. The anthology, A Grove of Pearls from the Garden of Dharma (Fayuan zhulin ), was compiled by a scholar-monk named Daoshi (?–683) from hundreds of Buddhist scriptures and other religious writings, listing thousands of quotations un- der a system of one-hundred category-chapters. This dissertation shows how A Grove of Pearls was designed by and for scriptural economy: it facilitated and was facilitated by traditions of categorizing, excerpting, and collecting units of scripture. Anthologies like A Grove of Pearls selectively copied the forms and contents of earlier Buddhist anthologies, catalogs, and other compilations; and, in turn, later Buddhists would selectively copy from it in order to spread the Buddhist dharma. I read anthologies not merely to describe their contents but to show what their compilers and copyists thought they were doing when they made and used them. A Grove of Pearls from the Garden of Dharma has often been read as an example of a Buddhist leishu , or “Chinese encyclopedia.” But the work’s precursors from the sixth cen- tury do not all fit neatly into this genre because they do not all use lei or categories consist- ently, nor do they all have encyclopedic breadth like A Grove of Pearls. -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
On the Reconstruction of the Shenxian Zhuan
On the reconstruction of the Shenxian zhuan . School of Oriental and African Studies The Shenxian zhuan is a biographical (or hagiographical) collection of great importance to our understanding of the formation of the Taoist religion in the early centuries of the Common Era. A text of this name was put together by Ge Hong (283–343), but it has long been suspected that the best-known version currently available was actually confected for commercial rather than academic purposes in the sixteenth century from quotations in other sources, and that the direct tradition of the text has been lost. The careful reconstitution of a reliable version of the original work—or at least of an ancient version—has been the goal of a number of scholars, and the appearance of such a work of scholarship in the form of a translation, as part of what will doubtless prove to be a standard reference series for Taoist texts in English, certainly gives full occasion for congratulating not only the author, Robert Ford Campany, but also the series editor and indeed the press that has made the publication of this typographically complex and lengthy monograph possible.1 There is indeed much to admire here, right from the ‘Foreword’ by the series editor, Stephen R. Bokenkamp, which provides (on p. xxii) a stout defence of academic translation against those, including tenure and promotion committees, who see it as ‘just a skill, like taking dictation’.2 This publication does, however, give an unrivalled opportunity for assessing how much we have learned concerning the reconstitution of lost texts from the period of disunion following the collapse of China's first period of imperial unity, and it is on this question of how to go about the work of reconstitution that the following remarks will concentrate. -
The Interaction Between Ethnic Relations and State Power: a Structural Impediment to the Industrialization of China, 1850-1911
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Sociology Dissertations Department of Sociology 5-27-2008 The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911 Wei Li Follow this and additional works at: https://scholarworks.gsu.edu/sociology_diss Part of the Sociology Commons Recommended Citation Li, Wei, "The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/sociology_diss/33 This Dissertation is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE INTERACTION BETWEEN ETHNIC RELATIONS AND STATE POWER: A STRUCTURAL IMPEDIMENT TO THE INDUSTRIALIZATION OF CHINA, 1850-1911 by WEI LI Under the Direction of Toshi Kii ABSTRACT The case of late Qing China is of great importance to theories of economic development. This study examines the question of why China’s industrialization was slow between 1865 and 1895 as compared to contemporary Japan’s. Industrialization is measured on four dimensions: sea transport, railway, communications, and the cotton textile industry. I trace the difference between China’s and Japan’s industrialization to government leadership, which includes three aspects: direct governmental investment, government policies at the macro-level, and specific measures and actions to assist selected companies and industries.