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Variational Text Linguistics: Revisiting Register in English
Christoph Schubert and Christina Sanchez-Stockhammer (Eds.) Variational Text Linguistics Topics in English Linguistics Editors Elizabeth Closs Traugott Bernd Kortmann Volume 90 Variational Text Linguistics Revisiting Register in English Edited by Christoph Schubert Christina Sanchez-Stockhammer ISBN 978-3-11-044310-3 e-ISBN (PDF) 978-3-11-044355-4 e-ISBN (EPUB) 978-3-11-043533-7 ISSN 1434-3452 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Brian Stablyk/Photographer’s Choice RF/Getty Images Typesetting: fidus Publikations-Service GmbH, Nördlingen Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Acknowledgements The foundations for this edited collection of articles were laid at the interna- tional conference Register revisited: New perspectives on functional text variety in English, which took place at the University of Vechta, Germany, from June 27 to 29, 2013. The aim of the present volume is to conserve the research papers and many inspiring discussions which were stimulated then and to make them available to a larger audience. It was only possible to achieve this aim thanks to the help of many people joining us in the effort. First and foremost, we would like to thank all contributors for their continued cooperation in this project. -
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape. -
Crabbing, Beach Huts (Margaret Orbell, Nee Thompson)
Book5 FILE NAME ITEM/ TITLE/ NAME/ PERSON ORIGINAL DATE 3 X DVDs - Crabbing, Beach Huts (Margaret Orbell, nee AUDIO BOX Thompson) and Walberswick. 2018 MARCH AUDIO BOX 8 X BLANK CASSETTES IN CARRY CASE AUDIO BOX 8MM FILM 1967 V2 1967 AUDIO BOX A MODERN MAN – VIDEO OF CHARLES RENNIE MACKINTOSH 2015 AUDIO BOX BOX OF SPARE DVD CASES AUDIO BOX CD OF PHOTOS TAKEN AT THE 2006 SPORTS EVENT 2006 AUDIO BOX CLAUDINE POWELL 1996 AUG CONVERSATION BETWEEN MR AND MRS STANNARD - VERY AUDIO BOX NOISY. AUDIO BOX DICK LEON FOR WALBERSWICK IN WARTIME DON THOMPSON'S RECOLLECTIONS OF HIS CHAT WITH YOUNG AUDIO BOX BOB CROSS 1992 1992 AUDIO BOX DVD – THE KEEPER PARTS 1 AND 2 X 2 COPIES AUDIO BOX DVD MARSH WOMAN AND COUNTRYWIDE X 2 COPIES EAST OF IPSWICH FILM, THE BEACH HUT AND WALBERSWICK AUDIO BOX WITH MARGARET ORBELL AND DERRICK ALLEN AUDIO BOX ELSA HOPEWELL & DON THOMPSON NOS 1 & 2. UNDATED. UNDATED AUDIO BOX FLORRIE DENNY AND DON THOMPSON UNDATED. UNDATED AUDIO BOX HAROLD & IVY CROSS, ALSO ELLEN STANNARD UNDATED AUDIO BOX JOHN BIRD AUDIO BOX LADY ELIZABETH MALABY MEMOIRS X 2 MISS BROWTON'S DIARIES 1950-60 LODGED AT SOUTHWOLD MUSEUM NOS 1 & 2 - DISCUSSION WITH DON THOMPSON AUDIO BOX 1990 1990 MISS BROWTON'S DIARIES DISCUSSION WITH BERTIE & ELLEN AUDIO BOX STANNARD AND DON THOMPSON 1992 - 1992 MISS BROWTON'S DIARIES DISCUSSION WITH BERTIE & ELLEN AUDIO BOX STANNARD AND DON THOMPSON 1992 . PART 2 1992 AUDIO BOX MRS EDITH BLOCK INTERVIEWED BY ARTHUR SHARMAN MRS KNIGHTS INTERVIEWED BY JEAN PAPWORTH AUGUST AUDIO BOX 2002 ON BOARD THE ALFRED CORRY AT SOUTHWOLD SEPT 1980. -
TV Drives Response QI Results S Group More Than How TV Ads Work with Other Media L Result RT Doublesd Its Operating
6 May 2010 week 18 : TV drives response QI Results s Group more than How TV ads work with other media L result RT doublesd its operating France United Kingdom Groupe M6 publishes Q1 Five is giving away a role revenues in Neighbours Germany Greece IP Deutschland celebrates Alpha TV broadcasts 50th anniversary Greek Idol week 18 the RTL Group intranet 6 May 2010 week 18 Cover: Montage showing direct response to a TV spot via internet : TV drives response QI Results s Group more than How TV ads work with other media L result RT 2 doublesd its operating France United Kingdom Groupe M6 publishes Q1 Five is giving away a role revenues in Neighbours Germany Greece IP Deutschland celebrates Alpha TV broadcasts 50th anniversary Greek Idol week 18 the RTL Group intranet “TV advertising makes things happen” Direct Response is one of the most underestimated effects of TV advertising. Tess Alps explains. Tess Alps, CEO of Thinkbox United Kingdom - 6 May 2010 On this year’s TV Wirkungstag (TV Effective- the IPA (Institute of Practitioners in Advertising) ness Day) in Frankfurt am Main, Tess Alps, in the UK – which prove that campaigns which CEO of Thinkbox, presented a study investigat- include TV deliver better ROI and business ing response driven by TV advertising. Online, success than those which do not include TV. click-through rates let advertisers know whether their ad is working or not – although Alps was We know much more these days – from careful to point out that “accountability, or bet- neuroscience and psychology – about why TV ter ‘countability’, is not the same as effective- advertising works so well and how the human ness.” On television, such direct feedback is not brain responds to it. -
Un Film Di Josie Rourke
! Un film di Josie Rourke Durata: 2 ore 3 minuti !1 ! CAST Maria Stuarda / Saoirse Ronan Elisabetta I / Margot Robbie Lord Darnley / Jack Lowden Robert Dudley / Joe Alwyn John Knox / David Tennant Sir William Cecil / Guy Pearce Duchessa di Hardwick / Gemma Chan Conte di Bothwell / Martin Compston Rizzio / Ismael Cruz Cordova Conte di Lennox / Brendan Coyle Lord Maitland / Ian Hart Lord Randolph / Adrian Lester Conte di Moray / James McArdle AUTORI DEL FILM Regista / Josie Rourke Scritto da Beau Willimon Basato sul libro “Queen of Scots: The True Life of Mary Stuart” di John Guy Produttori / Tim Bevan, Eric Fellner, Debra Hayward Direttore della Fotografia / John Mathieson Scenografie / James Merifield Costumi / Alexandra Byrne Trucco e Acconciature / Jenny Shircore !2 Montaggio / Chris Dickens Musiche / Max Richter !3 ! Sommario I. Sinossi . 4 II. Cronologia dei Fatti. 6 III. Un esempio storico per le donne di potere nel mondo moderno. 7 IV. La scelta del cast: dare vita alla storia. 12 V. L’incontro delle Regine. 21 VI. La Produzione . 24 VII. Guardaroba e Parrucche: fra capelli e acconciature 30 VIII. Il Cast . 34 IX. Gli autori del Film . 45 X. Crediti . 51 !4 SINOSSI BREVE MARIA REGINA DI SCOZIA – MARY QUEEN OF SCOTS è il racconto della turbolenta vita di Maria Stewart (Saoirse Ronan), basato sul libro “Queen of Scots: The True Life of Mary Stuart” dello storico John Guy. Regina di Francia a 16 anni, già vedova a 18, Maria respinge le pressioni che la vorrebbero vedere risposata e decide di tornare nella natia Scozia per riprendere la corona che le spetta di diritto. -
Griffith Business School
Product Placement in Television: An Examination of the Impact on Brand Personality Author Love, Anita Brody Published 2011 Thesis Type Thesis (PhD Doctorate) School Griffith Business School DOI https://doi.org/10.25904/1912/3415 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367013 Griffith Research Online https://research-repository.griffith.edu.au Griffith Business School Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy by Anita Brody Love March 2010 Product Placement in Television: An Examination of the Impact on Brand Personality. Anita Brody Love Bachelor of Commerce (Hons) Department of Marketing Griffith Business School Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy March 2010 SYNOPSIS 21st century consumers are faced with the ubiquitous presence of marketing communications for innumerable products and brands across an expanding network of media platforms. This, coupled with the increasing homogeneity of product offerings in today’s marketplace, has lead marketers to differentiate their brands through brand image and personality characteristics, with the aim of developing emotional connections between consumers and their brands, and personalising the consumption experience. Meanwhile broadcast television advertising faces a revolution: where once an ad could be placed in a prime time program with an assured reach to a captive mass market audience, this is no longer the case. Digital broadcast and internet technologies have revolutionised the consumption of television programs, fragmenting television audiences and transferring control over the time and place of program viewing to the consumer. -
PH Love Simon Final.Pdf
1 FOX 2000 PICTURES präsentiert EINE TEMPLE HILL Produktion NICK ROBINSON JOSH DUHAMEL und JENNIFER GARNER Executive Music Producer JACK ANTONOFF Music Supervisor SEASON KENT Musik ROB SIMONSEN Kostümdesign ERIC DAMAN Co-Produzent CHRIS McEWEN Schnitt HARRY JIERJIAN Bühnenbild AARON OSBORNE Director of Photography JOHN GULESERIAN Executive Producer TIMOTHY M. BOURNE 2 Produzenten WYCK GODFREY MARTY BOWEN POUYA SHAHBAZIAN ISAAC KLAUSNER Basierend auf dem Roman “Simon vs. the Homo Sapiens Agenda” von BECKY ALBERTALLI Drehbuch ELIZABETH BERGER & ISAAC APTAKER Regie GREG BERLANTI Filmlänge: 110 Minuten Kinostart: 28. Juni 2018 3 SYNOPSIS Jeder verdient eine großartige Liebesgeschichte. Für den siebzehnjährigen Simon Spier ist es allerdings etwas komplizierter: er muss seiner Familie und seinen Freunden erst noch erklären, dass er schwul ist. Und er muss auch noch herausfinden, wer der anonyme Mitschüler ist, in den er sich online verliebt hat. Die Lösung beider Probleme nimmt einen urkomischen aber auch beunruhigenden Verlauf und verändert Simons Leben vollkommen. Regisseur Greg Berlanti (Ausführender Produzent u.a. bei „Everwood”, „The Flash” und „Riverdale”) inszenierte LOVE, SIMON nach einem Drehbuch von Elizabeth Berger und Isaac Aptaker. Es basiert auf Becky Albertallis vielgelobten Roman und erzählt eine ebenso komische wie aufrichtige Geschichte übers Erwachsenwerden und von der aufregenden Erfahrung zu sich selbst zu finden und sich zu verlieben. DAS BUCH LOVE, SIMON ist eine Adaption von Becky Albertallis Jugendbuch „Nur drei Worte – Love, Simon”. Nach seinem Erscheinen im Januar 2012 gewann das Buch den William C. Morris Award für das Beste Jugendbuch-Debüt des Jahres und wurde in die Long-List für den National Book Award aufgenommen. Albertalli hätte sich nie träumen lassen, dass ihr Buch veröffentlicht wird, geschweige denn, dass es sich zu einem preisgekrönten Bestseller entwickelt und nun von einem der großen Filmstudios verfilmt wird: „Ich arbeitete als Psychologin, als ich das Buch schrieb”, erzählt sie. -
Harry Potter and the Deathly Hallows: Part 2
HARRY POTTER AND THE DEATHLY HALLOWS Pt 2 (2011) PRODUCTION NOTES Harry Potter and the Deathly Hallows: Part 2 Production Notes Release Date: July 15, 2011 Studio: Warner Bros. Pictures Director: David Yates Screenwriter: Steve Kloves Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Jason Isaacs, Alan Rickman, David Thewlis, Julie Walters, Bonnie Wright, Kelly Macdonald Genre: Adventure, Fantasy MPAA Rating: PG-13 (for some sequences of intense action violence and frightening images) Official Website: http://www.harrypotter.com/ ©2011 Warner Bros. Pictures 1 HARRY POTTER AND THE DEATHLY HALLOWS Pt 2 (2011) PRODUCTION NOTES Synopsis "Harry Potter and the Deathly Hallows - Part 2," is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here. "Harry Potter and the Deathly Hallows - Part 2" stars Daniel Radcliffe, Rupert Grint and Emma Watson, reprising their roles as Harry Potter, Ron Weasley and Hermione Granger. The film's ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright. -
Presso Il Suo Interesse Per La Recitazione Al Suo Agente, Ha Fatto Il Primo Provino Per Un Ruolo Secondario in Ex Machina
w3q2 UNIVERSAL PICTURES INTERNATIONAL presenta In associazione con FILM 4 e DNA FILMS DOHMNALL GLEESON ALICIA VIKANDER SONOYA MIZUNO OSCAR ISAAC Scritto e diretto da ALEX GARLAND Prodotto da ANDREW MACDONALD ALLON REICH Produttori esecutivi SCOTT RUDIN ELI BUSH Produttore esecutivo TESSA ROSS Line Producer CAROLINE LEVY Ex Machina—Note di produzione 2 Produttore associato JOANNE SMITH Direttore della fotografia ROB HARDY B.S.C. Montatore MARK DAY Scenografo MARK DIGBY Arredatrice MICHELLE DAY Costumista SAMMY SHELDON DIFFER Trucco e parrucco SIAN GRIGG Supervisore agli effetti visivi ANDREW WHITEHURST Effetti visivi PRODUCER TIM FIELD Sound Designer GLENN FREEMANTLE Musica di BEN SALISBURY GEOFF BARROW Casting di FRANCINE MAISLER Ex Machina—Note di produzione 3 Sinossi Caleb, un programmatore 24enne della più grande società internet del mondo, vince una competizione il cui premio è trascorrere una settimana in un rifugio di montagna che appartiene a Nathan, il solitario CEO della società. Ma quando arriva in questo luogo remoto, Caleb scopre che dovrà partecipare a uno strano e affascinante esperimento nel quale dovrà interagire con la prima vera intelligenza artificiale del mondo, contenuta nel corpo di una bellissima ragazza robot. Note di produzione Dall’acclamato sceneggiatore e regista ALEX GARLAND (28 giorni dopo, Sunshine) arriva EX MACHINA, un’agghiacciante visione di un futuro non troppo lontano di intelligenze artificiali. Nel rifugio di montagna di un genio di internet miliardario, un giovane uomo partecipa a uno strano esperimento: testare un’intelligenza artificiale ospitata nel corpo di una bellissima ragazza robot. L’esperimento si trasforma, però, in un oscuro conflitto psicologico in cui si mette alla prova il senso di lealtà dell’uomo e della macchina. -
Shaw Tower Newsroom—Dusk
The digital heart of the Wizarding World www.pottermore.com To the memory of Gordon Murray, real-life creature healer and hero Fantastic Beasts and Where to Find Them: The Original Screenplay Acknowledgments Glossary of Film Terms Cast and Crew About the Author About the Book Design SCENE 1 EXT. SOMEWHERE IN EUROPE—1926—NIGHT A large, isolated, derelict chateau emerges from the darkness. We focus on a cobbled square outside the building, shrouded in mist, eerie, silent. Five Aurors stand, wands aloft, tentative as they edge toward the chateau. A sudden explosion of pure white light sends them flying. We whip around to find their bodies scattered, lying motionless at the entrance to a large parkland. A figure (Grindelwald) enters the frame, his back to the camera; ignoring the bodies, he stares out into the night sky as we pan up toward the moon. MONTAGE: We see various magical newspaper headlines from 1926 relating to Grindelwald’s attacks all over the world: GRINDELWALD STRIKES AGAIN IN EUROPE, HOGWARTS SCHOOL INCREASES SECURITY, ANTI-WIZARD FEELING ON THE RISE, WHERE IS GRINDELWALD?, IS ANYONE SAFE? He’s a serious threat to the magical community and he’s vanished. Moving photos detail destroyed buildings, fires, screaming victims. The articles come thick and fast—the worldwide hunt for Grindelwald continues. We push in on a final article displaying the Statue of Liberty. TRANSITION TO: SCENE 2 EXT. SHIP GLIDING INTO NEW YORK—NEXT MORNING A bright, clear New York day. Seagulls swoop overhead. A large passenger ship glides past the Statue of Liberty. -
The Seventh and Final Chapter of the Harry Potter Story Begins As Harry
“Harry Potter and the Deathly Hallows – Part 2,” is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here. “Harry Potter and the Deathly Hallows – Part 2” stars Daniel Radcliffe, Rupert Grint and Emma Watson, reprising their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright. The film was directed by David Yates, who also helmed the blockbusters “Harry Potter and the Order of the Phoenix,” “Harry Potter and the Half-Blood Prince” and “Harry Potter and the Deathly Hallows – Part 1.” David Heyman, the producer of all of the Harry Potter films, produced the final film, together with David Barron and J.K. 1 Rowling. Screenwriter Steve Kloves adapted the screenplay, based on the book by J.K. Rowling. Lionel Wigram is the executive producer. Behind the scenes, the creative team included director of photography Eduardo Serra, production designer Stuart Craig, editor Mark Day, visual effects supervisor Tim Burke, special effects supervisor John Richardson, and costume designer Jany Temime. -
Jessica Forde Photographe De Plateau / Stills Photographer
JESSICA FORDE PHOTOGRAPHE DE PLATEAU / STILLS PHOTOGRAPHER +33 (0)6 12 96 39 66 - +44 7519 500464 - [email protected] www.jessicaforde.com Biography in english: I am a member of the Society of Motion Picture Still Photographers (SMPSP) and of Photographes de Films Associés (PFA). I was born in England and am, for now, based between Paris, France and London, UK. (British and French nationalities. Bilingual.) At the age of 16, I started playing along with photography, a family tradition. I have since lived many lives as an actress, a director, a photographer. During the passed ten years, I have happily established myself as an experienced unit stills photographer. I have been working on various french cinema d’auteur projects, big budget movies, as well as more recently, on major international productions such as LUCY and MALAVITA aka THE FAMILY directed by Luc Besson, BASTILLE DAY with Idris Elba & Richard Madden, directed by James Watkins, EQUALS with Kristen Stewart & Nicholas Hoult directed by Drake Doremus… Adding up to my knowledge of cinema, photography, lighting and grading, I have an unique relationship with actors and actresses having been there. I have good skills in talent management and poster photo-shoots. Biographie en français : Je suis membre de la Society of Motion Picture Still Photographers (SMPSP) et des Photographes de Films Associés (PFA). Je suis est née en Angleterre et je suis basée entre Paris, France et Londres, Angleterre. (Nationalités Francaise et Anglaise. Bilingue) À l’âge de 16 ans, je commence à jouer avec la photographie, une tradition familiale. Depuis, j’ai vécu de nombreuses vies en tant qu’actrice, réalisatrice et photographe.