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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Tangela Sears Is the Area's Loudest Voice Against
OCTOBER 1-7, 2015 | VOLUME 18 | NUMBER 49 MIAMINEWTIMES.COM I FREE TANGELA SEARS IS THE AREA’S LOUDEST VOICE AGAINST URBAN BLOODSHED. PAGE 7 NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE. 301A HOLLYWOOD, FL 33020 [email protected] 954-342-7700 VOL. 18 | NO. 49 | OCTOBER 1-7, 2015 EDITORIAL EDITOR Chuck Strouse MANAGING EDITOR Deirdra Funcheon EDITORIAL OPERATIONS MANAGER Keith Hollar browardpalmbeach.com ASSOCIATE WEB EDITOR Jose D. Duran browardpalmbeach.com STAFF WRITERS Laine Doss, Chris Joseph, Jessica Swanson, Kyle Swenson MUSIC EDITOR Falyn Freyman ARTS & CULTURE/FOOD EDITOR Rebecca McBane CLUBS EDITOR Laurie Charles PROOFREADER Mary Louise English CONTRIBUTORS Emily Bloch, Nicole Danna, Michelle DeCarion, Doug Fairall, Abel Folgar, Victor Gonzalez, Natalya Jones, Jonathan Kendall, Angel Melendez, Dave Minsky, Andrea Richard, David Rolland, Gillian Speiser, Terra Sullivan, John Thomason, Sara Ventiera, David Von Bader, Lee Zimmerman ART | CONTENTS | | CONTENTS ART DIRECTOR Miche Ratto ASSISTANT ART DIRECTOR Kristin Bjornsen PRODUCTION PRODUCTION MANAGER Mike Lugo PRODUCTION ASSISTANT MANAGER Jorge Sesin ADVERTISING ART DIRECTOR Andrea Cruz PRODUCTION ARTIST Michael Campina Photo by Karli Evans Karli by Photo EWS | PULP EWS N ADVERTISING ADVERTISING DIRECTOR Alexis Guillen ONLINE SUPPORT MANAGER Ryan Garcia Featured Stories ▼ Y | MARKETING DIRECTOR Morgan Stockmayer EVENT DIRECTOR CarlaChristina Thompson DA RETAIL/MARKETING COORDINATOR Carolina del Busto SENIOR ACCOUNT EXECUTIVES Sarah Abrahams, Shot Through Peter Heumann, Kristi Kinard-Dunstan ACCOUNT EXECUTIVES the Heart Michelle Beckman, Paige Bresky, Jasmany Santana, Liza Vallejos Tragedy hits home for anti-gun activist Tangela Sears. CLASSIFIED GE | NIGHT+ SENIOR ACCOUNT EXECUTIVES BY TREVOR BACH | PAGE 7 A Patrick Butters, Ladyane Lopez, Joel Valez-Stokes T S CIRCULATION CIRCULATION DIRECTOR Richard Lynch Wizards and CIRCULATION ASSISTANT MANAGER Rene Garcia Hobbits BUSINESS GENERAL MANAGER Russell A. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
New Shuttle Route Changes. Take Effect Oct. 2
University of Missouri, St. Louis IRL @ UMSL Current (2000s) Student Newspapers 9-25-2006 Current, September 25, 2006 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2000s Recommended Citation University of Missouri-St. Louis, "Current, September 25, 2006" (2006). Current (2000s). 299. https://irl.umsl.edu/current2000s/299 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2000s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. s ' SINCE 966 TUO' N·W PAI~ER September 25, 2006 www.thecurrentonline ..com \,Oll' Mr olO. ISSt' F ]1<)3 INSIDE' . International . Center for Tropical New shuttle route changes.take effect Oct. 2 Ecology renamed By JAsON GRANGER Helton said the new · shuttle is "But we are making the priority aca ------ ----~ Orange Line Green Line Blue Line Whitney Harris, former ' focused on student needs ~d will demics. We are unclogging the shuttle StaffViriter systein." . prosecutor in the 1945 expedite student transportation. 'Tm excited about it," Helton That is the most important aspect Nazi trials and contribu • Main Circle / • Main Circle / • Main Circle I Revamped shuttle routes go into said. "I think students will respond of the new system, according to tor to the center, recent- University Drive University Drive effect Monday, Oct. .1, routes that positively to the new route[s]." Helton. University Drive 1y donated $1 .5 million . Student Government Vice President The new routes wilI'be color coded "I think that it makes the prioritY • ZTNSouth Metro • Millennium' • Normandie Hall to the T~opical Ecology . -
Strapping Young Lad
THE DAYGLO’S AUSSIE TOUR #3 APRIL/MAY 2005 - ABSOLUTELY FREE PUNK, HARDCORE & METAL - THE SCUM ALSO RISES STRAPPING YOUNG LAD and shitloads more! ABSOLUTE EDITORIAL Absolute Editorial #3 Things are coming together nicely for us here at Absolute Underground. This is starting go be fun! We’re getting into a few free shows and people are starting to send in CD’s for us to review. We’ve got a lot of new people pitching in to make this rag better than ever. Emily Kendy joins us from Vancouver and brings with her a very impressive resume (The Nerve, Discorder, Terminal City, Exclaim...). We’ll be featuring a different Vancouver based band each issue starting with scum punks the Excessives. With the new Arena and Rod Stewart having played Victoria, you can just feel that this is going to be a great year for live music around town. I’m always impressed with the turnout and energy of the younger crowds at the all-ages shows. Even if you’re old you should go check one out sometime. You might find it invigorating to jump in a circle pit of mohawked fury. It was great hanging out with the crew at Spitfire Tattoo special thanks to Rick and Amanda. Electric Frankenstein was an amazing show and just proves that Victoria gets wicked shows all the time. A big middle finger to the asshole bouncers @ Diego’s who wouldn’t let me in even though I was on the guest list and then proceeded to tell the headlining act CHOKE to “pack their shit, they weren’t going to play.” This was after two huge idiots working the door beat up CHOKE’s drummer who weighs about a buck ten soaking wet. -
From Crass to Thrash, to Squeakers: the Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive From Crass to Thrash, to Squeakers: The Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85. Otto Sompank I always loved the simplicity and visceral feel of all forms of punk. From the Pistols take on the New York Dolls rock, or the UK Subs aggressive punk take on rhythm and blues. The stark reality Crass and the anarchist-punk scene was informed with aspects of obscure seventies rock too, for example Pete Wright’s prog bass lines in places. Granted. Perhaps the most famous and intense link to rock and punk was Motorhead. While their early output and LP’s definitely had a clear nod to punk (Lemmy playing for the Damned), they appealed to most punks back then with their sheer aggression and intensity. It’s clear Motorhead and Black Sabbath influenced a lot of street-punk and the ferocious tones of Discharge and their Scandinavian counterparts such as Riistetyt, Kaaos and Anti Cimex. The early links were there but the influence of late 1970s early 80s NWOBM (New Wave of British Heavy Metal) and street punk, Discharge etc. in turn influenced Metallica, Anthrax and Exodus in the early eighties. Most of them can occasionally be seen sporting Discharge, Broken Bones and GBH shirts on their early record-sleeve pictures. Not only that, Newcastle band Venom were equally influential in the mix of new genre forms germinating in the early 1980s. One of the early examples of the incorporation of rock and metal into the UK punk scene came from Discharge. -
American Punk: the Relations Between Punk Rock, Hardcore, and American Culture
American Punk: The Relations between Punk Rock, Hardcore, and American Culture Gerfried Ambrosch ABSTRACT Punk culture has its roots on both sides of the Atlantic. Despite continuous cross-fertiliza- tion, the British and the American punk traditions exhibit distinct features. There are notable aesthetic and lyrical differences, for instance. The causes for these dissimilarities stem from the different cultural, social, and economic preconditions that gave rise to punk in these places in the mid-1970s. In the U. K., punk was mainly a movement of frustrated working-class youths who occupied London’s high-rise blocks and whose families’ livelihoods were threatened by a declin- ing economy and rising unemployment. Conversely, in America, punk emerged as a middle-class phenomenon and a reaction to feelings of social and cultural alienation in the context of suburban life. Even city slickers such as the Ramones, New York’s counterpart to London’s Sex Pistols and the United States’ first ‘official’ well-known punk rock group, made reference to the mythology of suburbia (not just as a place but as a state of mind, and an ideal, as well), advancing a subver- sive critique of American culture as a whole. Engaging critically with mainstream U.S. culture, American punk’s constitutive other, punk developed an alternative sense of Americanness. Since the mid-1970s, punk has produced a plethora of bands and sub-scenes all around the world. This phenomenon began almost simultaneously on both sides of the Atlantic—in London and in New York, to be precise—and has since spread to the most remote corners of the world. -
Westfield Memorial Library 550 E Broad Si Westfield Mj 07090-2116
Si3 PI •«*****«**CAR-RT L0T**C015 I 3 WESTFIELD MEMORIAL LIBRARY 550 E BROAD SI WESTFIELD MJ 07090-2116 07090211650 96 {topulos. flan 9t*tu*. fVrbtmmui rsMaarS ISO rswiae, Stan Siftwwfcir V law OUR 115th YEAR - ISSUE NO. 30-2005 I SPS 6*0020 Thursday. July 28, 2005 (908) 232-1407 Periodical - Postal Paid at Westfield, N J. www.gotradtr.coni [email protected] SIXTY CENTS Hearing Begins For Police Officer With an Unusual Public Forum By PAUL J. PEYTON for 11 a.m. on Wednesday, August 17. Chambers. Specialty Written /ttr The WetlfielJ leader The hearing was made public at the The police department’s case was WESTFIELD - In an unusual pub insistence of Detective Chambers, presented by James Plosia, Jr. of the lic forum, the Westfield Police De which is within her rights according law firm of Apruzzese, McDermott, partment began its disciplinary hear to written procedures for departmen Mastro & Murphy of Liberty Comer, ing last Thursday at noon against tal disciplinary hearings. Detective which represents the town in labor Detective Sandra Chambers, suppos Chambers was the first woman hired matters. edly charged with fixing a $20 park by the department when she joined Attorney Hassan Abdellah of Eliza ing ticket and covering up the matter. the force in 1995. beth represented Detective Cham Detective Chambers has been sus Held in the Community Room of bers. pended with pay since March. Dur the municipal building, approxi James Damato, a Morris County attorney, conducted the hearing. He said his role was, “to determine what the facts are and to listen to all of the evidence.” His recommendations are non-binding. -
W E Are Reserved in Shanahan B460 Through July 2015
5 1 0 2 ly Galileo Galilei Galilei Galileo u J h g u ro h t 0 6 4 B n a h a n a h S n i ed v er es I've loved the stars too fondly to be fearful of the night. the be fearful of the stars too fondlyto I've loved r re a e W Volume 35 Number 3 nightwatch March 2015 What's Up? - Weird White Dwarfs The weirdest dwarf stars are the white ones. White dwarfs companion. More examples of these smallest of all stars were are considered to be the last evolutionary state of stars. They’re soon discovered. They were named white dwarfs. collapsed stellar remnants made up of mostly electron- It was soon realized that white dwarfs were internally weird degenerate matter. So they can be called degenerate dwarfs. in comparison to other stars. In a star like the Sun the thermal They’re extremely dense because they’ve collapsed to planet pressure of gas and radiation keep it from collapsing under its size while still having the mass of a large star. So a cubic own weight. But white dwarfs no longer have fusion reactions centimeter of white dwarf matter could weigh a ton. They’re and so they have no typical source of energy. Its electrons have very hot, but because they’re so small their brightness is limited all been ripped off their parent atoms leaving a matter of free by their size. electrons and nuclei. So it’s the hot active motion of dense The first white dwarf to be discovered was the companion electrons that keeps white dwarfs from collapsing rather than of the “dog star” Sirius in Canis Major. -
Carrier: Enrollment Won't Rise Until '92 I Same
9A Day in the Life': Slides show nations' realities V/14 MONDAY, OCTOBER 3, 1988 JAMES MADISON UNIVERSITY VOL. 66 NO. 11 Carrier: Enrollment won't rise until '92 I same. We shall not increase enrollment opportunities for program development By William Young part, in the fact that I have suggested staff writer but expand our present facilities to . and he [tells] his faculty that we that we buy it, because $4 million is a accommodate our present enrollment." can't grow because we don't have any lot of money. But the land is needed as JMU shouldn't increase its enrollment This fall's enrollment is about 10,500. space or we don't have any land." an opportunity for the university." until at least 1992, JMU President Though JMU won't expand "The land is to provide for future The $175,000 option cost will be Ronald Carrier said Thursday at a enrollment for now, it does want to growth of this institution, whether it be applied toward the estimated $4.1 special faculty meeting. expand its land holdings by purchasing in buildings, specialized programs or million purchase price. Carrier said. "We will not increase enrollment 110 acres of land near the Convocation parking lots," Carrier said. until we have adequate personnel and Center. Those 110 acres are vital to The land's owners told JMU about The JMU Board of Visitors voted facilities for the present enrollment,'' JMU's future expansion, Carrier said. two years ago that a developer had Sept. 24 to ask the Virginia General Carrier told about 300 faculty members The land is not being sought for current offered to buy the property. -
Swissted 4/3/13 11:41 PM
swissted 4/3/13 11:41 PM swissted swissted is an ongoing project by graphic designer mike joyce, owner of stereotype design in new york city. drawing from his love of punk rock and swiss modernism, two movements that have (almost) nothing to do with one another, mike has redesigned vintage punk, hardcore, new wave, and indie rock show flyers into international typographic style posters. each design is set in lowercase berthold akzidenz-grotesk medium (not helvetica). every single one of these shows actually happened.the swissted book is finally out from quirk books—get it here! http://www.swissted.com/ Page 1 of 135 swissted 4/3/13 11:41 PM http://www.swissted.com/ Page 2 of 135 swissted 4/3/13 11:41 PM ramones at the palladium, 1978 http://www.swissted.com/ Page 3 of 135 swissted 4/3/13 11:41 PM descendents at fender’s, 1987 agent orange at goodies, 1987 http://www.swissted.com/ Page 4 of 135 swissted 4/3/13 11:41 PM jawbreaker at irving plaza, 1995 patti smith at max’s kansas city, 1974 http://www.swissted.com/ Page 5 of 135 swissted 4/3/13 11:41 PM refused at the p.w.a.c., 1996 t.s.o.l. and others at fender’s, 1986 http://www.swissted.com/ Page 6 of 135 swissted 4/3/13 11:41 PM misfits at gildersleeves, 1983 lush at the fillmore, 1994 http://www.swissted.com/ Page 7 of 135 swissted 4/3/13 11:41 PM yo la tengo at cbgb, 1993 rollins band at the outhouse, 1990 http://www.swissted.com/ Page 8 of 135 swissted 4/3/13 11:41 PM david bowie at cleveland music hall, 1972 meat puppets at the roxy theatre, 1986 http://www.swissted.com/ Page 9 of 135 swissted 4/3/13 11:41 PM built to spill at fox theatre, 1997 modest mouse at speak in tongues, 1996 http://www.swissted.com/ Page 10 of 135 swissted 4/3/13 11:41 PM nick cave & the bad seeds at fillmore / 1989 the velvet underground at max’s k.c. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).