Young Lords : a Reader / Edited by Darrel Enck-Wanzer ; Foreword by Iris Morales and Denise Oliver-Velez
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Colecciones Especiales De Bibliotecas De La Universidad De Puerto Rico
Colecciones Especiales de Bibliotecas de la Universidad de Puerto Rico Volumen 2 Colecciones Especiales de Bibliotecas de la Universidad de Puerto Rico Volumen 2 Colecciones Especiales de Bibliotecas de la Universidad de Puerto Rico Volumen 2 Coordinadora Esther Villarino Tur Editores Hilda R. Hernández Rivera León Santos Orozco José A. Pérez Pelay Esther Villarino Tur Iraida Ríos Arroyo Introducción José A. Robledo González Autores Aura Díaz López Edwin Ríos Cruz Marinilda Fuentes Sánchez Osvaldo Rivera Soto Rosalind E. Irizarry Martínez Robert Rosado Quiñones Miguel Ángel Náter Gustavo Salvarrey Iranzo Jorge I. Ortiz Malavé Miguel A. Santiago Rivera San Juan, Puerto Rico 2021 Diseño y diagramación por Esther Villarino Tur Cubierta frontal y posterior por Esther Villarino Tur basada en el diseño original creado por Luis Alberto Aponte Valderas para Colecciones Especiales de Bibliotecas de la Universidad de Puerto Rico, volumen 1, 2017 Logo CPDCC-UPR por Alex Colón Hernández Prohibida la reproducción total o parcial de esta obra sin previo permiso escrito por parte de sus autores. Edición, 2021 ISBN 978-0-578-92830-2 © Universidad de Puerto Rico Contenido Miembros de la Comunidad de Práctica Desarrollo Colaborativo de Colecciones de la Universidad de Puerto Rico (CPDCC-UPR) ........................................................................................ i Introducción José A. Robledo González ..................................................................................................... ii UPR en Aguadilla Sala Aguadillana -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
February 14, 2018 the Honorable Ricardo Rosselló Governor La
February 14, 2018 The Honorable Ricardo Rosselló Governor La Fortaleza P.O. Box 9020082 San Juan, PR 00902-0082 Dear Governor Rosselló, I write as president of the American Statistical Association to respectfully urge you to keep Puerto Rico’s statistical agency, El Instituto de Estadísticas de Puerto Rico (Puerto Rico Institute of Statistics, PRIS), and its board of directors fully independent. I also draw your attention to the 2,800 individuals—and still growing—who have signed a petition with this same request.1 At this critical historical juncture, Puerto Rico needs accurate, objective, and timely statistics. Government statistics empower the economy, serve the health and welfare of citizens, improve governance, and inform decisions and policies in the public and private sectors, among many other vital functions. Government statistics are also fundamental to evidence-based policymaking, the engagement of which is on a rapid rise in local, state, and federal governments. To address the challenges posed by its decade-long economic recession and the devastation of back-to-back hurricanes, Puerto Rico must chart its path toward sustainable recovery using reputable and reliable data and statistical methods. Because of their broad and profound importance, it is imperative that government statistics be produced through rigorous scientific processes and analyses performed by experts that can function without improper outside influence. Government statistics must be independent, objective, accurate, and timely and be perceived as such. It is just as important to have adequate statistics on a variety of topics. PRIS has demonstrated repeatedly it has the expertise to function independently to produce rigorous, objective, and accurate statistics for the benefit of Puerto Rico and its people. -
Rafael Cancel-Miranda Praised on His 90Th Birthday
Rafael Cancel-Miranda praised on his 90th birthday Mayagüez, July 19 (RHC)-- A group of independence fighters on Saturday exalted the figure of nationalist fighter Rafael Cancel-Miranda, on his 90th birthday, at the Vivaldi Cemetery in Mayagüez, where his remains have been laid to rest since March 8th. Puerto Rican Independence Party (PIP) leader Julio Muriente Perez lamented that due to his irredeemable death, on July 18th he could not be shared with thousands of his fellow countrymen in his native Mayaguez, in western Puerto Rico, "where his immortal remains now rest." The former president of the Movimiento Independentista Nacional Hostosiano (MINH) said that perhaps the meeting would have been at the grave of the combative nationalist leader Pedro Albizu Campos, in the cemetery of Old San Juan, where Cancel-Miranda first went after stepping on Puerto Rican soil after his release from prison in September 1979, after spending 25 years in U.S. prisons. Muriente Pérez said that on this occasion "we would have liked to sing to him, recite his poems, remember his anecdotes, laugh at his great sense of humor, re-charge his batteries with his immeasurable desire to live and serve his people and humanity, evoke his admirable perseverance and firmness of principle." Likewise, he said, we would have remembered, with similar respect to his colleagues Oscar Collazo, Lolita Lebron, Irving Flores and Andres Figueroa Cordero, that "like Rafaelito they are our National Heroes." Born on July 18, 1930 in Mayagüez, he dedicated his life to the independence of Puerto Rico under the inspiration of Pedro Albizu Campos, whom as a Cadet of the Republic, a youth organization of the Nationalist Party, he welcomed in December 1947 upon his return from serving a 10-year sentence in Atlanta and New York charged with conspiracy to overthrow the United States government. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
A Case Study on the Fuerzas Armadas De Liberación Nacional (FALN)
Effects and effectiveness of law enforcement intelligence measures to counter homegrown terrorism: A case study on the Fuerzas Armadas de Liberación Nacional (FALN) Final Report to the Science & Technology Directorate, U.S. Department of Homeland Security August 2012 National Consortium for the Study of Terrorism and Responses to Terrorism A Department of Homeland Security Science and Technology Center of Excellence Based at the University of Maryland 3300 Symons Hall • College Park, MD 20742 • 301.405.6600 • www.start.umd.edu National Consortium for the Study of Terrorism and Responses to Terrorism A Department of Homeland Security Science and Technology Center of Excellence About This Report The author of this report is Roberta Belli of John Jay College of Criminal Justice, City University of New York. Questions about this report should be directed to Dr. Belli at [email protected]. This report is part of a series sponsored by the Human Factors/Behavioral Sciences Division, Science and Technology Directorate, U.S. Department of Homeland Security, in support of the Prevent/Deter program. The goal of this program is to sponsor research that will aid the intelligence and law enforcement communities in identifying potential terrorist threats and support policymakers in developing prevention efforts. This research was supported through Grant Award Number 2 009ST108LR0003 made to the START Consortium and the University of Maryland under principal investigator Gary LaFree. The views and conclusions contained in this document are those of the authors and should not be interpreted as necessarily representing the official policies, either expressed or implied, of the U.S. Department of Homeland Security or START. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
The Nationlist Party and Puerto Rico Memorias
Memorias. Revista Digital de Historia y Arqueología desde el Caribe E-ISSN: 1794-8886 [email protected] Universidad del Norte Colombia Power, Margaret Nationalism in a Colonized Nation: The Nationlist Party and Puerto Rico Memorias. Revista Digital de Historia y Arqueología desde el Caribe, núm. 20, mayo- agosto, 2013, pp. 119-137 Universidad del Norte Barranquilla, Colombia Available in: http://www.redalyc.org/articulo.oa?id=85528620006 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative MEMORIAS Revista digital de Historia y Arqueología desde el Caribe colombiano Nationalism in a Colonized Nation: The Nationlist Party and Puerto Rico Nacionalismo en una Nación Colonizada: El Partido Nacionalista y Puerto Rico Margaret Power1 Resumen Este artículo aborda el concepto de nacionalismo del Partido Nacionalista de Puerto Rico. El partido sitúa la nación tanto en la entidad geográfica de la isla, como en el área política-cultural transnacional de América Latina. Para establecer que Puerto Rico era una nación, el partido se basó en la cultura, la historia, el idioma y la religión que la isla comparte con América Latina. Los Nacionalistas también vincularon la isla a América Latina para convencer a los puertorriqueños de que su historia y su futuro estaban con América Latina, no con los de los Estado Unidos. Este artículo también establece que el Partido Nacionalista consideraba que tanto los hombres como las mujeres constituyen la nación y tienen un papel fundamental que desempeñar en el logro de su liberación. -
Racial Politics, Gendered Norms, and the Rt Ansformation of Puerto Rican Identity in the Wet Ntieth Century Cristóbal A
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2014-01-01 Unspoken Prejudice: Racial Politics, Gendered Norms, And The rT ansformation Of Puerto Rican Identity In The weT ntieth Century Cristóbal A. Borges University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Latin American History Commons, Latin American Languages and Societies Commons, Latin American Studies Commons, Other French and Francophone Language and Literature Commons, and the United States History Commons Recommended Citation Borges, Cristóbal A., "Unspoken Prejudice: Racial Politics, Gendered Norms, And The rT ansformation Of Puerto Rican Identity In The wT entieth Century" (2014). Open Access Theses & Dissertations. 1590. https://digitalcommons.utep.edu/open_etd/1590 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. UNSPOKEN PREJUDICE: RACIAL POLITICS, GENDERED NORMS, AND THE TRANSFORMATION OF PUERTO RICAN IDENTITY IN THE TWENTIETH CENTURY CRISTÓBAL A. BORGES Department of History APPROVED: Sandra McGee Deutsch, Ph.D., Chair Jeffrey P. Shepherd, Ph.D. Michael Topp, Ph.D. Marion Rohrleitner, Ph.D. Bess Sirmon-Taylor, Ph.D. Interim Dean of the Graduate School Copyright © by Cristóbal A. Borges 2014 Dedication Para Julie, Sofía e Ilia. Thank you for all the support. UNSPOKEN PREJUDICE: RACIAL POLITICS, GENDERED NORMS, AND THE TRANSFORMATION OF PUERTO RICAN IDENTITY IN THE TWENTIETH CENTURY by CRISTÓBAL A. BORGES, B.A., M.S., M.A. -
Pedro Albizu Campos Piedra De Puerto Rico
PEDRO ALBIZU CAMPOS PIEDRA DE PUERTO RICO FRANCISCO MATOS PAOLI Recopilación y ordenación de ISABEL FREIRE DE MATOS FRENTE DE AFIRMACIÓN HISPANISTA, A. C. MÉxICO, 2001 PEDRO ALBIZU CAMPOS PIEDRA DE PUERTO RICO © FRENTE DE AFIRMACIÓN HISPANISTA, A. C. Castillo del Morro # 114 Lomas Reforma 11930, México, D. F. Tel. 55 96 24 26 E-mail: ivanfah @prodigy.net.mx MÉXICO Portada: El apóstol. (Óleo de Betzaida González) PEDRO ALBIZU CAMPOS PIEDRA DE PUERTO RICO FRANCISCO MATOS PAOLI Recopilación y ordenación de ISABEL FREIRE DE MATOS FRENTE DE AFIRMACIÓN HISPANISTA, A. C. MÉXICO, 2001 INTRODUCCIÓN EL SER O NO SER DE PUERTO RICO* ¿Quién no recuerda a Shakespeare?, quien por boca de Hamlet (III, 7), dijo: Ser o no ser. De eso se trata, en suma. ¿Qué es lo más noble: soportar callando dardos y flechas de áspera fortuna, o tomar armas contra un mar de males y darles fin luchando? Y aquí nos transporta el poeta a los campos metafisicos de la ontología : que informa del ser en sí. Platón en El sofista, trata extensamente la existencia del no-ser, contradiciendo a Parménides: Forastero: Aquel que declare que existe la falsedad tiene la audacia de proponer el ser del no-ser; puesto que esto se supone en la posibili- dad de la falsedad. Ante lo cual exclama Teetetes: ¡En que rara complicación de ser o no ser nos hemos envuelto! Prosigue Platón a explicar la esencia del ser: Forastero: Mi noción sería que cualquier cosa que posea poder para afectar a otra o de ser afectada por otra -aunque sea por un instante- VII por muy leve que sea la causa o por insignificante que sea el efecto, tiene existencia real, por lo que sostengo que la definición de ser es sencilla- mente poder. -
82 SECOND AVENUE 1,150 SF Availble for Lease Between East 4Th and 5Th Streets EAST VILLAGE NEW YORK | NY
RETAIL SPACE 82 SECOND AVENUE 1,150 SF Availble for Lease Between East 4th and 5th Streets EAST VILLAGE NEW YORK | NY SPACE A SPACE B SPACE DETAILS GROUND FLOOR LOWER LEVEL LOCATION NEIGHBORS Between East 4th and 5th Streets Nomad, Atlas Café, Frank, The Mermaid Inn, Coopers Craft & SIZE Kitchen, Bank Ant, The Bean Space A COMMENTS EXISTING Ground Floor 700 SF Prime East Village restaurant WALK-IN Basement 300 SF opportunity SPACE A REFRIGERATOR 300 SF Space B Vented for cooking use; gas and electric in place Ground Floor 450 SF KITCHEN New direct long-term lease, Basement 200 SF no key money FRONTAGE Space A Second Avenue 12 FT Space B Second Avenue 10 FT SPACE A TRANSPORTATION 700 SF 2019 Ridership Report Second Avenue Astor Place 6 RESTAURANT Annual 5,583,944 Annual 5,502,925 Weekday 16,703 Weekday 17,180 Weekend 24,564 Weekend 21,108 12 FT SECOND AVENUE EAST 14TH STREET EAST 14TH STREET EAST 14TH STREET EAST 14TH STREET WEST 14TH STREET EAST 14TH STREET Optyx Artichokes Pizza Petopia Akina Sushi Muzarella Pizza Bright Horizons Brothers Candy & Grocery M&J Nature Joe’s Pizza Krust Lex AMALGAMATED Vanessa’s Regina The City Synergy AVENUE SECOND Taverna Kyclades Republic Dumplings AVENUE FIRST Exchange AVENUE OF THE AMERICAS AVENUE Champion BANK Pizza Check Nugget Gourmet Big Arc Chicken AVENUE C AVENUE AVENUE A AVENUE Wine & City Le Café Coee B AVENUE Pizza First Lamb King’s Way Cashing Spot Baohaus Tortuga Vinny Vicenz Jewelry Spirits AVENUE THIRD Planet Rose FIFTH AVENUE Streets Cava Grill Revolution Shabu Food Corp Discount PJ’s Grocery -
Bard Digital Commons Motherland
Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 Motherland Melanie Joy Mignucci Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Fiction Commons, and the Latin American Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Mignucci, Melanie Joy, "Motherland" (2016). Senior Projects Spring 2016. 318. https://digitalcommons.bard.edu/senproj_s2016/318 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Motherland a novella Senior Project submitted to The Division of Languages and Literature of Bard College by Melanie Mignucci Annandale-on-Hudson, New York May 2016 Acknowledgments Thanks to all the wonderful faculty who believed in this project and made it possible: Ben Hale, Mary Caponegro & Nicole Caso. My incredible advisor Melanie Nicholson, without whose meticulous edits and caring spirit I would not have been physically able to create this work. My wonderful housemates who picked up early drafts off the coffee table. Many, many thanks to Papa Yiyo, Andrés, Arnaldo & Antonio for lending me the archives, genealogical records and family stories that inspired this work (and for picking up the phone when I needed a question answered).