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A Sheffield Hallam University Thesis
How do I look? Viewing, embodiment, performance, showgirls, and art practice. CARR, Alison J. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19426/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/19426/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. How Do I Look? Viewing, Embodiment, Performance, Showgirls, & Art Practice Alison Jane Carr A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy ProQuest Number: 10694307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694307 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Declaration I, Alison J Carr, declare that the enclosed submission for the degree of Doctor of Philosophy, and consisting of a written thesis and a DVD booklet, meets the regulations stated in the handbook for the mode of submission selected and approved by the Research Degrees Sub-Committee of Sheffield Hallam University. -
Finding Empowerment for Exotic Dancers Through Labor Unions Sarah Chun
Hastings Women’s Law Journal Volume 27 Article 3 Number 2 Summer 2016 1-1-2016 An Uncommon Alliance: Finding Empowerment for Exotic Dancers through Labor Unions Sarah Chun Follow this and additional works at: https://repository.uchastings.edu/hwlj Part of the Law and Gender Commons Recommended Citation Sarah Chun, An Uncommon Alliance: Finding Empowerment for Exotic Dancers through Labor Unions, 27 Hastings Women's L.J. 167 (2016). Available at: https://repository.uchastings.edu/hwlj/vol27/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Women’s Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. An Uncommon Alliance: Finding Empowerment for Exotic Dancers through Labor Unions** Sarah Chun* INTRODUCTION Giggling, the three of us crammed into a small, dark booth at the famous San Francisco Lusty Lady adult theatre. A dancer from inside the peep-show room sauntered to our window and began to dance. She looked into our booth, seemingly amused at the sight of the three voyeurs packed together. I was intrigued and apprehensive at the same time. Never before had I been this close to a female exotic dancer. As she stood gyrating in front of our window, I noticed a button hanging off her g-string which said "Local 790." A union? A unionized exotic dancer jarred my preconceived ideas about the legitimacy of nude dancing as a profession. Because I saw strip clubs as vehicles that objectify women into sexual beings, I never stopped to consider these women as workers. -
Bdsm) Communities
BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES A Thesis by Anita Fulkerson Bachelor of General Studies, Wichita State University, 1993 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts December 2010 © Copyright 2010 by Anita Fulkerson All Rights Reserved Note that thesis work is protected by copyright, with all rights reserved. Only the author has the legal right to publish, produce, sell, or distribute this work. Author permission is needed for others to directly quote significant amounts of information in their own work or to summarize substantial amounts of information in their own work. Limited amounts of information cited, paraphrased, or summarized from the work may be used with proper citation of where to find the original work. BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Liberal Studies _______________________________________ Ron Matson, Committee Chair _______________________________________ Linnea Glen-Maye, Committee Member _______________________________________ Jodie Hertzog, Committee Member _______________________________________ Patricia Phillips, Committee Member iii DEDICATION To my Ma'am, my parents, and my Leather Family iv When you build consent, you build the Community. v ACKNOWLEDGMENTS I would like to thank my adviser, Ron Matson, for his unwavering belief in this topic and in my ability to do it justice and his unending enthusiasm for the project. -
The Current Landscape of Prostitution and Sex Work in England and Wales
Matolcsi, A. , Mulvihill, N., Lilley-Walker, S-J., Lanau, A., & Hester, M. (2020). The Current Landscape of Prostitution and Sex Work in England and Wales. Sexuality and Culture, 25(1), 39-57. https://doi.org/10.1007/s12119-020-09756-y Publisher's PDF, also known as Version of record License (if available): CC BY Link to published version (if available): 10.1007/s12119-020-09756-y Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via Springer at https://link.springer.com/article/10.1007/s12119-020-09756-y . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Sexuality & Culture https://doi.org/10.1007/s12119-020-09756-y ORIGINAL PAPER The Current Landscape of Prostitution and Sex Work in England and Wales Andrea Matolcsi1 · Natasha Mulvihill1 · Sarah‑Jane Lilley‑Walker1 · 1 1 Alba Lanau · Marianne Hester © The Author(s) 2020 Abstract This paper presents a comprehensive typology of the sex industry based on primary data collected between 2018 and 2019 for a UK Home Ofce-funded study. Typolo- gies of the contemporary sex industry in England and Wales have tended to be lim- ited to particular sectors or have been developed from a specifc disciplinary per- spective or theme (e.g. -
Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral Thesis, University of Sunderland
Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/id/eprint/8825/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Kinky Sexual Subcultures and Virtual Leisure Spaces Liam Wignall A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy February 2018 i | P a g e Abstract This study seeks to understand what kink is, exploring this question using narratives and experiences of gay and bisexual men who engage in kink in the UK. In doing so, contemporary understandings of the gay kinky subcultures in the UK are provided. It discusses the role of the internet for these subcultures, highlighting the use of socio-sexual networking sites. It also recognises the existence of kink dabblers who engage in kink activities, but do not immerse themselves in kink communities. A qualitative analysis is used consisting of semi-structured in-depth interviews with 15 individuals who identify as part of a kink subculture and 15 individuals who do not. Participants were recruited through a mixture of kinky and non-kinky socio-sexual networking sites across the UK. Complimenting this, the author attended kink events throughout the UK and conducted participant observations. The study draws on subcultural theory, the leisure perspective and social constructionism to conceptualise how kink is practiced and understood by the participants. It is one of the first to address the gap in the knowledge of individuals who practice kink activities but who do so as a form of casual leisure, akin to other hobbies, as well as giving due attention to the increasing presence and importance of socio-sexual networking sites and the Internet more broadly for kink subcultures. -
Fetishism and the Culture of the Automobile
FETISHISM AND THE CULTURE OF THE AUTOMOBILE James Duncan Mackintosh B.A.(hons.), Simon Fraser University, 1985 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Communication Q~amesMackintosh 1990 SIMON FRASER UNIVERSITY August 1990 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME : James Duncan Mackintosh DEGREE : Master of Arts (Communication) TITLE OF THESIS: Fetishism and the Culture of the Automobile EXAMINING COMMITTEE: Chairman : Dr. William D. Richards, Jr. \ -1 Dr. Martih Labbu Associate Professor Senior Supervisor Dr. Alison C.M. Beale Assistant Professor \I I Dr. - Jerry Zqlove, Associate Professor, Department of ~n~lish, External Examiner DATE APPROVED : 20 August 1990 PARTIAL COPYRIGHT LICENCE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis/Dissertation: Fetishism and the Culture of the Automobile. Author : -re James Duncan Mackintosh name 20 August 1990 date ABSTRACT This thesis explores the notion of fetishism as an appropriate instrument of cultural criticism to investigate the rites and rituals surrounding the automobile. -
My Father's Secret
WhatIMeant. Prt 2 95-222 24/08/2005 3:22 pm Page 129 David Hayes ’ First the snapshots. In this one, my father, then twenty-eight years old, is sitting in a Plymouth roadster convertible, beige with a red pinstripe along the side. It has red leather upholstery, including the rumble seat. My father was, according to my mother, a rakish bachelor who lived with a gang of fellows in a house in St. Catha- rines, nicknamed “the homestead.” His friends called him “Hurry- Up Hayes” because he walked purposefully, with short, quick steps, as though there were important things ahead. My mother was a tall, leggy brunette with an angular face who looked like a great, noble, WhatIMeant. Prt 2 95-222 24/08/2005 3:22 pm Page 130 | wading bird. She had her pick of eligible men, and chose my father. Later, when he infuriated or disappointed me, I would remind myself of this past life of his, the easy grace with which he carried himself, defining for me the idea of unforced masculinity. I believe to this day that he was more self-possessed, more relaxed with who he was than I was at his age, or, for that matter, later. Here he’s sitting, obviously posed but looking most at ease, every inch the successful executive: the double-breasted chalk-stripe suit, the dark tie with bold diagonals, the half-Windsor knot. It’s the mid-s and he is now in senior management at Abitibi’s head office on University Avenue in Toronto. Look at his steady gaze into the camera, as if to say, I am a man both comfortable and successful in this masculine world. -
NLA Newsleather November 2020
Issue 5: November 2020 NewsLeather Leather: It’s who you are, not what you wear NLA-Dallas is about Education * Activism * Community A Review of BV Online Attendees at Beyond Vanilla Online on October 3, 2020, were treated to a smorgasbord of kinky information and fun conversation. A couple of classes had wow moments that got us excited and ready for more. Master TC ended his Negotiation class with a demo that left us all reaching for our fans and praying to our gods the scene actually happens when we are nearby, and Doctor Bubbles and KitKat Ann’s look at Fear Play culminated with a surprise mini scene that clearly demonstrated the difference between surprise and suspense. Beginning our journey in exploring the gender spectrum, Maverick introduced us to some of their friends who showed us unequivocally that one’s parts do not always define one’s gender and that assumptions based on appearances can be way off base. Lee Harrington’s thought provoking exploration of Intentional Relationship Design was interwoven with his signature melange of spiritual appreciation and pragmatic application. Throughout the day, classes alternated with pre-recorded videos to keep the educational opportunities going. Butterscotch’s enthusiasm for tea service shined brightly as she walked us through her take on tea. Ursus’ demonstration of a bar shine gave us a glimpse into the world of the bootblacking, offering something for those interested in being a bootblack, as well as those who seek out their service. Fred illuminated the world of cigars and cigar service for attendees, information that was later put to good use at the post-event hybrid virtual and in-person Beyond Vanilla After Dark. -
Common BDSM Terminology
Common BDSM Terminology Common Terminology: • BDSM – Bondage and Discipline, Dominance and Submission, Sadism and Masochism. • SSC – Safe, Sane, Consensual • RACK – Risk Aware Consensual Kink • PRICK – Personal Responsibility Informed Consensual Kink • Scene – Both the BDSM Community as a whole and a play interaction. • “Thud” – Sensation produced when struck with broad/heavy/soft toys – e.g .floggers, big paddles. • “Sting” – Sensation produced when struck with thin/light/hard toys – e.g. cane or single tail. • Dungeon – a (public or private) play space. • DM (Dungeon Monitor) – Public playspace lifeguard. • Squick – Something that viscerally turns you off. The sound of your parents fucking on the kitchen table. • BBW – Big Beautiful Woman • Sub Frenzy – The desire to try everything when one is new to the scene. • Subspace – An altered state often resulting from endorphins released through sensation/impact play. • Sub Drop/Top Drop – Temporary depression sometimes experienced (hours or days) after intense play. Safeword – a word or phrase used to pause or stop play. • Stop!/No! - If you’re a beginner (or playing with a beginner), keep it simple, no means no, stop means stop. • Safeword!/Red! – Stop now! Something is seriously wrong. DMs/bystanders requested to help. • Yellow/Mercy – I can’t take much more, need a break, please check in. • Green – I’m having a good time, please continue! • Beige – I’m so bored I’m thinking about what color to paint the ceiling. Roles: • Top/Bottom – Enjoy physical play (bondage, flogging, whipping, etc.) • Sadist/Masochist – Enjoy inflicting/receiving pain (intense physical sensation). • Dom/Sub – Enjoy mental power exchange (following orders, serving, etc.) • Master/Slave – Enjoy long term owner/property relationship. -
Themes of SM Expression Charles Moser and Peggy J
3 Themes of SM Expression Charles Moser and Peggy J. Kleinplatz SM (also known as BDSM, i.e. Bondage and Discipline, Dominance and Submission and Sadism and Masochism) is a term used to describe a variety of sexual behaviours that have an implicit or explicit power differential as a significant aspect of the erotic interaction. Of course there are other sexual interactions or behaviours that have an implicit power differential, but that power differential is not generally eroticized in non-SM interactions. Sex partners may even disagree if a particular interaction or relationship constitutes SM, each seeing it from a different perspective. The boundaries between SM and non-SM interactions are not always clear, which is why self-definition is crucial for understanding SM phenomena. Colloquially the set of SM inclinations has been referred to deris- ively as an interest in ‘whips and chains’, but is much more complex and varied than suggested by that description. Practitioners use both numerous academic terms and jargon (e.g. S/M, B/D, WIITWD [i.e. what it is that we do], D/s, Bondage, Leather, Kink) to refer to these interests. They have been labelled controversially in the psychiatric liter- ature with diagnostic labels such as paraphilia, sadomasochism, sexual sadism, sexual masochism and fetishism. There is no evidence that the descriptions in the psychiatric literature resemble the individuals who self-identify as SM participants or that SM participants understand the implications of adopting the psychiatric terms as self-descriptors. Judging from the proliferation of SM themes in sexually explicit media, references in mainstream books, film and the news media, as well as academic studies and support groups, it is reasonable to conclude that SM is an important sexual interest for a significant number of indi- viduals. -
Bondage and Discipline, Dominance and Submission, and Sadomasochism (Bdsm)/Kink
BONDAGE AND DISCIPLINE, DOMINANCE AND SUBMISSION, 6 AND SADOMASOCHISM (BDSM)/KINK Brian is a white gay man of 55 who has been working with you in therapy for several sessions on the panic attacks and nightmares he has been expe- riencing following witnessing a person committing suicide at a tube sta- tion some months ago. For a couple of weeks you have sensed that there are some aspects of his life that he hasn’t been completely open about with you. At the end of a session he looks uncomfortable and says that there is something he has to tell you which he hopes won’t influence your opinion of him but which has been holding him back from talking about all aspects of his life. He says that he is in a 24/7 BDSM relationship as a slave for his partner, Jordan. Think about: • What is your formulation/understanding of the key issues for Brian? • What themes can you imagine emerging as you continue? • What assumptions might you bring to this? • How would you proceed? Being a kink-aware professional you let Brian know that you have some understanding of BDSM practices and relationships. He has probably already seen SM 101 and Powerful Pleasures on your bookshelf, and that probably helped him to tell you about this aspect of his life. Like many people, the idea of ‘24/7’ BDSM is one that you find difficult to understand, so you note your negative gut reaction as one you want to bracket as much as possible and explore in supervision. -
Comprehensive Dungeon Monitors Guide (In PDF)
Comprehensive Dungeon Monitors Guide © 2008 Sir Bamm! [email protected] Purpose The purpose of this Dungeon Monitor's Guide is to provide members of the BDSM- leather-fetish community with a general guideline to equip them with the basic knowledge and skills required to be a play monitor (hereafter referred to as a dungeon monitor or DM) at an SM event. It is hoped that through education efforts such as this, we, as a community, can continue to grow and become more proficient and professional in our endeavors. This guide was developed to assist in the education of DM's for local events, and therefore includes general rules and standards. Disclaimer The information contained in this guide represents the opinions of various organizations and individuals. The authors, editors, publishers, contributors, and/or distributors of this booklet accept no responsibility or liability for any accident, injury, mishap or incident that may occur to any individual(s) or groups as a result of performing any of the activities described or alluded to herein. Acknowledgements I would like to recognize the following organizations and individuals for their work that enabled this initiative to become a reality: Reference Information Black Rose, Black Rose Board of Directors 1998, Boy Max, BR98 Dungeon Staff, Chris M., David S., Fraizer, Gil Kessler, Jack McGeorge, Joseph Bean, Leather Leadership Conference II, Trish A., Johnan and Bamm! Special thanks to The BR98 Play Monitors Guide, which served as the basis for the "Danger Signs" reference charts, and Johnan, for the Crisis Intervention essay. To the ARC and FEMA for the list of First Aid support and First Aid kit contents.