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Trending Now “La Vie En Rose” - Edith Piaf “On & On” - Erykah Badu “Rich Girl” - Hall & Oats “I Want You Back“ - Jackson 5 “Sunday Morning” - Maroon 5 “All About That Bass/ Stand by me” - Megan Trainer/ Ben E. King “Royals” - Lorde “Rise up” - Andra Day “Make you feel my love” - Adele “I’m yours” - Jason Mraz “Send My love” - Adele “Valerie” Amy Winehouse “Best Part” - H.E.R & Daniel Cesar “Perfect” - Ed Sheeran “Back to Black/ Careless whispers” Amy Winehouse/ George Michael “Love on the Brain” Rihanna “Elastic Heart” SIA “You know that I’m no good” - Amy Winehouse Old school/Timeless “On & On” - Erykah Badu “I chose you” - Sarah Bareilles “Can’t help Falling in Love” - Elvis Presley “Because you loved me” - Celine Dion “Turn your lights down low” Lauryn Hill & Bob Marley “Can’t take my eyes off you” - Frankie Valli “Believe” - Cher “Redemption Song” Bob Marley “Leaving on a JetPlane” - John Denver “Roxanne” - The Police “Give Me One Reason” - Tracy Chapman “Ain’t no Sunshine” - Bill Withers “More than Words” - Extreme The Underdogs “Tu m’as Promis” Monsieur Periné “Warm Water” Banks “Warning” Biggie Smalls (Acoustic Version) “Nakamarra” Hiatus Kaiyote “Ta Douleur” Camille “Hasta la Raiz” Natalia Lafourcade “Los Elefantes” - Natalia Lafourcade Jazz/Bossa Nova “A Night In Tunisia” - Ella Fitzgerald “Autumn Leaves” - George Gershwin “Champs Elysées” - Joe Dassin “East Of The Sun” - Brook Bowman “Fever” - Peggy Lee “I Thought About You” - Jimmy Van Heusen “L-O-V-E” - Nat King Cole “Summertime” - George Gershwin “Misty” - Ella Fitzgerald “What a wonderful World” - Louis Armstrong “Somewhere over the rainbow” - Harold Arlen “Chega De Saudade” - Antonio Carlos Jobim “Garrota de Ipanema” - Antonio Carlos Jobim “Dream a Little dream of me” - George Kahn “My funny Valentine” - Richard Rodgers “The Nearness of you” - Norah Jones “Fly me to the moon” - Bart Howard Latin “Contigo Aprendi” - Armando Manzanero “Historia De Un Amor” - Carlos Almarán “Sabor A Mi” - Alvro Carrillo “El Reloj” - Roberto Cantoral “Mas & Mas/Chan Chan” - Robi Draco/ Compay Segundo “Mi Balcon” - Vicente García “Mi Pecado Favorito” - Eliacim “Me Voy” - Andres Cepeda “La Flaca” - Jarabe de Palo “Moscas En La casa” - Shakira “Se Morir” - Andres Cepeda “Piel Canela” Bobby Capó “Dulcito e Coco” - Vicente García .

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The Historic Recordings of the Song Desafinado: Bossa Nova Development and Change in the International Scene1
The historic recordings of the song Desafinado: Bossa Nova development and change in the international scene1 Liliana Harb Bollos Universidade Federal de Goiás, Brasil [email protected] Fernando A. de A. Corrêa Faculdade Santa Marcelina, Brasil [email protected] Carlos Henrique Costa Universidade Federal de Goiás, Brasil [email protected] 1. Introduction Considered the “turning point” (Medaglia, 1960, p. 79) in modern popular Brazi- lian music due to the representativeness and importance it reached in the Brazi- lian music scene in the subsequent years, João Gilberto’s LP, Chega de saudade (1959, Odeon, 3073), was released in 1959 and after only a short time received critical and public acclaim. The musicologist Brasil Rocha Brito published an im- portant study on Bossa Nova in 1960 affirming that “never before had a happe- ning in the scope of our popular music scene brought about such an incitement of controversy and polemic” (Brito, 1993, p. 17). Before the Chega de Saudade recording, however, in February of 1958, João Gilberto participated on the LP Can- ção do Amor Demais (Festa, FT 1801), featuring the singer Elizete Cardoso. The recording was considered a sort of presentation recording for Bossa Nova (Bollos, 2010), featuring pieces by Vinicius de Moraes and Antônio Carlos Jobim, including arrangements by Jobim. On the recording, João Gilberto interpreted two tracks on guitar: “Chega de Saudade” (Jobim/Moraes) and “Outra vez” (Jobim). The groove that would symbolize Bossa Nova was recorded for the first time on this LP with ¹ The first version of this article was published in the Anais do V Simpósio Internacional de Musicologia (Bollos, 2015), in which two versions of “Desafinado” were discussed.
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