First Unitarian Universalist Society of Burlington, Vermont Order of Service September 13, 2020

First Unitarian Universalist Society of Burlington, Vermont Order of Service September 13, 2020 “Waters mingled, like our common humanity.” - Kayle Rice Prelude Polka Dots and Moonbeams Sam Whitesell Jimmy Van Heusen & Johnny Burke; arr. Sam Whitesell Welcome Judy Brook Chime Chalice “We kindle this chalice flame to remind ourselves of the light of truth, the warmth of community, and the fire of commitment.” Call to Worship “River Call” by Manish Mishra-Marzetti Rev. Patricia Hart Opening Song Come, Come, Whoever You Are Penny & Adele deRosset Meditation Spoken Words Joys & Sorrows Silence Reflection Offering Introduction Today’s offering will be shared with the Virtual Run/Walk for JUMP on September 26, the annual fundraising event for the Joint Urban Ministry Project. JUMP’s mission is to promote the physical, emotional, and spiritual well-being of people by providing spiritual care, direct assistance to meet basic needs, and advocacy. jumpvt.org Offertory Improvisation Sam Whitesell Offering Dedication “With gratitude, we dedicate these gifts in the service of our mission to inspire spiritual growth, care for each other and our community, seek truth, and act for justice.” Anthem Blue Boat Home FUUSB Choir Homily “Where Water Communion Came From” Water Communion Hymn #368 Now Let Us Sing Chalice Extinguishing “We extinguish this flame, but not the light of truth, the warmth of community, or the fire of commitment. These we carry in our hearts and share with the world until we are together again.” Benediction “All Rivers Run to the Sea” by Kayle Rice, adap. Erika Reif Postlude Waves Roll By Sam Whitesell TODAY’S WORSHIP CREATORS Developmental Senior Minister Rev. Patricia Hart Worship Associate Judy Brook Director of Lifespan Faith Development Erika Reif Director of Music, Video Production James Stewart Musicians Sam Whitesell Penny & Adele deRosset FUUSB Choir .

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Senior Musical Theater Recital Assisted by Ms
THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Joy Kenyon Senior Musical Theater Recital assisted by Ms. Maggie McLinden, Accompanist Belhaven University Percussion Ensemble Women’s Chorus, Scott Foreman, Daniel Bravo James Kenyon, & Jessica Ziegelbauer Monday, April 13, 2015 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert Please turn off all cell phones and electronics. PROGRAM Just Leave Everything To Me from Hello Dolly Jerry Herman • b. 1931 100 Easy Ways To Lose a Man from Wonderful Town Leonard Bernstein • 1918 - 1990 Betty Comden • 1917 - 2006 Adolph Green • 1914 - 2002 Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist The Man I Love from Lady, Be Good! George Gershwin • 1898 - 1937 Ira Gershwin • 1896 - 1983 Love is Here To Stay from The Goldwyn Follies Embraceable You from Girl Crazy Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist; Scott Foreman, Bass Guitar; Daniel Bravo, Percussion Steam Heat (Music from The Pajama Game) Choreography by Mrs. Kellis McSparrin Oldenburg Dancer: Joy Kenyon He Lives in You (reprise) from The Lion King Mark Mancina • b. 1957 Jay Rifkin & Lebo M. • b. 1964 arr. Dr. Owen Rockwell Joy Kenyon, Soprano; Belhaven University Percussion Ensemble; Maddi Jolley, Brooke Kressin, Grace Anna Randall, Mariah Taylor, Elizabeth Walczak, Rachel Walczak, Evangeline Wilds, Julie Wolfe & Jessica Ziegelbauer INTERMISSION The Glamorous Life from A Little Night Music Stephen Sondheim • b. 1930 Sweet Liberty from Jane Eyre Paul Gordon • b.
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Seth Weaver Is an Award-Winning Trombonist, Vocalist, Composer
eth Weaver is an award-winning trombonist, vocalist, composer, arranger, and educator based in New York City. Originally from Franklin, TN, Seth was already playing and singing professionally in Nashville while still in high school. He completed a Bachelor of Music degree in Jazz Studies from the SUniversity of North Texas in 2013 and a Master’s degree in Jazz Studies at the Manhattan School of Music in 2015. Described as a “youthful trombone firebrand pelting NYC with deliciously soulful hard bop” by Michael Dease, an internationally acclaimed jazz trombonist, Seth has quickly established himself as a new voice in the NYC jazz community. As a bandleader, Seth heads a seventeen-piece swing orchestra comprised of some of the most exciting new voices in the New York Jazz scene today. The band has performed in numerous venues around New York City, including The Iridium, Swing 46, Club Bonafide, the APAP Showcase, Shapeshifter Lab, American Beauty, St. Peter’s Church, Zinc Bar, Birdland, and many others. Described as “big band swing with a modern twist,” the group also has a monthly residency at The Speakeasy Sessions (The Gin Mill.) His debut album, Truth, will be released on March 27th through Outside in Music. Seth is a sought-after composer and arranger, and his music has been performed all over the world. His composition “Frost” was debuted at Carnegie Hall in 2018, and he composed the original score for the off- Broadway play, “For What It’s Worth.” Seth’s transcription and analysis of Michael Dease’s album Coming Home are available through Warwick Music Publications.
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Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d.
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Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Sabbath Chimes (Reverie) F
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Sabbath Chimes (Reverie) F. Henri Klickmann Harold Rossiter Music Co. 1913 Sack Waltz, The John A. Metcalf Starmer Eclipse Pub. Co. [1924] Sadie O'Brady Billy Lindemann Billy Lindemann Broadway Music Corp. 1924 Sadie, The Princess of Tenement Row Frederick V. Bowers Chas. Horwitz J.B. Eddy Jos. W. Stern & Co. 1903 Sail Along, Silv'ry Moon Percy Wenrich Harry Tobias Joy Music Inc 1942 Sail on to Ceylon Herman Paley Edward Madden Starmer Jerome R. Remick & Co. 1916 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailing Down the Chesapeake Bay George Botsford Jean C. Havez Starmer Jerome H. Remick & Co. 1913 Sailing Home Walter G. Samuels Walter G. Samuels IM Merman Words and Music Inc. 1937 Saint Louis Blues W.C. Handy W.C. Handy NA Tivick Handy Bros. Music Co. Inc. 1914 Includes ukulele arrangement Saint Louis Blues W.C. Handy W.C. Handy Barbelle Handy Bros. Music Co. Inc. 1942 Sakes Alive (March and Two-Step) Stephen Howard G.L. Lansing M. Witmark & Sons 1903 Banjo solo Sally in our Alley Henry Carey Henry Carey Starmer Armstronf Music Publishing Co. 1902 Sally Lou Hugo Frey Hugo Frey Robbins-Engel Inc. 1924 De Sylva Brown and Henderson Sally of My Dreams William Kernell William Kernell Joseph M. Weiss Inc. 1928 Sally Won't You Come Back? Dave Stamper Gene Buck Harms Inc.
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12.4 Radio Days Song List
BIG BAND SONG LIST Laughter to raise a nation’s spirits. Music to stir a nation’s soul. Lorie Carpenter-Niska • Sheridan Zuther Kurt Niska • Michael Swedberg • Terrence Niska A Five By Design Production I’ve Got A Gal In Kalamazoo ..........................Mack Gordon & Harry Warren Big Noise From Winnetka .Bob Haggart, Ray Bauduc, Gil Rodin & Bob Crosby I’ll Never Smile Again ..............................................................Ruth Lowe Three Little Fishies .............................................................. Saxie Dowell Mairzy Doats .............................Milton Drake, Al Hoffman & Jerry Livingston Personality ........................................... Jimmy Van Heusen & Johnny Burke Managua Nicaragua ....................................... Albert Gamse & Irving Fields Opus One...................................................................................Sy Oliver Moonlight In Vermont............................... John Blackburn & Karl Seussdorf Juke Box Saturday Night ..................................Al Stillman & Paul McGrane Boogie Woogie Bugle Boy .................................. Don Raye & Hughie Prince INTERMISSION A-Tisket, A-Tasket ...................................... Van Alexander & Ella Fitzgerald Roodle Dee Doo ......................................Jimmy McHugh & Harold Adamson Halo Shampoo .......................................................................... Joe Rines The Trolley Song............................................... Ralph Blane & Hugh Martin Let’s Remember Pearl Harbor
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Who Killed Buddy Holly ?
SpringerBriefs in Business For further volumes: http://www.springer.com/series/8860 Ronnie J. Phillips Rock and Roll Fantasy? The Reality of Going from Garage Band to Superstardom Ronnie J. Phillips Colorado State University Fort Collins, CO, USA ISSN 2191-5482 ISSN 2191-5490 (electronic) ISBN 978-1-4614-5899-9 ISBN 978-1-4614-5900-2 (eBook) DOI 10.1007/978-1-4614-5900-2 Springer New York Heidelberg Dordrecht London Library of Congress Control Number: 2012951330 © Springer Science+Business Media New York 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, speci fi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on micro fi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied speci fi cally for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. The use of general descriptive names, registered names, trademarks, service marks, etc.
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Frank's World
Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output.
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His Debut Album the Way I'm Made
SPECIAL EDITION Pages 12 - 26 Volume 71 No. 6June 12, 2000 BLINK182 goes triple platinum - Page 2 $3.00 ($2.80 plus .20 GST) Publication Mail Registration No. 08141 his debut albumThe Way I'm Made Includes "Horseshoes" . www adamgregory com 2 - RPM - Monday June 12, 2000 tribute Unforgettable. Verve/Universal release newDenzal Sinclaire album As Densil Pinnock, he released two previous Hot on the heels of the enormous international vocalist -pianist," notes Ken Druker, label manager albums, I Waited For You and Mona Lisa, appeared success of BC native Diana Krall, Verve Records is for Verve. in numerous stage productions and starred in his Mill111111111111111111111 offering the new release, titled I Found Love, from Sinclaire is a graduate of McGill University, own Bravo! television special. He also received the Vancouver native Denzal Sinclaire, formerly known obtaining a Bachelor of Music Degree in jazz Jazz Report male jazz vocalist award three years as Densil Pinnock. performance. Having performed at various festivals running (1994-97). The album, recorded in Vancouver, is an all - throughout Europe and North America, Sinclaire has I Found Love was released to retail on May Canadian production, featuring three original tracks performed with the likes of Jimmy Heath, Richard 23. Sinclair is slated to perform at the Vancouver written by Sinclaire and longtime collaborator Bill Wyans and Campbell Ryga. In April of this year he East Cultural Centre (June 27) and the Montreal Coon. The songs highlight Sinclaire's strong tenor portrayed Nat King Cole in the acclaimed musical International Jazz Festival (July 6). vocals and Coon's arrangements.
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America and the Musical Unconscious E Music a L Unconl S Cious
G Other titles from Atropos Press Music occupies a peculiar role in the field of American Studies. It is undoubtedly (EDS.) “It is not as simple as saying that music REVE/P JULIUS GREVE & SASCHA PÖHLMANN Resonance: Philosophy for Sonic Art recognized as an important form of cultural production, yet the field continues does this or that; exploring the musical On Becoming-Music: to privilege textual and visual forms of art as its objects of examination. The es- unconscious means acknowledging the Between Boredom and Ecstasy says collected in this volume seek to adjust this imbalance by placing music cen- very fact that music always does more.” ter stage while still acknowledging its connections to the fields of literary and Philosophy of Media Sounds ÖHLMANN Hospitality in the Age of visual studies that engage with the specifically American cultural landscape. In Media Representation doing so, they proffer the concept of the ‘musical unconscious’ as an analytical tool of understanding the complexities of the musical production of meanings in various social, political, and technological contexts, in reference to country, www.atropospress.com queer punk, jazz, pop, black metal, film music, blues, carnival music, Muzak, hip-hop, experimental electronic music, protest and campaign songs, minimal ( E music, and of course the kazoo. DS. ) Contributions by Hanjo Berressem, Christian Broecking, Martin Butler, Christof Decker, Mario Dunkel, Benedikt Feiten, Paola Ferrero, Jürgen AMERIC Grandt, Julius Greve, Christian Hänggi, Jan Niklas Jansen, Thoren Opitz, Sascha Pöhlmann, Arthur Sabatini, Christian Schmidt, Björn Sonnenberg- Schrank, Gunter Süß, and Katharina Wiedlack. A A ND TH AMERICA AND THE MUSICAL UNCONSCIOUS E MUSIC A L UNCON S CIOUS ATROPOS PRESS new york • dresden 5 6 4 7 3 8 2 9 1 10 0 11 AMERICA AND THE MUSICAL UNCONSCIOUS JULIUS GREVE & SASCHA PÖHLMANN (EDS.) America and the Musical Unconscious Copyright © 2015 by Julius Greve and Sascha Pöhlmann (Eds.) The rights of the contributions remain with the respective authors.
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"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
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IMAGINATION-Jimmy Van Heusen/Johnny Burke 4/4
IMAGINATION-Jimmy Van Heusen/Johnny Burke 4/4 Do you re-member Don Quixote? Or the Bulping-ton of Blup? The things they thought of can't compare with the things my mind makes up. Imagin-ation is funny, it makes a cloudy day sunny It makes a bee think of honey, just as I think of you Imagin-ation is crazy, your whole per-spective gets hazy Starts you asking a daisy, what to do, what to do Have you ever felt a gentle touch, and then a kiss, and then and then Find it's only your im-agin -ation a-gain? Oh, well, p.2. Imagination Imagin-ation is silly, you go a-round willy nilly For ex-ample I go a-round wanting you And yet, I can't im-agine that you want me too Yet I can't im-agine that you want me too IMAGINATION-Jimmy Van Heusen/Johnny Burke 4/4 E7 Am D9 Bm7 Bdim G6 Do you re-member Don Quixote? Or the Bulping-ton of Blup? E7 Am D9 Am7b5 G6 C#dim D7 D7b9 G7 G7#5 The things they thought of can't compare with the things my mind makes up. C C#dim Dm7 D#dim C Em7b5 A7b9 A7 Imagin-ation is funny, it makes a cloudy day sunny Dm A7#5 Dm7 G9#5 Em7 A7b9 Dm7 G7 It makes a bee think of honey, just as I think of you G7#5 C C#dim Dm7 D#dim C Em7b5 A7b9 A7 Imagin-ation is crazy, your whole per-spective gets hazy Dm A7#5 Dm7 G9#5 C CMA7 Gm7 C9 F#7b5 Starts you asking a daisy, what to do, what to do FMA7 F#m7b5 B7 Em7 A7 Bbdim Have you ever felt a gentle touch, and then a kiss, and then and then Bm7 Em7 Am7 D7 Dm7 G7#5 Find it's only your im-agin-ation a-gain? Oh, well, C C#dim Dm7 D#dim C Em7b5 A7b9 A7 Imagin-ation is silly, you go a-round willy nilly Dm A7#5 Dm7 Bm7b5 E7#5 E7b5 A7b9 For ex-ample I go a-round wanting you A7#5 A7 Dm7 G7sus G7b9 C6 Em7b5 And yet, I can't im-agine that you want me too A7#5 A7 Dm7 G7sus G7b9 C6 Bb6 B6 C6 Yet I can't im-agine that you want me too .
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Jimmy Van Heusen Award Official Award Rules
The ASCAP Foundation Jimmy Van Heusen Award The specific rules and requirements of The ASCAP Foundation Jimmy Van Heusen Award (the “Award”), including but not limited to, eligibility, winner selection process, and award criteria, are set forth below (the “Award Requirements”). These Award Requirements are supplemented by the general rules and regulations attached as Schedule A (the “General Terms” and collectively with the “Award Requirements”, the “Official Rules”), which are incorporated by reference. By participating in the Award process, all entrants agree to be bound by these Official Rules and the decisions of The ASCAP Foundation (the “Foundation”) and the American Society of Composers, Authors and Publishers (“ASCAP”), which are final and binding in all respects. To the extent not specifically defined below, all capitalized terms have the meaning set forth in the General Terms. About the Award The family of Jimmy Van Heusen established the Jimmy Van Heusen Award at The ASCAP Foundation to honor the legacy of the great American songwriter. Jimmy Van Heusen was one of the most accomplished songwriters of the mid-twentieth century, with countless hits sung and recorded by such American vocal icons as Frank Sinatra, Bing Crosby, Lena Horne and Rosemary Clooney. Some of his most popular songs were written for movies: "Swinging on a Star,” "All the Way," "High Hopes," and "Call Me Irresponsible.” The ASCAP Foundation Jimmy Van Heusen Award is presented to an outstanding, promising composer who has participated in the 2020 ASCAP Columbia Film Scoring Workshop (“the Composers’ Workshop”). The recipient is an ASCAP or unaffiliated member who is pursuing a career in television and film scoring and is selected by the ASCAP Creative Services Executives in consultation with industry executives.
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