Maija Hynninen

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ECSA INVITES YOU TO THE CONCERT OF THE EUROPEAN CONTEMPORARY COMPOSERS ORCHESTRA (ECCO) FEATURING T H E ENSEMBLE HOPPER CONDUCTED BY FRANÇOIS DEPPE

BRUSSELS, 19 FEBRUARY 2019 — LE SENGHOR, CENTRE CULTUREL D’ETTERBEEK —

CHAUSSÉE DE WAVRE 366, 1040 BRUSSELS ABOUT ECCO

THE EUROPEAN CONTEMPORARY COMPOSERS ORCHESTRA (ECCO)

Imprint ECCO is an ECSA project dedicated to performing and promoting contemporary Biographies and programme notes written by the composers, the conductor and art music and to reaching new audiences. It operates as a network of active the ensemble: Talia Amar, Gilles Doneux, Jan Flessel, Sampo Haapamäki, Gaëlle ensembles, orchestras and young professionals, supporting the creative Hyernaux, Maija Hynninen, Gyula Pintér, François Deppe and Ensemble Hopper dialogue between composers and performers and offering young professionals the opportunity to develop their skills with ensembles experienced in Editor: Alicja Swierczek, Alfonso Guerra performing contemporary music on an international level. The concert series Designer: Meriem Steiner taking place bi-annually in various countries serve to circulate repertoire across European borders and help promoting current repertoire and Europe’s musical diversity. Please note: BY ATTENDING THIS EVENT, YOU GIVE YOUR CONSENT TO HAVE PICTURES The ECCO concert, and other cultural projects organised by ECSA, aim at AND VIDEO MATERIAL OF YOU TAKEN THAT MAY BE USED IN PUBLICATIONS increasing the visibility of ECSA and all the issues connected to the status OR MARKETING IN RELATION TO THIS EVENT. of contemporary music creators. Pieces are received via a call to all ECSA member societies and are carefully selected to reflect the cultural and aesthetical diversity of European contemporary music in the 21st century.

In 2015, two ECCO concerts were held, one in Brussels and one in London. The first one was performed by theSturm und Klang ensemble and conducted by Thomas van Haeperen. The second one was performed by the BBC Singers and conducted by James Morgan. In 2016, ECCO presented three very successful concerts performed by Sturm und Klang, the RTV Slovenia Symphony Orchestra and the Big Band of RTV Slovenia. In February 2017, the ECCO Symphony Wind Orchestra concert featured the Sturm und Klang ensemble and was conducted by Thomas van Haeperen. In October 2017, the concert featured the renowned Wiener Concert-Verein string orchestra ensemble which was conducted by two students from the mdw - University of Music and Performing Arts Vienna, Svetlomir Zlatkov and Lorenz Müller. In 2018, two ECCO concerts were held again, one in Brussels and one in Belgrade. The first one was featured at Flagey, by the prominent ensemble Quatuor Diotima. The second one was performed by the RTS Symphony Orchestra and conducted by Bojan Suđić.

Tonight’s concert will feature the Ensemble Hopper conducted by François Deppe,

The European Commission support for the production of this publication who will perform pieces by the following composers: Talia Amar (Israel), Gilles does not constitute endorsement of the contents which reflects the views Doneux (Belgium), Jan Flessel (Denmark), Sampo Haapamäki (Finland), Gaëlle only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. Hyernaux (Belgium), Maija Hynninen (Finland) and Gyula Pintér (Hungary). ABOUT ECSA PROGRAMME

THE EUROPEAN COMPOSER AND 19 FEBRUARY 2019 — BRUSSELS SONGWRITER ALLIANCE

The European Composer and Songwriter Alliance (ECSA) represents over WELCOMING WORDS 30,000 professional composers and songwriters in 26 European countries BY including Israel. With 57 member organisations across Europe, the Alliance LORENZO CARÒLA speaks for the interests of music creators of art and classical music Director of the Forum des Compositeurs and (contemporary), film and audiovisual music, as well as popular music. member of the ECCO Artistic Committee

The main objective of the Alliance is to defend and promote the rights of authors of music at the national, European and international levels by any WINNOWING legal means. It advocates for equitable commercial conditions for composers MAIJA HYNNINEN and songwriters and strives to improve social and economic development of music creation in Europe. GESTURES NO. 1 (PRESENTIMENT) GYULA PINTÉR ECSA was initiated in 2006 in Vienna within the framework of the Mozartjahr. It was established as an alliance in March 2007 in Madrid with the purpose STUDIES FOR PIANO TRIO – of becoming the central organisation representing the interests of all music 3 DEPICTIONS OF NIGHT creators in Europe, giving every composer and songwriter a European voice. JAN FLESSEL LOGO SAMPO HAAPAMÄKI

INTERMISSION

TRIANGULATION TALIA AMAR AVATAR GAËLLE HYERNAUX

DEFRAGMENTATION 2 GILLES DONEUX MAIJA HYNNINEN BIOGRAPHY PROGRAMME NOTE: WINNOWING

Maija Hynninen – composer and sound artist – is working in the areas of concert Winnowing – separating the grain from the chaff, letting the wind blow the music, electronic instrument design and multidisciplinary performances. The lighter parts away; or the sound made as the air flows through the tail feathers essence of her music builds on the unique moments where the parameters of certain big species of bird during mating. My original idea was to compose of this world are slightly altered to allow a glimpse of another reality to be music that would relate to Messiaen’s “La Fauvette des jardins”. I started to plan present. It can be a moment where the timbre of purely acoustical writing the piece thinking of the relationship between birdsong and electronics. gives surprising results or when electronics project sounds into another domain, another space and reality. I was constantly traveling at the time and started little by little to think about the movement of birds: the migrating flocks of birds of the autumn and spring She entered the Sibelius Academy in 2003 (M.Mus. 2011) to study with Paavo amongst the old maple trees of the central park in Stuttgart, wild geese and Heininen while she was also working for a violin diploma at the Norwegian that single lonely swan which decided to spend its winter in Stuttgart taking Academy of Music. The studies in electronics continued at IRCAM, cursus 2012-13. off and landing on the subtly fluctuating surface of the pond: stir, quiver and She is currently a PhD candidate at UC Berkeley, with Franck Bedrossian, Ken slowly decreasing vibrations of water. Simultaneously, I found myself to be Ueno, Edmund Campion and Cindy Cox as her professors. more and more interested in the subtlest timbres of the piano. I listened to the softly shivering piano harmonics through headphones and wanted to surround She is also doing a PhD in electro-acoustic music at Sibelius Academy. She was the audience with this gentle sound to let the audience experience the subtle amongst the finalists in Feeding Music - International Composition Contest, timbre changes of these sounds and relax inside this fragile soundworld. organised by Divertimento Ensemble and EXPO Milano 2015. Her music has been presented and commissioned by YLE, Helsinki Chamber Choir, Avanti! Winnowing is composed and dedicated to Jaana Kärkkäinen and it was composed Chamber Orchestra, the International Maj Lind Piano Competition, Camilla with the support of The Sibelius Fund — Society of Finnish Composers. The Hoitenga and Eija Kankaanranta among others. electronics were made at SACMUS — Sibelius Academy Computer Music Studio by the composer.

Gyula Pintér was born in Hungary in 1954. He studied piano with Lídia Csebiss, Presentiment is a notion based on a physical contradiction because we proceed and composition with Zoltán Pongrácz and János Kautsky (The Netherlands). from the past through the present into the future. Since 1978, he has been conducting electroacoustic musical experiments in his studio, which he designed himself. Do we feel the future in the present or does the future send a message to the past?

He has been participating in musical and fine arts events and festivals since This can start an exciting train of thoughts in anyone who is able to see among 1980. Mr. Pintér has contributed to numerous art events, performances and the obvious facts of the present the exceptional which suggests the future. theatrical productions both in Hungary and abroad. In recent years, he won prizes at several competitions, including: Bourges International Competition of Electroacoustic Music in 1989 and 2001; Hungarian Radio’s EAR International Competition of Electroacoustic Music in 1992, 1995 and 1999; and Ferenc Erkel Prize in 2012.

Jan Flessel, born 1982 in Halle an der Saale, is a composer and sound designer Studies for Piano Trio – 3 Depictions of Night based in Copenhagen, Denmark. for Violin, Violoncello, Piano, Video and Audio – Playback

His works range from orchestral and chamber music, with and without I. From Night to Light electronics, to electronic music as well as music and sound design for II. To Hear and Listen at Night computer games. He studied composition with Peter Manfred Wolf, Georg III. Into the Darkness Friedrich Haas and Simon Steen-Andersen in Rostock, Basel and Aarhus. He also studied game design in Copenhagen. “At night new orders of connection assert themselves: sonic, olfactory, tactile. The sensorium is transformed. Associations swarm out of the darkness. You His pieces have been performed in international events like International become even more aware of the landscape as a medley of effects, a mingling Summer Course for New Music in Darmstadt, Stockholm Chamber Brass of geology, memory, movement, life. The landforms remain, but they exist as Academy, Orchester-Academy of Halberstadt, Brücken-Festival for New presences: inferred, less substantial, more powerful” Music in Rostock, Young Nordic Music Festival in Reykjavik, Panorama Festival Robert MacFarlane, The wild places (London, Granta Books, 2007) in Aarhus, Nonclassical @Limewharf in London and Music-Academy in Basel among others.

Sampo Haapamäki has composed chamber music, vocal music, electronic music, Sampo Haapamäki says about his piece: “Logo, for violin and live electronics, ensemble works, concertos and orchestral music. He has been commissioned was composed in 2013. The name of the composition, Logo, can be thought to compositions by the Time of Music Festival, IRCAM, Avanti! Chamber Orchestra, refer to its shortish duration of 6 minutes. Logo is my first and only composition Finnish Broadcasting Company/FRSO, Tapiola Sinfonietta, Helsinki Chamber with live electronics. From the point of view of instrumentation, it is kind of Choir, Gaudeamus Muziekweek, Heikki Nikula, Nouvel Ensemble Moderne, premiere of a new genre for me, a starting point for a possible path. It was Klangspuren Festival, Hanna Kinnunen, Susanne Kujala and Kaustinen Chamber very inspiring to compose Logo during Cursus 1, a composition and music Music Week. Haapamäki has received the Gaudeamus International Composers technology course at IRCAM in Paris. Award 2004 in Amsterdam, and the ISCM Young Composer Awards 2005 in Zagreb. In 2006, he was granted the Teosto Prize by Finnish Composers’ In the live electronics of Logo, there have been used harmonizer, frequency Copyright Society Teosto. Haapamäki had composition recitals in the Musica shift, granulation, filtering, delay, spectral delay, reverb and spatialization Nova Helsinki Festival in 2006 and at Scandinavia House in New York City (Spat) in Max/MSP program. There is also used sound files which are modified organized by Finlandia Foundation New York Metropolitan Chapter in 2015. He or created with Max/MSP, MicroPlayer, OpenMusic, AudioSculpt, Pro Tools, was the Tapiola Sinfonietta’s Composer-in-Residence for the season 2011-12. Spear and Sound Studio. IRCAM violin samples and a recording of a Tibetan bell were used as raw material for the sound files. Therefore, there are used Haapamäki’s compositions have been premiered by the International 3/4-tone clusters and 3/4-tone scales. Sometimes, if violin plays E, live Contemporary Ensemble conducted by Christian Karlsen, Serge Lemouton, Luca electronics construct a 3/4-tone cluster or scale from it. In the overtone series, Bagnoli, Elisa Järvi (quarter-tone piano), Avanti! Chamber Orchestra conducted the intervals between 10th, 11th, 12th and 13th overtones are close to 3/4-tones. by Tomas Djupsjöbacka, Ensemble Musikfabrik conducted by Christian Eggen, This connection between overtone series and 3/4-tone scale have been used Finnish Radio Symphony Orchestra conducted by Dima Slobodeniouk, Juuso in Logo.” Nieminen (quarter-tone guitar), Veli Kujala (quarter-tone accordion), Tapiola Sinfonietta conducted by Hannu Lintu, Helsinki Chamber Choir conducted by Nils Schweckendiek, Insomnio conducted by Ulrich Pöhl, Quatuor Diotima, Avanti! Chamber Orchestra conducted by Susanna Mälkki, Tapiola Sinfonietta conducted by Baldur Brönnimann, Nouvel Ensemble Moderne conducted by Lorraine Vaillancourt, NYYD Ensemble conducted by Olari Elts, Ensemble Nordlys, The California Wind Orchestra conducted by Les Lehr and UMO Jazz Orchestra conducted by Kirmo Lintinen among many others.

Haapamäki has been involved in the development of new quarter-tone instruments. These instruments are the quarter-tone accordion of Veli Kujala (invented by Kujala and made by Pigini), the quarter-tone guitar of Juuso Nieminen (made by Keijo Korelin), and the quarter-tone piano of Elisa Järvi and Sampo Haapamäki (made by Otso Haapamäki in Toholampi, invented by E.Järvi & S.Haapamäki, technical consulting: Libero Mureddu). These quarter- tone instruments aim to have as wide a quarter-tone register as possible (24 notes per octave) and to be ergonomic.

Talia Amar, born in 1989, is an Israeli composer and pianist. She is the recipient There are three techniques used in the electronics. The listener can’t tell of many international awards including the Israeli Prime Minister prestigious which technique is used in the electronics because all three techniques serve award 2018, the Rosenblum Prize for Promising Young Artist 2016 by the Tel the same goal: to expand the possibilities of the acoustic piano. Aviv Municipality, the Klon Award for young composers granted by the Israeli Composers League, CIRCE Composition Competition, London Ear Festival, North/South Consonance Composition Competition and International Music Prize for Excellence in Composition. Also, she has consecutively been awarded with scholarships from the America-Israel Cultural Foundation, both in piano and composition (with honours). Her string quartet “Obsession” was featured in Castleton Festival after being hand selected by Maestro Lorin Maazel. She was selected to be the Composer Fellow of Collage New Music for 2015-2016.

Her compositions have been performed in up to eleven different countries, by ensembles such as ICE, Standing Waves, Yarn/Wire, Collage New Music, Lydian String Quartet, North/South Consonance Ensemble and Meitar Ensemble among many others. Her pieces were performed in different festivals such as ISCM World New Music, Vox Feminae Festival, Asian Composers League Festival, New York City Electroacoustic Music Festival, Leonard Bernstein Festival of the Creative Arts, Castleton Festival, London Ear Festival and Visible Sounds Congress. She participated in ManiFeste festival as part of the IRCAM.

Talia began studying piano at the age of 6 and composition at the age of 14. She completed her piano programme at the Buchmann-Mehta School of Music in Tel-Aviv University, and composition studies at the Jerusalem Academy of Music and Dance, both with honours. She obtained her Master’s degree in piano and composition at the Mannes College of Music in New York City. She is currently a PhD candidate at Brandeis University and, since 2017, she joined the composition faculty at the Jerusalem Academy of Music and Dance in Israel and is a council member of the Israel Composers’ League.

Graduated in classical guitar at IMEP in Namur, Gaëlle Hyernaux began her The title of this piece (Avatar, or Searching the 120’s shadow) describes the composition studies at Conservatoire Royal de Liège in 2005, with Michel musical project of the work: trying to perceive a 3D then 4D avatar of a regular Fourgon and Gilles Gobert for mixed music. dodecahedron, one of the platonic solids, formed of 12 pentagonal faces. The 120 is the nickname of the 4D regular dodecahedron; as it is not possible for us to Since then, she collaborates regularly with the Centre Henri Pousseur. She sensorially perceive the fourth dimension, we can only have a blink of the 120’s also works with composer Sarah Wéry, and since 2011, their common works shadow… are signed under the pseudonym of George Elpenor. Some of her projects lead her to work with ensembles like Ensemble Nahandove, TANA Quartet and This score is an open form as the performer has to organize the 30 « sound edge the Orchestre Studios Cergy-Pontoise, Les Agrémens, CAV&MA, Ensemble lines » to make the audience hear the different « sides » of the dodecahedron, Musiques Nouvelles, Patrick Baton, Alain Pire, Izumi Okubo, Jean-pierre Peuvio as orbiting the performer’s avatar in a path she/he designed; the decahedron is and Vincent Royer among others. never fully overviewed, but a mental picture more or less complete is gradually growing. Each of the 12 faces has its own colour. Gaëlle received the André Souris Award in 2008 and the Pousseur Prize in 2011. Currently, she works as a guitar teacher at the Conservatoire de Verviers The fourth dimension will be reached when entering the black side. and the Academy of Grez-Doiceau, and as the assistant of the Maria-Nieves Mohino’s guitar class at IMEP.

After learning how to play several instruments, Gilles Doneux turned to We are now all submerged by a continual stream of information so that it composition and he started his studies at the Conservatoire Royal de Mons became very difficult for a human brain to process it. Especially since they in 2005. In 2010, he obtained a master’s degree in composition in the class of reach us in a fragmented way. Claude Ledoux, and in 2011 a master’s degree in classical writing in the class of Jean-Pierre Deleuze, where he also studied multimedia composition with This piece is articulated around different musical elements that are initially Denis Pousseur and Jean-Luc Fafchamps. heard in a totally fragmented way. Gradually, these elements combine to form separate musical entities. From 2011 to 2016, Gilles did research work in the musicology department of Paris 8 University (France) and at Université de Montréal (Canada). Since Thus, metaphorically modeling the need for the modern human being to retreat 2016, he works at the Centre Henri Pousseur. to apprehend the world around him.

This composition has been realized with the support of the Fédération Wallonie- Bruxelles.

© Bérenger Doneux THE CONDUCTOR THE ENSEMBLE FRANÇOIS DEPPE HOPPER ENSEMBLE François is co-founder and permanent member of the Ictus ensemble, which The Hopper Ensemble arose from the desire of young musicians of the has performed and recorded music of our time worldwide since 1994. Conservatoire Royal de Liège to perform and circulate the music of their entourage. Hopper is a variable-geometry ensemble that occurs frequently in Invited conductor at the Antwerp Symphony Orchestra, he is regularly assistant Belgium and abroad. It has fruitful collaborations with various institutions such conductor at the Vlaamse Opera since 2009, where he conducts several as the Centre Henri Pousseur, the Forum des Compositeurs, and with talented productions. He made his debut in Paris in 2013 at the Opéra Comique with performers and composers. Such direct partnerships are as much the guarantee vocalist Marianne Pousseur in Schönberg’s “Pierrot Lunaire”. of a settling in the current musical life as of an authenticity of performance.

François leads together with conductor Lukas Vis the Ensemble Biennale at the Hopper is supported by the Fédération Wallonie-Bruxelles and is in residence Darmstädter Ferienkurse and is a coach of the International Ensemble Modern at the Conservatoire Royal de Liège since September 2016 and at the Forum Academy. He teaches at several major schools, including Queen Elisabeth Music des Compositeurs in 2019 and 2020. It is unanimously hailed for its cohesion, Chapel, Conservatoire Royal de Liège and Pôle Sup Université de Lille and the closeness and the musical intelligence of its performances as well as for the Strasbourg. He has taken an important role as a conductor in Daniel Barenboim’s happiness to play together that it communicates. project of creating a youth orchestra in the Palestinian territories. PIANO: QUENTIN MEURISSE VIOLIN: ROXANE LEURIDAN VIOLONCELLO: IAN-ELFINN ROSIU FLUTE: ALBANE TAMAGNA CLARINET: RUDY MATHEY GUITAR: FRANÇOIS COUVREUR

© Evy Ottermans © Ensemble Hopper CENTRE ECCO PREVIOUSLY FEATURED THE FOLLOWING HENRI POUSSEUR COMPOSERS: Founded in 1970 by Henri Pousseur and Pierre Bartholomée, the Centre Henri VIENNA, 2011 Hannes Heher (Austria), Tomi Räisänen (Finland), Archil Giorgo- Pousseur (formerly “Centre de Recherches et de Formation musicales de biani (Georgia), Sérgio Azevedo (Portugal), Črt Sojar Voglar (Slovenia), Lubica Wallonie”) had a pioneering role ever since and has been engaged in the Čekovská (Slovakia) creation, realization and distribution of electronic music and, specifically, of mixed music. VIENNA, 2013 Benjamin Lang (Germany), Gunnar Berg (Denmark), Roman Berger (Poland), Ulpiu Vlad (Romania), Dušan Bavdek (Slovenia), Dieter Kaufmann (Austria) The Centre Henri Pousseur is a place for experimentation, exchange and contemporary creation, where artists from the Fédération Wallonie-Bruxelles, BRUSSELS, 2015 Jean-Luc Fafchamps (Belgium), Máté Balogh (Hungary), Lynne as well as other national and international artists, can develop their projects. The Plowman (UK), Pertti Jalava (Finland), Mihailo Trandafilovski (Macedonia) Centre commissions multiple pieces every year from national and international composers. Since 2009, the Centre awards every two years the Prix Henri LONDON, 2015 Cecilia McDowall (UK), Miłosz Bembinow (Poland), Lasse Thoresen Pousseur to a young laureate from a Conservatory of the Fédération Wallonie- (Norway), Perttu Haapanen (Finland), Bjørn Bolstad Skjelbred (Norway), Mikko Bruxelles. Heiniö (Finland), Črt Sojar Voglar (Slovenia), Jonathan Dove (UK), Andrej Makor (Slovenia) Through their own activities, like the Festival “Images Sonores”, the Centre supports the distribution of the works, created in their studios, without losing BRUSSELS, 2016 Michael Berkeley (UK), Julian Grant (UK), Moritz Eggert (Germany), sight of other contemporary repertoire. The activities of the Centre Henri Olli Virtaperko (Finland), Philippe Leroux (France), Peter Helmut Lang (Germany) Pousseur are realized by the generous support of the Fédération Wallonie- Bruxelles (General direction of Culture, Service of Music). LJUBLJANA, 2016 SYMPHONY ORCHESTRA: John Casken (UK), Jani Golob (Slovenia), Knut Vaage (Norway), Indra Riše (Latvia), Benjamin de Murashkin (Denmark), Ingacy Zalewski (Poland) BIG BAND: Michel Herr (Belgium), Helge Sunde (Norway), Jukka Linokola (Finland), Outi Tarkiainen (Finland), Piotr Wróbel (Poland), Nikki Iles (UK), Mark Lockheart (UK), Matjaž Mikuletič (Slovenia), Krešimir Herceg (Croatia), Klemen Smolej (Slovenia)

BRUSSELS, 2017 Jukka-Pekka Lehto (Finland), Grégory D’Hoop (Belgium), Denis Bosse (Belgium), Geir Sundbø (Norway) and Kari Beate Tandberg (Norway)

VIENNA, 2017 Aleksandra Chmielewska (Poland), René Eespere (Estonia), Tyler Futrell (Norway), Gerald Resch (Austria), Krešimir Seletković (Croatia), Jennifer Fowler (UK), Lojze Lebič (Slovenia)

BRUSSELS, 2018 Kimmo Hakola (Finland), Paul Pankert (Belgium), Andrea Tarrodi (Sweden), Malte Giesen (Germany), Mihailo Trandafilovski (Macedonia) and Helena Tulve (Estonia)

BELGRADE, 2018 Ülo Krigul (Estonia), Jacqueline Fontyn (Belgium), Nicola Campogrande (Italy), Mikko Nisula (Finland), Isidora Žebeljan (Serbia) and Milan Mihajlović (Serbia) ECCO PREVIOUSLY FEATURED THE FOLLOWING SPECIAL ENSEMBLES AND CONDUCTORS: THANK YOU TO: ENSEMBLES RTS Symphony Orchestra (Belgrade 2018) The members of the ECCO Artistic Committee: Jana Andreevska, Dušan Quatuor Diotima (Brussels 2018) Bavdek, Lorenzo Caròla, François Couvreur and Stijn Boeve Wiener Concert-Verein (Vienna 2017) Sturm und Klang ensemble (Brussels 2015, 2016 and 2017) RTV Slovenia Symphony Orchestra (Ljubljana 2016) The composers’ societies of each composer featured at tonight’s concert: Big Band of RTV Slovenia (Ljubljana 2016) BBC Singers (London 2015) Silesian Philharmony (Vienna 2013) Danish Composers’ Society (DKF) Chamber Orchestra of Soloists (KOS) of the Society of Slovene Composers (Vienna 2011) Hungarian Composers’ Union (HCU)

Israel Composers League (ICL)

CONDUCTORS Le Forum des Compositeurs (FdC) Bojan Suđić (Belgrade 2018) Lorenz Müller and Svetlomir Zlatkov (Vienna 2017) The Society of Finnish Composers (SSR) Thomas Van Haeperen (Brussels 2015, 2016 and 2017) Jessica Cottis (Ljubljana 2016) Sigi Feigl (Ljubljana 2016) James Morgan (London 2015) Chunghi Min (Vienna 2013) Jürgen Bruns (Vienna 2011)

MAGYAR ZENESZERZŐK EGYESÜLETE HUNGARIAN COMPOSERS’ UNION

Az Új Zene Nemzetközi Társasága magyar tagja / Member of the International Society for Contemporary Music 1012 Budapest, Pálya utca 4-6. I em. • Telefon/fax/üzenetrögzítő: (36-1) 202-2231 E-mail: [email protected] • MKB Bank ZRT. : 10300002-10574250-49020010

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