What to Expect: Welcome to KLANG! There is a lot happening Elizabeth Huston and Analog Arts Present today, so we recommend you take a quick look at this packet to orient yourself. Inside you will find the schedule and location Karlheinz Stockhausen of performances, the schedule and location of talks, interviews, and Q&As, and a guide to all amenities that will be available as you navigate this marathon.
First, let’s start with the rules. The day is broken up into four sections. You may have purchased a ticket for just one section, KLANG or you may have purchased an all-day pass. Either way, please THE 24 HOURS OF THE DAY familiarize yourself with the rules for each section, as each is a distinctly different experience. PHILADELPHIA, PA • April 7–8, 2018
Welcome to KLANG: At 10am sharp you will be welcomed by a welcome to enter and exit the spaces during performances. At performance of all three versions of HARMONIEN performed in all other times, please be courteous and enter and exit between La Peg, the Theater, and the Studio simultaneously. Feel free to performances. wander between the spaces, eventually settling in the Studio for… KLANG Immersion (4pm–7pm): A mix between KLANG up Close and KLANG in Concert, this time period showcases some of the KLANG up Close (10am–1pm): This time period is an opportu- most well known parts of KLANG, while still allowing the audi- nity to have an intimate concert experience with KLANG. This ence to be up close with the music. Taking place entirely in the will take place entirely in the Studio. You’ll see we have a small Theater, the audience is welcome to sit on stage or in the seats, number of chairs available, which you are welcome to sit in, but depending on what makes you the most comfortable. PLEASE we recommend you take the opportunity to sit on the floor near NOTE: If you choose to sit on the stage, please keep your cush- the performers. You are even welcome to lay beneath the piano ion outside of the taped areas. Performers will need to move as it’s being performed, and move between the performances through these spaces. Please also give the performers sufficient to a new location for a new angle on the concert. room.
Modular KLANG (1pm–4pm): Stockhausen used KLANG to ex- KLANG in Concert (7pm–Midnight): Featuring Cologne’s En- plore many angles on the same material. All of the trios are semble Musikfabrik, Stuart Gerber and Heaven’s Door, Lilac 94, based on the same themes, all of the electro-acoustic solos uti- and Christopher Oldfather, this time block is a veritable Who’s lize Cosmic Pulses as their accompaniment. Because of this, we Who of contemporary music. The most well-known Hours of are offering this time to view these works in parallel so youcan KLANG will be showcased in a more “traditional” concert envi- compare the material. You may stay in just the Studio or the ronment, where stage seating is excluded. This will take place Theater, or wander between them. The experience is yours to in the Theater. shape. Please note: this is the ONLY time slot where you are
Schedule of Events
Saturday, April 7 Sunday, April 8
KLANG Up Close (Studio) KLANG Up Close (Studio)
10:00am 5. HARMONIEN for bass clarinet, flute, or trumpet 10:00am 5. HARMONIEN for bass clarinet, flute, or trumpet (Theater, Studio, La Peg) (Theater, Studio, La Peg)
10:15am 3. NATÜRLICHE DAUERN for piano 10:15am 3. NATÜRLICHE DAUERN for piano Nos. 1, 5, 17, 7, 11, 18, 20, 12 Nos. 1, 5, 17, 7, 11, 18, 20, 12
10:45am 9. HOFFNUNG for violin, viola, and cello 10:45am 9. HOFFNUNG for violin, viola, and cello
11:20am 20. EDENTIA for soprano saxophone and electronic 11:20am 20. EDENTIA for soprano saxophone and electronic music music
11:45am 3. NATÜRLICHE DAUERN for piano 11:40am 8. GLÜCK for oboe, English horn, and bassoon Nos. 23, 14, 22, 16, 19, 21, 10, 8, 6
12:15pm 7. BALANCE for bass clarinet, English horn, and flute 12:20pm 3. NATÜRLICHE DAUERN for piano Nos. 23, 14, 22, 16, 19, 21, 10, 8, 6
12:50pm 11. TREUE for E♭ clarinet, basset horn, and bass clarinet Saturday, April 7 Sunday, April 8
Modular KLANG (Studio and Theater) Modular KLANG (Studio and Theater)
1:00pm 18. JERUSEM for tenor and electronic music (Theater) 1:20pm 7. BALANCE for bass clarinet, English horn, and flute 13. COSMIC PULSES electronic music (Studio) (Studio) 5. HARMONIEN for bass clarinet (Theater)
1:35pm 11. TREUE for E♭ clarinet, basset horn, and bass clarinet 1:55pm 18. JERUSEM for tenor and electronic music (Theater) (Studio) 13. COSMIC PULSES electronic music (Studio) 8. GLÜCK for oboe, English horn, and bassoon (Theater)
2:15pm 21. PARADIES for flute and electronic music (Theater) 2:15pm 21. PARADIES for flute and electronic music (Theater) 13. COSMIC PULSES electronic music (Studio) 13. COSMIC PULSES electronic music (Studio)
2:50pm 12. ERWACHEN for soprano saxophone, trumpet, 2:35pm 12. ERWACHEN for soprano saxophone, trumpet, and cello (Theater) and cello (Theater)
3:25pm 16. UVERSA for basset horn and electronic music 3:10pm 16. UVERSA for basset horn and electronic music (Theater) (Theater) 13. COSMIC PULSES electronic music (Studio) 13. COSMIC PULSES electronic music (Studio)
KLANG Immersion (Theater) KLANG Immersion (Theater)
4:15pm 3. NATÜRLICHE DAUERN for piano 4:15pm 3. NATÜRLICHE DAUERN for piano Nos. 9, 15, 2, 13, 3, 4 Nos. 9, 15, 2, 13, 3, 4
4:55pm 4. HIMMELS-TÜR for percussionist and little girl 4:55pm 4. HIMMELS-TÜR for percussionist and little girl
5:20pm 6. SCHÖNHEIT for bass clarinet, flute, and trumpet 5:20pm 6. SCHÖNHEIT for bass clarinet, flute, and trumpet Marco Blaauw (trumpet) Marco Blaauw (trumpet)
5:50pm 19. URANTIA for soprano and electronic music 5:50pm 17. NEBADON for French horn and electronic music
6:15pm 17. NEBADON for French horn and electronic music 6:15pm 19. URANTIA for soprano and electronic music
6:35pm 14. HAVONA for bass and electronic music 6:35pm 14. HAVONA for bass and electronic music
7:00pm 13. COSMIC PULSES electronic music 7:00pm 13. COSMIC PULSES electronic music
KLANG in Concert (Theater) KLANG in Concert (Theater)
7:30pm 1. HIMMELFAHRT for organ, tenor, and soprano 7:30pm 1. HIMMELFAHRT for organ, tenor, and soprano
8:10pm 2. FREUDE for two harps 8:10pm 2. FREUDE for two harps
8:50pm 3. NATÜRLICHE DAUERN, No. 24, for piano 8:50pm 3. NATÜRLICHE DAUERN, No. 24, for piano
9:10pm 4. HIMMELS-TÜR for percussionist and little girl 9:10pm 4. HIMMELS-TÜR for percussionist and little girl
9:35pm 5. HARMONIEN for trumpet 9:35pm 5. HARMONIEN for trumpet Ensemble Musikfabrik Ensemble Musikfabrik
9:55pm 10. GLANZ for chamber ensemble 9:55pm 10. GLANZ for chamber ensemble Ensemble Musikfabrik Ensemble Musikfabrik
10:35pm 17. NEBADON for French horn and electronic music 10:35pm 17. NEBADON for French horn and electronic music Ensemble Musikfabrik Ensemble Musikfabrik
11:00pm 15. ORVONTON for baritone and electronic music 11:00pm 15. ORVONTON for baritone and electronic music
11:25pm 13. COSMIC PULSES electronic music 11:25pm 13. COSMIC PULSES electronic music Happening in the Conference Room: The conference room is There will always be a Stockhausen researcher at hand in this located past the entrance to the theater and through the back room to answer questions and facilitate discussions. This is also door. Please follow the signs. In this room you will find the bar, the breakroom to take a breather from the music. CDs and books by our artists for sale, and all scheduled talks.
Schedule of Talks
Saturday, April 7 Sunday, April 8
11:45am Hours 1–5: KLANG and Christianity 11:45am URANTIA, NEBADON, and Beyond: Navigating the Esther M. Morgan-Ellis Afterlife Adventure of KLANG Joseph Drew
12:15pm URANTIA, NEBADON, and Beyond: Navigating the 1:00pm Interview with Axel Porath and Peter Veale about Afterlife Adventure of KLANG working with Stockhausen Joseph Drew Moderated by Thomas Patteson
1:45pm Stockhausen’s Collaborators 1:30pm Hours 6–12: KLANG’s Trios Esther M. Morgan-Ellis Thomas Patteson
3:45pm Hours 6–12: KLANG’s Trios 2:00pm Stockhausen’s Serialism Thomas Patteson Thomas Patteson
4:30pm Stockhausen’s Serialism 3:45pm Hours 13–21: KLANG and Urantia Thomas Patteson Paul Miller
6:00pm Interview with Marco Blaauw about working with 5:25pm Eros and Agape Stockhausen Paul Miller Moderated by Thomas Patteson
7:00pm Interview with Axel Porath and Peter Veale about 6:15pm Interview with Marco Blaauw about working with working with Stockhausen Stockhausen Moderated by Paul Miller Moderated by Paul Miller
7:30pm Hours 13–21: KLANG and Urantia 7:00pm Hours 1–5: KLANG and Christianity Paul Miller Esther M. Morgan-Ellis
9:00pm Q&A with Lilac 94 about preparing FREUDE 9:00pm Q&A with Lilac 94 about preparing FREUDE
10:35pm Eros and Agape 10:30pm Stockhausen’s Collaborators Paul Miller Esther M. Morgan-Ellis
Artist Biographies are available online at analogarts.org/klang
Credits: This performance was produced by Elizabeth Huston in partnership with A Change of Harp, Analog Arts, and FringeArts. Major support for KLANG was provided to Elizabeth Huston by The Pew Center for Arts & Heritage, with additional support from The Philadelphia Cultural Fund, the Goethe Institut, and the Amphion Foundation. Libretti
1st Hour: HIMMELFAHRT (Ascension) for organ or synthesizer, tenor, and soprano Soprano: Klang Sound Tenor: Musik … für Die Erste Stunde Music … for the First Hour Soprano: Komposition Komposition … zur Himmelfahrt … Composition composition … on Ascension Day … der Frau of the Woman Tenor: und des Mannes and of Man Soprano: Oh Gott Oh God Tenor: In Himmel In Heaven Soprano: nimm uns auf receive us Tenor: Heiliger Vater Holy Father Soprano: der Tod Death Tenor: Kann kein Tod sein Cannot be death Soprano: Jesus ist aufgefahren in den Himmel Jesus has ascended into Heaven Tenor: Ascendit Jesus super caelos caelorum Jesus went up into the Heaven of Heavens Soprano: Sankt Michael Mikael Saint Michael Michael Tenor: GOTTES SOHN SON OF GOD Soprano: Meister des Universums Master of the Universe Tenor: Christos Christos Christos Christos Meister Meister, Christos Christos Christos Christos Master Master, Christos Meister des Universums Christos Master of the Universe Soprano: GOTTES Kinder GOD’S children GOTTES Kinder GOD’S children Tenor: fahren zum Himmel ascend to Heaven Soprano: mit Musik aus KLANG with Music from SOUND Tenor: aus KLANG from SOUND Soprano: Unsre Stimmen Our voices Tenor: loben Dich praise You Soprano: loben GOTT praise GOD Tenor: und Dein Licht and Your Light Soprano: Unsre Stimmen loben Dich, Schöpfer-GOT Our voices praise You Creator-GOD Tenor: DEUS GOD
2nd Hour: FREUDE (Joy) for 2 harps Harp I–II: Veni Creator Spiritus Come Holy Spirit, Creator, Blest Ora seconda, Ora seconda KLANG Second hour, second hour SOUND Harp I: mentes tuorum visita and in our souls take up Thy rest Harp I–II: imple superna gratia come with Thy grace and heavenly aid [quae tu creasti pectora] [to fill the hearts which Thou hast made] Harp II: Qui diceris Paraclitus O comforter, to Thee we cry, Harp I: donum Dei altissimi O heavenly gift of God Most High Harp II: fons vivus, O fount of life, Harp I: ignis, caritas fire, and love Harp I–II: et spiritalis unctio and sweet anointing from above Harp I: Tu, septiformis Thou in Thy sevenfold Harp II: munere gifts are known Harp I–II: Joy! dextrae dei tu digitus Joy! Thou, finger of God’s hand we own Ja! dextrae dei tu digitus Yes!! Thou, finger of God’s hand we own Harp I: Tu rite promissum Patris Thou, promise of the Father, Thou Harp II: sermone ditans guttura Who dost the tongue with power imbue Harp I–II: Accende lumen sensibus Kindle our sense from above infunde amorem cordibus and make our hearts o’erflow with love infirma nostri corporis with patience firm and virtue high virtute firmans perpeti the weakness of our flesh supply Hostem repellas longius Far from us drive the foe we dread, pacemque dones protinus and grant us Thy peace instead ductore sic te praevio so shall we not, with Thee for guide, [vitemus omne noxium] [turn from the path of life aside] Harp I–II: Per te sciamus da Patrem, Oh, may Thy grace on us bestow noscamus atque Filium the Father and the Son to know [te utriusque Spiritum] [and Thee, through endless times confessed] [credamus omni tempore] [of both the eternal Spirit blest]
3rd Hour: NATÜRLICHE DAUERN (Natural Durations) for piano No. 9 ORA TERZA THIRD HOUR No. 15 Aufstieg Ascension
5th Hour: HARMONIEN (Harmonies) for bass clarinet, flute, or trumpet
Lob sei GOTT Praise be to GOD
6th Hour: SCHÖNHEIT (Beauty) for bass clarinet, flute, and trumpet
Lob sei GOTT Praise be to GOD
7th Hour: BALANCE for bass clarinet, English horn, and flute Gloria in excelsis Deo Glory to God in the highest et in terra pax hominibus bonae voluntatis and on Earth peace to men of good will
8th Hour: GLÜCK (Bliss) for oboe, English horn, and bassoon
GOTT ist Glück GOD is bliss
9th Hour: HOFFNUNG (Hope) for violin, viola, and cello Dank sei GOTT Thanks be to GOD Danke GOTT für Das Werk HOFFNUNG Thank GOD for the piece HOPE
10th Hour: GLANZ (Brilliance) for bassoon, viola, clarinet, oboe, trumpet, trombone, and tuba Gloria in excelsis Deo Glory to God in the hightest et in terra pax hominibus bonae voluntatis and on Earth peace to men of good will bonae voluntatis good will
11th Hour: TREUE (Fidelity) for E♭ clarinet, basset horn, and bass clarinet TREUE ZU GOTT FIDELITY TO GOD
12th Hour: ERWACHEN (Awakening) for soprano saxophone, trumpet, and cello
ERWACHEN IN GOTT AWAKENING IN GOD
14th Hour: HAVONA for bass and electronic music GOTT GOD Deine Kinder streben Schritt für Schritt Your children aspire step-by-step von URANTIA zu JERUSEM in NEBADON from URANTIA to JERUSEM in NEBADON lernen weiter durch UVERSA continue learning through UVERSA und das große ORVONTON and the great ORVONTON über EDENTIA bis zu HAVONA reaching—via EDENTIA—HAVONA und von HAVONA zum PARADIES and from HAVONA to PARADISE streben zum PARADIES aspire to PARADISE Seelen im Paradies studieren kosmische Musik souls in Paradise study cosmic music
GOTT GOD Deine Kinder streben Schritt für Schritt von Your children aspire step-by-step from URANTIA (das ist unser Planet) Erde Urantia (that is our planet) Earth zu JERUSEM in NEBADON to JERUSEM in NEBADON lernen weiter durch UVERSA continue learning through UVERSA Entfernungen sind das, die kein Mensch begreift those are distances that no human being comprehends (aber trotzdem furchtlos weiter) (but nevertheless, fearlessly onward) and und das große ORVONTON über EDENTIA bis zu HAVONA through the grand ORVONTON reaching—via EDENTIA—HAVONA Hevene Hivini Hovono Huvunu HAVONA Hevene Hivini Hovono Huvunu HAVONA von HAVONA zum PARADIES from HAVONA to PARADISE
GOTT Deine Kinder GOD Your children (schwarze, weiße, grüne, gelbe, rote, braune, blaue) (black, white, green, yellow, red, brown, blue) streben Schritt für Schritt von aspire step-by-step from URANTIA zu JERUSEM in NEBADON URANTIA to JERUSEM in NEBADON weiter durch UVERSA onward through UVERSA (Hauptsitz ORVONTONS im Ring von sieben höheren (capital of ORVONTON in the ring of seven higher Universitäten) universities) und das große ORVONTON and the grand ORVONTON (siebtes Superuniversum mit dem Zentrum des Milchstraßen- (seventh superuniverse, whose centre is the Milky Way Sternsystems) galaxy) über EDENTIA bis zu HAVONA reaching—via EDENTIA—HAVONA zentrales Universum kreisend um das PARADIES the central universe rotating around PARADISE in NEBADON durch UVERSA in NEBADON through UVERSA Kern des siebten Superuniversums ORVONTON nucleus of the seventh superuniverse ORVONTON EDENTIA EDENTIA HAVONA mit einer Milliarde vollkommener Welten HAVONA with a billion perfect worlds PARADIES PARADISE
15th Hour: ORVONTON for baritone and electronic music
ORVONTON für Bariton. ORVONTON for baritone. ORVONTON, ich bin ein Bariton, ORVONTON, I am a baritone. singe mit COSMIC PULSES Schichten neunzehn zwanzig I sing with COSMIC PULSES layers nineteen twenty einundzwanzig. twenty-one. ORVONTON siebtes Superuniversum ORVONTON seventh superuniverse mit dem Zentrum des Milchstraßensternsystems. with the Milky Way Galaxy as its centre.
Schicht neunzehn hat dreiundzwanzig Töne als Klangschleife. Layer nineteen has twenty-three tones as sound loop. Beim Grundtempo 3,75 dauert jeder Ton 2 Sekunden, In the basic tempo 3.75 each tone lasts 2 seconds, die Schleife also 23 x 2 = 46 Sekunden. and therefore the loop lasts 23 x 2 = 46 seconds. Aber das Tempo wird in 9 Sequenzen gemäß Mustern von Hand But in 9 sequences the tempo is varied manually mit Accelerandi und Ritardandi variiert with accelerandi and ritardandi according to patterns. Schicht zwanzig hat neunzehn Töne mit Grundtempo zwei Layer twenty has nineteen tones with a basic tempo of two Komma neun! point nine! Zwei Komma fünf Sekunden pro Ton, aber länger oder kürzer Two point five seconds per tone, but longer or shorter je nach according to Ritardando oder Accelerando, und manchmal plötzlich ritardando or accelerando, and sometimes a sudden Stillstand. stand-still. Schicht einundzwanzig mit neun Tönen im Grundtempo Layer twenty-one with nine tones in the basic tempo zwei Komma drei, Tondauer drei Komma zwei Sekunden two point three, tone duration three point two seconds doch: bei den Tempovariationen wird manchmal ein zwölfmal yet: during the tempo variations sometimes a tempo is schnelleres reached oder zwölfmal langsameres Tempo erreicht. which is twelve times faster or twelve times slower.
Schleifen neunzehn zwanzig einundzwanzig werden mit Loops nineteen twenty twenty-one are transposed upwards or Glissandi downwards transponiert nach den Mustern aufwärts oder abwärts with glissandi according to the patterns, nach Gefühl intuitively und mit Hand von Kathinka. and manually by Kathinka. Variationen ziemlich frei von Dauern und Tonhöhen jeder Variations quite free of durations and pitches of each Schicht. layer. Ich Bariton in ORVONTON, siebtes Superuniversum, I baritone in ORVONTON, seventh superuniverse, Bariton in ORVONTON. baritone in ORVONTON. In vierundzwanzig Momenten sing ich diese Erläuterungen In twenty-four moments I sing these explanations der Komposition von ORVONTON. of the composition of ORVONTON. Jeder Moment schließt mit einer anderen Tonhöhe, hier mit D. Each moment closes with a different pitch, here with D. Jeder Moment hat eine eigene Zahl von Tönen in Gruppen, Each moment has its own number of tones in groups, und auf dem letzten Ton jeder Gruppe halte ich länger an. and on the last tone of each group I halt for awhile. In diesem Moment sind die Gruppen sechs eins fünf zwei In this moment the groups are six one five two vier drei. four three.
Die Tonhöhen meiner Melodien stammen alle aus der The pitches of my melodies all originate from the vierundzwanzigtönigen Reihe des Werkes KLANG; twenty-four-tone row of the work KLANG; nur beginnt jeder Moment mit einem anderen Ton, but every moment begins with a different tone, um gemäß der Zahl der Einsätze auf dem richtigen Ton in order to land on the right tone, according to the number of zu landen. entries. Einzelne Töne sind oktavtransponiert, wie zum Beispiel Individual tones are transposed an octave, as for example dieses C, this C, je nach Text mal unten oder oben. up or down according to the text. Allintervalle in der Reihe, vierundzwanzig Töne in 2 Oktaven All intervals in the row, twenty-four tones in 2 octaves sind wie vierundzwanzig Stunden in Tag und Nacht, are like twenty-four hours in day and night, und KLANG ist eine Miniwelt in ORVONTON. and KLANG is a mini-world in ORVONTON. Zahlen sind zu hören und zu zühlen. Numbers are to be heard and to be counted. In Musik sind alle Töne, Intervalle, Gruppen, Zahlen In music all tones, intervals, groups, numbers wie im Superuniversum. are like in the superuniverse. ORVONTON ist die Mutter von NEBADON. ORVONTON is the mother of NEBADON. Unsere Musik ist geformt wie die Sterne des Superuniversums Our music is formed like the stars of the superuniverse und auch and also des Universums, unseres Sonnensystems, unseres Planeten of the universe, of our solar system, of our planet Erde. Earth. Jeder Klang ist ein Universum. Each sound is a universe. Ob er aber schön ist, kann man an den Zahlen nicht erkennen: But one cannot tell if it is beautiful by the numbers: es bestimmt wer zählt. that depends on who is counting. Vierhundertvierzig Hertz sind weder schön noch häßlich. Four hundred and forty hertz is neither beautiful nor ugly. Schönheit Lebt. Beauty lives. Ein paar Orvontöner kennen schöne Zahlen, A few Orvontonians know beautiful numbers, die mit schöner Kunst gespielt werden: that are played with beautiful art: Zahlen-Tonkünstler, Baritöner. number-musicians, baritoners.
Kunstmusik ist nicht Tingeltangel, Art music is not honky-tonk, ihre Zahlenspiele brauchen ab und zu Momente fürs Gemüt, its number games need moments now and then for the soul, die ergreifen, staunen lassen: that touch, astonish: Zeit steht still. time stands still.
16th Hour: UVERSA for basset horn and electronic music
UVERSA UVERSA Zentrum von ORVONTON Centre of ORVONTON Super-Universen Superuniverses UVERSA in ORVONTON – eine Billion bewohnter Planeten UVERSA in ORVONTON—a billion inhabited planets governed gelenkt aus UVERSA from UVERSA einhundert Tausend lokale Universen one hundred thousand local universes zehn Millionen Konstellationen von UVERSA ten million constellations of UVERSA eine Milliarde lokale Systeme a thousand million local systems in UVERSA Schöpfer-Söhne Michaele in UVERSA creator sons Michaels Richter-Söhne UVERSAS magisterial sons of UVERSA Lehrer-Söhne der Trinität trinity teacher sons göttliche Melchisedek-Söhne, Väter der Konstellationen divine Melchizedek sons, fathers of the constellations Lanonandek-Söhne UVERSAS Systemsouveräne Lanonondek sons UVERSA’S system sovereigns UVERSAS Lebensbringer-Söhne UVERSA’S life carrier sons bright and Helle Morgensterne UVERSAS morning stars of UVERSA Leuchtende Abendsteme brilliant evening stars UVERSAS Erzengel UVERSA’S archangels Göttliche Ratgeber divine counselors Himmlische inspektoren celestial overseers Lehrer der Residenzwelten mansion world teachers UVERSAS Sternforscher-Kunst UVERSA’S star-student art Himmlische Künstler in UVERSA für das ganze celestial artisans in UVERSA for the entire Super-Universum superuniverse Studierende Besucher student visitors Aufsteigende Pilger ascending pilgrims Aufsteigende Sterbliche ascending mortals zu UVERSA to UVERSA
17th Hour: NEBADON for French horn and electronic music
NEBADON NEBADON MICHAEL MICHAEL ETERNAL SON ETERNAL SON CREATOR SON CREATOR SON NEBADON NEBADON local Universe local Universe Christ MICHAEL Christ MICHAEL URANTIA URANTIA NEBADON NEBADON in SALVINGTON in SALVINGTON MICHAEL MICHAEL mit GABRIEL with GABRIEL ANTÁRES ANTÁRES ORION NEBULA ORION NEBULA MICHA-CHRIST MICHA-CHRIST MARIA MARIA NEBADON NEBADON zehn Millionen bewohnte Welten ten million inhabited worlds im Super-Universum in the superuniverse ORVONTON ORVONTON und Zentral-Universum and central universe HAVONA HAVONA kreist um SAGITTARIUS rotates around SAGITTARIUS Heiliges NEBADON holy NEBADON
18th Hour: JERUSEM for tenor and electronic music
Universen Universes GOTTES Schulen GOD’s schools JERUSEM JERUSEM ohne Ende without end Freude zu lernen joy to learn staunen marvel danken thank helfen help IHM HIM
19th Hour: URANTIA for soprano and electronic music Rotationen überall Rotations everywhere Urantia im Kosmos Urantia in the cosmos Vater Sohn und Heiliger Geist Father, Son and Holy Ghost GOTT GOTT GOTT GOD GOD GOD
20th Hour: EDENTIA for soprano saxophone and electronic music EDENTIA EDENTIA Konstellation constellation in NEBADON in NEBADON Gärten GOTTES gardens of GOD TAUSENDE SEEN THOUSANDS OF LAKES Auferstehungshallen resurrection halls SERAPHIM SERAPHIM Die himmlischen Musiker morsen morsen morsen The celestial musicians Morse Morse Morse spielen steile Glissandi play steep glissandi rote Punkte red points in EDENTIA Dreiecke in EDENTIA triangles Kreise Kreise circles circles edentische Kreuze Kreuze Edentic crosses crosses Glieder Glieder limbs limbs Trilleriller trillsrills Repetitionen repetitions Konkave concaves Tremoli tremoli Aleotorik aleotoric Explosion explosion Mikrointervalle microintervals Gruppen von Gruppen groups of groups Sinusgeister sine spirits Familyten Familyten Edentianer Edentians
21st Hour: PARADIES for flute and electronic music
PARADIES PARADISE für Flöte for flute und elektronische Musik and electronic music 21. Stunde aus KLANG 21st Hour of KLANG drei Schichten aus COSMIC PULSES neu gemischt three layers from COSMIC PULSES newly mixed im PARADIES alle 24 Schleifen in PARADISE all 24 loops aus COSMIC PULSES from COSMIC PULSES 24 Zeilen Noten für die Flöte 24 lines of notesfor the flute von 1 bis zu 24 Tonhöhen from 1 to 24 pitches der Urreihe of the original row Queele aller Melodien source of all melodies jede Zeile ein anderer tiefer Ton each line, a different low note Fragmente der Gruppen fragments of the groups Sprünge im ganzen Raum jumps in the entire space Dynamik nach Maß fitting dynamics Artikulationen Frei articulation free Legato oder Staccato legato or staccato Pausen ad libitum pauses ad libitum Tempo flexibel flexible tempo pro Zeile ein Einschub one insert per line für die Phantasie for the fantasy und das Spiel and the play und die Freude and the joy für den Zauber for the magic den ewigen GOTT the eternal GOD Performers for this event are: Taka Kigawa, Organ Christopher Oldfather, Piano Stuart Gerber, Percussion Natalie Margasak, Little Girl Christina Brier, Harp (as Lilac 94) Kathryn Sloat, Harp (as Lilac 94) Peter Veale, Oboe (as Ensemble Musikfabrik) Carl Rosman, Clarinet (as Ensemble Musikfabrik) Heidi Mockert, Bassoon (as Ensemble Musikfabrik) Marco Blaauw, Trumpet (as Ensemble Musikfabrik) Christopher McIntyre, Trombone (as a guest of Ensemble Musikfabrik) Melvyn Poore, Tuba (as Ensemble Musikfabrik) Axel Porath, Viola (as Ensemble Musikfabrik) Christine Chapman, French Horn (as Ensemble Musikfabrik) Paul Jeukendrup, Sound Projection (as Ensemble Musikfabrik) Sharon Harms, Soprano Steven Williamson, Tenor Jeffrey Gavett, Baritone Robert Osborne, Bass Margaret Lancaster, Flute Emma Resmini, Flute Geoffrey Deemer, Oboe Evan Ocheret, English Horn Mallory Tittle, Eb Clarinet Audrey Miller, Bass Clarinet Sean Bailey, Bass Clarinet Aaron Stewart, Soprano Saxophone Joseph Dvorak, Basset Horn Dominic Panunto, Bassoon Kristina Mulholland, French Horn Rachel Segal, Violin Veronica Jurkiewicz, Viola Eric Coyne, Cello Joseph Drew, Trumpet and Sound Projection Rudolf Kämper, Sound Projection
Production team: Elizabeth Huston, Producer Joseph Drew, Artistic Director Thomas Dunn, Lighting Design Todd Kelmar, Lighting Assistant Adrienne Mackey, Audience Experience Consultant Alda Leung, Print Design Jura Pintar, Booklet Design and Typesetting
A KLANG Checklist: To help you keep track of which pieces you’ve heard, you can use the checklist below.
1st Hour: HIMMELFAHRT (Ascension)
2nd Hour: FREUDE (Joy)
3rd Hour: NATÜRLICHE DAUERN (Natural Durations)
No. 1 No. 2 No. 3 No. 4 No. 5 No. 6 No. 7 No. 8
No. 9 No. 10 No. 11 No. 12 No. 13 No. 14 No. 15 No. 16
No. 17 No. 18 No. 19 No. 20 No. 21 No. 22 No. 23 No. 24
4th Hour: HIMMELS-TÜR (Heaven’s Door)
5th Hour: HARMONIEN (Harmonies)
6th Hour: SCHÖNHEIT (Beauty)
7th Hour: BALANCE
8th Hour: GLÜCK (Bliss)
9th Hour: HOFFNUNG (Hope)
10th Hour: GLANZ (Brilliance)
11th Hour: TREUE (Fidelity)
12th Hour: ERWACHEN (Awakening)
13th Hour: COSMIC PULSES
14th Hour: HAVONA
15th Hour: ORVONTON
16th Hour: UVERSA
17th Hour: NEBADON
18th Hour: JERUSEM
19th Hour: URANTIA
20th Hour: EDENTIA
21st Hour: PARADIES