Shipping the Margin to the Center

Total Page:16

File Type:pdf, Size:1020Kb

Shipping the Margin to the Center CORE Metadata, citation and similar papers at core.ac.uk Provided by Texas A&amp;M Repository SHIPPING THE MARGIN TO THE CENTRE: EXCAVATING TUMBLR; FILLING IN THE SELF A Thesis by ALEXANDRA LOUISE ELIZABETH SIMPSON Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Kirsten Pullen Committee Members, Judith Hamera Sarah N. Gatson Head of Department, Donnalee Dox May 2015 Major Subject: Performance Studies Copyright 2015 Alexandra Louise Elizabeth Simpson ABSTRACT Queer fandoms on tumblr aid in the formation of identity and the self. As a micro-blogging website, tumblr works to create a constantly expanding archive of each user’s posts, and thus can potentially document the development of the self. Some of its users may be undergoing a shift in queer identity and thus be seeking others, fictional or real, who are undergoing the same thing. Other users have already undergone this shift and are using fandom in order negotiate and manage this change in self identity. The queer self is one frequently contested both by society and the individual. Tumblr aids in the fight against heteronormativity, and archives the acts of identity formation. Queer fandom provides a doorway directly to a fictional queer character, or characters, who can help to assemble a user’s self and provide an anchor, drawing other like users together. In this thesis I use my position as an indigenous member of the tumblr community to navigate female-orientated queer fandoms. I investigate user’s interactions with fandom characters, fandom relationships and each other, in order to show how tumblr can be a way to assemble and display the self. By examining posts from a range of fandoms I am able to examine the way users assemble aspects of the self. I discuss the difficulties of representation on television faced by queer women, and how fandoms can provide users a lens through which they can see an aspect of their self that is often closeted by society, or even closeted by the user themselves. I have found that users take to tumblr to assemble aspects of their self. Through their interactions with shows, characters, and each other, users are able to discover fragments of the self, new and old, ii and use tumblr to display these fragments. I can therefore conclude that for members of tumblr that reside within female-orientated queer fandoms tumblr has provided them with a space where they can negotiate their identity, and collect and assemble aspects of the self. iii ACKNOWLEDGEMENTS I would like to thank my advisor Dr. Kirsten Pullen, for guiding me through my research and the writing of this thesis; you offered me the chance to come to Texas A&M, and I will forever be grateful for the opportunity and experience. I would like to thank Dr. Judith Hamera for kick starting my journey, and helping me to realize the potential I have with the words I write. I would also like to thank Dr. Sarah Gatson, whose own research provided the map I needed in order venture into the online world of identity and the self. I want to thank every member of the fandoms discussed in this thesis; you create, you inspire, you support, and you provide hope. To JT in particular, thank you for helping me chart the universe. Thank you to my friends and family. In particular I’d like to thank my Mum and Darren for supporting me in my journey to Texas, Dani for opening her home, and Betsy for being the sounding board I needed. To the coheart thank you for keeping me going, and thank you to Leslie, Kris, and Cambridge, for saying ‘Geronimo’ with me. Joan Didion once wrote that “We Tell Ourselves Stories in Order to Live”; you have all proven this to be true and you each inspire me tell your story, as well as my own. Thank you. iv TABLE OF CONTENTS ABSTRACT .............................................................................................................. ii ACKNOWLEDGEMENTS ...................................................................................... v TABLE OF CONTENTS .......................................................................................... vi CHAPTER I INTRODUCTION ................................................................................... 1 Data: The fragments of the self used ................................................... 9 Literature review .................................................................................. 13 Theorizing tumblr ................................................................................. 17 Chapter outline ..................................................................................... 23 II SUBTEXT, A DUET, AND A PROM QUEEN .................................. 27 III FROM SUBTEXT TO CANON: GLEE, TWO CHEERLEADERS AND A FANDOM ............................................... 46 IV THE CANONICALLY QUEER & PRETTY LITTLE LIARS ........... 63 V CONCLUSION ..................................................................................... 80 REFERENCES ........................................................................................................ 86 v CHAPTER I INTRODUCTION José Muñoz describes Marga Gomez’s performance in Marga Gomez is Pretty, Witty and Gay as doing “the work of prying open memory for me and elucidating one important episode of self-formation”.1 Here Munoz sums up the process of identification. In December 2014 the series finale of Legend of Korra aired.2 This kind of event happens frequently—series come and go all the time—but the final scene especially marked this event. Lead protagonist Korra, hero from the southern water tribe, really proved that “it’s true what they say: the hero does always get the girl in the end.”3 She walked off into the proverbial sunset with Asami, someone who had initially been set up as her romantic rival for male character Mako’s affections. Korra and Asami, ship name Korrasami, sparked a plethora of posts on tumblr about just how much their relationship meant to people. One user provided a compilation of their tweets that were posted in response to the finale. One of those tweets reads, “I’ve been struggling for so long over my bisexuality. And it was so amazing to see it not only represented, but in a show I hold so dear.”45 This post indicates that the scene pried open a memory and 1 Muñoz, José steban. Disidentifications: Queers of Color and the Performance of Politics Minneapolis: University of Minnesota P, 1999. Print. 2 “The Last Stand.” Legend of Korra. Writ. Michael Dante Dimartino. Nickelodeon. 19 Dec. 2014. Television. 3 McDonald, Sam (jogproof). “@RCDispatch @jowrotethis @Da7e @misterpatches @Devindra it's true what they say: the hero does always get the girl in the end. #Korrasami =D”. 19 Dec 2014, 10:43 UTC. Tweet. 4 Medievalpoc. “To cite this blog in MLA or Chicago”. Tumblr. Tumblr, 17 Oct. 2013. Web. 17 Oct. 2013. <http://medievalpoc.tumblr.com/post/64291212981/to-cite-this-blog-in-mla-or- chicago>. 1 helped the fan piece together what was going through their mind in that moment when they believed they were in Korra and/or Asami’s shoes. What exactly was going through their mind when their universe shifted and how that changed their own self-presentation was all brought back to them in the moments of seeing Korra and Asami. They saw and identified themselves in the scenes between these two characters in much the same way Muñoz did with Margo Gomez. Larzzing’s episode of self-formation is literally a series of episodes in this case. Tumblr is one of the biggest and most active social media platforms, with an extensive and active user base but it is more than that.6 Tumblr is also a site of performance - a stage on which fandoms are used to produce autobiographies. This is demonstrated in tumblr user lokgifsandmusings’s statement regarding the Korrasami outcome which includes the line “here’s where I’m [finally] going to directly defend the 5 Larzzing. “Probably my most coherent thoughts on the Korra finale”. Tumblr. Tumblr, 19 Dec. 2014. Web. 19 Dec. 2014 <http://larzzing.tumblr.com/post/105644961214/probably-my-most- coherent-thoughts-on-the-korra>. This tumblr post by user larzzing has 40 notes. One comment to this post was given by tumblr user wildwildeyes echoes larrzing’s sentiment with : “I didn’t realize how much it meant to me to have a poly Avatar until they made it canon. “ (Wildwildeyes. “Probably my most coherent thoughts on the Korra finale”. Tumblr. Tumblr, 19 Dec. 2014. Web. 19 Dec. 2014. <http://wildwildeyes.tumblr.com/post/105658244696/larzzing-probably-my-most-coherent- thoughts-on>.) 6Tumblr. “About.” Tumblr. Tumblr, Feb. 2007. Web. 10 Oct. 2013. <http://www.tumblr.com/about>. Tumblr has information about the number of posts, press reviews and user demographics, available on its website, this gives an updated count of the number of blogs and posts on the site in close to real time. Gaille, Brandon. “26 Astonishing Tumblr Demographics, Trends and Stats.” BrandonGaille. BrandonGaille, 03 Aug. 2013. Web. 10 Dec. 2014. <http://brandongaille.com/26 astonishing- tumblr-demographics-trends-and-stats/>. Provides detailed information about tumblr’s demographics and site traffic and when used with tumblrs given statistics the growth of the site and its significance as a site of interest becomes apparent . 2 writing, as well as get a little bit personal”.7 Each post on tumblr appears to be a representation of the thoughts of the user, from the content of the post to the tags that accompany it
Recommended publications
  • Leonard Bernstein
    Leonard Bernstein: The Power of Music is the “first large-scale museum exhibition to illustrate Bernstein’s life, Jewish identity, and social activism,” according to the National Museum of American Jewish History in Philadelphia, where you can catch it until Sept. 2. (A national tour will follow.) There are artifacts ranging from Bernstein’s piano (a Baldwin, though he used to invoke another manufacturer to tell people how to pronounce his name: “No one ever called a Steinway a STEEN-way!”), an annotated copy of Romeo and Juliet in which he formulated ideas for West Side Story, the mezuzah from his studio, the ketubah from his marriage to Costa Rican actress Felicia Cohn Montealegre, and his family Haggadah … which, unsurprisingly, contains additional sheet music. There are dozens of photos, hand-drawn set designs, snippets of costume fabric, personal letters, album covers, and illustrations. There’s the earliest known photograph of teen Lenny conducting; his trademark impressive swoop-y matinee-idol hair is already evident as he theatrically leads a Jewish summer-camp orchestra of seven nebbish-y boys with triangles and tiny cymbals. (The photo is grandiloquently labeled “Onota Rhythm Band and Leonard Bernstein, 1937.”) Celebrations of Bernstein’s 100th birthday are taking place all around the world, including performances of his greatest work: West Side Story in South Africa, Candide in San Francisco and Los Angeles; Fancy Free in Tuscaloosa; and six different operas and theatrical works this summer at Tanglewood, where Bernstein began his career. There’s also a traveling exhibit by the Grammy Museum and, of course, a hashtag campaign (#BernsteinAt100).
    [Show full text]
  • Touchstones of Popular Culture Among Contemporary College Students in the United States
    Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be.
    [Show full text]
  • Sunday Morning Grid 12/28/14 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 12/28/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Chargers at Kansas City Chiefs. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News 1st Look Paid Premier League Goal Zone (N) (TVG) World/Adventure Sports 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Outback Explore St. Jude Hospital College 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Philadelphia Eagles at New York Giants. (N) Å 13 MyNet Paid Program Black Knight ›› (2001) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Ciao Italia 28 KCET Raggs Play. Space Travel-Kids Biz Kid$ News Asia Biz Ed Slott’s Retirement Rescue for 2014! (TVG) Å BrainChange-Perlmutter 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program 34 KMEX Paid Program Al Punto (N) República Deportiva (TVG) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Happy Feet ››› (2006) Elijah Wood.
    [Show full text]
  • SHAMELESS Sunday I SHOWTIME PLAN  QUESTIONS with YOUR +DAISY TM WEEK! HAGGARD
    SEASONPREMIERE November 10th – 16th, 2019 SHAMELESS sunday I SHOWTIME PLAN QUESTIONS WITH YOUR +DAISY TM WEEK! HAGGARD DOLLY PARTON CARRIE UNDERWOOD REBA MCENTIRE BEST BETS NEWSERIES DUBLIN MURDERS Sunday ISTARZ E! PEOPLE’S CHOICE AWARDS SUNDAY IE! THE 53RD NEWSERIES KINGS OF PAIN ANNUAL TUESDAY IHISTORY NEWMINISERIES THE PREPPY MURDER: CMA DEATH IN CENTRAL PARK WEDNESDAY IAMC SEASONPREMIERE THE MAN IN THE HIGH CASTLE AWALIVE! R WEDNESDAY D S IABC FRIDAY IAMAZONPRIMEVIDEO $3.99 ORIGINALFILM CHRISTMAS UNDER THE STARS SATURDAY HALLMARKCHANNEL New rate plans, now with more minutes! Easier is better with the Jitterbug. The Jitterbug® Flip, from the creators of the original easy-to-use cell phone, has big buttons and an exclusive 5Star® Urgent Response button on the keypad. EASY TO USE Today, cell phones are hard to hear, Plansdifficult as low to dialas Plans as low as and overloaded with features you may never use. That’s not the case with the Jitterbug Flip. A large screen and big buttons$ make99 it $ 99 $ easy to call family and friends. The powerful speaker ensures every month2 conversation will be loud and clear. Plus, straightforward14 YES and NO 14 1 buttons make navigating the menu simple. 2 EASY TO ENJOY Wherever you go, a built-in cameraPlans makes as low it easyas* andPlans fun as forlow you as to capture and share your favorite memories. And a built-in reading magnifier with LED flashlight helps you see in dimly lit areas. With all the $features you99 need,$ the Jitterbug99 $ 2 2 Flip also comes with a long-lasting battery, so you won’t have14 to worrymonth about14 runningmonth out 1 of power.
    [Show full text]
  • M-Ad Shines in Toronto
    Volume 44, Issue 3 SUMMER 2013 A BULLETIN FOR EVERY BARBERSHOPPER IN THE MID-ATLANTIC DISTRICT M-AD SHINES IN TORONTO ALEXANDRIA MEDALS! DA CAPO maKES THE TOP 10 GImmE FOUR & THE GOOD OLD DAYS EARN TOP 10 COLLEGIATE BROTHERS IN HARMONY, VOICES OF GOTHam amONG TOP 10 IN THE WORLD WESTCHESTER WOWS CROWD WITH MIC-TEST ROUTINE ‘ROUND MIDNIGHT, FRANK THE DOG HIT TOP 20 UP ALL NIGHT KEEPS CROWD IN STITCHES CHORUS OF THE CHESAPEAKE, BLACK TIE AFFAIR GIVE STRONG PERFORmaNCES INSIDE: 2-6 OUR INTERNATIONAL COMPETITORS 7 YOU BE THE JUDGE 8-9 HARMONY COLLEGE EAST 10 YOUTH CamP ROCKS! 11 MONEY MATTERS 12-15 LOOKING BACK 16-19 DIVISION NEWS 20 CONTEST & JUDGING YOUTH IN HARMONY 21 TRUE NORTH GUIDING PRINCIPLES 23 CHORUS DIRECTOR DEVELOPMENT 24-26 YOUTH IN HARMONY 27-29 AROUND THE DISTRICT . AND MUCH, MUCH MORE! PHOTO CREDIT: Lorin May ANYTHING GOES! 3RD PLACE BRONZE MEDALIST ALEXANDRIA HARMONIZERS PULL OUT ALL THE STOPS ON STAGE IN TORONTO. INTERNATIONAL CONVENTION 2013: QUARTET CONTEST ‘ROUND MIDNIGHT, T.J. Carollo, Jeff Glemboski, Larry Bomback and Wayne Grimmer placed 12th. All photos courtesy of Dan Wright. To view more photos, go to www. flickr.com/photosbydanwright UP ALL NIGHT, John Ward, Cecil Brown, Dan Rowland and Joe Hunter placed 28th. DA CAPO, Ryan Griffith, Anthony Colosimo, Wayne FRANK THE Adams and Joe DOG, Tim Sawyer placed Knapp, Steve 10th. Kirsch, Tom Halley and Ross Trube placed 20th. MID’L ANTICS SUMMER 2013 pa g e 2 INTERNATIONAL CONVENTION 2013: COLLEGIATE QUARTETS THE GOOD OLD DAYS, Fernando Collado, Doug Carnes, Anthony Arpino, Edd Duran placed 10th.
    [Show full text]
  • THE BOOK CLUB PLAY by Karen Zacarías
    THE BOOK CLUB PLAY By Karen Zacarías The United States of America circa now, AD A living room This play is stylized like a film documentary. The characters know that they are being filmed but forget sometimes. Names of the experts, titles of the Books should be projected…but all the roles, including the pundits, should be live. All the dialogue should be spoken by live actors, not filmed. The set-up is a film documentary, but the language is theatrical. THIS IS NOT A FARCE; IT IS A PLAY ABOUT REAL PEOPLE. THE FUNNY SHOULD COME FROM THE HUMANITY OF THE CHARACTERS. THIS PLAY CAN BE DONE WITH 6 or 7 ACTORS. If you are using 6 actors and doubling for the pundits, then the costume changes for the pundits should be fast and minimal (1-2 articles at most). Pace and flow is vital for this play. If you are using a 7th actor for all the Pundits…then a fuller transformation can occur. The seventh actor MUST play all the PUNDIT roles: female and male. OTHER: The Book Club Play is as much about connection as it is about books. Theater patrons could write their favorite book on an adhesive name-tag as they walk into the theater, and wear it during the play to spark discussion during intermission. At the end of the performance, the stickers could be placed on a banner when they leave…so that people can see and discuss the books others have read. Book drives and video “confessionals” of reading pleasures to “Lars Knudsen” are all various easy ways to engage audiences in discussing books before, and after the play.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings.
    [Show full text]
  • We Will Rock You”
    “We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns.
    [Show full text]
  • 12 Hours Opens Under Blue Skies and Yellow Flags
    C M Y K INSPIRING Instead of loading up on candy, fill your kids’ baskets EASTER with gifts that inspire creativity and learning B1 Devils knock off county EWS UN s rivals back to back A9 NHighlands County’s Hometown Newspaper-S Since 1927 75¢ Cammie Lester to headline benefit Plan for spray field for Champion for Children A5 at AP airport raises a bit of a stink A3 www.newssun.com Sunday, March 16, 2014 Health A PERFECT DAY Dept. in LP to FOR A RACE be open To offer services every other Friday starting March 28 BY PHIL ATTINGER Staff Writer SEBRING — After meet- ing with school and coun- ty elected officials Thurs- day, Florida Department of Health staff said the Lake Placid office at 106 N, Main Ave. will be reopen- ing, but with a reduced schedule. Tom Moran, depart- ment spokesman, said in a Katara Simmons/News-Sun press release that the Flor- The Mobil 1 62nd Annual 12 Hours of Sebring gets off to a flawless start Saturday morning at Sebring International Raceway. ida Department of Health in Highlands County is continuing services at the Lake Placid office ev- 12 Hours opens under blue ery other Friday starting March 28. “The Department con- skies and yellow flags tinues to work closely with local partners to ensure BY BARRY FOSTER Final results online at Gurney Bend area of the health services are avail- News-Sun Correspondent www.newssun.com 3.74-mile course. Emergen- able to the people of High- cy workers had a tough time lands County.
    [Show full text]
  • Auction Journal Supplement
    AUCTION JOURNAL SUPPLEMENT APRIL 29, 2011 HYATT REGENCY CENTURY PLAZA TABLE OF CONTENTS Page 2 Welcome to The Race to Erase MS Silent Auction! Our amazing items are displayed in the California Showroom on the California Level, two floors below the lobby of the Hyatt Regency Century Plaza. Page Item Live Auction 3 13 Travel 4 145-147 Fashion 5 250-253 That’s Entertainment 6 447-461 Jewels 8 543-547 Cuisine 9 637-643 Children’s Menagerie 10 717-718 Luxury 11 862-866 Art and Home Décor 12 925-929 Silent Auction Friday, April 29, 2011 6:30-8:30 pm Hyatt Regency Century Plaza Los Angeles, California The Silent Auction and our very special Live Auction include a unique collection of rare and extraordinary treasures. Countless volunteers have contributed their skill to develop this showcase with its vast array of gifts from generous donors throughout the world. Funds raised through the Auction will further critical research to find the cause and ultimate cure for the disease of multiple sclerosis. Therefore, we thank you from the bottom of our hearts for bidding generously and for helping all of those afflicted with MS enjoy a better today as well as strengthen their belief in a better tomorrow. LIVE Page 3 13. VIP Grammy Experience This ultimate VIP Grammy get-a-way experience includes 2 “Platinum” tickets for the 54th Annual Grammy Awards telecast at Staples Center in February 2012. Platinum level tickets are reserved for celebrities, sponsors and VIP guests – the only better seats in the house are those of the nominees and presenters themselves.
    [Show full text]
  • 2010 16Th Annual SAG AWARDS
    CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt.
    [Show full text]
  • Finery at Vinery
    SOUTHEAST ALABAMA FLORIDA GEORGIA MISSISSIPPI NORTH CAROLINA SOUTH CAROLINA TENNESSEE Finery SOUTHEAST at Vinery In This Section LEADING SIRES IN FLORIDA BY 2011 PROGENY EARNINGS Florida training center under LEADING SIRES IN FLORIDA Ian Brennan sends out winners in bunches BY 2011 WINNERS BY LENNY SHULMAN ometimes it pays to be contrarian. While other operations have contracted over Advertisers’ the past few years, Tom Simon’s Vinery has gotten aggressive. It has supported Index Sits young stallions More Than Ready and Congrats and turned them into major success stories; it has enhanced its racing stable and come up with horses such as Kodiak Kowboy, a NATC champion in both the United States and Canada who 687 WWW.NATC.CC has now joined the Vinery stallion roster; and last year Vinery made its debut as a consignor of 2-year- VINERY SOUTH olds in training at various juvenile auctions. 689 WWW.VINERY.COM To achieve such success takes coordination among WINNING IMAGES PHOTOGRAPHY/JOSEPH DIORIO PHOTOS Ian Brennan directs Vinery's successful Florida training center 686 BloodHorse.com ■ MARCH 12, 2011 37% of our 2010 Graded Stakes Winning Graduates Won Grade I Stakes “From 2004-2008 buyers purchased 2,310 runners as juveniles for $100,000 or more. An impressive 14% went on to become stakes winners with 26% earning black type..” -The Blood-Horse MarketWatch, Feb. 2011 DAKOTA PHONE-G1 WICKEDLY PERFECT-G1 DEVIL MAY CARE-G1 Find your next Graded Stakes Winner at an upcoming Two-Year-Olds in Training Sale Mar. 15-16 OBS Selected Sale, Ocala, FL Mar.
    [Show full text]