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Folk Roots, Urban Roots
Thursday 13 December 2018 7.30–9.55pm Barbican Hall LSO SEASON CONCERT FOLK ROOTS, URBAN ROOTS Bartók Hungarian Peasant Songs Szymanowski Harnasie Interval Stravinsky Ebony Concerto Osvaldo Golijov arr Gonzalo Grau Nazareno Bernstein Prelude, Fugue and Riffs ROOTS & Sir Simon Rattle conductor Edgaras Montvidas tenor Chris Richards clarinet Katia and Marielle Labèque pianos Gonzalo Grau percussion Raphaël Séguinier percussion London Symphony Chorus ORIGINS Simon Halsey chorus director In celebration of the life of Jeremy Delmar-Morgan Streamed live on youtube.com/lso Recorded by BBC Radio 3 for broadcast on Tuesday 18 December Welcome Jeremy Delmar-Morgan In Memory 1941–2018 We are also delighted to welcome Katia and Jeremy Delmar-Morgan was a member of Marielle Labèque, who perform Nazareno, the LSO Advisory Council for over 20 years, a double piano suite drawn from Osvaldo a Director of LSO Ltd from 2002 to 2013, and Golijov’s La Pasión según San Marco, thereafter a Trustee of the LSO Endowment arranged by Gonzalo Grau, who appears Trust. He was also Honorary President of alongside Raphaël Séguinier as one of this the Ronald Moore Sickness and Benevolent evening’s percussion soloists. We then close Fund, where he brought invaluable advice with Prelude, Fugue and Riffs by the LSO’s to the LSO musicians on the investment former President, Leonard Bernstein, with strategy for the fund. After studying LSO Principal Clarinet Chris Richards as soloist. medicine at Cambridge he went into the City for a career in stock-broking, latterly elcome to this LSO concert at Tonight’s concert is performed in combining the two in the financing of the Barbican. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Human Requiem (U.S
Sunday, October 16, 2016, at 7:30 pm Tuesday–Wednesday, October 18–19, 2016, at 7:30 pm Post-performance discussion on Tuesday, October 18 with Simon Halsey, Jochen Sandig, and Patrick Castillo human requiem (U.S. premiere) Rundfunkchor Berlin Simon Halsey , Conductor Marlis Petersen , Soprano Konrad Jarnot , Baritone Angela Gassenhuber , Piano Philip Mayers , Piano Nicolas Fink , Co-Conductor Jochen Sandig , Concept and Scenic Realization Brad Hwang , Spatial Concept Jörg Bittner , Lighting BRAHMS Ein deutsches Requiem for soloists, chorus, and piano four hands (1868/2004) Arranged by Phillip Moll from the original transcription by Brahms Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten This performance is approximately 70 minutes long without intermission. Please join the artists for a White Light Lounge immediately following the performance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain all your electronic devices Synod House, are switched off. Cathedral of St. John the Divine WhiteLightFestival.org MetLife is the National Sponsor of Lincoln Center. UPCOMING WHITE LIGHT FESTIVAL EVENTS: Artist Catering provided by Zabar’s and Zabars.com Friday, October 21 at 7:30 pm in the Church of St. Mary the Virgin American Airlines is the Official Airline of Lincoln Immortal Bach Center Rundfunkchor Berlin -
Operaharmony
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too . -
London's Symphony Orchestra
London Symphony Orchestra Living Music Thursday 12 May 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT: LEIF OVE ANDSNES Schumann Piano Concerto INTERVAL Beethoven Symphony No 9 (‘Choral’) Michael Tilson Thomas conductor Leif Ove Andsnes piano Lucy Crowe soprano London’s Symphony Orchestra Christine Rice mezzo-soprano Toby Spence tenor Iain Paterson bass London Symphony Chorus Simon Halsey chorus director Concert finishes approx 9.50pm Supported by Baker & McKenzie 2 Welcome 12 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance BMW LSO OPEN AIR CLASSICS 2016 at the Barbican. This evening we are joined by Michael Tilson Thomas for his first concert since the The fifth annual BMW LSO Open Air Classics announcement of his appointment as LSO Conductor concert will take place on Sunday 22 May at 6.30pm. Laureate from September 2016, in recognition of Conducted by Valery Gergiev, the LSO will perform his wonderful music-making with the LSO and his an all-Tchaikovsky programme in London’s Trafalgar extraordinary commitment to the Orchestra. We are Square, free and open to all. delighted that his relationship with the LSO will go from strength to strength. lso.co.uk/openair This evening is the second concert in our LSO Artist Portrait series, focusing on pianist Leif Ove Andsnes. LSO AT THE BBC PROMS 2016 Following his performance of Mozart’s Piano Concerto No 20 on Sunday, he returns to play Schumann’s The LSO will be returning to this year’s BBC Proms at Piano Concerto. The Orchestra is also joined this the Royal Albert Hall for a performance of Mahler’s evening by the London Symphony Chorus, led by Symphony No 3 on 29 July. -
Sir Colin Davis Anthology Volume 1
London Symphony Orchestra LSO Live Sir Colin Davis Anthology Volume 1 Sir Colin Davis conductor Colin Lee tenor London Symphony Chorus London Symphony Orchestra Hector Berlioz (1803–1869) – Symphonie fantastique, Op 14 (1830–32) Recorded live 27 & 28 September 2000, at the Barbican, London. 1 Rêveries – Passions (Daydreams – Passions) 15’51’’ Largo – Allegro agitato e appassionato assai – Religiosamente 2 Un bal (A ball) 6’36’’ Valse. Allegro non troppo 3 Scène aux champs (Scene in the fields) 17’16’’ Adagio 4 Marche au supplice (March to the Scaffold) 7’02’’ Allegretto non troppo 5 Songe d’une nuit de sabbat (Dream of the Witches’ Sabbath) 10’31’’ Larghetto – Allegro 6 Hector Berlioz (1803–1869) – Overture: Béatrice et Bénédict, Op 27 (1862) 8’14’’ Recorded live 6 & 8 June 2000, at the Barbican, London. 7 Hector Berlioz (1803–1869) – Overture: Les francs-juges, Op 3 (1826) 12’41’’ Recorded live 27 & 28 September 2006, at the Barbican, London. Hector Berlioz (1803–1869) – Te Deum, Op 22 (1849) Recorded live 22 & 23 February 2009, at the Barbican, London. 8 i. Te Deum (Hymne) 7’23’’ 9 ii. Tibi omnes (Hymne) 9’57’’ 10 iii. Dignare (Prière) 8’04’’ 11 iv. Christe, Rex gloriae (Hymne) 5’34’’ 12 v. Te ergo quaesumus (Prière) 7’15’’ 13 vi. Judex crederis (Hymne et prière) 10’20’’ 2 Antonín Dvořák (1841–1904) – Symphony No 9 in E minor, Op 95, ‘From the New World’ (1893) Recorded live 29 & 30 September 1999, at the Barbican, London. 14 i. Adagio – Allegro molto 12’08’’ 15 ii. Largo 12’55’’ 16 iii. -
PRESS RELEASE City of Birmingham Symphony Orchestra Announces
PRESS RELEASE 30 July 2018 City of Birmingham Symphony Orchestra announces appointment of new conductor for the CBSO Children’s Chorus ahead of its 25th anniversary in 2019 The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce that Ula Weber has been appointed as the conductor of the CBSO Children’s Chorus ahead of its 25th anniversary in 2019. A trained choral conductor and former primary school teacher, Ula Weber has been involved with many of the CBSO’s Learning & Participation projects and is the regular conductor of SO Vocal, the CBSO’s 200-strong community choir. Within Birmingham and the surrounding areas, she conducts a number of choirs, including the Birmingham City Council Choir, and performs with renowned choir Ex-Cathedra. She has also been one of Ex Cathedra’s lead education vocal tutors and co-created its award-winning Singing Playgrounds project. She is also founder of the National Teacher’s Choir, co-founder of music education organisation Vocal.Point, and Musical Director of Birmingham-based Echo Doliny, the National Polish Folk Choir of Great Britain. Ula Weber was selected following a seven-month search for a new conductor, providing each of the final candidates with the opportunity to work with the CBSO Children’s Chorus to prepare them for a specific performance. Ula’s appointment has been made based on the musical and vocal attainment of the chorus during her trial period. Ula Weber comments: “I’m thrilled to be the new conductor of the CBSO Children’s Chorus and I look forward to working with the children and indeed, the whole of the CBSO family. -
PRESS RELEASE 27 April 2017
PRESS RELEASE 27 April 2017 City of Birmingham Symphony Orchestra announces its 2017-18 Concert Season at Symphony Hall, Birmingham • Mirga Gražinytė-Tyla to conduct an ambitious series of 26 concerts, working with the whole CBSO family, curating an internationally-significant Debussy Festival in March 2018, and conducting his opera Pelléas et Mélisande • Clarinettist, composer and conductor Jörg Widmann is Artist in Residence for the season • A strengthened commitment to new music with six premieres, including the world premiere of Gerald Barry’s Organ Concerto conducted by Thomas Adès • The CBSO Chorus performs Haydn’s The Creation, Fauré’s Requiem and works by Lili Boulanger with Mirga Gražinytė-Tyla • BBC Young Musician 2016 Sheku Kanneh-Mason makes his CBSO debut conducted by Mirga Gražinytė-Tyla • Debut artists include Yeol Eum Son, Ning Feng, Rafal Blechacz, Xavier de Maistre, Jérémie Rhorer, Constantinos Carydis, Joana Mallwitz and Leo McFall. • Friday Night Classics concerts include the music of David Bowie, Abba, Star Wars, and the Best of Bollywood • The CBSO continues to offer accessible world class music for all, with an additional 1700 tickets available under £25, and tickets for young audiences from just £6 The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce its 2017-18 Concert Season at Symphony Hall, Birmingham. 'One of Europe's best orchestras' (The Economist, 2016), the CBSO is a cultural flagship organisation for the Midlands and every year shares its world-class music- making with over 200,000 concertgoers in Birmingham, around the UK and worldwide. Led by Osborn Music Director Mirga Gražinytė-Tyla (‘conducting’s next superstar’ The Telegraph) the CBSO’s 2017- 18 season shares the talents and ambition of the entire CBSO family of ensembles with the widest possible audience. -
Beethoven Mass in C (1807) Ludwig Van Beethoven (1770–1827) Masses from 1804 to 1806
LSO Live LSO Live LSO Live captures exceptional performances from the finest musicians using the latest high-density recording technology. The result? Sensational sound quality and definitive interpretations combined with the energy and emotion that you can only experience live in the concert hall. LSO Live lets everyone, everywhere, feel the excitement in the world’s greatest music. For more information visit lso.co.uk Beethoven LSO Live témoigne de concerts d’exception, donnés par les musiciens les plus remarquables et restitués grâce aux techniques les plus modernes de Mass in C l’enregistrement haute-définition. La qualité sonore impressionnante entourant Sir Colin Davis ces interprétations d’anthologie se double de l’énergie et de l’émotion que seuls les concerts en direct peuvent offrit. LSO Live permet à chacun, en toute Sally Matthews circonstance, de vivre cette passion intense au travers des plus grandes oeuvres Sara Mingardo du répertoire. Pour plus d’informations, rendez-vous sur le site lso.co.uk John Mark Ainsley LSO Live fängt unter Einsatz der neuesten High-Density Aufnahmetechnik Alastair Miles außerordentliche Darbietungen der besten Musiker ein. Das Ergebnis? London Symphony Chorus Sensationelle Klangqualität und maßgebliche Interpretationen, gepaart mit der Energie und Gefühlstiefe, die man nur live im Konzertsaal erleben kann. London Symphony Orchestra LSO Live lässt jedermann an der aufregendsten, herrlichsten Musik dieser Welt teilhaben. Wenn Sie mehr erfahren möchten, schauen Sie bei uns herein: lso.co.uk LSO0594 -
Classical Music
2020– 21 2020– 2020–21 Music Classical Classical Music 1 2019– 20 2019– Classical Music 21 2020– 2020–21 Welcome to our 2020–21 Contents Classical Music season. Artists in the spotlight 3 We are committed to presenting a season unexpected sounds in unexpected places across Six incredible artists you’ll want to know better that connects audiences with the greatest the Culture Mile. We will also continue to take Deep dives 9 international artists and ensembles, as part steps to address the boundaries of historic Go beneath the surface of the music in these themed of a programme that crosses genres and imbalances in music, such as shining a spotlight days and festivals boundaries to break new ground. on 400 years of female composition in The Ghosts, gold-diggers, sorcerers and lovers 19 This year we will celebrate Thomas Adès’s Future is Female. Travel to mystical worlds and new frontiers in music’s 50th birthday with orchestras including the Together with our resident and associate ultimate dramatic form: opera London Symphony Orchestra, Britten Sinfonia, orchestras and ensembles – the London Los Angeles Philharmonic, The Cleveland Symphony Orchestra, BBC Symphony Awesome orchestras 27 Orchestra and Australian Chamber Orchestra Orchestra, Britten Sinfonia, Academy of Ancient Agile chamber ensembles and powerful symphonic juggernauts and conductors including Sir Simon Rattle, Music, Los Angeles Philharmonic and Australian Choral highlights 35 Gustavo Dudamel, Franz Welser-Möst and the Chamber Orchestra – we are looking forward Epic anthems and moving songs to stir the soul birthday boy himself. Joyce DiDonato will to another year of great music, great artists and return to the Barbican in the company of the great experiences. -
The Houston Symphony Chorus TENTATIVE 2021- 2022 Season Calendar TENTATIVE
The Houston Symphony Chorus Betsy Cook Weber, director Scott Holshouser, pianist Anna Diemer, principal vocal and diction coach Julia FitzGerald, interim chorus manager Tony Sessions, chorus librarian and stage manager TENTATIVE 2021- 2022 Season Calendar TENTATIVE (Everything about this coming season is subject to change.) Revised 7/5/21 TENTATIVE, SUBJECT TO CHANGE Andrea Bocelli Number of Singers: 60 Choral Preparation: Julia Hall Conductor: TBA Regular Rehearsals from 7 – 10 pm; one absence is allowed before an ITS is required. Location: Trinity Lutheran Church; 1316 Washington Ave. 77007. Monday, October 11 Wednesday, October 13 Thursday, October 14 Friday, October 15 Monday, October 18 Wednesday, October 20 ITS (Independent Testing Session) Wednesday, October 20, from 5 – 6:30 pm by appointment Orchestra Rehearsal (mandatory) Thursday, October 21; call 3:45 pm at Toyota Center downtown Performance (mandatory) Thursday, October 21; call 7:15 pm at Toyota Center downtown Note: Performers should plan on staying at Toyota Center from 3:45 pm on October 21 until the conclusion of the performance; dinner will be provided. TENTATIVE, SUBJECT TO CHANGE Messiah Number of Singers: 60 Choral Preparation: Janwin Overstreet-Goode Conductor: Bernard Labadie Regular Rehearsals: Tuesday evenings from 7 – 10 pm; one absence is allowed before an ITS is required. Location: Trinity Lutheran Church; 1316 Washington Ave. 77007. Tuesday, October 5 Tuesday, October 12 Tuesday, October 19 Tuesday, October 26 Tuesday, November 2 Tuesday, November 9 Tuesday, November 16 Tuesday, November 23 Tuesday, November 30 ITS (Individual Testing Session for those singers who miss more than one rehearsal) Tuesday, November 30, 5 – 6:30 pm by appointment. -
BCAS 11770 Nov 2019 Program Rev5 .Indd
ANTHONY BLAKE CLARK Music Director Choral Arts ON T UR! An American Suite: From Billings to Bernstein SUNDAY, NOVEMBER 3, 2019 Saturday, March 11, 2017 Baltimore Choral Arts Society Anthony Blake Clark 54th Season: 2019-20 Sunday, November 3, 2019 at 3 pm Shriver Hall Auditorium, The Johns Hopkins University, Homewood Campus An American Suite: From Billings to Bernstein The 23rd Annual Ruth Blaustein Rosenberg Concert Anthony Blake Clark, conductor Leo Wanenchak, associate conductor, organist & pianist The Baltimore Choral Arts Chorus Evening Hymn Henry Balfour Gardiner Laudes Organi Zoltán Kodály Intermission An American Suite curated by Anthony Blake Clark Invocations William Billings Hark, I Hear the Harps Eternal Traditional, arr. Alice Parker Grace Before Sleep Susan LaBarr Stars Eriks¯ Ešenvalds The Composer David Conte Higher Ground [world premiere] Anthony Blake Clark MLK Bono, arr. Bob Chilcott Zion’s Walls Aaron Copland “Make Our Garden Grow” from Candide Leonard Bernstein 2 This concert is made possible in part by a generous contribution from the Henry and Ruth Blaustein Rosenberg Foundation, Inc. Additional support is provided in memory of Tanya Bendit through the Bendit Foundation, Inc., a supporting foundation of The Associated: Jewish Community Federation of Baltimore. The Baltimore Choral Arts Society is supported in part by the Maryland State Arts Council (msac.org). Our concerts are also made possible in part by the Citizens of Baltimore County and Mayor Jack Young and the Baltimore Office of Promotion and the Arts. Our media sponsor for this performance is Please turn the pages quietly, and please turn off all electronic devices during the concert.