ED 283 504 AUTHOR REPORT-NO AVAILABLE from DESCRIPTORS ABSTRACT DOCUMENT RESUME the Educators' Handbook to Interactive Videodisc
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Laurence Hobgood
Laurence Hobgood "One of the *inest pianists out there. Period." --All About Jazz “ . one of the most incredible pianists I’ve ever heard.” --Dave Brubeck "Welcome to a new piano star . Laurence Hobgood . --The Independent (UK) Best known for his collaboration with vocalist Kurt Elling, multiple Grammy-nominee and 2010 Grammy-winner Laurence Hobgood has enjoyed a multi-faceted and dynamic career. Musical Director for Elling since 1995, he’s played on, composed, arranged and co-produced all of Elling’s CDs (six for Blue Note and three for Concord), each Grammy- nominated. 2009’s Dedicated To You: Kurt Elling Sings The Music Of Coltrane and Hartman, recorded live at Lincoln Center, won the 2010 Grammy Award for Best Vocal Jazz Record. Hobgood began formal piano study at age six in Dallas, Texas, where his father was Chairman of the Southern Methodist University theatre program. At age 12, he was introduced to gospel and blues through his family's church. Several years later, after moving to Illinois, he began formal training in jazz. He attended the University of Illinois, where he played for three years in the "A" jazz ensemble led by John Garvey. During that time his classical study continued with Ian Hobson. After moving to Chicago in 1988, he established a local presence leading his own quintet and joining forces with some of Chicago's premier players, including Ed Peterson, Fareed Haque, and most importantly seven-time Grammy Award-winning drummer, Paul Wertico. The group, Trio New, with Hobgood, Wertico, and bassist Eric Hochberg, played to critical acclaim and established a serious connection with Wertico that spans many projects and ensembles. -
AM-05-Sheetmusic.Pdf
SHEET music SHEET MUSIC 27 America the Beautiful At Last (from Cadillac Records) SHEET MUSIC Words by Katherine Lee Bates, music by Samuel A. Ward Music by Harry Warren, lyric by Mack Gordon / recorded by Beyoncé Piano/Vocal/Chords ...............................$3.95 00-PVM01132____ Piano/Vocal/Chords ...............................$3.95 00-32178____ Numeric American Honey Arr. Dan Coates Words and music by Cary Barlowe, Shane Stevens, and Hillary Easy Piano ..............................................$3.95 00-32552____ 8th of November Lindsey / recorded by Lady Antebellum August Rush (Piano Suite) (from August Rush) Recorded by Big & Rich Piano/Vocal/Chords ...............................$3.99 00-34678____ Composed by Mark Mancina / arr. Dave Metzger Piano/Vocal/Chords ...............................$3.95 00-26211____ An American in Paris Advanced Piano Solo .............................$3.95 00-29201____ 21 Guns By George Gershwin / paraphrased by Maurice C. Whitney Auld Lang Syne Sheet Music Lyrics by Billie Joe, music by Green Day / recorded by Green Day / Advanced Piano Solo .............................$4.95 00-PS0004____ (from the motion picture Sex and the City) arr. Carol Matz Transcr. William Daly Traditional / arr. Mairi Campbell and Dave Francis / Easy Piano ..............................................$3.95 00-34018____ Advanced Piano Solo ...........................$14.95 00-0092B____ as recorded by Mairi Campbell and Dave Francis 10,000 Reasons (Bless the Lord) An American in Paris (Blues Theme) Piano/Vocal/Chords ...............................$3.95 00-31853____ Words and music by Matt Redman and Jonas Myrin / By George Gershwin / performance miniature transcr. and arr. Ave Maria and Prelude No. 1 recorded by Matt Redman Jan Thomas Ave Maria by Johann Sebastian Bach / Charles François Gounod, Piano/Vocal/Guitar ................................$3.99 00-39445____ Easy Piano Solo ......................................$3.50 00-PS0350____ Prelude No. -
Chance, Luck and Statistics : the Science of Chance
University of Calgary PRISM: University of Calgary's Digital Repository Alberta Gambling Research Institute Alberta Gambling Research Institute 1963 Chance, luck and statistics : the science of chance Levinson, Horace C. Dover Publications, Inc. http://hdl.handle.net/1880/41334 book Downloaded from PRISM: https://prism.ucalgary.ca Chance, Luck and Statistics THE SCIENCE OF CHANCE (formerly titled: The Science of Chance) BY Horace C. Levinson, Ph. D. Dover Publications, Inc., New York Copyright @ 1939, 1950, 1963 by Horace C. Levinson All rights reserved under Pan American and International Copyright Conventions. Published in Canada by General Publishing Company, Ltd., 30 Lesmill Road, Don Mills, Toronto, Ontario. Published in the United Kingdom by Constable and Company, Ltd., 10 Orange Street, London, W.C. 2. This new Dover edition, first published in 1963. is a revised and enlarged version ot the work pub- lished by Rinehart & Company in 1950 under the former title: The Science of Chance. The first edi- tion of this work, published in 1939, was called Your Chance to Win. International Standard Rook Number: 0-486-21007-3 Libraiy of Congress Catalog Card Number: 63-3453 Manufactured in the United States of America Dover Publications, Inc. 180 Varick Street New York, N.Y. 10014 PREFACE TO DOVER EDITION THE present edition is essentially unchanged from that of 1950. There are only a few revisions that call for comment. On the other hand, the edition of 1950 contained far more extensive revisions of the first edition, which appeared in 1939 under the title Your Chance to Win. One major revision was required by the appearance in 1953 of a very important work, a life of Cardan,* a brief account of whom is given in Chapter 11. -
Baird Industrials Conference
Baird Industrials Conference Omar Asali, Chairman and Chief Executive Officer 0 Deliver A Better World TM Deliver A Better World TM Disclaimer CAUTION ABOUT FORWARD-LOOKING STATEMENTS This presentation contains “forward-looking statements” within the meaning of Section 27A of the Securities Act of 1933, as amended (the “Securities Act”), and Section 21E of the Securities Exchange Act of 1934, as amended (the “Exchange Act”). Our forward-looking statements include, but are not limited to, statements regarding our or our management team’s expectations, hopes, beliefs, intentions or strategies regarding the future. Statements that are not historical facts, including statements about the parties, perspectives and expectations, are forward-looking statements. In addition, any statements that refer to estimates, projections, forecasts or other characterizations of future events or circumstances, including any underlying assumptions, are forward- looking statements. The words “anticipate,” “believe,” “continue,” “could,” “estimate,” “expect,” “forecast,” “intend,” “may,” “might,” “plan,” “possible,” “potential,” “predict,” “project,” “should,” “would” and similar expressions may identify forward-looking statements, but the absence of these words does not mean that a statement is not forward-looking. Forward-looking statements in this presentation may include, for example, statements about: our expectations around the performance of the business; our success in retaining or recruiting, or changes required in, our officers, key employees or directors following our initial business combination; our officers and directors allocating their time to other businesses and potentially having conflicts of interest with our business; our public securities’ potential liquidity and trading; the lack of a market for our securities. The forward-looking statements contained in this presentation based on our current expectations and beliefs concerning future developments and their potential effects on us taking into account information currently available to us. -
Multimedia Systems DCAP303
Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards. -
How Complicated Can Structures Be? NAW 5/9 Nr
1 1 Jouko Väänänen How complicated can structures be? NAW 5/9 nr. 2 June 2008 117 Jouko Väänänen University of Amsterdam Plantage Muidergracht 24 1018 TV Amsterdam The Netherlands [email protected] How complicated can structures be? Is there a measure of how ’close’ non-isomorphic mathematical structures are? Jouko functions f : N → N endowed with the topolo- Väänänen, professor of logic at the Universities of Amsterdam and Helsinki, shows how con- gy of pointwise convergence, where N is given temporary logic, in particular set theory and model theory, provides a vehicle for a meaningful the discrete topology. discussion of this question. As the journey proceeds, we accelerate to higher and higher We can now consider the orbit of an arbi- cardinalities, so fasten your seatbelts. trary countable structure under all permuta- tions of N and ask how complex this set is By a structure we mean a set endowed with a eyes of the difficult uncountable structures. in the topological space N. If the orbit is a finite number of relations, functions and con- New ideas are needed here and a lot of work closed set in this topology, we should think of stants. Examples of structures are groups, lies ahead. Finally we tie the uncountable the structure as an uncomplicated one. This fields, ordered sets and graphs. Such struc- case to stability theory, a recent trend in mod- is because the orbit being closed means, in tures can have great complexity and indeed el theory. It turns out that stability theory and view of the definition of the topology, that the this is a good reason to concentrate on the the topological approach proposed here give finite parts of the structure completely deter- less complicated ones and to try to make similar suggestions as to what is complicated mine the whole structure, as is easily seen to some sense of them. -
Joseph Quillan Biography
Joseph Quillan Biography Joseph Quillan’s memories of his childhood, always focus around three things, nature, animals and art. Joseph was lucky enough as a child to grow up with a large pond behind his parents home and remembers shaping the mud and grasses to look like the animals of the pond. Turtles, frogs, ducks and even the fish in the pond became the subjects of his budding sculpture career. He would scoop pollywogs out of one pond into a smaller adjacent pond, coming back each day to check out how his new friends and captives had changed overnight. When he wasn’t playing in the mud, Joseph drew the many creatures that visited the pond. He created a large goose out of wood in hopes of attracting some geese to the pond, but he learned that at times, even the hardest of effort did not bring the wished for outcome, as no geese ever came to his pond. As a child, Joseph discovered that being an artist was easy for him. Even though everything in his young life revolved around creat- ing, drawing and nature, he never would have dreamed at the time of being a “real” artist. “In my Catholic grade school, I would draw all day long creating dozens of images of animals, dinosaurs and friends. When I went out to recess, the nuns would search my desk and throw all of the drawings away. But of course, when there was a local art competition between schools, they would make sure to enter me to represent St. -
Cemetery Without Cro
VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO VIDEO ARROW ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO 1 ARROW VIDEO VIDEO VIDEO VIDEO ARROW VIDEO CEMETERY WITHOUT CROSSES (aka UNE CORDE UN COLT… / CIMITERO SENZA CROCI) MICHÈLE MERCIER ... Maria Caine Directed by ROBERT HOSSEIN ROBERT HOSSEINARROW ... Manuel Produced by JEAN-PIERRE LABATUT GUIDO LOLLOBRIGIDA (credited as LEE BURTON) ... Thomas Caine WrittenVIDEO by ROBERT HOSSEIN and CLAUDE DESAILLY DANIEL VARGAS ... Will Rogers (and DARIO ARGENTO [Italian version only]) VIDEO SERGE MARQUAND ... Larry Rogers Director of Photography HENRI PERSIN PIERRE HATET ... Frank Rogers Edited by MARIE-SOPHIE DUBUS PHILIPPE BARONNET ... Bud Rogers Music by ANDRÉ HOSSEIN PIERRE COLLET ... Sheriff Ben ARROW IVANO STACCIOLI ... Vallee ‘The RopeVIDEO and the Colt’ BÉATRICE ALTARIBA ... Saloon woman Music by ANDRÉ HOSSEIN VIDEOMICHEL LEMOINE ... Eli Caine Lyrics by HAL SHAPER ANNE-MARIE BALIN ... Johanna Sung by SCOTT WALKER ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO VIDEO ARROW ARROW VIDEO VIDEO 2 3 ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO VIDEO ARROW ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW WESTERN WITHOUT AMERICANS (2015) VIDEO 4 THE MOVIEGOING SCOTT WALKER (2015) CONTENTS by Ginette Vincendeau ARROW CREDITS ABOUT THE RESTORATION VIDEO 2 by Rob Young 6 18 VIDEO 22 5 VIDEO VIDEO ARROW VIDEO Scott Walker: ‘The Rope and the Colt’ however was written, like the rest of the film’s WESTERN WITHOUT AMERICANS (2015) music, by Hossein’s father, the composer André Hossein. -
Mi M®, 7273 the FUNCTION of ORAL TRADITION in MARY LOU's MASS by MARY LOU WILLIAMS THESIS Presented to the Graduate Counci
37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 Fledderus, France. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. Master of Music (Musicology), August, 1996,141 pp., 44 titles. The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of Williams, discussed in the context of her musical aesthetics, this thesis investigates the elements of conventional mass settings and oral tradition found in Mary Lou's Mass. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
The Godless Girl 1928
Cecil B. De Mille’s THE GODLESS GIRL 1928 CAST Judy: Lina Basquette Mame: Marie Prevost Bob: George Duryea The Head Guard: Noah Beery The "Goat": Eddie Quillan The Victim: Mary Jane Irving Matrons: Hedwig Reicher Kate Price CREW Production: Cecil B. De Mille Titles: Beulah Marie Dix Jeanie Macpherson Cinematography: Peverell Marley Film Editing: Anne Bauchens Art Direction: Mitchell Leisen Costume Design: Adrian Assistant Directors: Curt Rehfeld Frank Urson Art Department: Roy Burns Additional Photographers: Franklin McBride Fred Westerberg Black and white print with tinted sequence. Restored from De Mille’s personal nitrate print by George Eastman House. Duration: 118 minutes plus interval Projection Speed: 24fps Aperture: Full Music: (32 Players) Carl Davis LIVE CINEMA THE GODLESS GIRL Few filmmakers have been better known to the public than Cecil B De Mille. One of the founders of Hollywood, he remained a leader of the industry for more than forty years. It was his name, even more than those of his stars, which guaranteed the public would flock to each new offering and made him the most successful di- rector in Hollywood history. De Mille’s name conjures images of Moses parting the Red Sea or Samson top- pling a temple. Yet there was much more to De Mille than these familiar biblical epics. Of the 70 films he directed, the majority were made before the coming of sound and they reveal a vastly different filmmaker. Confidently developing alongside his young art, he is willing to tackle social problems, examine sexual re- lations with a modern eye and never scared to reveal the darker aspects of hu- man nature. -
Catalog: Ebro Professional Data Logger
Professional Data Logger FOR VALIDATION, ROUTINE CONTROL AND PROCESS MONITORING MEDICINE FOOD PHARMACEUTICAL LABORATORY 2020 New Products SL 2002 Complete Validation Set AL 3305 DAC Adapter Set SL 3302 Complete Validation Set see page 50 see page 52 see page 53 You can find more catalogues on our website: Professionelle Datenlogger Professionelle Messtechnik Professional Measurement Technology (Part No. 1347-0090) (Part No. 1347-0088) (Part No. 1347-0089) If you would like to receive further catalogue copies please send your request via e-mail to [email protected] www.ebro.com Measurements for Life KompetenzCentrum ebro® Theory and practice combined are the key to our successful transfer. Our instructors are all experts in their own fields. The aim is to achieve an in-depth understanding of hardware and software alike. Seminar program 2020 03.03.2020 Basic Training: Software 29.10.2020 25.03. – 26.03.2020 Validation DAC-Universal MK III and 27.10. – 28.10.2020 MK IV 20.04. – 25.04.2020 Validation training VALI B corresponding 21.09. – 26.09.2020 to the framework curriculum of the DGSV Seminar location: Ingolstadt, Germany 05.05.2020 Advanced course measurement 20.10.2020 technology for food control 27.05.2020 Basic Training: practice workshop validation 24.06. – 25.06.2020 System validation in the hospital and in the resident field (Basic course) 13.07. – 15.07.2020 Validation Basic Training for Distributors 14.09. – 16.09.2020 and their costumers Information: Further dates on request. Requirement: 6 participants at least English spoken seminar German spoken seminar You can find the current program on our homepage www.ebro.com/en/training Booking before and February 29th 2020 you can avail of an early bird discount of 20 % Xylem Analytics Germany Sales GmbH & Co.