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Jazz Celebration Weekend Welcomes Kurt Elling Quartet, Maria Schneider Orchestra Lawrence University
Lawrence University Lux Press Releases Communications 10-26-2012 Jazz Celebration Weekend Welcomes Kurt Elling Quartet, Maria Schneider Orchestra Lawrence University Follow this and additional works at: http://lux.lawrence.edu/pressreleases © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Jazz Celebration Weekend Welcomes Kurt Elling Quartet, Maria Schneider Orchestra" (2012). Press Releases. Paper 412. http://lux.lawrence.edu/pressreleases/412 This Press Release is brought to you for free and open access by the Communications at Lux. It has been accepted for inclusion in Press Releases by an authorized administrator of Lux. For more information, please contact [email protected]. Jazz Celebration Weekend Welcomes Kurt Elling Quartet, Maria Schneider Orchestra Posted on: October 26th, 2012 by Rick Peterson It’s encore time for two multi-award winning artists making return appearances at Lawrence University for the college’s 32nd annual Jazz Celebration Weekend. The Grammy Award-winning Kurt Elling Quartet opens the two- concert weekend Friday, Nov. 2 with the world-renowned Maria Schneider Orchestra closing the weekend Saturday, Nov. 3. Both concerts begin at 7:30 p.m. in the Lawrence Memorial Chapel. 13-Time Male Vocalist of the Year Winner Kurt Elling No less an authority than the New York Times has hailed Elling as “the standout male vocalist of our time.” He will combine his vocal virtuosity with the talents of the Lawrence University Jazz Ensemble. In addition to a 2009 Grammy Award for his “Dedicated To You: Kurt Elling Sings The Music Of Coltrane And Hartman” CD, Elling has won the DownBeat Critics Poll “Male Vocalist of the Year” Award an unprecedented 13 years in a row (2000-2012). -
Sing It and Swing It ! Incorporating Vocal Jazz Into Your Choral Program Presented by April Tini MSVMA Summer Workshop 2018
Sing It and Swing It ! Incorporating vocal jazz into your choral program Presented by April Tini MSVMA Summer Workshop 2018 ELEMENTS OF A SUCCESSFUL VOCAL JAZZ PROGRAM: The vocal ensemble - auditions, size of group, parts/voicing, sound, style Repertoire The rehearsal and preparation process The sound system The rhythm section The jazz soloist Improvisation Targeted Listening TODAY’S WORKSHOP DEMO VOCAL EXAMPLES: VJ Warmups, swing feel, straight tone, soloist, improv basics VOCAL JAZZ EVENTS AND EXPERTS THROUGHOUT THE STATE: • MDJW - Metro Detroit Jazz Workshop/Vocal Workshop - Detroit, July 2019; www.helpwithjazz.com or facebook page. Scott Gwinell, Director • Michigan Jazz Festival - July 2019, Schoolcraft College; 7 stages, live jazz, free • Detroit Jazz Festival - Labor Day Weekend, Downtown Detroit Rivefront • DJF Youth Vocal Competition - Detroit Jazz Festival Affiliation; for your soloists! • Detroit Music Hall - Regular Sunday night jam sessions, 6 PM, led by Scott Gwinell • Detroit Music Hall Educational Outreach Program - clinicians available to come to your school and offer workshops, masterclasses www.musichall.org • GCIVJF - Gold Company Invitational Vocal Jazz Festival, Greg Jasperse, director, March 2019, annually; exceptional vje experience for students and teachers • CLINICIANS to help your students (within our state): Duane Davis - Grand Rapids area Jed Scott - Grand Rapids, Grand Rapids Community College Greg Jasperes - Kalamazoo, WMU Gold Company Sunny Wilkinson - East Lansing area Scott Gwinell - Detroit area and -
Contact: Lydia Penningroth [email protected] 312-957-0000
Contact: Lydia Penningroth [email protected] 312-957-0000 FOR IMMEDIATE RELEASE Chicago Philharmonic Chamber Players Present the Best of Gershwin and Bernstein Chicago, IL – (January 5, 2017) The Chicago Philharmonic Chamber Players (cp2) explore iconic Broadway classics and early cinema hits by Gershwin, Bernstein, Kerns, Rogers and Hammerstein, Cole Porter, and more at City Winery Chicago (1200 W Randolph St, Chicago.) An accomplished, inventive cp2 quintet performs selections from the beloved American hits such as “Porgy and Bess” and “West Side Story.” Doors open at 11:00 A.M., and brunch will be available for purchase before and during the performance. Casual attire is encouraged. Broadway on Randolph Music of Gershwin and Bernstein Sunday, January 15, 2017, Noon City Winery Chicago (1200 W Randolph St, Chicago) Bill Denton, trumpet Ed Harrison, vibraphone and percussion Pete Labella, piano Collins Trier, bass Eric Millstein, drums “Different Folks” is the first concert in the Chicago Philharmonic Chamber Players (cp2) Spring 2017 Series at City Winery Chicago. Other concerts in this series include Sounds of Change (February 19) and Mozart & Mimosas (March 19). About The Chicago Philharmonic Society The Chicago Philharmonic Society is a collaboration of over 200 of the highest-level classical musicians performing in the Chicago metropolitan area. Governed under a groundbreaking structure of musician leadership, the Society presents concerts at venues throughout the Chicago area that cover the full spectrum of classical music, from Bach to Britten and beyond. The Society’s orchestra, known simply as the Chicago Philharmonic, has been called “one of the country’s finest symphonic orchestras” (Chicago Tribune), and its unique chamber music ensembles, which perform as the Chicago Philharmonic Chamber Players (cp2), draw from its vast pool of versatile musicians. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Roger Davidson Tierney Sutton Regina Carter Junior Mance
168556_HH_April_REV_0 3/24/16 2:02 PM Page 1 The only jazz magazine in NY in print, online and on apps! April 2016 www.hothousejazz.com Saint Peter's Church Page 10 Brooklyn Center Page 17 Junior Mance Regina Carter Tierney Sutton Roger Davidson Dizzy's Club Coca-Cola Page 21 Caffé Vivaldi Page 10 Where To Go & Who To See Since 1982 168556_HH_April_REV_0 3/24/16 2:03 PM Page 2 2 168556_HH_April_REV_0 3/24/16 2:03 PM Page 3 3 168556_HH_April_REV_0 3/24/16 2:03 PM Page 4 4 168556_HH_April_REV_0 3/24/16 2:03 PM Page 5 5 168556_HH_April_REV_0 3/24/16 2:03 PM Page 6 6 168556_HH_April_REV_0 3/24/16 2:03 PM Page 7 7 168556_HH_April_REV_0 3/24/16 2:03 PM Page 8 8 168556_HH_April_REV_0 3/24/16 2:03 PM Page 9 9 168556_HH_April_REV_0 3/24/16 2:03 PM Page 10 WINNING SPINS By George Kanzler WO PIANISTS WHO HAVE PLIED Crusaders hit "Hard Times" with a deep Ttheir trade in the Big Apple for many blues feel, including locked hand triplets years, Junior Mance and Roger Davidson, and soul jazz backing to Fuji's persuasive are the principals of the albums compris- solo. The violinist carries the swing of ing this Winning Spins. Mance is a long- "9:20 Special," with Mance joining in at the time veteran of the jazz scene, and one of climax for scintillating four-bar exchanges the few musicians still with us who per- to take it out. formed with Charlie Parker. Davidson is Live at Caffé Vivaldi, Volume 3, Roger an eclectic player with roots in classical Davidson (Soundbrush), is a collection of and Brazilian music as well as jazz. -
Mi M®, 7273 the FUNCTION of ORAL TRADITION in MARY LOU's MASS by MARY LOU WILLIAMS THESIS Presented to the Graduate Counci
37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 Fledderus, France. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. Master of Music (Musicology), August, 1996,141 pp., 44 titles. The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of Williams, discussed in the context of her musical aesthetics, this thesis investigates the elements of conventional mass settings and oral tradition found in Mary Lou's Mass. -
Great American Jazz Series
Great American Jazz Series 1989-1991 2004-2005 • Randy Brecker • Dave Brubeck Quartet • Herbie Mann • Terry Harrington • Branford Marsalis • Medesky, Martin, and Wood • Pat Metheny • Rebecca Parris • Marvin Stamm • Kenny Garrett Quartet: Slide Hampton, Bill Watrous, and Claudio Roditi 1991-1992 • Eddie Daniels 2005-2006 • Eliane Elias • Ed Calle • Jimmy Heath Quartet • Poncho Sanchez Latin Jazz Band • Billy Taylor • Béla Fleck and the Flecktones • Clark Terry • Benny Green and Russell Malone 1992-1993 2006-2007 • John Abercrombie • Diane Schuur • Ramsey Lewis • Christian McBride Band • Jim Pryor • Yellowjackets • Marcus Roberts • Doc Severinsen • Jiggs Whigham • Joe Williams 2007-2008 • Cassandra Wilson • Bunky Green • Kurt Elling 1993-1994 • Eddie Gomez Trio with Jimmy Cobb • Brecker Brothers • Mike Stern Trio with Dave Weckl • Kenny Burrell • Tim Hagans • Paquito D’ Rivera • Arturo Sandoval 2008-2009 • Diane Schuur • Dave Douglas • United States Air Force Airmen of Note • Gary Burton • Maria Schneider 1994-1995 • The Mingus Big Band • Louis and Dee Dee Bellson • Dave Brubeck Quartet 2009-2010 • Bunky Green • Carl Allen/Rodney Whitaker Project • Joe Henderson • Bob Bednar • James Moody • Terence Blanchard • Dianne Reeves • Joe Lovano • Kim Richmond & Clay Jenkins 1995-1996 • Toshiko Akiyoshi and Lew Tabakin 2010-2011 • Carmen Bradford and Mulgrew Miller • Scotty Barnhart • Mercer Ellington • John Clayton, Jeff Clayton, and Jeff Hamilton • Herbie Hancock • John Pizzarelli • Tommy Newsom • Richard Stoltzman 1996-1997 2011-2012 • Buddy DeFranco -
Bird's Bebop Brother Goes Home
gram JAZZ PROMOTING AND NURTURING JAZZ IN CHICAGO SEPTEMBER 2020 WWW.JAZZINCHICAGO.ORG BIRD’S BEBOP BROTHER GOES HOME JOE SEGAL, JIC CO-FOUNDER, 2015 NEA JAZZ MASTER, REMEMBERED BY MUSICIANS AND MUSIC LOVERS BY COREY HALL While our current reality resembles Orson Welles’ War of the Worlds on steroids, let us escape and celebrate Joe Segal -- April 24, 1926-August 10, 2020 -- who brought jazz to Chicago for more than seven decades. Imagine… Scene: August 10, 2020. Place: Tadd’s Hot House. Charlie Parker, firm, fit, and poison-free since March 12, 1955, is sheddin’ “Just Friends” when in walks Joe. “Hey, man! It’s about time!” Bird exclaims, embracing his brother in bop. “What were you up to? Reading the list of upcoming cats?” “I was busy saving the youth,” Joe replies, while readjusting his Cubs cap. “Keeping them safe from the ‘Yookey Dukes!’” Both brothers laugh, embrace again, and then cast their sights down at this page, now a stage, where dudes and dudettes carrying voices, horns and guitars gather to take on this thought prompter: “What song sums up your experience with and/or appreciation of Joe Segal?” (The tunes designated with an asterisk are accompanied by a video available by clicking on the link or thumbnail). Solitaire Anna Miles, vocalist: (*) “I did every gig at the Jazz Showcase with Willie Pickens. We always opened with “Exactly Like You," and if Joe was there, he would sing it with me from the audience, so I think he liked the tune…or at least the way Willie and I did it. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. MARIAN McPARTLAND NEA Jazz Master (2000) Interviewee: Marian McPartland (March 20, 1918 – August 20, 2013) Interviewer: James Williams (March 8, 1951- July 20, 2004) Date: January 3–4, 1997, and May 26, 1998 Repository: Archives Center, National Museum of American History Description: Transcript, 178 pp. WILLIAMS: Today is January 3rd, nineteen hundred and ninety-seven, and we’re in the home of Marian McPartland in Port Washington, New York. This is an interview for the Smithsonian Institute Jazz Oral History Program. My name is James Williams, and Matt Watson is our sound engineer. All right, Marian, thank you very much for participating in this project, and for the record . McPARTLAND: Delighted. WILLIAMS: Great. And, for the record, would you please state your given name, date of birth, and your place of birth. McPARTLAND: Oh, God!, you have to have that. That’s terrible. WILLIAMS: [laughs] McPARTLAND: Margaret Marian McPartland. March 20th, 1918. There. Just don’t spread it around. Oh, and place of birth. Slough, Buckinghamshire, England. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 WILLIAMS: OK, so I’d like to, as we get some of your information for early childhood and family history, I’d like to have for the record as well the name of your parents and siblings and name, the number of siblings for that matter, and your location within the family chronologically. Let’s start with the names of your parents. -
Kurt-Elling-Full-Bio
Renowned for his singular combination of robust swing and poetic insight, GRAMMY winner Kurt Elling has secured his place among the world’s foremost jazz vocalists. Declared “the standout male vocalist of our time” by The New York Times, Elling has garnered unprecedented accolades, including a fourteen-year run atop the DownBeat Critics Poll, a dozen GRAMMY nominations, and eight Jazz Journalists Association awards for “Male Singer of the Year.” Elling’s voice is instantly recognizable, embracing listeners with his warm, rich baritone and navigating the full span of his four-octave range as a virtuoso instrumentalist and a compelling storyteller. Whether transforming timeless standards or crafting his own enthralling originals, Elling balances elegant lyricism and technical mastery with wry humor, profound emotional depth, and keen observations into the human condition. “Elling combines authenticity with stunning originality,” is how The Wall Street Journal describes his talents, while The Guardian has called him “a kind of Sinatra with superpowers.” The Toronto Star has gone so far as to say that “Kurt Elling is the closest jazz will ever get to having its own saint," while The Guardian makes up one voice in a chorus that has called him “one of jazz's all-time great vocalists." Elling’s most recent release, The Questions, vividly exemplifies his ability to respond to the world around him with both urgent immediacy and a unique perspective. Co- produced by NEA Jazz Master and acclaimed saxophonist Branford Marsalis, the album searches for answers to the culture’s most divisive social, political and spiritual issues in the songs of Bob Dylan, Carla Bley and Leonard Bernstein, and the poetry of Rumi and Wallace Stevens. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Earshot Jazz Festival in November, P 4
A Mirror and Focus for the Jazz Community Nov 2005 Vol. 21, No. 11 EARSHOT JAZZSeattle, Washington Earshot Jazz Festival in November, P 4 Conversation with Randy Halberstadt, P 21 Ballard Jazz Festival Preview, P 23 Gary McFarland Revived on Film, P 25 PHOTO BY DANIEL SHEEHAN EARSHOT JAZZ A Mirror and Focus for the Jazz Community ROCKRGRL Music Conference Executive Director: John Gilbreath Earshot Jazz Editor: Todd Matthews Th e ROCKRGRL Music Conference Highlights of the 2005 conference Editor-at-Large: Peter Monaghan 2005, a weekend symposium of women include keynote addresses by Patti Smith Contributing Writers: Todd Matthews, working in all aspects of the music indus- and Johnette Napolitano; and a Shop Peter Monaghan, Lloyd Peterson try, will take place November 10-12 at Talk Q&A between Bonnie Raitt and Photography: Robin Laanenen, Daniel the Madison Renaissance Hotel in Seat- Ann Wilson. Th e conference will also Sheehan, Valerie Trucchia tle. Th ree thousand people from around showcase almost 250 female-led perfor- Layout: Karen Caropepe Distribution Coordinator: Jack Gold the world attended the fi rst ROCKRGRL mances in various venues throughout Mailing: Lola Pedrini Music Conference including the legend- downtown Seattle at night, and a variety Program Manager: Karen Caropepe ary Ronnie Spector and Courtney Love. of workshops and sessions. Registra- Icons Ann and Nancy Wilson of Heart tion and information at: www.rockrgrl. Calendar Information: mail to 3429 were honored with the fi rst Woman of com/conference, or email info@rockrgrl. Fremont Place #309, Seattle WA Valor lifetime achievement Award. com. 98103; fax to (206) 547-6286; or email [email protected] Board of Directors: Fred Gilbert EARSHOT JAZZ presents..