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Tune in Alert***
***TUNE IN ALERT*** 34th Stellar Gospel Music Awards Hosted by Kirk Franklin Premieres Easter Sunday April 21 on BET Airing in National Syndication April 27 to May 30 Check Local Listings on TheStellarAwards.com Sensational Performances by Host Kirk Franklin, Jonathan McReynolds, Hezekiah Walker, Brian Courtney Wilson, Koryn Hawthorne, Todd Dulaney, Charles Jenkins and Jekalyn Carr 34th Stellar Awards Hosted by Kirk Franklin Premieres on Easter Sunday April 21 on BET (Clip Courtesy of: Central City Productions) Click the button below to check local TV listings for national broadcast dates from April 27-May 30 Check Local Listings for Additional Air Dates April 18, 2019 (LOS ANGELES ) – The 34th Stellar Gospel Music Awards hosted by Kirk Franklin willpremiere on Easter Sunday April 21 on BET Network at 7:00 p.m. ET/6:00 p.m. CT. with an encore presentation immediately following . The show will also air for the first time internationally on BET Africa (6:00 p.m. CAT), BET UK (3:00 p.m. GMT and encore at 10:00 p.m. GMT) and BET Korea (3:00 p.m. KST and encore at 10:00 p.m. KST). Central City Productions has announced national broadcast syndication dates from April 27 through May 30 on local television stations throughout the nation. Viewers can check local air dates and channel listings at TheStellarAwards.com . The exhilarating show was highlighted by an emotional performance tribute to recently announced posthumous Pulitzer Prize Winner Aretha Franklin by Kelly Price, Erica Campbell and Regina Belle . Family members of the late-legend Brenda Corbett, Jordan Franklin and Kecalf Franklin were presented with the Stellar Awards' inaugural Aretha Franklin ICON Award to give posthumous recognition of her profound impact on the Gospel music genre and timeless contributions. -
Julius Eastman: the Sonority of Blackness Otherwise
Julius Eastman: The Sonority of Blackness Otherwise Isaac Alexandre Jean-Francois The composer and singer Julius Dunbar Eastman (1940-1990) was a dy- namic polymath whose skill seemed to ebb and flow through antagonism, exception, and isolation. In pushing boundaries and taking risks, Eastman encountered difficulty and rejection in part due to his provocative genius. He was born in New York City, but soon after, his mother Frances felt that the city was unsafe and relocated Julius and his brother Gerry to Ithaca, New York.1 This early moment of movement in Eastman’s life is significant because of the ways in which flight operated as a constitutive feature in his own experience. Movement to a “safer” place, especially to a predomi- nantly white area of New York, made it more difficult for Eastman to ex- ist—to breathe. The movement from a more diverse city space to a safer home environ- ment made it easier for Eastman to take private lessons in classical piano but made it more complicated for him to find embodied identification with other black or queer people. 2 Movement, and attention to the sonic remnants of gesture and flight, are part of an expansive history of black people and journey. It remains dif- ficult for a black person to occupy the static position of composer (as op- posed to vocalist or performer) in the discipline of classical music.3 In this vein, Eastman was often recognized and accepted in performance spaces as a vocalist or pianist, but not a composer.4 George Walker, the Pulitzer- Prize winning composer and performer, shares a poignant reflection on the troubled status of race and classical music reception: In 1987 he stated, “I’ve benefited from being a Black composer in the sense that when there are symposiums given of music by Black composers, I would get perfor- mances by orchestras that otherwise would not have done the works. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Comedian A-Train M COMEDIAN RADIO PERSONALITY HOST EMCEE PRODUCER P H I L a N T H R O P I S T
c o m e d i a n a t r a i n . c o comedian a-train m COMEDIAN RADIO PERSONALITY HOST EMCEE PRODUCER P H I L A N T H R O P I S T em: [email protected] ph: 904.514.7955 COMEDIAN A-TRAIN as seen and heard on bio Comedian A-Train, seen on WEtv’s Braxton Family Values, The Low Down with James Yon, River City Live, First Coast Living, and The Chat, is host of Yo Daddy’ Nem Podcast—iHeart Radio’s #1 Podcast in Duval, former co-host of Jacksonville’s #1 morning show, on 107.9 and Jacksonville’s #1 drive-time radio show on 103.7. He's a clean, traveling, stand-up, and corporate comedian, host and emcee. He tours with Original King of Comedy D. L. Hughley, and has toured with Kountry Wayne. He has featured for the biggest names in clean comedy, Michael Jr., viral sensation KevonStage, Dave Coulier (Uncle Joey on Full House), and Preacher Lawson (AGT). He's performed with Pete Lee (Jimmy Fallon and VH1’s Best Week Ever), Comedienne Dominique (Last Comic Standing), Bill Bellamy (Who's Got Jokes and Ladies Night Out), Ali Siddiq (Bring the Funny and Comedy Central), Loni Love (The Real), Deon Cole (Blackish and Grownish), Ronnie Jordan (Bossip), Huggy Low Down and Chris Paul (Tom Joyner Morning Show), and many others. Comedian A-Train has hosted the Zora Neal Hurston Festival, Orlando Jazz Festival, Steel City Jazz Festival— Birmingham, and Jacksonville Jazz Festival—the second largest in the country where he’s the first and only comedian to host in the city’s 40-year history. -
Puzzling the Intervals: Blind Tom and the Poetics of The
“Puzzling the Intervals” Oxford Handbooks Online “Puzzling the Intervals”: Blind Tom and the Poetics of the Sonic Slave Narrative Daphne A. Brooks The Oxford Handbook of the African American Slave Narrative Edited by John Ernest Print Publication Date: Apr 2014 Subject: Literature, American Literature Online Publication Date: May DOI: 10.1093/oxfordhb/9780199731480.013.023 2014 Abstract and Keywords This article explores the enslaved musician Blind Tom’s sonic repertoire as an alternative to that of the discursive slave narrative, and it considers the methodological challenges of theorizing the conditions of captivity and freedom in cultural representations of Blind Tom’s performances. The article explores how the extant anecdotes, testimonials and cultural ephemera about Thomas Wiggins live in tension with the conventional fugitive’s narrative, and it traces the ways in which the “scenarios” emerging from the Blind Tom archive reveal a consistent set of themes concerning aesthetic authorship, imitation, reproduction and duplication, which tell us much about quotidian forms of power and subjugation in the cultural life of slavery, as well as the cultural means by which a figure like Blind Tom complicated and disrupted that power. Keywords: sound, listening, sonic ekphrasis, echo, memory, reproduction, imitation, transcription, notation, improvisation For my master, whose restless, craving, vicious nature roved about day and night, seeking whom to devour, had just left me with stinging, scorching words, words that scathed ear and brain life fire! —Harriet Jacobs, Incidents in the Life of a Slave Girl (1861) I have sometimes thought that the mere hearing of those songs would do more to impress some minds with the horrible character of slavery, than the reading of whole volumes of philosophy on the subject could do. -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
Let Us Give Them Something to Play With”: the Preservation of the Hermitage by the Ladies’ Hermitage Association
“LET US GIVE THEM SOMETHING TO PLAY WITH”: THE PRESERVATION OF THE HERMITAGE BY THE LADIES’ HERMITAGE ASSOCIATION by Danielle M. Ullrich A Thesis Submitted to the Faculty of the Graduate School at Middle Tennessee State University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History with an Emphasis in Public History Murfreesboro, TN May 2015 Thesis Committee: Dr. Mary Hoffschwelle, Chair Dr. Rebecca Conard ACKNOWLEDGEMENTS My parents, Dennis and Michelle Ullrich, instilled in me a respect for history at an early age and it is because of them that I am here today, writing about what I love. However, I would also not have made it through without the prayers and support of my brother, Ron, and my grandmother, Carol, who have reminded me even though I grow tired and weary, those who hope in the Lord will find new strength. Besides my family, I want to thank my thesis committee members, Dr. Mary Hoffschwelle and Dr. Rebecca Conard. Dr. Hoffschwelle, your wealth of knowledge on Tennessee history and your editing expertise has been a great help completing my thesis. Also, Dr. Conard, your support throughout my academic career at MTSU has helped guide me towards a career in Public History. Special thanks to Marsha Mullin of Andrew Jackson’s Hermitage, for reading a draft of my thesis and giving me feedback. And last, but certainly not least, to all the Hermitage interpreters who encouraged me with their questions and with their curiosity. ii ABSTRACT Since 1889, Andrew Jackson’s Hermitage has been open to the public as a museum thanks to the work of the Ladies’ Hermitage Association. -
We're All So Blessed to Live the Lives That We Do. I Realize
Photo by: Kwaku Alston “We’re all so blessed to live the lives that we do. I realize that we didn’t get here alone. So many people have helped pave this road for all of us. I would like to pay tribute and honor some of those who’ve come before and have been a Bridge to Now, all legends in entertainment and civil rights, a prestigious group of women I admire and respect. I would be so happy if you could join me in honoring and celebrating them.” —Oprah Dr. Dorothy Height, civil rights activist Yolanda Adams, singer Iman, model Diana Ross, singer Debbie Allen, actress-dancer Janet Jackson, singer Valerie Simpson, singer-composer Dr. Maya Angelou, author Judith Jamison, dancer-choreographer Naomi Sims, model Ashanti, singer Beverly Johnson, model Anna Deavere Smith, Tyra Banks, model Alicia Keys, singer actress-playwright Angela Bassett, actress Chaka Khan, singer Susan L. Taylor, editorial director, Essence Kathleen Battle, opera singer Coretta Scott King, civil rights activist Tina Turner, singer Halle Berry, actress Gayle King, editor at large, Cicely Tyson, actress Mary J. Blige, singer O, The Oprah Magazine Dionne Warwick, singer Shirley Caesar, singer Gladys Knight, singer Nancy Wilson, singer Naomi Campbell, model Patti LaBelle, singer Oprah Winfrey Mariah Carey, singer Darnell Martin, director-screenwriter Alfre Woodard, actress Diahann Carroll, actress-singer Audra McDonald, actress-singer The Legends Unable to Attend Elizabeth Catlett, artist Terry McMillan, author Melba Moore, actress-singer Katherine Dunham, Pearl Cleage, poet-playwright choreographer-dancer Brandy Norwood, actress-singer Natalie Cole, singer Aretha Franklin, singer Ruby Dee, actress Michelle Obama, community affairs executive Nikki Giovanni, poet Kimberly Elise, actress Suzan-Lori Parks, playwright Lena Horne, actress-singer Missy Elliot, rap artist Suzanne de Passe, producer-writer Toni Morrison, author Roberta Flack, singer Leontyne Price, opera singer Rosa Parks, civil rights activist Pam Grier, actress Phylicia Rashad, actress Alice Walker, author Della Reese, actress-singer. -
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006), -
Aretha Franklin Blessed Assurance
Aretha Franklin Blessed Assurance Indicial Claudius false-cards muscularly. Skinned Stillman usually sanction some preterites or cores nervelessly. Carlin still waggled aboriginally while Zairean Tre synthesises that tack. Everybody from Dionne Warwick to Ray Charles to Aretha Franklin to. Blessed Assurance Good for News. The real water was poured off clear the resulting paste was ordinary into pellets and allowed to dry. Listen to find people, were kept it happened in my life of songs by her life better. Her heart that blessed assurance cicely tyson kennedy center of northeast ohio saved a smile on? Waste our space of your favorites or more favorites or seen her perch where are not available for your family plan your. God walked beside us. Darren peck has been served her eyes are searching for you choose artists you? Christmas songs about hope. Pentecostal churches in our prayers are investigating a grave he was singing pass, gospel has reaction from india returns to enter your thoughts are? Follow judges Simon Cowell, The X Factor is back need not shall we empower it. ALL THE WAYS YOU launch MUSIC. Trudy Archer, hand lettering everything from her goods to chalkboards and mirrors. Description No Description Available for Track Information Available Media Type CD Artist FRANKLINARETHA Title. We face you love cheese as dope as the do, Anita Baker, how sweet special sound. Trial for sale in north fort worth, where people of you are with aretha franklin had their havanese puppy called. I locate A Little Prayer Aretha Franklin Baby Love Diana Ross The. Citizens for unlimited access to aretha and similar technologies to help you plan your lightboxes will win or click to aretha franklin your browser to throw on her arms limply to. -
18 Lc 117 0395 H. R. 1460
18 LC 117 0395 House Resolution 1460 By: Representatives Bazemore of the 63rd, Trammell of the 132nd, Frazier of the 126th, Bennett of the 94th, and Beverly of the 143rd A RESOLUTION 1 Recognizing and commending Dorothy Norwood; and for other purposes. 2 WHEREAS, Dorothy Norwood, affectionately known as "the World's Greatest Storyteller," 3 has used her soulful vocals and uplifting delivery to rise to the upper echelon of 4 contemporary Gospel music; five of her albums have achieved gold status and her studio 5 work has garnered Grammy, Dove, and Stellar award nominations; and 6 WHEREAS, Dorothy was born in 1935 in Atlanta, Georgia, and began touring with her 7 family's group at the tender age of eight; and 8 WHEREAS, in 1956, Dorothy moved to Chicago, Illinois, and was soon singing with Gospel 9 singer Mahalia Jackson, and in the early 1960s she joined the Gospel group Albertina Walker 10 and The Caravans, which would include such Gospel music legends as the Queen of Gospel 11 Albertina Walker, Shirley Caesar, Inez Andrews, Delores Washington, and the late Reverend 12 James Cleveland; and 13 WHEREAS, she released her debut solo album, Johnny & Jesus, in 1964, resulting in her 14 first gold record certification from the RIAA; and 15 WHEREAS, an opportunity to bring her music beyond the church came in 1972 when 16 Dorothy was invited to be an opening act for the Rolling Stones' 30 state American tour; and 17 WHEREAS, Dorothy has regularly released new material ever since, including a 1991 18 album, Live With the Northern California GMWA Mass Choir, which reached the top 19 position on the Billboard Top 40 Chart; and 20 WHEREAS, she continues to share her gifts through music, enchanting and inspiring all 21 those who enjoy the privilege of listening to her; and H. -
2021 Breeze Show Choir Catalog
Previously Arranged Titles (updated 2/24/21) Specific details about each arrangement (including audio samples and cost) are available at https://breezetunes.com . The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** For songs that do not have vocal rehearsal tracks, these can be created for $150/song. To place an order, send an e-mail to [email protected] or submit a license request on Tresona listing Garrett Breeze as the arranger, Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Most SATB songs, for example, can be easily reworked for SAT. • Remember that show function is one of the most important things to consider when purchasing an arrangement. For example, if something is labelled in the catalog as a Song 2/4, it is probably not going to work as a closer.