Philippe Denys
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bijoux, Montres, Accessoires De Mode Xxème Siècle
BIJOUX, MONTRES, ACCESSOIRES DE MODE MERCREDI 16 NOVEMBRE À 18H30 XXÈME SIÈCLE JEUDI 17 NOVEMBRE À 18H Bijoux, Montres, Accessoires de mode MERCREDI 16 NOVEMBRE À 18H30 Expositions publiques : Mardi 15 novembre de 14h30 à 18h Mercredi 16 novembre de 10h à 12h et 14h30 à 18h Expert : Cabinet Mely-Mure +33 (0)4 72 56 77 60 Suivez la vente Bijoux, Montres, Accessoires de mode et participez en direct sur XXème siècle JEUDI 17 NOVEMBRE À 18H Expositions publiques : Mardi 15 novembre de 14h30 à 18h Mercredi 16 novembre de 10h à 12h et 14h30 à 18h Jeudi 17 novembre de 10h à 12h Experts : Art Nouveau, Art Déco, Design : Thierry ROCHE +33 (0)6 80 05 46 68 Tableaux modernes et contemporains : Olivier HOUG +33 (0)6 07 38 28 35 Expert CNES Suivez la vente XXème siècle et participez en direct sur Tous les lots sont visibles sur www.conanauction.fr , www.interencheres.com/69005, www.auction.fr et www.artprice.fr Commissaire-priseur habilitée : Cécile Conan-Fillatre 8, rue de Castries - 69002 Lyon - Tél : +33 (0)4 72 73 45 67 - Fax : +33 (0)4 78 61 07 95 [email protected] - Agrément n° 2002-271 - 3 - jeudijeudi 17 15 novembre octobre 20162015 Mercredi 16 novembre à 18h30 BIJOUX, MONTRES, ACCESSOIRES DE MODE 10 PARURE BRESSANE ancienne comprenant un bracelet et une 34 BRACELET ancien en or jaune 18k (750/oo) à maillons ovales tor- broche à pampilles en argent (800/oo) composés de médaillons ovales et de sadés et filigranés. Poids brut : 26,1 g. -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
Issue Print Test | Nonsite.Org
ISSUE #12: CONTEMPORARY POLITICS AND HISTORICAL 12 REPRESENTATION nonsite.org is an online, open access, peer-reviewed quarterly journal of scholarship in the arts and humanities affiliated with Emory College of Arts and Sciences. 2015 all rights reserved. ISSN 2164-1668 EDITORIAL BOARD Bridget Alsdorf Ruth Leys James Welling Jennifer Ashton Walter Benn Michaels Todd Cronan Charles Palermo Lisa Chinn, editorial assistant Rachael DeLue Robert Pippin Michael Fried Adolph Reed, Jr. Oren Izenberg Victoria H.F. Scott Brian Kane Kenneth Warren FOR AUTHORS ARTICLES: SUBMISSION PROCEDURE Please direct all Letters to the Editors, Comments on Articles and Posts, Questions about Submissions to [email protected]. 1 Potential contributors should send submissions electronically via nonsite.submishmash.com/Submit. Applicants for the B-Side Modernism/Danowski Library Fellowship should consult the full proposal guidelines before submitting their applications directly to the nonsite.org submission manager. Please include a title page with the author’s name, title and current affiliation, plus an up-to-date e-mail address to which edited text and correspondence will be sent. Please also provide an abstract of 100-150 words and up to five keywords or tags for searching online (preferably not words already used in the title). Please do not submit a manuscript that is under consideration elsewhere. ARTICLES: MANUSCRIPT FORMAT Accepted essays should be submitted as Microsoft Word documents (either .doc or .rtf), although .pdf documents are acceptable for initial submissions.. Double-space manuscripts throughout; include page numbers and one-inch margins. All notes should be formatted as endnotes. Style and format should be consistent with The Chicago Manual of Style, 15th ed. -
Ditte Vilstrup Holm
The Poetics of Participation The Organizing of Participation in Contemporary Art Holm, Ditte Vilstrup Document Version Final published version Publication date: 2019 License CC BY-NC-ND Citation for published version (APA): Holm, D. V. (2019). The Poetics of Participation: The Organizing of Participation in Contemporary Art. Copenhagen Business School [Phd]. PhD series No. 8.2019 Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 06. Oct. 2021 COPENHAGEN BUSINESS SCHOOL IN CONTEMPORARY ART THE ORGANIZING OF PARTICIPATION THE POETICS OF PARTICIPATION: SOLBJERG PLADS 3 DK-2000 FREDERIKSBERG DANMARK WWW.CBS.DK ISSN 0906-6934 Print ISBN: 978-87-93744-58-5 Online ISBN: 978-87-93744-59-2 Ditte Vilstrup Holm THE POETICS OF PARTICIPATION THE ORGANIZING OF PARTICIPATION IN CONTEMPORARY ART Doctoral School of Organisation and Management Studies PhD Series 8.2019 PhD Series 8-2019 The Poetics of Participation The organizing of participation in contemporary art Ditte Vilstrup Holm Main supervisor: Timon Beyes Department of Management, Politics and Philosophy -
Écrits Sur Bergson
Écrits sur Bergson 1890 Georges Lechalas. “Le Nombre et le temps dans leur rapport avec l’espace, à propos de Les Données immédiates. ” Annales de Philosophie Chrétienne, N.S. 23 (1890): 516-40. Print. Eng. trans. “Number and Time in Relation to Space, as Concerns Time and Free Will .” 1893 Maurice Blondel. L’action. Essai d’une critique de la vie et d’une science de la pratique . Paris: Alcan, 1893, 495. (Bibliographie de Philosophie Contemporaine) Eng. trans. Action . This item is republished in 1950, Presses Universitaires de France. 1894 Jean Weber. “Une étude réaliste de l’acte et ses conséquences morales.” Revue de métaphysique et de morale . 2.6, 1894, 331-62. Eng. trans. “A Realist Study of the Act and its Moral Consequences.” 1897 Gustave Belot. “Un Nouveau Spiritualisme.” Revue Philosophique de la France et de l’Etranger , 44.8 (August 1897): 183-99. The author sees a danger of materialism in Matter and Memory. Print. Eng. trans. “A New Spiritualism.” Victor Delbos. “Matière et mémoire, étude critique.” Revue de Métaphysique et de Morale , 5 (1897): 353- 89. Print. Eng. trans. “ Matter and Memory , A Critical Study.” Frédéric Rauh. “La Conscience du devenir.” Revue de Métaphysique et de Morale , 4 (1897): 659-81; 5 (1898): 38-60. Print. Eng. trans. “The Awareness of Becoming.” L. William Stern. “Die psychische Präsenzzeit.” Zeitschrift für Psychologie und Physiologie der Sinnesorgane 13 (1897): 326-49. The author strongly criticizes the concept of the point-like present moment. Print. Eng. trans. “The Psychological Present.” 1901 Émile Boutroux. “Letter to Xavier Léon. July 26, 1901” in Lettere a Xavier Léon e ad altri. -
AUKTION 11. Mai 2019
AUKTION 11. Mai 2019 Fotos Jürgen Schops Recherche / Texte Thomas Turowski Maria Prinz Ingo Napieraj Axel Odendahl Jana Schlott Gestaltung Piet Zerbst Druck Buch- und Offsetdruckerei Häuser KG Dank an Rüdiger KUNST & DESIGN AUKTIONSHAUS SCHOPS TUROWSKI AUKTION Wiedstr. 21 | 47799 Krefeld Samstag, 11. Mai 2019 mail: info @ kunstunddesign-auktionen.de tel: + 49 (0) 21 51 . 154 61 27 Start 10.00 Uhr fax: + 49 (0) 21 51 . 154 70 18 www.kunstunddesign-auktionen.de Bankverbindungen / Bank Details Beneficiary: Schops & Turowski GbR Sparkasse Krefeld Moerser Str. 220 Vorbesichtigung im Auktionshaus in Krefeld D- 47803 Krefeld / Germany IBAN: DE69320500000000391656 Freitag 03.05.2019 12-18 Uhr Swift-BIC: SPKRDE33XXX Steuernummer / Ident Number: Samstag 04.05.2019 12-18 Uhr DE 265629205 Sonntag 05.05.2019 12-18 Uhr Montag 06.05.2019 12-18 Uhr Dienstag 07.05.2019 12-18 Uhr Mittwoch 08.05.2019 12-18 Uhr Donnerstag 09.05.2019 12-18 Uhr Die im Katalog angegebenen Preise sind Limit / Aufrufpreise Besitzerverzeichnis 32 33 89 33 32 107 55 55 19 14 7 14 107 42 27 83 55 89 104 7 103 79 79 56 71 71 71 32 53 13 7 7 62 56 109 90 56 56 56 56 56 56 56 56 56 56 56 33 47 47 47 47 47 56 105 113 83 7 7 83 83 83 83 83 83 90 42 83 30 100 56 34 56 56 7 93 56 112 112 112 112 69 112 112 112 30 112 96 96 96 102 32 62 69 91 89 72 19 69 30 69 69 69 69 69 69 69 69 69 83 69 109 78 86 78 62 56 78 78 62 62 37 73 73 37 37 59 73 73 73 36 37 73 37 37 73 37 73 73 37 37 73 68 73 68 37 73 73 37 73 37 73 79 79 79 93 89 46 37 37 73 73 73 73 8 73 73 73 73 73 73 70 59 8 39 56 73 8 62 -
European Art of the 19Th Century: from Classicism to Symbolism Fall 2016, European Humanities – 3-Credit Course Tuesdays and Fridays at 11:40-13:00; V10-A13
Final Syllabus European Art of the 19th Century: From Classicism to Symbolism Fall 2016, European Humanities – 3-credit Course Tuesdays and Fridays at 11:40-13:00; V10-A13 Anna Ancher: The Maid in the Kitchen, 1883-86 Content The course focuses on developments in France and begins with the Romantic-Classic conflict, followed by a discussion of Naturalism in landscape and the breakthrough of Realism. The importance of Manet, Monet, Degas, and the influence of Japanese woodprints on the period of Impressionism will be analyzed, followed by Cézanne, Van Gogh, and other masters of Postimpressionism. The consolidation of various types of Symbolism, such as Gauguin’s Synthetism and the Nordic evocative landscape is elaborated. Special attention will also be given to the achievements of Scandinavian artists during the period including the Danish Golden Age, the Skagen Painters, and the work of Munch. European Art of the 19th Century: From Classicism to Symbolism| DIS – Study Abroad in Scandinavia | Related Discipline: Art History Final Syllabus Instructor: Andrea Homann Dipl.-Ing. (Apparel Engineering/Fashion Design, FH Mönchengladbach, 1989). 1989-1990 Designer at Westfalenstoffe, Münster/Germany, 1990-1993, Educator at the Museum of Contemporay Art, Los Angeles (MOCA), the Los Angeles Municipal Art Gallery. Since 1994, Educator at the Danish National Gallery (Statens Museum for Kunst). With DIS since 1997. Consultation: Preferably after class. DIS Contacts: Karen Søilen, European Humanities Assistant Program Director Matt Kelley, European -
Perspective, 3 | 2008, « Xxe-Xxie Siècles/Le Canada » [En Ligne], Mis En Ligne Le 15 Août 2013, Consulté Le 01 Octobre 2020
Perspective Actualité en histoire de l’art 3 | 2008 XXe-XXIe siècles/Le Canada Édition électronique URL : http://journals.openedition.org/perspective/3229 DOI : 10.4000/perspective.3229 ISSN : 2269-7721 Éditeur Institut national d'histoire de l'art Édition imprimée Date de publication : 30 septembre 2008 ISSN : 1777-7852 Référence électronique Perspective, 3 | 2008, « XXe-XXIe siècles/Le Canada » [En ligne], mis en ligne le 15 août 2013, consulté le 01 octobre 2020. URL : http://journals.openedition.org/perspective/3229 ; DOI : https://doi.org/ 10.4000/perspective.3229 Ce document a été généré automatiquement le 1 octobre 2020. 1 xxe-xxie siècles Entretien avec Bill Viola sur l’histoire de l’art ; Giacometti ; l’urbanisme des villes d’Europe centrale ; publications récentes sur la couleur au cinéma et dans la photographie, le postmodernisme, les archives d’art contemporain et les revues d’art. Le Canada Développement et pratiques actuelles de la discipline : de l’histoire de l’art aux études d’intermédialité, le rôle des musées et de la muséographie ; Ancien et Nouveau Mondes ; chroniques sur art et cinéma, les revues, le patrimoine… Perspective, 3 | 2008 2 SOMMAIRE De l’utilité des revues en histoire de l’art Didier Schulmann XXe-XXIe siècles Débat Bill Viola, l’histoire de l’art et le présent du passé Bill Viola Alberto Giacometti aujourd’hui Thierry Dufrêne Travaux L’urbanisme et l’architecture des villes d’Europe centrale pendant la première moitié du XXe siècle Eve Blau Actualité Couleur et cinéma : vers la fin des aveux d’impuissance Pierre Berthomieu L’histoire de la photographie prend des couleurs Kim Timby Autour de Fredric Jameson : le postmodernisme est mort ; vive le postmodernisme ! Annie Claustres Les archives d’art contemporain Victoria H. -
W Poszukiwaniu Własnej Tożsamości. Forma
W POSZUKIWANIU WŁASNEJ TOŻSAMOŚCI. FORMA NARODOWA NA TLE ZJAWISK W ARCHITEKTURZE CZESKIEJ I SŁOWACKIEJ (CZECHOSŁOWACKIEJ) W PIERWSZEJ POŁOWIE XX WIEKU SEARCHING THE IDENTITY. NATIONAL FORM IN COMPARISON TO PHENOMENA OF CZECH AND SLOVAK (CZECHOSLOVAK) ARCHITECTURE IN THE 1ST HALF OF THE 20TH CENTURY Michał Pszczółkowski dr Uniwersytet Zielonogórski Wydział Budownictwa, Architektury i Inżynierii Środowiska Katedra Architektury i Urbanistyki STRESZCZENIE Tematem artykułu są specyficzne cechy architektury czeskiej i słowackiej w pierwszych dekadach XX wieku (czeski kubizm, słowacki styl narodowy) oraz architektury czecho- słowackiej po pierwszej wojnie światowej – tzw. rondokubizm, popularny zwłaszcza w pierwszej połowie lat 20. Czechizacja Słowacji po zjednoczeniu obu krajów spowodowa- ła, że czeska forma rondokubizmu była bojkotowana przez architektów słowackich, a do wypracowania wspólnego stylu czechosłowackiego nigdy nie doszło. Słowa kluczowe: architektura, czeski kubizm, Dušan Jurkovič, Josef Gočár, rondokubizm, styl narodowy. ABSTRACT The main issue of this paper is characteristics of the unique features of Czech and Slovak architecture in the first decades of the 20th century (Cubism style, Slovak national style) and Czechoslovak architecture after the First World War, so-called Rondo-Cubism. The process of so called Czechization of Slovakia after those two countries were joined to- gether made Slovak architects boycott Rondocubism. A unified Czechoslovak style has never come into existence. Key words: architecture, Czech Cubism, Dušan Jurkovič, Josef Gočár, national style, Rondocubism. 238 s p a c e & FORM | przestrzeń i FORMa ‘24/1_2015 1. WSTĘP Przełom XIX i XX wieku to charakterystyczny okres w rozwoju architektury, kiedy projek- tanci z wielu krajów dążyli do wypracowania narodowej formy i narodowego stylu. Dla narodów Europy Środkowo-Wschodniej, pozbawionych własnej państwowości, poszuki- wania takiego stylu były wówczas szczególnie istotne. -
Eve Blau, Nancy J. Troy | JAE Shields
2002 | 9780262523288 | MIT Press, 2002 | 364 pages | Architecture and Cubism | Eve Blau, Nancy J. Troy | JAE Shields Architecture, Architecture and Cubism, Eve Blau, Unnatural Acts, Czech Cubism, Nancy J. Troy, Alfred H. Barr, Frederick J. Kiesler, Modern architecture, Cubism, Gothic architecture and Cubism, Nancy Troy, Center for Canadian Architecture, Deconstruction Architecture, Canadian Architecture JAE Shields. Academic Appointments download, 1997 * Unnatural Acts: Propositions for a New French Garden (1920-1930) In Architecture and Cubism. Nancy Troy and Eve Blau, editors. 1993 Architecture and Cubism Colloquium organized by Eve Blau and Nancy Troy. Center for Canadian Architecture, Montreal. ARCHITECTURE AND GEOMETRICAL SPACE CONCEPTIONS, perception and representation mode. Giedion analysed in Space, Time, Architecture new developments of space by cubism. The cubism broke the perspective idea, because the object can be seen from different viewpoints at the same time. On the 70th Anniversary of Cubism and Abstract Art: Alfred H. Barr, Jr's Legacy, this discussion of architecture and fashion in the museum is not raised to challenge Barr's decision. Gravitas is perhaps the through-line that connects all of the artists and movements represented in the famous diagram Barr published on the dust-jacket of Cubism and Abstract. A study on the co-relationship between the endless space of Frederick J. Kiesler and non-territorial space expression in de-constructivism architecture, 4.2 Post-cubism in Forms and Deconstruction Architecture Abstract mechanical aesthetics in early modernism became a start of mass-production of box-type buildings. Reiteration seen in his deconstructive architecture are examples that show the post-cubism phenomenon. Education of an Architect: The Cooper Union School of Art and Architecture, 1964-1971, view -- featuring the work of Cooper Union student architects under the direction of the chairman of the Department of Architecture, John Hejduk. -
The Stones of Cumbria
The Stones of Cumbria by Amy R. Miller A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Amy R. Miller 2012 The Stones of Cumbria Amy R. Miller Doctor of Philosophy Department of Art University of Toronto 2012 Abstract Gosforth, in the English province of Cumbria, is home to a group of tenth-century sculptures that are among the most intricate and best-preserved examples of Anglo-Scandinavian monumental stone carving. These sculptures are essential for appreciating the complex and rich culture that developed in the late first millennium in northern England. This thesis offers a detailed analysis of the Gosforth sculptural group through multiple facets of its construction, design, and location to gain a broader understanding of the role of public sculpture in the unsettled but dynamic regions of Viking England. The complexity of Anglo-Scandinavian sculpture is examined first through an archaeological and material reassessment that reveals the method of the monuments’ construction and further supports the attribution for most of the sculptures to a single artist, whose craftsmanship, composition, and style match works across northern England, several of which were previously unattributed to him. This corpus expands our understanding of at least one professional early medieval artist and enables us to refine the general timeline of sculptural production in England. This artist sculpted in support of a new Anglo-Scandinavian elite, who adopted the local practice of ornamenting carved crosses but consciously adapted the ii iconography to reflect and reaffirm their otherness. By referencing one another, the sculptures forged and reflected the complex process of mutual acculturation and competition among communities and served as fixed spatial and mental foci in the Viking Age settlement of northern England. -
TOWARDS a MEDIA ARCHITECTURE an Inquiry Into the Convergencies of Constructed Space and Screen-Based Media
TOWARDS A MEDIA ARCHITECTURE An inquiry into the convergencies of constructed space and screen-based media Tobias Ebsen 1 Masterʼs thesis, August 2010 CONTENTS CONCLUDING REFLECTIONS ............................................................95! SUMMARY ............................................................................................98! REFERENCES....................................................................................101! NOTES................................................................................................105! INTRODUCTION.....................................................................................4! Scope...................................................................................................5! Background..........................................................................................7! Technology or culture ........................................................................11! Current discourse ..............................................................................12! ARCHITECTURE AND ITS EVOLUTION AS A VISUAL MEDIUM.......15! Form and surface...............................................................................17! Speaking through form ......................................................................18! Speaking through surface..................................................................21! The semiotics of architecture: function and symbolism .....................27! Aesthetic ambiguity ...........................................................................29!