Boletín Raquel Novero Plaza Il., 23 Cm

Total Page:16

File Type:pdf, Size:1020Kb

Boletín Raquel Novero Plaza Il., 23 Cm últimas publicaciones AUTORES Plano de los alrededores de la Ciudad de Barcelona y proyecto de su reforma y ensanche. Escala 1:5000 (1859). Ildefonso María Larumbe Martín Cerdá. Edición facsímil del plano de 1859. Estudio de Antonio Bonet Correa. Madrid, 2009. Reproducido a Escuela Técnica Superior de Arquitectura, tamaño original, 172 × 261 cm, dividido en 36 móculos Universidad Politécnica, Madrid y plegado (estuche de 32 × 45 cm). Certamen de Arte Gráfico para Jóvenes Creadores 2009. Antonio Moreno Garrido Madrid, 2009. 73 p., il., 24 cm. Académico correspondiente de la Real Academia de Goya cronista de todas las guerras: los Desastres y la fotografía Bellas Artes de San Fernando, en Granada de guerra. Las Palmas de Gran Canaria, 2009. 246 p., il., 28 cm. Ana María Pérez Galdeano Francisco Preciado de la Vega: un pintor español del siglo XVIII Universidad de Granada en Roma. Varios autores. Madrid, 2009. 241 p., il., 24 cm. El amor al arte: Nicole Florensa, Apel-les Fenosa. Madrid, Pedro Luengo Gutiérrez 2008. 85 p., il., 28 cm. Becario de FPU, Universidad de Sevilla Certamen de Arte Gráfico para Jóvenes Creadores 2008. Madrid, 2008. 81 p., il., 24 cm. Miquela Forteza Oliver Goya cronista de todas las guerras: los Desastres y la fotografía Universidad de las Islas Baleares de guerra. Juan Bordes Caballero. Madrid, 2008. 64 p., il., 16 cm. Premio Nacional de Arte Gráfico 2007. Madrid, 2008. 61 p., boletín Raquel Novero Plaza il., 23 cm. real academia de bellas artes Universidad Autónoma de Madrid San Antonio de la Florida y Goya: la restauración de los frescos. 108-109 y segundo semestres de 2009 - números primer de san fernando Coordinado por José Manuel Pita Andrade. Madrid, María José Martínez Ruiz 2008. 413 p., il., 29 cm. Departamento de Historia del Arte, Universidad de André Masson: los monstruos de la razón. Madrid y primer y segundo semestres de 2009 Valladolid A Coruña, 2007. 173 p., il., 25 cm. números 108-109 Comisiones Provinciales de Monumentos Históricos y Artísticos Leticia Azcue Brea de Galicia: Católogo documental. Varios autores. Vigo, 2007. Académica correspondiente de la Real Academia de 467 p., 28 cm. Bellas Artes de San Fernando, Madrid La Junta Preparatoria de la Real Academia de Bellas Artes de San Fernando (1744-1752): Catálogo documental. Esperanza Navarrete Martínez. Madrid, 2007. 144 p., 24 cm + 1 Yasunari Kitaura DVD. Luigi Boccherini en el segundo centenario de su muerte (1743- Fernando de Terán Troyano 1805). Varios autores. Madrid, 2007. 168 p., il., 24 cm + Académico de número de la Real Academia de 1 CD. Bellas Artes de San Fernando, Madrid Velázquez: esculturas para el Alcázar. Madrid, 2007. 536 p., il. col., 28 cm. Dos dimensiones [2]: arte actual en la Academia. Madrid, 2006. 215 p., il., 27 cm. Real Academia de San Fernando: Guía del Museo. Madrid, 2004. 395 p., il., 23 cm. DISCURSOS DE TOMA DE POSESIÓN José María Cruz Novillo, Diseño de un discurso. Madrid, 2009. 161 p., il., 24 cm. Miquel Navarro Navarro, Juegos de la infancia, donde se fragua el arte. Madrid, 2009. 35 p., il., 24 cm. Antonio Almagro Gorbea, Palacios medievales hispanos. Madrid, 2008. 142 p., il., 27 cm. Publio López Mondéjar, La fotografía como fuente de memoria. Madrid, 2008. 74 p., il., 24 cm. Simón Marchán Fiz, Las «querellas» modernas y la extensión del arte. Madrid, 2007. 102 p., il., 24 cm. últimas publicaciones AUTORES Plano de los alrededores de la Ciudad de Barcelona y proyecto de su reforma y ensanche. Escala 1:5000 (1859). Ildefonso María Larumbe Martín Cerdá. Edición facsímil del plano de 1859. Estudio de Antonio Bonet Correa. Madrid, 2009. Reproducido a Escuela Técnica Superior de Arquitectura, tamaño original, 172 × 261 cm, dividido en 36 móculos Universidad Politécnica, Madrid y plegado (estuche de 32 × 45 cm). Certamen de Arte Gráfico para Jóvenes Creadores 2009. Antonio Moreno Garrido Madrid, 2009. 73 p., il., 24 cm. Académico correspondiente de la Real Academia de Goya cronista de todas las guerras: los Desastres y la fotografía Bellas Artes de San Fernando, en Granada de guerra. Las Palmas de Gran Canaria, 2009. 246 p., il., 28 cm. Ana María Pérez Galdeano Francisco Preciado de la Vega: un pintor español del siglo XVIII Universidad de Granada en Roma. Varios autores. Madrid, 2009. 241 p., il., 24 cm. El amor al arte: Nicole Florensa, Apel-les Fenosa. Madrid, Pedro Luengo Gutiérrez 2008. 85 p., il., 28 cm. Becario de FPU, Universidad de Sevilla Certamen de Arte Gráfico para Jóvenes Creadores 2008. Madrid, 2008. 81 p., il., 24 cm. Miquela Forteza Oliver Goya cronista de todas las guerras: los Desastres y la fotografía Universidad de las Islas Baleares de guerra. Juan Bordes Caballero. Madrid, 2008. 64 p., il., 16 cm. Premio Nacional de Arte Gráfico 2007. Madrid, 2008. 61 p., boletín Raquel Novero Plaza il., 23 cm. real academia de bellas artes Universidad Autónoma de Madrid San Antonio de la Florida y Goya: la restauración de los frescos. 108-109 y segundo semestres de 2009 - números primer de san fernando Coordinado por José Manuel Pita Andrade. Madrid, María José Martínez Ruiz 2008. 413 p., il., 29 cm. Departamento de Historia del Arte, Universidad de André Masson: los monstruos de la razón. Madrid y primer y segundo semestres de 2009 Valladolid A Coruña, 2007. 173 p., il., 25 cm. números 108-109 Comisiones Provinciales de Monumentos Históricos y Artísticos Leticia Azcue Brea de Galicia: Católogo documental. Varios autores. Vigo, 2007. Académica correspondiente de la Real Academia de 467 p., 28 cm. Bellas Artes de San Fernando, Madrid La Junta Preparatoria de la Real Academia de Bellas Artes de San Fernando (1744-1752): Catálogo documental. Esperanza Navarrete Martínez. Madrid, 2007. 144 p., 24 cm + 1 Yasunari Kitaura DVD. Luigi Boccherini en el segundo centenario de su muerte (1743- Fernando de Terán Troyano 1805). Varios autores. Madrid, 2007. 168 p., il., 24 cm + Académico de número de la Real Academia de 1 CD. Bellas Artes de San Fernando, Madrid Velázquez: esculturas para el Alcázar. Madrid, 2007. 536 p., il. col., 28 cm. Dos dimensiones [2]: arte actual en la Academia. Madrid, 2006. 215 p., il., 27 cm. Real Academia de San Fernando: Guía del Museo. Madrid, 2004. 395 p., il., 23 cm. DISCURSOS DE TOMA DE POSESIÓN José María Cruz Novillo, Diseño de un discurso. Madrid, 2009. 161 p., il., 24 cm. Miquel Navarro Navarro, Juegos de la infancia, donde se fragua el arte. Madrid, 2009. 35 p., il., 24 cm. Antonio Almagro Gorbea, Palacios medievales hispanos. Madrid, 2008. 142 p., il., 27 cm. Publio López Mondéjar, La fotografía como fuente de memoria. Madrid, 2008. 74 p., il., 24 cm. Simón Marchán Fiz, Las «querellas» modernas y la extensión del arte. Madrid, 2007. 102 p., il., 24 cm. ACADEMIA BOLETÍN DE LA REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO ACADEMIA BOLETÍN DE LA REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO PRIMER Y SEGUNDO SEMESTRES DE 2009 - NÚMEROS 108-109 REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO CONSEJO DE REDACCIÓN Ramón González de Amezua y Noriega Pedro Navascués Palacio Antonio Iglesias Álvarez Antonio Bonet Correa Tomás Marco Aragón Ismael Fernández de la Cuesta Fernando de Terán Troyano José Luis Borau Moradell Víctor Nieto Alcaide COMITÉ CIENTÍFICO Regina Anacleto (Universidad de Coimbra) Clara Bargellini (Universidad Nacional Autónoma, México) Juan Bassegoda Nonell (Real Academia de Bellas Artes de San Jorge, Barcelona) Claude Bédat (Universidad de Toulouse) Jonathan Brown (Institute of Fine Arts, New York University) Marcello Faggiolo dell’Arco (Centro Studi sulla Cultura e l’Immagine di Roma) Nigel Glendinning (School of Modern Languages, Londres) Jesús Urrea Fernández (Museo Nacional de Escultura, Valladolid) Elisa Vargas Lugo (Academia Mexicana de la Historia) ACADÉMICO RESPONSABLE DE PUBLICACIONES Alfonso Rodríguez y Gutiérrez de Ceballos EDITA: Real Academia de Bellas Artes de San Fernando Alcalá, 13. 28014 Madrid Teléfono: 91 524 08 64. Fax: 91 524 10 34 www. rabasf.insde.es COORDINA: Departamento de Archivo-Biblioteca y Publicaciones Teléfono: 91 524 08 84. Fax 91 531 47 41 Correo electrónico: [email protected] DISEÑO Y MAQUETACIÓN: Ignacio Fernández FOTOCOMPOSICIÓN E IMPRESIÓN: Imprenta Taravilla ISSN: 0567-560X DEPÓSITO LEGAL: M-6264-1958 ÍNDICE 9VENTURA RODRÍGUEZ Y LA NUEVA FACHADA DE LA CATEDRAL DE PAMPLONA María Larumbe Martín 53 EL TRATADO DE ABRAHAM BOSSE, PRINCIPAL REFERENCIA TEÓRICA DE LOS GRABADORES ACADÉMICOS DE SAN FERNANDO Antonio Moreno Garrido y Ana María Pérez Galdeano 65 EL MONUMENTO A CARLOS IV EN MANILA, OBRA DE JUAN ADÁN Pedro Luengo Gutiérrez 79 FRANCISCO MUNTANER MONER Y SU PARTICIPACIÓN EN ALGUNAS DE LAS EMPRESAS ILUSTRADAS MÁS IMPORTANTES DEL SIGLO XVIII Miquela Forteza Oliver 93 EL SEPULCRO DE FELIPE V, INICIADOR DE LA REAL ACADEMIA DE BELLAS ARTES, EN LA COLEGIATA DE LA GRANJA DE SAN ILDEFONSO Raquel Novero Plaza 111 A NTONIO MAURA Y SUS REFLEXIONES SOBRE PATRIMONIO ARTÍSTICO: EL DISCURSO DE INGRESO EN LA REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO QUE NUNCA PRONUNCIÓ María José Martínez Ruiz 141 LA ESCULTURA ITALIANA DEL SIGLO XIX EN MADRID Y EL COLECCIONISMO PRIVADO (II) Leticia Azcue Brea 193 LOS «CRUELES BORRONES» DE EL GRECO Yasunari Kitaura 211 P RESENTACIÓN DE LA EDICIÓN FACSÍMIL DEL PLANO DE LOS ALREDEDORES DE BARCELONA Y PROYECTO DE SU REFORMA Y ENSANCHE, OBRA DE ILDEFONSO CERDÁ [1859] Fernando de Terán Troyano VENTURA RODRÍGUEZ Y LA NUEVA FACHADA DE LA CATEDRAL DE PAMPLONA María Larumbe Martín RESUMEN: En las últimas décadas del siglo XVIII se construye una nueva fachada para la catedral gótica de Pamplona. Tras una serie de gestiones con la Academia de San Fernando, el cabildo encargó el proyecto al arquitecto Ventura Rodríguez, que lo presentó en febrero de 1783. Las obras fueron dirigidas por su discípulo Santos Ángel de Ochandátegui, que supo interpretar el diseño y controlar con rigor la construcción.
Recommended publications
  • Ditte Vilstrup Holm
    The Poetics of Participation The Organizing of Participation in Contemporary Art Holm, Ditte Vilstrup Document Version Final published version Publication date: 2019 License CC BY-NC-ND Citation for published version (APA): Holm, D. V. (2019). The Poetics of Participation: The Organizing of Participation in Contemporary Art. Copenhagen Business School [Phd]. PhD series No. 8.2019 Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 06. Oct. 2021 COPENHAGEN BUSINESS SCHOOL IN CONTEMPORARY ART THE ORGANIZING OF PARTICIPATION THE POETICS OF PARTICIPATION: SOLBJERG PLADS 3 DK-2000 FREDERIKSBERG DANMARK WWW.CBS.DK ISSN 0906-6934 Print ISBN: 978-87-93744-58-5 Online ISBN: 978-87-93744-59-2 Ditte Vilstrup Holm THE POETICS OF PARTICIPATION THE ORGANIZING OF PARTICIPATION IN CONTEMPORARY ART Doctoral School of Organisation and Management Studies PhD Series 8.2019 PhD Series 8-2019 The Poetics of Participation The organizing of participation in contemporary art Ditte Vilstrup Holm Main supervisor: Timon Beyes Department of Management, Politics and Philosophy
    [Show full text]
  • European Art of the 19Th Century: from Classicism to Symbolism Fall 2016, European Humanities – 3-Credit Course Tuesdays and Fridays at 11:40-13:00; V10-A13
    Final Syllabus European Art of the 19th Century: From Classicism to Symbolism Fall 2016, European Humanities – 3-credit Course Tuesdays and Fridays at 11:40-13:00; V10-A13 Anna Ancher: The Maid in the Kitchen, 1883-86 Content The course focuses on developments in France and begins with the Romantic-Classic conflict, followed by a discussion of Naturalism in landscape and the breakthrough of Realism. The importance of Manet, Monet, Degas, and the influence of Japanese woodprints on the period of Impressionism will be analyzed, followed by Cézanne, Van Gogh, and other masters of Postimpressionism. The consolidation of various types of Symbolism, such as Gauguin’s Synthetism and the Nordic evocative landscape is elaborated. Special attention will also be given to the achievements of Scandinavian artists during the period including the Danish Golden Age, the Skagen Painters, and the work of Munch. European Art of the 19th Century: From Classicism to Symbolism| DIS – Study Abroad in Scandinavia | Related Discipline: Art History Final Syllabus Instructor: Andrea Homann Dipl.-Ing. (Apparel Engineering/Fashion Design, FH Mönchengladbach, 1989). 1989-1990 Designer at Westfalenstoffe, Münster/Germany, 1990-1993, Educator at the Museum of Contemporay Art, Los Angeles (MOCA), the Los Angeles Municipal Art Gallery. Since 1994, Educator at the Danish National Gallery (Statens Museum for Kunst). With DIS since 1997. Consultation: Preferably after class. DIS Contacts: Karen Søilen, European Humanities Assistant Program Director Matt Kelley, European
    [Show full text]
  • The Stones of Cumbria
    The Stones of Cumbria by Amy R. Miller A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Amy R. Miller 2012 The Stones of Cumbria Amy R. Miller Doctor of Philosophy Department of Art University of Toronto 2012 Abstract Gosforth, in the English province of Cumbria, is home to a group of tenth-century sculptures that are among the most intricate and best-preserved examples of Anglo-Scandinavian monumental stone carving. These sculptures are essential for appreciating the complex and rich culture that developed in the late first millennium in northern England. This thesis offers a detailed analysis of the Gosforth sculptural group through multiple facets of its construction, design, and location to gain a broader understanding of the role of public sculpture in the unsettled but dynamic regions of Viking England. The complexity of Anglo-Scandinavian sculpture is examined first through an archaeological and material reassessment that reveals the method of the monuments’ construction and further supports the attribution for most of the sculptures to a single artist, whose craftsmanship, composition, and style match works across northern England, several of which were previously unattributed to him. This corpus expands our understanding of at least one professional early medieval artist and enables us to refine the general timeline of sculptural production in England. This artist sculpted in support of a new Anglo-Scandinavian elite, who adopted the local practice of ornamenting carved crosses but consciously adapted the ii iconography to reflect and reaffirm their otherness. By referencing one another, the sculptures forged and reflected the complex process of mutual acculturation and competition among communities and served as fixed spatial and mental foci in the Viking Age settlement of northern England.
    [Show full text]
  • TOWARDS a MEDIA ARCHITECTURE an Inquiry Into the Convergencies of Constructed Space and Screen-Based Media
    TOWARDS A MEDIA ARCHITECTURE An inquiry into the convergencies of constructed space and screen-based media Tobias Ebsen 1 Masterʼs thesis, August 2010 CONTENTS CONCLUDING REFLECTIONS ............................................................95! SUMMARY ............................................................................................98! REFERENCES....................................................................................101! NOTES................................................................................................105! INTRODUCTION.....................................................................................4! Scope...................................................................................................5! Background..........................................................................................7! Technology or culture ........................................................................11! Current discourse ..............................................................................12! ARCHITECTURE AND ITS EVOLUTION AS A VISUAL MEDIUM.......15! Form and surface...............................................................................17! Speaking through form ......................................................................18! Speaking through surface..................................................................21! The semiotics of architecture: function and symbolism .....................27! Aesthetic ambiguity ...........................................................................29!
    [Show full text]
  • Creating Cultural Heritage Three Vignettes on Carl Jacobsen, His Museum and Foundation Lunde Jørgensen, Ida
    Creating Cultural Heritage Three Vignettes on Carl Jacobsen, His Museum and Foundation Lunde Jørgensen, Ida Document Version Accepted author manuscript Published in: Management & Organizational History DOI: 10.1080/17449359.2018.1547645 Publication date: 2018 License Unspecified Citation for published version (APA): Lunde Jørgensen, I. (2018). Creating Cultural Heritage: Three Vignettes on Carl Jacobsen, His Museum and Foundation. Management & Organizational History, 13(3), 283-301. https://doi.org/10.1080/17449359.2018.1547645 Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 Creating Cultural Heritage: Three Vignettes on Carl Jacobsen, His Museum and Foundation Ida Lunde Jørgensen Journal article (Accepted manuscript*) Please cite this article as: Lunde Jørgensen, I. (2018). Creating Cultural Heritage: Three Vignettes on Carl Jacobsen, His Museum and Foundation. Management & Organizational History, 13(3), 283-301. https://doi.org/10.1080/17449359.2018.1547645 This is an Accepted Manuscript of an article published by Taylor & Francis in Management & Organizational History on 21 Nov 2018, available online: DOI: http://www.tandfonline.com/10.1080/17449359.2018.1547645 * This version of the article has been accepted for publication and undergone full peer review but has not been through the copyediting, typesetting, pagination and proofreading process, which may lead to differences between this version and the publisher’s final version AKA Version of Record.
    [Show full text]
  • Chapter 3 the Imagined Geographies of Collecting: Displaying Classical Antiquity in Danish Museums
    This publication is a result of the European Union-funded Horizon 2020 research project: CoHERE (Critical Heritages: performing and representing identities in Europe). CoHERE received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No. 693289. Chapter 3 The Imagined Geographies of Collecting: Displaying Classical Antiquity in Danish Museums This chapter explores how the exhibition of classical antiquities in Danish museums conceptualises Denmark and Danish identity within the European cultural landscape. It concentrates on two museums in particular, the National Museum of Denmark and the Ny Carlsberg Glyptotek. Not only do these two institutions host the largest and most important collections of classical antiquities in Denmark, they also offer a continuous sequence of engagement with the material culture of classical antiquity in Denmark, stretching back to the beginning of the nineteenth century. The exhibitions reflect the history of the museum institution that houses them and the mutating conceptualisations of their classical collections in a national and European perspective. Although this chapter will also touch on perspectival material shown in older exhibitions, it will focus on the formation of the museums’ collections and their most recent exhibitions in order to assess continuities and breaks in the ideological conceptualisation of classical antiquity as part of a Danish imagined geography.1 Before we turn our attention to the Danish context, a short excursion into the
    [Show full text]
  • Nordic Lights
    TRAVEL WITH FRIENDS IN 2013 Nordic Lights THE ARTS IN DENMARK, NORWAY AND ICELAND with John McDonald 5–19 June 2013 (15 days) TRAVEL WITH FRIENDS IN 2013 Nordic Lights THE ARTS IN DENMARK, NORWAY AND ICELAND with John McDonald 5–19 June 2013 (15 days) Tour Nordic Lights leader Enjoy an in-depth look at traditional, modern and contemporary art, sculpture, design and architecture in the Nordic capitals of Copenhagen, Aarhus, Oslo and Reykjavik. In Denmark, highlights include the Ny Carlsberg Glyptotek, ARKEN Museum of Modern Art, the Ordrupgaard Collection, the Louisiana Museum of Modern Art and Sculpture by the Sea in Aarhus. In Norway, see Oslo’s new Opera House, the Renzo Piano-designed Astrup Fearnley Museum of Modern Art, Vigeland Sculpture Park and, of course, the Munch Museum. Finish with five days exploring the scenic and natural wonders of Iceland, plus its flourishing contemporary art scene. John McDonald John McDonald is best known as the art critic of the Sydney Morning Herald. He is a former Head of Australian Art at the National Gallery of Australia, a busy lecturer, and author of At a glance several books, most notably, • Sculpture by the Sea in Aarhus Art of Australia: From Exploration • Experience the best Scandinavia has to offer in art, design and architecture to Federation, the first in a projected three volume • Discover the many great museums in Copenhagen and Oslo history of Australian art. John • Spend 5 days in Reykjavik exploring its flourishing contemporary art scene has a longstanding interest in • Explore the scenic and natural wonders of Iceland contemporary art.
    [Show full text]
  • Cruising Copenhagen and a Summer Season in Copenhagen That Has Been Quite Fantastic
    also includes edition #2 Rent a car at get out of town Eating next door to the queen Latin-American cuisine is here Roskilde: Monarchy’s cradle and grave Take a trip to Sweden Open sandwich: Serious Smørrebrød free the essential free guide to your stay in copenhagen copenhagencruising gigs what’s on late summer and autumn 2018 / 2019 2018 eat new street food markets are here shop danish design icons attractions the must-see hit list go how to get around in copenhagen COVER edition #2 hej Welcome to the second issue of Cruising Copenhagen and a summer season in Copenhagen that has been quite fantastic. Although there’s no guarantee that the warm and sunny weather will persist into the remainder of the summer and the autumn, we’re already able to say that 2018 has been a fantastic year to take a holiday in Copenhagen. The city is fizzing with activity and happy visitors, and we’ve already had some big events that have attracted natives and tourists alike. Among the things I’m thinking of are such things as Crown Prince Frederik’s 50th birthday, the Ice Hockey World Championships and this summer’s music festivals, which have made the city extra-colourful. But even more events are on the way. Not least, we’ll have Copenhagen Fashion Week, Copenhagen Pride and Copenhagen Cooking & Food Festival, plus much more. A propos cooking, some exciting new food markets have been launched since the previous issue of this magazine. Broens Gadekøkken has opened just off Nyhavn, and on Refshaleøen – just opposite Langelinie – a large street-food market has come into being, giving you scope for experimentation that involves all the senses.
    [Show full text]
  • Helhesten and the Danish Avant-Garde, 1934-1946
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Mobilizing The Collective: Helhesten And The Danish Avant-Garde, 1934-1946 Kerry Greaves Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/566 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 © 2015 KERRY GREAVES All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Professor Emily Braun Chair of Examining Committee Date Professor Claire Bishop Executive Officer Professor Romy Golan Professor David Joselit Professor Karen Kurczynski Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES Adviser: Professor Emily Braun This dissertation examines the avant-garde Danish artists’ collective Helhesten (The Hell- Horse), which was active from 1941 to 1944 in Nazi-occupied Copenhagen and undertook cultural resistance during the war. The main claim of this study is that Helhesten was an original and fully established avant-garde before the artists formed the more internationally focused Cobra group, and that the collective’s development of sophisticated socio-political engagement and new kinds of countercultural strategies prefigured those of postwar art groups such as Fluxus and the Situationist International.
    [Show full text]
  • Helhesten and the Danish Avant-Garde, 1934-1946 Kerry Greaves Graduate Center, City University of New York
    City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects Graduate Center 2-2015 Mobilizing The olC lective: Helhesten And The Danish Avant-Garde, 1934-1946 Kerry Greaves Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! Follow this and additional works at: https://academicworks.cuny.edu/gc_etds Part of the History of Art, Architecture, and Archaeology Commons, and the Other History Commons Recommended Citation Greaves, Kerry, "Mobilizing The oC llective: Helhesten And The aD nish Avant-Garde, 1934-1946" (2015). CUNY Academic Works. https://academicworks.cuny.edu/gc_etds/566 This Dissertation is brought to you by CUNY Academic Works. It has been accepted for inclusion in All Dissertations, Theses, and Capstone Projects by an authorized administrator of CUNY Academic Works. For more information, please contact [email protected]. MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 © 2015 KERRY GREAVES All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Professor Emily Braun Chair of Examining Committee Date Professor Claire Bishop Executive Officer Professor Romy Golan Professor David Joselit Professor Karen Kurczynski Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES Adviser: Professor Emily Braun This dissertation examines the avant-garde Danish artists’ collective Helhesten (The Hell- Horse), which was active from 1941 to 1944 in Nazi-occupied Copenhagen and undertook cultural resistance during the war.
    [Show full text]
  • Philippe Denys
    15_12_10 _ siècle e Pierre Bergé & associés Société de Ventes Volontaires_agrément n°2002-128 du 04.04.02 12, rue Drouot 75009 Paris T. +33 (0)1 49 49 90 00 F. +33 (0)1 49 49 90 01 Pierre Bergé & associés - Belgique Grand Sablon 40 Grote Zavel Bruxelles B-1000 Brussel T. +32 (0)2 504 80 30 F. +32 (0)2 513 21 65 PHILIPPE DENYS 10, Place Saint-Barthélémy Liège 4000 T. + 32 (0)4 222 26 06 Philippe Denys - Le design historique, un nouveau regard sur les objets d’art du XX LE desiGN hisTORIQUE, Pierre Bergé & associés - Suisse E 11, rue du général Dufour CH-1204 Genève UN NOUVEAU REGARD SUR les OBJETS D’ART DU XX siÈCle T. +41 22 737 21 00 F. +41 22 737 21 01 www.pba-auctions.com Bruxelles - mercredi 15 décembre 2010 2 3 4 5 6 7 8 9 10 11 12 13 14 15 VENTE AUX ENCHÈRES PUBLIQUES BRUXELLES Pierre Bergé & associés Par le Ministère de l’étude LEROY & Associés Huissiers de Justice à 1050 Bruxelles. Door tussenkomst van het kantoor LEROY & Vennoten Gerechtsdeurwaarders te 1050 Brussel. Vente PHILIPPE DENYS Le design historique, un nouveau regard sur les objets d’art du XXe siècle Mercredi 15 Décembre 2010 - 16 heures Woensdag 15 december 2010 - 16.00 uur SALLE DES BEAUX-ARTS -BRUXELLES PIERRE BERGÉ & ASSOCIÉS - FRANCE Pierre Bergé président Antoine Godeau - Frédéric Chambre vice-présidents PARIS 12 rue Drouot 75009 Paris T. +33 (0)1 49 49 90 00 - F. +33 (0)1 49 49 90 01 numéro d’agrément_2002-128 du 04.04.02 RELATIONS PUBLIQUES DÉPARTEMENT DÉPARTEMENT PRESSE SPÉCIALISÉE JUDAÏCA DESIGN Nathalie du Breuil Amélie Sieffert ART NOUVEAU T.
    [Show full text]