A ISLING H EDGECOCK

AISLING HEDGECOCK Image 1. Documentation image, hand with polystyrene beads Image 2. Between Science Fiction and Designs for Modern Living, 2008, polystyrene beads, glue, paint, dimensions variable Image 3. Peepholes & Portals, 2007, pencil on paper, 200 x 150 cm (detail)

48 FINE ARTS 2007-2008 49 50 FINE ARTS 2007-2008 51 C ATRIN H UBER

CATRIN HUBER CATRIN HUBER Nichts-Desto-Trotz 2006 Construction 3 2008 varnish, pigment pen on aluminium, 100 x 100 cm varnish, pigment pen on aluminium, 250 x 125 cm

52 FINE ARTS 2007-2008 53 CATRIN HUBER Construction with light 2007 collage (magazine, drawing, photocopy) on paper, 40 x 40 cm

CATRIN HUBER CATRIN HUBER Hairchitecture 2007 Construction with hair 2007 collage on paper, 29.5 x 42.5 cm collage on paper, 60 x 60 cm

54 FINE ARTS 2007-2008 55 COLIN L ANGRIDGE

COLIN LANGRIDGE COLIN LANGRIDGE Uplift 2007 Augusto 2007 cotton, plaster, glue, enamel, steel, 80 (h) x 60 (w) x 40 (d) cm cotton, plaster, glue, enamel, steel, 100 (h) x 70 (w) x 40 (d) cm

56 FINE ARTS 2007-2008 57 THIS BODY OF WORK has been QUESTA SERIE DI OPERE è stata influenced by Baroque sculpture influenzata dalla scultura e pittura and painting seen in various barocca che ho visto in diverse chiese churches and museums throughout e musei in tutta Roma. L’artista che Rome.The artist I looked at most ho guardato più attentamente è closely was Gian Lorenzo Bernini. stato Gian Lorenzo Bernini. Il The windswept billowing fabric he panneggio gonfiato e mosso dal employed in many of his sculptures, vento che Bernini impiegò in molte also used in many Baroque delle sue sculture, e che si trova anche paintings, inspired me to explore in molti dipinti barocchi, mi ha ways of creating wall mounted ispirato a esplorare modi per creare sculpture using only the fabric and sculture a parete che usano solo il dispensing with the figure panneggio facendo completanente a altogether.The resulting artworks meno della figura umana. Le opere are formal and technical che ne risultano sono esplorazioni explorations that seem to suggest formali e tecniche che sembrano the absent figure charged with an suggerire la figura assente caricata di emotional content driven by form un contenuto emozionale propulso and colour. dalla forma e dal colore.

Colin Langridge Colin Langridge

COLIN LANGRIDGE COLIN LANGRIDGE Putti Clouds 2007 Deaths 2007 cotton, plaster, glue, enamel, steel, 50 (h) x 30 (w) x 30 (d) cm each cotton, plaster, glue, enamel, steel, 90 (h) x 40 (w) x 40 (d) cm each

58 FINE ARTS 2007-2008 59 M ARTA M ARCÉ

MARTA MARCÉ MARTA MARCÉ Mikado 21 2007 Jockey Series 2006 acrylic on canvas, 182 x 230 cm mixed media on canvas, 35 x 35 cm each; mixed media on wood, 12 cm diameter each

60 FINE ARTS 2007-2008 61 instructions and strategies in the concettuali dell’effettiva esecuzione di un making of the paintings. But I also allow dipinto, e infine l’ambiente in cui viene an element of chance and self- esposto. Io uso e manipolo i sistemi determination to enter the process in basilari e le regole dei miei propri giochi. order to introduce playfulness in the Le strutture che queste regole offrono face of what can otherwise be a too sono sempre il punto di partenza del mio controlled activity. lavoro e vengono usate per impartire In Flowing Series I was thinking of istruzioni e strategie nella realizzazione geometry and the game Tangram which dei dipinti. Ma consento anche che nel uses geometric shapes to create procedimento entri un elemento di recognisable forms. I wanted to use casualità e autodeterminazione al fine di these shapes to create multiple-use introdurre giocosità a fronte di ciò che geometric figures. Geometry is one of altrimenti può essere un’attività troppo the keys to this new series, but it is, as controllata. always in my work, an unsettled Nella Flowing Series ho pensato alla geometry, not at all rigid or intending geometria e al gioco del Tangram che fa to be completely perfect. I want to uso di sagome geometriche per creare MARTA MARCÉ show how it can be a ‘primary element’ forme riconoscibili.Volevo usare queste Flowing 3 2007 from which all shapes can be forme per creare figure geometriche acrylic on wood, 160 x 122 cm constructed and realised. I have tried to multiuso. La geometria è una delle chiavi think of geometry as a live creature that di questa nuova serie, ma è, come sempre continually changes, each time giving nel mio lavoro, una geometria instabile, us quite different random shapes and che non è affatto rigida né intende essere MY USE OF GAMES is like a metaphor for ideas which make up our real world. completamente perfetta.Voglio mostrare the structure and development of life Life is movement and I started the floor come essa possa essere un ‘elemento itself – an activity with an uncertain pieces thinking about a movement that primario’ da cui possono essere costruite e outcome.The act of painting functions the visitor can also interact with. realizzate tutte le forme. Ho cercato di in a similar way – there are the pensare la geometria come una creatura boundaries of the canvas, the Marta Marcé viva che muta continuamente, e ogni limitations of paint, the conceptual volta ci dà forme e idee casuali assai constraints of actually making a diverse, che compongono il nostro mondo painting, and finally the environment in IL MIO USO DEI GIOCHI è come una metafora reale. La vita è movimento e ho iniziato i which they are shown. I use and also della struttura e dello sviluppo della vita lavori a pavimento pensando a un manipulate basic systems and rules of stessa – un’attività dall’esito incerto. movimento con cui il visitatore possa games of my own.The structures these L’atto di dipingere funziona in modo anche interagire. MARTA MARCÉ rules provide are always the starting simile – ci sono i confini della tela, le Diadem show at Riflemaker Gallery, point of my work and are used to issue limitazioni del colore, le costrizioni Marta Marcé London, December 2007

62 FINE ARTS 2007-2008 J ENNIFER M ARSHALL

JENNIFER MARSHALL JENNIFER MARSHALL Wallpaper 2008 Wallpaper 2008 linocut, 224 x 168 cm linocut (detail)

64 FINE ARTS 2007-2008 65 JENNIFER MARSHALL JENNIFER MARSHALL Fountain I 2008 Fountain II 2008 linocut, 36 x 50 cm linocut, 36 x 50 cm

66 FINE ARTS 2007-2008 67 L ESLIE M ATTHEWS lead sheet, felt, gouache paint, 70 x 40 cm (average) lead sheet, felt, gouache paint, 70 x 40 cm (average) 2007 2007 Presentiment Presentiment ATTHEWS ATTHEWS M M ESLIE ESLIE L L

68 FINE ARTS 2007-2008 69 There’s a certain slant of light, Taglia i pomeriggi d’inverno On winter afternoons una certa obliquità di luce That oppresses, like the weight che grava con la stessa pesantezza Of cathedral tunes delle note in una cattedrale lead sheet, felt, gouache paint, 70 x 40 cm (average) 2007 Presentiment

The Poems of Emily Dickinson, No. 320, ed. R. W. Franklin, The Belknap Press of Harvard

ATTHEWS University Press, Cambridge, Massachusetts & London, 1999, p. 142-143 M

Emily Dickinson. Tutte le poesie, n. 258, a cura di M. Bulgheroni, I Meridiani, Mondadori, ESLIE

L Milano, 1997, p. 1653 (traduzione di Mario Luzi)

70 FINE ARTS 2007-2008 71 L INDSAY S EERS

It was by accident that the conflation of two unrelated events transformed her into a wholly different person. A diary dating from 1993 records that she bought a portfolio of photographs in the Rome flea market, Porta Portese. The images had come from the USA: actresses and actors who had sent material to Metro- Goldwyn-Mayer in the 1930s; some had letters clipped to them or notes on the reverse about screen tests for film parts at the studio. She had been writing about Greta Garbo at that time and by coincidence some of the actresses in the portfolio had been considered for the part of Christina that Garbo played in 1933. Her fascination for the real Queen Christina of arose from Christina’s androgyny and proclaimed hatred of women, her practice of alchemy and the way in which she performed herself in different guises. Her journey through Christina led her onto Christina’s kinsman August Strindberg and to his alchemy, his hatred of women, his love of photography and the theatre – and his play of 1901 ‘Queen Christina’. Her photography collection then extended to productions of Strindberg’s work.

So it was the chance discovery of the portfolio in a tattered cardboard box in Rome in the spring of that year, and an ill-fated journey on a moped in the autumn, that set up the new equation of her identity. It was near Portsmouth that she and the moped parted company as it skidded on autumn leaves on a wet Hampshire B-road. The police record documents that her helmet was not fastened under the chin and the rider suffered a severe blow to the head, rendering her unconscious for seven days. Hospital records show that on regaining consciousness the patient was diagnosed with dissociative amnesia, which developed into what is known as a ‘fugue state’; prompting a flight from reality, both physically and emotionally, brought on by a state of shock. She was extremely confused at this time. It was as if everything had been rendered into a code which she was unable to decipher. She could recognise no one. She was plagued by the suspicion that nobody was telling the truth, that everyone was acting, acting as if she should know them when clearly she did not. On encouragement from her therapist her mother brought all the photographs she had in her flat to the hospital hoping they would act as a trigger for the recovery of her memory. Subsequently, it seemed they had in fact created false memories.

72 FINE ARTS 2007-2008 73 Still in the grip of the dissociative fugue, she disappeared. It seems incredible, like a game that she was playing with herself or a trick played upon others, but something of all the Christina’s she had collected seemed to have been absorbed into the vacuum of her identity – she claimed them all as herself. She began calling herself Harriet Bose (an actress who became Strindberg’s wife) and always referred to herself in the third person. She travelled to Italy and Sweden, Christina’s homes. Eventually she was found sleeping in the door of Villa Corsini in Rome and was then returned to England for treatment.

The dissociative amnesia eventually subsided, although much of her memory of the past had been permanently distorted. In 2008 she returned to Rome to sites that she recalled from her fugue time.

74 FINE ARTS 2007-2008 75 P RISCA T HIELMANN

PRISCA THIELMANN Hadrian’s Villa as subterranean palace 2007

76 FINE ARTS 2007-2008 PRISCA THIELMANN Luftschloss If wall-decoration was structural 2008

78 FINE ARTS 2007-2008 79 J OHN WALTER oil on canvas with metal eyelets,oil on canvas 167 x 132 cm oil on canvas with metal eyelets,oil on canvas 167 x 132 cm 2008 2008 Intercision: Betrayal Intercision: Scar ALTER ALTER W W OHN OHN J J

80 FINE ARTS 2007-2008 81 oil on canvas with metal eyelets,oil on canvas 167 x 132 cm 2008 oil on canvas with metal eyelets,oil on canvas 167 x 132 cm 2008 Intercision: Lozenges Intercision: Its About to Happen ALTER ALTER W W OHN OHN J J

82 FINE ARTS 2007-2008 83 ‘Party at the American Academy’ exhibition opening ‘The Director’s Apartment’ exhibition opening 13 December 2007 13 March 2008

‘Party at the American Academy’ exhibition opening: performance by The Order of the Golden Ghost 13 December 2007

84 FINE ARTS 2007-2008 85 B IOGRAPHIES

86 FINE ARTS 2007-2008 87 JONATHAN ALLEN ELEANOR AVERY Arts Council England Helen Chadwick Fellow, September 2007-March 2008 Australia Council Resident Artist, April-June 2008

Born 1966. Lives and works in London. Mesmer, temporarycontemporary, London Born England, 1967. SELECTED AWARDS AND RESIDENCIES Tommy Angel performance (in association with 2008 Australia Council Visual Arts Board studio residency, EDUCATION Hayward Gallery for Eyes,Lies,and Illusions), London EDUCATION The British School at Rome 1988-89 MA Fine Art, Chelsea School of Art, London 2002 Con Art, Site Gallery, Sheffield; Glynn Vivian Gallery, 2000 MA Fine Art,University of Central England,Birmingham 2007 Studio Residency, Artspace, Sydney, collaboration 1985-88 BA Fine Art,Trent University, Nottingham Swansea 1994 BA (hons) 1st Class, Multi Media Textiles, with James Avery A Night of Performance Magic, Lantern Theatre, Loughborough College of Art 2005 Studio Residency, Spike Island, Bristol ONE PERSON EXHIBITIONS Sheffield 2004 Australia Council Visual Arts/Craft Strategy New 2007 Kalanag, David Risley Gallery, London 2001 The Bristol Art Library, Japan, Poland, USA, UK SELECTED RECENT ONE PERSON EXHIBITIONS Work Grant 2006 Tommy Angel, David Risley Gallery, London 1998 Quirk, Serge Sorokko Gallery, New York 2008 Supernova, collaboration with James Avery, 2003 The Floating Land, Site Specific Sculpture Lab, Noosa, 1998 Feint,Deutsche Bank Lobby Gallery, New York StoneTroupers, Lovebytes, Sheffield Grantpirrie Gallery, Sydney Queensland, Australia Second Truths, Site Gallery, Sheffield 2007 Tricky, Ryan Renshaw Gallery, Brisbane 1997 The Float in the Sight of Things, Ferens Art Gallery, Hull SELECTED WRITING Flight Deck, collaboration with James Avery, Sherman SELECTED PUBLIC AND PRIVATE COLLECTIONS 2007 ‘Look Stupid’, Festival Steirischer Herbst catalogue, Galleries Artbox, Sydney 2008 Portside Wharf, Hamilton, Australia – public art SELECTED GROUP EXHIBITIONS Graz, Austria Our Day Out, space mission, collaboration with James commission with James Avery 2008 The Great Transformation – Art and Tactical Magic, ‘Deceptionists at War’, Cabinet Magazine, issue 26: Avery, Metro Arts, Brisbane 2007 Queensland Transport public art commission – Frankfurter Kunstverein, Frankfurt Magic (guest editor) Our Day Out, yourspace, collaboration with James collaboration with James Avery, Cycle Centre, The Director’s Apartment,The British School at Rome 2006 ‘Sleight of Light’, Cabinet Magazine, issue 24: Shadows Avery, Artspace, Sydney Brisbane 2007 Bobby Reader, performance for Implicasphere, 2004 ‘Gospel Magic’, Contemporary Magazine, issue 68 2006 Boomtown, Blacklab Gallery, Brisbane Artbank collection, Australia Cornerhouse, Manchester 2005 Our Day Out, City Limits,collaboration with James 2006 KPMG, Brisbane Citadel 1 Front Room: Killing Room, David Risley RESIDENCIES AND AWARDS Avery, Spike Island, Bristol Gaden’s Lawyers, Australia Gallery, London 2007-08 Arts Council England Helen Chadwick Fellowship, 2004 Gatecrash, Soapbox Gallery, Brisbane Dictionary of War, Sophiensäle, Rome and Oxford 2003 Wonderland, Soapbox Gallery, Brisbane WEBSITE www.dictionaryofwar.org 2004-05 Arts Council England Individual Artists Award 2002 Fringe, Linden-St Kilda Centre for Contemporary Arts, www.ourdayout.org /seconds, issue 4, www.slashseconds.org 1998 Photo98 Year of Photography & the Electronic Image Melbourne 2006 1st Singapore Biennale, exhibition and performance, Award Shift, Soapbox Gallery, Brisbane Singapore 1995 Elephant Trust Award Scarecrow, Averoff-Evangelos Museum, Metsova, 1991-93 Henry Moore Fellowship SELECTED RECENT GROUP EXHIBITIONS Greece 2008 Spazi Aperti 6,The Romanian Academy, Rome Tommy Angel performance, for Keep the Faith,Tate WEBSITE Show Me Your World, Gitte Weise Gallery, Berlin Britain, London www.jonathanallen.info 2007 Topsy, Metro Arts, Brisbane Smoke and Mirrors, macarts & VIVID, Birmingham Vertigo, Perth Institute of Contemporary Art 2005 Variety, De La Warr Pavilion, Bexhill-on-Sea, UK Disco Baroque, UTS Gallery, Sydney So You’re Afraid Of What?, Centrefold, Redux Gallery, Monolithic, Peloton, Sydney London 2006 Transformative, Blindside Gallery, Melbourne 2004 Non-Human, David Risley Gallery, London 2005 Brainstorms, Grantpirrie Gallery, Sydney

88 FINE ARTS 2007-2008 89 JAMES AVERY GORDON BURN Australia Council Resident Artist, April-June 2008 Sargant Fellow in Curatorial and Critical Studies, January-March 2008

Born England, 1955. SELECTED AWARDS AND RESIDENCIES Born in Newcastle. Lives and works in London. ‘The Human Zoo: Francis Bacon’, Guardian Saturday 2008 Australia Council Visual Arts Board studio residency, Review, July 1 EDUCATION The British School at Rome EDUCATION ‘Make it New: USA Today, at the Royal Academy’, 1993 MA Art & Design Education, University of Warwick 2007 Studio Residency, Artspace, Sydney 1994 D.Lit (Honorary), University of Plymouth Guardian Saturday Review, October 14 1979 PGCE, Art Education, Leicester Polytechnic 2005 Studio Residency, Spike Island, Bristol 1966-69 BA Sociology, University of London ‘The Showman: Jeff Koons’, Guardian Saturday 1978 BA (hons) 1st Class, Fine Art Sculpture, North Staffs 2004 Australia Council,Visual Arts/Craft Strategy New Review, November 11 Polytechnic Work Grant BOOKS Martin Westwood, Other Criteria 2003 Arts Queensland, Major Grant, Australia Fiction Richard Woods, Ruskin School of Art, Oxford, and SELECTED RECENT ONE PERSON EXHIBITIONS 2008 Born Yesterday:The News as a Novel Lund Humphries 2008 Supernova, collaboration with Eleanor Avery, SELECTED PUBLIC AND PRIVATE COLLECTIONS 2003 The North of England Home Service 2005 ‘In The Dark’,in Gregor Schneider, Museo Serralves, Grantpirrie Gallery, Sydney 2008 Portside Wharf, Hamilton, Australia – public art 1995 Fullalove (longlisted for the Booker Prize) Porto 2007 Flight Deck, collaboration with Eleanor Avery, commission with Eleanor Avery 1991 Alma Cogan (winner of a Whitbread Award; ‘Paint the Town Red: Patrick Caulfield’, Guardian Sherman Galleries Artbox, Sydney 2007 Queensland Transport public art commission – longlisted for the Booker Prize) Saturday Review, January 21 Our Day Out, space mission, collaboration with collaboration with Eleanor Avery, Cycle Centre, Non-fiction Rachel Whiteread: Embankment,,Tate Eleanor Avery, Metro Arts, Brisbane Brisbane 2008 Sex & Violence,Death & Silence: collected writings on Publications Access All Areas, Ryan Renshaw Gallery, Brisbane Artbank collection, Australia art,1970-2007 ‘Living Memories: autobiographical essay’,cover Our Day Out, yourspace, collaboration with Eleanor 2006 Gaden’s Lawyers, Australia 2006 Best & Edwards story, Guardian Saturday Review, June 11 Avery, Artspace, Sydney Pine Rivers Shire Council, Australia 2001 On the Way to Work (with Damien Hirst) ‘God Is Dad: Sarah Lucas’, Guardian, October 17 2005 Our Day Out, City Limits,collaboration with Eleanor 1999 Happy Like Murderers 2004 ‘The Encounter With Reality: Gillian Wearing’, Parkett, Avery, Spike Island, Bristol WEBSITE 1986 Pocket Money issue 70 2004 Shelf Life, Esa Jaske Gallery, Sydney www.ourdayout.org 1984 Somebody’s Husband, Somebody’s Son (winner of ‘The Believers: Dave Eggers, David Foster Wallace, 2003 Trailer, Soapbox Gallery and Institute of Modern Art, an Edgar Allan Poe Award, U.S.) and the new American novel’, cover essay, Guardian Brisbane Saturday Review, March 27 Conduit, Gallery 482, Brisbane SELECTED RECENT MONOGRAPHS, ESSAYS, ARTICLES ‘Outdoors Indoors: Michael Landy’, Guardian, May 19 2002 Contained, Soapbox Gallery, Brisbane 2007 ‘Is this woman real?’in Draw: Conversations around ‘The games writers play: Roth, Updike, Ford and the legacy of drawing, MIMA, Middlesborough DeLillo’,cover essay, Guardian Saturday Review, SELECTED RECENT GROUP EXHIBITIONS ‘The hottest place on Earth: Neo Rauch and the October 9 2008 Spazi Aperti 6,The Romanian Academy, Rome painters of the Leipzig School’, Guardian, February 1 2000 ‘The Hay Smells Different to the Lovers Than to the 2007 For Sale, Parramatta Artist Studios, Parramatta, ‘Message in a Bottle: Gilbert and George’, Guardian Horses’,in Damien Hirst: Theories,Models,Methods, Sydney Saturday Review, February 3 Approaches,Assumptions,Results and Findings, Disco Baroque, UTS Gallery, Sydney ‘To the Lighthouse: Roni Horn’, Guardian Saturday Gagosian Gallery Monolithic, Peloton, Sydney Review, June 2 1997 ‘Is Mr Death In?’,in Damien Hirst, I want to spend the 2006 Instructions Not Included, Gallery 482, Brisbane International Lonely Guy: Harland Miller, Rizzoli rest of my life everywhere,with everyone,one to one, Transformative, Blindside Gallery, Melbourne 2006 ‘Touching the Void: Ellsworth Kelly’, Guardian, always,forever,now, Booth-Clibborn Editions 2005 Superstructure,West Space, Melbourne March 16

90 FINE ARTS 2007-2008 91 SPARTACUS CHETWYND CIAN DONNELLY Abbey Fellow in Painting, October-December 2007 Arts Council of Northern Ireland Fellow, October 2007-June 2008

Born 1973, lives and works in London. Bridge Freezes before Road, Barbara Gladstone, New EDUCATION 2003 Colour Chart, Ormeau Baths Gallery, Belfast York (curated by Neville Wakefield) 2000-01 MFA,Winchester School of Art (Barcelona) Planet Dacre, Queen Street Gallery, Belfast (solo) EDUCATION Do Not Interrupt Your Activities, RCA CCA, London 1994-97 BA (Hons) Fine Art, University of Ulster, Belfast 2002 Crawford Open, Crawford Municipal Art Galley, Cork, 2002-04 MA Painting, Royal College of Art, London Think + Wonder, Museum of Childhood, London Eire 1996-00 BA (Hons) Fine Art, Slade School of Fine Art, London Beck’s Futures, ICA, London EXHIBITIONS 2001 ZUMO, Can Felipa, Barcelona 1992-95 BA (Hons) Anthropology / History, University College Inaugural, Herald St, London 2008 Bologna Grand Tour, Æmilia Hotel Spazio Cultura, Lava Bonita, Galería Panorama, Barra de Ferro, London Herald St & The Modern Institute Present, GBE, New Bologna Barcelona (solo) York 20 Eventi08,Arte contemporanea in Sabina, 1999 Quadrant, Belltable Arts Centre, Limerick, Eire SELECTED RECENT EXHIBITIONS Other People’s Projects,White Columns, New York Bocchignano (curated by Dorothy Walker) 2008 Dissonanze 8, Ara Pacis, Rome 2004 Born Free (solo), Gasworks, November 2004 The Director’s Apartment,The British School at Rome 1998 Livres d’Artistes Irlandais, ADZAK Museum, Paris Spanky Chaffinche’s Film Festival, Studio Voltaire, New Contemporaries, Liverpool and London The Order of The Golden Ghost,Third Space Gallery, London Year Zero, NGCA, Sunderland Belfast (solo) AWARDS AND SCHOLARSHIPS Marrying Mimei, Hampstead Heath, London Painting, Kate Macgarry, London 2007 Party at The American Academy,The British School at 2007-08 Arts Council of Northern Ireland Fellowship,The The Snail Race, Massimo De Carlo, Milan (solo) Bat Opera (solo), Millers Terrace, London Rome British School at Rome Help! I’m Trapped in a Mezuzah Factory,Le Besami Mucho, Ferrero Rochet Ballet, Hoxton Hall, Do you want to be a Blood Wizard?, Old Museum Arts 2006 Arts Council of Northern Ireland Support for the Consortium, Dijon (solo) London Centre, Belfast (solo) Individual Artist Award Don’t Play with Dead Things,Villa Arson, Nice 2003 An Evening with Jabba the Hut,The International 3, New Art from Northern Ireland, Katzen Arts Centre, 2004 Arts Council of Northern Ireland Support for the 2007 Party at the American Academy, The British School at Manchester Washington DC, USA Individual Artist Award Rome Kabinett der Abstrakten, Bloomberg Space, London Long Time Ago (Brendan Jamison,Cian Donnelly,Mark 2003 Arts Council of Northern Ireland Support for the Migros Museum, Zurich (solo) Group Shows Are a Waste of Time, Hoxton Distillery, McGreevy), Ards Art Centre, Northern Ireland Individual Artist Award The Shark Arm Case,Comedy of Errors, ArtSpace Sydney London 2006 Group show of painting, Fenderesky Gallery, Belfast 2002 Arts Council of Northern Ireland Support for the Galerie Giti Nourbakhsch, Berlin (solo) Vilma Gold Presents,Vilma Gold, London Andrew Bracey,Cian Donnelly,Brendan Jamison,Mark Individual Artist Award Sparky Chatroom’s Film Club, Studio Voltaire, London The Golden Resistance,Tate & Egg Live,Tate Britain, McGreevy, Draiocht Arts Centre, Dublin, Eire 2000 British Council/AHRB Scholarship to study in 2006 Money – a Cautionary Tale, Art Basel Miami, Positions London 2005 Queen Street Studios Artists, St. Patrick Centre, Barcelona for MFA (Herald St) Downpatrick, N. Ireland The Call of the Wild, One Mile Program (residency), FELLOWSHIPS Group show, Fenderesky Gallery, Belfast COLLECTIONS Collective Gallery, Edinburgh 2007 Abbey Fellowship in Painting,The British School at R.U.A. (Royal Ulster Academy), Ulster Museum, Belfast Arts Council of Northern Ireland Collection Delirious, Serpentine Pavilion, London Rome Iontas, Sligo Art Gallery, Sligo, Eire National University of Ireland Permanent Collection The Fall of Man, Galerie Giti Nourbakhsch, Berlin New paintings (solo), Fenderesky Gallery, Belfast Carville Group Collection Tate Triennial,Tate Britain, London (curated by Beatrix WEBSITE 2004 Colour and Touch (two-person show with Sinead Private collections, Ireland, UK, France, Holland, , USA Ruf) www.heraldst.com/artists/chetwynd/06chet/chetwynd.html Aldridge), National University of Ireland, Galway L’Après-midi d’un Faune, Eleni Koroneou, Athens Planet Dacre: Episode I (1 hour broadcast of radio 2005 London in Zurich, Hauser & Wirth, Zurich play), Resonance FM, Central and Greater London The Walk to Dover, new commission from Studio Generator Projects, Generator Gallery, Dundee, Voltaire, London Scotland

92 FINE ARTS 2007-2008 93 ANTHONY FAROUX HARRIET HARRISS Abbey Scholar in Painting, October 2007-June 2008 Rome Scholar in Landscape Architecture, October-December 2007

EDUCATION EDUCATION BCA Concrete Design Competition, 3rd Place 2004-07 MA/Postgraduate Diploma Fine Arts, Royal Academy 2007 ARB Registered Architect, Part 3 PG(Dip) Professional Distinction MA thesis, Driven to Cinema,the cinematic Schools, London Practice, Distinction structure of a street 2006 PG(Dip) Building Conservation, Architectural Thames & Hudson and RCA Society Prize EXHIBITIONS Association, London Will Alsop’s Urban Strategy Prize 2003 2008 Spazi Aperti 6,The Romanian Academy, Rome 2003 MA(RCA) Architecture + Interiors RIBA Part 2, Royal 20 Eventi08,Arte contemporanea in Sabina, Fara Sabina College of Art, London SELECTED SCHOLARSHIPS The Director’s Apartment,The British School at Rome 2001 BA (Hons) Architecture (1st Class), Manchester 2007 Rome Scholarship in Landscape Architecture,The Planetarium, APT Gallery, London University British School at Rome 2007 Party at The American Academy,The British School at 2005-06 The Martin Caroe Scholarship,The Architectural Rome PROFESSIONAL & ACADEMIC Association Final show, Royal Academy Schools, London 2007- Diploma Studio Tutor, Senior Lecturer, BA Hilda Martindale Scholarship, University College 2006 Viennabiennale,Wien, Austria Architecture, University of Manchester London The Cattle,Wiznic, Poland 2007- Building Conservation Lecturer,The Architectural 2001-03 RCA Architecture & Interiors Student Bursary Premium, Sackler Wing Gallery, Royal Academy, Association, London London 2007 Penoyre & Prasad LLP Architects (p/t) EXHIBITIONS, COMMISSIONS, COMPETITIONS (SINCE 2003) 2005 Salon, Hollow Gallery, London 2006-07 Sheppard Robson Architects (p/t) 2007 Party at the American Academy,The British School at 2005- Experimental drawing and film, visiting lecturer, Rome SCHOLARSHIPS University of Cambridge 2006 BBC Gardeners World: One world sound garden 2007-08 Abbey Scholarship in Painting,The British School at 2004- Director, Design Heroine, London: Architecture & Co- design & build installation Rome Design practice 2005 Tokyo Design Centre,Tokyo Design Week 2004 The Architecture Foundation & EPR Architects Vision – Art by Architects Exhibition,Chelsea, London 2003-05 Research Associate, Helen Hamlyn Research Centre Capture it, design collaboration, Diawa Foundation, 2003-04 Architecture tutor (BA), Manchester School of London Architecture & Luton University 2004 Helen Hamlyn Research Associates Show, RCA, London AWARDS 2003 London Design Festival,Design for our Future selves, 2005 Vision 05 Art by Architects Prize,Association of RCA, London Consultant Architects 2004 NESTA Creative Pioneer Award PUBLICATIONS iF Lebensräume International Forum Design 2006 The Onion Project, DOTT, Service Design research for Competition,Winner memory loss healthcare 2003 Helen Hamlyn Design for Our Future Selves Winner 2005 Designs on Health, NHS Modernisation Agency Age Category Capture It, HHRC Product of the Future Award Shortlist RCA/NESTA

94 FINE ARTS 2007-2008 95 NADIA HEBSON AISLING HEDGECOCK Derek Hill Foundation Scholar, February-April 2008 Sainsbury Scholar in Painting and Sculpture, October 2006-June 2008

Born in Romsey, 1974. Sense and Sensibility,Transition, London Lives and works in London and Rome. Prospects, Pizza Express National Drawing 1998 BP Portrait Award, National Portrait Gallery, London Competition,Truman Brewery, London EDUCATION EDUCATION 1997-00 Royal Academy Schools, London SCHOLARSHIPS & FELLOWSHIPS 2004-06 MA Fine Art Sculpture, Royal College of Art, London AWARDS AND RESIDENCIES 1993-96 Central St Martin’s College of Art, London 2008 Derek Hill Foundation Scholarship,The British School 1998-01 BA 1st Class (Hons) Fine Art Sculpture,Wimbledon 2006-08 Sainsbury Scholarship in Painting & Sculpture,The 1992-93 Harrogate College of Art at Rome School of Art, London British School at Rome 2001-02 Painting Research Fellowship, University of Wales 2007 Nominated by as Outstanding ONE PERSON EXHIBITIONS Institute, Cardiff SELECTED EXHIBITIONS Young Artist for their ‘Talent 2007’issue 2007 Lusqvarna, Landguard Fort, off-site project with Arts 2008 Bologna Grand Tour, Æmilia Hotel Spazio Cultura, 2006 Mann Group Drawing Prize, Royal College of Art, Council England and English Heritage SELECTED AWARDS Bologna London Bergholzli,Vane, Newcastle 2007 Arts Council England Individual Award 20 Eventi08,Arte contemporanea in Sabina,Farfa 2004 1st Prize, 17th Annual Open, Atkinson Gallery, 2005 Grand Mal,Transition, London 2006 Arts Council England Individual Award The Hula-Gloop Experiment, RialtoSantambrogio, Somerset 2003 Goria,Transition, London 2004 Duveen Woman Artist Award Rome 2002-03 Artist in Residence, Leighton Park School, Reading Phantasmagoria, Chapter, Cardiff 2003 BOC Emerging Artist Award, selected by Matthew The Director’s Apartment,The British School at Rome 2001 Salvagnac Residency, France 2001 Perfect Lux,Cassian de Vere Cole, London Collings and Peter Blake RA Eastwing 08 Collection,The Courtauld Institute, 2002 Arts Council of Wales Award London SELECTED GROUP EXHIBITIONS 2000 André de Segonzac Travel Award, Royal Academy 2007 Party at the American Academy,The British School at 2008 Jerwood Contemporary Painters, Jerwood Space, British Institute Drawing Prize Rome London 1996 Cohn and Wolfe Painting Prize, selected by Andrew Culture ibride, Roma Design+, Rome The Director’s Apartment,The British School at Rome Graham Dixon Intervention, Fieldgate Gallery, London The Painting Room,Transition, London Spazi Aperti 5,The Romanian Academy, Rome 2007 Salon Nouveau, Engholm Engelhorn,Vienna RESIDENCIES Air Guitar & 2 Teaspoons, Bischoff/Weiss, London The Whiteness of the Whale,Transition, London 2004-05 Lecturing Residency, École des Beaux-Arts,Toulouse Project Space, LAF,London (curated by Nadia Hebson) 1999 Cromwell Hospital Drawing Residency Paradise Love Bar, Galerie Gabriel Rolt, Amsterdam Mutineer, Kunsthaus M8, Berlin 2006-07 Transit_1,2,3,The British School at Rome Revolver, Penzance Gallery, Cornwall SELECTED PUBLICATIONS 2006 Transiti, Æmilia Hotel Spazio Cultura, Bologna 2006 The Portrait, Ashwin Street Gallery,V22, London 2007 ‘Letting The Ghosts In’,Peter Suchin, Bergholzli Saudade, Highbury Studios, London Fable, Chapter, Cardiff (catalogue) 2006 Fable, Angela Kingston, Chapter Publications Re-View Territories Inspire Art,The Study Gallery, 2005 Acid Drops and Sugar Candy, Fosterart, London ‘La Grande Mort: Moby Dick,Young Törless’,Nadia Dorset Gothic Love – Glove, Lange Gasse, Augsburg, Germany Hebson, Garageland Generation, Fine Art Degree Show, Royal College of Able Seaman, Durling Ward, London Art, London 2004 Painting and Lying, Archive project with Annabel FILMS 2005 Coordinates,The Red House Museum & Sherborne Dover, funded by Arts Council England 1997 Career Girls, Contemporary Arts, Dorset Snow,Transition, London (curated by Stella Vine) 2004 Millfield Open, Atkinson Gallery, Somerset 2003 ...Sympathy, Keith Talent Gallery, London; G39, Cardiff 2003 Horse,The Study Gallery, Dorset

96 FINE ARTS 2007-2008 97 CATRIN HUBER COLIN LANGRIDGE Abbey Fellow in Painting, May-July 2008 Australia Council Resident Artist, July-September 2007

Lives and works in London. SELECTED AWARDS AND RESIDENCIES EDUCATION Bay Sculpture Prize,Tasmania 2007 Abbey Fellowship in Painting,The British School at 2006 PhD,Tasmanian School of Art, UTAS, Hobart, Australia Arts Tasmania,Visual Arts Grant EDUCATION Rome 2002 MFA,Tasmanian School of Art, UTAS, Hobart 2004 Grand Tourer, Rosny High School, Public Art 1997-99 MA Painting, Royal College of Art, London 2000 Grant, Staatliche Akademie der Bildenden Künste, 1998 BFA – Honours, Curtin University, Perth, Australia Commission 1989-94 State Examination Degree in Painting, Staatliche Karlsruhe 1991 BFA, Curtin University, Perth 2003 Rosamund McCulloch Studio Residency, Cité Akademie der Bildenden Künste, Karlsruhe 1999-00 County Baden-Württemberg Award for an artist Internationale des Arts, Paris residency at the Cité Internationale des Arts, Paris SOLO EXHIBITIONS 2002 Australian Postgraduate Award Scholarship, SELECTED ONE PERSON EXHIBITIONS 1998 John Crane Travel Award 2006 Snag, Kings ARI, Melbourne University of Tasmania, Hobart 2002 Situative Raumzeichnung Malerei, 1997 DAAD (German Academic Exchange Service) Nothing Without You, Kelly’s Garden, Hobart 2001 Director’s Prize, Sculpture by the Sea,Tasman ARTWEB24>Kunstraum, Düsseldorf (catalogue) Scholarship 2004 Snug, Inflight ARI, Hobart Peninsula 2001 Retour de Paris, Institut Français, 1992 Künstlerwege e.V: Scholarship for an artist residency 1998 Making Space, Moores Building, Perth Emerging Curator Program, Contemporary Art 2000 Malerei, Kunstverein Wilhelmshöhe, Ettlingen in Moscow Services Tasmania, Hobart SELECTED GROUP EXHIBITIONS SELECTED RECENT GROUP EXHIBITIONS 2007 Party at the American Academy,The British School at COLLECTIONS 2008 Spazi Aperti 6,The Romanian Academy, Rome Rome Port Arthur Historical Site,Tasmania Mothers, Sartorial Contemporary Art, London Port Arthur Project,Tasmania Werribee Sculpture Walk,Werribee Park,Victoria 2007 London Assembly, Ecole des Beaux-Arts, Brussels 2006 Helen Lempriere National Sculpture Award Kingborough Council,Tasmania 2006 Deck of Cards, 39, London Object, Devonport Regional Gallery,Tasmania Water, Sartorial Contemporary Art, London Woollahra Sculpture Prize, Sydney 2005 The Wrong Map,Three Colts Gallery, London 2005 Letitia Street Studios, Plimsoll Gallery, Hobart 2004 Mothers, Oxford House, London 2004 Bodybag, Carnegie Gallery, Hobart 2003 Portrait of the artist as an exquisite corpse, 39, London 2003 Woollahra Sculpture Prize, Sydney The Bold & The Beautiful: New Art from London, RMIT 2002 The Shape of Air, Plimsoll Gallery, Hobart Project Space, Australia and Carnegie Gallery, Hobart, Seven Warehouses, Long Gallery, Salamanca Arts Tasmania (supported by the British Council) Centre, Hobart (catalogue) 2001 Sculpture by the Sea, Bondi, Sydney 2002 The Bold & The Beautiful, Mile End Park Pavilions, Sculpture by the Sea,Tasman Peninsular London 2000 Gravitate, Lawrence Wilson Gallery, Perth a little Bold & Beautiful, Ferguson McDonald Gallery, 1998 CURT, John Curtin Gallery, Perth London 50.Retour de Paris, Akademie Schloss Solitude, SELECTED AWARDS Stuttgart (catalogue) 2007 Australia Council Residency,The British School at Rome 2001 RCA Secret, Royal College of Art, London 2006 Sculptural Ship Project, Port Arthur Historical Site, 2000 Gruppenausstellung, Staatliche Akademie der Public Art Commission Bildenden Künste Karlsruhe 2005 Kingborough Council Acquisitive Award, Peppermint

98 FINE ARTS 2007-2008 99 MARTA MARCÉ JENNIFER MARSHALL Abbey Fellow in Painting, April-June 2008 Australia Council Resident Artist, January-March 2008

Born Vilafranca del Penedès, Barcelona, 1972. Lives and Start Again, presentation at Mobile Home of artist’s SELECTED RECENT ONE PERSON EXHIBITIONS 1998 A Decade of Australian Printmaking, Metropolitan works in London. book funded by Arts Council, London 2007 Prints Grahame Galleries, Brisbane Museum of Seoul, Korea 2003 New British Painting,Part I, John Hansard Gallery, 2005 Duplex – works in pairs,Visual Arts Centre, La Trobe 1997 Contemporary Art Fair, Kunstrai, Amerstdam EDUCATION Southampton University 1995-98 Dualisms #2 Tapestry and Collaboration, Hobart 1998-00 MA Painting, Royal College of Art, London The Bold & The Beautiful: New Art from London, RMIT 2004 Peripheral Vision, Bendigo Art Gallery 1995 Amcor Paper Awards 1996 Erasmus, Hochschule der Kunste, Berlin and Carnegie Gallery, Hobart, Australia 1993 Glasgow Print Workshop, Glasgow, Scotland 1994 Erasmus,École Nationale Supérieure des Beaux-Arts,Paris 2002 Audio Arts Magazine, London, vol. 20, no. 4 SELECTED RECENT GROUP EXHIBITIONS 1992 Three Australian Painters, St Louis, USA 1990-95 Degree,Facultat de Belles Arts,Universitat de Barcelona ArtAid 2002, Bloomberg Space, London 2008 The Director’s Apartment, The British School at Rome In Black and White,Tin Sheds Gallery, Sydney England our England, Carnaby St, London 2007 Geelong Print Prize Norwegian International Print Triennale ONE PERSON EXHIBITIONS More ways of seeing, Blains Fine Art, London Hutchins Art Prize 2007 Encounters, Moriarty Gallery, Madrid The Bold & The Beautiful, Mile End Pavilions, London The Fatal Shore,Woodbine Art, Malmsbury,Victoria COLLECTIONS Diadem Paintings, Riflemaker Gallery, London Miller Durazo Gallery, Los Angeles XLYON 15th International Woodcut Exhibition, Public collections Puzzling, Palma XII Gallery, Barcelona Cross Currents, Raids Project Gallery, Los Angeles France State and regional galleries in Queensland NSW,Victoria, ACT, 2006 Pasajero, Riflemaker Gallery, London 2001 Jerwood Painting Prize, London & Gallery of Modern 2006 Tower of Babel, Carnegie Gallery, Hobart South Australia and Tasmania 2005 Jouable, Moriarty Gallery, Madrid Art, Glasgow (catalogue) 2 Dog Night, Colville Gallery, Hobart 2004 Playroom, Riflemaker Gallery, London Is it any wonder?, Palma XII Gallery, Barcelona ANL Maritime Art Award, Melbourne New Paintings, Mobile Home Gallery, London 2000 Bloomberg New Contemporaries 2000, Milton Keynes Prints Tokoyo 2001 Marta Marcé: Recent Work, and Sigmar Polke: Music of Gallery, Botanical Gardens, Edinburgh, and Gallery Artists, Colville Gallery, Hobart Unknown Origin, Milton Keynes Gallery, Milton Keynes Cornerhouse, Manchester (catalogue) 2005 Art on the Rocks, Sydney Visitor Centre Assembly Project, Jubilee St, London (catalogue) Only Drawing, Robin Gibson Gallery, Sydney SELECTED GROUP EXHIBITIONS Artaid,Tasmanian Museum and Art Gallery 2008 20 Eventi08,Arte contemporanea in Sabina, AWARDS, GRANTS, EXCHANGES 2004 Place Made, National Gallery of Australia, Canberra Bocchignano, Fara Sabina,Toffia, Poggio Moiano 2008 Abbey Fellowship,The British School at Rome The Tower of Babel (collaborative works on paper 2007 Is this Abstraction?, wall painting, Artist in Residence, 2007 Artist in Residence, Camden Arts Centre, London with Barbie Kjar, Milan Milojevic and Jacki Parry), Camden Arts Centre, London 2004 International Artist Residency in Kunming, China, Gallery 101, Melbourne Slipping Abstraction, Mead Gallery,Warwick Arts Council and Triangle Trust Fellowship Folio 23, Port Jackson Press, Melbourne Re-cycled, Riflemaker Gallery, London 2000-01 Picker Fellowship, Kingston University, London The Sea,The Sea, Sale Regional Gallery,Victoria 2006 Nice to meet you, Mark Moore Gallery, Los Angeles 25 Contemporary Australian Printmakers, New York Sensorial Material, Bonhams Gallery, London COLLECTIONS Society of Etchers, New York 2005 Colour my world, Riflemaker Gallery, London British Government Art Collection 2003 The Sea,The Sea, Horsham Art Gallery; Kunstrai, Painting: London, Gallery Holly Snapp,Venice, Italy British Airways Collection Amsterdam John Moores 23,Walker Art Gallery, Liverpool Saatchi Collection, London Fourth International Women’s Fine Art,Tokyo 2004 Coalesce, Palma XII Gallery, Barcelona Private collections, North America, England, Spain The Relief Print Grahame Galleries, Brisbane Artfutures, Bloomberg Space, London 2001 Third International Women’s Fine Art, Ballarat,Vic 1999 Australian Prints, Art Gallery of NSW, Sydney

100 FINE ARTS 2007-2008 101 LESLIE MATTHEWS LINDSAY SEERS Australia Council Resident Artist, October–December 2007 Wingate Rome Scholar in the Fine Arts, September 2007-January 2008

EDUCATION 2005 Signs Taken for Wonders,Gray Street Workshop EDUCATION 2005 Wunderkammer,The Collection (curated by Edward 2004-06 Master of Visual Arts (Research), South Australian Celebrates 20 Years, Galerie Ra, Amsterdam 1999-01 MA Fine Art, Goldsmiths College, London Allington) School of Art, University of South Australia Collect 2005,art fair held at the Victoria & Albert 1991-95 BA Hons in Fine Art,The Slade School of Fine Art, 2004 Adam, Smart Projects, Amsterdam Museum, London, with the Lesley Craze Gallery University College London Mind the Gap, La Friche,Triangle, Marseille, France PROFESSIONAL EXPERIENCE 2003 Chess.Touring exhibition of Contemporary Game Shattered Love, Keith Talent Gallery, London 2008 Partner, Gray Street Workshop, Jewellery and Objects Pieces,Velvet da Vinci, San Francisco ONE PERSON EXHIBITIONS Eating at Another’s Table, Metropole Galleries, Co-Operative since 1986 Metal Element of Six Countries – The Circumference of 2007 Swallowing Black Maria, Smart Project Space, Folkestone (performance/exhibition) 2007-08 Studio Head, Jewellery and Metal Studio, S.A. School Metal, International Design Centre, Nagoya, Japan Amsterdam Tonight, Studio Voltaire, London (curated by Paul of Art, University of South Australia 2001 Schmuck,Contemporary Jewellery Exhibition, 2006 Human Camera, Mali Salon, Rijeka, Croatia O’Neill) 2001-06 Sessional Lecturer, Jewellery + Metal Studio, S.A. & Bremen, Germany (performance/screening) A Variety Night of Ventriloquism, performance, FACT, School of Art, University of South Australia The truth was always there,The Collection, Lincoln Liverpool (with Ken Campbell, Aura Satz, Andrew External Examiner, Faculty of Art and Design, Fine SELECTED AWARDS I can’t tell you, Grundy Gallery, Blackpool Hubbard) Metal Department, Universiti Teknologi MARA, 2006 Studio residency (3 months),The British School at Don’t look through me, City Gallery, Leicester Mesmer,TemporaryContemporary, London Malaysia Rome,Visual Arts Board, Australia Council for the Arts 2005 Image in Me, Market Gallery, Glasgow Haunted Media, Site Gallery, Sheffield (with Susan 2004 New Work Established, Grant,Visual Arts/Craft Board Eyes of Others, Gallery of Photography, Dublin Hiller, Susan Collins, Scanner,Thomson & Craighead, SOLO EXHIBITIONS of the Australia Council I saw the light, Gasworks Gallery, London S Mark Gubb) 2002 The Gentle Wash of Memory,The Helen Maxwell Arts Scholarship Master of Visual Arts, Florence Gallery, Canberra, ACT Joyner Bequest, University of South Australia GROUP EXHIBITIONS SCHOLARSHIPS 1999 An omen in the bone, Object Galleries, Centre for 2001 New Works Grant, Solo Exhibition,Visual Arts/Crafts 2008 Bologna Grand Tour, Æmilia Hotel Spazio Cultura, 2007-08 Wingate Rome Scholarship in the Fine Arts,The Contemporary Craft, Sydney, NSW Fund, Australia Council for the Arts Bologna British School at Rome 1992-94 Inner Vane, Craftspace, Sydney, and Craft Victoria 1998 Japan/South Australia Cultural Exchange Program 2007 Party at the American Academy,The British School at Gallery, Melbourne,Vic, and JamFactory Craft and 1999 scholarship Arts SA Rome Design Centre, Adelaide, SA 1996 Studio residency (4 months), Barcelona, Spain,Visual Foreign Bodies,White Box, New York Arts/Craft Board, Australia Council The Believers, touring show, five cities in Norway with SELECTED GROUP EXHIBITIONS performances, Stavanger, Forde and Bergen 2007 Party at the American Academy,The British School at COLLECTIONS 2006 UBS Opening,Tate Modern (with Laurie Simmons, Rome National Gallery of Australia, Canberra, ACT Guerrilla Girls etc) Beyond Metal: Contemporary Australian Jewellery & Art Bank, Canberra, ACT Metropolis Rise, CQL Design Centre, Shanghai; DIAF Holloware, exhibition touring India and Australia, Art Gallery of South Australia 2006 @ 798 Space, Beijing, China curated by RMIT Gallery Museum and Art Gallery of the Northern Territory, Darwin Inside (performance), Great Eastern Hotel, Masonic Radiant,30 Year Exhibition, Galerie Ra, touring Temple, London Amsterdam, Roermond,The Netherlands Performance/screening,Witte de With/Tent, 2006-08 Freestyle: New Australian Design for Living, touring Rotterdam exhibition, Australia, Milan, New York, London, John Skies or Sally Swims, UKS Gallery, Oslo curated by Object Gallery, Sydney Wandering Rocks, Gimpel Fils Gallery, London

102 FINE ARTS 2007-2008 103 PRISCA THIELMANN JOHN WALTER Rome Scholar in Architecture, October 2007-June 2008 Sainsbury Scholar in Painting and Sculpture, October 2006-June 2008

EDUCATION EXHIBITIONS Born 1978 in UK. Lives and works in London. Delayed Gratification, Space-twotentwo, London 2003 Professional examination, London Metropolitan 2008 Bologna Grand Tour, Æmilia Hotel Spazio Cultura, 2004 The Relaxed Audience or Why We Are So Wise, Jeffrey University Bologna EDUCATION Charles Gallery, London 2000 Diploma in Architecture, London Metropolitan Academy Architects at the Acquario, Casa 2001-03 MFA, Slade School of Fine Art, University College Wonka Wigs, 72 Welbeck Street, London University dell’Architettura, Rome London 2003 Category-B,The Empire, London 1994-99 Technische Universität Darmstadt, Germany 20 Eventi08,Arte contemporanea in Sabina,Fara 1998-2001 BFA (Hons), Ruskin School of Drawing and Fine Art, 2002 Four Colleges Show, ATKearney, London Sabina University of Oxford Headquarters, London PROFESSIONAL PRACTICE The Director’s Apartment,The British School at Rome Red Mansion Spero Prize, London Institute Gallery, 2002- Maccreanor Lavington Architects (Associate since 2007 Party at the American Academy,The British School at ONE PERSON EXHIBITIONS London 2006) Rome 2007 Maximum Noise, Galleria Marabini, Bologna Painting in the Park,Woburn Square, London Selected projects: 2000 Industrious Estate,Queensland Multimedia Arts 2006 In The Garden of Sexual Diseases,Toni Heath Gallery, Hang the Curator – Slade Postgraduate Painters H10 Waterloo Hotel, London Centre and London Metropolitan University London present…, Faroe Road Studios, London Campbell Park, Milton Keynes:Two apartment 2005 Big Books, Bookartbookshop, London buildings SCHOLARSHIPS, AWARDS, COMPETITIONS 2004 Big and Little Epics, Kings Cross Business Centre, AWARDS, SCHOLARSHIPS & RESIDENCIES Old Nichol Street, London: Artist studios 2007-08 Rome Scholarship in Architecture,The British School London 2007 Drawing Center Viewing Program, New York Accordia, Brooklands Avenue, Cambridge: 35 at Rome 2001 Seekers who are Lovers, St. John’s College, Oxford 2006-08 Sainsbury Scholarship in Painting and Sculpture,The terraced houses – Housing Design Awards 2006: 1999 Leonardo da Vinci Scholarship British School at Rome Overall winner 1998 DAAD funded research award to test designing in SELECTED GROUP EXHIBITIONS 2006 Artist in Residence, Klondike Institute of Arts and 2000-02 Caruso St John Architects groups via internet, MIT, University of California 2008 Bewegte Kunst 2008 – Art in Motion 2008, Galerie Culture, Canada Selected projects: Berkeley,Technische Universität Darmstadt ArsProToto, Erlangen, Germany 2005 Arts Council England Grants to Artists Hallfield School, London:Two additional classroom 1997 Open University Sarajevo, First prize in international Spazi Aperti 6,The Romanian Academy, Rome 2003 Project Award, Slade School of Fine Art, London buildings for Denys Lasdun designed listed School – student competition Germany-1,England-1 (Elke Zauner, John Walter), 2002 Audrey Wykeham Prize, Slade School of Fine Art, RIBA Award 2006 Temple University Gallery, Rome London Coate House, London: 1930’s factory to office The Director’s Apartment,The British School at Rome 2001 Vivian Leigh Prize, Ashmolean Museum, Oxford conversion John Walter and Mark Epstein, Gallery North, Fitzgerald Prize, Exeter College, Oxford The Boompjes, Rotterdam: Urban design Newcastle Grant from the Amelia Jackson Fund, Exeter College, Arosa Sportstheatre, : Competition entry 2007 Transit_2,The British School at Rome Oxford 2006 Transit_1,The British School at Rome 1999 Anatomy Prize, Ruskin School of Drawing and Fine ACADEMIC EMPLOYMENT Queer Eye, University of Massachusetts, Boston Art, Oxford 2006-07 Degree tutor at London Metropolitan University 2005 Jerwood Drawing Prize 2005, Jerwood Space, London, Exonian Bursary, Exeter College, Oxford 2003-06 Diploma tutor at University of Bath and touring UK, Cheltenham, Glasgow, Cardiff, Visiting critic and workshop tutor at University of Bournemouth WEBSITE East London, Robert Gordon University, Aberdeen The Risky Business of Import/Export or How we www.johnwalter.net 1996-97 Research Assistant, Prof. G. Pfeifer,Technische moved from East London to New York,The Tank, Universität Darmstadt New York

104 FINE ARTS 2007-2008 105 T HE BRITISH SCHOOL AT ROME

Director Andrew Wallace-Hadrill Assistant Director Susan Russell Research Professor in Archaeology Simon Keay Research Professor in Modern Studies David Forgacs Molly Cotton Fellow Helen Patterson Cary Fellow Robert Coates-Stephens Assistant Director (Fine Arts) Jacopo Benci Fine Arts Research Assistant Alessandra Giacinti Curator, Contemporary Arts Programme Cristiana Perrella Assistant, Contemporary Arts Programme Maria Cristina Giusti Librarian Valerie Scott Deputy Librarian Beatrice Gelosia Library Assistants Francesca De Riso, Francesca Deli Archivist Alessandra Giovenco Registrar & Publications Manager (London Office) Gill Clark Administrative Assistant (London Office) Sarah Ciacci Director’s Assistant Eleanor Murkett School Secretary Maria Pia Malvezzi Hostel Supervisor Geraldine Wellington Subscriptions Secretary Jo Wallace-Hadrill Press Officer Rosanna Tripaldi Bursar Alvise Di Giulio Accounts Clerk Isabella Gelosia Domestic Bursar Renato Parente Maintenance Fulvio Astolfi Technical Assistant & Waiter Giuseppe Pellegrino Cleaners Donatella Astolfi, Alba Coratti, Marisa Scarsella Cooks Giuseppe Parente, Dharma Wijesiriwardana Waiters/Porters Antonio Palmieri, Rino Ramazzotti

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106 FINE ARTS 2007-2008 107 Pre press Grafica Punto Print, Rome Printed by Società Tipografica Romana, Rome

Printed in Italy, June 2008

108 F INE A RTS 2006-2007 Published by THE BRITISH SCHOOL AT ROME London

ISSN 1475-8733 ISBN 978-0-904152-52-4