The Magnificent September Auction 2020
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The Kingly Treasures Auction 2018 1 December 2018 | 2:00 PM Marina Cruz Untitled Ronald Ventura Embrace León Gallery FINE ART & ANTIQUES
León Gallery FINE ART & ANTIQUES The Kingly Treasures Auction 2018 1 December 2018 | 2:00 PM Marina Cruz Untitled Ronald Ventura Embrace León Gallery FINE ART & ANTIQUES AuctionAuction SaturdaySaturday || DecemberDecember 1,1, 20182018 2:002:00 PMPM PreviewPreview NovemberNovember 2424 -- 30,30, 20182018 9:009:00 AMAM -- 7:007:00 PMPM VenueVenue G/FG/F EurovillaEurovilla 11 RufinoRufino cornercorner LegazpiLegazpi StreetsStreets LegazpiLegazpi Village,Village, MakatiMakati CityCity PhilippinesPhilippines ContactContact www.leon-gallery.comwww.leon-gallery.com [email protected]@leon-gallery.com +632+632 856-27-81856-27-81 Fernando Amorsolo Planting Rice Mark Justiniani Lutaw-Lutaw 9 Foreword 10 - 249 Lots 1 - 167 256 Index 257 Terms and Conditions 258 Registration Form León Gallery FINE ART & ANTIQUES Director Jaime L. Ponce de Leon Curator Lisa Guerrero Nakpil Consultants Martin I. Tinio, Jr Augusto M.R Gonzalez III Ramon N. Villegas (+) Writer Earl Digo Book Design and Layout Jefferson Ricario Senior Graphic Designer Dia Marian P. Magculang Graphic Design & Photography John Gabriel Yu Christine Marie Tabiosas Dana de Vera Kyle Kenneth Bautista Project Assistants Nestorio Capino Jane Daria Ramil Flores Robert Gotinga Generoso Olaco Catalino Mallabo Jr. Anjello Bueno Reneliza de Taza Laurence Anne Torres Wilfredo M. Manalang Anna Lyn Calizo Richelle Custodio Published by León Gallery G/F Eurovilla 1 Rufino corner Legazpi Streets Legazpi Village, Makati City Metro Manila, Philippines This catalogue is published to accompany the auction by León Gallery entitled The Kingly Treasures Auction 2018 All rights reserved. No part of this catalogue may be reproduced or re-printed without the express written consent of León Gallery. -
Klas Art Auction 202O Malaysian & Southeast Asian Art Sunday, 12 July 2O2o
PETALING JAYA, SUNDAY 12 JULY 2020 KLAS ART AUCTION 202O MALAYSIAN & SOUTHEAST ASIAN ART SUNDAY, 12 JULY 2O2O Auction Day Sunday, 12 July 2020 1.00 pm Registration & Brunch Starts 11.30 am Artworks Inspection From 11.30 am onwards KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Supported by Lot 34 Awang Damit Ahmad Iraga “Memori Kelabu” 2004 KL Lifestyle Art Space c/o Mediate Communications Sdn Bhd 31, Jalan Utara 46200 Petaling Jaya Selangor t: +6019 333 7668 e: [email protected] Contact Information General Enquiries Nik +6019 260 9668 [email protected] Bill +6013 361 2668 [email protected] Datuk Gary Thanasan [email protected] Payment and collection Shamila +6019 333 7668 [email protected] Lot 36 Tay Mo Leong, Dato Goddess of Mercy Temple - Georgetown Penang, 1970’s Full Preview Date: 26 June - 11 July 2020 Venue: KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Auction Day Date: Sunday, 12 July 2020 Venue: KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Time: 1.00 pm Lot 73 Syed Thajudeen Lightness of Being, 1999 Map to KL Lifestyle Art Space 5 Contents Auction Information 5 Glossary 9 Lot 1 - Lot 91 20 Auction Terms and Conditions 158 Lot 21 Chen Wen Hsi Squirrels Index of Artists 168 Lumi-May (OL).pdf 1 16/04/2020 2:54 AM SALE 40 2020 Catalogue.indd 8-9 26/06/2020 11:27 AM Glossary 6 TAJUDDIN ISMAIL, DATO 1 ISMAIL ABDUL LATIFF OASIS, 2012 PUNCAK MALAM.. -
St. Louis Review Center, Inc-Davao Tel. No. (082) 224-2515 Or 222-8732 1 Types of Perspective: One Point – a Representation of Distance by Means of Converging Lines
Music, Arts, Physical Education and Health (MAPEH) Focus: The Visual Arts Competencies: 1. Distinguish and analyze the different elements, principles, and mediums of different visual arts 2. Identify and classify the different themes of visual arts in the Philippines 3. Appreciate and be proud of Philippine visual art masterpiece as part of cultural enrichment PART I – CONTENT UPODATE I. Definition of terms: 1. Painting – refers to the application of color, pigment, or paint to a surface or support. These surfaces may include paper, wood, canvas, metal or walls. Paint is made of pigment mixed in a binder. 2. Sculpture – a three dimensional artwork which may be through different processes, such as carving, modeling, assembling or casting. It may be executed as a free- standing object, in relief, or in environments, and a variety of media may be used. 3. Architecture – the art and science of designing and constructing buildings (structures), and other environmental features. II. The elements of Visual Arts 1. Line – the most basic of all elements. A line is an identifiable path traced by a moving point. Lines vary in types. They can be horizontal, vertical, diagonal, straight or curved thick or thin. Different lines are used to signify, different feelings. For example: Horizontal line – suggests a feeling of rest, serenity, or perfect stability Vertical line – dominance, height, power Diagonal line – uncertainty, unrest, movement or action Curved line – flow, softness, flexibility, grace 2. Shape – shapes and forms are figures which define object s in space. A shape is a two- dimensional figure. Circles, triangles, and squares are common examples of shapes. -
Silverlens / Searching Sanctuary Curated by Gregory Halili
POPE BACAY, MARIONNE CONTRERAS, JIGGER CRUZ, ROCELIE DELFIN, DINA GADIA, MARK ANDY GARCIA, GREGORY HALILI, PAOLO ICASAS, BREE JONSON, POW MARTINEZ, MAYA MUÑOZ, RAFFY T. NAPAY, WAWI NAVARROZA, ELAINE NAVAS, BERNARDO PACQUING, PATRICIA PEREZ EUSTAQUIO, CHRISTINA QUISUMBING RAMILO, POPO SAN PASCUAL, NICOLE TEE, RYAN VILLAMAEL, LIV VINLUAN Copyright © 2020 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Gregory Halili. 2020 All rights reserved. No part of this essay may be reproduced, modified, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.88160044 F +632.88160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] If the current state of environmental decline continues its destructive path, then inevitably, nature will only exist as a memory. We live in a country blessed by natural abundance. Yet, we seem to believe that our resources are unlimited, depleting its wealth dry. In 1904, The Bureau of Forestry released the “The Forest Manual”, which contained the National Forest Act (No.1148) from the Philippine Commission pertaining to forest services and regulations. At this time, it is estimated that the Philippine forest cover was at 70%. -
Komiks and Retelling the Lore of the Folk
philippine studies Ateneo de Manila University • Loyola Heights, Quezon City • 1108 Philippines The Komiks and Retelling the Lore of the Folk Soledad S. Reyes Philippine Studies vol. 57 no. 3 (2009): 389–417 Copyright © Ateneo de Manila University Philippine Studies is published by the Ateneo de Manila University. Contents may not be copied or sent via email or other means to multiple sites and posted to a listserv without the copyright holder’s written permission. Users may download and print articles for individual, noncom- mercial use only. However, unless prior permission has been obtained, you may not download an entire issue of a journal, or download multiple copies of articles. Please contact the publisher for any further use of this work at [email protected]. http://www.philippinestudies.net SOledad S. REYES The Komiks and Retelling the Lore of the Folk Komiks (comics), which emerged in the 1920s, have captured the Filipinos’ imagination, subsequently becoming materials for major motion pictures, yet marginalized in cultural studies. This article offers a diachronic analysis of the komiks between the 1930s and the 1970s to reveal the relationship between selected komiks characters and the folk tradition embodied in epics and legends. It also explains the komiks writers’ fascination with the remote past and their construction of heroes and heroines. In illuminating the worldview of writers and readers and the meanings generated when texts and readers interact, this article problematizes the supposition that popular culture is unalloyed escapism. Keywords: PhiliPPine KomiKs • folKlore • romance mode • heroes • PoPular culture PHILIPPINE STUDIES 57, NO. 3 (2009) 389–417 © Ateneo de Manila University he history of the komiks (comics) in the Philippines consti- Resurrecting the Komiks in the Twenty-First Century tutes a narrative full of color and spectacle interspersed with With the emergence and proliferation of new forms, undoubtedly brought indescribable gloom and eerie silence. -
Cesar Legaspi
Cesar Legaspi (1917-1994) National Artist, Visual Arts 1990 One of the Thirteen Moderns Cesar Legaspi, honored as a National Artist in Visual Arts in 1990, is considered the pioneer of neo-realism in the Philippines. Aside from the monochromatic works in his early years, he exploited the full potential of color in his paintings. A proponent of modern art in the country, Legaspi developed cubism in the Philippine context. He was also identified as one of the Thirteen Moderns, a group of modernists led by Victorio C. Edades whose works went against the conservative academic art of that period. Legaspi was born to Manuel Legaspi and Rosario Torrente on April 2, 1917 in Tondo, Manila. He took up painting for one term at the University of the Philippines School of Fine Arts before he decided to take commercial art courses instead. There he received medals for perspective and illustration projects. He earned his Certificate of Proficiency in 1936, after which he continued his education in art under Pablo Amorsolo. He went to Madrid in 1953 and pursued Art Studies under a scholarship at the Cultura Hispanic until 1954. He also went to Paris to study at the Academie Ranson for one month under Henri Goetz. Back in the Philippines, he had his first one-man show at the Luz Gallery in 1963. While this led to an active phase with his major pieces, he also worked as a magazine illustrator and artistic director at an advertising agency. He finally left the agency in 1968 to focus on his painting. -
UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
Wawi Navarroza: Self-Portraits & the Tropical Gothic
WAWI NAVARROZA Copyright © 2019 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Wawi Navarroza. 2019 All rights reserved. No part of this essay may be reproduced, modiied, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.8160044 F +632.8160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] Coming from a string of moving places and foreign travels after the fire which destroyed her Taguig studio, Navarroza re-established herself in Manila at the end of 2018, signaling her return to studio practice, providing the venue for the elaborate mise-en-scènes we see in this new exhibition. The artist looks back and forward, coming full circle to a genre that has defined her early art-making and has punctuated an arc of more than a decade: Self-Portraits. Navarroza employs formal composition in tableau vivant large format which is staged for the camera. At the same time, she subverts photography in a way that the final image is rendered almost as a flat collage, deliberately controlled by lighting techniques and careful arrangements in the scenography. -
K to 12 Curriculum Guide
Republic of the Philippines Department of Education DepEd Complex, Meralco Avenue Pasig City K to 12 Curriculum Guide ART (Grade 1 to Grade 10) May 2016 K to 12 BASIC EDUCATION CURRICULUM CONCEPTUAL FRAMEWORK Both the Music and the Arts curricula focus on the learner as recipient of the knowledge, skills, and values necessary for artistic expression and cultural literacy. The design of the curricula is student-centered, based on spiral progression of processes, concepts and skills and grounded in performance- based learning. Thus, the learner is empowered, through active involvement and participation, to effectively correlate music and art to the development of his/her own cultural identity and the expansion of his/her vision of the world. As Music and Arts are performance-based disciplines, effective learning occurs through active experience, participation, and performance, creative expression, aesthetic valuation, critical response, and interpretation. The skills that are developed include reading/analyzing, listening/observing, performing, (singing, using musical instruments, movement, acting, and playing, using different art materials, techniques and processes, responding, composing, and creating. (See Figure 1 and Figure 2) The philosophical foundations upon which standards and competencies are based include: A Process of Education by Jerome Bruner, Performance-Based Learning by Cleve Miller, Aesthetic Education by Bennett Reimer, Multiple Intelligences by Howard Gardner, A Structure for Music Education by Ronald Thomas, Gongs and Bamboo by Jose Maceda, Compendium on the Humanities: Musical Arts produced by the National Research Council of the Philippines, Cultural Dictionary for Filipinos by Thelma Kintanar and Associates, Creative and Mental Growth by Viktor Lowenfeld and W. -
The Filipino Ringside Community: National Identity and the Heroic
THE FILIPINO RINGSIDE COMMUNITY : NATIONAL IDENTITY AND THE HEROIC MYTH OF MANNY PACQUIAO A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture and Technology By Margaret Louise Costello, B.A. Washington, DC April 30, 2009 THE FILIPINO RINGSIDE COMMUNITY : NATIONAL IDENTITY AND THE HEROIC MYTH OF MANNY PACQUIAO Margaret Louise Costello, B.A. Thesis Advisor: Mirjana Dedaic, PhD ABSTRACT One of the main parallels between sport and national identity is that they are both maintained by ritual and symbolism. In the Philippine context, the spectator sport of boxing has grown to be a phenomenon in recent years, perhaps owing to the successive triumphs of contemporary Filipino pugilists in the international boxing scene. This thesis focuses on the case of Filipino boxer Manny Pacquiao whose matches bring together contemporary Philippine society into a “ringside community”, a collective united by its support of a single fighter bearing the brunt for the nation. I assert that Pacquiao’s stature has transcended that of the sports realm, as he is constructed as a national (i.e., not just sport) hero. As such, I study this phenomenon in two ways. The first part of my analysis focuses on how a narrative of heroism has been instilled in Philippine society through the active promotion of its past heroes. Inherent to this study’s discussion of the Filipino ringside community and heroism is the notion of the habitus. Defined by Pierre Bourdieu as a set of inculcated dispositions which generate practices and perceptions, “a present past that tends to perpetuate itself into the future by reactivation in similarly structured practices” (Bourdieu, 6), the concept of habitus can be directly applied to how the need for a heroic narrative has been inculcated within Philippine contemporary society. -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Philippine Labor Group Endorses Boycott of Pacific Beach Hotel
FEATURE PHILIPPINE NEWS MAINLAND NEWS inside look Of Cory and 5 Bishop Dissuades 11 Filipina Boxer 14 AUG. 29, 2009 Tech-Savvy Spiritual Leaders from to Fight for Filipino Youth Running in 2010 World Title H AWAII’ S O NLY W EEKLY F ILIPINO - A MERICAN N EWSPAPER PHILIPPINE LABOR GROUP ENDORSES BOYCOTT OF PACIFIC BEACH HOTEL By Aiza Marie YAGO hirty officers and organizers from different unions conducted a leafleting at Sun Life Financial’s headquarters in Makati City, Philippines last August 20, in unity with the protest of Filipino T workers at the Pacific Beach Hotel in Waikiki. The Trade Union Congress of the ternational financial services company, is Philippines (TUCP) had passed a resolu- the biggest investor in Pacific Beach Hotel. tion to boycott Pacific Beach Hotel. The Sun Life holds an estimated US$38 million resolution calls upon hotel management to mortgage and is in the process of putting rehire the dismissed workers and settle up its market in the Philippines. the contract between the union and the “If Sun Life wants to do business in company. the Philippines, the very least we can ex- Pacific Beach Hotel has been pect in return is that it will guarantee fair charged by the U.S. government with 15 treatment for Filipino workers in the prop- counts of federal Labor Law violations, in- erties it controls,” says Democrito Men- cluding intimidation, coercion and firing doza, TUCP president. employees for union activism. In Decem- Rhandy Villanueva, spokesperson for ber 2007, the hotel’s administration re- employees at Pacific Beach Hotel, was fused to negotiate with the workers’ one of those whose position was termi- legally-elected union and terminated 32 nated.