The Voice System of Amharic

Total Page:16

File Type:pdf, Size:1020Kb

The Voice System of Amharic Faculty of Humanities, Social Sciences and Education The Voice system of Amharic Desalegn Belaynew Workneh A dissertation for the degree of Philosophiae Doctor - December 2019 The Voice System of Amharic Desalegn Belaynew Workneh A thesis submitted for the degree of Philosophiae Doctor UiT – The Arctic University of Norway Center for Advanced Study in Theoretical Linguistics (CASTL) December 2019 Abstract This dissertation examines the voice system of Amharic. I have studied the voice features including an anticausative and a pair of causative functional items focusing on their selection, interpretation and syntactic projection. The voice items display some interesting properties that made them worth an in­depth inves­ tigation. First, the single anticausative morpheme is associated with multiple constructions such as the passive, reciprocal, reflexive, middle and the like. This raises the foundational theoretical problem on the relation between form and meaning. Furthermore, the causative items display quite striking contrasts with the anticausative in selection. The direct causative item filters verb classes. The indirect causative does a similar filtering, but mostly on the types of external arguments. The anticausative, on the other hand, imposes little selection restriction on the verb and argument types. How the selection patterns are correlated with the interpretation and with the syntactic posi­ tion of the voice items is the main concern of this study. In this dissertation, I have proposed that all the crucial properties of the voice items, includ­ ing the observed distinctions in selection, projection and interpretation, can be explained by understanding the voice items two types–those that belong to both the syntactic and semantic domains, and those belong to the syntax only. The natural consequence of this understanding is that the syntax specific features could im­ pose selection only within the syntactic component. They freely combine with all semantic classes of verbs. The interface features, on the other hand, impose selection both on the syntactic derivation as well as the semantic composition. The causative items in Amharic are interface features—they merge with their semantic inter­ pretations, as their syntactic categories. Because of this, they impose selection restrictions on the items they merge with not only in their syntactic properties but also on their semantic attributes. The anticausative, on the other hand, is proposed to be a purely syntactic feature. That means, its distribution is fully determined by its syntactic category. Furthermore, I will argue that multiple decausative constructions associated with the anticausative morpheme such as the passive, reciprocal, reflexive, and middle, etc., are not coded into the morpheme itself. The morpheme comes semantically underspecified. The decausative constructions get associated with the morpheme only later in the derivation/composition due to syntax internal contextual factors. This is to mean that the passive, the reflexive, the reciprocal, etc., constructions are grammatically irrelevant in this language. They are simply allosemes that get assigned later in the semantic component. i Acknowledgments I would like to express my deep and sincere gratitude to my advisor, Peter Svenonius who singlehandedly made this dissertation a possibility. The last few years have been extremely challenging to me. As my relationship with the Norwegian immigration system deteriorates, I would have given up pretty early if not for Peter’s assistance. Both on the academic and the administrative side, he has been my only light to see the end of this challenging experience. We had so regular appointments and, every meeting we had, he shared his profound insights with me and made eye­opening comments on my drafts. Problems that felt deadly to me come out a way easier once I talk to Peter. Even when I was stuck and frustrated, he has always been supportive and patient. Without his constant encouragement and assistance, I would not have been able to complete this project. I am eternally grateful for his help. I am also thankful to the other CASTL professors such as Tarald Taraldsen, Michal Starke and Gillian Ramchand for their insightful and interesting lectures they taught me over the years. It is especially Gillan Ramchand who taught me to look for solutions outside of the syntactic box when it is appropriate to do so. I also learn a lot from other members of the CASTL community. I want to thank them all for producing such friendly environ­ ment. I am also indebted to leadership in the linguistic department. I would like to forward my special thanks to Eystein Dahl, Nina Norum, Mayvi Johansen, Beathe Paulsen for letting me have some extra time to finish up this dissertation. Had not been to their patience, I would never be able to shape the work the way I want it to be. I also would like to thank Florian Schäfer for taking his time to comment on the draft of the dissertation. He generously agreed to read and comment on the dissertation without ever meeting me, and provided a detailed commentary that greatly improved the work. His sharp questions made me rethink of much of the analysis. I also want to forward my special thanks to Eba Teresa for reading part of this dissertation and judging on the grammaticality of the Amharic sentences. Many thanks to him. My time in Tromsø would have been boring if I didn’t have such dear friends as Etaferahu Tesfaye, Ruhama Teshome, Daniel Legbanu, Abebaw Admassie, Mimi Adane, Terje Mo Hansen, Ruben Mo Hansen, Yanet Abebaw & Eliab Abebaw. I want to forward my special thanks to them for supporting me to do better not just on my dissertation, but in my life in general. iii Contents Abstract i Acknowledgments iii Contents v List of Tables xi List of Figures xiii Abbreviations xv Acronyms xvii Transcription xix 1 Introduction 1 1.1 The aim and scope .............................. 1 1.2 Why Amharic? ................................ 3 1.3 The main issues ................................ 5 1.3.1 The derivational directions ...................... 6 1.3.2 The selection of the voice items ................... 9 1.3.3 Polysemy of the voice items ..................... 9 1.3.4 Syntactic projection of the voice ................... 11 1.3.5 The function of the voice items ................... 11 1.4 The proposals ................................. 11 1.5 Outline of the Dissertation .......................... 13 I The data 17 2 Causativization 19 2.1 Introduction .................................. 19 v vi Contents 2.2 Lexical causative ............................... 20 2.3 Periphrastic Causative ............................ 20 2.4 Morphological Causatives .......................... 20 2.4.1 The direct causative a– ........................ 20 2.4.2 The indirect causative as– ...................... 22 2.5 Comparing the two morphological causatives . 26 2.5.1 Meaning ............................... 26 2.5.2 Animacy restrictions ......................... 30 2.5.3 Distribution .............................. 31 2.5.4 Argument structure .......................... 32 2.5.5 Event structure of the causatives ................... 34 2.6 Causatives in the GB ............................. 38 2.6.1 Minimalist approach ......................... 39 2.6.2 Harley’s study of the causatives in Japanese . 41 2.6.3 Amberber’s analysis of the causatives in Amharic . 42 2.6.4 Towards a new analysis ....................... 48 2.7 Summary ................................... 49 3 The anticausative 51 3.1 Introduction .................................. 51 3.2 Terminological clarification .......................... 52 3.3 Multiple functions of the anticausative .................... 54 3.3.1 The Passive .............................. 54 3.3.2 The Impersonal Passive ....................... 55 3.3.3 Other Passive­like constructions ................... 56 3.3.3.1 Reportive Passive ..................... 56 3.3.3.2 Pseudo­passive ...................... 56 3.3.4 The middle .............................. 57 3.3.4.1 Change in body posture . 57 3.3.4.2 Non­translational motion . 58 3.3.4.3 Translational Motion ................... 58 3.3.4.4 Emotion middles ...................... 59 3.3.4.5 Cognition Middle ..................... 59 3.3.4.6 Indirect Middle ...................... 59 3.3.4.7 Spontaneous event middle . 60 3.3.4.8 Other deponent middles . 60 3.3.5 The Reflexive ............................. 60 3.3.6 The Reciprocal ............................ 62 3.3.7 The Unaccusative ........................... 63 3.4 Anticausativization in GB ........................... 63 3.4.1 Derivational theory of the passive . 63 Contents vii 3.4.2 Some issues with the derivational theory of the passive . 68 3.4.2.1 Transitive verbs with no passive . 69 3.4.2.2 Passives with no active counterpart . 71 3.4.2.3 Idioms ........................... 73 3.4.2.4 Accusative case can be marked with the passive . 74 3.4.2.5 Passive of intransitives . 75 3.4.2.6 Polyfunctionality of the passive morphemes . 75 3.4.2.7 Passive of nominals .................... 76 3.5 Polyfunctional morphemes in Minimalist approaches . 79 3.5.1 Nanosyntax: voice values as structured features . 86 3.5.2 Voice values as flavors of voice ................... 98 3.5.3 Underspecified voice . 103 3.6 Summary ...................................104 4 The Verb Classes 105 4.1 Unmarked causative ..............................106 4.1.1 Class 1: hit ..............................106 4.1.2 Class 2: break ............................107 4.1.3 Class 3:
Recommended publications
  • Does the Primetime Television Upfront Still Matter? by Steve Sternberg
    May 2019 #62 __________________________________________________________________________________________ _____ Does the Primetime Television Upfront Still Matter? By Steve Sternberg For American television viewers, the start of the new primetime television season is still four months away. For insiders at media agencies, networks, and advertisers, however, the Upfront season is placing thoughts of September squarely into May. Of course, the very idea of a fall TV season in today’s video world seems old fashioned. The broadcast networks might still adhere to fall and mid-season schedules for debuting new shows, but their competitors do not. Ad-supported cable networks premiere many new series when the broadcast nets are airing repeats and some limited-run series (mostly non-sweeps months and the summer). Premium cable networks, such as HBO, Showtime, and Starz, air new shows throughout the year. Streaming services, such as Netflix and Amazon Prime, release full seasons of new series whenever they happen to be ready. CBS All Access does as well, although it releases new episodes on a weekly schedule, rather than all at once. In a television landscape of 10-episode cable series, and streaming services where you can binge- watch entire seasons, viewers don’t necessarily think in terms of TV seasons anymore. Nevertheless, the broadcast networks still hold onto a schedule that starts in the fall. Throughout April and May, cable and broadcast networks give presentations to the ad industry in which they unveil their fall schedules and discuss
    [Show full text]
  • The Wooster Voice Febbuaby 6, 1S37
    The College of Wooster Open Works The oV ice: 1981-1990 "The oV ice" Student Newspaper Collection 2-6-1987 The oW oster Voice (Wooster, OH), 1987-02-06 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1981-1990 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1987-02-06" (1987). The Voice: 1981-1990. 146. https://openworks.wooster.edu/voice1981-1990/146 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1981-1990 by an authorized administrator of Open Works. For more information, please contact [email protected]. Tonight: "Daylight" At McGaw Tickets Still Available : it: v r -- VOICE ' ' ' ' 1: : .,: . - . .v . ... Sin..''" - :;;' VofatmeCm THE WOOSTER VOICE FEBBUABY 6, 1S37 . NcsberU ' ; GeDb to Address Colllege eagao's Foirengim ByDwridA-De- m EfiKr-tn-Cfai- et Tfas Wooter Voice (1969-197- Leslie H. Geltv an editor of 3) and Senior Associate of book on international relations, strategic and diplomatic matters over . with the Soviet Union and other and foxmer National Security the Carnegie Endowment for created by his having been Director many years has placed you in a American allies, and chairman of the Conespondent for the New York International Peace (1979-1981- ). of The Pentagon Papers" project in special position to provide informed ; executive branch committee that ran - multi-billio- Timet and will speak about . Aside bom his various the Department of Defense from comment and reliable- analysis, the n dollar US arms - "Reagan' Foreign Policy After fellowships Gelb-- served as an -- 1967-196- 9.
    [Show full text]
  • 6 Pm 6:30 7 Pm 7:30 8 Pm 8:30 9 Pm 9:30 10 Pm 10:30 11 Pm 11:30
    EC DT DN 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 2 - - WHWC PBS NewsHour (N) (HD) John Denver: Country Boy (TVG) Ma ’iingen: Brother Wolf Alone in the Wilderness Living in nature. Better Brain The Big The Big The Passage “Stay in the Light; Last Lesson” (Season Fox25/48 (:35) TMZ (N) (:05) Mike & (:35) Mike & (:05) Mom (:35) Mom 3 - 25 WEUX Bang Theory Bang Theory Finale) Amy must make a major decision. (TV14) (N) (HD) News at 9 (HD) Molly (TV14) Molly (TV14) (HD) (HD) FOX-48 - - - WCCO-4 News Wheel Neighbor Man-Plan Magnum P.I. (N) (HD) Bull “Jury Duty” (HD) News Late Show-Colbert Corden - - - WSTP-5 News News The Bachelor “2310A” (Live) (TV14) (N) (HD) The Good Doctor (TV14) (N) News (:35) Jimmy Kimmel Live Nightline (N) - - - WSAW-7 News 7 at 6 Inside Ed. Neighbor Man-Plan Magnum P.I. (N) (HD) Bull “Jury Duty” (HD) News 7 at 10 Late Show-Colbert Corden - - - KARE-11 News News The Voice The coaches seek America’s best voice. (N) The Enemy Within (HD) News Tonight Show-J. Fallon Seth Meyers 6 - - WKBTDT Pawn Stars Pawn Stars Law Order: CI Law Order: CI News 8 at 5 The Dr. Oz Show (HD) Dateline (TV14) (HD) Access (N) News 8 at Entertain- The Neigh- Man With a Magnum P.I. The Dober- Bull “Jury Duty” Bull finds News 8 at (:35) The Late Show With James 7 8 8 WKBT Six (HD) ment Tonight borhood (N) Plan (HD) mans dig up a human bone.
    [Show full text]
  • The Voice Magazine
    Relative Maturity Hidden Treasures New York City! VOL. 21, ISSUE 45 1 The Voice’s interactive Table of Contents allows you to click a story title to jump to an article. Clicking the bottom right corner of CONTENTS any page returns you here. Some ads and graphics are also links. Articles Relative Maturity .......................................................................................... 8 Voix du Maghreb: Kamal Benkirane, Partie I ............................................. 12 Columns Editorial: Hidden Treasures .......................................................................... 3 Writer's Toolbox: You Can Quote Me On That, Part I .................................. 5 From Where I Sit: New York City, Part II ...................................................... 4 Primal Numbers: When One Door Closes ................................................... 10 Mindful Bard: Hannah Arendt ...................................................................... 6 AUSU Update .............................................................................................. 16 News and Events Did You Know? .............................................................................................. 9 International News Desk ............................................................................ 11 Comics AntBoy and Happy Rabbit .......................................................................... 15 From Our Readers Letters to the Editor ..................................................................................... 2 2
    [Show full text]
  • U.S. Launches Pre-Emptive Strike Against Mars
    7 ue ss , I Wednesday, January 14, 2004 FREE IV 10¢ in Canada l. o V U.S. Launches The SlantPre-emptive Strike Against Mars w w w . th e sl an t.n et The Voice Of The Slant Staff - Since 1886 INSIDETHISISSUE SPACE Pre-emptive Strike on the 5Red Planet DRUGS Try Hemlex For Lower Blood 7 Pressure INFANTICIDE Steve Irwin Talks About 8Crocs Other News 2 Fucked Image 4 From The Editor 4 Bastard Confession 10 Around The Loop 11 Horoscopes 11 Advice Column 12 Top Ten List 12 2 OTHERNEWS The Slant - www.theslant.net - January 14, 2004 Angela Bassett To Star Howard Dean Not Happy With His New Puppy Annoying In 'How Stella Got Her Long Distance Plan Over the holiday break, senior Meredith Groove Back' Prequel Former Governor of Gray adopted a puppy, much to the chagrin On the heels of "How Stella Vermont and current of her roommate and friends. "She goes on Got Her Groove Back" and frontrunner for the and on about how "How Stella Got Her Democratic Party's cute it is, and I'll Groove Back 2: Electric Presidential nomina- admit it's sort of Boogaloo," Angela Bassett tion, Howard Dean, is fluffy, but Christ, all shocked the entertainment reportedly "not happy" it does is pee and community yesterday by announcing that with his long distance chew on shoes," said she would be starring in the prequel, "How telephone plan. her roommate, John Stella Lost Her Groove In The First Place." Recently, Dean recieved a courtesy call from Sands.
    [Show full text]
  • Myers, Allison.Pdf
    FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Bachelor of Arts in English with Distinction. Spring 2010 Copyright 2010 Allison Myers All Rights Reserved FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers Approved: ______________________________________________________________________________________ Elaine Safer, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: ______________________________________________________________________________________ Ben Yagoda, M.A. Committee member from the Department of English Approved: ______________________________________________________________________________________ John Montaño, Ph.D. Committee member from the Board of Senior Thesis Readers Approved: ______________________________________________________________________________________ Ismat Shah, Ph.D. Chair of the University Committee on Student and Faculty Honors ACKNOWLEDGMENTS I would like to express utmost gratitude to my thesis advisor, Elaine Safer, for all the guidance she has given and for all the jokes she has told me over the course of writing my thesis. I also extend my thanks to Ben Yagoda and John Montaño, my thesis committee, for guiding me in this process. It is because of University of Delaware’s incredible Undergraduate Research Program that I was able to pursue my interests and turn it into a body of work, so I owe the department, and specifically Meg Meiman, many thanks. Finally, I am grateful for every fellow researcher, family member and friend who has lent me a book, suggested a comedian, or just listened to me ramble on about the value of studying Jewish humor. iii TABLE OF CONTENTS Abstract .................................................................................................................................................................
    [Show full text]
  • The Voice for America's Libraries
    THEVOICE for America’s Libraries ISSN 1084-4694 VOLUME 21, ISSUE 1 January 2020 United for Libraries Monthly Member Forums Advocates of All Ages: Recruiting honors in 2016. Emily Younger Trustees and Friends completed her MSLIS Madeline Jarvis is the while serving as Catho- Adult and Information lic University’s associate Services Manager at director of communica- IN THIS ISSUE the Marion (IA) Public tions. Previously, she Library. She and her was a senior associate President’s Message 2 team cultivate collec- with The Pew Chari- Emily Wagner News & Notes 3 tions, services, and table Trusts. Around ALA 4 partnerships to serve Madeline Jarvis the Marion community. National Library Week: “Find Your Framework for Foundations 6 She is passionate about identifying and Place at the Library” Tools for Trustees 8 eliminating barriers to resources for Staff from ALA’s Communication & Focus on Friends 10 her patrons; helping the library serve as Marketing Office coordinate National a catalyst for community development; Library Week, an annual celebration Friends on Campus 14 and finding the perfect slice of pizza. highlighting the valuable role libraries, State Friends Spotlight 15 librarians, and library workers play in Good Ideas from the Network 16 Tess Wilson is the Com- transforming lives and strengthening munity Engagement our communities. Corporate Sponsors & Board of Directors 23 Coordinator for the Books for Babies 24 National Network of The E’s of Libraries®: Education, Libraries of Medicine, Employment, Entrepreneurship, Middle Atlantic Region. Empowerment, and Engagement She earned a BA in PLA CONFERENCE Wed., April 8, 2 p.m. Eastern English from Washburn Tess Wilson Learn about sessions for Trustees, University, an MFA in Alan Fishel is a partner Friends, and Foundations at the creative writing from Chatham Univer- at the law firm of Ar- upcoming Public Library Association sity, and an MA in library and infor- ent Fox and leads the Conference in Nashville.
    [Show full text]
  • Seinfeld, Jerry
    Jerry Seinfeld created The Seinfeld Chronicles with Larry David in 1988 for NBC. The show was later renamed Seinfeld . By its fourth season, it had become the most popular and successful sitcom on American television. The final episode aired in 1998, and the show has been a popular syndicated re-run. After he ended his sitcom, Seinfeld returned to New York City to make a comeback with his stand-up comedy rather than stay in Los Angeles and continue his acting career. In 1998 he went on tour and recorded a comedy special, titled I'm Telling You for the Last Time . The process of developing and performing new material at clubs around the world was chronicled in a 2002 documentary, Comedian , which also featured fellow comic Orny Adams and was directed by Christian Charles. On February 25, 2007, Seinfeld appeared at the 79th Academy Awards as the presenter for "Best Documentary." Before announcing the nominations, he did a short stand-up comedy routine about the unspoken agreement between movie theater owners and movie patrons. On October 4, 2007, Seinfeld made a brief return to NBC, guest- starring as himself in the 30 Rock episode "SeinfeldVision." On February 24, 2008, at the 80th Academy Awards, Seinfeld appeared as the voice of his Bee Movie animated character Barry, presenting "Best Animated Short." Before announcing the nominees, he showed a montage of film clips featuring bees, saying that they were some of his early work (as Barry). In 2012 Seinfeld started a Web series, Comedians in Cars Getting Coffee , in which he would pick up a fellow comedian in a different car each episode and take them out for coffee and conversation.
    [Show full text]
  • CASTLE ROCK ENTERTAINMENT, INC. V. CAROL PUBLISHING GROUP, INC. by Elisa Vitanza
    COPYRIGHT: DERIVATIVE WORKS: POPULAR CULTURE DERIVATIVES CASTLE ROCK ENTERTAINMENT, INC. V. CAROL PUBLISHING GROUP, INC. By Elisa Vitanza 1. INTRODUCTION Society benefits from the creation and dissemination of new, creative works. The Federal copyright system serves primarily to enhance the pub- lic interest through the promotion of creativity.' Copyright laws struggle to strike a balance between granting exclusive property rights and en- hancing the public domain so that the next generation of artists can use pre-existing works to generate more creativity. 2 The Copyright Act 3 pro- vides authors with incentives to create and share their creativity with the public through the grant of exclusive rights, including the right to prepare derivative works.4 Derivative artists also require incentives to invest in © 1999 Berkeley Technology Law Journal & Berkeley Center for Law and Technology. 1. See U.S. CONST. art. I, § 8, cl. 8 (providing that "Congress shall have Power... To Promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries") (emphasis added). 2. See Landes & Posner, An Economic Analysis of Copyright, 18 J.LEGAL STUD. 325-33, 344-46 (1989). Landes and Posner argue that copyright protection attempts to efficiently balance the benefits of creating new works with the losses from limiting ac- cess and the costs of administering copyright protection. Id. The economic theory of copyright is the dominant theory in the United States. However, commentators, particu- larly outside the United States, rely on moral or personal rights theories to justify copy- right protection.
    [Show full text]
  • Television Academy Awards
    2018 Primetime Emmy® Awards Nominees Per Program The Accidental Wolf OUTSTANDING ACTRESS IN A SHORT FORM COMEDY OR DRAMA SERIES Adventure Time OUTSTANDING SHORT FORM ANIMATED PROGRAM aka Wyatt Cenac OUTSTANDING SHORT FORM COMEDY OR DRAMA SERIES Alexa & Katie OUTSTANDING CHILDREN'S PROGRAM Alexa Loses Her Voice OUTSTANDING COMMERCIAL Alias Grace OUTSTANDING MUSIC COMPOSITION FOR A LIMITED SERIES, MOVIE OR SPECIAL (ORIGINAL DRAMATIC SCORE) The Alienist OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE) OUTSTANDING CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE OUTSTANDING PERIOD COSTUMES OUTSTANDING MAIN TITLE DESIGN OUTSTANDING LIMITED SERIES OUTSTANDING SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE Altered Carbon OUTSTANDING MAIN TITLE DESIGN OUTSTANDING SPECIAL VISUAL EFFECTS The Amazing Race OUTSTANDING CINEMATOGRAPHY FOR A REALITY PROGRAM OUTSTANDING DIRECTING FOR A REALITY PROGRAM OUTSTANDING PICTURE EDITING FOR A STRUCTURED OR COMPETITION REALITY PROGRAM OUTSTANDING REALITY-COMPETITION PROGRAM America's Got Talent OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SERIES American Dad! OUTSTANDING CHARACTER VOICE-OVER PERFORMANCE American Horror Story: Cult OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE) OUTSTANDING HAIRSTYLING FOR A LIMITED SERIES OR MOVIE OUTSTANDING MAKEUP FOR A LIMITED SERIES OR MOVIE (NON-PROSTHETIC) OUTSTANDING PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR MOVIE
    [Show full text]
  • Letters from a Nut Release
    Media Contact: Ashley Bodul, Geffen Playhouse [email protected] 310.208.6500 Ext. 159 FOR IMMEDIATE RELEASE GEFFEN PLAYHOUSE BRINGS BESTSELLING BOOK SERIES “LETTERS FROM A NUT” BY TED L. NANCY TO THE STAGE A SPOTLIGHT ENTERTAINMENT SERIES PRODUCTION WRITTEN BY AND STARRING AUTHOR TED L. NANCY AND DIRECTED BY PIERRE BALLOÓN; JERRY SEINFELD PRODUCES PREVIEWS BEGIN JUNE 23, OPENING NIGHT IS JUNE 28 LOS ANGELES (March 23, 2017) – Letters from a Nut by Ted L. Nancy, a brand-new show based on the bestselling book series of prank letters and their responses from Ted L. Nancy (aka Barry Marder), will debut in June at the Geffen Playhouse as part of the theater’s Spotlight Entertainment Series. The show is produced by Jerry Seinfeld, and written by Nancy, who will star alongside Beth Kennedy and Sam Kwasman. Pierre Balloón will direct. Letters from a Nut by Ted L. Nancy will begin previews in the Audrey Skirball Kenis Theater at the Geffen Playhouse on Friday, June 23, with opening night set for Wednesday, June 28. Closing performance is Sunday, July 30. Ted L. Nancy is a customer in need of service. He writes to the city of Huntington Beach requesting a permit for operating his Electronic Nose Blowing Machine, invites Czechoslovakian President Václav Havel to become Treasurer of Ted’s Vacuum Club, asks Nordstrom about buying a mannequin that looks like his deceased neighbor to present to the grieving widow, and more. Time after time, well-meaning representatives offer earnest replies to his letters. Nancy brings his madcap collection of correspondence to the Geffen stage for a one-of-a-kind show that is both outlandish and uproarious.
    [Show full text]
  • Masaryk University Faculty of Arts
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Šárka Tripesová The Anatomy of Humour in the Situation Comedy Seinfeld Bachelor‟s Diploma Thesis Supervisor: Mgr. Pavel Drábek, Ph.D. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Šárka Tripesová ii Acknowledgement I would like to thank Mgr. Pavel Drábek, Ph.D. for the invaluable guidance he provided me as a supervisor. Also, my special thanks go to my boyfriend and friends for their helpful discussions and to my family for their support. iii Table of Contents 1 INTRODUCTION 1 2 SEINFELD AS A SITUATION COMEDY 3 2.1 SEINFELD SERIES: THE REALITY AND THE SHOW 3 2.2 SITUATION COMEDY 6 2.3 THE PROCESS OF CREATING A SEINFELD EPISODE 8 2.4 METATHEATRICAL APPROACH 9 2.5 THE DEPICTION OF CHARACTERS 10 3 THE TECHNIQUES OF HUMOUR DELIVERY 12 3.1 VERBAL TECHNIQUES 12 3.1.1 DIALOGUES 12 3.1.2 MONOLOGUES 17 3.2 NON-VERBAL TECHNIQUES 20 3.2.1 PHYSICAL COMEDY AND PANTOMIMIC FEATURES 20 3.2.2 MONTAGE 24 3.3 COMBINED TECHNIQUES 27 3.3.1 GAG 27 4 THE METHODS CAUSING COMICAL EFFECT 30 4.1 SEINFELD LANGUAGE 30 4.2 METAPHORICAL EXPRESSION 32 4.3 THE TWIST OF PERSPECTIVE 35 4.4 CONTRAST 40 iv 4.5 EXAGGERATION AND CARICATURE 43 4.6 STAND-UP 47 4.7 RUNNING GAG 49 4.8 RIDICULE AND SELF-RIDICULE 50 5 CONCLUSION 59 6 SUMMARY 60 7 SHRNUTÍ 61 8 PRIMARY SOURCES 62 9 REFERENCES 70 v 1 Introduction Everyone as a member of society experiences everyday routine and recurring events.
    [Show full text]