THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN AND THE INTERESTS OF ORGANISTS

Sixl,·.sccond Year, No.7 - Whole NO'. 739 JUNE. 1971 SubscripliolU $4.00 n year - 40 ce"t.J (I cO/I)'

Andover Organ Company Steiner Completes New Builds for Mt. Hennon School Tracker for Louisville Steiner Organs Inc. of Louisville, Ky. The Andover Organ Company, Inc. ha\'e recently completed installation of of Methuen, Mass. has completed a a new l\\'o-m.muill orgtln in the First new two· manual organ for the c.hapel l1nitari:lll Church. LouisvHle. The in· of Mt. Hermon School. Northfield. Ma". strumCIH has mechanical key action. The organ has 27 slop! and 37 ranks electric stop action and setter,board divided among two manual dh'isiom; combill:ltion actions. The light wooden and 3 pedal division. The key action is cascworL is designed according to mechanical ;lIld the stop and combina· H'erk/Jfirlzip ideas with positiv division tion actions a.rc c1cclric. ,\ case of "con­ at the lOp. the great division on the ternpor-ary gothic style" is of stained leh, and Ihe pctJal division 10 Ihe right red oak. The physical and visual design of Ihe great. The action is entirely of was executed by Leo E. Comaalltinc3u. metal. and the pipes are ,oiced with and the lonal design and finishing were oflen toes and no nicking with moder· clone by Robert J. Reich. Mr. Joseph ately high cut·ups. The chests arc or Elliott Jr" school organist. played the s1ideT ty~ wiO. telescopic slider seals, dedicatory recital. The manual com· plillitic shders. and elec~r,ic s.lider ac~na . pass is 56 nolCS, :md the pedal 32 notes. ation motors. The SpcCl(ICI.(&OIl , scahng, GR.EAT a nd \'oicing were designed bo,.' Phares L. Quint.1ton 16 h. Steiner. and the casework. alt mechani. Principal 8 £I . cal structure and action were dcsigned Gcmtohorn 8 H. by Gottfried C, Reck. partner of the Octave" ft. firm. Mr. Arch'in Dickinson. facuhy RohrrIote .. H. membeT :at the Unh'ersity of Loui5\lille Twelfth 2~ ft. and founder and musical director of FHtH!nth 2 It. the Louisville Bach Society. was con· Foumiture IV sultant for the church. The dedication Comet III Trumpet B ft. recital was pl:ayed by Mr. Dickinson on March 7, n. T. Kimbrough is organist SWELL nf the church, Bourdon B It. Viola B ft. GREAT Cdatc 8 It. Princillal 8 rt . 56 pipes Spitzprinapal .. It. Rllh,floele 8 h. 56 pipes Blodnole 2 h . Ocbve .. ft. 56 pipet Qllint l yj ft. Spit.zoctave 2 ft. 56 pipes Scharff III Mi:ltlure IV tY, ft. 224 pipes Bannn 16 ft. Trumpet 8 ft. 56 (lip" Hautbois 8 h . Tremolo POStTlV lIoltsedacllt 8 h. 56 pipn I'F.DAL Quinladena B h . 56 pipet Principal 16 It. Koppetnoete " h. 56 pipes Sub Bass 16 It. Principal 2 It. 56 pipes Octave Bass B h. Quint 1~ fL 56 pipes Gededtl 8 ft. Scharf III-IV ~ fl. 176 pipes Choral Bass .. ft. SeJquiaitera n 2~ ft. 88 pipa Millture IV Krummhom/Museue B ft. 56 pipes JlO1Qune 16 rt. Adjwuble Tremubnt Schalmei .. fe. PEDAL I'mnmer 16 h. 32 pipes lef,: M,. Hefmon School Openban 8 ft. 32 (IipeS eharalLass 4- ft, 32 pipes Naclilhorn 2 ft. 32 pipes Selow: Firs' Uni,atian Chutch, M~lu,e III 2 h. 96 pipet louini"., Ky. Falott 16 ft. 32 pipe.

INSTITUTE FOR STUDIES IN AMERICAN MUSIC FORMED

Brooklyn CoUcge of the Cit)' Uoh'cr­ academic }'ear. Hc has been engaged in sity of New York 3nnonnces the ~t:J.b· stuuil."s in ,\merican music, and is a lishmcllt. through its dcpartmclll of r('cogniled scholar in the fieM. Af£iliated music. of The Institute for Studies in racult}' arc memilers uf the department Amcrimo Music. Tile basic aim or the of music at Brookl)1l College, and con· Institute is to pra\-ide a suitable :lc:l' tributing scholars rrom other in· demit framework in which to encourage. stitutions will be h,,·ill."d to participate support, c\'alu3tc, and propogate rCA in the Institute's projects and publica· search P.tojccts in American music. Pro­ tions. l:dJows of the Institute will be jects will be undertaken at every te\'cl of two kinds. RcgulaT f<"lIowships .ue of study: undergraduate and graduate a\'ailablc to gr.u.luOIte students in the (MA), within Brooklyn College; doc. l\IA program at nrookl)'n College ami toral through UIC PhD program in the PhD program in music of CUNY music of the City Unh'crsity or New for research assistance in the projects York. in which Urooklyn College ac­ of the Institute and for their own work tively participates along with the other as young scholars in American mm:ic senior colleges o( the CUNY system; studies. Senior fellowships will prm'ide and post·doctoral, through (acuity mcm· for distinguished scholars and prac­ bers and fellows ap(lOinlcd to the In· lilioners in the field 10 participate ill stitute. Specific projects among high. the activities of the Institute as "isiting priority Hems willch arc ellvisioned fur proressors or lecturers. For further in· Ihe Institute are a monograph series. :1 formation about the Institute. inelud· recording series, :1 bibliography series, ing fellowship progr.uns or for inelu· a radio and TV series. sympo ~ ia , an oral history project, archh'cs, editions and sion Oil the Institute's mailing list. a periodical. write to: Institute fOT Studies in Ameri· 'The director of the Institute is H . can Music, Department of Music, Brook. Wiley Hitchcock. who joins the Brook· Iy" ColIl'ge or the City Universit~· or Jyn College facuhy as of the 1971 ·72 :-Jew York, Brooklyn, N.Y. 11210.

USULTS OF THE NATIONAL ELECTION OF THE A.C.O. held May 17, 1971 in New ,"or" City arc as rollows: IJr ~ idl.!nt . Chark'S Dodslcy Walker: Vice Presi· dent, Vernon de Tar: Sea-elary. Ruth Milliken; Treasurer, George Powers: Reg4 trar, Sistl!r Thcophane Hytrek; Librarian-Historian, Anne Versteeg McKittrick; Auditors, Grover J. Oberle 3Jld Roberta Bilgood: Councilors, Robert Cundid:, Eugene Himcoel::. Richard Peek. Kathleen TholUcrson. and M. Searle Wright. Additions to the Checklist AEolian-Skinner to Rebuild of Swnmer Activities Dallas Cathedral Organ JUNE Unh'cnity o[ Southern Catilonlia, St. Matthew's Episcopal Cathedrnl. Los Angelo. Calif• • workshop on EnJi"' Dallas. Tcxall, has recently contr.:lclcd lish diction for singers and choDI di­ with the AEolian·Skinner Organ Com­ rectors, June 21·25: Madeleine Mar­ pilny to construct ;md insull new great shall. Write: Edith Krilner. Keynote amI pedal uivisions ror the Clthedral Music Service, 833 S. Olive SL. Los organ, originally of 1950 vintage. The CONTINUES ITS DISTINGUISHED SERIES OF Angel ... Calif. 90014 . swell division o( the organ was rebuilt CONTEMPORARY MUSIC FOR ORGAN WiKomin Slate Uni\'cnity-Whitc­ in 1969 b:r Robert L. Sipe, Inc., and in­ water, Wis., Chor:ll Conductor's Work· corporate some exiSiing pipework with shop. June 21 ·26; Daniel Moe. Write: completely new chests. The Clthwrnl Bingham. Ut Quean\ laxis (P6289) ... $1.25 Dr. Edwin Foot, Jr., Choral Workshop anticipates compleling the positiv divi­ Director. Wisconsin State University­ sion and adding a new console in the Whilcwatcr, Wis. 53190. near (uture. Robert Y. Evans is organ· Finney - Five Organ Fantas:es: ist.choinnaster o( the cathedral, and he has worked closely witJl the company - Advice which the hours of darkness give (P66259) 2.00 JULY on this project. The revised complete University a( Oregon, Eugene, Ore.., stopHst (ollows below. - Each answer hides future questions (P66261 ) .. . 2.00 Baroque }o'cstival and Choral 'Vork­ GREAT shop. July 6-August 6; Helmut Rilling. Quintade 16 It. 61 pipes - The leaves on the trees spoke (P66260) ...... 1.50 Write: H. Royce Saltzman. School of Principal 8 It. 61 pipes Music. University oC Oregon, Eugene, Gedeckt 8 ft. 61 pillC'JI - So long as the mind keeps silent (P66257) ...... 2.00 Or~~on 97-103. Octave 4 ft. 61 pipes Rlpoll, England, Summer Music Octa,·c 2 ft. 61 pipea - There are no summits without abysses (P66258) ...... 2.00 Course in Chamber ~(usic. Organ Music, Mi:.:turc IV-V 281 PilteS and Early English Music, july 1(i·23; Trompete 8 fe . 61 pipes Lady Susi Jeans, Francis Jackson, SWELL Hovhaness . Dawn Hymn (P6488) 1.25 Ronalc.1 Perrin, K:aLharine Jeans. Write: Ruhrnole 8 fe. 6t pipa Mr. S. D. Marsden. Principal. Airctlale Gcmlhorn 8 ft. 61 pipes • Sanahin (Portita) (P66225) ...... 1.50 ;uII.l Whar£L.'tl:ale In.slitute of Further Gcm.horn CeIC'JIle B h. 6t tlillU Princi p;!!I" h . 61 PilJel Education, Ash lo(ts Mount. Oxrord Nachlhorn .. It. 61 pip" Road. GuiscJy. Nr. Leeds, England. lJIocld161e 2 ft . 61 pillo luening . Fonlasia (P6471) ...... 1.25 "aslemere Feslh-al, Haslemere, Eng­ Quinte 1~ h. 61 pipes land. 9 concerLS o( carly music spon­ Schad III-IV 226 pipes Peeters· 213 Hymn Preludes for Thelilurgical Year. 24 volumes sored by Ihe DohneLSeh Foundation, BlWon 16 Lt. 61 pipes July }(}.201. WrHe: The Box OUice Man­ Schalmey B h. 61 pipd (P6401 / 24), each volume ...... 2.50 ager, ..as1emerc Ha.ll, Haslcmere. Sur­ CIIOIR-POSITIV rey, England. I1obgedeclr.t 8 h _ 61 pipes Pinkham· Variations for Oboe and Organ (P66296) .•.•...... 2.50 Flauto Dolce 8 h . 61 piped AUGUST Flute Celeste 8 It. 49 pipes SpilUlOte 4- h. 61 pipes Stout· Serenity. Organ. Vc (Bsn) (P6886) ...... 1.25 Antwerp, Belgium, International Sum­ Nazard 2~ ft. 61 pipcs mer Coursc (or H.:uphicllotd, August Jlrincipal 2 It. 61 pipeS 9 13; Kenneth Gilbert. Write: Mrs. l' Tierce It's ft . 61 pipes Tcherepnin • Processional and Recessional (P6839) ...... 1.25 Lambredlts-Douillez. Scaetary. Rue '­ Cymbc:1 III 183 pipes Krummhorn B h. 61 Pilld ers GenoolSchap. Vlechouwersstraat 38- Verrall . Canzano (P66284) .. 1.25 -JO, Antwerpcn, Belgium. PEDAL Academic d'Orgue de Veve)', Switzer­ Resulta nt 32 fe. l;a nd, August 25·Septemba 7; Jean Principal 16 ft. 32 pi peS Gcdc:dl lbau 16 ft. 32 IlilJe' C. F. PETERS CORPORATION Guillou, Lionel Rogg. Pierre Pidoux, CAmHc Viol e 16 It. 32 "ilk:! Gc..'OIliC3 Athanasi:ado. Write! OUice du Ocl;!!1ie B re_ 32 pires 373 PARK AVENUE SOUTH NEW YORK, N. Y. 10016 Tounsme. 1820 Montrcux. Swil1crlant.l. GctI« kt 8 It. 32 pipes lutematHm.. 1 ftlwic Compt:tition, Mu· Chor..lbia" .. fI _ 32 pipes nich. West Genuany. August 31 ·Scpt. 17. Mulure IV 128 pipes; ('?>':I1pe!ition in Singing, Piano. Organ. l'os:.une 16 It. 32 pipes VlOhn' )'I:mo Duo, Viola, Trumpet.) Trompcle. 6 ft. 12 pipes \Vrite: Intcrnationaler Musikweul>e­ werb. Bayerisclter Rund(unk, 08 Mun­ ROBERT TRIPLETT chen 2, West Gennany. SPENDS SABBATICAL SEPTEMBER IN ENGLAND AND AUSTRIA 26th Festival o( 1tIwic, Montreux­ VC\'cy, Switzerland, Sept. I-Oct. 3. Robert Tripleu, associate proCessor o( music at Cornell College, A·loum Write: OUice du Tourisme, 1820 Vemonl Iowa, has spent the pa.st aca­ Switzerland. demic year on sabbatical leave in Ox· THE NEW ENGLAND [ort. England, and in Vienna, Austria. ORGAN ACADEMY FEATURED In England be studied during the first AT MONTREUX FEST/VAL semester with David Lumsden, organist Courses in organ litet:lture will be and choirmaster at New College, Ox· CONSERVATORY OF MUSIC oUered this year tit part o( the summer (ord Univenity. His teacller in Vienna was Anton Heiller at the Vienna Con­ restival beld at Montreux-Vevey, Gunther Schuller, President Switzerland from AUgust 28 to Septem­ servatory of Music. One of the high· l>cr 7. French composer Jean GUilJOli lights o[ his Oxford studies was the op· will leach a course on Badl'.s PIUSa­ portunity to view and play the famous eaglia, the concerti of Vivaldi, the or­ WHlis organ at Blenheim Palace. Ox· gan r:mtasias by Mozart. the Thrt:t: fordshire, birthplace of Winston Chorales by Franck. and selected works Churchill. The organ. built in 1891, sig­ by Dupre, Messiaen, and Guillou. nificantly remains one of the (ew un· ORGAN DEPARTMENT Lionel Rogg will concentrate on the altered organs built by Henry Willis &: works of Bach and Couperin, includ­ Som. Preserving Ihe ideals o( design and construction of the 19th century, ing the Orgt:lbOcllldnt the major prel­ Yuko Hayashi MireiJIe Lagace udes and fugues, the trio sonatas, as the organ represents a strong tradition well. as Couperin's two organ masses. A in Enl2'land. Mr. Triplett said he (ound special course on the fonn and func­ it "qUite playable" despite needed reno­ lion of the dlorale will be taught by vations which will cost an estimated musicologist Pierre Pidoux. and an­ $45.000. other on the organ works of Brahms and LiRt will be taught by Georges LUTHER T. SPAYDE Offering Bachelor of Music, Master of Music and Athanasiade., organist of the Basilica GIVEN HONORARY DEGREE of St. Maurice. Artist Diploma programs From Sept. 4 through 25. the Mont­ Luther T . Spayde. dean o( the Swin­ reux-Vevey Festival wilt (eature con· ney Conservatory of Music at Central certs of sacred music including organ Methodist College in Fayette. Missouri, recitals by Jean Guillou and Lionel W3l'I awarded the Doctor of Music de­ Rogg, Baroque music performed by gree (rom Ohio NortJlcrn Univenity L'Estro Concerl:lnte of Milan, Italy, April 17. Dean Spayde directs the Cen· under the direction of enlo Srorza trOll Methodist College a cappella choir, Francia. and a choral concert per­ and he is also the organist and choir­ For further information, write: form.cd by the choir o( R.:ldio RIAS. master at Linn Memorial Churclt in Berhn. under the direction o( GOnther Fayettc. He holds the MusB degree Mr. William Mahan, Director of A~dt. Furth~r. in(orm~tion may be Db­ (rom 'Viuenberg Unh'crsity and the tamed by wnung O((lce du Tourisme MM degree (rom the American Con­ Admissions, New England Conservatory 1820 l\[ontreux, Switzerland. t servatory of Music. He was one of six people to receive honorary degrees dur- of Music, 290 Huntington Avenue WESTMINSTER ABBEY'S CHOIR of men 109 the dedication o( the new 'Vesley and 00,... ncenll, p ve a .pedal performance CC' nter at Ohio Northern University at Baston, Mass. 02116 at Malines Calhedral, BelJium, (or broadcast which Bishop Cerald Kennedy o( the on Belgian NlitiorW Radio. David Bruce­ Payne, headmtulu of the Abbey choir Idtool Los Angeles Area of the United Metho­ and second aSliuant orpnist at the Abbey dist Church gave the address. He has accompa,;,ied Ihe perlormanc::e. Mr. Bruce: heen a faculty member at Central Payne will m ... ke hit (tnt c::onc:ert appearances Methodist College since 1930, and has in the U.S. in April aru::l May of nat year. tOlught organ and theory there.

2 THE DIAPASON JOHN FENSTERMAKER TO nOR PEETERS HONORED; THE DIAPASON SUCCEED PURVIS WILL TOUR U.S. IN FALL IN SAN FRANCISCO Flor Peclers, organist of the Metro­ E.tabluhed in 1909 politan Callu~dr:tI. Mechelen, Belgium, John Fcnstennaker. who has been was honored by the Catholic Unh'ersity t Trademark rf!gialf!rf!d 01 U. S. Pole,., Office ) assistant to Alan Wicks at Canlerbury of Louvain on Feb, 2, when the univer· Catlledral. England, during the past sity conferred upon him the degree Doc­ S. E. GIIUENSTEIN, Pub/uh .. 11909·19571 year, has been named successor to tor Honoris Causa in recognition of his RichllJd Purvis 35 organist and master many fine contributions to the field of of the dloristers of Grace Cathedral, music. At the request of His Majcsty ROBERT SCHUNEMAN JUNE. 1971 San Fr=tncisco. California. Mr. Fenster­ the King o[ Belgium, Mr. Peeters played Editor m:.kcr. a native of Indianapolis. was an all·Bach recital on his studio organ gr.adu3ted from Wesleyan Univenily. in Mechelen March 24 before the King FEATURES Middletown, Conn.. with high honon and Queen. Earl)' in May, Mr. Peeters DOROTHY ROSER lutine•• Manager "TraditioM aad Treuda:' Northwe •••m in French ::t.nd music. He went on to was a member o[ the jury for the In· V. Church Muaic Conl.... ac. - study at the Sorbonne with Andr~ ternational Organ Competition in A R.pon '·7 March31. and he was later graduated Prague. WUlEY vas Sam. EdUorlaJ, Formal ODd Symbolic (0 A..pea. a! J,S. Bacl!', Ccmoalc with MSM degree hom the College of Mr. Preteu is 5(hcduled start his Auilflfltf Editor 10th VadatioM Ull "Vum Himm.1 hock da Church Musicians, Washington. D.C., Americm rechal tour on October komm Jeb h .... ·-Part 2 where he studied with Leo Sowerby and I. With this tour, he will have pla.yed br Kim R. KullD" 11-17 John Corigliano. He was a fellow in nearly 500 organ recitals in the U.s. since he made hb first appearance ex· Dup,. lD the TweaU .. harpSichord at Tanglewood (Berkshire Br RoDia Smith 28·27 Music Center) in 1966, and he is 31so aClly 25 years previous in 1946. Mr. An Inlernational Mont"'" Deooled '0 and Or.anuu and an associate of the AGO. Peelers hilS most recently been touring .he Orea" '0 A 8'9" OrqCID Dlacovrupbr From 1966 to 1970 Mr. Fenstennakcr in England with appearances at Liver­ Church Mtuic Br Fl"CUlk H'Mad 27 was assist:ml organist and choinnasler pool Cathcdnl. Tewkcsbury Abbey, at the Washington Cathedral and dl· London, D1ackbum, Newcastle upon Offk.., 10umal of .h. NUNC D1M1TTIS s rector of music at two of the cathedral l')"ne, and Morpeth. Be[ore he comes Union Nacional de Organlda of Menco CALENDAR ,. schools. His compositions include a 10 the US., he will conduct his interna· HARPSICHORD NEWs ,> tional master classes at the Cathedral speciallr commissioncd folk mass, in· EDITORIALS '4 cidenta music for contemporary plays, in MccheJen from August 2 to 13. In The Dlopoaon LET'l'ERS TO THE EDITOR 15 and a v:niety of liturgical music. He is the early part of September he will also EdlloritU and Btuine.. Offke ORGAN RECITAL PROGRAMS 11·20. 23 married to the fanner Madelyn Den· gh'e a recital at the Festh-al of Flanders. 434 Soulh Wobtuh Acenue, Chicago, CHAPTER & ORCAN CLO'II NEWS 24-25 neUe Leopold. He will assume his posi. Ill.; 60605. Telephone 312.HA1-3149 tlon at Grace Cathcdral on August 10. WINNERS ANNOUNCED SublCrip'ion price. $4.00 a !lear in ad· REVIEWS 1\(r. I Fenstermakcr succeeds Richard IN BROWN U. CONTEST vance. Single copje. 40 cent.. Back I. Purvis, who completed a 24 -year number. more 'han two year. old, 75 GualCIT L.oa.banU 12 tenure at Grace Cathedral on April 25 . The winnen of the 1971 Brown Uni· cen". Forrien ..,blCripljoru m"", be Organ Mualc 1-4-15 Mr. Purvis resigned in order to devote ,'ersitr Choral Serics Contest for a pald in Uniled SUJIe. lund. or 'he Oxford OI'ljCID M.thod 15 full time to composition, recitals, and chora composition were recently an· equj04lknl 'hereo/. A Snetll., Story 15 teaching. "ounad by Ron Nelson, chairman of Thuma. MWT'CIJ'. by Bob MJk:b.D 25 the dep:lfunent o( music at the Provi· ADloio.H. WUu:wu, lIence, Rhode Island, univenity. The Advert"",, rate. Oft application. bY' H.rb.rt NaRbI.d.ln 26 first prize o( $200 and publiCltion went Michael Scha.ider. bY' .eaneth SaaaOD 21 FRANK HERAND Rouline Uemt lor publication mud be TO TOUR EUROPE 10 Jeffrey Ki"J of Athens, Alabama, Robert ADd.NOD, hr Doaald Spl.. 26 ror his work Wind Has Blown tI.e recrioed nol LJter 'hon 'he 10,h of 'he CLASSIFIED ADVERTISEMENTS 2.-21 Frank Herand, PhD. musicol~t and Ua;n Awn, ror SATB chorus :lOd piano. mon,h '0 QUUre iruerlion in the Usue organist fonnerly associatcd With the Honorable mention and publication was lor Ihe nm month. For recilal pro· University of Hawaii and now active won by Merrill Lewis of Houston, .,a"... tmd ,",,,ertiring copy, 'he do•• All subscribers are urged to lend in the San Francisco Bay Area, will play Texas, ror his CI"lstmas Time at tile ille dole M Ihe 5th. Molerials for re­ changt.'5 of addrc..'SS promptly to the ;mother series of organ recitals and Pilgrim Jnn for SATB, chorus, flute and eiew Mould rtGC'h 'he ollice by Ihe omcc or The Diapasun. Changes radio bro:l.dClslS in Germany, Switzer. percussion. Two works by Richanl 'V. hI. Hlmt rc..... ch us hdon: the 15th o[ the land, Dcnmark, and Sweden during the Slater o[ Glendalc, California, won hon­ month precrding the dale o[ the summer months. Dr. Hcrand was in orable mention. They are his sctting of Second-clau poage paid a' Chi· first issue to be mailed to the new Europe for 15 months in 1968-69 and Psalm 29, ASCTibe Unto tile Lord ror cago, IU., ond 01 additional moiling address. The Diapason Clnnot pro­ played 84 concerts in 10 countries. He SATH chorus, timpani and organ, ami office. , ....ed fI1tJnlhlll, The DwptUOn ,-ide duplicate copk'S missed because has been invited to perronn again in Whispers of Jleavenly Deatll for TrUn Office 01 pubUco'ion, 434 Saulh Wabo.h o[ a subsCTiber's failure to notif,.. lIIany of these placcs. chorus and harp. • JiG"ue, Chicago, Ill. 60805

thiS Bench IS not only B€autl~ul ...

The Reisner Console Bench, avail· able with or without backrest.

It's a mast€Rpl€C€ or rln€ €nqln€€Rlnq.

Take the simple grace or good rurnlture ing to produce a rugged, trouble-free B'd­ design. Add the rich, natura! beauty or justlng mechanlsm. oak, walnut, or mahogany, hand-rubbed to And remember, Reisner can finish thls perfection by Reisner craftsmen. Naturally, new CODsole Bench to match your present you'll end up with a good-looking console console. Here at last is an adjust. And the seat can be raised bench. able bench Ihal can be or lowered wilh up 10 400 But we wanted more than beauty, you moved without damaging the pounds on it- built 10· last 8ee. That's why we started designing this mechanism. forever. beach rrom the inside outl Results? Well, for one thing, you can 11ft thla bench by Its top or back without dis­ consult YOUR ORCjan BUIldeR ~OR dttalls turbing the mechanism. You can raise or .~~~~~~~ and pRices on the B€autl~ul-But-RuCjCjed lower the seat three inches-while you are THE W. H. REISNER MFG. CO •• INC. leafed on 10 AU because of careful engineer- P. O. BOX 71 ReisneR console Bench. HAGERSTOWN. MARYLAND 21740

JUNE, 1971 3 NEW ORGAN MUSIC

97-5000 - Albinoni-Wollf ­ SUITE FOR ORGAN $2.75

97-5005 - Hiller!, Richard - RICERCATA FOR ORGAN $2_50

97-4952 - Krapf, Gerhard - SWELL Two New Organs by HolzSedec:kt 8 ft• .S6 pipes PARTITA ON "EIN LAMMLEIN GEHT" $1.75 Freiburger Orgclbau Saliciow 8 ft. 56 pipes Principal oJ ft. 56 pipes RohrlJolc oJ ft. 56 pipes Freiburger Orgelbau, Freiburg i/ Br., Waldf]ale .. It. 56 pipes 97-5004 - Vider"', Finn - Wa t Genmmy, has completed two new Langot 1~ ft. 56 pipes TWENTY-ONE HYMN INTONATIONS organs for churches in Germany. The Scharll IV V2 ft, 224 pipes first is a three-manual instrument in the Krummhom 8 ft. 5(j pipes church of St. Bruder Klaus, Villingen. Tremulant It has mechanical key action, electric PEDAL Su~" 16 ft. 30 pipet stop action, :md a free.standing console Oktawbass 8 h . 30 piJIH in front of the rQckpositiv. The great Tenor" h. 30 pipes division is l0C3.ted at the right in the Fasott 16 ft. :lO pipes main C35e, the solo division is abon: the great, and the pedal at the left of the ca5e. The Spanish trumpets arc mounted en ch3made and are of iO,o tin. The pipe shades are of cast alu. minum, and the casework is of solid oak. The dedication recital was pla)'ed CONCORDIA PUBLISHING HOUSE. ST. LOUIS. MD. 83118 Nov. 29, 19iO by Konrad Phillip Sehu· ba, org3nist o[ the cathedral at Con· stance. CREAT Principal 8 ft . 56 pipe, Bleisctbekt 8 ft. 56 pillet Chapelwood OItUve " ft. 56 pira Koppdnale", h. ' 6 pipes Nasal2;i fl. 56 pil)(:1 Ten IJ1, fL 56 pipes United Methodist Church, Oktave 2 ft. 56 pipn Mixture IV.vJ l~ fl. 290 pille! Dulcian 16 It. 56 pipu Houston, Texas Trompetc: 8 ft. 5G pipet BOXHILL FESTIVAL FEA TURES SOLO LADY JEANS & OTHERS RoluilUtc 8 h . 56 piltn A ·'mini·festival" of four programs Hohlflatc .. It. 56 pipu at Clc\'e1amI Lodgc, Dorking, England. CornCltt III 2~ It. 72 pipn home of Lady Susi Jeans, will be held Chamalie 8 It. .56 pipes June II. 12, 18, an 19. The concerts. Chamade .. It. 56 pipes given with the financial assistance or Trcmulant the Dorking Urban District Council ROCKPOSITIV and the Arts Council of Great Britian, Holzgedeckt 8 fL 56 pipes I'rincipa! .. h . 56 pipes will conccntrate on carly music, The Rohrflolc: 4 ft. 56 pipes [int, on June II, will consist of 18th WakUlole 2 ft. 56 pipes ccntury ke)'board music [or organ. Larigot IYs h. 56 pil~ harpsichord and clavichord, and will be ScJl3rfl IV I It. 224 pipt:J pla)'ed b)' Gillian Weir and Susi Jeans. Krummhorn 8 h . 56 pipt'l The second concert will include git.ocs. PEDAL catclu:s, and IGth century lute ducts by Princillat 16 It. 30 "ilK'S Uowland. l'llrccll, Shield. Calcott, SlIbbau 16 h. 30 pi"es Web be, Schubcrt and olhers, and will Oktoave 8 ft. 30 "ipes he sung b)' The Well-Tempered Sing. Getleckt 8 ft. 30 pilles c!'s and played by Chcri~ Snelling :Iud RohfllOmmer -l fl. 30 Ili"es IIintersatl: III :!~ (t. 90 pipes Katherinc jeans, lutenists. Lady jeans Fason 16 h . 30 pilleS will team up with Christian Sdlllcider, uboisl, and the Mannheim Quartet on The second organ was installed in the third program 10 present oboe June, 19iO, in Ihe parish of 51. Malh5us, IllIal"lcls h)' Mozart and Van hal, a trio J\glasterhauscn near Heidelberg, Cer­ by Richter, and a quarlet by Haydn, many. A two·m:mual instrument with and Schobert's ConaTlo i" C lII(ljor for 20 stops, it has mechanical key action h;upsidlord and strings. The final con· and electric stop action. All pipework ccrt will feature Katherine jeans play. of the great division stands directly on ing recorder, '!'usi jealls playing organ. the slider windcbest, including the Malcolm McKch'e), playing harpsichord, front pipes. The swell division is lo­ the Manuheim Quintct. Dea Gombrich, cated under the great diVision, and the violist, amI DaVid jom.'S, oboist. in works 3 manual organ- 40 ranks_ pedal, in which all pipes are made of by Kerll, Tclemann. Fasch, and Handel. wood, stands behind the main case. The Console preparalion, inr future additio n oi console is free·standing, and includes 6 general combinations. Tbe design and KLANGDOKUME.NT£ HISTORlSCHER Antiphonal Organ and Trompelle en Chamade_ TASTENINSTRUMENTE (Re<:onkd Docu· specification were eJl:eculed by Frei· ments or Historic Keyboard IJU IC'Umenu ) is burger Orgelbau. the title of a lortllcomin, I,ublication com· GREAT pleted by Wo)(gang Lude of the Univenity Principal 8 ft. ~ pipes of Heidelberg, Gennany. It U D discosrapby of Rohrgedadr.t 8 It• .56 pipes historic keyboard instruments I. ting o... u 300 OUave .. ft. .56 pipes available records documenting approximately BloddJote .. ft . .56 pipes 200 organs, a nd more than 60 n:c:ords o( hiJ.. Sesquialter ]] 112 pipes turic barpsichonb and pianot, The book will Hil'i1~II~II~lIim Superokta... e 2 It. !lEi pipes be available from Verlag Karl Metseburgu. D of Hagerstown, Maryland Mixtur .. It. l~ ft . 224 pipes 6105 Ober.Ramaladl, Po$ tracb 6, Wo t Ger· TromPdc 8 ft. 56 pipa nNlnr.

THE DIAPASON CD , /_____ ..J. ____ _

0!40 'lleUU!:lU!:) JO AllSJ9h!Un ' :l!snV'j JO AJoleI\J9SUO:) 968110:) 'UO!I!hed n aqJo:) ep!Jled

·sseV'j 'U01S08 UI 4:>Jn4:) PU009S pue ISJ !~ "Traditions and Trends" Northwestern U. Church Music Conference

If othen are experiencing fcarful and with the Amc;rican choral traditions. negative reactions about the trends in Dr. Lumsden also was the reatured re­ contemporary church mU5ie. it was not citalist on Monday e\'ening. In a state noticeable on the exterior surface, at of near exhaustion after a ~elling least, of Northwestern Uni~ersity's an­ recital tour of the U.s., he sull man· nual conference on church music held aged to display his command of the in · Where IDusical April 18 to April 20 at Alice Millar strument, even though his approach Chapel in Evanston, Illinois. The mood to the music was grounded in a school of the conference Wa5 one of getting tlmt has grown up with the sound and on with the business at hand rather structure of the Willis type instrument reSlJ]ts are Ihan to "weep in one's beer" about as pre\'alent in English cathedrals. His the deplorable stale of affairs. As a program: • result, the conference maintained a Fantasia K.594, Mozart; Voluntary for positive approach to some practical Double Organ, Purcrll; Four Pieces from areas of study for the church musician, the l\[ulliner Book, by Taverner, Tallis, llllpOrtant ••• The positive feeling of the confer­ Newman, and an anonymous composer; ence was established well on Sunday Prelude, Scherzo and Pa5SaCiglia, Leigh­ e\'ening by Karl Paukert's pre-confer­ ton; Partita on Sci gegrilsset BWV 768, ence recital. Although Millar Chapel's Prelude and Fugue in B minor BWV organ is not the most responsive instru­ 544, Bach. ment for such a high-powered work Monday artemoon was devoted to as Bach's Art 01 the Fugue, Mr. Pauken "nuts and bolts" sessions given by two People turn managed to put together acceptably \'ery capable Northwestern staff mem­ clear registrations and to articulate the bers. Margaret Hillis, of the music fac­ huge work enough to present a fine, ulty, talked on the musician's prepara· if restrained, reading of Bach's mag­ tion if he is to conduct a work for num opus. Using straight-forward, but chorus and imtruments. She is an ex­ to historically accurate interpretation. pert in preparing a choir (being di­ Allen. Wa5 Paukert's playing clean, accurate, rector of the Chicago Symphony and musically sensitive to shaping each Chorus) and explained her techniques piece so that the progression of -rugues and process of preparation in detail. produced an over·all swecp and move· She also answered many practical ques·

Aum ORGAN COMPANY, Macungie, Pennsylvania 18062

McGILL UNIVERSITY - Faculty of Music Montreal, Cana!!a ORGAN and HARPSICHORD SU~ SCHOOL Left to right: Robert Schuneman, Kurt Roderer, Karel Paukert, Elwyn Wienandt, Margaret JULY 18 to JULY 30, 1971 Hillis, Richard Enright, Grigg Fountain, and David Lumsden. ment to the Jong work. The reasonably tions 011 the subject. Kurt Roderer. large audience was obviously delighted builder of mechanical action organs Donald Mackey • Raymond Daveluy to hear such a work pcrfonned with and supervisor of organ maintenance care and great musical res~ct. at Northwestern U .• talked brieny on Kenneth Gilbert • John Grew Since the main theme of the con­ the voicing of an organ pipe and ex­ ference was "tradition and trends" the tensively on tuning. It was a subject Interpretation of organ literature on tracker organs by two main speakers delivered themselves few knew anything about, and one that Beckerath and Casavant well along these lines. Elwyn 'Vienandt. the participants welcomed as enlighten· Special studies for harpsichordists chainnan of graduate studies in mUSII;, ing and helpful. He was clear and at Baylor University, gave two lectures, thoughtful in his presentation which For Prospectus please write to: The Director, Organ and Harpsichord the first on "The Anthem Tradition" made use of a small portative organ ror Summer School, Faculty of Mu.ic, McGill University, MontrealllO, canada. which outlined the history of anthem demonstration purposes. usage in the church, and the second on One of the most delightful programs "Trend's in Today's Service Music" of the entire conference was that or which dealt with present movement! the Chicago Baroque Ensemble on including "pop." Both lectures dis­ Tuesday afternoon. Made lip of North. played Dr. Weinandt's wide grasp of western faculty people and Chicago Organ Workshop the subject and his keen sense of hu· Symphony pla)'crs (Noriko Fujii, so­ August 15-20 mor. prano; John Magnuson. bass; Ray Still, Da\'id Lumsden, fellow. tutor, and .lboe, 'Val£rid Kujala, flute; Don Mo­ Exclusive North American organist of New College, Oxford, Eng­ line. violoncello; and Karel Paukert. land, prO\'ided an English view of tra­ cominuo). this newly fonned ensemble Summer Appearance dition in church music in his Tuesday delighted a full house of students and afternoon lecture. Limited in time, his conrerence participants (it was a task of exposing the conrerence to "The school of music convocation) to a Marie-Claire Alain English Choral Tradition" had to be ipirited program of baroque music. dealt with in tenm of main ideas. Using !'heir program: at phonograph recordingJ. he pointed out Sonata in E minor for Dute and con­ some of the main historical periods of tinuo, Aria "Doch weichet" for bass, English dlUrch music, and concurrently nute and continuo from Cantata 8, managed to give a \'ery concise and in· Aria "Gott, du hast wohl gefOget" for Colorotlo Stote University telligible comparison of the sound, soprano, bass, oboe and continuo (rom Ft, Collins, Colorado make-up. and ideals of English choirs Cantata 63, Aria "Mein Freund ist University credit available Casavant Organ Campus Housing 34-stop, mechanical-adian Enrollment limited Guilmant Organ School For information write: Founded 1899, by Dr. William C. Carl Robert Cavarra, Music Department DR. GEORGE MARKEY, F. A. G. 0., DIRECTOR Colorado State University, Ft. Collins, Colo. 80521 1157 Lexington Ave. New York, New York 10021 212-472-9185

6 THE DIAPASON hlcin" fflr sopnmo, hal.'I, oboe and con­ (inup frmn Cantata 140, Bach; Trio CHARLOm WILLIAM I Son:un in E minor for flute, oboe and continuo, Tc1emann. Oraanilt flutl" A panel discussion on the "Present THE ATKINSON DUO fiRST PRESlmRIAN CHURCH ARMY AND NAVY ACADEMY and Future" concluded the sessions on I Tucsday afternoon, and included Dr. OCEANSIDE. CAliFORNIA CARLSBAD. CAUFORNIA Lumsden. Dr. Weinandt, Morgan Sim. BOX 785. CARLSBAD, CA 92008 • 714/729-2990 1I10ns (organist-choirmaster, Fourth Presbyterian Church, Chicago), Robert Schuneman. and Thomas Willis (music crilic for Ihe Chicago Tribune), amJ moocl'31ctl hy Richard Enright, chair ~ ARTHUR C_ BECKER, Mus 0_, A.A.G.O. man of Ihe church music department in ~urthwC5tcrn's School of Music. DE PAUL UNIVERSITY Most of the disclI!»ion was geared to a POSili\c note about lhe future, even ST. VINCENTS CHURCH. CHICAGO Iholt,;h the conference participants h:ul I few C'Jlll'SliollS Co as&.: the panel. The entire confercnce was concluded with :1 program o[ "British Church Edward D_ hrryman, SMD Worren L aerrymon, SMD Music" sling by the Alice Millar Chapel Choir under the direction of Grigg Fuuntain, and accompanied by Roy B E R R Y M A N Rehl. The choir was assisted by The Organlst.cholrmoster Head, Organ-Church Music Dept. UniverSity Chamber Orchestra under WESTMINSTeR PRESBYTERIAN CHURCH BALDWIN.WALLACE COLLEGE the direction (in the Handel piece) of Minneapoli. Berea, Ohio lIern:nd Rubenstein. The program: o prnise God in His holiness, Ar­ Englllh composer Malcolm Williamson will thur Wills; Sing joyfully unto God, be available in Nonh America 01 an organ Look down 0 Lord, Be unto me 0 recitalist and IOloin through the representa. Margaret Melvin Lord a tower of strength, Byrd; The lion of Arb Image beginning with an initial heanRS declare the glory of God, Boyce; tour in October and November of this year. CKI NSO N Williamson, a nalive of Australia who 01 Short !\[an for three voices, Taverner; Univanity of Louisville Dies Il':Ie, Christian Ignatius Latrobe; emigrated to london in 1953, has dis­ Utrecht Te Drum, Handel -RS tinguished hlmHlf as a composer for opera, Loul",IH. Bach Society ballet, piano, violin, symphony orcherlra Calvary EplKopal 51. Fronei&-in.lh ...field. EpiKopal al\Cl organ. His recital octivity will con· SPANISH WEEKEND AT CIIn'rote on the performance or his own ALL SOULS. WASHINGTON. D.C. composUions for the o~on. T1te compcner. who hrnuall was a studaftl 01 the French From the opening luncheon on Satur­ compaMr Mellli"n. hen begun to Jhape a day, April 17, to thc final reccp-tion rept.ltotian In England as on organ recltatlst WAYNE FISHER after the concert on Sunday, April 18, even though his own fint inlfnlfnent was at All Souls Unitarian Church, Wash­ the piano. In 196t, when the BBC com­ College-Conservatory of Music ington, D.C., the navor was Spanish - missIoned an organ concerto from William­ University of Cincinnati in sight, sound, and taste. Bright flow­ son for a Promenade Concert, the compaser ers decorated the tables, colorful posters was featured soloist at Its first performance. were on UIC walls, Spanish food (arroz He has sInce been the soloist at perform­ con polla, paella. sangria. guava) was ances of the work by the Vienna Philhar­ prepared by Spanish women of the monic Orchestra under Adrian Bolt. Mr. DAVID HEWLETT church's neighborhood. Williamson performed his first organ re­ Aher the festive lunch on Saturday, cital in North America last April at the Sefior Julio.Miguel Garcia Llovcl':I pre­ Cathedral of the Sacred Heart in Newark, MARSHALL BUSH senled a fascinating lecture on "His- NJ., where h. presented his awn Elegy The Conservatory of Music 10riC Spanish Organs and Cathedrals." J.F.K.. Resurgence de feu, Epitaphs for at Christ Church, Filchburg, Mass 01420 T he slides which he showed were breath­ Edith Sltwell, and Vision of the Christ. taking in their beauty and his scholar­ Phoenix, as well en Brahml' Eleyen Chorale ship in Ihis field was complemenled by Preludes. Newark's morning newspoper, The 1futtCii!!!!HMlfjffiI!!i!! ' I. .. ,uG-" I"n.!, 1"1,,,, I"um:n:t;m.;m- " ; i " i- . rr~rmm' mmn'i .. I.!lh!!!l'H.lhi!ii!iHUIUAl!lmIIm] the warmth of his personality. The Star.tedger, called the recital "on event of slides were supplemented by recordings muskol lignificonce" which ".some memo of many of the organs. ben of the Iorge avdielKe hod driven Wi ..JOHN HOLTZ I~ Sunday's events opened with another hundr.d. of mt1es to "'are," ond colted ll Spanish lunch which was followed by Wllliomson Hon organist of refirHtd ..n.i­ ~ 1 Faculty: HARTT COLLEGE, University of Hartford I~ "The Shoemaker's Prodigious \Vile," a tI"tty and sty ..... L • comedy by Frederico Garcia Lora. pre­ ; • Organist: CENTER CONGREGATIONAL CHURCH, Hartford sentcd by the Unitarian Players. At 4 i"ijm!u,lth l!l! l;I"I!I!l!ilil'irillmmmmmmU!jjIjWUf!i;j,mmliHtilillillE!illl'I,!IIII,I!!jl'l j,!mpUmlJmTIU1!II"III '''i1l.1i1! " p.m.. Sefior Garcia played a progmm ORGAN HISTORICAL SOCIETY on Ole Rieger organ devoted mainly 10 TO MEET IN BALTIMORE works hy Spanish composers: natalia by The annual com'ention of the Organ .lose Ximenez (1601-1672), T iento de Historical Society will be held from medio Tegiltro by Pablo Bruna (1611- June 23 to 25 in Baltimore, Md .• and 1669), Suile 1 by Manuel Castillo (1932). Batt ~ W~D' S""'FAC'O a varied program or events is sched· and Final by Jesus Guridi (1886-1961). uled. Musical programs and organs ALABAMA COl.LECE • MONTEV,\LLO Evcn the piece bf Bach which he play­ both new :lnd old will be reatured in ST. LUKE'S EPISCOPAL CHURCH' BIRI\\INCHM\ ed, the Pcwacagha, had its orgin in a an effort 10 iIIustmte that the present Spanish dance. A reception following can learn from the past. Among the ~~~ the concert attended by the cultural program5 will be one (or two organs, atlach~ of the Spanish embassy, Sefior a church service patterned a(ter Bach's Casanova, concluded this festival week­ St. Thomas, Leipzig, service with choir, MARILYN MASON end. orchestra, and organ in Cantata 30, a CHAIRMAN. DEPARTMENT OF ORGAN Sefior G:lrcia, one of Spain's outstand­ service with fonmll 20th century music, UNIVERSITY OF MICHIGAN ing organislJ and music scholars, has a slide lecture and recordinG' on old ANN ARBOR dcgrtCS from universities in Madrid, Mexican organs, a concert (or organ and "Mi.. Ma .... played "".,erify rlftd te.rn, demcm.,,.,In_ all.'" Seville. and Heidelberg. He was former­ nute, and il candle-light concert and wi'" ly organist at the Metropolitan Ca­ garden party at the 1812 Carrol Ma n­ Iter e.'NlOI'riJ"ary frrc'hy • • • " Des Mol,," Regist ..., Octolt., 5, 1964 thcdr.al or EI Pilar in Zaragosa from sion. Orgaru to be secn and heard in­ 1955 to 1961. Since 1967 he has been dude irutrumc:ntJ by England (I804). org:anist at the Marienkirche in Ham­ Dieffenbach (1840). Ferri. (1845). Ber· hurg, West Germany. He has given ger (1850). Pomplitz (ca. 1860). Roose· many concerts and lectures throughout velt (1869). Niemann (ca. 1895). Spaeth GEORGE Europe, and he has made many record· (1961). Andover.F1entrop (1961 ). and MARKEY inJt5 for radio. Walcker (1966). Convention headquar­ Records Markey Enterprises 201-762-7674 Other "happenings" of this kind are ters will be at the Belvedere Hotel. planned at All Souls Church combining Recitals 42 Maplewood Avenue music, drama. art, and the community. EARL EYRICH'S "MEOITATIONS" for Instrudion Maplewood, N.J. 07040 It was beautiful and educational - and choir. lpeaker, (X)nsrcption and organ was it was fUn . Biven its premiere perlonnance at the Fint - Jean Slater Edson Unitarian Church of Providence. R.I. during its Easter Suvk.c. The work. based on texts Gary Zwicky TilE ORGAN LITERATURE FOUNDA­ from the Ril V,46, Bh,rwaJ Git" the TION h3s just released its new addenda lilt UlmJftuhtub. ud Rabindranath Tagore, in­ barclay wood DMA fAGO #6G, a lupplement to Catalogue F. In it an l'otvcs a Ipc:Uer and the congrqation. which lilted many new publications of interest t. chants while t!:e choir linp more oompla orpnillJ:, oJToln builden, and researchen. It matuW. Mr. Eyrich is orpnut and director FIRST BAPTIST CHURCH Eostern illinois UniverPty' includtil publicalioM from fon:isn COUDtries or mUlie at the Pint Unitarian Chun:h, Provi­ Worcester Mau.. cbuscttl Charle.ton III well AI the U.S. dence, R.I.

ROBERT QUADE, GUEST DIRECTOR FOR DETAilS: Write War"," C. Miller Christ Episcopal Church WA-LI-RO Shaker Heights, Ohio 44122 38TH CHOIRMASTER CONFERENCE: July 5-9, July 12-16, 1971

JUNE, 1971 7 N cw Casavant in Richmond, Virginia Northwestern University School of Music NU N C Casa\'ant Frcres, Limitce of St.Hya­ cinthe, Qu~bec, has recently completed the installation of a four-manual organ Catharine Harold in the First Baptist Church, Richmond, Va. The organ is located at the front DIM I TT I S • of the church behind a sound trans­ CROZIER GLEASON parent screen. The antiphonal division was built and installed by. Casavant in 19fm and has been incorporated in the GARTH EDMUNDSON July The Craft of Organ Teaching new instrument. Lawrence Phelps, vice Garth Edmundson died Friday, April president and artistic direclor of Casa­ 2 in New Castle, Pa., at the age o[ 78. 19·30 vant, designed the organ. Raymond H. Daily lectures, demonstrations and Born in ProspC1:t, Pa., he was interna­ Herbek is minisler of music at the tionally recognized as a composer of 1971 maste r classes. Diversity Credit. church. organ and \'ocal music. He was organist GRAND ORGUE for 25 years at the First Presbyterian For information, list of repertoire Bourdon 16 It. 61 pipes Church, New Castle until his retire· and suggested editions, write: Montre 8 it. 61 pipes ment in 1968. He had studied in Pitts­ Flute a cheminee 8 It. 61 Ilipes burgh, New York, London, and Paris, Concert Manager Prestant 4 It. 61 pipes and was given an honorary Doctor or School of Music Flute conique " It. 61 pipes Music degrcc by Wcsuninster College Northwestern Unh·crsit,.· Doublette 2 ft. 61 pipes where he taught for a number of years. E"onslon, Illinois 60201 Cornet V 8 It. 220 pipes Foumitllre IV I Yi ft. 244 pipes He is slln'h'ed by his wife, the fonner C)'mbale IV ~ ft. 244 pilles Anna R. Hodgkiss, a mice teacher, Trompettc 8 ft . 61 pipes and a brother, Richard of Denver, Clairon ... h . 61 pipes Colorado,

POSITIF Bourdon 8 It, 61 pipes IVAN LANGSTROTH Salidonal 8 (t, 61 pipes I\'an Langstroth, internationally ac­ SCHLICKER Prestant " It. 61 pipes claimed composer, died April 25. Born Flute a IUlcau ... ft. 61 pipes in California in 1887, Mr. Langstroth Nasard 2% ft. 61 pipes Doublette 2 ft . 61 pipes studied in Germany and won a place Quarte de nasard 2 ft. 61 pipes in the master class of composition at for excellence of design, the finest of quality materials, and the Tien::e 1 3/5 It. 61 pipcs the Royal Academy of Art in Berlin, Larigot 1~ ft. 61 pipes where his teacher was Humperdinck, highest order of craftsmanship in mechanical and electric action Fourniture IV 1 It. 244 pipes After his student days, he remained Cymbale III Yl ft. 183 pipes on tlle continent and spent II years as pipe organs. Cromome 8 ft. 61 pipes Tll'mulant professor of composition and theory at Zimbebtem the Netic 'Viener Konservatorium, Vienna, Austria. He returned to the RECIT U.s. in the early 30's and held several Principal etroit 8 It. 61 pipe.s appointments in New York. Of his Bourdon 8 ft. 61 pipes many published compoSitions, many Buffalo, New York 14217 Viole de gambe 8 ft. 61 pipes were organ pieces, and many of his Voix celeste 8 It. 5-1 pipes pieces have been pedonned by concert 1530 Military Road Octa\'e ... £to 61 pipes Flute ouverte " ft. 61 pipes artists throughout the world. He re­ Flute des bois 2 ft. 61 pipes tired from teaching in his later years Plein jeu VI 2 fe. 366 pipes 10 devote full time to composition. He brochure ayailable member APOBA Basson 16 ft. 61 pipes was a member of the New York City T rompette 8 It. 61 pipes Chapter of the AGO. and a member of Clairon ... ft. 61 pipes the Bohemians. CHOEUR ••••••••••••••••••••••••••• Flute bouch& 8 ft. 61 pipes HOWARD T. DODSON : : Flute douu 8 ft. 61 pipes Howard T. Dodson, minister of Flute celeste 8 ft. 49 P'lles iOn1y at Peabody i Flute ;" eheminee " It. 61 pipes music and deacon of the Aby ~ inian • • Harpsichords ' Octa\'in 2 ft . 61 pipt'S Baptist Church, New York City, died • • Cornet II 2~ ft. 122 pipcs April 5 in New York. Born in Cin­ : Peabody offers a cur- : I'etite foumiture III 1 h. 181 pip.,~ cinnati, he received his early musical : riculum which Iluuhfics : JlalldlOis 8 ft. 61 pipes training there. With a scholarship from the Abyssinian Baptist Church, he at­ : students to conduct : Clavichords PEDALF. tended tIle Guilmant Organ School. MOlllre 16 ft. 32 pipes •: musical programs in •: Soubane 16 ft. 32 pipes Upon graduation, he began his career Bourdon 16 It. (grand orgue) at Abyssinian Baptist Church in 1934. : liturgil'al churches; i.e. : Octa\'e basse 8 ft. 32 pipes In 1936 he became director of the youth Bourdon 8 ft. 32 pipes choirs, and he also hccame director • Roman, Anglkan, Lu- • Basse de choral -I ft. 32 pipes of the Philhannonic Glee Club. His :• theran, and Heformcd •: Flute a cbeminee " It. 32 pipes career was interrupled in 1942 by serv­ Flute 2 h. 32 pipes ice in the Anncd Forces, where he ,J ewish. as well as all Foumiture VI 2 ft. 192 pipes I ! Contn: bombarde 32 ft. 32 pipes served as a chaplain's assislant, part of tJle lime in the Holy Land. He re­ • Prnt ~stant denomina- • Uombarde 16 It. l~ pipes Basson 16 ft. (redt) turned to his position at Abyssinian ..• lions. Peahody offen.; :• T rompette 8 ft. 32 pipes in 1945, and was appoinled minister Cbalumcau " h. 32 pipes of music by Dr. Adam Powell, Jr., in ! lhe B.i\I., ;\1.;\1., and I 1946. He is survived by his wife, Hattie. ANTIPHONAL • D.i\LA de.grees in litur- • Rohrflote 8 ft. 61 pipes •: gieal music, organ, and •: Enahler 8 ft . 61 pipes BRONSON RAGAN Enahler celeste 8 ft . 61 pipCll Bronson Ragan, organist and musi· : harpsichord. Organ : Octave ... ft. 61 pipes SpiunBte ... ft. 61 pipes cal director of Ihe Church of the Holy = faculty: Paul Davis, Blocknote 2 h. 61 pipes Trinity, New York City, and a candi­ .i Mixlur III % h. 183 pipes date for the o££ice of president of the .• Arthur Howes, Arthur • Tremulant AGO, died suddenly March 29. ,\ Sperrhake graduate of the Juilliard School of : Hhea. Harpsichord fae- : ANTIPIIOSAL PEDAL Music where he studied with Gaston I ulty : Shirley Mathews. I Harpsichords Lieblichgedacke 16 ft. 32 pipes Dethier and David McK. Williams, Mr. Ragan was very active in AGO aUairs in the New York City area. He was : I'I~uIHJtI:\' COlls"f\"uton': a member of tlle national examination . - committee, coordinator of Guild exam­ ·: or ~IlIsic/RnllinHJr(':. Passau IW. -Germany TWO ORGANISTS PERFORM inations for the New York City Chap­ WITH SYMPHONY ORCHESTRAS ter, and lie was himself an FAGO. At • • Ladd Thomas appeared with the Los the time of his deadl, he was head •••••••••••••••••••••••••••• Box 532 Angeles Philharmonic Orchestra, Zubin o[ the organ department at the Man­ Mehta conducting, in perfonnances of hattan School of Music and member The Louisville Bach Society, Inc. four different works. On April I, 2 o[ its theory department, a member Melvin Dickinson, Director and 4, he played in Tile P/ant!ls by of the summer faculty of Pius X School Hoist; on April 8 and 9 in Brahms' of Liturgical Music, Manhattanville announces Requ;em and Kosmogfm;a by Pender­ College of the Sacred Heart, a member ecki; on April 22 and 23 in Saint-Saells' of the theory faculty of the Guilmant TEN GLORIOUS MOTETS by Johannes Brahms Symphony No.3, and on April 24 in Organ School, and organist at Temple (Op. 29, #2; Op. 74, #2, Op. 109, 110) Hlltlnenschlacht by Liszt. The works Beth·EI, Jersey City, New Jersey. and a charming motet by Hugo Distler, by Holst and Liszt are being recorded on the London label. NBC-TV'S NEW PROGRAM, "Fint Tues­ "Singet frisch" (Geistliche Chormusik #4) Alexander Boggs R fan was the or­ daY"1 on July 6 will show scene:! taken during ganist with the Kalamazoo Symphony the Installation 01 Ihe 89-nnk RuffaUi pipe Record orders made at $4.00 each from OrchClltra, Pierre H~tu, conductor, on organ in St. Mary', Calhedral, San Francisco, April 20 in perfonnances of Baroque Calilornia. Filming was done at differenl Melvin Dickinson r'ar;atio"s by Lukas Foss, and the Sym­ stages 01 the installation and also after the 2549 Woadcreek Road organ was comp1eted. The -I-manlla1 instru­ IIIIony No. 3 by Saint-Sacns. The per­ ment built by Fratelli Runatti or Padua, Italy, Louisville, Ky. 40205 formances were recorded for broadcast wru dedicated on April 17 by AHonso Vega m'cr Kalamazoo radio. Nunez.

8 THE DIAPASON

6 June 6th International Organ Ft.'Sti,,;a1. St . . 1. Reill\' Lewis. N""- York Cl1huul Albans. Eogland «(hm july 3) ~nlcr, New York. NY 3 pm JUNE Fn'tl Tulan, Hetrast. North Ireland CCO'Kc Ritchie. Duke U. Ch3pcl. NC 4:50 pm 29 June Ted AI:m Worth, St. M3ry's Episco­ 1 2 3 4 5 Concert Two, "Sound or the 70's", pal. Wayne. PA 7:30 pm Trinity Church, New York, NY 12:45 pm Thoma, Hammons. Christ Church, David Lumsdcn. Queen Elizabeth Cincinnati. OH 4:30 pm 6 7 8 9 10 11 12 Hall. London, England Gloria hy Vi\'aldi, First Presbyterian, 30 JUlie Fort \\'ayne, IN 9:15 1: II am 13 14 15 16 17 18 19 Chark'S Callahan, St. John's Episcopal, Virgil Fmc, Fountain Street Church, Wasltington. DC 12: 10 pm Grand Rapids. MI 7 pm 20 21 22 23 24 25 26 Chicago An; Ol'Kani Series: john Clcmn by Vh'aldi. Pm'".lfnnurl by W::.Il:.cr, St. Phillip's Lutheran. ChiClgo. Zimmermann. choruses (rom Snnuotl by IL 8 pm Handel. Chic:u;o Chamber Choir, George 27 28 29 30 Corlct:Tlo 2 by Handel. Fred Tul::.n. E.,tc\,t.'z. 51. Jame!! Cathedral. Chicago, Copenhagen, Denmark IL" pm John Strt.'t"c. Christ Church Cathedral, DEADLINE FOR THIS CALENDAR WAS MAY 10 I July St. Louis, hiD 4 pm Ilemard Lagace, Queen Elizabeth Keith ' rhompson. Inlcrsl:akc Center. Hall, London. England O<1klantl. CA 4 pm 14 June ,\rthur I'oisler. workshop, St. Olar 2 July 7 lune Southeastern Rcgional CoU\'cution, College, ~urthricld . MN Pacific Coast Rcgion;ll Convention. Southern Rqtional Com'enlion, AGO, ,\CO, Charlotte, NC (thru June 16) 21 June AGO, Honolulu. Kauai, Maui, Hawaii Jackson. MS (Ihm June to) (thm July II) 15 June Internatiunal jOSC)lIin Festival-Con· Marilyn Mason, St. Andrew's Episco­ ferellce. Lincoln Centcr, New York, NY Fred Tulan, WL'St Uerlin. Gcrmany pal. Jad:.son. MS C'hurch Street \'outh Choir or Knox· \'ille. Tenn.; at Trinit}' Church, New (thrn .Julie 25) 3 july 8 June York, NY 12:4§ pili Mi.-cille La~cc , Church or the As· Clyde Holloway, Kawaiahao Church. Claremont Brass Quintet, Trinity lancaster Chapter AGO members, cen'lion. New York, NY 8:30 pm Honolulu. HI Church, New York . NY 12:45 pm Lancaster SUlllmer ~ \rlS Festival. Trinity Catharine Croder, Pine Str~t, Pres­ John Obetz, Marienkirdle, Geln­ Robert S. l.ord. Frick Fine Arts Bldg.• Lutheran. L::'lIc

LAUREN B. SYlU!S C. GORDON DAVID A. FREDERICK SWANN A.A.G.O., Cb. No The Riverside Church Warner Padfic CoUcge WEDERTZ WEHR New York City 25!4 West 118th SL UNIVEItSITY OF MIAMI Portland, Oregon CHICAGO ti065.!i Coral Gabl•• Pforida

George Norman Tucker WIWAM Th. Baptfst RUSSELL G. WICHMANN Mus. Bach. RANCIS ST. LUKE'S CHOIUSTERS Tomplo IJIJ.6 WlzitlolJ Chatham College VOLlMER T.mpe. Squer. Kalamazoo FOR CHAPEL EPISCOPAl CHURCH ShadV$lde Presbyterian Iklyn 11, N.Y. BOY CHOIRS fOll Chapel, Pltbburgh. 'a. 1!238 Piffsburgh, Pa. 15232

W. Wll.LIAM WAGNER HARRY WILKINSON JOHN E. WILLIAMS WA-LI-RO Ph.D •• , ..... G.O. 5•• AIIdrewl P,e.byt.flon con ... BOY CHOIR MT. UIIANON ME'llIOOlST CHURCH ST. IMIITIN.IN.THE.fIElDS Laurinburg p,•• byterian Ch,.,ch WAlilIN C. MIWR - DIRECTOR Ch.stnut Hnl. Philadelphia 1'1,_ ...... ,..... Laurin".", N~ Caroa•• Christ Chuft),. _ .. 1IoItIhts 22. Ohio WEST CHESTER STATE COUfG!, ,"-

sally slade warner CLARENCE WAlTERS DONALD WILLING George Y. Wilson La-goO. cb.m. faculty CHURCH OF RECITALS INDIANA UNIVERSITY ST. JOHN THE EVANGELIST St. John's Church North T•• at Sta•• University "oominlton, Ind. IkaaJn Hill Il00_ W. Hartford, Connecflcut - 10 THE DIAPASON AMERICAS BOYCHOIR SELECTIONS ANNOUNCED Sc1~tions for the Americas Boychoir for 1971 have been announced by john n. Shallenberger, president of Shall way Foundation, who is managing the group Oll its European "odysscy" this sum­ mer. Delegate-members of the group are Gregory Carlson. age 10, member of the Singing Boys of Orlando, Fla.; Christof,her Dean. age 13, mt:mber of the Ho y Trinity Choristers, West Ches­ ler. Pa_: Paul Marcb. age II, member of the St. Petersburg, Fla.. Boychoir; Steven Sinoradzki. age 10. member of the Clarktown Boys' Choir, Clark, N,j.: Michael Miller, age la, member of the Mansfield. Ohio, Boys' Choir; and Tim· othy Hawley, age 12. member of the Singing Boys of Houston, Texas. The group will sing in the Strasbourg Music ltestival and in both the Nether­ lands and Belgium international choral festivals_ Several of the boys will be delegates to tI1e Pueri Cantores {Boy Singers) Congress in Santiago de Com­ postela, Spam. and the International New Klais Organ for Choral Festival in Linangollen. 'Vales. Remagen, Germany Church All members of the group will attend public school in UelgiulII and Gcnnany. anu will receive cel tifieates to present Johannes Klais Orgelbau of Donn. to their schools in the United States West Germany, has completed a new as evidence of "make-up" for classes two-manual organ for the Roman Cath­ missed in May and june. Their school­ olic church of St. Peter and Paul in ing in Europe is conducted in languages Rcmagcn. 'Vest Germany. The new Ot­ the American be)S do not speak flu· gan is encased in the rear gallery of the enLl)'. but their American schools arc church. The key action is mechanical, said to recognize that the educational and the stop action is electric. All chests \"alue may be C\'en greater for that rea are slider-type. and the console stands son. In Gennany. the boys attend Eng· The First Christian Church, Tulsa, Oklahama free from the organ case. The manuals Iish dasses in order to learn language have 56· note compass. and the pedal in reverse; the American boys learn Dr. Frank E. See, Senior Minister no notes. German from the classes in which the IIAUPTWI ~ R'" German boys are studying English. The H. Harold Campbell, Minister of Music RohrflUte 8 £to boys have little trouble in such courses Principal" ft. Bloddlole 2 ft. as mathematics and physical education. Scsquialccr II 2% It. where language obstacles are of minor SIXTY·SIX RANKS Mixtur IV 2 ft. nature. TWO 3-MANUAL CONSOLES URUSTWI:.RK While in Europe, the Americas Boy­ lIullgedackt 8 ft. dtoir plans to rendezvous with various Slliuf151e .. h. American boychoirs on concert tour this J'rindpal 2 ft. Sinkt I ft. summer. The group will visit and "au­ WICKS ORGAN COMPANY IHighland, Illinois 62249 Oulcian 8 {t. lIition" at least 18 European boychoirs Trcllllliant during their European tour. While visit­ I'EHAI. ing boychoirs in Brittany, the Amcrican Pipe Organ Craftsmen Since 1906 Subbass 16 ft. group plans to make a side-trip to Nor­ arrenb,us 8 fl. mandy and to the beachheads invaded Delav" It. lly the Allied Forces on D-Day in World War 11. In Gennany and France. they plan to stop over at American milital) !lases and post cxchanges. The boys arc guests in the homes of European choir 5~e .JJOU6e 01 Qua/it';! bo)s in nearly e\'cry city they visit. ORGAN SUPPLY CORPORAliON Fritzsche Builds for Alburtis, Pa., Church The l'alll Fritzsche Organ Co., Allen town, Pa., is building a new two-manual organ for the Church of the Good Shepherd, United Church of Christ, in (\Ibllftis. Pa. The instrument will be huused in divided chambers. Installation Hoyer Rebuilds Hinners is scheduled for May. 1971. Mrs. Vema Organ in Kansas Seagravcs is the organist of the church. The Hoyer Organ Service, Lawrence, GREAT Kansas. has retcntly completed the re­ Dulzan 16 ft. Principal 8 ft. 61 pipes building and reinstallation of an 1895 Bourdon 8 rt. 61 pipes Hinners one· manual and pedal tracker Kleiner Erzlihlrr 8 ft. 61 pipes 540 East Second St. Erie, Po. 16512 organ in Calvary Lutheran Church, Octave ... ft_ 61 pipes Suppliers to the organ trade Topeka, Kansas. The organ was left Flute " ft. completely unenclosed and the casc­ Enabler" ft. 12 pipes work was redesigned. A 2-foot fifteenth TweUth 2% ft. was substituted for the original manual SifflocCc 2 ft. 12 pipes 16·foot bourdon, and the remaining Fifteenth 2 ft. 61 pipes Tierce I 3/5 (t. pipework was revoiced. Lack of addi. Mixture IV 24-1 pipt'5 tional funds prevented replacement of Chimes HANSEN all the old pipes with new pipework. The original flat pedalboard was 2i SWELL notes, although the 16-foot pedal bour­ Gcdeckt 8 ft. 61 pipes ORGANS don had only 15 pipes. In the new in­ Gamba 8 ft. 61 pipes Gamba Celeste 8 ft. 49 pipr! Constructors stallation, the missing notes were filled Kldner Enlbler 8 h. out by using some of the old manual Diapason .. ft. 61 pipes & bourdon pipes and installing them on Koppel flute .. ft. 61 pipes an electropneumatic chest hanging on Flute 4 ft. 12 pipes Rebuilders of the wall of the church. The flat pedal­ Er-Lihlrr " ft. hoard was replaced with a new AGO Nalaru 2% ft. 61 pilles UUALITY standard pedalboard. The manual stops Flute 2 ft_ 12 pipes Trompeue 8 ft. 61 pilll'~ ORGANS are divided with separate bass and Clarion 4 ft. 12 (Iil)C!ll PIPE treble drawknobs. Wind pressure was Oboe 8 ft. (5)'n.) SCHULMERICH® __ lowercu from 3 inches to 21h inches on Tremolo QUINCY, ILLINOIS 62301 the manual and 2 inches on the pedal. HELPS YOU FORM ENRICHING, PEDAL MANUAL Bourdon 16 h. 32 pipn INSPIRING HANDBELL CHOIRS Diapason 8 ft. Still Gedeclct 16 It. ORGAN SERVlCE- J. E. Lee, Jr. Gcdrckt 8 ft. Spitzprincipal 8 ft. 32 Ililles Start handbell choirs for youth ••• or any Gamba 8 ft. Bourdon 8 ft. KNOXVILLE, TENNESSEE 37901 age group ••• with Schulmerich "Precision Principal" It. Choral Bass " ft. 12 pipt'S Box 2061 Flule .. ft_ Flute 4 ft. Tuned" Handbells, Ihe finest. Write to Fifternth 2 h. Octavin 2 ft. 12 pipes Tuning .. Maintenance .. Rebuilding I'l~ DAL Trumpet 8 It. Consultants SCHULMERICH CARILLONS, INC. Bourdon 16 ft . Clarion " ft. 9561 Carillon Hill • Sellenvllt., 'a. 11960

JUNE, 1971 11 William Read was harpsichordist for handling of Collpcrin's suitt: began wi~h WnAt Bcndit conccrt at Hunler Col­ Gustav Leonhardt extensh'c melodiC passage· work. to fill Il"gc Assembly Hall, Ncw YOlk, on April in the chonls of Ihe f,riludt: non mes­ Two Toccatas (Ilk. IllI ::md 8) Ca· 9, lie played Ihe nadt IlT!",denbllrg tlTe (where others, lcss skilled, would priccio sopra la-sol-fa·mi·re-ut, Fresco­ Crlllct:J" / i numbers two and flvc. arpcggiate the whole piece), and then baldij Suite in F, L Couperln; Sona.ta continued to display the fantastic dance Southern baptist Thcological Sem' in G, Bach.Ltonhardt: Prelude, FUKUe ina,').. Louisville, Kentucky, dedicated rhythms of the AUeUltmdt', Courantt', and Postlude in G minor, IWhmj Eng­ IIralile de nasqllt:, Sarallande, Gaillarde, Ccokc Iiall as the new home of its lish Suite in F Bach. School or Church MUSic on April 19. J and Cilacolme. These r.ICCCS could havt: Included as equipmcnt in Cooke Hall "un danced with t lis perfonnal~C:c, are harpsichords by Challis. Sabolthil, There are vcry fcw contemporary and an abundance of ornamentation keyboard players ""ho .ta\·({ managed 10 anti Neupert, a CI~Jlis clavichord, a!ld tlid not get in thc way of the dancc !UlbmeTge themselves in 'he style of :l fortepiano by Phdip Bdl (a rephca rhythms. or the 1773 Stein piano). baroque lIlusic enough to be invaded Bach's Sonatn in C for unaceom­ by the spirit and structure or it as it panicd violin is the basis for the four­ Jan Wonlen flaycd the first graduate was intendcd to sound by the com­ harpsichord rttltal ;at Southern Metho­ ",oVenlent Sonala in G which Mr. Leon­ Off The Soundboard posers who wrole it. Numero~~ m,!:!i­ hardt played, Only one movcmel!t dist Univcrsity on May 4. Mrs. Wordcn cologists hale caplU~d the spmt with Kenneth Gilbert will conduct an In­ is the unh'ersity's first graduate in the exists in Bach's lland for thc harpsi' ,.,>Teat knowlcdge and conviction, few of chord, and the version playcd was. rc­ ternational Sum Iller COUnie (or Harpsi­ piano,harpsid,ord Master of Music pfO' them have been technically equipped as c.hurd in Antwerp's "Iees/luis Museum gram. For Iler recital she played Suite COllstrllctctl by Mr. Lc~JUhartl,-: It I!I a pcrionners in order to pl:t1y it con­ convincing plcce, ltahanate In style. fmm I\ugust 9 through 13. Some of in C Major, Dandrieu; Variations, "Est­ vincingly for average audicnccs. Many AnlWCf\"S historic harpsichonls will he u·Mars''', Sweelinck; SO'latas it! G Ma­ The reconstruction and its performance skilled performers have the technical was both authentic and unobtrusive. used. . 'he repertoire will consist of jor, K. 470 and 471, Scarlatti: P(J5S~­ ability, but most fail in their knowl­ (:rancuis Coupctin's Prem;u l.it,!t! de caglia in G minor, Murrat; Toccata ttl Gcorg 1IohUl's piece (among hi!! organ cdge or the style, It is rare indeed when works) was played Su(ct."Ssfnlly Oil the r1l11fecin (1713). The course will Oc D Maj()lf and English Suile in A minor, a knowlet.lJt3blc musicologisl and a su- limited to rifll'CII participants. each of J . S. linch. harpSichord without pedal, and, i~l ,rcll1c1y skilled technician a~c com­ some wa)"s, it f3res better on the harpsl­ whom mllst futrill ill lcotst one of these Larry J'ahner, harpsichordist, and ,ined III one person to result. In musi­ prcfl.'quisiICS: harpsichord training at l chonl than on the orKan. Particularly William H}'bel, violin1st, were joined cally ~ellsitive a,ud authentl?lIy vi­ the rcpeated notes o( the prelude seem all adunced level; graduation hom a lly Feodora Sicward, Clutist, (or a p-:o­ hrant interpretation of musIc wh~ n,'CO"UilCd music ac:uJcmy or (onsena­ to be more suited to the harpsichord. grollll at St. Luke's United MethodISt !lit)le hilS been lost in tJle historic pro­ I:inally. Bach's Euglil/l Suite i" F was lUll;' finalist Of sc!ui.fillalisl frOl!1. an Church, Oklahoma City on April 27. gression or time and culture. The. ar~­ international harpsichord competluon; given a lively pcrformance that broll~ht The concert, part or the church', Arts istry of Custav . Leonha!dt (a~d It IS the dance rhythms to lJcar on the m­ or a n,.'CollllllcncJalion (rom a recognized t:estival, included a Suite 0/ Dances Uy artistry o( the highest ktod) brangs the ha1l)sichord Icacher. .-Of further in­ tcrpretation, even though most of the Anonymous Composers of the 16th and haroque mind into contact with our pieces are far too stylized to be danced fonnOilion. write Mrs. J. Lambrechts­ 17th ccnturit."S; Ilochl>crg's NQc" BQcil; own; it breathes the life o( another 10 reality. Herc anain, as i~ the Cou­ Ilollillcz. Secretary: Ruckers Gcnools­ ~Jartinu's Sonate pour clavedn; and culture within the range of our own chap Anlwcrpcll, Vlccshouwersstraat 38- perin, the rhythmiC conventions 0( , the B3dl's CilTomatic FQ,llasy and Fugue senses; and it transports us mOlUen­ French davecinists were brought mto 40, Belgium. iu D mi'lor for harpsichord solo; tarlly il1lo another world. It h"s lu,'Cfl a good season ror the usc, with perhaps a little morc rC5Crve Jacqucs lhert's De"x ltlteTludes for The essence: of Gustav uonhardt', appropriate to its G.erman birthp.lace. Hach multiple harpsichord concerti. viohn, Hute. and harpsidlord; and l:rom naltimorc Shirley Mathews re­ playing and interpretation is to be And it was; appropflate that a ltv.ely Walter Piston's Sonal;rla for violin and found in his trcatment of rhythm. It Gigue should end the program, leavmg ports perronnanccs o( thc two·. three·, Ilarpsichord. and (our,harpsichord works presented is probably the most neglected and mis· the audience in a happy and gay mood. )to Cochrane Penick, harpsichordist, underslood of all the elements of baro­ It is much easier to vcrbalize about by Festivals, Inc. :U Goucher College and his wife, Doris Sease Penick, vio· on March 13, using rour instruments que music. Perhaps it is the result of melody and harmony than about linist, were the featured artists for the 19th century conlusion, particularly rhythm. One can describe meter and by William Dowd. The r,la}ers were May 2 mceting of the Navasota Mwic in the latter half of that century, that Shirley ~[athews, Josep I Stepbtns, motoric impulse easily, but how docs ~ludy Club, Navasota, Tcxas. .The has mixed up meter and rhythm so L10yd Bowen, and JUdlih Olson. I~ one describe fluctualions o( rhythm I'enicks, lloth of whom are assoculted batllr that thcy almost have become that are so totally analogous, to physi­ l:orl Worth, Texas, the same con«rtl with the SdlOOI of Line arts at South­ were perronned on April 18 by Marilyn synonomous in our times, thus pro· cal movement? This is the problem western Univcrsity. played a program viding us with "machine gun" rhythmic with a review about Gustav Leonhardt's Olsen, Bridget and Luiz de Mouna o( works (or violin and harpsichord by interpretations of baroque mUSIc, Or Castro. Lan-y Palmer, Dale Peters, and l playing. It is not easy to. d~ribe .. H!s Tdemann. I urcell. iUld Eafe:s; a group perhaps it has been a result o( a mech­ playing is free, but not hcentlous; It IS William Bromme, with the TCU of harpsidloT(J sonatas by Scarlatti; and Chamber Orchestra conducted by Ralph anized and industrialized age that has subtle but rccognizible; it is (ull of works for violin and organ by Haas and produced unbending and meter·like varicty, but maintains cC?ntinuity: it is Guenther. Schroeder. rhythmiC feelings. We still have them The dedicatory recital on a new two­ vital warm, rult of graCIOUS movcment Byron Hester, nutist; Carl fall3uer, \"Cry much with us as wc hear rcgulady and ' unpretentious. One must hear it manual Sabathil harpsichord at Mary CCIlUl; and Klaus-Christhart Kr.Ul.m· in pcrfonnanccs or Bach's music on the IbId win College, Staunton, Virginia, to appreciate it properly. and every­ stein. harpsidlordist were the perfonn­ Moog syntheziscr, as well as in nu­ one who really lovcs baroque musIc was playtrl by Dr. Richard J'cck or en for thc (inal concert o( Rice Uni­ merous performanccs ~y less comme~­ Charlotte, N,C" on Satunla)', March should take advantage of any and all \'ersity's lDusic series April 25. Thc)' cially lIIoti\'ated orgamsts and harpS!­ opportunities 10 hear this master per· 27. The fealllrc..'tl work was the first p1a)ctl sonatas by Telcma.nn, Locatelli, chordists. Gustav Leonhardt's playing "/Iibliwl" Sonn/a or Kuhnau; other form. 'Ve are not surprised that we nnd MozarL is the antithesis of the machine, the were hardly aware of Gustav Leonhardt works by Cabczon, Byrd, Chambonni­ meter· rhythm, the sterile rhythm. His eTl."S, Bach, Scarlatti, Pcter Dickinson, as he played April 16, for he wrapped Anthony Newman performed a con­ playing is h~adcd. with sensi~ve vari?­ us in glorious music. which was rl,ty­ and Haydn were also included on the ccrt of music (or the -pcdal-barpatchord tions o[ articulation, nolt's Inigale In program. thmically alive and Vibrant. That, m­ April 5 at New York l:itY'J Town Hall. many nrietics, fluctuations of tempo deed, is the essence o( supreme per­ James Strand played the first recital The progra~ included Pre!ude and ~u. and time, but all within a framework formance. -RS un a harpsichord constructed from a gue in n minor, Concerto In the Ital'Qn of the motive, the phrase, the period, lIubbard kit at Southwestern College, Ma'weT~ Chromatic Fanl4!1 Gnd Fug~ the O\'er·al1 structure, and the whole Win(ield, KanS3s, on April 18th. His i" D minor, and Passacagl.a and Fugtu: of a work. These are the elemcn~ in­ prugr:lIn: Fnmcll Suite it! G M(Jjor~ in C minor, Bach; 80 J/arialions OR motion that make baroq ue art distinc­ A MUSICAL OFFERING Bach; "aTialious, "My l'ormg Li/e Hatll Walsingham, John Bull; and Huitieme tivc. and it is no mistake that dance FOR PEACE AND UNITY all End," Swcelillck; Fanlllsy lOT HtJTPsi­ Ordrt:, Fr. Couperin. and music are so inextricably bound to· IN NEW YORK CHURCH ("1I0Td (1970) , Jamcs Wintlc (first per­ gether in that period. Here too. Mr. The Music for Pcace Organization ronllance); Sonata de primo lono, Lid­ Brugcs htternational Harpsichord Leonhardt has intclligently captured and Trinity Church, New York City, on; Parti/e sepra III Aria della Folia Competition, Bruges, Belgium. combined dance characteristics in Ius perronn· presented a complete day (ull of musi­ tla EJ/klPlga, Pasquini; Allegro, Carval­ with the International Fortnight of ance. cal programs on April 30. Its purpose: ho; I'aTiatiofU Oil "Tile CaTlllan's Mu!ic~ July 3i·Aug. 6, includes exhibits And SO it was that a very apprecia­ "l"ru!icians joining togelber to offer II'hiJlle," 80)'d: SOflatas ill E (L. 375), o( harpsichords, virginals, david,orm, the and delighted capacity audience an all-day musical statement for. peace aUfI C (L. -457 and 282), Scarlatti. luaster classes, concerts; George Mal­ filled Mandel Hall at the University of and unity, in thc hope o( creatmg an Igor Kipnis played this program for colm, Isolde Ahlgrimm. Gustav Leon­ Chicago on April 16 to hear Mr. Leon­ awareness about the war and its effect WBAl', Free Music Store in New hardt, Kenneth Gilbert. \Vrite: Secre­ hardt play the University's 1958 Hub­ on the United States o( America." The York City on April 8: Oandrien, Suite tariaat, Collaen Mansionstr.aat SO, 8000 bard anti Dowd instrument. Beginning programs started at 8:30 a.m. a':ld con­ in C Major; Farnaby, Ti,e Old Spagno­ Brugcs, Belgium. with Frescobaldi's toccatas, which tinued throughout the day unlll early ltma, Tile N~ Sa-hoo, Tell Me alternated vibrant p:wage work with evening. The variety of programs Daplme, FaTnaby's Dreame, His Rest, Features and news items for these pages \'cry sensith'e and quietly moving ~ brought an cxtraordinary day of music FaTlwby's CGflceit, His Humour, Mal should be! Sf!nt to Dr. Larry Palmer, tions of pure fantasy, and proceedlDg to New York's Wall Street area. Per­ Sims, Ut' Tails All; nach, lIalian Can­ Division ot Music, Soutllem Methodist through Bach's Eng';sl. Suite, the mood fonnen in the musical oUering were uTlo; Ruchberg, Nacll Baell. Unh'ehity, Dallas, Tcxas, 75222. was clectric in the hall. Mr. uonhardt's The Communication Workshop; Calvin Hampton, organist; The Chamber Brass Quartet; Edward Drewer. harp,idtord­ ist; the Guarncri Quartet; the C1:are­ mont Brass Quintet; The Amcncan CHESTER A. RAYMOND, INC. D. S. WENTZ, INC. Symphony Orchcstra, Leopold Stokow· ski, conductor, and Phyllis, Curtin, PIPE ORGAN BUILDERS Pipe Organs Louise Parker, and Douglas HIli, solo­ ists, and a choir made up o( the choirs Rebuilding, Maintenance and Additions o( the Union Theologtcal Seminary, P. O. Box 222 Calvary, St. Michael'J and Trinity Churches, Manhattan School o( Music, P.O. IIox 55 Princeton, N.J. 08540 Worth, m. 60482 RuigeTS Uni\'ersity, and other singers from the Ncw York arca: Anthony New­ Phone: 609-924-0935 WA 5·0534 G18'()S34 man, organist; Robcrt Mann, violinist and Samuel Rhodes, violist; Francesca Pannell, soprano and Valley lVeigl, pianist; Et.Iward Auer, pianist; Jeannettc Reid Organ Co. Walters, soprano and Herbert Kaplan, ••••••••••• "ORGANERIA ESPAiilOLA" (Madrid) pianist; Music For a While (pJayers of ,.0. Bel. 363 old instruments); David Amram, com­ w. b.tld tOP quality pip. org.n •• All type. of actions - MOST COMPETITIVE palCING - poser: Joshua Rifkin, pianist; and the • '''''I'Qfabe. d.Ii.... ,i.l. W. will quot. on you, IPU'S, Of' submit ou, own Mtu, If you ,tn •• des',n, of buRdIn, .nd d.t.,,, on requiremenh. (COl, 24103167 FTee Lire Communication, Enrico Rava, • D. WhitTn, (A.G.O.) - Repre.enf.liv., "" So. Grand Av •• , Lo. An,el ••, calif. 10011 leader. Larry King, organist of Trinity III Santa Clara, Califarnla Church, was the chairman of the com­ ••••••••••••••••• mittee for the musiol offering. 12 THE DIAPASON 76th STREET PRESBYTERIAN CHURCH BIRMINGHAM, ALABAMA

AEOLIAN-SKINNER ORGAN COMPANY, INC. PACELLA PARK DRIVE RANDOLPH, MASS. 02368 and seldom in the concert hall (except THE DIAPASON at scboob), the number of abominable instruments puts the performer at its A NOTICE TO SUBSCRIBERS mercy, and it is a terribly complex: in­ strument. For se\'cral reasons, most or OF THE DIAPASON which are attached to problems with Inflation bas finally caught up with THE DIAPASON. We E the instrument, the organist has been are sorry to have to do it, but we now fmd that we must relegated by highly professional musi­ D cal cirdcs to the "second·rate ranks" raise our subscription price in order to keep pace with and he is not considered critically as rising cost and spiraling inflation. Effective May I, 1971, I heing in the same ranks with other our new subscription price is $4.00 per year, 40 cents for T instrumentalists. The nnmber of or· a single copy, and 75 cents for a bock number mOre than ganists during thc latter half of the two years old. o 19th century and also in our century In order to show our present subscribers how much we who have treated the organ as a large value their readership, we are making a R "toy" for adults has not helped these mallers. Many newspaper critics have Special Offm· to Present Subsedbet·s Only: I told us that they hale organ recitals, Renew your present subscription for two years for $7.00 A ror there is much lcss music and much before October 31, 1971. If you send us your renewal be­ morc "toying around" wilh the in· fore Oct. 31, this will save you $1.00 on a two-year sub­ L strument in ways that arc only IInder· scription renewal. A one-year renewal will be accepted at stood and percchcd by those who are S "in" on the secrets of organ playing. the regular price of $4.00 per year. So - make your re­ The instrument itself seems to en­ newal for two years before the end of October! courage this in many who arc curious ahout its complexity and less concerned organist of what an intelligent music.11 Those Were the Days with using it as a musical instrument. public expects of its professional per­ The complexity of the instmment has formers. In listening carefully to this liD years ago, in Ihe june, 1921 issuc- The opinions, ideal and lugoestlons also made it the most spectacular of criticism, the organist might learn how r\n extensive report of the National ,\s.owciation of Organ Builders included on the editorial page are the re.pond­ "egotistical show-off toys" for those to intcract with his audience 011 a musi­ bUily of the editors of .hl. publication. who feel the need to display their president Moller's address and secretary cal level of great vitality instead of (as W.mgerin's report to the association mighty abilities to a wide·eyed and vis­ usual) confining himself to interaction meeting. The report echoed the en­ ually entenained audience. both in the with his big toy called the "King of thusiasm of the builders ror more co­ The Organist and Criticism concert hall and in the church. So Instruments." nperation and a strengthening of the critics have come to ignore the organ ilulustry. There is probably no other area as a musical medium, and~ have audi­ Articles included "The Case of the more sensitive in the professional Wit Hot Sauce?? Organist" by Dr. Charles-Heinroth, nre enccs. It is no accident that both have james H. Haynes of the University oE an organist tbao criticism of his reacted in the same way. Their senti­ "E\'olution of the Organ" by David of California at Santa Cruz writes to Marr, "Our Church Anthems" by Row­ work. Criticism, of course, may be pos­ ments are similar. our Malapropism of the Month Depart­ land 'V. Dunham. itive or negative. Positive and negative Organists have reacted to this over thc ment: "I was Sitting in a Mexican food The new Casavant organ for Eliot criticisl1l arc not synonomous with last hundred years by further alienating shop when a rather flustered lady Congregational Church of Boston wa'i constructive and destructive criticism Ihemselv~ fTOm the professional musi­ walked up to the counter and ordered, described, and Francis A. Mackay's dedi­ respectively. A negative criticism may cal world and leaning hard on the four 'One enchilada, two tostadas, two toc­ cation of the new organ at St. Paul's be constructive, and a positive criti­ walls of the church which has shielded catas, and a burcHo·... Episcopal Cathedral in Detroit was re­ porled. cism may be destructive. We do not them in their defensive world. Positive As someone once said about taste, condone destructive criticism, (or its 'Villiam H. Odell was honored for criticism, compliments and praise are "to each his own." fifty years service as a builder of organs only aim is to tear down the thing welcome. But negative criticism of a in a family company whose members that it is aimed at. But we also do not constructive kind is met with extreme devoted a total of 200 years to organ think that it is always constructive to defensive reaction. Nothing could be Organ Music construction in the U.s. be positive. more disastrous for the organist, for, Eight publishers are represented in Formal criticism (such as newspaper in his isolation from a musical public, this month's receipts of new music. 25 years ngo in lhe junt:~ 1946 ;ssue- and journal reviews) serve two func­ he needs to know cxactly what that Rarry O'Neal's Our V;nes Have Tender Announcement of seven recitals de· tions. One is to communicate with public hears. Public criticism is one Grapes (Associated, $1.00) is a lyrically \'oted to the works of Bach at Rocke­ words to a listening audience (or pros­ good way to find out. Until the organist dissonant pastorale. The derivation of feller Chapel, Chicago, was made. The pective listening audience) what one submits himself to this kind of criti­ the title is not evident. Every note, artists were to be Marcel Dupre and has heard in a performance_ This criti­ cism, listens to it carefully, and takes whether natural or inflected, is pre­ Ralph Kirkpatrick. The series was to in­ mislll evaluates what has been heard fixed by an accidental, thus creating a clude an all,Franck program also played il to heart, he will remain in his iso­ by Dupre. in terms delineated by the person criti­ visual obstacle course. We hope this is lated state. The thoroughly profcssional not indicative of things to come in the Notice was made on page I of the cizing. The second function is to com­ organist who performs in public will realm of printed music_ death of Clifford Demarest. organist, municate the same thing to the per­ not be defensive about receiving stiff BMI (Associated) sends three re­ composer and warden of the AGO in former. The critic thus performs in musical criticism (the same as the best h.'3SCs. Marvin Duchow's Seven Clloralt: the New York City area, as well as the :1 middle ground between performer and conductors. pianists. violinists. and Preludes in Traditional Styles ($2.50) death of Chandler Goldthwaite from listener. To a large extent. what he singers do) for it will help him measure are well·crafted and have more variety tuberculosis, )'oung concert artist and says ill onc person's viewpoint on than is apparent at first glance. Three student of Lynwood Farnam. not what lie has heard in his own per­ Virgil Fox and Richard Weagly were how well the performer has com­ Fugut:s by Graham George ($2.50) are formance, but what another has heard. sometimes challenging to eye and ear_ appointed organist and choirmaster of municated with an audience his ideas Public performance demands mwical They will work equally well as single Riverside Church, New York City_ in the music. The critic is therefore a communication with another, with the pieces or as a group. Care will be needed Leo Sowerby won a Pulitzer Prize for measure of the musical experience. audience. And the thoroughly profes­ in fingering and pedalling at certain his work, "Canticle of the Sun." Musical criticism may vary with the sional organist will also discover that he points. A Brevity oJ Moods (brass, per­ Articles included "Olivier Messi ; l( ~ II, methodology, training, outlook and ex­ is not capable of discerning what a non­ cussion and organ) by Eric N. Robert­ I-Iis , Vork and Playing Imprcss Paris son ($7.50) includes score and parts. Visitor" by Clarence H. Barbcr. perience of the critic, and we do not organist will hear. He becomes &0 Instruments called for are three trum· wish to pursue a philosophy of musical accustomed to his own instrument, to pets, trombone, tuba. and basic per­ 10 ,'ears ago, in the june, 1961 isslle ~ criticism here. We do, however, want the sound of his own music, that be cussion. Duration is six minutes. and "Articles included "Considering Other to bring up the business of the or­ will inevitably take some things for the style is neo-classic. The bombast Factors of C1assic Voicing" by William ganist'S relationship to musical criti­ granted. The professional will be very often associated with this kind of en· H. RiSinger, Jr., "Catholic Organisl cism of his own performance. interested in what the critic then has semble is noticably absent. Performers Outlines His Wedding Music" by Rob­ ert Crone, "What a Church Musician A good organist will submit his per­ to say. It is part of his continuing edu­ interested in a brass· percussion-organ ensemble should see this score. Can Expect from His Minister" by formance 10 critical review from sev­ cation. Augsburg sends Four VariatiofJS Jor Eugene S. Butler, "See 72 Instruments eral quarters: (I) his own private criti­ 'Ve wish to see the day in our life­ Organ on Down Ampney by jan Bender on Extensive Tour of European Or­ cal judgment; (2) the critical observa­ time when the organ and the organist ($1.65). Mostly forthright figuration gans" by Richard M. Peek, and a con · tion of a teacher, tutor, or private are accepted in the first rank of pro­ plus cantus firmus, two of the variations tinuation of "Engineer Cites Some friend who acts as sllch; (3) a circle fessional musical performen. And we are also suggested as alternative har­ Facts About the Organ" by R. j . S. Pigott. of friendly professional confreres who. to monizations for use with congregational wish see this everywhere, not just 11 pages were devoted 10 AGO and professionally, share their ideas and singing. with a few isolated people in a couple Gerald Ncar's new Tou ata (Augs· RecO activities, including announce· work in critical interchange; (4) the of big cities who have managed to gain burg, $2.00) has fine textural and ments of summer regional and con­ professional critic who writes for a respect as first-rate artists. Organists rhythmic variety. It is of little more vention programs, reports from variou$ newspaper or journal. Most organists, must therefore listen to criticism care­ than moderate difficulty and will dis­ commiUees, 120 AGO chapter reports. and all good organists usually perform [ully, and welcome it, even when it play most organs to maximum advan­ and 14 RCCO centre reports, within the first three areas regularly, is negative. After alt, the alternative is tage. hut the fourth area is less frequent, for the organist to wish for and accept Boosey &: Hawkes sends two very dif­ ferent items. Nicholas jackson has com­ II is the only area that is fully public what has been the case in our recent Francis Routh's The Manger Thronc and the most sensitive to the performer, posed harmonizations for Merbecke's past - a blissfully ignorant world for Mass tunes in his 20th Century Mer­ ($4.50), on the other hand, is a program­ and lIot limited to private review. It is Ihe organist in which he is simply l,ec/ft: ($3.75). A choir pan and a matic work in three sections for the lhis public review which is so terribly ignored by musical critics and musical people's part are also available. This Christmas season. Mr. Routh thought. important to any performer, and wbich audiences. THE DIAPASON sees no sense attempt at updating the musical fully provides a thematic sr.nopsis at so many organists are defensive about in returning to this state of affairs, liturgy will probably seem too conserva­ the beginning, although spectfic details or shy away from with fear. ;Hul we also therefore see no sense in th'e for some and too far out for others. are left to the listener's (and player's) Organists have several "hang-ups" reviews that are wrillen by organists The harmonizations are constructed imagination. Considernble technical fa­ well, and there is a consistency of style cility and an organ of more than aver­ about public criticism. One is the prob­ for organists in isolation hom a wider throughout_ Technically simplified al­ age size are required. lem of the instrument itself. It is not musical public. Reviews may therefore ternatives are included in several in­ Durand sends Rt!pons pour Ie Temps portable, it is usually found in churches be stiff, but they are a measure for the stances. d. Pdqu", ($450) by the .ate Jeanne

14 THE DIAPASON Oemessicux. Toccata £iguralion aller. 10 communicate through Ihe printed Carl P. Mueller. Former Tlci",s Ar. Panttl nates with the Victimae paschali melody. page. These arc all strong arguments, AW4)'. SATB, CM77~3, 30/. Greal,r Lotlt Letters to the Editor Also from Durand is Pierre Labrie's hul they bring no nearer a solution to IItJ,1t No Man. S5A. piano or orpn CM7663, 25/. TIt. uml', M, SIc'/lIt.,tI. SAD, piano Clarence Walters Replies Hommage d Jeanne Demessieux ($9.00). Ihe problem of teaching interpretation. or orpn, CM7719, 25/. WII.n Thou PrtJ'YtJI. West lIartford, Conn., May 6, 1971 It is a major piece. consisting of an al· The problem is hardly Mr. Trevor's 5SA, piano or orsan, CM7664, 251. To the Editor: legro. largo, and fugue. Technical de­ alone. An awareness of the problem, Jaml!l Sell.n:. pJ/llm 100. SATB, orpn or I'm more than stateful to you (or the rlaUu· mands arc: very high. Several brief ex.­ howc\'er, is surely the first essential step pi.no, CM7739, 5.51. ing review of my Chieaso recital. cerpts from tJlC compositions of Mlle. loward ils solution, and we must admit D.... id II. WiIIi.ms. Prlliu Ih~ Lord Who The fOllrth paraln.ph of your fCview re­ Dcmcssieux arc incorporated. disappointment at seeing so little evi. Rtilu Abovt. SATB, piano or organ, eM- flC(;u the same question .0 many of w 11""e Odord's new releases this month in­ dence or this awareness in the Oxford 7747, 251. had conccrnias the "authentic" performance clude an organ method by' C. H. Trevor, Method. Philip M. Youn,. Anti II" Lord ApP.lIred 10 of the Franck works. Vou may be ,ure that I $oltJmo". SATB, orpn, CM773I, 25/. I Am have studied it and pondered it tbese many considered in more detail elsewhere in On balance. then, the Met/lOd is well· Ih. Gootl SAt/lAtrtl. SATB, piono or organ, yean:. Ihis issue. org:mized, thorough in regard to mat­ CM77S9, SOl. Perhaps the Inost frustrating thing ill A Liltle Suite ($2.70) by Martin Dalby ICI"; of technique, conservative (but SttUo.tU AII,IItms _ Arlve.' TII,o.,II Epi­ Franck performanc:e u the "tempo rubaIB." has six movcmenl.!;, all nfreshingly un· in:-oiRhlrul) in repe:rlory. Organ teachers P"flIt,. Ed. Alee W)1on, SArno OfPn or piano, The stnlSgle belwttn .dvocates; of "free" convenlional. The final fugue has an will do well to examine it. -WV Mil, $1.25. rhythm Ilnd IhMle who mllin,,"n a .teadier IInmislakabJe longue·in-cheek. attitude. rhydllll a .... n rlernent of uClIprcssion through if Sonata ($4.35) by Sebastian Forbes From Harold Flammer. Inc. (Shawnee form" will never by raolvcd to the Atislac· is decidedly avant garde. Conventional A Snetzler Story r~, Delaware Waler Gap. ra.): cino 01 all. It. S"2t deal of it arna ItO doubt DUAne BbJdey, C"m., Lt. U, WllmAi" Him. (rom dHferencn a( temperament amana: the 1I0iation is stretched (0 its limit, and the Fesperman, John T. If Sneluer Cham· SAD, fliana or orpn, opt. br.w D.5210. 30/ conteJtantl. organist who tackles the piece wilt spend III:r Organ of 1761. Smithsonian In­ M. L. Daniell. I Will Dwttl 'in ,'" HOWlt The French thenueh'cs arc clearly in two :1 good dC411 of time initially in ponder­ stitution Press, Washington, D.C., ,,1 lilt l.iJ,d. SATB, A·5563. SOl. Ld IA~ cOimps IlS this is discussed. On ooe side iJ the illg over the printed page. 1970, 56pp., 70¢. H,aDtM Rtjoltt. SATB, A.5~. 25/. Widor.Dupre s,oup, on the other the Toume· Alexander Schreiner has arranged for Elinor F. D .... les. Btu,., Bell Car"l. SATB. mire-Lanalait adherenu. It milht be said John Fespennan of the Division of Junior choir, piano or Ot'lPIn, opt, handbelb, that the two are involved in the lIge.old feud organ an improvisation on "Come, come, Musical Instruments at the National ye saints" by Grant Johannesen ($1.25). A.5548, 25/. between the romantie and the aristocratic Museum of History and Technology Neva Gamer Greenwood. ItJIU Chiltl. SA "Iayen. The tune will be familiar to many in 'Vashington, D.C., has authored a or unison, opt. nute. vionn, handbelb, piano l'enonal1y, I .lisn my.el( with Ihe fint through the Tabernacle broadcasts. beautirul little booklet about the res­ or orpn, E.5150, 30/. group. Widor Wal acquainted wilh Franck', T1VO Pictures of Graham Sutherland toration of the 1761 Snetder organ now H.I H. Ho~n. 0 Lo,tI. Owr Lortl. SA, style o'Vtr a period far more atended than ($2.50) by Alan Ridout give little clue restored and owned by the museum. piano or orpn, E-3152, 25/. Pray,r 01 'lit that enjoyed by Toumemire. 1 cannot accept as to their programmatic intent. The ClcrisfmlU AnimoU. Unison, piano or organ, the all·too·common view of Toumcmire and At the price, it is a real bargain, and E-5151, 25/. Langlais as Franck oracles by virtue of their idiom is essentially chordal and quite it contains much userul inrormation dissonant. Technical demands are high. Jack N. Kimmell. Glo'1 '0 Gotl. SATB , being successors to the lreat man in hit ror those who are interested In 18th piano or orpn, opl. rleetrie buI, drums and church. Grand Recessional by Fred Bock century English small organs. It also tambourine, A.5561, SO,. (Presser, $1.25) has one moderately When I studied in F",nte in 1926, .n of conlains a sizeable segment of Ameri­ Marty Lunn. Ri", 0., ,A. IItavt ns. SATB. the sre.t men 01 the "P.ri. Sc.hool" (e:lcept good idea repeated ad infinitum. Cln organ history, for Mr. Fespcnn:m piano or orpn, opt. Inltnlmentl, A·5566, 30/. Franck) were alive and ... ery acti ... e. At th ... t Rayner Brown's Sonoita for Clarinet lraces the exislence and circumstances Kent A. Newbury. Cotl Rti,ru Over lite time the l'lral tradilion \"'as not as lrail al it k Orl:a" (Western Internatiomlll Mu.dc, N",i/lu. SATB, A.5557, SOl. of similar organs 10 the prescnt day. i. now with the inmtlllble diuipation that Inc., $5.00) helps 10 fill a certain g:ap Rkhard PurvU:. A Car" lor Iltt U";'1 01 lime brinp to dteSt tllin". For the whole in Ihe ensemble literature. There are The booklet abo contains the ra· All U.di,.tI. Unisoa or 2.part, arpa, opt. yur 1 heard an these men counlla.t timeJ, instnlmeftb, E-5J44, SOl. A PlWilllt,jtle C.,oI. rour movement!~ allegro. andante, tionale and method of the actual m· taking in at least (04Jr or live ICrvicet every toration, which was executed by Unison or 2'part, dcxant, orpn, E-5145, 25,. Sunday. rn thole cbY1, ~en Match...1 w:u scheno, and fugue. The clarinet is A. &lltr AtI"~". Uniaon or 2.part, arpn, given an inleresting and at times chal· Charles Fisk and Douglas Van Dyck icu "romantic" than he is today. Perhaps opt. instrument, E~l46, 25/. Fo"h in Th1 the thinll' that impre:ucd me most durins that lenging part. Textures are uncluttered Rrown in conjunction with Mr. Fes· Nd'"., 0 LArtl. 2·part or unilon, piano or perman and Scott Odell of the Smith­ year in Pam was the emphuU! 01 theae men and pleasantly varied. We sense a lack orpn, E-510t, 25/. upon di lt::ipline and classicism, In .pite of development, however, on promising sonian staff. The story is told well, Beryl Via Jr. An,IKta, Son, 01 Gl.tI"tU. their being dliklren of the Romanlic Period. SATB, orpn or piano A·5.5.56, thematic material. -WV with much care ror detail. 2.5/. Thil was in Iharp contnllt 10 the kind of The paper cover of the booklet has Jerome K. RAmsfield. Mal • • J01/ul Sountl. tiling I had left behind me in the United a beautiful color plale of the instru­ SATB, piano, A·.555A, 25/. 0 Bt /01Iul. SATB, SUtCl, as found in the performancel 01 so piano or orpn, A.55.58, SOl. many of our ... irtuoso pianisu. Oxford Organ Method ment and there are 20 photographs in· Thomd H. RidgeWAY. Chris' Ilct Lortl II cluded, many of which are photographs Risen Today. SATB. bar. ,010, A-M62, 2.5/. When one considers Beethoven alone of C. H. Trevor, The Oxford OrJ{an of olher exlant Snetzler instruments in Marilyn Rineh.rt. To Md. His Comin, Franck'i two sreat ido", wben one canliden Met/lad, Odord University Press, 1971, England and the u.s. Appendices con­ Swetl. SSA, piano, 9.51Sf, 301 Franck's preoccupation with form, it becomes 142 pp. $10.00. lain information on the disposition of Nancy M. Roberti. Unlo Us .A CIlUd is unreasonable to cOnlider l'Ubato as an out­ Born. SSAATJ"BB, A·5.565, SOl ltanding clement of ti,e style. ExcessIve rubato the instrument. and sealings of the pipe. in any performance clouds the .rchitecture, Odord's new organ method is a Benjamin ROBen. T,flcA M. 0 LArd. Ed. work of thhl instrument in comparison E. A. Wien.andt, SATB, A.5.5.52, 25/. the fann o( the millie, 10 that before IanI' handsomely produced affair. The type with several other Snellier instnlments. • John O. Schroeder. 1£u'.r AU,'.i•. SATD. tllc work, by COnltant punctuation, becomes a and music engraving are exemplary, For the layman, a glossary is included, jr. choir, opt. orpn or piano, A-555f, 2.5/. lonr chain 01 precioUl, amall aections. 1 'oa­ signatures are IICwn, and the book lies and Mr. Fesperman documents his reo Gene S;OStr.lnd. 0 Sin, U,,'o ,A. Lortl. Mett that Ihe pcdnnner .hould make aware open with little drort. Students will be !W:"arch with a fine bibliography. SATB. piana or orpn, A·5555, SOl. to hi. audience in the openinl tiDes that a hroad design lies ahead to which every epi. cheered at the dreariest practice ses· Mr. Fesperman is to be commended Paul C. Van Dyke. Col b Go .. Up, AI­ sion by the bright or-lOge cover. tel"i.! SA1'8, orpn, A.5544, 401. sOOe contributCi. ror his care and thoroughness as a Mel£hoir VulpiUl. Th, Nflrftt Wt Bltu. T\fO Let me quote, for a moment, Donald Grout, Ten dollars may sean 100 substantial cnralor or such Instruments, ror his choirs. unlson, SAD, OtpD Dr b,.., D.5204, who saft "Franek studied in P..... and made an outlay for a beginning method, yet cnn«m in executing such restorations 25/. it bis home after 1844; like Bralum he the resources here will provide even the in tile m:mner in which this one has Gordon Yoans. Fret Nol TII"tll. SATB, sought to incorporate the achievement of most ambitious student ample mate· heen done. and (or his articulation on orwan, A.5.540, 2.5/. Romanticism. into an e:aentiallr clulical rial ror a year's study. And at less than the sub.iect in this fine little book1et. A Son, lJ/ P,tJiu . Arr. Kenneth W. Jewell, framework." 1 wauld .UppoIe dad to have SAB, orpn or piano. D·5206, 30/. !.tun Franck', position. We do know that four cents a day the book is a bargain. Those who would Hke a copy may 'Vithout taking time and space for AIIHd:.. M1 Toft,.... Art. Duane IUaldey, many of tile mwicbnt Uving in Paris durin,; purcha~ it rrom the Superintendent or SAB, piano or I'Itpn. opt. b,... D-52OB, SOl . Franck'. time considered him a bit dull and a blow.by.blow account of the contents, Documenl5. U.S. Government Print· P,.Ut to lit. LiDi", Cotl. Arr. Marion Vree. pedantic. it mOlY nevertheless be userul to list in!! Orrlee. Washington. D.C. 20402. SAB, orpn, bru., timp., D-S209. SOl. main sections: 1) position at the console, Sincerely, or from U.S. Government Printing Of· StD'" M.", G".rd Tit, PrtciOIU CIcUtI. Arr. Clarence Wallen 2) pedals, 5) manuals, 4) rules for part· Walter Ehret, SATB, solo (or medium voice, fice hnok~torcs in large citie5 through­ playing, 5) manuals and pedals, 6) hymn out Ille country. -RS piano or orpn, A-5.567, 25/. lUnes and chorales, 7) use of swell pedal GreenviUe, South Carolina, AprU 14, 1971 el al., 8) glossary, 9) short pieces in From 'Vaterloo Music Co.. 'Valcrloo, To the Editor: dmerent styles, 10) conclusion, 11) Jist New Music Received Onto Canada: We .ppreciate the Inclusion of the !uter of pieces for further study, bibliography. William Fn.nr:t. 0 Itlll, Bltu,tI Lortl. program o( our Milia' Seria on Tn DlA­ From Chorhten Guild, Dallas, Tex,,: rASON'S A !;cction dealing with basic improvisa· S,\TD, 20/. calendar. However, a printer'. error Marjorie Kitbey lIkb. Tit. Wortl WfIJ (I DSlume) of two lellen: hu caUled us to be tion would be a welcome addition. W"lter Wallon. Rejolu. Unison children, ,rJtan nr piano, A.I02, 25,. .HflJt FlaA. Un;"n, orpn, 201 listed as doins a work poles re~ from the Music excerpts and entire compo· Jne Rtdenour. ct.,. H./I,., Plc/m, .nd Alfred KUM. Til. RIIl"ontOl. SATB, piano, one we actually perfonncd. WhateYer one may ~itions reveal a catholicity of taste, a r."d Crtat,d. Unbon childft:n, 5'Plltt round. 35/. think of the purported "Romantic: renaiauc:e," ract thilt will come as no surprise to piano. R-4, lSI. Walter Mae Nutt. It,., S"" 0/ MIII1. SATB, /. S. B4tl and DtUlq B,"i an: lIoI I .. the organists familiar with Mr. 'Trevors Dlpn, 20/. same amp, althoup their aama be but two Haith, ~n Andn:ws. Ld All tilt L"II leUen diffeftllt' Alanunl Miscellany and other antholo· Dt Glad. SAD, orpn or piaao. A.tOO, SO,. • • • I would be mOlt palefuJ if JOV could gies. Although we do not share Mr. RIPON SUMMER COURSe HGpSOft, nat H. AJar. ,A. C"U 0' B.tltlt. ANNOUNCeD IN eNGLAND let it be iodic.ated, tn the Letten coha:a:a, Dr Trevor's degree of enthusiasm for Atm. Unison. ben.. tambourine, dtvm, orpn Ripon, England, will be the scene (or elsewhere .. J'OlI see fie, that with all the Merkel .lUd $Ome other l~r·known or piana. A-IOI, 201. a summer music course from July: 16 to ,.,ealth 0' lItUIic - ald aDd DCW - that is composer.J, it mutt be admitted that Allo,dlt.r IOJ/vIl, S;lI,. Wonhip responses available, we at WestmtNtft' have DOC bqan July 2~. Along with chamber music, two • Dudley Bud: lCr'ies - JUit yeti their music has a certain pedagogical ror Junior chorilten and othen, ed. Roberta !liections of the course will be devoted Bilsood· $2.00. Sincuely, value in the context which he places it. to organ music and early EnRlish music. Stephen Fanaw In voicing a criticism about this EUlCne Butler. Grt.' Col, .Au.,.", What Katherine Jeans, daughter of Lady Susi Orpnist·CbolnauCer Met/lod, we do not in any way intend 7.i6" $;"'1. SATB, piano or expn, Cld7761 , 30/. P,.iu CAriI', AUtt,d.1 SATB, ptaua or .Jeans, assisted by Cheri~ Snelling, will WestmInster PrDbyterian Church to downgrade Itl positive features orpn, CMnSf, SO •• include instnlcuon ror recorder and (which are many). but rather to point Bob DUfTOUsh,. Sift, Unlo ,It. LArtl. broken consorts of renaissance and baro­ Pinole, Cam., March 17, 1971 up a problem which realty has no SSAATIBD, CM7730, 25/. que music, with viols, flutes, recorders, To the Editor: easy 501ution. If we agree that "inter­ Talmare W. Dean. LAVt On. .A.o,lI.r. crumhorns and other early Instruments. I. I am drlishted to see TH& DlA..... OH catch pretation" is a desired mode of ex­ SATB, CM1743, 25/. The organ course, under the direction up with the times and ruopbe the value of pression and that "technique" is the Emma Lou Diemer. Blulttl Art Y.K. SATB of Lady Susl Jeans, Francis Jackson, one- and two-manual orpna (editorial In the physical and intellectual means neces· or unison, orpn or piano, CM77.55, SOl. and Ronald Perrin, will use the organs Mardi illue). sary to achieve that mode of expres· at York Minster and Ripon Cathedral. 2. I heartn, endorse the IUgalioa or Mr. Doreen Droste. Tilt H,m1l 01 S,. CoIKmh •• Edgeloe (letter In the April iIsue). sian, then it must be stated that Mr. SATB, orpn or piano, CM7748, 25/. Subjects included in the study will be Trevor has almost nothing to say a comparison of the chorale preludes Cordially, Antonin l>AHU. I Will Lil' UfJ Mi,.. £,tl. Dand M. Eakin about the rormer. It is surprising, for AlT. K. K. Daril, SATB, piaDO or expo, or J. S. Bach and J. G. Walther (orna· instance, that in the entire Met/,od aMm9, 25/. mentation and articulation), the trio neither the term "rubato" nor the term Phillip La.... ve. D" No, B. Co,.,,,"'',,,. sonatas of Bach, English organ music ROBERT PRICHARD, bculty mtmber ot "agogic accent" is mentioned once. SATB, orpo or piano, CM7756, 551. from J600 10 1800 including Handel's Occidental Colk-gt, Lot AnseJet, was a One may well argue a) that interpre· Austin t..ovdau. FtJeu Lib Mim.n. SATB, organ concertos (ornamentation and participant in the "Inlernational 0rpQ Dap" in Wett(alia, Gennao, durins April and May. tation and technique are op~ite poles orpn ar plano, CM7757, '51. registration), English organ works by Sian ford, Robin Orr, and William TIle feJtival ma .... teI the «Jmrletton 01 nearl, of a continuum and that the point Jane !.lanhaJI. GooJ NtWI. SATB, orpJI or 400 new and rebuilt ofpm in WettfaH:.n where one overlaps the other is a rela· piano, bar. Sola, conrreplion, CM7758, "I. MathiaJI. Also included will be works churches and achoois .inee 1950. Mr. Prichard tive matter: b) that an organ "method" Edward. 1. M.dden. 0., B•• nW Kia,. by Franck, Viernc. and others. Those performed concerts in Sieaen, Bottrop, Hamm, by its very nature stresses the techni~1 SA1'8, orp.n or piano, OM7725, 25/. in~rested in obtaining rurther informa­ ReckJin,haweo, Huford, D.ttela, and Soc.I. side of things; c) that. in any case, tn­ Haydn Morpa. Mi". S,., Will I Li/' U/J. tion should write Ripon College of Ed­ He concluded hi. tour with a RCital at Notre terpretation is too lubJective a process SATB, arpn or piano, OU77SI, 25/. ucation, lUpon. England. DarDe, Paris.

JUNE, 1971 15 The di££crcnt. manner or notation between the engraving and autograph points strongly towards the autograph Some Editorial, Formal and Symbolic as the intended practical performance version. In the engraved publication. three o[ the variations are only par­ Bach's Canonic Variations tially written out, presenting the Aspects of J. S. canonic dux completely, the cantu! firmu" and only brief comes incipi15. In addition. the augmentation Clnon on "V om Himmel hoch da komm Ich her " is written out (completely) in open COUT-part score, similar to severol of by Kim R. Kas/ing the contrapuncti in Dit: Kurul der Fugt:. Part 2 In conlr.tst. the autograph is written out completely and distributed through· porlant. strengthened Ihe harmony in !-: \: . 5a. V:II-. V. 111 . 15, upper part, th ird Differences of cdilorship and opinion out on conventional three-staU organ m. 18 from il'i original form - C: ii·vi ­ IH:at, first 161h note! Engranlll;. mer the autograph ilsclf occur he· nolation. IV·m·l. (m. 19) to lhe autograph - C: tween Smend and Klotz," further rom· The numerous changes Bach made IV·vi-IV-V <"f).I- (m. 19). This is basi· plicating the issue. Thus. caution must within individual sections in his re­ cally a change from weaker retrograde he laken even if the pcrConner or vision [rom the engraving to autograph to stronger normal motion harmony. scholar is convinced the autograph is are extensively detailed by both Smend =- .• Bach's £inal definitive version. Vari· and Klott.u Consequently. this report ances in the two editions of the auto· will concentr.U(!: on major speci£ic I~ x . !lao Var. 111. 111. ZO.? lted"l: Engrav· graph include markings, orna1Uel1la· changes illustrating Bach's TCvising ing. RiD lion, rhythmiC notations and ICveral techniques. Clumsy melodic areas, weak different notes. Both editions quote hannonies, possible aoss·relations and the original autograph. engraving and part ' CTOssin~ are chie[ among reasons se\'cral, though di££crcnt, manuscript for his revuions. It may be added, in copies of the period. Meticulous Clre general, that Bach simplified ornamen­ is taken in background and measure· tation in the autograph, a tendency r hy·measure explanations for editorial often encountered when comp:uin~ his decisions: Smcnd's explanative format later revisions with earlier origmals. is. however, simpler and more direct Ex. 5b. AlIlograph. Ihan Klotz' in this writer's opinion. A partial listing of Bach's changes with In comparing both editions with the selected annotated examples follows a Ulo~ph photocopy, we conclude that (all examples laken from NBA and Ihe Smend edition is probably the more Smend, then cross · -c h ~ cked with photo. accurate. Klotz. has attempted to dem­ copies). The order of sections is that onstrate, using other contemporaneous of the autograph. 1..- manuscript copics and autograph.cn. J:;f aving comparison, that Bach acci­ dentally wrote in mistakes while mak· l~x . 3b. Autograph. Ex . I ... VOI r, I. UI . '·8. upper parts: En· ing his £inal rcvilion from more than graving. one earlier venion at once.SI Certainly some of these " errors" could be r('al; Smend, however, has remained c10seT to the original and for those places in Ihe aUlograph that could conceivably be For dh'erse reasons, Bach often al· mistaken, he has includC'd in his edi· lered only one or two nOIt."$ in some lion's preface other possibilities Crom places during the course: of his re· the engraving and copies for the per. visions; Ex. 5 illustrates his concern Conner's consultation. A selected an· ),oth with part.crossing and "oice ­ notated list of differences between the Ex. lb. Autograph. leading. The only note altered in the two editions follows: ...... , measure is the c to C 16th. This change produced a smoother leading.tone·lo, Ex. Ga. VaT. 111 . m. 44, third heal. n'c­ tonic movement and avoided loss of the ond \'Oice . right hand: AlIlog .... ph .. manual note through collision with the (Smend). cantu! finnu! c if an 8' pedal stop o( penetrating (reed) characler w<:re uscd. The adv;lDtages of Bach's chan~s The latl~ r reason was apparently im· in Ex. 3 arc again both melodic and portant enough to Bach 10 cause him harmonic. The first (our pedal 8ths in to change octaves in the otherwise m. 22 are made Kqucntial to the last sll'ict augmentation Clnon between the [n Ex. I, the dux in m. 7 leads to a four in m. 21 in the autograph form. uppermon and lowcst manual parts. [n cross· relation with the comes in m. B. In addition, the harmony on m. 22's til. 30, the autograph comes drops to In addition, the augmented second third beat is changed from a weak the lower C in spite of the dux change betw«n D·sharp and E combined with second inversion to a strong root po. in m. 15. Ihe chromatic interval between E and sidon. The few alterations, of dOlens of C·sharp resull! in an unpleasant melo· others to choose from. iIIuslrated here die twist at this juncture. Bach's auto­ With the large revllion in Ex. 4, can only further support the laler dale graph solution is more pleasing aurally Bach has transformed what was origi· of the autograph. It seems highly un· and theoretically. naUy a ruther static 16th·note motion likely in a work whose erudition Tival~ Ex . Gh. Klotz. inlo great rhythmic variety. The line that found in TI,t Art of Fugue. Bach Ex. ~a. Var. III, Ill. 1i· IB, pedal: En­ has been made more consIStently con, would have purposely included such graving. junct and such possihle inlervallic weaknesses as those found in the first trouble spol! as occur between this three examples. This WOUld , of course, part and the bass in the second half be the case if the engraving really of beat one in m . 7 arc avoided. A were later than the autograph as some similar large revision occurs in the editors ::md commentators already men· same part throughout mm. 15·19. tioned have stated.

: : I~x . ·Ia. Var. IV, Ill. 5·i, second voice, right hand pan: Engra\ing. I"' F 1 Here is one example. among several other poSSibilities, where the autograph could be questioned. Several copies m· Ex. 2b. Autograph. dicate BaCh revised thi.!. section as Klotz has it above, then changed .. gain in the autograph back to the older en­ Ip n gravtn~ version. It is entirely ~ible u ' Py R@r he acadentally copied the section from the engraving: lying before him. How· Ex. 4b. Autograpb. ever, other copies show yet another version, indicating Bach's concern ill this section. Thus, the possibility still exists he intentionally chose to go back to Lhe engraving in his final auto· ~ph revision. What is most important 15 that Klotz went ahead and printed what he thought was Bach's intent By making the reVlSlon shown in whereas Sme.nd remained true to the Ex. 2, Bach achieved a conjunct aca1e· Hila A.".... IH"Ultlllr Witte. HIIYrl,ht O.ullClI, Yui., fU'r Mu.lt. 81111nd IIIIIU.... cI,,.,.I,hl autograph and offered other versions in line in the pedal and, more im- • relll,.,1 &. H.. rlli. the foreword to his edition •

Oswold G. LARRY PALMER D. M. A. Organ - Harpsichord Southern Melhodlst Unlvenlty RAGATZ P,oFea.o, of Orton Dallas, Texas 75222 INDIANA UNIVERSITY Lectu,..

16 THE QIAPASON Ex. 7a. VaT. IV. m. 12, first beat, sec­ Ex. lOb. Klotz. ond \'Oi(C'. right hand: Autograph (Smcnd)_ _ M-;; from .. J ==== G. F. ADAMS ItoJl btJ---tri u:r J"""""I I I~ Organ Builders, Inc. Arts Image ... -.--. ""7 l' ~ ~ 204 West Houston Street ~ E ~ New York, New York 10014 Ex. 7b. Klotz. Again, in spite of the autograph and the copies used in his own research. Telephone ORegon 54160 - Klotz has returned to the engraving -.r'-,,- apparently for the sake of a strict aug· mentation canon. In m. 14. the dux does present the melody b · g . f · g­ f · e . etc.• but in an unimpeded florid LOUIS F. MOHR & COMPANY solo passage. In m. 27. however. dil· ORGAN rerent textural circumstances caused Bach to break the strict cannon for MAINTENANCE _t:::=: musical reasons, namely. to avoid too 2899 Valentine A vc. E1 • .. t===::t much "s" at this point and to avoid , New York 58, N. Y. "Intl' \t:rsion hcre agrecs wilh nont! having to re-strike the tied half·note of the primary OT secondary sources g. An additional harmonic factor, the Telephone: SEdgwick 5--5628 and is rh)·thmically incomplete. indi­ tendency of a diminished fifth to re· Emergency Service Y~rJ,. Coalractl cating a probable printing error. solve inward (here between f and the MALCOLM WILLIAMSON cantus firmus b) may have also de­ Harps - Chimes - Blawen 1-:x. fb. "ar. V. 111 _ 2, upper w :ce: termined Bach's decision. Expert Overhaulins • •• eminent British composer in t\ulngraph (Smclld). first American recitals of his own Ex. Ila. Var. V, m. 32, second beat, -""'n UrIan P,op,,1, Mai.'aifleJ loIe ..... organ works, October·November ~con d 8th, lowest voice: Autograph B,tler Mwic" 1971 and March·Aprii 1972, lectures (Smend). and workshops on request •• "Mal· colm Williamson, the distinguished Australian·born composer, ({ave an ~ FrJJ-.- altogether exceptional reCItal on - THE TEMPLE the organ of Carlisle Cathedral ••• a most notable performance com· Ibit!'U--r t [ r Cle .... land. Ohio 44106 bining interpretative Insight with ionem sheer virtuosity. A feature of the

~ evening was the composer's verbal DAVID introduction to the programme - succinct. informative and Qf com­ Ex. 8b. Klotz. pelling interest to the audience." GOODING (Cumberland News, England, 19711 THE CLEVELAND ORCHESTRA ~ - t:x . 11 b, Klotz. MUSICAL HERITAGE SOCIErY 1. RECORDINGS ...... "...... " e.u

G Vernon tie Tor This example illustrates a seemingly Ian!;?; 1e, F.A.G.O., Mus. Doc., S.M.D. arbitrary cditorial alteration made by Church of the Ascension Klotz. He has gone back to the en­ Fifth Avenue at Tenth Street graving here even though the copies he New Yark, N.Y. 10011 consulted and the autograph appear Juilliard School of Music as above. Union Theological Seminary Ex. 9a. Var V. m. 15. third beat. upper ,"'oice: Autograph (Smend). In providing the F·sharp here. Klotz Recitals has once more gone agamst some of Organ and Choral Workshops DAVID BRUCE-PAYNE his own copies which also indicate F· natural. Although in m. 16 the dux ••• master of the choristers and 1"* = ...-- .... is F-sharp. the temporary tonal area second assistant organist at Lon­ is in G major over a cantus firmus g don's Westminster Abbey in first -FiJ 1- in the pedal. In m. 32. however, Bach American concert tour April·May .n may have been ultimately more con· 1972, boycholr workshops on reo cemed over the clash between a bass quest ••• himself a former chor­ F·sharp and alto F-natural three 8th ister at King's College, Cambrid~e, notes later. Also. m. 82 is leading the JAMes LeLANb under Boris Ord and David WIll· cocks, graduate of Royal College ..... way from a past temporary tonal cen· HOLLINS COLLEGE ter on G to a new one in A minor. of Music, organ student of Simon another reason for keeping all F's nat· Preston, Douglas Guest, Herbert Ex. 9b. Klotz. ural. Howells, Arno Schonstedt Many more discrepancies could be cited but the writer feels the above ex· amples provide sufficient evidence to BRADLEY HULL support his earlier statement that assistant, St. Thomas Church, Smend's edition is the more accurate. Fifth Avenue, New York City The NBA is certainly a wable cdi· GEORGE McPHEE tion. but the performer must take LAWRENCE Paisley Abbey, Scotland great pains in examining the Kritischer (available September 1972) Berichl before playing the Variations if he wishes to adhere as closely as JOHN ROSE possible to the autograph. Cathedral of the Sacred Heart, ROBINSON Newark ~ ~ Having briefly examined the his-­ Klotz has chosen here, for the sake of tory of the Ctmonic Yariali~ genesis. VIRGINIA COMMONWEALTH UNIVERSITY FRANK SPELLER revi5ions and the state of scholarship acting coordinator of canonic Strictnes5, to disregard Bach's and accuracy regarding modem edl· RICHMOND, VIRGINIA autograph change and refer back to the organ faculty. tions. this study can proceed to the UniverSity of Texas at Austin engraving (see Ex. 5). work's musical content. In addition to Ex. lOa. Var. V, m. 27, third beat, Jeft, the critical and editorial evidence al· h:lI1d: Autograph (Smend). ready int{Oduced, it is hoped some formal aspects of the Variations will AYA ... F'T-a also aid in supporting the autograph's definitive authenticity vis·a vis the cn­ George Wm. Volkel '\f.l::..V ... L/Ii==" graving. SAC. MUS. DOC., F.A.G.O. (To be continued.) "'-:]J 1- NOTES All Sainls Episcopal Church l'See Smend', VOnDor' to his edition of the Arts Image -- Can",,;c V"ria,ioJU and listings by Klotz in Drake College 1 L--' iOOii~ Krj'ischer Bench', pp. 1J8..10I. Box 1041 I1Rderence is made here to both cditon' writ· ten summaries on their findinp and to the Fort laud.rdale Newark, N.J. 07101 editions thenuelves. FLORIDA Phone (201) 484-6021 "Klotz ill Knlisdler Benchl, pp. 93·98.

JUNE, 1971 17 LUDWIG ALTMAN Organ Recitals 5an Francisco Symphony Orch•• tra

Tempi. Emanu-EI George Markey. New York. NY Fint WoUp"!: Rubsam, Fulda, Germany St. Recital programs for inclusion in these Congregational. Oakland, CA April 23: Von John's Church Washington DC 1b.rch 1: California Palace of the Legion of Honor pages must reach THE DIAPASON within Gott will ich nieht lauen, Buxtehude; Prel­ Prelude and Fugue in E minor Bruhos; Trio ude and Fugue in G, Bach; Prelude and Sonata in E-lIat, Toccata, Adagio and Fuglle six weeks of performance dot• • Fugue in E minor, Bruhns; Fanwia in F in C, Bach; Chorale in E, Franck; Second minor K 608. Mozart; Ut queant luis, Bing­ Fantasy, Alain; Fantasia on Stral mich nicht robert anderson Karel Paukut. Evanston. IL - In· hum; Scheno from Symphon~ 2, Vierne: IIJ1US 40, 2, Reger. dianola Presbyterian, Columbus, 011 April Toccata from Suite opus 5, DuruiJe. SMD FAGO 12: Contrapuncti I, 2, 11, 12, and 13 from James Aloeser, Lawrence. KS - Kansas Art of the Fugue, Fantasy and Fugue in G August Laesch. Sal(inaw, MI - City Audi­ State U., Manhattan, KS March 21: Choral South.rn Methodis. Univenity minor, Bach; Tottala, Venchraegen; In te torium, Saginaw April 9: Chaco nne, L. Cou· in E, Franck; Dcuxieme Fantaisie, Alain; Domine lperavi, Huber; Moto ostinato, Ilerin: Pange Lingua, de Grigny; 3 Venes Transports de joic, Messiaen; Prelude and Dallas, Texa, 75222 Eben; Optavi, Heiller; Lacrimosa, LUloslaw­ from the Te Dcum, Anon, : Sonata para Fugue in G BWV 541, Bach; Concerto I in ski; Gloria from Mass lor Peace, Jolivet; Im­ organo con trompeta real, Lidon: Rhosymedre, C for two keyboanb, Soler; Festival Pro­ provisation. Last rour assisted by Noriko Vaughan WUliams: 0 Mensch bcwein', Bach ; cessional, Strau.n ·Reger. Auisted by J , Bunker When jesus on &e cross was bound, Scheidt; Fujii, loprano. Clark, harpsichordist; Georse Boherg, timpani ; Herzlich tut mich verlangen, Kimberger; Robert Ford, Franklin Thomplon and George Joseph Armbrust James Strand, Winfield, KS - Southwestern Jesu meine Freude, Walther. Foreman, trombone:s. College, Winfield March 14: Prelude and Mus. M. Fred TuIan. Stockton, CA - Episcopal Fugue in E, Lubeck; Two Noeb, Daquin: Prel· Cathedral, Honolulu, HI April 11: Concerto Gordon Wilson. Columbus. 01[ - Ohio ude & Fugue in E minor BWV 548, Bach: Vari­ in E minor, Dupre. Stale U" Columbus, May 2: Prelude and Church of the Holy Comforter ations on a Recitative, Schoenberg; Fint and Fugue in E minor, Bruhns; Tiento de quarto Second Fantasyl, Alain; Finale from Sym­ tono, de Araujo; Nun komm der Heidl'n Sumt.r, South Carolina Emma Lou Diemer. Huntsville, AL - Fint phony t, Vierne. United Methodist, Huntsville April 1: Rigau­ Ileiland, Buxtehude; Prelude and Fugue in don, Campra; All my heart this night re­ B minor BWV 544, Bach; Variations lin Harlan Laufman, Corpus Christi. 'IX - joices, Lamb 01 God most holy, I( thou but America, I\'es; Fantasy for Ihe Flute Stlll15 , Cathedral o( St. John the Divine, New York, luffer God to guide thee, Open now Thy So",erby; Epilogue for Pedals on a Thelile HEINZ ARNOLD NY April 18: Fanwie in G, Bach: The Sus· gates of beauty, Walcha: Fantasy on 0 of Frescobaldi, Langlais; Communion, Tour­ pended Garden, Alain; Dialogue on the Sacred Head, Toccata, Diemer; Es ist cin nemi["C ; Passacaglia quasi Tottata on the F.A.G.O. D.Mus. Mixtures, Langlais: Outbursts of Joy. Mes­ Kos', lIerzlich tut mich verlangen, Stout: Theme BACH, Sokola. siaen. Rigaudon Crom Holberg Suite, Grieg: Prelude STEPHENS COLLEGE and Fugue in D. Buxtehudej Paruta on Dale Krider. Hyattsville. MD - Cathedral Richard Apperson, EloD College, NC - 51. Praise God from Whom all blessings flow, o( St, Philip, Atlanta. GA April 25: Dieu parmi COLUMBIA, MO. John's Episcopal, Columbia, SC April 12: Micheclsen; Toccata and Fugue in D minor, nous, Messiaen; Prelude and Fugue in B mi· Toccata en Do major de Ma Esquernt, Bach; lIerzlich tut mich verlangen, Herzlie­ nor, Bach; Introduction and Fugue on Ad nos Cabanilles: Voluntary, Boyce; Impromptu, bstcr Jesu, Braluns. Salutarem, Liszt. Vieme; Toccata in F, Bach; Fugue lur Ie nom d'Alain, Durune: Pastorale and Aviary, Rob­ Wayne Nagy, Miami. FL - Fint Presby­ WILLIAM H. BARNES erts: Fantasia and Fugue on BACH, Lwt. Scott S. Withrow. Nashville. TN - Christ terian, Flo LauderdaJe. FL April 18: Prelude Episcopal, Nashville April 5: Christe du Lamm ORGAN ARCHITECT & DESIGNER and Fusue in A minor. Our Father who art GoUes, Walcha; Sonale fUr Orsel, Heiller: in heaven, All men are mortal. Bach: Prel­ Cillisle du Lamm GOlles, Pepping: tlegie, Author of E. Franklin Benlel, Durham. NC - Duke ude and Fugue on BACH, Lint; Litanies, U. Chapel, Durham March 7: Chaconne, L. Peeters; Christe du Lamm Gotla. Lrnel: THE CONTEMPORARY AMERICAN ORGAN Alain: Le banquet dleste, Dieu panni nous. Trumpet Tunc, Rohlig. Couperin; Trumpet Voluntary, Stanley; Toc­ Mc:.uiaenj Variations on a Noel, Dupre. 901 W. SamalayueD Drive, cata and Fugue in D minor, Bach: Air, Tucson, Arizona 85704 Hancock; Phantasy on Holy Holy lIoly, Heruy Fumer. NashviUe, TN - Christ Post; Rondo Osunalo, Peek; The Lasl Sup­ Brian Jones. Boston. ldA - Mount Hermon School, Northfield. MA April 18: Concerto Episcopal, Nashville April 6: Chromatic Siudy per, Bentel; Chorale in A minor, Franck, in G. Ernst.Bach; Sleepen wake, Prelude and on BACH, Piston; 0 Traurigkeit, Brahms; Fugue in A minor BWV 543, Bach; Prelude Prelude and Fugue in E minor S 548 Bach· C. Harold Einme, Spokane, WA - Ca· CrucifIXion from Symphonic-Passion, 'Dupre: John Barry Ihedral of St. John the Evangelist, Spokane and Fugue in G, Mendclssohn: A mighty April 5: Come blessed rest, Bach; When fortn!lll, BlDtehude; Toccata and Fugue opus Adam fell, Krebs: Improvisation on Were 59, a & b. Reger: Schcno-Cats from American E. Charles Merritt. Nashville. TN - Christ ST. LUKE'S CHURCH you there?, Einecke; Hear hrael, Wein­ Suite, Langlais; My heart is filled with Jonl­ Episcopal, Nashville April 7: Trumpet Tune, 0 Bremner; Voluntary in A, Selby; Prelude ill berger. April 6: Procession on 0 dearest ing, Brahms; Prelude and Fupe in G minor LONG BEACH, CALIFORNIA jesus, Van Hulse; Lord jesus Christ true opus 7, Dupre. E·llat 5 552, Bach; Chorale Prelude on Slane man and God, Walther: 51. Vincenl, Soweroy; Merritt: Piece Heroique. Franck. ' Hail! Ye lighing IOns of IOrrow, Read. April Hans Vigeland, Buffalo. NY - St. Paul's 7: Jesu meine Freude. Read; Henlirbster Cathedral, Buffalo, NY April 30: Concerto for Peter M. Fyfe. Nashville, TN - Chrisl Jesu, Einecke; Sonata, The lickness and heal_ Flute and Orpa. Marcello; Concerto for Episcopal, Nashville April 8: Kyrie Gou ing of Hezekiah, Bonnet. April 8: Mercy b Violoncello and Orpa, Vivaldi. Assisted by Heiliger Geist S 671, Arioso. Sinfonia to BRUCE P. BENGTSON thou Son of David, Read; Christ. thou Lamb Laura Farmela, Outist and Barbara Fret­ Cantata 156, Bach; Sonata 6 in E for Violin of God, Karg-Elert: Le banquet celestc, well. violoncellist. Handel: Second Fantaisie, AJajn; Fint Move: S.M.M. - A.A.G.O. Messiaen: When jesus on the cross was ment from Sonata 1 for Violin, Uiodemith; bound, Scheidt. Susan Krase, Allentown. PA - junior re· Song of Peace, Langlais. Assisted by Stepha­ Westminster cital, Cedar Crat College. Allentown March nie Woolf, violinist. Presbyterian Church David Lowry, Rock Hill. SC - gradu:Jte 29: Suite du deuxieme ton, C1~nmbault; Prel­ recitals, North TaaJ State U., Denton, TX Donna Na~CJ' Robertson, Man Hills, NC _ Lincoln, Nebraska, 68502 ude and Fugue in A minor BWV 543, Bach: March 14: Nun freut eueh, BlDlehude; Sonala o Welt ich muu dicit lauen, SchmUcke dich Man IIiIl College April 13: Prelude and 4 in E minor S 528, Badl; Sonata 3, Hinde­ Herzliebster Jesu, BrahDlll; Chorale in i.. Fugue in E minor, 'Bmhns; Pour Ie Tombeau milia; Fantasie on Wie schan Leucht' uns dcr minor, Franck; Partita on Christ ilt entandcn, de Colbert, Guillou; Prelude and Fugue in B Morgenstern, Reger. April 16: An Excellent Purvis. minor, Bach; Volumina, Lised: Versel pour Meane, 6 settings Gloria tibi Triniw, Eteme Ie fele de la dedicace, Messiaen; Final in B­ ["Crum conditor, Te Dcum laudamus, Blithe­ Antone Godding, Cleveland, OH - Okla­ nal, Franck. ROBERTA BITGOOD man: In Nomine, Taverner; Ecce tempus Imllla City U., Oklahoma City, OK May 3: idoneum, Tallis: all from the Mutliner Book. Voluntary in G (two venions) Walond; Vol­ Arthur A. VJdrich. Valparaiso. IN _ Val­ Fir&! Congregalional Church untary in D, Boyce: Voluntary in C, Anon,; parailo U. March 30: Sonata de primero tono Joyce Jones. Waco, 'IX - Baylor U., Waco Volunlary in F minor, Greene; Voluntaries LilIon; Sonata I, Hindemith· Prelude and BATTLE CREEK, MICHIGAN March 9: Allegro vivace, Sammartini; Fantasie in G opus 7. 9, in D minor opus 6. 5, and Fugue in B minor BWV 544: Bach· Chorale in f minor K 594, Mozart; Echo Fantasie, in D minor opus 5, 8, Stanley. in B minor, Franck; Cortege et' Litan!e Banchieri; Prelude and Fugue on BACH, Dupre. ' LWI; Toccata in F, Bach: Chonale in B Harry Huber, Salina, KS _ Kansas Wes­ minor, Franck; Chollas Dance for You, leyan U., Salina April 20: Prelude, Fugue Gerre Hancock, Cincinnati, OH - Fint Wm. G. BLANCHARD Leach: Pageant, Sowerby. and Chaeonne, BlDtehude: Trumpet Dialope, Presbyterian, Spartanburw, sa April 23: Fan· Marchand: Concerlo in A minor, Vivaldi­ tasia an~ Fugue on BACH opus 46, Reger: ORGANIST James Hejduk. Millbrook, N.Y. - Calvary Ach blelb bei uns BWV 649, Meine Secle Baptist, Roanoke, VA March 24: Prelude and Bach; Wachel aul, Prelude and Fugue in D. erheht den Herren BWV Lobe den lIer­ POMONA COLLEGE Fugue in A minor, Brahms; Fantasy in G S Bach: Choral in A minor, Franck; Fanlare, &18, CLAREMONT GRADUATE SCHOOL 571, Bach; Andante lostenulo rrom Sym· Cook; Pastorale, Andriessen; Finale from ren BWV 650, Passacaglia in C minor DWV THE CLAREMONT CHURCH phonic GotlUque, 'Vidor; Carillon, Dupre. Symphony I, Vieme. 582, Bach; The Wbe Men. God Among Us from The Nativity of Our Lord, Messiaen; Im­ Claremont California Gregory VaIlCI1, Seattle, WA - Itudent of john Gearhart, Williamsburg VA _ Bruton provisation on IUbmitted themes. Walter E. Eichinger, U. of Washington, Se­ Parish Church. Williamsburg March 27. 30, attle May 2: Dialogue from Third Book, April 10: Agincourt Hymn, Dunstable; Let Robert Hill, Pittsbul"lh, PA - St. Margarel Marchand; Sonata 6 in G BWV 530. Bach; all mortal nesh keep Iilenl, Sowerby: Christ Mem. Hospital, Pilbburgh March 28: Blessed Fugue in A·nat minor. Brahms; Schenello, who sanctifies us, When Jesus Itood on the Jesus at Thy word, 0 whither Ihall I nee. JOHN BOE Vieme: Chorale in E, Franck; Suite Breve, cross, 0 man bewail thy grevious lin, He who Bach; Tottata in F, BlDtehude; 0 Sacred Doppelbauer. suffen God to suide him, Toccata in D mi· Head, Pache1bel; Sonatina in D minor, Ber­ F.R.C.O., ChM., A.D.C.M. nor (Dorian). Bach; Aria, Peelen. lin; Fanfare, Leighton. St. Susann3 Clmn:h, Karen Allen. Atlanta, GA - Cathedral of Pittsburgh April 4: all of above; IntenDnzo, Muncie, Indiana Philip, Atlanta April 4: 2 ettintt 0 Sacred Esther Nichob. WUliamsbul"l'. VA - Bruton Andriessen; Our Father who art in beaven, Ilcad, Bach; 7 pieces from Le Chemin de Ia Parish Church, WUHamsburg April 6: The Bach: Toccata in D minor, Nevill: Elevation, Ball State University Croix, Dupre. Stations of the Cross (complete). Dupre, Dupre.

DAVID BOWMAN ETHEL SLEEPER BREIT JOHN BULLOUGH D.M.A. WILFRED BRIGGS A.B. M.S.M. Ch.M. Organist and Recitalist M.S., CHoM. Forl.igh Dickinson University Metropolitan Methodist Church St. John's in the Village Teaneck, New Jersey Memorial Methodist Church Fint Methodi.t Church, Sacramento, Oal. Detroit, Michigan New York 14, N. Y. Whit. Plains, New York

Henry Bridges ARTHUR CARKEEK EARL CHAMBERLAIN EDWARD BREWER M5.M. A.A.o.O. F.T.C.L First Presbyterian Church harpsichord organ DePauw University Organist ST. STEPHEN'S CHURCH CharloHe, North Carolina Gobin Memorial Church 250 WEST 104 ST., NEW YORK, N. Y. 100lS Gr~encast1et Indiana Cohass.t Massachusetts

18 THE DIAPASON WALLACE M. COURSEN, JR. Organ Recitals FAO.O. CHRIST CHURCH Fr.ancis Jaduon. York England - Glulow Hdnz Wunderlich. Hambu'l'. Germany - Carolyn Jane McGoopn, Spartanburs, sc BLOOMFIELD AND GLEN RIDGE, NJ. _ .tudent of Rachel Pierce, Convene Collele, Cathedr:al, Fcodand May 3: Passacaglia in C Cathedral of the Incarnation, Garden City. Th. Klm ...,I, Sch ••I, Montclair, N. J. minor BWV 582. Bach; Voluntary in E, NY March 21: Prelude and Fusue in F.lharp Spartanburs April S: Allrlro from Concerto Waley; Lit:l.niH. Alain; Prelude and Fupe minor, BlD.tehude; Fanwia. and Furue in G in A minor, Vi\~ldi ; Toccata pcr l'Elevalione, on ALAIN, Ou",~ ; Thru PRI.. on minor, B:ach; Fantasy on Ein fate Burs CI5IUJ Fnscobakli; Nail lur les je~ d'aJIChcs, Da· Scotti.h lIymn Tunn, On; Variations on 27, Second Sonata in D minor OPlll 60, R~r: qUiD; Prelude and Trumpe:tins•• IlobertJ; Mit Est-ce MAn, Sweelinck: Final lrom Symphony Die.. parmi nolll, Meuiaen. Fint Lutheran, Freooen urt, PeppiDS: Chant de paix, Lan· rnOmRA I in 0, Vierne. Sioux Falb, SO Man:h 16: same Bustehude. Ilad; Choral in A minor, Frotnck. Reger; Prelude and Fu!ue in E· na c, Bach: S.M.M., FA.G.O., Cb.M. Arnold Richanbon. Lundon. Eqland - Sonata on the 94th Psalm, Reubke; Organ Wilhelm Krumt.ch. Landau/Pfal., Cermany Flnt Presbyterian Church Cla"ow Cathedral, Scotland May 17: Prel· symphonie, Wunderlich. - Deer Park United Church, Toronlo, Ont. Sharon, Pe:ruuylnola ...de .nd Fugue in E. LutLt:ck; TIII'C!e Piettt Man:h 20: TOCQta in A minor. llaodet; Sis Thid COUer.: (or Med .:anical CIocb, lIaydn; Gelobet Ki.t Michael Sdu1tidcr, CoIocne, Germall)' - Schiibler ClaOJ1llles. Tuc:cata and fuSUC in D Gl'ftDviUc, a. du, In dulci. jubtlo, ChlKonne in £ minor, National Shrine o( tlte Immaculate Concep­ minof", Bach; Fusue Cycle on a Theme. ift lhe Style of Bach, Beethoven; Pbantalie and B'"tC!bude: Erbarm' dtdl mtin, and tion, W;uhinlton DC April 23 : FUlue in E· P~lude LobpreiJunll liir O,.el. Klebe; Fantasia and FUllue in C minor, Bach : Etude Symphoni. nat, Sc:hmilcke dieh, PalJaC3glia in C minor, FUlue on BACH opw 46, Reier. que, BlIssi ; Eternal I'urposes, The Anleu Prelude and FUlue in A minor, Putorate in F, Toccata in F, all by Badl. [rom La Nativite, MlSliaeft; Prelude and Dorothy Add,., WlclUta, KS Fint OELBERT DlSSELHORST FUlue in G minor, Dupre; Prelude, Vierne; Fnderick BoufJl:0muter, Bufblo, fit"\' - St. United MethodiJt, Wichita March 19: Toc· DMA Triplleu del Buen Putor. Guridi. Jlaul's C:atho;:dr:al, Bllffalo May 7: Prelude ala en Do major de Ma Esquerra, Caba a nti Fu"uc in F..,harp minor. BlD.lehude; nillc1; Deck thYlclf tn,. aouI with lladness U.. ivenlty of low. Frederidt Ri.. mu , Gbll_, ScodaIMl Chromatic Study on the Name of Bach, Pb· B:ach; Fup e on BACH opw ro, ~. Scbu-. Glalgow Calhedral May 24: Prelude and tOil : Adaliu, Li nt; Partila on V;ater unser im mann; I nvocaliom OPlll 35, MatJliu: Sonata. IOWD City Iowa FUlue in E·nat BWV 552, Canonic Va riationl llimmelreich, Doppelbauer. for Oboe and Orsan. Brown; Symphony 5 on Vom Himmel hoch BWV 769, Bach; Ren· Vierne. lations, Pinkham; Variations on a Recitative, John Uph:.m. New York, NY - St. Paul', Schocnhers; Pastorale a nd Toccata, Rimmer; Chapel, New York April 7: 0 Lamm Gotta Annette Moreland, Wichita, KS - lIuden KATHRYN ESKEY Sonata, Suhelski. unschuldi.. , ClariitUI der un, leli, macht, of Dorothy Addy, Friends U., Wichita Apri Arias: Ich fol.e dir 8leichfalb, Idl will dir 18 : Prelude and Fupe in F·sharp minor John L Schader, Columbus, OH - St. mcin lIen:e schenkel!, Au. Lldte will mei" Buztehude; nle Flute. Clocks, Haydn; PiWa The Unlvenlty of Thmnal Church. New York, NY March 21 : Hei.land Ileiben; ~s : Mein Jtsu. w;t.5 ' Of" ClSlia and Fugue in C minor, Bach. Suite du deuxteme ton, Cler'lombault: Ecce Seelenweh, Dir dir JehlWillh will ich singen; North Carolina lignum cruds. lIeiller; Sonata on the 94th Sonata 3 in A lor flute and harpsichord; all John Rose, Ncwark, NJ - Holy Comforte' Plalm, Rellilke. Ohio U ., Athens, 0» May by Bach. ,w i.ted by Joan Mey. soprano, and Episcopal, Gadsden, AL April 18 : Noel snnd at G,..ntboro 2: lame CIEramh:mlt, Heiller, and Reubke: Peter Pala.ota, flutist. April 14: C:a ru:on and jeu et duo, Daquin: In dulci jubilo, Dupre; Paean, Lri!hton; Fugue in ,\.(Jat minor, Fu!ue, GaLrieli: Offertoire pOUf" Ie JOU f" de Fantaisie in A minor, Franck; Prelude and Dr.alunl j PlC!lude and Fusue in E·flat, Bach. l'aquC't, 0 Filii et Filiae, Dandrieu; Partita Fugue in A minor. Bach; Allcluyal. Preston on Encllienen ist der herrlich Tal, Walther; Berceuse, Final from Symphony I, Viune Chrill lal in TodeslYndc:n, PRlude a nd FUlue Erick Brunn.er, Baskin, Ridge. NJ - Cal· in G. BOlICh . April 28: Concerlo in F ah er Karl W. Kinard Jr., Newberry, SC - St GEORGE ESTEVEZ vary B:aptill. Roanoke, VA March 24: Wu )'aul's Lutheran, Clearwater, FL April 18 GOll lui lIal ist wohlsetan, Pachc:lbel: Mein Albinoni, Wahher; Christ itt entanden, Wenn ch.m. wir in hOchsten Nothen lcin Utiliser Gei.t Festal Flourish, Jacobs; Echo P"nwia Jesll der du midi, Brahms; Prelude and Fu .... e Sweelinuj Nun kom der Heiden Heiland in 0 minor S 544, Badl; PlC!lude Cin::ulaire and du Trij.,ter mein, Lobe den i lerren, Walcha; Diredor Prelude and Fusuc: in C S 54~ , Bach; Choral, Finale from Symphony 2, Widor, Adasio and Allelro in F )or;. 594, Fugue in G minor )or;. 401, Moz.art. in A minor, Franck; flartita on St. Theodulph CHICAGO CHAMBER CHOIR Potl; Dorian Chof'3le, Alain: Fanfare fo Wesley L. james, Scr.Inton. PA - Trinity GonIoa jCNM:I. New York. NY - St. P.lul', Orsan, Cook. Coltlln:latMmal, Sc:raolon March 28: I call Chapel, New York April 21 : Cantio Mera. to Thee, Bach: The BeU, of Ahem""tY. Warum betrUbli du c6ch mein lien, Scheid t; Henl'}' T. Abky, S»katoon, Suk. _ Ca Stewart: ThrH Preludes on Wd.h Hymn Sonata in F lor two keyboard imtrumentJ, thedrul of St. John (he Evangelist, Sa.lkatOOI Tunes, Vaulhan Williams: C.-ui llon dc WQt· W. F. Bach. Auilted by John Upham, harp-­ April 18: Ptf'lude and Fugue in G minor, EARL EYRICH minster. Vierne. sicbordist. Buxtehude; Concerto 2 in D, Avimn: Prelud, :and Fupe in C minor BWV 546, Bach; Th, ,\rthur A. Phillips, Brooklyn, NY - St. Florence Shafer, Lakewood, OH _ St. Empnftr's Fanfare, Soler; Sonata for Orsan First Unitarian Church Alhans Consnlatiunal, St. Albans, NY Marcil James United Methodi.t, Danville, IL April mM'ernent I, Bloch; lit jardin IWpendU 1<4 : Toccata. and Fus:ue in 0 minor, Bach; 25: Fanb R , Cook ; Hc.nlith tut miclt erlreuen. Alain; Jote et ciar1e des coqtl ,dorielD., Mes Providence, Rhode Island Ye Sweet Retnal, Boyec.Fox: Conurto in B· lIenlieblter jrsu. Brahml; Prelude and Fu· ,:aen: Chor.rol from Symphony 2, VJCme. lIat, It...ndel j Londoner,.,. Air, an. Coke· gue in E·£)a t, Kyrie Gott Va ter in Ewigkeit, Jepl!cntt : The Squir~l . Weaver; Concer t Bach; Sonata. 2, Hindemith; VariatiolU on Donald D. Zimmerman, Vermillion, SD - Study, Yon; joshua fit the battle ob Jericho, Wdwyn. Gorej Preludc on Mal:abar, 5owerby; ,tlldent of Jack L. Noble, U. or South D.akota S"",'aode; Nobody knowl the trouble I see, Toccata from Symphony 5, Widor. Vennillion April 14 : Sonata on the 94th arr, anon.; Cho,",l, Variation, Canon and pplm, Reubke; Prelude, Fugue and Varia GEORGE FAXON Furue in C minor. Phillip.; On the Holy Cha.d HalUen. La Crosae, WI - . tudent of tion. Fr:anck; 0 Traurigkcit, Br..hms j : Moullt, D~.. orak: ('rdude and Fu! ue on Byron Blackmore. Wiscon.in Slate U., La mrwemcnlJl from Sonat3 I. lIindcmith: Scher· TRINITY CHURCH BACH , Lint. Lafayettc Ave. Prabylcrian, Craue April 25: Prelude and Fuaue in E, nUo. Vierne: '2 mO\'ements (rom Suite CI5IUS Brooklyn. NY M:arch 3D: Allesro and AdaSio Lubeck; 6 PitttS for a Clock.Organ. Haydn; S, Duron!: Dieu parmi now, Messiaen, frorn SympllOny 6, Widor: Roulade, Bins· Prelude in C minor BWV ~, Bloch; son.ata BOSTON ham: Tenth Concerto, Handel; Transport. 3, HindemitJ,; The Panion Chorale opus 122, W. Elmer Lancuter, Ora~e, NJ - S de J oie, Messiaen; I am black but comely. 9 and 10, Brahms; Miniature, Langlai.; I'etite Suite, 831e.. Stephen's Episcopal. ( ? I, NJ April 4: Toc Dupre; Distant Chime.. Snow; The Wind uta in C minor, Mlilbl: DialO!J1le for th and the Grass, Gaul; Fanl.u ie in F minor K T rnmpette, Cleraml.Hlult: From God I nete 600, Monrl. Valerie Andenon, Columbia, MO - lIu· cha,I•• H. Ph. D., F. A.. O. O. dent of lIeinz Arnold, Stephens Coli ese, eo. ",-ill tum, nll:lltehude j Toccata and Furue Iwnbia Apri l 25: Wcr nur den Ueben Gott in n minor. Buh; 3 pieces for a MlI1ica B. T . Ki~h, Louil\'ilk. KY _ Fint BWV 750, Wenn wir in bicJuten Nithen lei. Clotk, lhrdn: Snnat3 2 in C minM, Men FINNEY Unitarian, Louisville March 21 : Prelude and delnohn: Fernnt is my longing, 0 ho';.. 8WV 6U, Fusue in G minor BWV 758, Bac.h; Chairman, DM,Jon of Muak & Art FUlue in D minor, Oau:trhude; Introductioo Fugue it la Girue, Buxtehude; Choral in F, blessed fait"'ul 'OIlls, 0 world e'en I mil' and Toccata, Walond; )or;.yrie Fugue lur les Lanslais; All IlolY laud and honor, Bratt. lea\'e thee, Brahms: Scherzo from Ameriea Houlh'on ColI._, Houghton, N.Y. d'anehes lrom Mass lor the Parishes, Cou· Suite, Lan!laisj Toccata, Rl'8er, Hau,hlon W•• leyan Methodld Church perin; Fugue in G BWV 577, Prelude and Leo Abbott, Roxbury, MA - St. Patrick Fugue in D BWV 532, Bach: Concer to in A Cburch, ROJ:bury April 18: Cantique Spirituel, Linda Crouch, Columbia, MO _ Icudent 01 minor BWV 593, Vtvaldi.B.ach; Improvisations Saint-Martin: 0 man bemoan thy I"'Vious IId n. Arnold, Stepheruc Callele, Columbi on Lobet den H crm , Picardy, and Oh you lin, ~joice beloved Chriltians, Bacla; Sonata April 15: Sww Noel, Daquin: lch rur l are a lucky kitJ.Liverpool Lullaby. on the !Hth Paalm, Reubke; Tocc:ata. Sower· dir BWV 639, Bach : Bu se et den", de trom'" by; Clair de Lune, Vierne; Gi,a, Bossi: TIlOu JlC Ue, Clerambault; Henlich lUt mich erlrene Robert Finster William Whitehe:.d, Bethlehem, PA - Rut· .,t the Rock. Millet. lIerzlich tut mich \'erlangen, Brahnll; Pre.1: sen V., New Brunswick, NJ March 7: Pte­ ude, Fugue and Chaconne. BUll; tehude. PMA lude a nd Fugue in G minor, Lubeck; T rio Rosalind Moh.nsen, LeMan, lA - Westmar St. John's Cath.dral Sonata I in E·lIat BWV 525, Powacaglia College, LeMan May 19: Noel grand jeu C!t Robert A. Griffith - Otterbein Unitedod a nd Fugue in C minor BWV 582, Bach; Chor:al duo, Daquin; Oflertoire frum L'OffKe de Methodist, HalfentO\vn, MO April 2"' : flrC! Den"8' in E. Fn.nc k; In Pa lOtduum. Lesur; Toccata, Noel. Tournemire; Gr:and Piec.e Sympbov.ique, utle and FUlue in C, BOhm; Three Noel Villancico and Fusue. Gi naslclOl . Fin t Bap. Frand ; Coruge et Litanic, Dupre; Deux D:andrie .. ; Sonata I, Hindemith: Tocc:ala i~ tist Church . West Palm Bead l. FL ~brch 9: danscs it Api YayiJhta, Alain; Apparition de D minor OPU I 59. 5, Regc:r: Sonata II r prim lallle Lubeck, Bach; 5on.ata in B·nat, Arne. l'Eglise Etemelle, Meuiaen; Cantabile and lono, Lidon; Chornl in B minor, Franc! Son:ata 2 in C minor. Mendelssohn; 3 IU. Allegro frOID Symphony 6, Widor. SelC!ne Allelui:aJ, Mcuia.en; Passacaglia in ~ ti ngl 0 Saaell Head, Brahms, Bach, a nd minor BWV 582, Bach. HENRY FUSNER uns lai.; Litanies. Alain. Conklin Aye. Fint Christie Duruchi, Columbul, OU - Trinity S.M.D •• U .O.O. hapti.t Church, Binllhamton. NY March 10: Episcopal, Columbus April 12 : Fupe in C, Michel Labau, New Bedford, M l\ - S; lame If LlilJeck, Mendcluohn, Alain; thou BWI.ehude; Furue in F BWV 540, Bac:h; crcd Heart Church. Fairbnen, MA May 2 ;; Fin. Presbyterioa Cb.rch hut luller God 10 sum thu, Prdude and ChOJ1llle, Matbw; Grand Choir Dialosue, Tocata. and Fupe in D minor, Bach; Piec, FUluc in E·flat BWV 552, Bach. Giso .. t. Ueroique. Franck; Toccata in D, LcmmeRl~~ NalhviU., Tenn ..... 37220 - Grucullcin A ward SpoDIOr .Robert ClarA CHICAOO Antone Godding RICHARD GRANT CLUB OF School of Music WOMEN Sdtool of MUIK MEMORIAL METHODIST CHURCH University of Michigan OROANISTS ailkap W. Ana" Smith Chap.1 WHITE PLAINS, N. Y• Anamay Owen Walcs, President • Ann Arbor Oklahoma City University : DONALD COATS LESTER GROOM NORBERTO Harry E. Cooper Seattle ST. JAMES' CHURCH Mus. D., F.A.G.O. Senltle Pacific o.un:/t or the, NEW YORK RM~EIGH, N. CAROLINA College Epiphany 98119 98122 GUINALDO

JUNE, 1971 19 E. LYLE HAGERT DAVID S. HARRIS Church of Our Saviour Organ Recitals Akron. Ohio Minneapolis. Minnesota 5M04 Peter Plaa )'av,ky, Vienna, Austria - St. Calvin Hamptun, New York, NY - Cal­ Organ Andftw'. Cathedral, Sydney I Awtrali:a April vary Episcopal, New York March 7. 14, 21 , 30: Partib (Buhm). P.utita ( £du). Chorale 28: llrcludes a nd Fugues in D, F minor, and Prelude (Bach) , Partita (Kroprrdter) and Im­ G mino r, Dupre; I'reludes and Fugues in B p rovisalton - all on the thor.ale Ach wie Plinor, A minur. and E·'lat, Batb. Riebligi ImproYisation, Pn)ude (Ho£haimu) and Fant:a,la (Heillu) - aU on " Salve Regi­ Ludwi, Altman, San Fr.u&dlco. CA - YUKO HAYASHI na"; Improvisation on a submitted theme. Ninth Church of Christ, Sdentiat, San Fran_ The Kin,', School, Parnmatta, ,\u.tralia cOco April 24 : Variationt on an Old Dutcb faculty May 2: P relude and Fu!ue in G , Trio Sonata Folbong, Sweelinock; Prelude aad Fugue in new england conservatory 5 in C, 3 LeipU, Chorales, Fanta.., in G, D, Buxtehude. ThJte Picce& Irom an Orsan 4 O rgclbUchldn Ch0f2Ia., P~lude a nd F"IUC Cloc:k, C.P.E. Bach; P.utotllkl, Franck: boston in B minor, all by Bach. Pn.yer of Christ, Messiaeaj VariadoDl on Americ;a, lytS: Rejoice ye Chri.tiant. 0 Eileen Corsin, Al3omecb, CA - St. Stephen" saCh:d head, Toccata and Furue in D mi­ Prubyterilln, Sydney, Awtralia ~by 19: nor, Bach. Prelude :lind Fugue in E minor, Bruhns; Nun "omm der Heiden Heiland, Toecau, Ada,,,, Alec Wy&on, New Ypc"k, NY - Susquehanna LUTEN HECKMAN WILBUR HELD and FII!ue, Bach; 4 Chonle P~ludes , Brahms; U., Selins81'O\·e. IIA April 19, all·Bach : Toc­ SM.D., F.A.G.O. T occata on 0 Filii et Filiae, Farnam; Grcen­ cala and FUllue in D minor S 518, Six SchG· The Ch,,~ of St, Stephen the M0rtr' Ohio Slate UniversIty .Ieevcs, Wricht; Invocation, Rou; Rhythmic bier Chorales S 64S-650, Prelude and Fugue Trumpet, Bingham; Two Pieces de Fantaisie, in C S 5-17, 0 Mensch bewcin' 5 622 , Prelude MinHapoU. Trinity Church Finale 'rom Symphony I , Vieme. and Fugue in A minor S 543. COlUMBUS, OHIO Arthur Ward, CalptY, Alta - C2.lhnlral Aksander Bog. Ryan, Kabrnuoo, MI - Chun:h of the Redeemer, Calpry March 2: Holy Cross EpUcopaJ, Crand Rapids, MI Echo Voluntary in D, J ames-Simpson; Prel­ April 4: Chaconne in G minor, Couperin: ude :a nd Fu!ue in C BWV 547, Bach; Prdudie Oialolue (or tlte TrompeUe, Clerambault; Harry H. Huber al Vespro di Monteverdi, Tippen; Paean, Pa.uion opw 145. Reier; Not. 3, 8. 14, from JOHN HUSTON Howell •. 5ution, of the Cros., Dupre; FUJUe in E-nat M.Mu5. FIRST PRESBYTERIAN CHURCH BWV 552, Bacla. Culver Military Academy, Kansas Wesleyan University Suzanne Gibton, Calpry, Alta. - C.,thnlr.d Culver, IN March 21 : same Reser; Fanfare, TEMPLE EMANU·EL Church of the Redeemer, Calg;lry ~brch 8: l aekson; Prelude and Fupe in G minor, U niversity Meth

ALEXANDER BOGGS Recitals and Mosler Classe. Organ Consultation WILLIAM H. MURRAY Mus. M. F.A.G.O, RYAN Cathedral Church of Christ the King Emmanuel Episcopol Church CONCERT ARTIST Western Michigan University at Kalamazoo La Grange. III.

20 THE DIAPASON e;aui11e The Custom Organ We've fulfilled Louis Sullivan's ~

COUPLERS AND MECHANICALS pipe dream· •• Great to Pedal Swell to Pedal-8, 4 Choir to Pedal-8, 4 Solo to Pedal-8, 4 Bombarde to Pedal 8, 4 Positlv to Pedal When Louis L. Sullivan designed Chicago's And fill it they did with an impressive master­ Swell to Great 16, 8, 4 monumental Auditorium Theatre, he envi­ piece - the largest electronic organ in the Choir to Great 16, 8, 4 Solo to Great 16, 8, 4 sioned more than just a theatre, he dreamed world with 172 ranks of voices, over 9 inde­ Bombarde 10 Great Great to Choir of a majestic place where music could be pendent divisions controlled by 4 manuals. Swell to Choir 16, 8, 4 appreciated as it was played, note for note Stately modern, but traditionally designed, Bombarde to Choir Solo to Choir 16, 8, 4 ... an acoustically perfect hall. The result, In this full concert instrument functionally and Pedal foundations, Great, Positlv Expressable on the words of Frank Lloyd Wright was "the artistically serves the artist, the music and Choir Shoe greatest room for music and opera in the the theatre with a full palette of tonal colors. Bombarde expressable on Solo Shoe world - bar none". The careful balancing, placement and de­ All Swells to Swell Shoe But the masterpiece had a flaw •.. the main sign of Saville's new organ allow it to fill the Re"ular to Orchestral Crescendo transfer chamber that housed the original organ Is vast Auditorium with everything from Bach SILENCERS nearly twice as deep as it is wide. This fea­ to "Hair" ••• classical as well as contempo­ Reeds, Mixtures, Manual 16 & Pedal 32, Super Couplers, ture limited the tonal quality of the massive rary music. It can perform all the major works Celestes, Tremulants pipe organ. Some of the voices were muted composed for organ as well as accompany (Operated by reversible pistons on key slip for by those pipe ranks positioned in the front of full orchestra, anthems, chorus, soloists and Manual II) the chamber. The large organ could not pro­ even cinema organ styling. And its computer­ Silencer Cancel toe stud vide a quality and completeness of sound type memory circuit full capture action allows 32' SELECTIVE REVERSIBLE Contre basse, Contra worthy of the magnificent theatre; it could artists to easily and quickly set up stop reg­ Bourdon, Contra Gemshorn, not adequately fill the towering, spacious Contre Bombarde, Contra istrations for their individual performances. Fargotto hall with the desired volume or musical depth Saville has anticipated every demand, (In addition to the usual reversIble toe studs for that was justified. The pipe organ fell short every need that the huge acoustically perfect these stops, a selective of Sullivan's grand dream. hall imposes and has done so in such grand collective reversible has been provided to activate or Saville was commissioned to fill this void. style that even Louis Sullivan would approve. retire any desired combination of these stops) COMBINATIONS P/slons: GREAT ORGAN 8 Volx Humalne SOLO ORGAN ECHO-ANTIPHONAL Great: 1,2,3,4,5,6,7,8,0 (Normally unenclosed) 4' Clairon S' Celio PEOAL Swell: 1,2,3,4,5,6,7,8,0 16' Sub Principal Tremulant 8' Cello Celeste 16' Principal Choir: 1,2,3,4,5,6,7,8,0 16' Qu fntaton Swell 16 8' Doppelflote 16' Subbass Positiv: 1,2,3,4,5,0 S'Diapason Swell Unison Re lease 4' Orchestral Flute 16' Trompette Bombarde: 1,2,3,4, 0 Swell 4 S' French Horn Solo: 1,2{3,4,5,6,0, 8' Prinzipal PEDAL ORGAN 8' Bourdon Posltlv on Swell 8 S' English Horn Echo-An .: 1,2,3,4,5,0, 8' Flute Harmonlque S' Orchestral Oboe 64' Gravo Couplers: 1,2,3,0 CHOIR ORGAN 32' Contrebasse General Cancel S' Gemshorn 16 ' Sallclonal 8' Post Horn 4' Octave 8' Tibia Clausa 32' Contra Bourdon Toe Siuds: 8' Vio la Pomposa 32' Contra Gemshorn 4' Spitzprinzlpal 8' Viola Celeste 8' Kinura Pedal: 1,2,3,4,5,6,7,8,0 4' Flute Ouverte Tremulant 1 16' Open Bass 8' Cor de Nult 16' Principal Plslons & Toe Siuds: 2·2; 3' Twelfth 8' Flute Celeste II Ranks Tremulant 2 General: 1,2,3,4,5,6,7,8,9 2' Fifteenth Glockenspiel 16' Violone 8' Dulciana 16' Gemshorn 10,11,12,13,14 2' Blockflote 8' Unda Marls Chimes The Combination machine Is Solo 16 16' Bourdon 1·3J5· Terz 4' Montre 16' Quintade a computer-caplure system Kleine Mlxtur IV 4' Flute d 'Amour Solo Unison Release Fourniture IV Solo 4 16' Gedeckt REVERSIBLES: 2' Piccolo 10-2/3' Gross Quint Plslon & S,ud Scharf III 1·1/3' Larigot BOMBARDE ORGAN 8' Octave Great to Pedal 16' Posaune SesQuialtera II 8' Spitz Principal S'Trompete (Normally Unenclosed) Swell to Pedal Mixture IV S'Diapason 8' Pommer Choir to Pedal 4' Klarlne 16' Bassoon 8' Rohrflote Positlv to Pedal Chimes Clarinet 4' Major Octave e' Grand Fournlture VI 5-1/3' Quinte Bombarde to Pedal Great Unison Release Harp 4' Choral Bass Echo-Ant. to Pedal Posit;v on Great 16 Tremulant 16' Bombarde 8' Trompette HarmonlQue 4' Nachthorn Plslon onl, Positiv on Great 8 8' Trompette en Chamade Grand Harmonics IX Choir 16 4' Clairon Harmonique Swell to Great SWEll ORGAN Bombarde Unison Fourniture IV Choir to Great Choir Unison Release Cymba Ie III 16' Rohr Gedeckt Choir 4 Release Solo to Great 16' Flute Conlque Posltiv on Choir S 32' Contre Bombarde Bombarde to Great 8' Montre ECHO-ANTIPHONAL 32' Contra FagoUo Posltiv on Great S' Rohrflote POSITIV ORGAN ORGAN 16' Bombarde Great to Choir S' Clarabella (Normally Unenclosed) 8' Principal 16' Dulzian Swell to Choir S' Viola da Gamba S' Holz Gedeckt 8' Gedeckt 16' Fagotto Solo to Choir 8' Viola Celeste 4' Prinzlpal 8' Erzahler 8' Trompette Bombarde to Choir S' Harmonic Spitzflote 4' Koppelflote 8' Erzahler Celeste 8' Cromorne Pislon, Slud, & Ughl S' Harmonic Spitzflote 2' Oktav 4' Octave 4' Clairon Tutti 1 Celeste 1 ~ I J 3 ' Larigot 4' Traversflote 4' Zinkk Tutti 2 4' Prestant I ' Sifflote Plein Jeu V 2' Regal All Swells to Swell 4' Flute Octavlanle ZimbellV 8' Petite Trompette 8' Trompette en Chamade 2·2/ 3' Rohr Nasal 16' RankeU Tremulant (from Choir) Siud onl, 2" DoubleUe S' Krummhorn EchO-Antiphonal 16 Chimes Zymbelstem Plein Jeu IV 4' Rohrschalmei Echo·Ant. Unison Selective 32'4 stops Acuta III Tremulant Release Silencer Cancel 16' Contra FagoUo Zymbelstern Echo·Ant. 4 CRESCENDO: 8' Trompette Echo-Ant. on Pedal Regular balanced crescendo Pedal, 80 pOSition, with 8 8' Hautbois Echo·Ant. on Manual IV indicator lights. Orchestral balanced crescendo Pedal, Echo-Ant. on Manual III 80 position, with 8 indicator lights. Echo·Ant. on Manual II (These two crescendos share the same pedal, and are Echo-Ant. on Manual I provided with a transfer tilting tablet)

For D. 331.(, LP Stereo Record, "Sounds of Saville," send 52.00 (outside U.S.A., 53.00) to; Sa\'ilIe, 2901 Shermer Rond, Northbrook, Illinois 60062, Stephen J. Ortlip, AAoo Jack Ossewaarde Organ Recitals Chattanooga lay. Choir SL Bartholomew'. Church Loolcout Pra.byl.rlan Church David Lumtdca. OJard, BnliaDd - Fine New York Presbyterian Church. OnDre. NJ April 12: To ...Irict _ pa... ro prupamo Sawan.. Summer Mu.lc C.nt., Choral Song and fUJI.II! in C, S. S. \ValeYi 01 ...,eraI 1n1eRlc, ftcItoII ""PIIac Voluntary in C Gpw 5, 1, Stanley: Een IIICIte thaD Ih= orpaIIU wII1 .....,. Kindcken U (JR S scbortn, Dull; Chornle in A aher not be 1DdudCd.. mincK', Fnnc:k; 6 Schubler ChG rale Preludes, FRANK. K. OWEN Bach; Prelude abd FUllle in G, Mcndcbwhn; RICHARD M. PEEK LOISODI - Redtoll Nocturne, MeCabe; Suite Laudate Dominum, Maurice and Maric-MadeleiDe DauullE, Soc. M.... Doc. Hurlord. Pari., Prance - Royal Festival Han, London, Enlland Feb. 7: Sinlonia rrom Cantata 146. Covenont Presbyterlon Church Myron Leet. Wilkes-Bure, PA - Fint Baeh-Dupre: Partita on Ach was soli ich St. Paul's Cathedral Presbyterian. Wilkcs.B:uTc May 1: Grande Sunder machen BWV 770, Bach: Fantasie in Chocur Dialogue, Gilout; Trumpet Volunta ry, A, Franck; Prelude, Ada(io et Choral varie Lo. Angeles 17, California 1'000 e. Moreh.ad Charlotte, N. Co Goodwin; Pl'1!ludc And Fugue in E, Lubeck; sur Ie Veni Creator. Durune; Choral sur Ie Gott der Vater wohn Unt bei. Buxtehude; Victimae paschali, Toume01ire. P.3.$SOlClJslia and FUI UC in C minor BWV 582, &chi Adalio (rom Sonata I, Mcndeluohn ; Simon Preston, (bIord, Ett«land - Roy..,l ARTHUR A. PHIWPS Tumult in the Prntorium, MaldnBreau; Sara­ Festival Hall, London, Easbnd Feb. 11: bande from Baroque Suite, Binllham; Prelude Pl1leludiulD, FUla and CIac:ona in C, BIBtc· Franklin E. Perkins AAGO Ch.M. F.T.C.L on Hankey, Elmore; S·uitc Breve, Langl .. i •. budei 2 lettinp Limster Jesu, Prelude and A.A.G.O. - 'h. D. Fugue in E minor BWV 548, Bach; Sonata 3, no Ladu. Cha,.1 Lafay."_ AVHu. P'.... " ...tan C1twrch Carl E. Schroeder. Lancuter, PA - Holy lIindemithi Haec dies, Forbes; Laus Dei, St. Lauis, MlnDu,1 Trinity Lutheran, L3ncuter April 30, .n· Harvey: Toccata, Gowen. Irooillyn, N.w York 11217 Dupre: Antiphon V, In dulo jubilo, M3gnifi­ Unlv.nlty of MislOurl, St. Lou. cat II, Ave mari. .tella ]11, Antiphon I, R:tlph Downes, Londoa, Elllbnd - Royal Antiphon 111. Antiphon II, Cortege et Fettival Hall, London Feb. 24: Two vcncs Libnie. Oft the Panse Linsua, DialO!f\le in F, de JOSEPH MARCUS Gripy; Pftlude and Fugue in D minor. P3trH:b. Bleilu.mp, Columbia, MO - leu­ BWV 5l8, Erbarm' dkh mein BWV 72 1, 0 MYRTLE REGIER tknt of Hd nz Arnold, Stephens College, Co­ umm GaUd DWV 656, Bath: 18 Varia· RITCHIE lumbia. MO May 2: Suite 10 .. O~n, Nc;u ; tinM, Cuillou; FantaUie In E-Rat, Salnt-SalnI. Moo .. Holyolc. Coiro.- o Welt ich mws diclt r.wen, Jlenlich lue TRINITY CHURCH mk h erlreuen, BrahlDs; Elqy, W3he .. ; Sona­ Xavier Danae - Royal Ftstjval Han, Lon­ tine for Orpn, Penichetti; Le banquet don, Enlland Mluch 3: Suite du deuxieme 50uth Hadley, Maslalthusetta NEW ORLEANS celeste, Messiaen; Toccata in F BWV 540, tOft, Cleramhau1t; Fugue in C minor BWV Bach. 578. Trio Sonllb S in C BWV .529, Toccata ;lnd Fugue in D minor BWV 56.5, Bach; Vol· M. Scoarle Wright. New York, NY - Fin! umina, Ligeti_ WILaUR F. Congrcplional, Lon, Beach. CA Marcil 6; 51. John's Cathedral Pnlude. Fusue and Chaconne in C, Von Gotl Malcolm Willi:unsoa, LotIdon, En,lllnd - will ich nicht lauen, Bustehude; Fantasia in Royal Festival Hall, London March 1: Prel­ RUSSEll G BWV 572. Bach; Chorale Pftlude I. SCI­ ude and Fugue In &-fiat BWV 552. BxIa; Jack Edwin Roqera 0,8a"''' CholrlnCtlter, Flm """ Church liom; Ckonk and Fugue. Sowetby; Eclogue, Symphonic Sacfte 011'" 71, Toumemire: JD­ San handteo thHIogkol s.n.Inary Wasenaar; Minute, Bridge; CamoM, Whit­ hilate. Pattttson: Prelude, Plt!Ue .nd Varia· lock; Introduction, PassacaBlia and Coda, tion, Fnnd: Vi,ion 01 Christ-Phoenix, Wil­ JocluonvlP., Florida San An...... , C.hI.".. Brockless: La Melodic ]nterieure frOID Suite liamson. n, Grunenwald; Fin:a.l lrom Symphonic 5, Vierne_ Christopher Bowen-Broadbent - Royal Pes­ tival Hall, London, Enilland March 17: Varia­ K. BERNARD SCHADE Myrna Ules BriUaln, Abilene, TX - .Iu­ tions on a Recitative, Schoenbers: Canonic S.M.M. dent of Ronald HOUSh. Hardin-Simmons U ., Variations on Vom Himmel hoch BWV 769, RUSSELL SAUNDERS STATI! COLLEGE Abilene April 22: Suite du deuxierne lon, Bach: Variations on Welnen Klasen Sorgen C!erambaulti SOn:lta 2. llindemilh; Paua­ Z:alen. Liszt. Eastman School of Music EAST STROUDSIURB, PA­ caglia and FUBue in C minor BWV 582, Bacll ; W""""", .... ""'­ Suite opw S, SkiJlennc, DunaN: Dieu parmi Michael Autin - Rcrpl Festival Hall, University of Rochestet Tho Koda/y C,",",I Mothod now, Messiaen_ London, HIlIland Mluch 24: Prelude .ad FUllUo1!: in P-sharp minor, Bustehude: Suite da Ron.ald A. HD\lsh. Abilcnt, TX - Fint premier ton, Clerambau1t ; Acdarnations, ltosw: United Methodi' l, Winten, TX March 28 1 Prelude and Fu!UC in G BWV 541, Trio Now thank we all our God, Bach-Fm:; Varia­ Sonata in E-nat BWV 525, Prelude and JOSEPH SCHREIBER tions on Under the linden ,reen, Swcelincki FUKue in C BWV 547, Bath_ We would aU he joylul, With tender Klad. john h. schneider Ind. pendent PrasbyterJ.n Church ness, Pepping, Prnile to the Lord, Fanwie Lady SUIt Jcam, Dorkinr, Enrland - Royal and Fugue in G minnr. Bach; Prelude and Calvary Presbyterian Chun:h 11rmMlham-Seuthem con... Fugue in G minor. V3riations on a Noel. Festival Halt, London. England March 51: Dllpre; Noel 10, Daquin_ P",umbel noni tont, RDdex: Partita on Sci. R~et lIWV 768, Bach ; Prelude ror the Riverside, California 1Inn1...... , Alalla_ L. Raven Br;adbury - Bctbcsda-by-the·Sc. DiAPasons lrom Sonata :I, lIendtel: Orpn Episcopal , Palm Beach, FL April 18: Risau­ Coneerco, RiDCk. don, Campr:ti Ciac:Ofta in F, Pachclbel i Fan­ tlllia in G, Bach; Chonl in B minor. Fram:k; Janet TobUb, SQulc, WA - .tudent 01 WILLIAM SELF Scherzo opus 20, Vieme: Very Slowly, Sower· W:alter A. Eichinler, U. 01 Waahinlton April Robert Shepfer 18: Prelude and FUllue In F-sharp minor, Organist and Master of the Choir by; Cortese et Litanie. Dupre. Orlanlst • Chotrmaster 8wctellllde; Wenn wit in hOchsten Nothen ST. THOMAS CHURCH R. Graham Ellerbee. Palm Beach, ttL - lein BWV 641, Prelllde and Fugue in B mi­ SECOND 'RUIYTEIIIAN CHURCH nor BWV 54<1, Bach: S"ulte Brn-e, Langlais; Dethesda-by-the-Sea Episcopal, Palm Deach Fifth AV6IIue and 53rd Strut Indlanapoli.. India ... 46260 May 2: Fantabie in F minor K 608, MOUIrt ; Dc Prorundis lor hom and orpn, Read: Suite du premier ton, ClEnmbault; Prelude ChonJfant:uie on D hd ligsle Dreifahigkeit, New York, N.Y. 10019 Rodtals and FllIue in D minor BWV Mot, Bach; Sonat3 Schroeder. Auisted by Christopher Lcuba, I, llindemith; Sonaone lor Drsan opus II, homist. Penichetti ; Finale (rum Symphony I, Viefnc. 11m..,. Glass Jr., Webtltr Gt'O\·ct, MO - ROBERT SMART Myron D. Casner, SlurgU, M] - Go.hen St. Paul United Chureb of Chrilt, Columbia, L. ROBERT SLUSSER Swuthmott, Pc:DDIJI"""" Colle,e. Coshna, IN May g ~ Trois vends IL May 2: Bin feste Burs, Walther: Varia· Trinity EpIImpal Cbmda lur PaniC lingua ,Ioriosa, Titelou:ze; M_ tions on Was Cott tUI, Paehelbcl; Voluntary MUS. M., .\.A.B.O. pour la parioisses, Couperin; Prelude, fUgue in G, Walond: Wachct aul, Fugue in G. Swarthmoreeou"", et variation, Frana; Fugue de Trois Picca, Toccata and Fugue in D minor. Bach; Final LA JOLLA PlIESIIYTERlAN CHURCH Ibert; Trois pieces de la Suite Francaue, in B-nat, Franck; Grccnslccves, Purvis; ]m· Con_dOD Rodeph Shalom, Langlais. provisation on Praise to the Lord, Glass; LA JOLlA, CAUFORNIA PhUadeJpbIa Toccata from Symphony 5, Widor. Richard HelT, Wat Point, NY - The Post Chapel, U_S. Military Academy, West Point Gcorse C. lIaker m , Dallas, TX - St. April 4: Laudation. Della loio; Prelude and John', Luthenn, Allentown, PA March 21 : FUluc in E, Lubeck: Four Sltetehes OPWi ~, Prel ude and Fugue hi E, Buxtehude; Wie Carl Staplin Schumann; Dear Christians OM aad all re· schOn leucbtel, rachelbel; Prelude and FUlJUe joiu BWV 73-1, Kyrie 0 God Holy Ghost in C minor BWV 5-16, Trio Sonata 6 in G ROLLIN SMIIH Ph.D., A.A.G.O. DWV 671 , Trio 5onab. 1 in E-nat, BWV 525, B\VV 530, Bach: Piece Hu-oiquc, Franck ; REPERTOIRE RECITALS Droke UnlvINIJty Bach; Psalm-Prelude opm 32, I, Howells; Intermezzo, Alain. Le Monde dans I'attcnte The B~J(_ Carillon,Sortie, Mulct. du S;luveu.. from Symphonie Passion, Dupu _ Choueb 0/ Our Lody .. A.- Unlvenlty Christian Church 11$0 Forty-lint Street, Brooklya, N? 11218 DES MOINES, IOWA

ADOLPH STEUTERMAN Orrin Clayton SutMm, U NORLING frank a. novak Mus. Doc., FAG.O. Pral.... at Made SL John's Eplacopal Church EMMANUEL CHURCH 5ou... w ....'" at M..,.,w. ~ • C...... , EpItaopaI Chonch Jencr City HeJab.. NewJencr Hanover, Pa. 175!U 1JDeoIa Unhenlty, Pa. Memphl., T... n .....

JOHN KEN OGASAPIAN

Un. An".', Church. MauaclnrMttt St.... CoII.ee william whitehead t.woll 2344 center street, bethlehem, pennsylvania

JUNE, 1971 23 same lime lie played the melody on t'.e lower visited the orran ia the Wannamaker Store AGOD/AMOND NEWS OF CHAPTERS manual. in Philadelphia on April 6, After enjoyin. a The April 12 mectinR consisted ot a recital recital siven by the oJ"l'anist, the membc:n JUS/LEE CELE8RA TlON AND ORGAN GROUPS hy visiting (lfg:mut Don A. Volbtedt, from tra~'eled to 'he Philadelphia Divinily Schott! /N LOS ANGELES COUNTY IIle Ullinni'y o( ColOr.ldo. The prosram (Episc:.opal) and enjoyed let another redtal appean in Ihe recital pagd. on the recendy ilUtalied Allen inttNmenl. In ceJebr.rtion of the 75th anniversary Southcm AriloN J. Dunbr Clark Annabelle eootts of the founding of the American Guild On Mart;h 9 tl.e Snuthcm Arirona Chap­ ler AGO prucnleti their third IIIltnual pro­ Doston, Mau. AJkquuquc, N.M. of Organists, the Long Beadl. los gram at hiuooc Million San Xavier Del Bac We ha~'e had a most vaned program of Mcmbcn met Monday, Man::h 1.5 in St. AngeJes and P:uadena AGO Chapters which was founded in the I7lh century by ennl. thil year. Two prognm, in October John', Episcopal Calhedral for • musical pro­ met at Long Beach·s Fint Congreg3' Father Kino. The progFolrn which wal per­ werc enthusia.lically received. The lin t wu lram on "ReUliow HerilAse." The Catholk: tional Church in early March with formed in the church. fnlured tllc John a mlllh:r chss presented at Han.-ard by portion of the prolram con.ined or poly. phonic music by airo Cr.usi, G. P. da Palcs­ Searle Wright. A.G,O. nalional presi. Buckw:.llcf SinRC'D 4nd luil:uill Juan Torre­ world-renowned artill Marie·C1alre Alain. The dent, as the featured recitalist and im· jon. The music which was procnlcd was ICCOnd wal an all-day choral ,,'orbhop con· trina, T. L. da Vitlona, and O~te RavaneUo with Father Alfred TNdcau bAritone: Dr. provisation workshop conductor. Dr. both lecular and religious. The Minion i. It ducted in Brookline by Dr. ElAine Brown of Crier Davis, bass; FOrnlt Turpen, tenor: William Hall, assisted by Ladd Thomas, heautirlll Ictlins for ::l mwical program with I'hitadelphia. nullcnt accou. tiu. II i. an ;acti\'c church on In November we traveled north of Boston and Mn. Joyce Talmadge. piano accom· conducted a choral workshop. Following the Papafj:c Indian Rcun.':lIlion. The !,uild is to Windlelter, where Dr. Mu Miller mod· panist. The Protestant part of Ihe prosrnm dinner, the deans of the local chaptcrs, grateful for this opportunity to present this erated a panel includins Barbara Owen, Lany was presented by Rev. Geoffrey Butcher, St. Garnet Mallery. Bob Mitchell and Cenc yearly musical evcnt. Gagnier, and Georre Fuon. John's o,!anist, and four maohe!n of the Cathedral choir: Anne Holdaway, soprano, Driskill met with Mr. Wright, with our Dorothy Burke The ncst two meetinlP were both in Feb· own two national councillors, Dr. Irene ruary. The fin t W3S an Of'lan recital by Mn. MArianne Barret, contn.lCo; ROIl Sutter, Lm Angeles ok P;u.aden:a, Cam. Rollin Smith of the Brooklyn Museum. This tenor; and Michael Jordan, bau. Miss Hold­ Robertson and Clarence Mader, and (he Sirloin of Beef and Hamburger sound like "as preceded by an iltuurated lecture by away lang "Wondrous Love (Southern folk Southern California state chairman, butcher farc, but they (u'rIvcd to be the in­ Barbara. Owea. The accond was an all-day hymn), arranged by Rev. Butcher; Mill Ladd Thom:u, for an exchange of ideas sredhmll of an entertaining and cnlightcninl choral worbhop. presenled by Mr. nlOmal Holdaway and Mn. Barrett ung "We regarding the future direction of organi. dinner mccbnll' February 15 :1t the Fint Con­ Dunn, director of the Handel &. Haydn .s0- Hasten. 0 lcsu" from Cantata No. 78 by zational and financial problems 00 the Iregation:J) Church of LIH Anleles, when the ciety, and editor of E. C. Schinner, Inc. J. S. Bach; and the ,roup Ian! "utal the ' Sirloin of Bed was served up hot, garnished national scene. In April we heard a recital at Harvard Name or God, our Lord" by Christopher Tye Starting the DIamond Jubilee festivi. by world·h'~veler John Paul Clork', IIishlishts by I'atricia Huffman. co-winner of our chap­ and "It is a Great Day of JoyU by Claude of the 1971 Haulem Summer Academy, and ter', Young Artist Competition in 1969. Henri Vic. The Jewiah part. or the Pt'Olram ties wall Searle 'Vright-s matinee recital the I1amburser turned out to he! St. Jacobi', Our Annual ?inting in May will feature W&J a lyric drama Ht to millie entitled " If which led DanIel Cariaga. winner of Heinz Wunderlich. .. n iIIustnted talk by E. Power Billt. No Higher" ltory by Isaac Locb Peretz and the 1970 AGO National Critic's Award. Rkhard W. Slater Marprd Krewson tttlpt by Samud Rosmballm, a Qntata. with to say in local newspapen, "'V right's the music adapted from He~ folk melo-. Fan Lauderdale, Fla. Cumber-land Valley Md_ recit:tl was a special feature of the day diet. The cantata WIll lun, by Mn. Plora The Ft. Lauderdale chapter AGO presented A "Memben' Recital" was featured .t · • • the combination of works was picas­ Wayne Nasy In an Dr,an recital at the Fint Fint Prubyterian Church. MartiNburs, W. Rouuos, mc:uAHoprano, with Mn. Wynn~tle ing, the playing w:u direct and tasldul, Prabyterian Church, Pt. Lauderdale, April Va. MArdI 28. Memben Ruth Seibert, host Epp .11.1 narrator and Mn. Dora H. Rosenbaum at piano AccompanisL TM SIOty i. a debate and a sense of relaxed purpose per· 18. Mr. Nosy is orzanut.choir direc· orzanist, Randall E. WAgner, Hany Sterling, vaded the perfonnance." Of his 1m· tor at St. John', Lutheran Church, Holly· and Ronald Brvwn, tNmpet, participated between a Chasid and a Litvak on a fine point of the Talmud. The diller-eu: it 10 wood, Fla., and it a aenior at the U. of in thil event. provisation workshop. Pasadena Dcan aptly dCluibcd in the ,tory as the diUerence Miami lIudyinl' under Arden Whitacre. The hill'hlill'ht of the yelr W:lt the chapter. Gamet Mallery wrote. "Searle Wri~ht Other teachen include Bob Nelson, Gerald sponsored recital April 21. Robert A. Criffith, of knowing by heart and knowin, with the approached the awesome task of Irymg Snyder, a piani.t, and Paramount Theatre head of the organ department at Ohio heart. The Talmud is the cvllection of writ. to fit the many facets of improvisation orpnist Fred Fiehal. Mr. NalY" program Wesleyan Unh'enitv, played in Otterbein ings constituting the Jewish civil and reo IilioUl law, the tremendous libr.uy or Jewilh into an all too brief two houn-plus ses· is listed in the recilal pagcs. United Methodist Church, Hagentawn Md. sion with great ease, logic and clarity Kathryn K. Hyde Frederick W. Morrison, Jr. law and lore written oyer a pcriod 01 1000 yean. not 10 mention a marvelous scosc of Chon.1 ConductOR Guild of ClUcaSO, Ill. MontJ'OlllCI'Y County, Md. H~nry L. Brcngel humor. Certainly everyone there would "'Praise God, lIurr.ay" (or great men in Mon: than 10 mcmben of the Cbototol Coti. Brooklyn, N.Y. have been inspired to take the first step ducton Guild of Chiaro enjoyed a acssion mwic like Daniel Moe, Ite gave this Chapter an inspirational day on Saturday Ma~ 27. The Brooklrn Chapter AGO met on March into this important challenge of more by Irvins Buntan and Carl Schalk on "Fac· 9 at the Church of Our Lady o( AnteLl, Brook­ creativity in our service playing." ing Problenll - from tecnale to adult Dale Music CIl,. prepared a Inusic packet for the workshop. lyn, for.a program of Lenten music ror orsan Mindelle Lobbeu. fonner Long 'Reach choin" on April 27 4t the Fint Conlrqra. and cho.r. The perlonnance under the direc­ tional Church, La GraniC, Itt. Mr. Bunton Chapter memhe!r Edwin Earle Ferguson. Dcan, writes, "Ooe of the most benefi· director of music at Cltevy Clta.Se Ullitcd tion of Rollin Smith, orpnl.t or the church, Diamond mCi:ts hn Ilroblena with tremendous penonal was sunR' by Our Lady of Angels Choir with cial and vital segmenlS of the cn,huli;lSm and vitality, coupled with ap· Medllldist Clmrdl, 1.. lkni 10 III about trendl Jubilee was Dr. Hall's choral ""orkshop in church millie .. nd 1('1;1 us in linsins a lew Warren Galjour, baritone I

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24 THE DIAPASON LOS ANGELES CHAPTER a slender young man who, although tion o[ the progr.tm ended with Bach', Munay's inte~retation of his final HAS HISTORIC CONCERT extremely p'?iscd'lresents an image of exciling Prelude Gnd Fugue in B mi· selection, Franck. s CllortJle in If Mi· great humility an gr.toousness. In the "or, This, 10 me, is a prime example nort was truly electrifying. This work near·perfect acoustics of Second Church, uf a serious composition in a minor is characterized bi interrupted phrases A historic concert \1135 t>rcscnled on Murray evoked from the time· honored key tJ)at has absolutely no suggestion that present a rea problem o[ interpre· Monday evening, May g, In a historic Harris organ moods of brilliance, re· of sadness. With its descending chro· tation 10 many performen. Tom, with Los Angeles shrine, when the Los Ange­ flection, magnificence, reverence and malic harmonies it is positively trl· subtle rhythmic nuances and tonal les Chapter of the American Guild or nObility. I suspect that, with his 5Cnsc umphant as it builds on a dominant shading, blended these diSjointed Organists sponsored a pcr£onnance by of babna! and knowledge of registra· pcdalpoint to its climactic finish. phrases into a Howing, cohesive whole their 1966 national competition win· lion, Tom would set any organ to its One historical portion of the eve· that is as rarely attained as it is truly ncr, il nalive Cali£ornian. Thomas Mur. advantage. He demonstraled W3t a "ery rings belongs in the realm of infamy. As satisfying. One tiny slip of the finger ray. Mr. Murray, resident organist of fine instrument has been overlooked if to break the spell of unity with the during the reed solo in the adagio sec· Immanuel Presbyterian Church, Los during the flUrry of interest in modern past cast by the beauty of the sur· tion was received with a welcome sigh Angeles. and just back from a year's organ building, and that the historic roundings and the mUSIC, two youth.t by this reviewer as demonstrable evi· tour of Europe, pIa red the first organ can hold i15 own very nicely against in· in brilliant mod attire with correspond. dence that this was, arter all. not recilal to be given In 61 years in Sec. struments constructed currently under ing hair styles, strolled into front scats really a tape from which all Oaws had ond Church of Christ Scientist, 948 the influence of the barorgan crawl in the PhDadelphia area. Th" followin" dmrdlcs MEAD MEMORIAL CHAPEL wn'e vUlted: St. Thoma' Epltcopal Churm, Whitemanh, Casavant orpin; St. Mark', Episcopal Church, Frankford, Aeolian·Skin· ner orpn, 1959; Philadelphia Divinity MIDDLEBURY COLLEGE School (Epilcopal), Phi1:tdelphia, Allen 01" It3n, 1969; St. John', Lutheran Churcll, Plloeni:llville, Aeolian-Skinner organ, 1970. Karl H. Fenstennaker MWDLEUURV, VERMONT

Pittsburrh, Pa. On May 24, the Pitlsbu'1h Chapter joinl:d with the Pit15hursh Society of Theatre Or· pnist, at an organist.clergy dinner at the Southminller United Fresbyterian Church in Mt. Lebanon. After dinner, the mem"ers nf hoth nrpniut'ons TCII13ined at the church In hne .II. panel dUelllSinn led hy ~is Steele nn "nle Ecclcsiaslkal Dlltivity of the OTsan or The Taming or the Orpnisl." Mary C. lbrd)'

Spartanburw, S.C. The Spartanburg Chapter presented Cern: Hancock in 1& recital at the Fint Presby­ lerhn Church, SpartanbutR, S,C., on Friday, Allfil 23. Mr. Hancock conduded with an improviJed prelude and fugue on two of a Jroup of themes submitted by Guild memo ben in lite area. The inftrument ror the reo cital was the Glenn C. Stahles Memorial Orwan (Aeolian.SkiJ1ner, 19611). John E. Willianu is orsanisl 01 die dlUrch. Judith Klasen

Dallal, Tcua nle Dallal Chapter AGO held their dinner meeting April 12 at the Fint Community Church, Dallal. The progr:llm was presented by Barbara Baird or the Fort Worth Chap· ler, and die Kave a brilliant perforlllalice. She is orpnlst-chllinnalter of Trinity Episco' pal Churdi, Fort Worth, aoo ,he hilS won the $200 McCorkle O'1"n Award ror oul· ltanding performance. sl~ has played recitals in many Taas cities. lIer proglOlm con· listed of works by BOldt, Walther, Purcell, Dup~, Uindemith and Reub"c. Dorothy l'eoilies

Marlillllville. Va. The Martinsville Chapter AGO procnted a proKrom 01 mwic for weddinp April 27 at Fint Baptist Church. Mr. Jel')'l Powell, orxanist and choirmaster or St. John', EpileD­ pal Church in Roanoke nnd dean of the Ro.anoke AGO, played pte-service, procn· lional and recessional mwic luitable for in· famlal ICmi·fonnal and ronnal weddings. Mrs. nany 1. TUKlk, Jr. lang iCHos by Handel, Bitgood Dnd D\·orak. Wedding falhions were provided by Mrs. Anita Kolodny and mod· eled by Min Debbie Woocll, Misl Eleanor Ingram and Mrs. Evelyn Beane. Judith R. Strickland 3 lUanDal8-48 Ranks Richmond, Va. FoHowinl' dinner and clewaR 0( omeen, the Richmond Chapter pteHnted Robert Twyn' EIUORY FANNING, DIRECTOR OF lUUSIC ham in redtal .t RiYer Road Church, Bap­ tisl, April 20. The fint Part o( his program wal all Bach and the latter part aU Mcui.en. As an encore, he played his own arnlDgcalent of Purcell', "Trumpet Tunc." With such an excelleat performer, II mar­ vdOWl cwp.n, and a luse and raporuive Iludimtt, the Chapter wu well pleated with the third and final program 01 this ICaJOn', Orpn Repertoire Recit:tl Series. Aaother intercating event lponsorcd by the Chapler was the annual Fctli"al of Junior Choin liven at Riyer Road Church, Bapwl, R G A NCO /vi PAN Y, INC. April 2.5, with Stephen Ortlip .. suest con­ o ductor and earl Frcemaa at the orsan. Ethd Bun PRINCETON. NEW .JERSEY

JUNE, 1971 25 Antoinette Wikswo Michael Schneider Robert Anderson Chamnne in E minor, Buxtehude; Passacaglia in C minor, Chorale Prel· Gala opening COllcert of the new Dupre Setting! (or the Gloria from Fint Book ude on Schmfickc dich 0 Iiebe SeeJe, AEolian-Skinner organ, Zumbro Luth­ rOT the Organ, de GrignYi Fantasia and Toccata and Fugue in F, Bach; Prelude, eran Church, RlKhcstcr, Minnesota. Fugue in C minor, Bach; Partila on the Fugue ;md Variations opus Js, Franck; Chor3I.lmpro\·is:Ition sur Ie VictimOle Chorale Lobe den Hcant', Ahrens; Fan­ tasia on BACH, Rrgcr. Salve Regina (rom Symphony 2, WWor; raschali, Tournmlirej Conarlo in ;\ Second Sonata, Schroeder. minor BWV 593, Vh-atdi-Bach; AUcilt in the Antoinette Wikswo of Amherst, Va., Gott in der Holt sri Ehr B'VV 664, and a graduate student under Donald Approximately 90 organ enthusiasts Fant.:lsia and Fugue in G minor BWV Sutherland :ll Syracuse University, re­ journeyed to Chicago's St. Paul's United 542, Bach; Ecce lignum Crucis, Heiller; turned to Fort "raync, Indiaml. on ChurCh oC Christ on April 13 10 hear Scherzo opUs 2, Durune; Senata on thc April 27 to pl3Y a full rtcilal afler be­ an organ recital by Michael Schneider, 94th Psalm, Reubke. ing named winner or the twclCth an­ professor of organ at the State Conser­ On April 18 Robert Anderson dedi­ Twenties nual National Organ Playing Compe­ tition sponsored by the First Presby­ \'atory oC Music in Cologne, Germany. caled the new AEolian·Skinner me­ terian Church. Only the second young I emphasize organ enthusiasts be­ chanical action organ of the Zumbro woman to win this nationally (amolls cause in all likelihood most of those Lutheran Church. Rochestcr, Minn. competition, Miss Wikswo rewarded attending came to hear the organ in· The org:m, which Mr. Anderson himself called "a milestone of Aml'riCOln organ the committee and judges for their high Slcad of the organist. St. Paul's AEolian­ building in the 20th centur,,: ' is the regard of her lalcnt by disp13ying an Skinner is considered something o( a ability to play and understand a va· largest mcchanical·action organ built sacred cow in Chicago and is therefore by this firm under the guidance of its by Rollin Smith riety of organ litcnture {rom the 17th supposedly immune (rom critical at· new "ice president and tonal director. to the 20th centuries. While a few num­ tack. Don't you belie\'e it. Robert Sipe. Mr. Sipe's presence, the ber! !Cemed to lack flair and imagina' important guest recitalist, a program tion. her performance did give evi· That sacred cow, at least on the night dence of a rure technical command of of April 13, sent out a barrage o( ugly of great promise, and an o\'erflowing (lute and clarinet sounds, lacked clarity audience prO\'ided auspicious circum· In 1920 Marcel Dupre was 3·1 years the organ and a good sense of rhythm. stances for this opening concert. espedaU)' in fortissimo passoagcs, .:Iud old, He had heen. I", this time, assislant Buxtehude'! Chaconnt does not ha\'e Introduclory remarks by Merrill to Widor at Sic. Suipice and Vlemc at the rugged quality of most of his prel. produced olle blcating bass tumblc alter Davis, organist of the church, and by :\otre Damc, had won first prize in udC!l and fugues. but it did command anothcr. Also intonation fluctuated from Robert Anderson credited Mr. Sipc's piano. organ. fugue and composition at attention by the authority which the rank to nUlk and seldom settled on thc talents with leading the conAregation to the Paris Consen'atory, compOllil'd his 24-year-old artist imposed upon its same key at the same time. this event; and Mr_ Sipe deserves the most famous work (Trois Prcl",les ct architectural beauty. Restraint at the credit given him. He 1135 built an in­ Fllgues, Op. 7) and won the Gr3nd Prix start and the gradual adding of care· It is no wonder that Schneider, strapped with so innexible :md gutk'SS strument of great lon31 and visu31 de Rome. ThC5C achic\'ctHl'llts werc fully selccted registers w:l5 a fcature of beauty. Unfortunately, the church docs enough to pl:lce him at the pinnacle of thi! work. Except for one or two minor an inslmment, could onl)' periodically not provide the accollSlical ambience musicians in Francc. l'luwe,'cr, during sUp!, the deliC:lIe changing of manuals rise above the organ's Iimitationlli to 10 match. The simplicity of the church the decade of the 19!!O's. certain mo· was accompli5hed smoothly. achie\'e a truly exciting expericnce. interior is appealing and provides a meutous e\'cnls skyrocketed him 10 world· ~nss Wikswo'! study with Marie­ Such an experience occurred with splendid setting for the eXCitingly hand­ wide famc and rccognition. Claire Alain no doubt influenced her the Second Sonata of Herman Schroe· some organ casc, but the convex wood Bctwcen Jan. 23 and March 26 of playing of Nicholas de Grigoy's pieces. der. This well·structured thrce·mo\·e· ceiling is too low and unhroken to pro­ 1920, Marcel Duprc hecamc the first Considerin~ the general excellence of \'ide a.ny noticeable re\'crberation when ment composition, ptlblishctl in H)f'{; b}' person in musical hislor), to perform this French baroque master's organ the pews 3re filled or empty. Even with Schou, combines the best of the noo· thc romplele orgall works of Uach from mmic, it seems strange that the only its excel1ent gallery placement, the orgnn mcmory. This 5cries of conccrts took work of hi5 that i5 played with any baroque (imitation and counterpoint) has an almo!t overbearing presence; lace in a sc\'crc but intimate recital regularity 15 the Reat de lierce en with a free, highly chromatic style but the skillfully voiced choruses of r,tall on a two· manual organ in the Paris laille, one of the versets from the characteristic of Cesar Franck. The the great and Tiickpositiv divisio05 are Conser\'atory. The audience, made up Cloria. True, this i! probabll the love­ superb performance by Schneider smooth 3nd silvery - a joy to hear_ of luminaries and students was unam- )fest and most appe:l1ing 0 his com­ matched the excitement of Schroeder's These were heard to sped31 advantage 1I10US in its praise. Both Widor and positions, but there are olhen of equal music. Schneider gave ideas added in­ in the contrasting conCerlanle and Vierne wrole glowing tcstimonials. Vldue that deserve to be just a! wcll ripieno sections of the Vivaldi·Dach t\ftf..'T Ihis monumental undertaking, known_ ~ite some of the !Six verSC! terest by a controlled usc of rubato Concerto. Indeed, every part of the pro­ which allowed (or maximal musicalit)·. Dupre made his debut in England at might have been treated whh more gram showcd aspccts o( the organ 10 the Royal Albert Hall, London, on imagination, the interpretatlon5 did The Bach part of the program - best advantage, from the opening Thursday, Dec 9. It was on this pro­ have the requisile ring of authenticity. the Pnssacaglia in C minor, the chorale Tournemire on the bri11i3nt trompette b'Tam tllat he premiered his l'lpres du The lamou! JUdt was pb,yed lenderly preludc Sc1uniicke dic", 0 liebe S~ele, en chamade, to the closing Reubke on Com III 1m, Op. 18 in an authentic pres· in the manner of a vocal Tecitath'e_ and the Toccatn (Inti FlIc"e ;n F major full organ. The Bach Trio, the Heiller entation wilh choir. This appearancc Except for the heavy registration in the - r.lIlgcd (rom plodding to passablc. and the Durufl~, as well as (he \Vidor was followed hy a successful lour of opening Et in terra '/HJx. which co\'­ encore (andante sostenuto from the Scot):1I1d and Ircl:and, ered the announcement of the plain- Schneider, in his pursuit of "authenti· Gothic Symphony), with their respec­ 50ng melody. there was 50me delightful city," acltic\'ed correct embellishment.. ti\'e solo.stop requirements, all seemed J'erhaps the most significant aud far· interplay of color and a conshitent in the traditional manner. but little reaching evcnt of this era occurred in totally at home on this imtrument. 1921. Dupre recall !I: style in ornamentation. c:lsc. He forgot that Bach. in order to The program reflected 3. very altrac­ The beginning of Dach'! Fantasie cOllllllunicate, nceds much more than ti\'e bal3.nce and variety. nnd in general it reeeh'ed a sympathetic 3ltd spirited In 19~1, Rudman WOI .. alllal,,:r. founlk, nr the had the traditional brooding :md con· just right noles and strict rh)lhms: IiIteal dcpartment stmes in the Uniled Sla~ perform3nce. Hach lIiurrered some from templative air about it, hut without color and contra!t for starters. which hear I,n name, lI;ul built :t monUUlcntal II feeling for its broad tine and nne\'cn rhythm, inconsistent articula· ICI Franck's Prell1dt. Fugue and Varia· nrsOln in Philadelphia. Evcry day At a majestic sweep. Even though the ar­ tion, and disturbed ensemble. but the hnur, Charles Courhoi" playcd a concert lor ticulation of the fugue subject was not tion, opus 18, (like the Bach) was Romantic and contemporary literature millie lo"crs, consistent throllghout, the transparency clean, precise, and \'oid o( all neces· was tcchnic311y more succl'ssful. Clearly, of the counterpoint and the young ar­ sary passion and im'ol\'ement. The how( \'er, the organ was the raison d'e/rt: Jla"'in!J built anoilicr inltrumtnt iJil !.it N~' tist's rhythmic stability brought it In Prelude raced by at such 3n unmusiC3l of this recital, and il" personality won ,"mk lIore, Wananlaker charred his Dircctnr n satisfactory conclusion, friend .. on evcr), side. nl MUlie to cngaRe an organist in Fr.mcc $pecd, it had no time to breathe. who could exploit all ill rcsourCe!l, Dr. Akr.ln­ Joseph Ahren's partita on the well Finally, Widor's Salue Regirla (from - Donalct Spies dcr Russell carne to PariJ and askcd Widor's known hymn followed the intermiS5ion. the SecOftd Sym/,"ou)') achic\'ed prac· Mr. S/Jics is a meml,er o/lhlJ rle/mr/­ OId"ice. \Vidor recnmmended ,ne to Ruur.U. In this modem set of variations hy Due 10 a minor wnund which tempol';lrily im­ the conlemporary Gennan composer, ticaUy the samc excitement gcnerated mtnl of music faculty at Ri/mn Col· peded my pla}'ing, Russell ensaged me with,,"t the competition winner did her most b) the Schroeder with a perfonnance Il'gl', Ripon, Wisconsin. hOl\'ing heard me pl.~'. exciting playing of the evening. For that emphasized dr3matics ovcr lite· A GERMAN REQUIEM hy Hr.thms W3.J this wry :U50rtment of sounds ;and ch3nics. r1~n perlonnancd at First Prehyteria" When Dupre arrh'cd in New Vork on ItylC!l, she selected unique rcginrations, Chun::h. Nuhviffe, Tenn., on April 9 undll!t Nov. Ii, 1921. Dr, Russell hosted a choseiust the right tempi, and phra5Cd You talk to the organists in this town the dircctinn nf Henry Fllsncr, and at Con­ luncheon for him at the Player's Club. and played with refreshing abandon, who count, and each one shakes his cnrdia Senior Coll~ , Fort Wl1YM , Ind., under Among the organists invited were Philip The recital concluded with Max head over the sad slate of organs and the direction or Herbert Nllcchtcrlcin on May James. Lynnwood Farnam, T. Tertius Reger's massive homage to J. S. Bach. org;ln playing in Chicago. nut nobody ~ . Nohlc, Edwin Shippen Hames and Clara Written in the grandiose, descriptive docs anything about upgrading the THE LOUISVILLE BACH SOCIETY pcr· ence Dickinson. Afterwards, Farnam and idiom of the tale 19th century. it is a standarus. Michael Schneider and the fnnned Bach'. ],ftlU in B m;nM Jlt St. John" I'hilip James look Dupre to thc Church challenging lour de farce of technical E"'angelical Chureh, Louuville, Ky. • April 18 of the Holy Communion where Farnam St. raul's pipe organ were not the an· of 0, unm the direi:tion Melvin Oic:kiMOn, played Dupre's Prelude a'id Fugue in G skill. 'Vhile one'! fascination for a swer. Howc\'er, the sponsoring Chicago 11le IOloisu wcre Christina rrke, .\nlninelte lengthy Reger piece can become pretty minor. Dupre was so surprised that :lIly­ Chapler of the AGO deserve credit for Booker Hardin, Da\·id Brown, and Arnold sporadic at the end of the program, E"ley. olle would have memorized his music the ""fugue" almost seems to be neces­ trying. -Kenneth Sanson that he rushed up to the organ, em­ ROBERT E. SCOGGIN, minisler of music: sary after Reger's "fantasy:' if for no KennetTl Sanson is music critic for at Christ United MetJlodist Chun::h, Rochester, hr.tccd the shy Farnam and k.issed him other reason than to give some relief ti,e Chicago newspa/Jer Chicngo Today, Minn., will be .tudying and travelling in on ooth checksl to the thick hannonic fabric. Having and a faculty member of lilt! America,. Europe durin, III ,ummel' sabb3.tical Tea\'e (rom The following en~lIing, Nuv 18, Du· !uccessfully dared the Fanlasy, the COnJtrvatory of Music, Cllicago, Ill. his church pc)Iition. Tn :uklition to his stud~, pre madc his American dcbut at tJte treacherous Fugue was hardly out of 11f! will abo attend festh-all in Enllland and Ncw Wanamaker Slore. For the first Holland. reach for this talented young artist. GEORGE McPHEE, orpnist of Scotland', timc he attempted the imprm'isation o( -Herbert Nuechterlein famOld medieval abbey at Paisley, h:u been RICHARD 11.1 , PEEK begins his twentieth 3. spnphony on submitted themes. This Dr_ Nuechterltin is chairman of ale elected president of lhe Glasgow Org3.nnt'. ycar as organist and choir dirn:tnr 01 CO\'e· concert received front page cover3ge in music department at Concordia Senior Society. A new r«ording entitll!d "OrsOl" lIant Pre-silTlerian Chllrch, Charlotte, N,C. thc New Vork Times with a headline Magnifiut: Georse McPbee at IJaisky Abbey" Durins this pcriod hc and his \\'ire, Bclty L. reading "A Musical Miracle!"' College, Fort Wayne, Indiann, and Peek, han dC\'elopcd an rxtrnsj\'e dHual pro­ music critic for life ForI Wayne News­ 113.J jlUl been reluu:d b,. tJle Dcc:ca Rcconl Compan,.. Mr. McPhee will m3.ke his r.ht gr.un and monthly ret:.ibl urieJ, In f'«~ni. Duprc reminisccs about his next con· Sentinel. lull caacert tour in the U.S. in September o( tion of thcir work, memben or the dmn:h cert: neat year. ::are lending the Peelts, including their two TIlE NATIONAL CIlY CHRISTIAN Ions Ricky and Ch::arleJ, to Europe for .ix On the 8th 01 DeC:C:llIber, 1921, I la\'e a re­ CIIURCII CHOIR. under the direi:tion of ROSALYN TURECK, Coundcr-direi:tor of wrelts. After a period 01 study at the Haa.rlcm citoll in Philadelphia on the largest oraan in Lawrence P. Schreiber, sang Two Molets by the International Bach Society. has announced Summer AC3.demy for Org::anists with Anton the world, the W3namaker organ, comprisins BnKlmer, and /,s. Al,i", F"uJ, by Bach on that the Society's Insutute for Bach Studies Heiller ::and MJlrie·Clare Alain, they will 450 ranks. Amonl tbe themes proposni by Ma., 23. Aha included on the program wue will DOW operate 00 a ,.ear·round balis. Until tra\'d in Gcnnan,., AUltria, ItOlI)', Swhtcrland, the mUlicians 01 that city £or an improviJa­ Brah".· Allo RAapltHI, with Eunice Hin, now, they hIIve operaled during the summer F~pce and Bd,ium. Dr. Peek " SoutheaJtern linn, four thcmes .ttmcd to me 10 be a IOlollt, and So •• fo for Cdlo .'ul Or,oll hi onl.,. William H:r.rpove, Miriam Katich, Edpr ""!ional chairman of the ACO and Mn. lyntheJi. of the lire and paslion of ChrilL I Brown performed by Cada Waltz, edUst, Robcru, and Kurt Samr will comprise the Peek is the director or the 1971 Mpntrcat tllought immedl:itely of a plan lor a I)'IDphony and Albert Wqncr, orpnisL laculty. Mwic Confuence. in foW' movements which I improvised aod

26 THE DIAPASON I;lt .. , IHnlr. .In".... Ilt'lw!:t'n the l' ~ "1'1 1921 :.nd mOillc his first phonograph rcmrdings preludes and faDtasias based 00 Prot­ CbmlAphonll: (available from V... 1ag 192-4. in Qut.'t:u's H.:all anti succeeded Eugenc esUnt dlOrales. We recall Reger's Herder KG. Hennann Herder..5traue of, On this first six,w<.'Ck visit to the Gigoul as Professor o( Organ at the words, "Ule Protestants do Dot know 78 Frclburg i.B.JGermanYI. Weru... United Stalc~ Dupre played 14 concerts. Ilaris COJlSl'n"atory. He also took POSIS wh.:at they ha\'e in their chorales," and Jacob (op. 57. 65 on the StC(nmcye:r or· alternating bctw(-cn both Wanamaker ;ll the Ecole Nonnale aud the Fontainc· realize Ulat hc obviously was aware of gan in the Meistersinger-Halle in Nuem· .!ilorcs. It was after olle o[ these recitals hll'au, Lamt:"'o~ Op. 24 was composed this wealth and used it as a source berg; op. 59. 7'. 79b on the 1966 Pe.. r that Joseph nonnet's manager from MOil ' Ihis ycar and dedicated to the memory for many of his organ works. His organ 10 the Nikolaikirche Hamburg: tre:l), Bernard R. LaUcrgc. proposed of the SOli of A. M, Henderson of the Illusic for tbe organ is firmly based on op. 40/2. 1'5b. 27 on the Stockmann or· the crc.uion IIr a transcontinental lOur l 'lIil'ersit)· or Glasgow, the works of his great idol, J. S. Bach, gan in St. Cornclius Duelken). 10 hOlh Dupre and Dr. Russell. All In 1927 Dupre acquircd and installed and he consciously cultivatc:s lite forms thH.'C Inen agreed. Guilmant's organ in his concert salon. o[ thc Baroque style: preludes, fugues PiOlllite: (available from Theo W. Ritter· This Spl't:t:lCuJar lcar of 1921 was cli­ The following )car he premiered Lam­ (sometimes double-fugues), fantasias, betks, Norddt. Tonstudio fuer Kirkchen­ maxed by Dupre's recording for the elf/o and the ~ymJlhony in G mitior lor passacaglia.s and chorale preludes. JDusik, .8079 Bohnhorat ueber Uche~ "culian Uuo'lht Compau), a series of Urgall ami Orcheftra, Op. !!5 at the Reger was a very dynamic musician, orgall rolls. At tlml time the Aeolian Germany). Wolfganl1 Oebml (op. 69 • Uni\'cnity of Glasgow. and we therefore ha\'e to take many 12 on the 1962 Klals organ in the '. Company had perfected a reproducing of his tempos and dynamic markings mechanism \\'Iuclh authentically cap· )Iarccl DII(lrC's last tour o( America terzicnser-Abtei Himmerod), Ludwig in lhis decade bcgan in Philadelphia with a grain of fialt, but his music is Doerr (op. 129/8 8: 9 on the 1961 tured the exacting playing, registration cxciting, lDovinp and full of lyric as and expression DC the pcr£orming artists. un Oct. 2. 1929, at the Second Presby· Scherpf organ in the Dom of Speyer). leriall Church. This concert marked thc well as; dramauc qualitia. Reger is a J.kob Noll (op. 127 on the 1965 Fuehrer lIetweell 1921 and 1930 Dupre madc master of counterpoint, and his fugues limn)' rolls of both his own works anti world premiere or the Second S,mpllony, organ in St. Albert Andernach), Erich Op. 2(j. I:ollowing this, a spectacular reach the lo(ty height! attained only Ackermann (op. 14512 on the 1877/1958 those of others. The two most signiri. by the great Baroque masters. Gmt uf Ihese rolls were the JlIlpro\'isa. concert before more lhan 10.000 persons Sauer·Spaeth organ in the Dom of WilS ananged at the Chicago stadium It is unde.rsundable that organisu Fuld.). Paul Damjakob (op. 5212 on liuns UII a theme or Ll'npohl Slokow51i.i, of the 1920's. impressed by the early 7.cllh)'rs. recorded for the Acolian COlli · on Oct, IU for lhe dedication of the the 1969 Klais organ in the Dom of lIew Barton otgao. achievements of the "Orge1bewegung," Wumburg). Otfried Miller (op. 52/1 pany ill 1921, amI thc Improvisnlion 0" rejected Reger's music because of its "Adcslc Fit/dis," ", .. de for the Skinntr on the Seifert organ in the Dom of Romantic c.xuberance, certain pianistic Altenburg). Company in 1929. Not only do these qualities (octave doublings) and main· rolls afford us a unique look at the Iy because of the instrument for which Telefunken: (available (rom US im­ sponlancoull Dupre improvIsations of the the works were written. 'Vhen in U1C 1920's but thc)' also mark a decadc of porters). Rosalinde Ha.. (op. 46. 75. 1950's. however. certain critics condemn 1451 I on the 1962 Schueke 0lP!' In the artislic e\OIUlion. Rl'gcr for the same reasons, wc ha\'e to In October, 1922, Duprc uudeTlook Kaiser Wilhelms·Gedachtnilkirche Bu· lake tJl(~e attempts as narrow·minded lin). his first trans·contincntal tour o( thc aHacks of persons who have not reaJized lJnited Slates. By April. 192a. he h:lI..1 Lhat changes have taken place dno: plap:d 00 recil:ds in 85 cilies ami A Reger the late 1920's. AlPS: (available from ldPS Records. grossed m"er thirl)' thousund dollars, Reger had a few faithful fricnw who Ridllhofenstr.l, 778 VillingeD/Gcr­ Toward thc end of the season, 15 book· performed his difficult organ works many). Eberhard Krauss (op, 46 OD the ings were reCused, and, during the final Organ for him, since he was not able to mas· 1965 Klais organ in the .TClultc.nkirche weels. hc pla)'ed C\"cry night except in Mannheim), Konrad Philipp Scbuba those spent all trains between engage-­ ter Ulem himself. The most famous of Ule5e organists was Karl Straube (1873. (op. 65. 80 on the 1955 lUaU ocpu In ments, Discography Ule Minster in Konstanz: lntrocfuruon 1950). He trained scores of other 0(­ It was during this tour that th ~ J'arin· ganisLs, who passed down Urll·hand and PassaClglia in d on the 1968 liollJ on au Old Nuci, Op. 20 was com· knowledge about the authentic interpre­ Moench·Schwarz organ in the Minner posed. Dupre IISl-d as thc unprovisational in UeberUngen). idcas for these \ari:llions the imprcs· tation of Reger's workl to thefr pu­ by Frank Herand Very mat siuns made all him by various ,\mcriClII pils. [ew of these are Itill •dive today (Heinz Kirch of Wesd, PcJct: (avaiJable from Peka. Bdleriveslr• citics and Of,?.:a"S. Also on this tour, Friedrich Hoegner of Munich). 22. 80M ZurichlSwiuerland). ReInbold Cortege d Ltla"ic t>cgan its peculiaI' Brunnest (op. 135a on the 1965 Beck­ c,"olution, Originally from a ballet suite When describing Max R.eger (187!- Most o[ today's Reger specialisLs Me 1916) as a "late ROioantic" compt»er, 'ouuger organists without any direct erath organ III St. Andreas Holdesheim). for 11 iustttllllents. Dupre incorporateo Hans Ander-DonOith (op. 27 on the it as one of the Four l'iece.s lor Piano, we should lump him together with Iink to the Reger tradition - M;mfrcd men such as Rlchard Strauss, Gustav HoUmann of Frankfurt, Heinz Loh­ Silbermann·Jehmlich organ in the 0p. 19. While on this lour he played Frauenkirche in Dresden, historical re­ the piece for a group of friends. Dr. Mahler and evcn the ~rly Arnold mann of Berlin, Werner Jacob 01 Schocnberg. When examining his Nuernberg, Ludwig Doerr of Speyer, cording of 1940). Herbert Manfred HoU· Russell slIggl'slc:d that hc tmnscribe it mann (op. 59. 65 on the Walcker organ fur organ allil laler suggestcd it be worls, however. we realize that a gen· Rosalinde Haas of Frankfurt, to Dame eralization of this &ort Ihou"l be used just a few. They have left behind the in the Hemg.Geist.Kirche in Fr.mk. ;lrr:lIIgcd for organ and orchestra, furt a.M.). Heinz Wunderlich (op. 60. (lp)'ulI\\'OIHI "';unalll anticipated both of only with caution in Reger's casco A dr)', austere eatly years of the "Orgel· largc share of his work.s is written for bewcgung" (they were ;ill born around 67 on the Kemper organ in St. Jakobl Iht."SC \'crsiolls by his own tr.lOscriptioll Hamburg). (UI" oTgali solo. UC,'Cf published in his the organ, and it is in Ow area wbere 1930) and interpret Reger's works lifetilllc.) he diU~rs most markedly from the alol1~side the works of oUler Ro­ Electrola: (available from US importen). One of the IIIOU important e\"(~l1ts of style of his time. mantle masters, as well as, o[ course, this first 10llr was the performance of True, he writes for the 5O·called Ro· UlC full range of Baroque and con· W.lther Schu,ter (op. 80 on the 1927 the complete organ works of Cesar mantic "orcheslr.l organ," an ill:ltru' temporary music. They play Reger 011 Steinmeyer organ in the Dom in Pai· franck in honor of the ccntenary o( mcnt wl1ich was designed to imitate tracker organs, with or Without "Walzc:" saul· his birth. These three recilals at the the fiymphony orchesUil. thus elimi­ (crescendo pedal) and pistons. The ~ew York Wanamaker slore all Dcc. 27, nating certain features characteristIC of common bebef during the 1920's was Vogue: (a.vailable from German ncord :!9 aud J;m. :1 were shared by Marcel earlier instrumcnts. Today we no long­ that Reger could only be played on a dealers). Josef Zimmermann (op. 185 b Dupre and Chark'S Courboin. Dupre er build ulis type of organ, having gone tubby. pneumatic ilUtrumenti on the 1947/56 Klais organ in the Dom n"'f)lIl'Slcd 10 be frl'C from improvising through the "Orgelbewegung" with its Tcx.lay's Reger spccialisu have proved of Cologne). at Ihesc progr.lIus, The public demand return to the principles of pre.Ro· 111at performances on modern tracker was ~) grc:lt, howc\'cr, that a compro­ mantic organs, We have come to call instruments are possible. It mwt be Quadrip: (available from German ",c· mise was rcached by lJuprc's impro\'is· the "orcllestra otg:Ul" decadent and .:admitted. however, that accessories cord dealers). Rosalinde Hass (op. 27. ing on two themcs selected by Dr. Rus­ not too long ago outdid ourselves 10 secm in line with the composer's in­ 40/1. 52/2. no listing but .upJl(lOedly sell from thc works o( I:ranck. replacing such instruments with new tentions and facilitate the perfonn­ Sl. Leonhard in Frankfun a.M.). A second American tour was under· ones built along the linell of the "Or· ance o( the often very intricate: scores. taken in 1923 ",hidl comprised 110 re· gelbcwegung." But in the last few years some of these Polydor. (available (rom Austrian Dr citals in six months. From Oct. I In the last ten years. however, a things have reappeared also, as part Gennan record dealers. Augustinus Franz· through 2D , Dupre pla)'ed the first com­ new esteem for these RomOintic organs of an instrument which. incorporates Kropfn:iter (op. 591 8: 6 on the 1951 pletc scl"ics o[ Badl's organ works in hilS emerged. and we arc: now less clements of tJle Romantic "orchestra Zika organ in the Abbey o[ St. Florlanl ,\meriGI 011 ICII recitals at the Church rigorous in the destruction and re­ organ." AUltri.:a). of Sc ,\ndrew and St. I'aul in Montreal. building or "orchestra organs." We Latcr, the l'arialiollS ou au Old Ned ha\'e come to accept them as expres· RClier more and more is once again Suprapbon: (available from CUcb or was heard in America for the first tillie, sions of their time, recognizing that cujoymg the popularity among or­ The 10ngt.'St of all organ recital lours ganists that he juslly deserves. Euro· Swiss record dealen). Jiri Reinbcrger the works of Baroque and pre· Baroque (op. 46. 80/10 on the 1957 Rleger·KIo .. in history closed with a series o( three composers never come off half·way de· peans, notably the Gennanl but also recitals at the New York \\Tanamaker somc Englishmen, are quite a bit ahead organ in the House of Artists in Prague). cently on 5uch instruments. We also Dagmar Ledlova (op. 60 on the 1957 slore dedicated 10 the symphonics o[ know that they are Ole perfect vehicle of U'C Americans, even though there is Widol" and pcrfonned by Charles Cour· an incre01Sed interest in this country for Rieger-Kloss organ in the HoU$C of to perform Romantic music. ArtistJ in Prague). buill, _ Lynnwood Famam and Marcd Today we can distinguish between Reger. 1 am mnvinced that wJthin the Dupre. next five yean or liD we will witness a a group of strictly Baroque·oriented Philips: (avaUbale from Dutch record On his return to I'ans in April, 192-1, organ buildeB (often called "purists" Reger renaissance among Aiuerican or· Dupre married Jeannettc I'ascmou. The g;lnisu . Hcaring his music In concert dealen). Feike Asm. (op. 40/1. 127 on 1110llths betwccn April and October were by the group of musicians not sharing the 1782 Baroque organ by Garrels in aU of their viewpoints) and anotht!r and. the availabilfty of it on modem spent cOlllpleting his realization of thc LP's will ccrtainly help us to reach UI~ Grote Kerk MaSJluis/HoUand). Pnssicm Symphony. Duprc premiered the grour. which is a.ttempting (and, it shou d be added, quite succemiully) to that goal. wurk at thc dedication of the new Henry Fona.: (available (rom Danish record Willis organ in Westminster Cathedral incorporate into a gcnerally Baroque organ elements of the Romantic organ de.lers). Georg Fije1rad (op. 50, 63/6 8: in London on Oct. 9, '1924. 7, 59/9 on the 1959 Frobeniul orpn in which seem worthy of preservation and The following Nov. 18 Dupre opened the Domldrke in AarhUS/Denmark). are necessary for the proper stylistic This discography takes into condder­ his third American tonr at thc New rendition of the music of that period. Charley Olscn (op. 59/9 on the 1965 York Wanamaker store playing lhe Pas­ ation only sound recordings which have Anderson organ. 10 the Vor Freslerkirke ,,;011 S)'l1IpllOny and the Suitt: ardonne In thc fonowing discography the appeared on the market in Europe and in Copenhogen). ror the (irst liUte in Ihe United St:):[es, Beckerath, Schuckc, Anderson. FUehrer the USA within the pasl three yean. He relurned to I'ans on Feb. 27, 1925 and Garrqs organs make up (he more Lif~: (available from Oskar G. Blarr. alter ha\'ing pl.:a)"cd in 40 American tonally Baroque.oriented group; the Da Camera; This label (available at )0. Andru,"r. 15. 4 Duesscldmf/Germ...,). citics. others indude Romantic elemenu. One 12 Lameystras.sc. 68 Mannheim/Ger. Osltar G. Blare (op. 59/9 on the 1965 These successful carl,. years of the must be aware, of coune, of the super· many) is in the process of tuning the Rieger organ in the Neanderkircbe in 1920's enabled Marcel Dupre in 1923 £idal quality and general description entire works of Reger on diskJ. Heinz Duesseldorf). to purchase a villa in Meudon and to that such terms carry with them. Lohmann (op. 29, 7! on the 1957 ercct adjacent to it a concert hall. It r.fax Reger is a complex composer. Schucke organ in the Immanuelskirche Aeolian-5k1nPer: (available from Aeolin· was in lhis year that the title Chevalicr The problems are m.:any. We only n~d Duesseldorf: op. 46. 92 on the Schucke Skinner Organ Co. Pacella Park Drive. of thc Legion of Honor was confcrrcd to remember the partially unresolved organ in the lmmanuelsklrche Wupp­ Randolph. MaS!. D2!68). Alexander on him by the Frcnch government. question why he, a devout Catholic, ertal·Oberbarmen: op. 135a on the 1965 Bogg1 R)'aI1 (op. 52/2 on the 1970 , In 1926 he played OIt the Handel Fes· spenl so much of his time writing Rieger organ in the Neanderkirche Aeolian·Skinner organ In ChrIst Ca· lival at the ,9ryltal Palace in London, "Protc:st.mt" organ music - chorale Dul1cldorf). thedn1 In Ka1amazoo/ldkhlpn).

JUNE, 1971 27 CLASSIFIED ADVERTISEMENTS

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For more de.­ past position.. reacnl rulltime position with primary professional rapn nsibility, but not his ton, MD$I. 02118. . parish of 25,000. Wilhes 10 relocate in Florida tails : I'etenan Electro·Musical Productl, Dept . exclusive nltention. F3cilities and ti me would 31, Worth, Ill. 6OfB2 . or Caliromia in similar post. Rdcrenccs upon be availablc (or private ildtruetion and other HARPSICIIORDS, CLAVICHORDS request. Addrus £...8, TUB DlAf.uOH. Magnificent tone &: handsome appearance al penonal acliviliCl. Sal:ary open. Repl, b, de· STEINER ORGANS, SUPERB INSTRU· tailed resume, including ulary data to: La reaso lUlble cost. Maurice de Anleli, Boll: .90, DO YOU WANTA FULL TIME YOUTH menu ran,illtt lrom lmall one-manual Positiv R.D. # 1. Pennsburg, P:a. 18073. Gran,e Post Office, Do. 489, La. Grange, IlIi· to the larsest pipe olpns to meet JO ur re· choir pmgnm? }landbdh? I am GS - mar­ nois 60525, Attn: Mwjc Committee. r~ - org:misHiireelor - .fa yean exlJeri. quiremenu. Write or call for information. FOR SALE - HARPSICHORDS, CLAVI· F.:astem ftprt,enbtive John W. Allen, 500 ~ ~ - prCHnl position t.5 yean - Prolesl:anl. WANTED - ORGANIST·CHOIR DIREC­ ehof(b by Neupert, world's finesl, oldes t m:aku. Would like In .hare Iw.nowledse-expericnce with Gtenway Aventle. Bris tol, Virsinia 24201. Tele· Catalogs on request. Masnamldtc, Sharon. tor, parl.time basis, Methodist Church. AI· phone 703/ 669 8396. olMn. New En,land or N~w Yewk Sble pre. cad .., Florida. One choir, one morning and Conn. 060(8. r~rnd . Pk:»c M:"d i"form:ltion about yotlr evening Sumla.,. lC"icc, Thunday nisht ciKlir SAVILLE OH-C- A- N" S,....,N.,.O.,.",...-::W H::-A"S,....,AN-::--:I"'N". desires, p~rn , orp.n, uluy, when writin,. SPERRllAKE HARPSICHORDS AND pnlclict. One .pecial musical Prostam per IImment read)' for demorulr;ll tion in WalI h· davichonb. u cellcnl, lkpcndabk, buutiful. Addnss F·7, Tn. D'APASON. yur, Chrislmu. Two-manual Allen Of'Pn. ington D.C. Plrlro atQ. For details contact Robert S. Taylor, 8710 Garfkk! 51 ., Belhesda, IJ()SITION WANTED ORGANIST. Send qualificatKms Olnd s.:.bry eJl pecled 10 Rkhard O'C. GI~ n , Silver Sprins Piano Chainnan, Mwic Committee, T rinit, U nited Md. 20034. choirmaster. MM. Thru yean full·t im~ experi. Co., 721 Sligo A\e., Sih·er Sprin! . Md. 20910. Methodis t Church 31-1 West Oak St .• AJC::adia, 301/589-3039. HARPSICHORD OWNERS A FULL C:IICC in major cilY. Study with major artist. Florida 3382 1. ' \Y.ifc aoo MM. Would considcr learn min· line 01 audio and visual Chromatic: TalneR ist.,.. Prefer communhy with possibilities for SERVICE MEN - DO YOU LACK snop is now available to help you with your tuning continucd 'Iudy. Sensitive to lMUh music and ALIVE CIIURCII OF 700 LlBERAl.·CON· Ipace? We lpecialice in leather work, recover· requirements. For more infonnalion write ministry. Availahlc in Augwt. Address F.G, servative ramilies ~ee ks ven:totile organis t· in ~ pn~umatia, pouches, actiold, enSr.lVinl , Peterson Electro·Musical Products, Dept. 20, TilE DIAPASON. choirmaster to be part of its ministry in an de. Write R. M MiniUDS 4: Son, Box 293, Worth. III. 6OfB2. nctive town 25 milc:s from Boston. MUlt love Lewisburg, Pa. 17837. DIRECTOR OF MUSIC, OM, MAR, lIER· dogs and children. S2.tary inadequate. Addras " THE lIARPSICIIORD". INTERNATIOS­ formc)"'s Certificate (Orwan ), expericnce, dc· F·5, TUB DIAPASON. ORGAN SER"lCE MEN - WE WILL al quarterly for loven of early keyboard in­ sira new position. Luthcran preferencc. Mid· recover Casa' an an o:t Skinner pouchboards, Itnnnenls and music. Articles, interviews, West or East. Availablc Scpt. I, Address E-4. OPENINGS FOR PROF£SSIONAL MEN. primary an., o ll s~ t tlctio~. Write Bumcu photographs and iIIwtrations by today'. lore· Associates, Hol. 12i2, I bila., Peon&. 19144. TII~ DlArMIOH. Apply Wicb Orpn Comp3ny, Filth St., most artists. $8 per annum. "Tht: Ibrpti. IIilhland, 111. 622-t9, lor lull.'im. &ala posi. chord", Box 4323.D, DENVUI, COLO. 802f». STUDENT MUST FIND POSITION IN tion. All inquiriCl Itrietl, confidential. Choice HARPSICHORDS a church to complcte apprenticeship require. territoriCl aVllilabte. FOR SALE menu for dcgrec in relillion anti music. Ad· FOR SALE - HARPSICHORD. TWO· drut F.IO, Tllr. DIAPMoH. EXPERIENCED METAL PIPEMAKER - manu:al SpelThake modd 212. 2 :r. 8'; I x 4'; FOR SALE - NEW ORGAN l'IPES, !II"/., All replies conrid~ntial. Apply: Austin Orpns, I :l 16' . SU pedals. Good condition. Very .pottl':ft mcbl, Milltures. Scharfb, C,mbclt, ORGAN GENERALIST WITH SUDSTAN· Inc., I1ardord, Connecticul 06101. . turdy. Fh·t: ,un old. Good buy at $3.000. Ib.l b;,.c.srouoo, Mitled public rellalions, pres· Octav~ , etc.. promptJ,. available. Euellent Mwieilt n, 1410 Bolton 51., Baltimore. Md. 10: E:.:pcrtI ~"d,. indcpendcntly cnpled in service·build· wo,kuJIIllIftip. Write' on Or,aR WANTED - CLASSIC EDITIONS NO. 21217. Ville<.. GebrUder Kib, 53 Bonn.Rt:ucl, West hi, business olfcl'S luviccs 10 lrade as tONlI· 1016, Clarence W.Uerl playil1J' Franck La· IinisJlt:r, dOM:-GU1 man. P.vt·lime onl,.. Ad· Gctntall't. Orpniste, Book I. M . J . Elry, Route I, Boa. FOR SALE - SABATIIIL BACH 111 uress F.3, TilE DIAPASON. 1, Eureka, Cam. 95501 . concert harpsichonJ. 1(;' , 8', 4' - 8' 8' . Lute stop on both upper and lower 8' and lOR SALE • . MET,ltL ORGAN PU'ES. WANTED-MISCELLfNEOUS 16'. 7 pedals. Like new $5 , ~ . E. H. Mueller, F,'H clUi wotkr. ~' n"I'n . Ih:lmut Hempel Or· WANTED - HISTORICAL DATA ON Ifan I'ipe\, 1144 WesT MJth St., Cleveland, Ohin. Aeolian and Duo-Art pl3yer pipe Of'K:a1d and M.D., 707 Commonweahh A,·c., Newton Cen· ORGANIST NEEDED FOR FIRST CON. ter, Mass. 02159. 44144. grqational Church, Woodbury, Connecticut to rolls induding the Concerlob.. Abo want rotb, accom .... ny one mid· week choir rehearsal and original pipework, ches ts, and components for HARI'SICHORD - COMPLETELY NEW TRACKER ORGAN PARTS - RAWIlJDE one Sunday moming service. Good two·manual above. A. H. Reb50n, 6309 McPherson, St. design su lC1:t long with either one, lWo, or liub, ClItra thin idc bUlh inp, .mall Iiole Hewk 6: HU lings pipe orpn. Challenging Louu, Mo. 63130. three J~ ts of Itrings. Kits lrom $175; abo com· leather nuts, aluminum I·beam aec:tiold for mw ic proSr.lm. $20-30 per week. Start im· ph-ted instrumenu. Clavichord ki t lrom $tOO. raclr.hoartl IUpportl. And.rver Orpn Company, mediately. Write: John W. Kuhner, Music WANTED - MUSIC ROLLS FOR AUS· Write (or free brochure. Zuaerm:ltnn Harpsi. DUll: 36, Methueu, M.:w. 01844. Director. Upper Gtaa)' Hill R03d, Woodbury, tin. Welte, Skinner, Aeolian, Duo·Art and chords, Inc., Department D, 160 Si:r.th Ave., ----- Conn. 06798 or C3U 203/263.3967. Estey pipe orpn pl3yen. J . V. Mac:artncy, N~w York, N.Y. 10013. FOR SALE - WICKS' ORGAN BUILDINC oIOG lIaverlord Ave., Narberth, Pol. 19072. FOR AMATEURS 287 paSCI. $10.00 postpaid. WANTED - ORGANIST LARGE NORTH HARPSICHORDS AND PEDAL HARPSI· Organ Literature Foundation, Braintree. Mau. suburban Chicallo dlurch Sept. 1. 2500 mcm· WANTED - AEOLIAN DUO·ART OR· chords - the ideal instrumellu lor orpnists. 02I1W. ben, 7 choin. ~~· r.lnk pipe organ. Prop-essivc g:m rolls or recordinp of same. Higha t prices individuals, and achools. For broc.hun: send 25; church mwic PfOSr.lm. Ad~ F·2, TilE )'aid. R. Smith, 1150-4 itt St., Bklyn, N.Y. 10 S. Sabathil &: Son Lid., Dept. D., 1084 Ho­ FOR SALE - 1929 PILCIIER, II RANKS. DIAPASOH. 11218. mer, Vancouver, B.C., Canada. Rrmovf' in June. 813/253 . ~·U6 .

CUSTOM VOICING Art istic voicer; long experience. E. H. HOLLOWAY Prompt delivery, fine reputation. CORPORATION (Complete insurance coverage) Bui/cle,. of Tracker ancl E/eclro-pneumolic CUSTOM PIPE VOICING slicler chest organs, P.O. Box 617 INDIANAPOLIS, INDIANA 7::~JNC. Winsted, Conn. 06098 MANUFACTURERS OF QUALITY ORGAN COMPONENTS Tal. 637.2029 P. O. "x 202S4 DELAWARE ORGAN COMPANY, INC. McMANIS a progressive company with traditional ideals KANSAS CITY, KANSAS designing and building custom pipe organs 66104 252 FILLMORE AVE. TONAWANDA, N. Y.

PELS &VAN LEEUWEN DO IT YOURSElF PIPE ORGAN KITS Cullom spaclflcationJ for church or AIKIN ASSOCIATES Felix Schoenstein PIPE ORGANS I.sid.nc.. compl.t. or patti, full In· ALKMAAR, HOLLAND structionl by • .,.blbh.d olGan build ..... BOX T44 CLOSTER, N. J. & Sons Pipe Organ Builders Johann H•• rspinlc COLKIT MFG. Co. P.O. lox 112 (201) 768-7231 3020 Oakwood Drive, S.E. SAN FRANCISCO, CALIF. Orand Rapids, Mich. 49506 Tuning. Mainlanan'e • Rebuilding

28 THE DIAPASON CLASSIFIED ADVERTISEMENTS ctaniflecl adverti"nl rale.: per word, $.20; mw.lmum ellar,., $2.50; bene "\lmbe" addlrioftllli $1.00•• e,li .. to box ""mite" should b. ten' cIa Th. Diapo,on, 434 S. Woba,h Avan"., Chicago, In. 60605,

FOR SALE FOR SALE FOR SALE FOR SALE

NUMALON AND PERFLEX ARE TWO FOR SALE - COLE &: WOODBERRY, FOR SALE - GOITFRIED FRENCH new materials IUed 10 rcplac:e leather and rub­ 2-manWlI. tDck~r-action, 19 ranks, h Ut 1m, Cnlmpet 8 fl., 10'" wind, millt conditio n, high. bcr-doth in pneumatic actions. Numalon is A uullent condition, church or i.mtitudon. n t DUe.. . 8 ft. oboe hom, 10" wind. very nitt .00l woven nyton co.ted with airtight polyur-t o tpKifl.caliom, pholoBDpbt, tape, on request. $11S.00. 8 h. violin diap., r wind $-1) .00. 8 thane, used for squatc and book pneumalto of Other: 27 Jllnb of pipework for $1,000. Other It. Itopped diap., 4'" wind, make an offer. 3M all kinds. Pernex, a .002 polyurethane film that pipewofk: Skinner French hom, ruba , 16' Wurlil2er relay, line dUlpe. 3-rank chest fnr cannot be broken by nexin!", is UKd for reeds, 8' It 16~ .mngs, request luting. Per· fttd, flute and diap. 1 onset cbest, 12 note.. IHluchc:s and diaphragms. Because they are cussion: WUfliuer - pnmat')'l recovered in I reed ehltS t, 61 notes I fCgu b tor, I trtfl)Olo, thorOughly tested, impervious to atmospheric polylon - chimes, slock, xylo, sleigh bells, 2 winken:. I trunk. All leather is in excd lent pollulanls, and asc at much .Iower rates than compl~tc trapt, request lut. Special: Wurlitur condition. john R. Deegan, P.O. B.~ .sl, leather, NUlnalon and Perna an: wed by saucer bells, dircc:t.eledric, mint condition. Antioch, Il li nois £:(Klt'l. major AmeriCl.n orpn bui&de.n to avoid pre­ OthCf: Skinner pipe orsan player mechu ,ism malure delcrlofllltion in pneumatic: actions. A + 140 ..mis, request photot It roll lilt. Calh FOR SALE - THREE-MANUAL. 21· Sample Kit containin!" Numalon. PerOa, .dh~ 617/261.3166, 5-7:00 p.m. EDST, or addreu nnk, 621 top Wdckhardt unit type electro· Jives alld further information is available for F-9, The Diap3lOn. pntumatic pipe organ in exc~lIent condition, $7.50 postpaid from Banten and Clark Inc., Beautiful mahogany It walnut consol~ , 13 22 Rutland Square, Boston, M:w. 02118. FOR SALa - 1897 FARRON It VOTEY lkagan chimes. Fifle tonc quality. May be electro-pneumatic organ complele. You re_ elI:amined and played by appointmen •• $7 j 500 FOR SALE - EMPIRE ORGAN. NORTH move, aft~f june 15. Best oUer. For spea or $),000 plus Hammond 2!i.pcdal ort,,-n in G~rmany, 1799: Gedackt 8'. PrestAnt 4'. write B. Tait, Fint Unitarian Church, 5650 wood condition. J0Cph W. Nicholson. 3+42 FlOt~ 4', (!uintc 3', Octave 2', Mlxtur, Rep1. So. Woodlawn. Chic:aao. III. ro637. No. Frederick A,·c •• Milwaukee, Wi:! . Sl211 . I'ull-down pedals. Jh:ipr 10 h. &cdI~nl con­ dillon. $40,000.00. Addna F-8, TIIB DLU'MOH. FOR SALE _ BEING DRAFTED, MUST FOR SALE - WURLITZER ITEMS: 2/ 11 .ell entire organ geat includins Johnson op relay, now playing p~rlcctly, $.fOO. '·rank FOR SALE PORTATIVE ORGAN, 686 plus exlr;t chests, pipes, etc:. Write or call main chest. mostly releathercd, $500. Xylo­ MeAf3nu. 1969; three octaves, 37 RohrOot~ ror detailt. HArold Stouffer. Rd #1, Houghton I,hone, completely releathercd, $350, Glock , (liollalld) i hand or electric; M~iding~r blow­ Lake, Mich. 48629. 517/366-7278. $200. Large tftmulanlS, $40. Barton four post ~ r i shipl,ins casc, wed by john Bias Coruort, console lilt, requit"CI no pit, $-tOO. David Wint~r Consort; $1,000. Paul Wjnl~r. Umpa. FOR SALE _ 3·MANUAL AND PEDAL Junchen, 816 S. Adams, Westmont, III. wilug Road, West ReddinS. Conn. 06896. Esley pipe orsan; Klann cocuole; Spc.ncu b05S9. 31 2~2-367~ . WOW~f . Many good nmbt , diapasoN, 2 4' FOR SALE - PORTABLE PIPE OR­ ,'finci,l.b, 16' double open in pedal, etc. fOR SALE _ CONN MODEL 2A2 ELEC­ Ri'n ; new ; 1 stop - Sedecl.t 8'; CUT)'ing HUyer mwt remove by October bl, Contact Ironic organ, 2-manual and 32·pcd.aI. Good bandies of brass; with Ir.Insport case. Writc Mi,,"ter o[ Mwic, Fint Baptist Church, ~nditjon. Suitablc for clt.apel or practice. for detail., P.O. BQX 22128, Dallas, Tcus North Adams. MaD. 01247. $100.00, buyer n:move. Address inquiries to 75222. Jack Elk. 410 Chopin Court, Schaumbera, III. FOR SALE _ 2·MANUAL 4-RANK UNI­ 60172. 312/529.7901. FOR SALE - FOUR.S1UP, SIX-RANK fied pipe ofFft, set up and Ptayinl in Battle pmitive. Blowcr telf-cGQtAlned in tolid ~k C.u.k. Mich. U.ed pipework aDd comole theil, FOR SALE. - LARGE INVENTORY OF c.;ue. M. A. Loris, RFD 2, BatTe, Vermont all action parts new (dircc:t-dcctric). MUll church and theatre pipe work. Wurlitzu, Rob­ 05641 . 5~lI, best orr~r , For detaib write Route I, Box ert Morton paru am.I many othe,.. Send 25_ 217, Covert, Mich. 49M3, or phone 616/761- and S.A.S.E. for large list. Crome Orpn Co., FOR SALE - USED FOURTEEN-RAl'lK 8882. 2(H9 N. Marianna Ave., Los Angeles, Calif. FOR SALE - RELAYS FROM ORIENTAL organ. Also n~w nine I1lnk tracker orpn with 90032. Theatre Wurfiu~r, Portland, Oregon. 3 l1l4n. cnse. Contact Wicks Orpn Company, 1100 THEATRE PIPE ORGAN INSTALLED Wits + .,cdal + accomp. 2nd touch. Two Fifeh Street, Hishland, III. 622"9. and wOfkinl' in home. 8 ranb .tralsht, 2 cham­ FOR SALE - AUSTIN ORGAN, 1926 switch sl;lCks containins 118 swilcha plUl KY­ ben. Console basically slRight, 2-maftual W. W. vinusc, appro.imatdy 9 ranb. 1.f lenenl er.r.1 R~uner switches Cor additional tibia and FOR SALE - 2.MANUAL, 6·RANK RE­ Kimball Co., 1925. Plays wdl but could we eombons. Available r.n or 1971 . BuJU to re­ othn uni(K:3t;uns. Late modd, absolute top built Kimball orsan. Playable. Purchaser to ..nne wwk _ $1350.00. Vincent Downer, 531 muve. Cont:u:t Organist, ChW'Ch of the Holy Vonk condition. $850 include. careful cratins• remove by S~llt . 1 at own upense. Contaci Main Street, Binsham.toD, New York 13905 Comforter. P.O. Bolt 338, Swnler, South D£nnis Jled()erg, 7016 S.W. EV3RS St., Port_ Mn. Ri~hard Kanode, 728 Campbell Circle, Carolina 29150. land, Otf"gon 97219. 503/2-H-7839 or ~/ lIallcville, Ga. 30354. 4G4/761-1279. FOR SALE - SEVERAL FINE REED 6-18-4181 (work). organs and melodeons. Expertly reconditioned. ALLEN 3·MANUAL RMW THEATRE FOR SALE - 3·27 HOOKS &: HASTINGS Reedt, revoiced and tuned. Abo replacements. orpn wilh piano used by famoUl aftu' who it FOR SALE - 2/5 TIIEATRE ORGAN W. clectfo ' lln~ullllltic ofPn built in 1925, altued The Litdc Orpn Shop, C. H. Ouftzinsu, Box willins to lose $3,000. For immediate sale. tm p', reLays in console, good playins cond.; ill 19GO. To he ~movcd culy in 1972. Addl'1'$l : 276. WillialUlvillc. Vt. 05362. Can be seen at Vic:IOf Pianos a: Orpns, 300 I(j h . Kimball diapltone mite~ to 12 ft . w. Wdksley Hills Uniwian Society, Wellesky N.W. ~ St., Jd"lUDi, PIa. 55127. 3OOn SI·7502. rhest nlealhc~ , low 22 notes: Mart and CoI­ lIills, MlW. 02181. Tel. 617/235-7423. FOR SALE _ 2·MANUAL FRAZEE, 21 Ion chesu. relays, ~t c.; br.us sax 61 pipes. mint r;tnu. built 1912, with new Orsoblo, sull in FOR SALE - USED PIPE ORGANS AND cond., best oUer; oboe horn 73 pipes, danner, FOR SALE - TWO·MANUAL 1916 19- .upplemental UIC in church. Price is removal c ompon~nts available from churc.hes where and misc. flue ranks. Contact Henry Hun­ n~w Moller ol"pns Are housht. Eugene E. nmk Casavant orxan includins blower. Pur­ plus repair of cavity. Clifton Eamat, 17 Fair­ sickcf. ~05 N. Front St., Reading, ..... 19605. citllSCr arromge removal. :Make oller. CeIl­ monnt Pk., Banlor, Me. 04401. Poole, 165 Lakewood Road, Walnut Cnd, 21 5/372·6591 or 929-1422. t~m,ry United Methodut Church, 301 North C:t..l if. 91598. Scvelld, StrHt, TerTe Hautc, Indiana 47801. FOR SALE - REOUILT 2/7 WURLITZER Theatre OrpD. Many adciiticmu features. 220 FOR SALE - BRAND NEW Z- FLEXAUST FOR SALE - 3M/9R KIMBALL Till!.­ FOR SALE - CLARINET, MOLLER. .1 ns1c-phue runnins. 290 Peal'llflvanLa Av~ . , dtH:t in 10' I~nst" ; uncut @ $6.00 pu length. atc-r orpQ coniOl~. 91 stops. Kimball tromPet Midll1er aalicional, dulcian:l. VOlt. Other church Marion, Ohio 43302. 614~S966 . Crome Ofl:tn Comp:llny, 2049 Mariann:a Ave­ 85 no(es. conlr.r. bast and pedal bourdon with and thcalre pipes. Bernard Blum, 5223 JeU~r- nue, Lot Angeles, Califomia 90(132. chests and drop Janpet and _hades. Robert 5011, I·hila., IJa. 19131. FOR SALE - SWELL SHADES It EN· J;Jnn~y . 136 Willis Ave., Mineola, N.Y. 11 501. gi nes, 3 selS; melodia 8'; striag 8~ ; make DUet FOR SALE - HAMMOND ORGAN CON­ 516/ HG-0069. FOR SALE - 2-MAN. 32·PED. MOLLER on any. P.O. Box 22128, Dallu. Texas 75222. ct.rt Model RT·2. Alexandria, Va. 703/151- cOlUOle wilh '" .topkcys on lib-new tripper IS9%. FOR SALE - ROBERT MORTON 2M/ actioll $150.00. 3-rank, 6t'note Eltey ventil FOR SALE TIIEATR£ ORGAN 7R, beauliful condition whitc I: gold, now cll~t $150.00. l'ic:k up only. William Troup, parts: WUflitur COIUOIe 2m, MUc. WUfl., FOR SALE - CHURCH ORGAN PIPES, playins. Ibve othe.- ranb a: cllCllti. R. Andre, 90G Bridsc Stl"fft, New Cumbubnd, Pa. Killlba1), Mart a: Colton pipet, chats, etc hanJware, k~boanls. JaelYoir, blowei'. and 61J Alhambra Circle, Cor.tJ Gables, Fla. 33134 17070. SASE for lilt. F. H. Pillsbury, 680 S. Mc· conductora. 8' dulcian.a; 8' aalkiona); 8' aeo­ or phonc 305/+f6.0n5. Knight Rd., St. Louis, Mo. 6312". lin:l i 8' mdodia; 8' I: 4' diapasons; 16' pedal fOR SALE - 2/ M 16/R AUSTIN. MINT lIourdon. Also, 2 pedal kcybds &: assorted FOR SALE - LANCASTER, MASS. Or4 condition. Will install in Chkaso area. JUles FOR SALE - WURLITZER 2M 7R. ROB­ clntro-pneumatic chests. For dctails. writc or gan Studio, ucellcnt ac:owtia, 20 x 30 x 19 Sharpe, 922 Liberty Street, Aurora, IUlnou ert Castle 12350 E. 48th Avenue, Denver, call : Mn. Karl V. Scyfrit, ON.f(l6 Farwell .Iish, I YI ycan: old plw 8·room rancll $42,500. ~. 312/898-0761 Colorado 8oi:J9 51., Wheaton, Ill. 60187. 312/ M3-7642 • h R _. . _._- _... _._-- -.~-. --_ .. ,. -_ .,------. RUFFATTI RODGERS OUR 1971 CATALOGUE ILLUSTRATING A COMPLETE LINE OF ORGAN SUPPLIES PIPES PIPE ORGANS ORGANS & TOOLS IS NOW AVAILABLE' PADUA, ITALY FROM THE EUROPES LARGEST AND FINEST WORLDS LARGEST IUILDER Send $1.00 for your copy of this complete manual. The deposit I. IUILDER OF MODERN PIPE ORGANS OF 3 MANUAL ORGANS deductible from the first purchase of $10.00 or more made during 1971. REPRESENTED~~CAL/FORNIA DURST &. CO., INC.

RODGERS ORGAN STUDIOS P.O. BOX 1 1 6 5 M • E R IE, PEN N A • 183 Golden Gate Ave. '7HE LARGEST AND MOST COMPLETE ORGAN SUPPLY HOUSE IN San Francisco 861·1891 NORTH AMERICA"

BERKSmRE ORGAN COMPANY ~ G;;;';;;;;Lmo;;;~mcc;;;;,;z~y 68 So. Boulevord, West Springfield, MassachuseHs + M_><', _.,...... " ...... ~ , __CHARLOTTE, NORtH ~_~ CAROLINA 2.205

PIANO TUNING Conrad 0 Durham Let Wiclcs put a new heart Into your existing Instrument. Le.",to fDllow Plano horne tunl.g study and COli,... ..pak WId. willi open...., • ElimInate existing problems permanently. Consultation fI.ld willi good .amlngL Make .....1. Builder - Consultant services available, consult home office for a field man '.nt "e:dra" lob. Wri.. American Sch ..1 .f PI.n. Tuning 1 •• 2125, T.llaha.... , Fla. 32304 nearest you. Wiclcs Organ Company, Highland, Illinois 62249. Dept. D. Box 707 Gilroy, Calif.

JUNE, 1971 29 LI.11.a," CO'''ce~-c

European Artisls Season 1971.72

ANTON HEIILER Aug. I-Nov. 12

FLOR PEETERS Oct. & Nov. NITA AKIN LIONEL ROGG ., Oct. 10·Nov. 10

THE DURUFLES Oct. 15· Dec. 1

PIET KEE Late Jan. & Feb.

PETER HURFORD r April ROBERT ANDERSON JERALD HAMILTON GILLIAN WEIR April IS·May 30

First American Tour GUY BOVET. from Geneva April

ROBERT BAKER GERRE HANCOCK DONALD McDONALD

DAVID CRAIGHEAD CLYDE HOLLOWAY l\IARIL YN IIIASON LADDTHOMAS

JOHN WEAVER CATHARI.NE CROZIER WILMA JENSEN FREDERICK SWANN

"-. RAY FERGUSON JOAN LIPPINCOTT WILLIAi'Vr WHITEHEAD

BOX 272 CANAAN, CONNECTICUT 06018 203-824-7877